Stairs Short Quotes

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Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
Stephen Fry
Before she knew it, she was just another set of eyes in a dusty attic, waiting for the stairs to creak.
Kelly Moran (An Insomniac's Dream: A Collection of Poems And Short Stories)
The stairs ended. I wished I knew the jackass who’d made the staircase so short. I’d throw him down the damn steps so he could count them with his head.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Voters might have short memories. Politicians do not.
Robert Jackson Bennett (City of Stairs (The Divine Cities, #1))
Sara!" she cried, aghast. "Mamma Sara!" She was aghast because the attic was so bare and ugly and seemed so far away from all the world. Her short legs had seemed to have been mounting hundreds of stairs.
Frances Hodgson Burnett (A Little Princess)
This was love, I supposed, and eventually I would come to know it. Someday it would choose me and I would come to know its spell, for long stretches and short, two times, maybe three, and then quite probably it would choose me never again.
Lorrie Moore (A Gate at the Stairs)
My sole consolation when I went upstairs for the night was that Mamma would come in and kiss me after I was in bed. But this good night lasted for so short a time, she went down again so soon, that the moment in which I heard her climb the stairs, and then caught the sound of her garden dress of blue muslin, from which hung little tassels of plaited straw, rustling along the double-doored corridor, was for me a moment of the utmost pain; for it heralded the moment which was to follow it, when she would have left me and gone downstairs again.
Marcel Proust (In Search of Lost Time: The Complete Masterpiece)
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
It surprises me, though it shouldn't, how short the memories of these politicians are. They forget the brutal lengths women have gone to in order to terminate pregnancies when abortion was illegal or when abortion is unaffordable. Women have thrown themselves down stairs and otherwise tried to physically harm themselves to force a miscarriage. Dr. Waldo Fielding noted in the New York Times, "Almost any implement you can imagine had been and was used to start an abortion—darning needles, crochet hooks, cut-glass salt shakers, soda bottles, sometimes intact, sometimes with the top broken off." Women have tried to use soap and bleach, catheters, natural remedies. Women have historically resorted to any means necessary. Women will do this again if we are backed into that terrible corner. This is the responsibility our society has forced on women for hundreds of years.
Roxane Gay (Bad Feminist)
Twenty-two months are a long time and a lot of things can happen in them- there is time for new families to be formed, for babies to be born and even begin to talk, for a great house to rise where once there was only a field, for a beautiful woman to grow old and no one desire her any more, for an illness- for a long illness- to ripen (yet men live on heedlessly), to consume the body slowly, to recede for short periods as if cured, to take hold again more deeply and drain away the last hopes; there is time for a man to die and be buried, for his son to be able to laugh again and in the evening take the girls down the avenues and past the cemetery gates without a thought. But it seemed as if Drogo’s existence had come to a halt. The same day, the same things, had repeated themselves hundreds of times without taking a step forward. The river of time flowed over the Fort, crumbled the walls, swept down dust and fragments of stone, wore away the stairs and the chain, but over Drogo it passed in vain- it had not yet succeeded in catching him, bearing him with it as it flowed.
Dino Buzzati (The Tartar Steppe)
They were all growing so fast. In just a few short years they would be all young men and women...youth tiptoe...expectant...a-star with its sweet wild dreams...little ships sailing out of safe harbor to unknown ports. The boys would go away to their life work and the girls...ah, the mist-veiled forms of beautiful brides might be seen coming down the old stairs at Ingleside. But they would still be hers for a few years yet...hers to love and guide...to sing the songs that so many mothers had sung...Hers...and Gilbert's.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
I went down, giving you my arm, at least one million of stairs and now that you are no more here it’s the void on every step. Also in such way our long journey has been short too. Mine still goes on, and I need no more coincidences, reservations, traps, shames of those who think that reality is that what you see. I went down millions of stairs giving you my arm not just because it’s better to see with four eyes than two. With you I went down because I knew that between us the only true pupils, though so much darkened, were yours
Eugenio Montale
Which brings us to the Pain Paradox of decision making that states the short-term easy leads to the long-term difficult, while the short-term difficult leads to the long-term easy.
Rory Vaden (Take the Stairs: 7 Steps to Achieving True Success)
But walking down the stairs feeling each stair carefully and holding to the banister he thought, I must get her away and get her away as soon as I can without hurting her. Because I am not doing too well at this. That I can promise you. But what else can you do? Nothing, he thought. There's nothing you can do. But maybe, as you go along, you will get good at it.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
Men or nations who think they can revive the Faith in order to make a good society might just as well think they can use the stairs of Heaven as a short cut to the nearest chemist’s shop.
C.S. Lewis (The Screwtape Letters)
Two months later Joel loped down the stairs to the third floor and strode along the hall to the conference room. He walked through the door and stopped short at the sight of Letty held high in the arms of a huge blond Adonis.
Jayne Ann Krentz (Perfect Partners)
There was another crashing sound, this time coming from directly overhead, and a chorus of excited bellows from the onlookers caused the walls to tremble. Above it all, the innkeeper could be heard complaining shrilly that his building would soon be reduced to matchsticks. “Mr. Hunt,” Lillian exclaimed, “I do wish that you would try to be of some use to Lord Westcliff!” Hunt’s brows lifted into mocking crescents. “You don’t actually fear that St. Vincent is getting the better of him?” “The question is not whether I have sufficient confidence in Lord Westcliff’s fighting ability,” Lillian replied impatiently. “The fact is, I have too much confidence in it. And I would rather not have to bear witness at a murder trial on top of everything else.” “You have a point.” Standing, Hunt refolded his handkerchief and placed it in his coat pocket. He headed to the stairs with a short sigh, grumbling, “I’ve spent most of the day trying to stop him from killing people.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Trying to navigate the halls of Hogwarts was like... probably not quite as bad as wandering around inside an Escher painting, that was the sort of thing you said for rhetorical effect rather than for its being true. A short time later, Harry was thinking that in fact an Escher painting would have both pluses and minuses compared to Hogwarts. Minuses: No consistent gravitational orientation. Pluses: At least the stairs wouldn't move around WHILE YOU WERE STILL ON THEM.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
Stupefied, but unharmed, he allowed Mathis to lead him off towards the Splendide from which guests and servants were pouring in chattering fright. As the distant clang of bells heralded the arrival of ambulances and fire-engines, they managed to push through the throng and up the short stairs and along the corridor to Bond’s room.
