Stamp Paper Quotes

We've searched our database for all the quotes and captions related to Stamp Paper. Here they are! All 100 of them:

When we get out of the glass bottles of our ego, and when we escape like squirrels turning in the cages of our personality and get into the forests again, we shall shiver with cold and fright but things will happen to us so that we don't know ourselves. Cool, unlying life will rush in, and passion will make our bodies taut with power, we shall stamp our feet with new power and old things will fall down, we shall laugh, and institutions will curl up like burnt paper.
D.H. Lawrence
If anything or anyone removes peace from you or inflicts confusion and judgment on you, this thing or person is not of God regardless of whether or not that person or thing has wrapped itself/himself in the wrapping paper with God's face printed all over it. Don't stop believing in God but stop believing in that person, in that thing. The wrapping paper with God's face stamped all over it isn't really God.
C. JoyBell C.
my greatest problem was stamps, envelopes, paper and wine, with the world on the edge of World War II.
Charles Bukowski
Moist made a mental note: envelopes with a stamp already on, and a sheet of folded paper inside them: Instant Letter Kit, Just Add Ink! That was an important rule of any game: always make it easy for people to give you money.
Terry Pratchett (Going Postal (Discworld, #33))
Fortunately there are wars. And rationing is one of the grandest inventions of man. You stamp paper with figures and you feed stomachs on numbers.
Raja Rao (The Cat and Shakespeare)
She never went out herself, and like a great many other old ladies of the same stamp, she was apt to consider it an act of domestic treason, if anybody else took the liberty of doing what she couldn't.
Charles Dickens (The Pickwick Papers)
Had I only known my letters Would be of such importance I’d empty myself on paper Every single morning’ And it was for such reason, as she read his little stanza, that she decided to stamp one final letter: ‘Every single morning I’d empty myself on paper You were my greater importance That’s why I wrote you letters.
Mie Hansson (Where Pain Thrives)
Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. * * * They opened the door and stepped in. They stopped. The library deeps lay waiting for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
Ray Bradbury (Something Wicked This Way Comes)
All he needed was a locked room, ink, and sheets of virgin paper. This was his anchor, and he embedded it with the few scraps of energy he had left. He instinctively knew that memory and imagination share the same ghost quarters of the brain, that they are like impressions in loose sand, footfalls in snow. Memory normally weighed more, but not here, where the forest washed it away, smoothing out every contour of its vital meaning. Here, he would use imagination to stamp out a lasting foundation that refused the insidious erosions buffeting around him. He would dream his way back to life with impossible facts.
B. Catling (The Vorrh (The Vorrh Trilogy, #1))
before I was married I didn't care what bills I put my name to, and so long as Moses would wait or Levy would renew for three months, I kept on never minding. But since I'm married, except renewing, of course, I give you my honour I've not touched a bit of stamped paper.
William Makepeace Thackeray (Vanity Fair)
The silence. End of all poetry, all romances. Earlier, frightened, you began to have some intimation of it: so many pages had been turned, the book was so heavy in one hand, so light in the other, thinning toward the end. Still, you consoled yourself. You were not quite at the end of the story, at that terrible flyleaf, blank like a shuttered window: there were still a few pages under your thumb, still to be sought and treasured. Oh, was it possible to read more slowly? - No. The end approached, inexorable, at the same measured pace. The last page, the last of the shining words! And there - the end of the books. The hard cover which, when you turn it, gives you only this leather stamped with old roses and shields. Then the silence comes, like the absence of sound at the end of the world. You look up. It's a room in an old house. Or perhaps it's a seat in a garden, or even a square; perhaps you've been reading outside and you suddenly see the carriages going by. Life comes back, the shadows of leaves. Someone comes to ask what you will have for dinner, or two small boys run past you, wildly shouting; or else it's merely a breeze blowing a curtain, the white unfurling into a room, brushing the papers on a desk. It is the sound of the world. But to you, the reader, it is only a silence, untenanted and desolate.
Sofia Samatar (A Stranger in Olondria)
Like a warrior in the battlefield, a writer must endeavour to use his pen to stamp the paper with his identity.
Ogwo David Emenike
The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood.
Toni Morrison (Beloved (Beloved Trilogy, #1))
The next time you see a sixteen-color, blind-embossed, gold-stamped, die-cut, elaborately folded and bound job, printed on handmade paper, see if it isn't a mediocre idea trying to pass for something else.
Milton Glaser
...it was my father who had taught me to love books for themselves, the smell of the vellum and paper, the rare authority of the pages. "Here, do you see this marvelous book, the skins of 182 sheep," he once pronounced as he slapped his hand down on the stamped leather cover boards. "The book is a flock, a jewel, a cemetery, a lantern, a garden, a piss pot; pigments ground of precious minerals, charred bone, lamp soot, rare plants and insects. Pigments formed at the corrosion of copper plates suspended above urine.
Regina O'Melveny (The Book of Madness and Cures)
Father had stretched out his long legs and was tilting back in his chair. Mother sat with her knees crossed, in blue slacks, smoking a Chesterfield. The dessert dishes were still on the table. My sisters were nowhere in evidence. It was a warm evening; the big dining-room windows gave onto blooming rhododendrons. Mother regarded me warmly. She gave me to understand that she was glad I had found what I had been looking for, but that she and father were happy to sit with their coffee, and would not be coming down. She did not say, but I understood at once, that they had their pursuits (coffee?) and I had mine. She did not say, but I began to understand then, that you do what you do out of your private passion for the thing itself. I had essentially been handed my own life. In subsequent years my parents would praise my drawings and poems, and supply me with books, art supplies, and sports equipment, and listen to my troubles and enthusiasms, and supervise my hours, and discuss and inform, but they would not get involved with my detective work, nor hear about my reading, nor inquire about my homework or term papers or exams, nor visit the salamanders I caught, nor listen to me play the piano, nor attend my field hockey games, nor fuss over my insect collection with me, or my poetry collection or stamp collection or rock collection. My days and nights were my own to plan and fill.
Annie Dillard (An American Childhood)
When he was very excited, [John Singer] Sargent would rush at his canvas with his brush poised for attack, yelling, 'Demons, demons, demons!' When he was particularly angry or frustrated, he expressed these feelings with 'Damn,' the only curse he allowed himself. He once had the expletive inscribed on a rubber stamp so he could have the satisfaction of pounding it on a piece of paper.
Deborah Davis (Strapless: John Singer Sargent and the Fall of Madame X)
if the opponent praises you … you will not believe, you will take it as sarcasm. And, if the opponent curses you and criticizes you, you will not only believe it, you will take it as if he had made a declaration over a notarized stamped paper. So granted and guaranteed.
Girdhar Joshi (Some Mistakes Have No Pardon)
The length of the friendship never brought astonishment. After all, the majority of Baby Boomers could likely claim a long-standing friendship in their lives. No, it was always the letters: the-pen-on-paper, inside a-stamped-envelope, mailed-in-a-mailbox letter that was awe inspiring. “You’ve been writing a letter every week for almost thirty years?” The question always evokes disbelief, particularly since the dawn of the Internet and email. We quickly correct the misconception. “Well, at least one letter, but usually more. We write each other three or four letters a week. And we never wait for a return letter before beginning another.” Conservatively speaking, at just three letters a week since 1987, that would equal 4,368 letters each, but we’d both agree that estimate is much too low. We have, on occasion, written each other two letters in a single day.
Mary Potter Kenyon (Mary & Me: A Lasting Link Through Ink)
Millions of flying saucers landin’ all the time and the government keeps hushing it up.’ ‘Why?’ said Wensleydale. Adam hesitated. His reading hadn’t provided a quick explanation for this; New Aquarian just took it as the foundation of belief, both of itself and its readers, that the government hushed everything up. ‘’Cos they’re the government,’ said Adam simply. ‘That’s what governments do. They’ve got this great big building in London full of books of all the things they’ve hushed up. When the Prime Minister gets into work in the morning, the first thing he does is go through the big list of everything that’s happened in the night and put this big red stamp on them.’ ‘I bet he has a cup of tea first, and then reads the paper,’ said Wensleydale,
Terry Pratchett (Good Omens)
In 1954, Congress followed Eisenhower’s lead, adding the phrase “under God” to the previously secular Pledge of Allegiance. A similar phrase, “In God We Trust,” was added to a postage stamp for the first time in 1954 and then to paper money the next year; in 1956, it became the nation’s first official motto.