Ian Fleming (Casino Royale (James Bond, #1))
Let's go over it again, shall we?" "We will not shape-shift in front of your children unless it's an emergency," said Drake. "And if it is an emergency, we will try to find a place to hide, or, if that isn't possible, we will change so that they see our backsides," added Darrius. I stared at Drake. He rolled his eyes. "I did not 'flop around' in front of Jenny. I was behind the couch and she was on the stairs. She saw only my head." He pointed at his skull. "This one! On mein shoulders!" "I know." I waved at them. "Continue." "We will keep shorts or jeans stashed in many locations so that when we shift back into human form, we'll be able to cover our woobies," said Darrius. "Excellent." I looked at Drake and smiled benignly. "How's your rear end?" "Sore," he groused. "Not even Brigid would heal the scratches from that damned cat.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
As many as one-third of all stair accidents occur on the first or last step, and two-thirds occur on the first or last three steps.
Bill Bryson (At Home: A Short History of Private Life)
Hand in hand they whispered for a while. The girl nodded and the bear laughed. Together, they made their way down the corridor and to the foot of the stairs.
Stephen Craig (Dead Ted (A Flash Fiction Horror))
sets of stairs led downward, the first with four steps, then a short landing, then two steps to the right leading to another landing, then twelve more down to the basement.
Nickel Crow (The Waiting Demon)
I felt in London the way you do when you take one step too many at the bottom of a flight of stairs: brought up short by the unexpected plateau and its dull, unyielding thud.
Lisa Halliday (Asymmetry)
He heard her coming up the stairs and noticed the difference in her tread when she was carrying two glasses and when she had walked down bare-handed. He heard the rain on the windowpane and he smelled the beech logs burning in the fireplace. As she came into the room he put his hand out for the drink and closed his hand on it and felt her touch the glass with her own.
Ernest Hemingway (The Complete Short Stories of Ernest Hemingway)
What distinguishes an asana from a stretch or calisthenic exercise is that in asana practice we focus our mind’s attention completely in the body so that we can move as a unified whole and so we can perceive what the body has to tell us. We don’t do something to the body, we become the body. In the West we rarely do this. We watch TV while we stretch; we read a book while we climb the StairMaster; we think about our problems while we take a walk, all the time living a short distance from the body. So asana practice is a reunion between the usually separated body-mind.
Donna Farhi (Yoga Mind, Body & Spirit: A Return to Wholeness)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
As he carefully made his way back to the stairs and awkwardly turned off the light, he did not notice that the dark shadow he had assumed was his reflection remained in the mirror. He didn’t see the hands press against the surface and make large, liquid-like bulges beneath the glass. Nor did he hear the whispers that so suddenly and violently filled the dark, cluttered space as he had closed and locked the heavy attic door. ~ "The Mirror
Cassie McCown (Christmas Lites)
The trick here was indifference, I decided as I took my sweet time coming down the stairs. Act cool. Detached. Something potent and violent boiled inside me and I strained every nerve in my body to keep it on its chain. I could do this. I just had to stay cool. Zen. No punching in the face. Punching would not be Zen. The stairs ended. I wished I knew the jackass who’d made the staircase so short. I’d throw him down the damn steps so he could count them with his head.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Since solving The Secret of the Old Clock, she had longed for another case. Here was her chance! Attractive, blond-haired Nancy was brought out of her daydreaming by the sound of the doorbell. At the same moment the Drews’ housekeeper, Hannah Gruen, came down the front stairs, “I’ll answer it,” she offered. Mrs. Gruen had lived with the Drews since Nancy was three years old. At that time Mrs. Drew had passed away and Hannah had become like a second mother to Nancy. There was a deep affection between the two, and Nancy confided all her secrets to the understanding housekeeper. Mrs. Gruen opened the door and instantly a man stepped into the hall. He was short, thin, and rather stooped. Nancy guessed his age to be about forty.
Carolyn Keene (The Hidden Staircase (Nancy Drew, #2))
As he went down the stairs, he even stopped short, two or three times, as though suddenly struck by some thought. When he was in the street he cried out, "Oh, God, how loathsome it all is! and can I, can I possibly… . No, it's nonsense, it's rubbish!" he added resolutely.
Fyodor Dostoevsky (Crime and Punishment)
EUGENIO MONTALE I went down, giving you my arm, at least one million of stairs and now that you are no more here it’s the void on every step. Also in such way our long journey has been short too. Mine still goes on, and I need no more coincidences, reservations, traps, shames of those who think that reality is that what you see. I went down millions of stairs giving you my arm not just because it’s better to see with four eyes than two. With you I went down because I knew that between us the only true pupils, though so much darkened, were yours.
Eugenio Montale
The best indicator of personal risk is whether you have fallen much before. Accident proneness is a slightly controversial area among stair-injury epidemiologists, but it does seem to be a reality. About four persons in ten injured in a stair fall have been injured in a stair fall before.
Bill Bryson (At Home: A Short History of Private Life)
Stairs incorporate three pieces of geometry: rise, going, and pitch. The rise is the height between steps, the going is the step itself (technically, the distance between the leading edges, or nosings, of two successive steps measured horizontally), and the pitch is the overall steepness of the stairway.
Bill Bryson (At Home: A Short History of Private Life)
Once, when he had just lulled her to sleep but she had gone no farther than dream's antechamber and was therefore still responsive to him, he said to her, "Good-bye, I'm going now." "Where?" she asked in her sleep. "Away," he answered sternly. "Then I'm going with you," she said, sitting up in bed. "No, you can't. I'm going away for good," he said, going out into the hall. She stood up and followed him out, squinting. She was naked beneath her short nightdress. Her face was blank, expressionless, but she moved energetically. He walked through the hall of the flat into the hall of the building (the hall shared by all the occupants), closing the door in her face. She flung it open and continue to follow him, convinced in her sleep that he meant to leave her for good and she had to stop him. He walked down the stairs to the first landing and waited for her there. She went down after him, took him by the hand, and led him back to bed. Tomas came to this conclusion: Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).
Milan Kundera (The Unbearable Lightness of Being)
On the other hand we do want, and want very much, to make men trat Christianity as a means; preferably, of course, as a means to their own advancement, but failing that, as a means to anything - even to social justice. The thing to do is to get a man at first to value social justice as a thing which the Enemy demands, and then work him on to the stage at which he values Christianity because it may produce social justice. For the Enemy will not be used as a convenience. Men or nations who think they can revive the Faith in order to make a good society might just as well think they can use the stairs to Heaven as a short cut to the nearest chemist's shop
C.S. Lewis (The Screwtape Letters)
KIMURA Tokyo Station is packed. It’s been a while since Yuichi Kimura was here last, so he isn’t sure if it’s always this crowded. He’d believe it if someone told him there was a special event going on. The throngs of people coming and going press in on him, reminding him of the TV show he and Wataru had watched together, the one about penguins, all jammed in tight together. At least the penguins have an excuse, thinks Kimura. It’s freezing where they live. He waits for an opening in the stream of people, cuts between the souvenir shops and kiosks, quickening his pace. Up a short flight of stairs to the turnstile for the Shinkansen high-speed bullet train. As he passes through the automated ticketing gate
Kōtarō Isaka (Bullet Train (Assassins #2))
That’s all it took for me to get a hard-on from standing next to her and all I did was touch her fingers. Her fingers for Christ sakes! How does that even compute in my brain? It’s also a mistake following her up the stairs, but there is no way I was showing her what was going on in my shorts. She’d be mortified. I’d probably run out of the room like a sissy.
Heidi McLaughlin (My Unexpected Forever (Beaumont #2))
She grabbed her shorts off the floor and stomped past me. “Fucking ugly bitch. Fucking asshole,” she muttered as she practically tripped in her rush to get to the stairs. King stood in the doorway. “And if I hear you ever talk shit about her again, I’ll find you and take that butterfly tattoo back.” “Oh yeah?” she shouted, stopping on the landing. “How the fuck are you going to do that?” King was in the doorway one second and an inch from her face the next. “I’ll tell you how,” he seethed. “I’m going to find you, and then I’m going to take my time carving those fucking butterfly wings from that nasty pussy of yours with my knife. Sleep on that before you decide to open that good for nothing dick-sucker of yours again.
T.M. Frazier (King (King, #1))
Our enemies had a tendency to take one look at Charlotte, with her short, slim figure and her pretty, delicate Asian features, and assume she was weak. A low level threat. Ten seconds later, the look of surprise on his face as he lay on his back, winded, eyes rolled up and watching her support Kate towards the stairs, said he'd possibly learnt his lesson. Never judge a book by it's cover.
Violet Cross (Survivors: Secrets)
…the worshipers here are not likely to kill one another, they all offer the same sacrifice, and how the fat spits and the carcasses sizzle as God in the sublime heavens inhales the odors of all this carnage with satisfaction. Jesus pressed his lamb to his breast, unable to fathom why God could not be appeased with a cup of milk poured over His altar, that sap of life which passes from one being to another, or with a handful of wheat, the basic substance of immortal bread. Soon he will have to part with the old man’s generous gift, his for such a short time, the poor little lamb will not live to see the sun set this day, it is time to mount the stairs of the Temple, to deliver it to the knife and sacrificial fire, as if it were no longer worthy of existence or being punished…
José Saramago (The Gospel According to Jesus Christ)
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
Papa cut his business trip short when he heard how ill you were. He’ll be home on the afternoon train. Won’t he be happy to see you looking so well!” Hannah came running up the stairs. “Dr. Fulton’s on his way, Mama.” “He’s in for a surprise, isn’t he?” Mrs. Tyler smiled at me. “Dr. Fulton didn’t think you’d live till morning, Andrew. The very idea--Hannah told him it would take more than diphtheria to kill you.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
She opened the door of the room and went into the corridor, and then she began her wanderings. It was a long corridor and it branched into other corridors and it led her up short flights of steps which mounted to others again. There were doors and doors, and there were pictures on the walls. Sometimes they were pictures of dark, curious landscapes, but oftenest they were portraits of men and women in queer, grand costumes made of satin and velvet. She found herself in one long gallery whose walls were covered with these portraits. She had never thought there could be so many in any house. She walked slowly down this place and stared at the faces which also seemed to stare at her. She felt as if they were wondering what a little girl from India was doing in their house. Some were pictures of children—little girls in thick satin frocks which reached to their feet and stood out about them, and boys with puffed sleeves and lace collars and long hair, or with big ruffs around their necks. She always stopped to look at the children, and wonder what their names were, and where they had gone, and why they wore such odd clothes. There was a stiff, plain little girl rather like herself. She wore a green brocade dress and held a green parrot on her finger. Her eyes had a sharp, curious look. "Where do you live now?" said Mary aloud to her. "I wish you were here." Surely no other little girl ever spent such a queer morning. It seemed as if there was no one in all the huge rambling house but her own small self, wandering about up-stairs and down, through narrow passages and wide ones, where it seemed to her that no one but herself had ever walked. Since so many rooms had been built, people must have lived in them, but it all seemed so empty that she could not quite believe it true.