Kevin M. Kruse (One Nation Under God: How Corporate America Invented Christian America)
It is often much harder to get rid of books than it is to acquire them. They stick to us in that pact of need and oblivion we make with them, witnesses to a moment in our lives we will never see again. While they are still there, it is a part of us. I have noticed that many people make a note of the day, month, and year that they read a book; they build up a secret calendar. Others, before lending one, write their name on the flyleaf, note whom they lent it to in an address book, and add the date. I have known some book owners who stamp them or slip a card between their pages the way they do in public libraries. Nobody wants to mislay a book. We prefer to lose a ring, a watch, our umbrella, rather than a book whose pages we will never read again, but which retains, just in the sound of its title, a remote and perhaps long-lost emotion.
Carlos María Domínguez (The House of Paper)
In accordance with such zeal, by reducing the external world to a matter of faith, he wanted merely to open a little door for faith in general, and to prepare the credit for that which was afterwards actually to be offered on credit; just as if, to introduce paper money, we tried to appeal to the fact that the value of the ringing coin depended merely on the stamp the State put on it.
Arthur Schopenhauer (The World as Will and Representation, Vol. 2)
you were last seen walking through a field of pianos. no. a museum of mouths. in the kitchen of a bustling restaurant, cracking eggs and releasing doves. no. eating glow worms and waltzing past my bedroom. last seen riding the subway, literally, straddling its metal back, clutching electrical cables as reins. you were wearing a dress made out of envelopes and stamps, this was how you travelled. i was the mannequin in the storefront window you could have sworn moved. the library card in the book you were reading until that dog trotted up and licked your face. the cookie with two fortunes. the one jamming herself through the paper shredder, afraid to talk to you. the beggar, hat outstretched bumming for more minutes. the phone number on the bathroom stall with no agenda other than a good time. the good time is a picnic on water, or a movie theatre that only plays your childhood home videos and no one hushes when you talk through them. when they play my videos i throw milk duds at the screen during the scenes i watch myself letting you go – lost to the other side of an elevator – your face switching to someone else’s with the swish of a geisha’s fan. my father could have been a travelling salesman. i could have been born on any doorstep. there are 2,469,501 cities in this world, and a lot of doorsteps. meet me on the boardwalk. i’ll be sure to wear my eyes. do not forget your face. i could never.
Megan Falley
As James Madison explained, the Constitution is “of no more consequence than the paper on which it is written, unless it be stamped with the approbation of those to whom it is addressed … THE PEOPLE THEMSELVES.
Jill Lepore (Book of Ages: The Life and Opinions of Jane Franklin)
Doc awakened very slowly and clumsily like a fat man getting out of a swimming pool. His mind broke the surface and fell back several times. There was red lipstick on his beard. He opened one eye, saw the brilliant colors of the quilt and closed his eye quickly. But after a while he looked again. His eye went past the quilt to the floor, to the broken plate in the corner, to the glasses standing on the table turned over on the floor, to the spilled wine and the books like heavy fallen butterflies. There were little bits of curled red paper all over the place and the sharp smell of firecrackers. He could see through the kitchen door to the steak plates stacked high and the skillets deep in grease. Hundreds of cigarette butts were stamped out on the floor. And under the firecracker smell was a fine combination of wine and whiskey perfume. His eye stopped for a moment on a little pile of hairpins in the middle of the floor. He rolled over slowly and supporting himself on one elbow he looked out the broken window. Cannery Row was quiet and sunny. The boiler was open. The door of the Palace Flophouse was closed. A man slept peacefully among the weeds in the vacant lot. The Bear Flag was shut up tight.
John Steinbeck
lead, adding the phrase “under God” to the previously secular Pledge of Allegiance. A similar phrase, “In God We Trust,” was added to a postage stamp for the first time in 1954 and then to paper money the next year; in 1956, it became the nation’s first official motto. During the Eisenhower
Kevin M. Kruse (One Nation Under God: How Corporate America Invented Christian America)
I won't be coming back", she replied, taking the ticket from his hands and placing it carefully in her purse, for she had a sense that this might be an item that would be worth holding on to, a paper memory with the date of the beginning of her new life stamped across it in heavy black ink.
John Boyne
The dictionary's title would be stamped in gold across the spine. Its paper would have a pleasing creaminess and weight, with a typeface implying elegance, an undeniably suave firmness or firm suaveness. A typeface that would be played by Jeremy Brett or Romaine Brooks - a typeface with cheekbones.
Eley Williams (The Liar's Dictionary)
In fact, Kelly evolved his own unorthodox security methods, which worked beautifully in the early days of the 1950s. We never stamped a security classification on any paperwork. That way, nobody was curious to read it. We just made damned sure that all sensitive papers stayed inside the Skunk Works.
Ben Rich CEO Lockheed Skunk Works
It contained a long, narrow desk with a glass top, and on that…three ceramic beer mugs. They were stuffed with all sorts of things—pencils, rulers, drafting pens. On a tray were erasers, a paperweight, ink remover, old receipts, adhesive tape, paper clips of many colors…a pencil sharpener and postage stamps.
Haruki Murakami (Wind/Pinball: Two Novels)
How do we know that?” Lucy was frowning. “By inference. She did not attach a piece of paper to a blanket with a bare pin and wrap the blanket around the baby. Mr. Goodwin found a tray half full of safety pins in her house. But he found no rubber-stamp kit and no stamp pad, and one was used for the message on the paper. The inference is not conclusive, but it is valid. I am satisfied that on May twentieth Ellen Tenzer delivered the baby to someone, either at her house or, more likely, at a rendezvous elsewhere. She may or may not have known that its destination was your vestibule. I doubt it; but she knew too much about its history, its origin, so she was killed.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
As central expressions of patriotism, these changes guaranteed that religious sentiment would be not just a theme pressed by a transitory administration but rather a lasting trait of the nation. The addition of “one nation under God” to the Pledge of Allegiance ensured that the new fusion of piety and patriotism that conservatives had crafted over the past two decades would be instilled in the next generation of children and beyond. From then on, their interpretation of America’s fundamental nature would have a seemingly permanent place in the national imagination. And with “In God We Trust” appearing on postage stamps and paper currency, the daily interactions citizens made through the state—sending mail, swapping money—were similarly sacralized. The addition of the religious motto to paper currency was particularly important, as it formally confirmed a role for capitalism in that larger love of God and country. Since then, every act of buying and selling in America has occurred through a currency that proudly praises God.
Kevin M. Kruse (One Nation Under God: How Corporate America Invented Christian America)
The cult of government secrecy is growing. ¶ The practice has become so widespread and routine that, according to testimony given before the House government information sub-committee, more than a million Federal employees are empowered to classify information. This means that one out of every 180 Americans is stamping the word 'secret' on papers.
William J. Lederer (A Nation Of Sheep)
I made tiny newspapers of ant events, stamp-sized papers at first, then a bit bigger, too big for ants, it distressed me, but I couldn’t fit the stories otherwise and I wanted real stories, not just lines of something that looked like writing. Anyway, imagine how small an ant paper would really be. Even a stamp would have looked like a basketball court. I imagine political upheavals, plots and coups d e’tat, and I reported on them. I think I may have been reading a biography of Mary Queen of Scots at the time…. Anyway, there was this short news day for the ants. I’d run out of political plots, or I was bored with them. So I got a glass of water and I created a flood. The ants scrambled for safety, swimming for their lives. I was kind of ashamed, but it made for good copy. I told myself I was bringing excitement into their usual humdrum. The next day, I dropped a rock on them. It was a meteorite from outer space. They gathered around it and ran up and over it; obviously they didn’t know what to do. It prompted three letters to the editor.