Frances Hodgson Burnett (The Secret Garden)
Hey!” “What is it, Eggers?” Dad walks out of the kitchen in his windbreaker and running shorts and looks up the stairs. “Do I have to walk around with Church and Sully for Halloween this year?” Dad frowns. “Church and Sully are doing Halloween this year? Are they too old for that yet?” He asks it honestly, because he really doesn’t remember. He knows they’re in the same grade, and that they’re under fourteen because they play on all U-14 sports teams, but anything beyond that is details. Sully is fourteen, Church is thirteen; born elevenmonths apart exactly, and most people think they’re twins. “They’re kind of too old for it, yeah,” I say. “Oh. Well, ask your mom.” “Is she home right now?” “No, she took Davy for her quick 10K with her marathon students.” “What? Davy can’t run a 10K!” He holds his hands up in surrender. “They’re jogging, and the slow students always take care of him anyway. He’s fine.
Francesca Zappia (Eliza and Her Monsters)
Excuse me,’ said Ransom. ‘But it is funny, you know. The idea of a man thinking he could become a saint as a minor detail in his scientific training. You might as well imagine you could use the stairs of heaven as a short cut to the nearest tobacconist’s. Don’t you see that long before you had reached the level of timeless experience you would have had to become so interested in something else—or, frankly, Someone Else—that you wouldn’t be bothering about time-travel?
C.S. Lewis (The Dark Tower: and Other Stories)
year, possibly longer. The Hostetlers had then purchased a little haus for Noah and Hannah. The haus had been built by Englischers and was conveniently adjoining the Millers' property. It was ideal, as it was all on one level and had no stairs, apart from two on the porch, and given the fact that Noah worked in Mr. Miller's woodworking business, he only had a short distance to drive the buggy to work each day. The Miller familye and Amos sat down at the table, put their hands
Ruth Hartzler (Amish Millers Get Married: The Way Home / The Way Forward / The Narrow Way (Amish Millers Get Married, #1-3))
International trade seems to be the topic of the night, but there are a few differentiations—one talk is about the newest tax codes and how they can better benefit corporations. Snore. Another presents a variation on an old business model. It’s an original idea, but not practical. By the time the fifth student finishes, I’ve met my limit. I nudge Celia out of her reverie. “I’m ready to go,” I begin to say, but stop myself before I get the words out. The woman ascending the stairs to the stage has caught my eye, and all thoughts of leaving disappear. Something about the way she moves is captivating—the wiggle of her hips suggests an undercurrent of sexuality, and her back is straight with confidence. Then she turns toward the audience, and my breathe catches. Even here, twelve rows away, I can tell she’s the most beautiful woman I’ve ever seen. Her dark brown hair falls just so around her face, accentuating sharp cheekbones. Her eyes are dark. Her short dress reveals long, lean legs. The modest cleavage of her outfit can’t hide perfectly plump tits. There’s something else—something about her carriage that makes me sit up and take notice. And she hasn’t even spoken yet.
Laurelin Paige (Hudson (Fixed, #4))
They went on in this way for nine years. And then, one autumn day, it ended. Freddy had changed, of course, from a twenty-five-year-old to a man in his midthirties: a high school teacher in blue short-sleeved button-ups and black ties, whom Less jokingly called Mr. Pelu (often raising his hand as if to be called on in class). Mr. Pelu had kept his curls, but his glasses were now red plastic. He could no longer fit his slim clothes; he had filled out from that skinny youngster into a grown man, with shoulders and a chest and a softness just beginning on in his belly. He no longer stumbled drunk up Less's stairs and recited bad poetry every weekend.
Andrew Sean Greer (Less (Arthur Less, #1))
For one… If you shoot me and your boss realizes it was without good reason, you’ll have fucked up your trial period. And trust me; I know you’re still in it.” Ian pulled open a drawer in a small brown cabinet. “Secondly, it could end very badly for me and I’d rather prevent that. Getting shot is not on my list of things to do today.” He wrapped his hand around the steel grip of his own weapon and removed it from the drawer. “And last but not least, if you plan to shoot me… Well, it’ll be a matter of which of us is quicker and has better aim.” A pleasant smile crossed his features and he casually waved the gun from side to side. “Do you want to risk it?
Natasha McNeely (Under the Stairs)
You must know something.” “And why is Archer Cross here?” That was from Jenna. His voice had apparently changed over the summer, since he actually said the words instead of squeaking them. “He’s an Eye.” “Didn’t he try to kill you?” Nausicaa had drifted up, and she narrowed her eyes at me. “And if so, why exactly were you holding his hand earlier?” Conversations like this usually ended in pitchforks and torches, so I held my hands out in what I hoped was an “everyone just calm the heck down” gesture. But then Jenna spoke up. “Sophie doesn’t know anything,” she said, nudging my behind her. That might’ve been more effective if Jenna weren’t so short. “And whatever reason we’re here, the Council had nothing to do with it.” Jenna didn’t add that that was because the entire Council, with the exception of Lara Casnoff and my dad, was dead. “She’s just freaked out as the rest of us, so back. Off.” From the expressions on the other kids’ faces, I guessed Jenna had bared her fangs, and maybe even given a flash of red eyes. “What’s going on here?” a familiar voice brayed. Great. Like this night didn’t suck out loud enough already. The Vandy-who had been a cross between school matron and prison guard at Hex Hall-shoved her way through the crowd, breathing hard. Her purple tattoos, marks of the Removal, were nearly black against her red face. “Downstairs, now!” As the group began moving again, she glared at Jenna and me. “Show your fangs again, Miss Talbot, and I’ll wear them as earrings. Is that understood?” Jenna may have muttered, “Yes, ma’am,” but her tone said something totally different. We jogged down the stairs to join the rest of the students lining up to go into the ballroom. “At least one thing at Hex Hall hasn’t changed,” Jenna said. “Yeah, apparently the Vandy’s powers of bitchery are a constant. I find that comforting.” Less comforting was the creeptasticness of the school at night. During the day, it had just been depressing. Now that it was dark, it was full-on sinister. The old-fashioned gas lamps on the walls had once burned with a cozy, golden light. Now, a noxious green glow sputtered inside the milky glass, throwing crazy shadows all over the place.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
But can you truly say that you are one of us? Was your childhood darkened by the shadow of a murder? No, more likely you were a quiet little boy with happy, trustful eyes, the pride of your adoptive father. Naturally you could trust people—they always had a smile for you—just as you could trust the solid friendly things around you: tables, beds, and stairs. And because you were rich, and always nicely dressed, and had lots of toys, you must have often thought the world was quite a nice world to live in, like a big warm bath in which one can splash and loll contentedly. My childhood was quite different. When I was six I was a drudge, and I mistrusted everything and everyone. [A short pause.] So go away, my noble-souled brother. I have no use for noble souls; what I need is an accomplice.
Jean-Paul Sartre
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
Raskolnikov went out in complete confusion. This confusion became more and more intense. As he went down the stairs, he even stopped short, two or three times, as though suddenly struck by some thought. When he was in the street he cried out, "Oh, God, how loathsome it all is! and can I, can I possibly… . No, it's nonsense, it's rubbish!" he added resolutely. "And how could such an atrocious thing come into my head? What filthy things my heart is capable of. Yes, filthy above all, disgusting, loathsome, loathsome!—and for a whole month I've been… ." But no words, no exclamations, could express his agitation. The feeling of intense repulsion, which had begun to oppress and torture his heart while he was on his way to the old woman, had by now reached such a pitch and had taken such a definite form that he did not know what to do with himself to escape from his wretchedness. He walked along the pavement like a drunken man, regardless of the passers-by, and jostling against them, and only came to his senses when he was in the next street. Looking round, he noticed that he was standing close to a tavern which was entered by steps leading from the pavement to the basement. At that instant two drunken men came out at the door, and abusing and supporting one another, they mounted the steps. Without stopping to think, Raskolnikov went down the steps at once. Till that moment he had never been into a tavern, but now he felt giddy and was tormented by a burning thirst. He longed for a drink of cold beer, and attributed his sudden weakness to the want of food. He sat down at a sticky little table in a dark and dirty corner; ordered some beer, and eagerly drank off the first glassful. At once he felt easier; and his thoughts became clear.
Fyodor Dostoevsky (Crime and Punishment)
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
I smack my forehead and he stops short in surprise. “That’s why it’s called MEATLOCKER,” I say. “I spent the whole night trying to figure out if it was a fetish bar or something.” Miles tips his head back, laughing. “You thought I took you to a fetish bar?” He looks delighted. “Did Peter tell you I was into BDSM?” “Wait, are you?” I ask. “Not that I know of,” he says. “Why? Are you?” “Probably not,” I say. “I think I’m pretty boring. In that realm.” “What realm?” “Sex Realm,” I say. “Do you lie there and stare at the ceiling in silence?” he asks. “Excuse you,” I say. “This is none of your business.” “You brought it up, Daphne,” he reminds me. “I don’t stare at the ceiling,” I say. We’ve reached our building. He opens the door for me, and we start up the stairs. “I just make utterly unblinking eye contact like any respectable woman.” “See?” he says, gesturing for me to take the stairs ahead of him. “Not boring. Haunting, maybe. But not boring.
Emily Henry (Funny Story)
And here's a fantastic thing that would happen: this person that you had maybe seen at the gym for months, or weeks, or just today. And now he's writing his phone number down on a ripped off piece of paper (the front desks always had pens and paper for just such moments), and you fold it up and put it in your gym shorts. And later you take it out and unfold it and it is like he is there again. The slip of paper with the number on it has now been replaced with grindr and scruff and instagram but nothing - nothing, can be as exciting as walking back to your apartment and climbing the stairs and unlocking the door and reaching into your pocket and pulling out that tiny slip of paper and looking at his handwriting. How he writes his 7's, 4's, his 8's. And a little bit of him is there with you, and it's thrilling because this paper is a contract that tells you something happened. A moment, a brief moment recognising that you have been seen and this paper could hold your future. This could be the piece of paper you keep for 50 years, the paper you will show him when you're old and the excitement of that moment is long gone but something better is left in its place; a lifetime. 
Gary Janetti (Do You Mind If I Cancel?: Things That Still Annoy Me)
careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters
Dale Carnegie (How To Win Friends and Influence People)
I can still feel the cold breath of air that brushed my brow as I entered the hallway, and I recall that the cast-iron balustrade on the stairs, the stucco garlands on the walls, the spot where the perambulator had been parked, and the largely unchanged names on the metal letter boxes, appeared to me like pictures in a rebus that I simply had to puzzle out correctly in order to cancel the monstrous events that had happened since we emigrated. It was as if it were now up to me alone, as if by some trifling mental exertion I could reverse the entire course of history, as if — if I desired it only — Grandmother Antonina, who had refused to go with us to England, would still be living in Kantstraße as before; she would not have gone on that journey, of which we had been informed by a Red Cross postcard shortly after the so-called outbreak of War, but would still be concerned about the wellbeing of her goldfish, which she washed under the kitchen tap every day and placed on the window ledge when the weather was fine, for a little fresh air. All that was required was a moment of concentration, piecing together the syllables of the word concealed in the riddle, and everything would again be as it once was.