Karen Joy Fowler (The Jane Austen Book Club)
All they saw were the food stamps, the large WIC paper coupons that bought us eggs, cheese, milk, and peanut butter. What they didn’t see was the balance, which hovered around $200 depending on my income, and that it was all the money I had for food. I had to stretch it to the end of each month until the balance was re-upped after the beginning of the month.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx
Holly Smale (Picture Perfect (Geek Girl, #3))
When the Nazis overran France in the spring of 1940, much of its Jewish population tried to escape the country. In order to cross the border south, they needed visas to Spain and Portugal, and tens of thousands of Jews, along with many other refugees, besieged the Portuguese consulate in Bordeaux in a desperate attempt to get the life-saving piece of paper. The Portuguese government forbade its consuls in France to issue visas without prior approval from the Foreign Ministry, but the consul in Bordeaux, Aristides de Sousa Mendes, decided to disregard the order, throwing to the wind a thirty-year diplomatic career. As Nazi tanks were closing in on Bordeaux, Sousa Mendes and his team worked around the clock for ten days and nights, barely stopping to sleep, just issuing visas and stamping pieces of paper. Sousa Mendes issued thousands of visas before collapsing from exhaustion. The Portuguese government – which had little desire to accept any of these refugees – sent agents to escort the disobedient consul back home, and fired him from the foreign office. Yet officials who cared little for the plight of human beings nevertheless had deep respect for documents, and the visas Sousa Mendes issued against orders were respected by French, Spanish and Portuguese bureaucrats alike, spiriting up to 30,000 people out of the Nazi death trap. Sousa Mendes, armed with little more than a rubber stamp, was responsible for the largest rescue operation by a single individual during the Holocaust.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
Adolf Hitler and his Brownshirts had surged to power. Now they held Germany by the throat. The Gestapo was rapidly creating a cruel and brutal police state that treated all but true Aryans like dogs and swine. That was certainly true for Jews like the Weisz family. In just the last few years, they and all of the Jewish families in Germany had been stripped of their citizenship and denied many of their most basic rights. Jacob’s father, an esteemed professor of German history, had been summarily fired from his prestigious post at Frederick William University in Berlin. The Weisz family had been forced out of their beautiful, spacious home in the suburbs of the capital. They’d had a big red J stamped on their official papers and had been denied permission to leave the country. So they had left Berlin and made a new home in Siegen.
Joel C. Rosenberg (The Auschwitz Escape)
ref·u·gee noun: a person who flees for refuge or safety We are, each of us, refugees when we flee from burning buildings into the arms of loving families. When we flee from floods and earthquakes to sleep on blue mats in community centres. We are, each of us, refugees when we flee from abusive relationships, and shooters in cinemas and shopping centres. Sometimes it takes only a day for our countries to persecute us because of our creed, race, or sexual orientation. Sometimes it takes only a minute for the missiles to rain down and leave our towns in ruin and destitution. We are, each of us, refugees longing for that amniotic tranquillity dreaming of freedom and safety when fences and barbed wires spring into walled gardens. Lebanese, Sudanese, Libyan and Syrian, Yemeni, Somali, Palestinian, and Ethiopian, like our brothers and sisters, we are, each of us, refugees. The bombs fell in their cafés and squares where once poetry, dancing, and laughter prevailed. Only their olive trees remember music and merriment now as their cities wail for departed children without a funeral. We are, each of us, refugees. Don’t let stamped paper tell you differently. We’ve been fleeing for centuries because to stay means getting bullets in our heads because to stay means being hanged by our necks because to stay means being jailed, raped and left for dead. But we can, each of us, serve as one another’s refuge so we don't board dinghies when we can’t swim so we don’t climb walls with snipers aimed at our chest so we don’t choose to remain and die instead. When home turns into hell, you, too, will run with tears in your eyes screaming rescue me! and then you’ll know for certain: you've always been a refugee.
Kamand Kojouri
She had driven far down the winding road, and the lights of the diner were long since out of sight, when she noticed that she was enjoying the taste of the cigarette he had given her: it was different from any she had ever smoked before. She held the small remnant to the light of the dashboard, looking for the name of the brand. There was no name, only a trademark. Stamped in gold on the thin, white paper there stood the sign of the dollar.
Ayn Rand (Atlas Shrugged)
At the front door I pat my trouser pocket to check for the thin outline of my passport and realize it’s not there. Always the passport, always the “dokumenti!” You can get stopped and checked for papers at any moment. It might only actually happen once or maybe even twice a year, but you still have to stand in queues and knock on doors to obtain the whole library of little stamps, regulations, permits—the legal stipulations and requirements that are themselves always changing. A little trick to keep you always on tenterhooks, always patting your pockets for your papers, always waking up worried that you might have lost them in a bar. Over time you begin to pat for the passport instinctively, your hand going down unthinkingly to check your pocket so many times a day you don’t even notice any more. That’s true power—when it starts to influence the unconscious movements of your arms.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
and helped her invent two flavor combinations. “How did you know that chocolate and mint is my favorite?” Fitz asked, peeling off the silver wrapper and devouring the whole fluff in one bite. “I didn’t,” Sophie admitted. “If I had, I wouldn’t have given you any of the butter toffee ones.” “Those look amazing too,” he said, then frowned at his present. “Aren’t you going to open it?” “Shouldn’t I wait until we’re with the others?” “Nah. It’ll be better if it’s just the two of us.” Something about the way he said it made her heart switch to flutter mode, even though she knew Fitz didn’t think of her that way. Her mind raced through a dozen theories as she carefully tore the shimmering paper. But she still wasn’t prepared to find . . . “Rings?” “They go on your thumbs,” Fitz explained. “It’s a Cognate thing.” She wasn’t sure what thumb jewelry had to do with their rare telepathic connection. But she noticed Fitz was wearing an identical set. Each ring had initials stamped into the verdigris metal. SEF on the right—Sophie Elizabeth Foster—and FAV on the left. “Fitzroy Avery Vacker.” “Your full name is Fitzroy?” she asked. “Yeah. No idea what my parents were thinking with that one. But watch this. Try opening your thoughts to mine, and then do this.” He held his hands palm-out, waiting for her to do the same. As soon as she did, the rings turned warm against her skin and snapped their hands together like magnets. “They’re made from ruminel,” Fitz said, “which reacts to mental
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
The Portuguese government forbade its consuls in France to issue visas without prior approval from the Foreign Ministry, but the consul in Bordeaux, Aristides de Sousa Mendes, decided to disregard the order, throwing to the wind a thirty-year diplomatic career. As Nazi tanks were closing in on Bordeaux, Sousa Mendes and his team worked around the clock for ten days and nights, barely stopping to sleep, just issuing visas and stamping pieces of paper. Sousa Mendes issued thousands of visas before collapsing from exhaustion.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
In order to stop the spread of these revolutionary ideas through books to disenfranchised people, the government in England enacted legislation called “the taxes on knowledge.” First, the Stamp Act of 1712 made printed materials expensive, hoping to price them out of the hands of women and poor people. Taxes were placed on paper and advertisements, so “the bigger the book, the bigger the tax.”[9] Similarly, the stamp duties on newspapers and pamphlets were understood to be “targeted attacks on the reading matter which the state feared most.”[10]
Maya Rodale (Dangerous Books For Girls: The Bad Reputation of Romance Novels Explained)
But there is another possible attitude towards the records of the past, and I have never been able to understand why it has not been more often adopted. To put it in its curtest form, my proposal is this: That we should not read historians, but history. Let us read the actual text of the times. Let us, for a year, or a month, or a fortnight, refuse to read anything about Oliver Cromwell except what was written while he was alive. There is plenty of material; from my own memory (which is all I have to rely on in the place where I write) I could mention offhand many long and famous efforts of English literature that cover the period. Clarendon’s History, Evelyn’s Diary, the Life of Colonel Hutchinson. Above all let us read all Cromwell’s own letters and speeches, as Carlyle published them. But before we read them let us carefully paste pieces of stamp-paper over every sentence written by Carlyle. Let us blot out in every memoir every critical note and every modern paragraph. For a time let us cease altogether to read the living men on their dead topics. Let us read only the dead men on their living topics.
G.K. Chesterton (Lunacy and Letters)
The Book Lover:- See how I have come up in the World, because of my books. I pull the covers agape, pages release their cargo and words fly like birds each with its own song. Listen, and vowels will breathe like flutes in your head, Consonants tick-tack like woodpeckers, and sibilants, sly as asps, bite the plosives that pop from our pressed lips. A picture worth a thousand words? You paint a score of trees, dark needled, stippled and stroked across your canvas: My book say ‘’forrest’’ (Feel that Pine green touch) You wash your paper with azures and turquoise, set ship after ship, sails wind-pregnant, As far as the daubed horizon: my books say ‘’armada’’. (Smell that sea-green scent) Art’s shape is their noun, its colour their objective, Its tone their adverb; my books match the grammar of landscapes. This book may say ‘Socrates’ secrets, Freud’s autopsy of actions or Heaney’s verses; Every idea dreamed by man caught, black stamped for all time, within its cardboard confines. Here the past speaks to us, as the future will, in the language of our senses. Step up book by book- In time, you will reach the stars.
Catriona Malan
A Poster Is a Poster and Not a Pipe A poster has a message. Sometimes. A poster is a sheet of paper without a backside. A poster is a stamp. You can put it on the wall or on the window, on the celing or on the ground, upside down or wrong side up. There are young posters that look very old and old posters that never die. A good poster attacks you. A bad poster loves you. And there are "l'art-pour-l'art" posters that love themselves and want to be beautiful. These type of posters confuse the viewer, muddle up his eyes, and force him to look for something in the poster that is not inside. If you like, you can smoke it in your pipe.
Uwe Loesch
How do we know that?” Lucy was frowning. “By inference. She did not attach a piece of paper to a blanket with a bare pin and wrap the blanket around the baby. Mr. Goodwin found a tray half full of safety pins in her house. But he found no rubber-stamp kit and no stamp pad, and one was used for the message on the paper. The inference is not conclusive, but it is valid. I am satisfied that on May twentieth Ellen Tenzer delivered the baby to someone, either at her house or, more likely, at a rendezvous elsewhere. She may or may not have known that its destination was your vestibule. I doubt it; but she knew too much about its history, its origin, so she was killed.” “Then you know that?” Lucy’s hands were clasped, the fingers twisted. “That that’s why she was killed?” “No. But it would be vacuous not to assume it. Another assumption: Ellen Tenzer not only did not leave the baby in your vestibule or know that was its destination; she didn’t even know that it was to be so disposed of that its source would be unknown and undiscoverable. For if she had known that, she would not have dressed it in those overalls. She knew those buttons were unique and that inquiry might trace their origin. Whatever she—” “Wait a minute.” Lucy was frowning, concentrating. Wolfe waited. In a moment she went on. “Maybe she wanted them to be traced.
Rex Stout (The Mother Hunt (Nero Wolfe, #38))
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
And he had done his own part here at Riverrun without actually ever taking up arms against the Starks or Tullys. Once he found the Blackfish, he would be free to return to King’s Landing, where he belonged. My place is with my king. With my son. Would Tommen want to know that? The truth could cost the boy his throne. Would you sooner have a father or a chair, lad? Jaime wished he knew the answer. He does like stamping papers with his seal. The boy might not even believe him, to be sure. Cersei would say it was a lie. My sweet sister, the deceiver. He would need to find some way to winkle Tommen from her clutches before the boy became another Joffrey. And whilst at that, he should find the lad a new small council too.
George R.R. Martin (A Feast For Crows (A Song of Ice and Fire, #4))
Here are the top four stupid procedures at our airports: One, an absolutely redundant item, is the silly bits of paper with an elastic attached, called hand baggage tags. Passengers attach them to their bags, and they are stamped after passing through the x-ray machine. Later, half a dozen people check your stamp until you board your flight. The stamp and the tag are redundant. Nobody should be able to get bags inside without an x-ray in the first place. If they can, and thus have sneaked in a non-x-rayed, unstamped bag, can’t they hide it in another bigger empty stamped bag? While the x-ray is required, the tag-stamp routine is unnecessary. In fact, the stamp creates a false sense of security—it seems like an approval.
Chetan Bhagat (Making India Awesome: New Essays and Columns)
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
Clock snips time in two Lap of rain In the drain pipe Two o’clock And never you. Never you, down the evening, I cannot14 Cry, or even smile Acidly or bitter-sweetly For never you and incompletely. Things surround me; I could touch Soap or toothbrush Desk or chair. Never mind the three dimensions All is flat, and you not there. Letters, paper, stamps And white. And black. typewritten-you, and there It is. The trickle, liquid trickle Of rain in drain-pipe Is voice enough For me tonight. And the click-click Hard quick click-click Of the clock Is pain enough, enough heart-beat15 For me tonight. The narrow cot, The iron bed Is space enough And warmth enough …16 Enough, enough. To bed and sleep And tearless creep The formless seconds Minutes hours And never you The raindrops weep
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn't the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.
Toni Morrison (Beloved (Beloved Trilogy, #1))
This is a political age. War, Fascism, concentration camps, rubber truncheons, atomic bombs, etc., are what we daily think about, and therefore to a great extent what we write about, even when we do not name them openly. We cannot help this. When you are on a sinking ship, your thoughts will be about sinking ships. But not only is our subject-matter narrowed, but our whole attitude towards literature is coloured by loyalties which we at least intermittently realise to be non-literary. I often have the feeling that even at the best of times literary criticism is fraudulent, since in the absence of any accepted standards whatever—any external reference which can give meaning to the statement that such and such a book is “good” or “bad”—every literary judgement consists in trumping up a set of rules to justify an instinctive preference. One’s real reaction to a book, when one has a reaction at all, is usually “I like this book” or “I don’t like it,” and what follows is a rationalisation. But “I like this book” is not, I think, a non-literary reaction; the non-literary reaction is “This book is on my side, and therefore I must discover merits in it.” Of course, when one praises a book for political reasons one may be emotionally sincere, in the sense that one does feel strong approval of it, but also it often happens that party solidarity demands a plain lie. Anyone used to reviewing books for political periodicals is well aware of this. In general, if you are writing for a paper that you are in agreement with, you sin by commission, and if for a paper of the opposite stamp, by omission.
George Orwell (All Art Is Propaganda: Critical Essays)
Southern Pecan Bread Ingredients: 1 1/2 cups light brown sugar 1/2 cup granulated sugar 1 1/4 cup butter, melted 4 eggs, lightly beaten 1 teaspoon vanilla 1/2 teaspoon kosher salt 1 1/2 cups self-rising flour 1 1/2 cups chopped pecans Instructions: Preheat oven to 350°F. Line a 9×13 baking dish with foil or parchment paper. Coat lightly with nonstick spray and set aside. In the bowl of your stand mixer using the paddle attachment combine both the sugars and butter, mixing on low until combined. Add in the eggs, vanilla, and salt and turn mixer up to medium speed and mix for 1 minute until smooth. Turn mixer to low and mix in the flour until just combined. Fold in the pecans. Transfer mixture to your prepared pan and bake for 30-35 minutes, or until the center is just set and the edges are lightly golden. Cool completely in the pan, and then cut into squares.
Tonya Kappes (Stamped Out (A Mail Carrier Cozy Mystery, #1))
They opened the door and stepped in. They stopped. The library deeps waited for them. Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast, marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
Ray Bradbury (Something Wicked This Way Comes)
Several years ago, I was invited to deliver a lecture on art and literature to the Tinworth Historical Society. While searching in the attic for a treatise of mine written during my student days at the Sorbonne, I came upon a large, dust-and-cobweb-covered trunk bearing the initials W.W. which I had never before noticed. Inside were stacks of paper tied in neat bundles and a large quantity of fascinating memorabilia - faded flowers, old invitations, scraps of satin, velvet and lace, postage stamps, jewelry, postcards from foreign capitals. The variety was endless. As I examined several bundles of paper more carefully, I realized I was holding a collection of drawings by Amelia Woodmouse, a promising young artist and a member of the family who had lived in the house at the turn of the century. From the delightful portraits and paintings depicting the life around her, and the accumulation of personal mementos, it was obvious that the artist had begun her collection in order to compile a family album, which for some reason, sadly, she never completed.