W.G. Sebald (The Rings of Saturn)
Jogging down the stairs and out the door leading to the player’s hallway, I rehearsed what I would say. I would say, Hello, Bryan. I have a bit of time before the end of the day. Perhaps I could take a look at your knee. Or, I might say, Bryan, let’s have a look at your knee. I hear it’s still giving you trouble. Or maybe, Bryan, I understand you’re having a bit of trouble with your knee. If you have time before the end of the day— “Eilish.” I stopped short, almost colliding with William Moore. Automatically, his beefy hands reached to steady me. “William. Sorry. Sorry about that.” I backed up a step and out of his grip, counting three other players behind him, and swallowed with some difficulty when I realized Bryan was one of them. “You okay?” William asked, dipping his chin to catch my eye. I nodded, looking beyond him, and pointed at Bryan. “You.” Bryan stiffened, his eyes widening. “Me?” “Yes. You. Meniscus tear. Follow me,” I said, turned away from him, and promptly grimaced. Real smooth, E. Real professional. Great job. That wasn’t weird at all. Leading the way to the training room, I didn’t wait to see if he’d followed. I was too busy berating myself for speaking like Tarzan. So much for rehearsing.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
I jumped then. It seemed I heard a child laugh. My imagination, of course. And then, when I should have known better, I headed for the closet and the high and narrow door at the very back end and the steep and narrow dark stairs. A million times I’d ascended these stairs. A million times in the dark, without a candle, or a flashlight. Up into the dark, eerie, gigantic attic, and only when I was there did I feel around for the place where Chris and I had hidden our candles and matches. Still there. Time did stand still in this place. We’d had several candle holders, all of pewter with small handles to grasp. Holders we’d found in an old trunk along with boxes and boxes of short, stubby, clumsily made candles. We’d always presumed them to be homemade candles, for they had smelled so rank and old when they burned. My breath caught! Oh! It was the same! The paper flowers still dangled down, mobiles to sway in the drafts, and the giant flowers were still on the walls. Only all the colors had faded to indistinct gray—ghost flowers. The sparkling gem centers we’d glued on had loosened, and now only a few daisies had sequins, or gleaming stones, for centers. Carrie’s purple worm was there only now he too was a nothing color. Cory’s epileptic snail didn’t appear a bright, lopsided beach ball now, it was more a tepid, half-rotten squashy orange. The BEWARE signs Chris and I had painted in red were still on the walls, and the swings still dangled down from the attic rafters. Over near the record player was the barre Chris had fashioned, then nailed to the wall so I could practice my ballet positions. Even my outgrown costumes hung limply from nails, dozens of them with matching leotards and worn out pointe shoes, all faded and dusty, rotten smelling. As in an unhappy dream I was committed to, I drifted aimlessly toward the distant schoolroom, with the candelight flickering. Ghosts were unsettled, memories and specters followed me as things began to wake up, yawn and whisper. No, I told myself, it was only the floating panels of my long chiffon wings . . . that was all. The spotted rocking-horse loomed up, scary and threatening, and my hand rose to my throat as I held back a scream. The rusty red wagon seemed to move by unseen hands pushing it, so my eyes took flight to the blackboard where I’d printed my enigmatic farewell message to those who came in the future. How was I to know it would be me? We lived in the attic, Christopher, Cory, Carrie and me— Now there are only three. Behind the small desk that had been Cory’s I scrunched down, and tried to fit my legs under. I wanted to put myself into a deep reverie that would call up Cory’s spirit that would tell me where he lay.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Moscow can be a cold, hard place in winter. But the big old house on Tverskoy Boulevard had always seemed immune to these particular facts, the way that it had seemed immune to many things throughout the years. When breadlines filled the streets during the reign of the czars, the big house had caviar. When the rest of Russia stood shaking in the Siberian winds, that house had fires and gaslight in every room. And when the Second World War was over and places like Leningrad and Berlin were nothing but rubble and crumbling walls, the residents of the big house on Tverskoy Boulevard only had to take up a hammer and drive a single nail—to hang a painting on the landing at the top of the stairs—to mark the end of a long war. The canvas was small, perhaps only eight by ten inches. The brushstrokes were light but meticulous. And the subject, the countryside near Provence, was once a favorite of an artist named Cézanne. No one in the house spoke of how the painting had come to be there. Not a single member of the staff ever asked the man of the house, a high-ranking Soviet official, to talk about the canvas or the war or whatever services he may have performed in battle or beyond to earn such a lavish prize. The house on Tverskoy Boulevard was not one for stories, everybody knew. And besides, the war was over. The Nazis had lost. And to the victors went the spoils. Or, as the case may be, the paintings. Eventually, the wallpaper faded, and soon few people actually remembered the man who had brought the painting home from the newly liberated East Germany. None of the neighbors dared to whisper the letters K-G-B. Of the old Socialists and new socialites who flooded through the open doors for parties, not one ever dared to mention the Russian mob. And still the painting stayed hanging, the music kept playing, and the party itself seemed to last—echoing out onto the street, fading into the frigid air of the night. The party on the first Friday of February was a fund-raiser—though for what cause or foundation, no one really knew. It didn’t matter. The same people were invited. The same chef was preparing the same food. The men stood smoking the same cigars and drinking the same vodka. And, of course, the same painting still hung at the top of the stairs, looking down on the partygoers below. But one of the partygoers was not, actually, the same. When she gave the man at the door a name from the list, her Russian bore a slight accent. When she handed her coat to a maid, no one seemed to notice that it was far too light for someone who had spent too long in Moscow’s winter. She was too short; her black hair framed a face that was in every way too young. The women watched her pass, eyeing the competition. The men hardly noticed her at all as she nibbled and sipped and waited until the hour grew late and the people became tipsy. When that time finally came, not one soul watched as the girl with the soft pale skin climbed the stairs and slipped the small painting from the nail that held it. She walked to the window. And jumped. And neither the house on Tverskoy Boulevard nor any of its occupants ever saw the girl or the painting again.