Pamela Sampson
A silver hairbrush, old and surely precious, with a little leopard's head for London stamped near the bristles. A white dress, small and pretty, the sort of old-fashioned dress Cassandra had never seen, let alone owned- the girls at school would laugh if she wore such a thing. A bundle of papers tied together with a pale blue ribbon. Cassandra let the bow slip loose between her fingertips and brushed the ends aside to see what lay beneath. A picture, a black-and-white sketch. The most beautiful woman Cassandra had ever seen, standing beneath a garden arch. No, not an arch, a leafy doorway, the entrance to a tunnel of trees. A maze, she thought suddenly. The strange word came into her mind fully formed. Scores of little black lines combined like magic to form the picture, and Cassandra wondered what it would feel like to create such a thing. The image was oddly familiar and at first she couldn't think how that could be. Then she realized- the woman looked like someone from a children's book. Like an illustration from an olden-days fairy tale, the maiden who turns into a princess when the handsome prince sees beyond her ratty clothing.
Kate Morton (The Forgotten Garden)
VICTORIAN FUNERAL BISCUITS Adapted from the third edition of Miss Beecher’s Domestic Receipt-Book, published in 1862. ½ c sugar ½ c salted butter, softened 1 c molasses ½ c warm water 2 tbs fresh minced ginger 2 ¼ c flour ½ tsp baking soda In a large bowl, use an electric mixer to beat the sugar and butter together until light and fluffy, about 1 minute. Add the molasses, water, and ginger, and beat until combined. In a separate bowl, whisk together the flour and baking soda. Add flour to molasses mixture and use electric mixer to combine well. Dough will be stiff. Split dough into two balls. Knead each dough ball several times to remove any air bubbles. Form dough into two even logs, approximately 8 inches long. Wrap each log tightly in plastic wrap. Refrigerate for several hours until firm. Preheat oven to 350°F. Line two baking sheets with parchment paper. Slice each log of dough into ¼-inch rounds and place one inch apart on baking sheets. Each dough log makes approximately 25 biscuits. If desired, use a knife or stamp to impress an image onto the biscuits. Bake 20 minutes. Let cool completely (biscuits should be crunchy). Wrap several biscuits in wax paper and secure with a black wax stamp or black string.
Sarah Penner (The London Séance Society)
whenever two people kiss the world is born, a drop of light with guts of transparency the room like a fruit splits and begins to open or burst like a star among the silences and all laws now rat-gnawed and eaten away, barred windows of banks and penitentiaries, the bars of paper, and the barbed-wire fences, the stamps and the seals, the sharp prongs and the spurs, the one-note sermon of the bombs and wars, the gentle scorpion in his cap and gown, the tiger who is the president of the Society for the Prevention of Cruelty and the Red Cross, the pedagogical ass, and the crocodile set up as saviour, father of his country, the founder, the leader, the shark, the architect of the future of us all, the hog in uniform, and then that one, the favourite son of the Church who can be seen brushing his black teeth in holy water and taking evening courses in English and democracy, the invisible barriers, the mad and decaying masks that are used to separate us, man from man, and man from his own self they are thrown down for an enormous instant and we see darkly our own lost unity, how vulnerable it is to be women and men, the glory it is to be man and share our bread and share our sun and our death, the dark forgotten marvel of being alive;
Octavio Paz (Selected Poems)
Extract from 'Quixotic Ambitions': The crowd stared at Katy expectantly. She looked at them - old women in black, exhausted young women with pasty-faced children, youths in jeans and leather blousons chewing gum. She tried to speak but the words wouldn’t come. Then, with a sudden burst of energy, she blurted out her short speech, thanking the people of Shkrapova for their welcome and promising that if she won the referendum she would work for the good of Maloslavia. There was some half-hearted applause and an old lady hobbled up to her, knelt down with difficulty, and kissed the hem of her skirt. She looked at Katy with tears rolling down her face and gabbled something excitedly. Dimitar translated: ‘She says that she remembers the reign of your grandfather and that God has sent you to Maloslavia.’ Katy was embarrassed but she smiled at the woman and helped her to her feet. At this moment the People’s Struggle Pioneers appeared on the scene, waving their banners and shouting ‘Doloy Manaheeyoo! Popnikov President!’ Police had been stationed at strategic points and quickly dispersed the demonstrators without any display of violence, but the angry cries of ‘Down with the monarchy!’ had a depressing effect on the entertainment that had been planned; only a few people remained to watch it. A group of children aged between ten and twelve ran into the square and performed a series of dances accompanied by an accordian. They stamped their feet and clapped their hands frequently and occasionally collided with one another when they forgot their next move. The girls wore embroidered blouses, stiffly pleated skirts and scarlet boots and the boys were in baggy linen shirts and trousers, the legs of which were bound with leather thongs. Their enthusiasm compensated for their mistakes and they were loudly applauded. The male voice choir which followed consisted of twelve young men who sang complicated polyphonic melodies with a high, curiously nasal tenor line accompanied by an unusually deep droning bass. Some of their songs were the cries of despair of a people who had suffered under Turkish occupation; others were lively dance tunes for feast days and festivals. They were definitely an acquired taste and Katy, who was beginning to feel hungry, longed for them to come to an end. At last, at two o’clock, the performance finished and trestle tables were set up in the square. Dishes of various salads, hors-d’oeuvres and oriental pastries appeared, along with casks of beer and bottles of the local red wine. The people who had disappeared during the brief demonstration came back and started piling food on to paper plates. A few of the People’s Struggle Pioneers also showed up again and mingled with the crowd, greedily eating anything that took their fancy.
Pamela Lake (Quixotic Ambitions)
Pumpkin Sugar Cookies Sugar Cookies just got better with a little pumpkin! This recipe creates soft, chewy, lightly spicy glazed pumpkin sugar cookies that are perfect for Fall! Ingredients: 1/2 cup softened butter 1/2 cup vegetable oil 1/2 cup pumpkin puree {canned pumpkin} 1 cup granulated sugar 1/2 cup powdered sugar 1/2 teaspoon vanilla 2 large eggs 4 cups all purpose flour 1/4 teaspoon baking soda 1/4 teaspoon cream of tartar 1/2 teaspoon salt 1 teaspoon cinnamon 1/2 teaspoon nutmeg For the glaze topping: 3 cups powdered sugar 4 tablespoons water 1/4 teaspoon pumpkin pie spice Instructions Preheat oven to 350 degrees. Line a baking sheet with parchment paper or silicone baking mat and set aside. In a large bowl, stir butter, oil, pumpkin, sugars, vanilla and eggs together until incorporated and smooth. Slowly mix in all dry ingredients until completely incorporated. Scoop onto prepared baking sheet using 1 1/2 tablespoon scoop and flatten to 1/2 inch thick using the bottom of a glass. If the dough is sticking to the glass, press the bottom of the glass in granulated sugar before flattening. Bake 8-9 minutes. While cookies bake, stir all ingredients together for glaze until smooth. Once cookies are finished baking, cool 3 minutes on baking sheet before transferring to cooling rack. Spread 1 1/2 teaspoons glaze over each warm cookie. Let glaze harden 2-3 hours before serving. OR eat them warm with lots of runny glaze.
Tonya Kappes (Stamped Out (A Mail Carrier Cozy Mystery, #1))
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
Walter Scott (The Greatest Sea Novels and Tales of All Time)
what makes life worth living when we are old and frail and unable to care for ourselves? In 1943, the psychologist Abraham Maslow published his hugely influential paper “A Theory of Human Motivation,” which famously described people as having a hierarchy of needs. It is often depicted as a pyramid. At the bottom are our basic needs—the essentials of physiological survival (such as food, water, and air) and of safety (such as law, order, and stability). Up one level are the need for love and for belonging. Above that is our desire for growth—the opportunity to attain personal goals, to master knowledge and skills, and to be recognized and rewarded for our achievements. Finally, at the top is the desire for what Maslow termed “self-actualization”—self-fulfillment through pursuit of moral ideals and creativity for their own sake. Maslow argued that safety and survival remain our primary and foundational goals in life, not least when our options and capacities become limited. If true, the fact that public policy and concern about old age homes focus on health and safety is just a recognition and manifestation of those goals. They are assumed to be everyone’s first priorities. Reality is more complex, though. People readily demonstrate a willingness to sacrifice their safety and survival for the sake of something beyond themselves, such as family, country, or justice. And this is regardless of age. What’s more, our driving motivations in life, instead of remaining constant, change hugely over time and in ways that don’t quite fit Maslow’s classic hierarchy. In young adulthood, people seek a life of growth and self-fulfillment, just as Maslow suggested. Growing up involves opening outward. We search out new experiences, wider social connections, and ways of putting our stamp on the world. When people reach the latter half of adulthood, however, their priorities change markedly. Most reduce the amount of time and effort they spend pursuing achievement and social networks. They narrow in. Given the choice, young people prefer meeting new people to spending time with, say, a sibling; old people prefer the opposite. Studies find that as people grow older they interact with fewer people and concentrate more on spending time with family and established friends. They focus on being rather than doing and on the present more than the future.