Ally Carter (Uncommon Criminals (Heist Society, #2))
Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, ‘Goodbye, Daddy!’ and I frowned, and said in reply, ‘Hold your shoulders back!’ Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive – and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. ‘What is it you want?’ I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding – this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: ‘He is nothing but a boy – a little boy!’ I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much. Instead of condemning people, let’s try to understand them. Let’s try to figure out why they do what they do. That’s a lot more profitable and intriguing than criticism; and it breeds sympathy, tolerance and kindness. ‘To know all is to forgive all.
Dale Carnegie (How to Win Friends and Influence People)
When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Afraid to move and give away his nervousness, Zubair was in no hurry. Once most of the other passengers were gone, he retrieved his computer bag and made his way down the narrow stairs to the main body of the plane. He half expected to see a group of men in suits waiting for him, but thankfully there were none. He’d been warned that the Americans had gotten much better at intercepting people who were trying to illegally enter their country. Two female flight attendants with whorish makeup and skirts that were far too short stood by the door. They thanked him for flying Qantas. Despite what his trainers had told him, Zubair ignored the women, refusing to look them in the eye. Fortunately for him his diminutive stature made him seem shy rather than hostile. Zubair was just five and a half feet tall, and weighed a svelte 142 pounds. With his mustache shaved he easily passed for someone five to ten years younger than his twenty-nine years. He stepped into the Jetway, joining the stampede for baggage claim and customs and sandwiched between the business-class and economy customers. The stress of the situation and the heat of the enclosed Jetway triggered the scientist’s sweat glands, sending them into overdrive. Within seconds salty perspiration dampened every inch of his skin. Zubair felt trapped, as if he was on a conveyor belt headed toward his own execution. There was no turning back. Passengers continued to pour off the plane, pushing forward, moving through the confined tunnel toward U.S. Customs agents who would ask probing questions. Zubair suddenly wished he had taken the sedative that they had given him to calm his nerves. He had thrown the pills away at the Sydney airport. Allah would never approve of him taking a mood-altering drug.
Vince Flynn (Memorial Day (Mitch Rapp, #7))
I'm unaccustomed to being cooped up all day-I really must insist that you permit me to enjoy a short walk." "Not on your life," Fletcher growled. From the sound, Breckenridge realized the group had moved closer to the tap. "You don't need to think you're going to give us the slip so easily," Fletcher said again. "My dear good man"-Heather with her nose in the air; Breckenridge could tell by her tone-"just where in this landscape of empty fields do you imagine I'm going to slip to?" Cobbins opined that she might try to steal a horse and ride off. "Oh,yes-in a round gown and evening slippers," Heather jeered. "But I wasn't suggesting you let me ramble on my own-Martha can come with me." That was Martha's cue to enter the fray, but Heather stuck to her guns, refusing to back down through the ensuing, increasingly heated verbal stoush. Until Fletcher intervened, aggravated frustration resonating in his voice. "Look you-we're under strict orders to keep you safe, not to let you wander off to fall prey to the first shiftless rake who rides past and takes a fancy to you." Silence reigned for half a minute, then Heather audibly sniffed. "I'll have you know that shiftless rakes know better than to take a fancy to me." Not true, Breckenridge thought, but that wasn't the startling information contained in Fletcher's outburst. "Come on, Heather-follow up." As if she'd heard his muttered exhortation, she blithely swept on. "But if rather than standing there arguing, you instead treated me like a sensible adult and told me what your so strict orders with respect to me were, I might see my way to complying-or at least to helping you comply with them." Breckenridge blinked as he sorted through that pronouncement; he could almost feel for Fletcher when he hissed out a sigh. "All right," Fletcher's frustration had reached breaking point. "If you must know, we're to keep you safe from all harm. We're not to let a bloody pigeon pluck so much as a hair from your head. We're to deliver you up in prime condition, exactly as you were when he grabbed you." From the change in Fletcher's tone, Breckenridge could visualize him moving closer to tower over Heather to intimidate her into backing down; he could have told him it wouldn't work. "So now you see," Fletcher went on, voice low and forceful, "that it's entirely out of the question for you to go out for any ramble." "Hmm." Heather's tone was tellingly mild. Fletcher was about to get floored by an uppercut. For once not being on the receiving end, Breckenridge grinned and waited for it to land. "If, as you say, your orders are to-do correct me if I'm wrong-keep me in my customary excellent health until you hand me over to your employer, then, my dear Fletcher, that will absolutely necessitate me going for a walk. Being cooped up all day in a carriage has never agreed with me-if you don't wish me to weaken or develop some unhealthy affliction, I will require fresh air and gentle exercise to recoup." She paused, then went on, her tone one of utmost reasonableness, "A short excursion along the river at the rear of the inn, and back, should restore my constitution." Breckenridge was certain he could hear Fletcher breathing in and out through clenched teeth. A fraught moment passed on, then, "Oh, very well! Martha-go with her. Twenty minutes, do you hear? Not a minute more." "Thank you, Fletcher. Come, Martha-we don't want to waste the light." Breckenridge heard Heather, with the rather slower Martha, leave the inn by the main door. He sipped his ale, waited. Eventually, Fletcher and Cobbins climbed the stairs, Cobbins grumbling, Fletcher ominously silent. The instant they passed out of hearing, Breckenridge stood, stretched, then walked out of the tap and into the foyer. Seconds later, he slipped out of the front door.