Atul Gawande (Being Mortal: Medicine and What Matters in the End)
In the spring of 1940, when the Nazis overran France from the north, much of its Jewish population tried to escape the country towards the south. In order to cross the border, they needed visas to Spain and Portugal, and together with a flood of other refugees, tens of thousands of Jews besieged the Portuguese consulate in Bordeaux in a desperate attempt to get that life-saving piece of paper. The Portuguese government forbade its consuls in France to issue visas without prior approval from the Foreign Ministry, but the consul in Bordeaux, Aristides de Sousa Mendes, decided to disregard the order, throwing to the wind a thirty-year diplomatic career. As Nazi tanks were closing in on Bordeaux, Sousa Mendes and his team worked around the clock for ten days and nights, barely stopping to sleep, just issuing visas and stamping pieces of paper. Sousa Mendes issued thousands of visas before collapsing from exhaustion. 22. Aristides de Sousa Mendes, the angel with the rubber stamp. 22.​Courtesy of the Sousa Mendes Foundation. The Portuguese government – which had little desire to accept any of these refugees – sent agents to escort the disobedient consul back home, and fired him from the foreign office. Yet officials who cared little for the plight of human beings nevertheless had a deep reverence for documents, and the visas Sousa Mendes issued against orders were respected by French, Spanish and Portuguese bureaucrats alike, spiriting up to 30,000 people out of the Nazi death trap. Sousa Mendes, armed with little more than a rubber stamp, was responsible for the largest rescue operation by a single individual during the Holocaust.2 The sanctity of written records often had far less positive effects. From 1958 to 1961 communist China undertook the Great Leap Forward, when Mao Zedong wished to rapidly turn China into a superpower. Intending to use surplus grain to finance ambitious industrial projects, Mao ordered the doubling and tripling of agricultural production. From the government offices in Beijing his impossible demands made their way down the bureaucratic ladder, through provincial administrators, all the way down to the village headmen. The local officials, afraid of voicing any criticism and wishing to curry favour with their superiors, concocted imaginary reports of dramatic increases in agricultural output. As the fabricated numbers made their way back up the bureaucratic hierarchy, each official exaggerated them further, adding a zero here or there with a stroke of a pen. 23.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
I wonder how it worked inside the Stasi: who thought up these blackmail schemes? Did they send them up the line for approval? Did pieces of paper come back initialled and stamped 'Approved': the ruining of a marriage, the destruction of a career, the imprisonment of a wife, the abandonment of a child? Did they circulate internal updates: 'Five new and different ways to break a heart'?
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Why the name change, Mr. Hard?’ the country clerk asked as he prepared to stamp the eight-year-old John’s paperwork official. ‘It’s just two little letters,’ the clerk said with a smile. ‘And where are your parents, anyway?’ John took the toothpick he was chewing out of his mouth. ‘Just stamp the fucking paper,’ he said, then he flicked the toothpick at the clerk. John Harder was born.
Shea Serrano (Basketball (and Other Things): A Collection of Questions Asked, Answered, Illustrated)
But without necessarily finding any truths; sometimes you find nothing more than the stamp of repression upon their bodies.
Kirsten Weld (Paper Cadavers: The Archives of Dictatorship in Guatemala (American Encounters/Global Interactions))
I could feel the overwhelming heat and humidity pour through the open door before I even walked out onto the steps that had been rolled up to the airplane door. What happened next was staggering and quite intimidating. What passed as soldiers came up to the bottom of ladder and pointed their automatic weapons at the passengers. Ignoring the protests of airport officials, the passengers were herded by these heavily armed ragtag soldiers of the Liberian Security Forces, across the tarmac to a small arrival building, having an attached control tower. This was the terminal, administrative building and gateway to Liberia all in one. Autocratic officials, wearing torn military type uniforms sat at small wooden desks, pompously asking questions, taking money and stamping papers. Soldiers equally ill attired, opened suitcases and bags, roughly tearing through them and lifting the contents with the bayonets of their rifles. Brazenly and without offering any explanation they confiscated any personal articles that attracted their attention. Fortunately I didn’t have anything other than a bottle of aftershave, but I could see a woman that was pleading for the return of her wedding ring. After much palaver and the intervention of an officer did the soldier returned her ring, but not until after she gave them some money. Dash.
Hank Bracker
Perforation! ‍‍‍Shout it out!‍‍‍ The ‍‍‍‍deliberate punctuated ‍‍‍‍weakening of paperand cardboard so that it will tear along an intended path, leaving a row of fine-haired white pills or tuftlets on each new edge! It is a staggering conception, showing an age-transforming feel for the unique properties of pulped-wood fiber. Yet do we have national holidays to celebrate its development? Are‍‍‍‍‍ ‍‍festschrift volumes‍‍‍ pu‍‍‍blish‍‍‍ed honoring the dead greats in the field? People watch the news every night like robots thinking they are learning about their lives, never paying attention to the far more immediate developments that arrive unreported, on the zip-lock perforated top of the ice cream carton, in reply coupons bound in magazines and on the "Please Return This Portion" edging of bill stubs, on sheets of postage stamps and sheets of Publishers Clearing House magazine stamps, on paper towels, in rolls of plastic bags for produce at the supermarket, in strips of hanging file-folder labels. The lines dividing one year from another in your past are perforated, and the mental sensation of detaching a period of your life for closer scrutiny resembles the reluctant guided tearing of a perforated seam.
Nicholson Baker (The Mezzanine)
Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
In the past, perhaps because of memories of the depression in the 1930s and early 1940s when most people had nothing, the greatest generation and the younger Baby Boomers grew up accumulating stuff. It probably started with functional stuff like furniture, kitchenware, and clothing (and shoes!) Later, it expanded into collections of useless but art-driven stuff like coins, postage stamps, and records. During World War II, there were paper drives to create the recyclable pulp that could be used to support the war effort, and millions of magazines and comic books were completely destroyed every week. It wasn’t until the war ended that people started collecting and keeping books and comics and magazines. As George Carlin observed, we then had to build bigger and bigger homes to put all our accumulating stuff into.
Rembert N Parker (Nobody Wants Your Stuff: Resisting the Challenges of the 21st Century #2 (Resistance))
As a practical matter, it is far more difficult to traffic in SNAP than it once was. Back in the days when folks got paper food stamp coupons rather than electronic benefit transfer (EBT) cards, they could easily trade the coupons for cash. But today’s SNAP card has your name on it and requires you to enter a personal identification number, or PIN, when you swipe your card at the register, meaning that in most cases you would want to be physically present at a fraudulent transaction. If you were to simply give someone your EBT card and PIN so that he could buy food for himself and then give you cash back, what’s to keep the person from using up all your benefits? Do you really want to trust someone with one of your most valuable assets, especially when you already know he is not above breaking the law? In
Kathryn J. Edin ($2.00 A Day: Living on Almost Nothing in America)
Monochromatic color schemes are lacking in contrast, which is why I start many of my canvas or paper pieces in this way. I can add layers of contrasting elements later on if desired. Adding tints and shades will give you a larger range of colors with which to create a richness of hues in your projects.
Roxanne Padgett (Acrylic Techniques in Mixed Media: Layer, Scribble, Stencil, Stamp)
It’s making me suspicious of everyone. Everywhere I go I’m looking at people and wondering if it’s them. I hate it. I don’t want to be suspicious of people. I just want the whole thing to go away. To stop. At first I thought it was a few people ganging up on me, jumping on my feminism, as though being a feminist was the worst thing a woman could be. But after a while I realised that it wasn’t really about feminism at all. It was just one person with some sort of grudge against me. That person just kept on and on … and is still sending me letters now.” “We’ll find out who it is. I can look at the whole thing with fresh eyes.” “With a detective’s eyes, you mean?” “Is that so bad? We have to treat it like a police matter and look at all the possibilities. You’d be surprised at how many clues might be contained in as many letters as these. Physical clues, such as the paper and envelopes, the way the stamps are stuck on the envelopes, finger-prints and so on … and clues in the wording.” “There are some spelling and grammatical errors,” she sighed, almost in a gesture of defeat. “Exactly. Those errors can be clues.” “Just in this last letter, the writer has used dont without the apostrophe and your and you’re the wrong way round. They are mistakes that have been repeated again and again over the months. There are quite a lot of spelling mistakes in the earlier, longer letters. I’m not sure how much that will narrow it down, though. Loads of people don’t know when they’re supposed to use apostrophes, so they just guess. And loads of people can’t spell.” “It might help,” he nodded positively. “We should also look at who might have a motive for writing these letters. Is there anyone in your past you think could be responsible?” She shivered. “Like I told you, I’ve had months to think about it. I’ve wondered about practically everyone I’ve ever met and I hate thinking about people that way, especially people I know.” “I can be more objective and maybe I can come up
Alison Greaves (The Curse Of The Ayton Witches (Inspector McClennan, #3))
I don’t know how many years had passed that I hadn’t thought about her. It was a few months after the death of my mother that her name came to me again. I was cleaning out her closet and dresser to donate some of her clothes to the Church. They always had clothes drives to give to some of the poorer people in the area. Better for someone else to have them than just hanging in a closet or in a drawer. At the bottom of one of her drawers, my eyes saw an envelope with my name on. Immediately, I recognized the handwriting on the envelope and for the first time in a long time, I could feel the tears flowing out of my eyes. This wasn’t no single tear drop cry. This was the big, fat, messy tears that come from memories flashing through your mind. Tiffany did write something to me and it was kept from me. I almost unintentionally crumpled the letter in my hand as the combination of hurt and rage took over me for a few moments. I went back to my bedroom and sat down on the edge of my bed. The letter had her North Carolina address on it. That letter would have been a way for us to stay in touch. For almost eight years, I had believed that she didn’t want to stay in contact with me. In that moment, I realized that the hurt I felt for being disregarded was unfounded and she was the one who had the right to feel forgotten. She must have believed that she meant little to me, like I thought she did of me. It’s weird how quickly your perspective can change when given new information. I held that letter in my shaking hands for a few minutes. I didn’t know what to do. Opening it seemed pointless to me. All it would do was rekindle feelings that I once had and couldn’t do anything about. After all those years, I couldn’t try and reconnect to her life. We both moved past each other and it wouldn’t be fair to her to come back. It wouldn’t make her feel good about herself to know that my parents hid that letter from me, like she was some horrible person that I needed to avoid. She may not even live at that address anymore. She undoubtedly moved away for college. I wasn’t in love with her anymore and I don’t know if she ever loved me, but if she did, I’m sure she didn’t anymore. I did the only thing that I felt was right. I went outside and lit a cigarette in the backyard. I took a deep inhale from my Camel full flavored filtered cigarette. I hadn’t converted to menthols, yet. I re-lit my lighter and put a corner of the letter into the flame until I was certain that it had caught fire. I held it in my hand watching the white of the envelope turn black under the blue and yellow flame. Once the envelope was about three quarters burned, I let it fall out of my hand and watched it float for a few moments before it hit the bottom concrete step where it continued to burn. It had all turned black and the carbonized paper started to break away from each other as I stamped out the embers with my sneaker. The wind carried away the pieces of carbon and the memory of her floated away from me. Watching those small burned pieces of paper scatter across my backyard made me realize that my childhood was over. I had nothing to show for it. All I had was myself. I didn’t even know why I was still living in my parent’s house after my mother died. There was nothing there for me. Life would only begin for me once I found something that mattered to me. Unfortunately for me, the only thing that mattered to me was words.
Paul S. Anderson
youre driving me crazy dude (gotta put a pun in there to be cool, yo!). seriously, step off and stamp this paper or ill show you how i made the devil cry.
J.R.R. Tolkien
Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
During his first summer in office, as if to demonstrate Elson’s claims, Eisenhower convened his cabinet to sign a document declaring that the United States drew its strength and vitality from the Bible. The following year, Congress added the words “under God” to the Pledge of Allegiance and put “In God We Trust” on the nation’s postal stamps (and, later, its paper currency). Lest anyone fail to give credit where credit was due, Elson dedicated his book to Eisenhower, “who by personal example and public utterance is giving testimony to the reality of America’s spiritual foundations.
Beverly Gage (G-Man: J. Edgar Hoover and the Making of the American Century)
Faith is like refined gold, and faith can do this, even though it may do it imperfectly. Gold is gold, even with dross in it. The first round purifies the faith, so that you can see and understand the process. That faith thus purified is prepared for the next round—even if the fire is more intense, or the difficulties more severe. The point is not to avoid the process. So the message of Christmas is not a delusional message. This is joy to the world. We are not pretending that we live in a world that is not struggling under a curse. The doctor who applies medicine to a wound is not pretending the wound is non-existent. The craftsman who repairs a smashed piece of expensive furniture is not denying the damage. His presence presupposes the damage. The refiner’s fire does not exclude the reality of dross—it is excluding the dross in another way. The Incarnation is God’s opening salvo in His war on our sins. The presence of sin should no more be astonishing than the presence of Nazis fighting back at Normandy. View the world with the eye of a Christian realist. The turning of seasons makes no one better. The gentle fall of snow removes no sin. The hanging of decorations only makes a living room full of sin sadder. As Jesus once put it, “Ye fools and blind: for whether is greater, the gold, or the temple that sanctifieth the gold? (Mt. 23:17). Which is more important, the hat or the cattle? The foam or the beer? The gift or the altar? The gold paper stamp on the Christmas card or the gold coin of your faith? If our hearts are decorated with the refined gold of a true faith, we may therefore decorate everything else. If they are not, then what’s the point? Joy is fundamentally realistic—which is why unbelief thinks of it as insane.
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
Father and son had watched him disappear into the musty interior of that old airport, leaving behind him, as easily as he left behind the smell of wet cement, of urine and yellowing paper – the smells of the modern state – his past in India. It was hard not to be moved. Hard not to see it for what it was: the reprisal, cold and unfeeling, of the individual against the society that had tried to break him. He had a great wish in that moment to let India hang, to leave India to the Indians, as it were. And as the inky stamp came onto his passport – 2 NOV 1984 – his only regret was the decorum of it all. He wished he could have let that oily official at Immigration, boredom and sloth and greed etched into his face, know that he was not just another traveller, not just a man leaving on a short trip, but a man leaving for good. A man going voluntarily into exile, with nothing but hatred for his country, and who, if given the opportunity, would gladly have put a stake in her heart.
Aatish Taseer (The Way Things Were)
Like most pain that we withhold from God’s touch, my paper pregnancy (apparently now also barren) had fostered a fermentation within my heart. My hurt was expanding beyond “just” the issues of childbearing and was touching the broader vision for my life. I was looking at life through the lens of being overlooked by God. I kept my eyes closed to keep the others around me from view — those whom, I naively assumed, could more easily proclaim the truths of God in song because they had what I wanted. Then I saw a vision on the back of my eyelids: the word family scribbled across a piece of paper. The paper had a nail through its center, affixing it to a cross. The Lord whispered inside my spirit as I saw it: If you never have a family, will you still love Me? I walked out of church that day, hardened. Had it really come to this? The very idea that what I most feared — becoming stamped with the word barren — was now not only a possibility but a suggestion . . . and from God?
Sara Hagerty (Every Bitter Thing Is Sweet: Tasting the Goodness of God in All Things)
Stamp-collectors are a strange, silent fish-like breed, of all ages, but only of the male sex; women, apparently, fail to see the peculiar charm of gumming bits of coloured paper into albums.
George Orwell
Shall I get drunk or cut myself a piece of cake, a pasty Syrian with a few words of English or the Turk who says she is a princess--she dances apparently by levitation? Or Marcelle, Parisienne always preoccupied with her dull dead lover: she has all the photographs and his letters tied in a bundle and stamped Decede in mauve ink. All this takes place in a stink of jasmin. But there are the streets dedicated to sleep stenches and the sour smells, the sour cries do not disturb their application to slumber all day, scattered on the pavement like rags afflicted with fatalism and hashish. The women offering their children brown-paper breasts dry and twisted, elongated like the skull, Holbein's signature. But his stained white town is something in accordance with mundane conventions- Marcelle drops her Gallic airs and tragedy suddenly shrieks in Arabic about the fare with the cabman, links herself so with the somnambulists and legless beggars: it is all one, all as you have heard. But by a day's travelling you reach a new world the vegetation is of iron dead tanks, gun barrels split like celery the metal brambles have no flowers or berries and there are all sorts of manure, you can imagine the dead themselves, their boots, clothes and possessions clinging to the ground, a man with no head has a packet of chocolate and a souvenir of Tripoli.
Keith Douglas
People. They’re people, Lincoln.” “Are they?” He shuffled through papers in a folder with the words Top Secret stamped across the front. “The latest CDC reports show that the infected are undergoing all sorts of physiological changes. Not only to their brains, which, let’s face it, make Charles Manson look like Mahatma Gandhi, but also to their bodies. Here,” he said, pulling out a page. “This one states that they’re experiencing calcification of their bones as well as significant increase in their muscle mass. Christ, they’re all but turning superhuman.” He slapped the page. “Who knows where this ends.
Arthur T. Bradley (Anarchy Rising (The Survivalist #2))
You can get stopped and checked for papers at any moment. It might only actually happen once or maybe twice a year, but you still have to stand in queues and knock on doors to obtain the whole library of little stamps, regulations, permits - the legal stipulations and requirements that are themselves always changing. A little trick to keep you always on tenterhooks, always patting your pockets for your papers, always waking up worried that you might have lost them in a bar. Over time you begin to pat for passport instinctively, your hand going down unthinkingly to check your pocket so many times a day you don't even notice anymore. That's true power - when it starts to influence the unconscious movements of your arms.
Peter Pomerantsev
As a result, when the British found themselves unsatisfied with the revenue coming from the Sugar Act, Parliament followed it with the Stamp Act of 1765, also known as the “Duties in American Colonies Act of 1765.”  Unlike the Sugar Act, the Stamp Act was a direct tax that required many of the documents produced as part of the everyday legal and business activities of the colony to be printed on specially embossed and stamped paper only produced by the British government.  Among the items required to bear this stamp were legal documents, newspapers and magazines.  To make matters worse, this paper could only be purchased with British sterling certificates, not the paper money used in the colonies.  Since Parliament controlled the exchange rate, they also controlled how much each page actually cost. While
Charles River Editors (Patrick Henry: The Life and Legacy of the Founding Father and Virginia’s First Governor)
Holly Berries A Confederate Christmas Story by Refugitta There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent. I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands. From the Southern Illustrated News.
Philip van Doren Stern (The Civil War Christmas Album)
In any society, the mind “at first . . . is rasa tabula,” Locke famously wrote in An Essay Concerning Humane Understanding. If people are born without innate intelligence, then there cannot be a natural intellectual hierarchy. But Locke’s egalitarian idea had a caveat. As Boyle and Newton painted unblemished light white, Locke more or less painted the unblemished mind white. Locke used the term “white paper” much more often than “blank slate” or “tabula rasa” to describe the child’s “as yet unprejudiced Understanding.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
about Annette from?" He stood up, ditched his cigarette. "What's the difference?" "I wanna know, Chubby. Who the hell is goin' aroun' reportin' my business to the papers?" Chubby shrugged. "I ran into your friend Bobby." "Butler?" Stony stamped around the room. Chubby hooked his arm. "Hey, don't get your balls in a uproar, it just
Richard Price (Bloodbrothers: A Novel)
The stamp thuds on the paper and I go on to the metal door that only has a handle on the inside. The door slams behind me like a mousetrap. I’m home again.
Maxim Leo (Red Love: The Story of an East German Family)
away, she and Bernadette had become penpals. They wrote real letters with ink on paper and mailed them with pretty stamps—because everyone knows it is way more fun to open up an envelope with your name on it than to get an e-mail on the computer. Their letters to each other sometimes included surprises like lip balm or temporary tattoos or hair clips. For Hallowe’en, Jasmine had sent Bernadette a giant lollipop with a jack-o’-lantern face. And Bernadette once sent Jasmine a pair of socks with frog cartoons on them, because frogs were Jasmine’s favorite
Susan Glickman (Bernadette in the Doghouse (The Lunch Bunch Series Book 2))
But here in Norvelt we had one of those librarians who collected the tiniest books of human history. Mrs. Hamsby, who died yesterday at age seventy-seven, was the first postmistress of Norvelt and she saved all the lost letters, those scraps of history that ended up as undeliverable in a quiet corner of Norvelt. But they were not unwanted. Mrs. Hamsby carefully pinned each envelope to the wall, so that the rooms of her house were lined from floor to ceiling with letter upon letter, and when you arrived for tea it appeared as if the walls were papered with the overlapping scales of an ancient fish. You were always welcome to unpin any envelope and read the orphaned letter, as if you were browsing in a library full of abandoned histories. Each room has its own mosif of stamps, so that the parlor room is papered with huamn stamps as if people such as Lincoln, or Queen Elizabeth, or Joan of Arc had come to visit. The bedroom has the stamps of lovely landscapes you might discover in your dreams, and the bathroom has stamps with oceans and rivers and rain. Each stamp is a snapshot of a story, of one thin slice of history captured like an ant in amber. there is history in every blink of an eye, and Mrs. Hamsby knew well that within the lost letter was the folded soul of the writer wrapped in the body of the envelope and mailed into the unknown. And for this tiny museum of lost hisotry we citizens of Norvelt thank her.
Jack Gantos (Dead End in Norvelt (Norvelt, #1))
Just find someone who can stamp your papers as many times as possible. Stamp it all, with any stamp you can find. It doesn’t matter what type of stamp it is.
Jennifer Wilson (Running Away to Home: Our Family's Journey to Croatia in Search of Who We Are, Where We Came From, and What Really Matters)
My Father knew no Romanian and by that time I had become the mover and shaker in our family. I took along a Waterman fountain pen, covered with silver filigree, which Uncle Morris had left us on one of his visits to Europe. That was intended as a "thank you" for an officer, if needed. All the way from home to City Hall Father was mumbling, talking to himself. When I asked what he was saying, he said: "Nishmas" (Hear, oh God ... an appeal to God to hear his prayer in this hour of need.) We came into a big hall. About 20 officers were seated along a table. The officer at the letter S looked through the identification papers of all three of us. As I was showing him what he was asking for, I tried to talk lightheartedly, to cover up my fear. Without asking many questions, he signed the certificate, stamped it and wished me good luck and added: "You'll need it.
Pearl Fichman (Before Memories Fade)
In March, 1945, my Father and myself went to the militia, to apply for a permit to be re-patriated to Romania. I knew that they could immediately expel me from the university, yet I didn't mind taking the risk any more - life was insufferable. They put a stamp on our identification papers right then: Applied to go to Romania. As soon as the official had registered us, he asked whether he could take our apartment. Öf course", we said. "The sooner you issue our papers, the faster you will get the apartment." He came next day to look things over. That was a good omen, they intended to let us leave. It took one month to receive the permits, we were among the first to leave Czernovitz.
Pearl Fichman (Before Memories Fade)
eed a gift box? Cover shoe boxes with wrapping paper. Fill them with stationery, a glue stick, small scissors, paper clips, marking pens, memo pads, and thank you notes. You can even add stamps. Any mom, dad, grandparent, or teacher would love such a gift. y motto is "Always be ready for a party." When party supplies go on sale, I stock up. Colored plates, napkins, streamers, little gifts, even party hats. And here's a tip. When you buy candles to use later, store them in your freezer. It helps them burn longer and cleaner. Keep a roll of cookie dough in your freezer, some scone mix in the pantry, and some of those great instant coffees so you'll be ready at any party opportunity. There's nothing like a spontaneous celebration to warm hearts. When you're ready, a party can happen in just a few minutes. You'll be creating memories you and your family and friends will cherish forever.
Emilie Barnes (365 Things Every Woman Should Know)