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Ryder’s heart beats madly against my ear as we cling to each other, holding on for dear life. Adrenaline races through my veins, making my breath come in short gasps. I can feel Ryder’s fingers in my hair, his nails digging into my scalp as he presses me tightly against his body, his muscles bunched and rigid. I know I’m supposed to hate him, but all I can think right now is how glad I am he’s here--glad that I’m not alone. I’ve never been so scared in all my life, but I know it would be worse without him. It’s over in a matter of seconds. The freight-train roar quiets, the rain returning with a vengeance. I don’t need Jim Cantore to tell me it’s a rain-wrapped tornado. I’ve watched enough Storm Chasers to recognize it, even from my little hidey-hole under the stairs. If we had been outside, we probably wouldn’t have seen it coming, not till it was too late. Ryder releases his grip on my head, and I pull away slightly, peering up at him. His deep brown eyes are slightly wild-looking, but otherwise he looks okay. His face isn’t a shade of green, at least. I lean back against him, my head resting on his shoulder now. We’re still holding hands, our fingers intertwined. Somehow, it doesn’t seem at all weird. It just feels…safe. Neither of us says a word, not till the sirens are silenced a few minutes later. “I guess we should give it a few minutes,” I say, my voice slightly hoarse. “You know, just to make sure that’s it. No point in going out just to climb right back in.” He nods. “Besides, it’s perfectly comfortable in here.” “Well, I wouldn’t go that far.” “Okay, let me rephrase. It’s not uncomfortable.” I swallow hard. “I hope it’s not bad out there. I’m afraid of what we’re going to find.” “No matter how bad it is, we’re fine; the dogs and cats are fine. That’s what matters, Jemma. Anything else is replaceable.” “You sound like my dad, you know that? Have you been studying at the Bradley Cafferty School of Platitudes or something?” “Your dad’s a smart guy,” he says with a shrug.
Kristi Cook (Magnolia (Magnolia Branch, #1))
...literature does its best to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
literature does itsnbest to maintain that its concern is with the mind ; that the body is a sheet of plain glass through which the soul looks straight and clear, and, save for one or two passions such as desire and greed, is null , negligible and nonexistent. On the contrary, the very opposite is true. All day, all night the body intervenes; blunts or sharpens, colours or discolours, turns to wax in the warmth of June, hardens to tallow in the murk of February. The creature within can only gaze through the pane—smudged or rosy; it cannot separate off from the body like the sheath of a knife or the pod of a pea for a single instant; it must go through the whole unending procession of changes, heat and cold, comfort and discomfort, hunger and satisfaction, health and illness, until there comes the inevitable catastrophe; the body smashes itself to smithereens, and the soul (it is said) escapes. But of all this daily drama of the body there is no record. People write always about the doings of the mind; the thoughts that come to it; its noble plans; how it has civilised the universe. They show it ignoring the body in the philosopher's turret; or kicking the body, like an old leather football, across leagues of snow and desert in the pursuit of conquest or discovery. Those great wars which it wages by itself, with the mind a slave to it, in the solitude of the bedroom against the assault of fever or the oncome of melancholia, are neglected. Nor is the reason far to seek. To look these things squarely in the face would need the courage of a lion tamer; a robust philosophy; a reason rooted in the bowels of the earth. Short of these, this monster, the body, this miracle, its pain, will soon make us taper into mysticism, or rise, with rapid beats of the wings, into the raptures of transcendentalism. More practically speaking, the public would say that a novel devoted to influenza lacked plot; they would complain that there was no love in it—wrongly however, for illness often takes on the disguise of love, and plays the same odd tricks, investing certain faces with divinity, setting us to wait, hour after hour, with pricked ears for the creaking of a stair, and wreathing the faces of the absent (plain enough in health, Heaven knows) with a new significance, while the mind concocts a thousand legends and romances about them for which it has neither time nor liberty in health.
Virginia Woolf (On Being Ill)
I’ll go myself,” the sergeant said tersely. He was getting annoyed. The stairway went down underneath the ground floor to a depth of about eight feet. A short paved corridor ran in front of the boiler room at right angles to the stairs, where each end was closed off by unpainted panelled doors. Both the stairs and the corridor felt like loose gravel underfoot, but otherwise they were clean. Splotches of blood were more in evidence in the corridor and a bloody hand mark showed clearly on the unpainted door to the rear. “Let’s not touch anything,” the sergeant cautioned, taking out a clean white handkerchief to handle the doorknob. “I better call the fingerprint crew,” the photographer said. “No, Joe will call them; I’ll need you. And you local fellows better wait outside, we’re so crowded in here we’ll destroy the evidence.” “Ed and I won’t move,” Grave Digger said. Coffin Ed grunted. Taking no further notice of them, the sergeant pushed open the door. It was black and dark inside. First he shone his light over the wall alongside the door and all over the corridor looking for electric light switches. One was located to the right of each door. Taking care to avoid stepping in any of the blood splotches, the sergeant moved from one switch to another, but none worked. “Blown fuse,” he muttered, picking his way back to the open room. Without having to move, Grave Digger and Coffin Ed could see all they wanted through the open door. Originally made to accommodate a part-time janitor or any type of laborer who would fire the boiler for a place to sleep, the room had been converted into a pad. All that remained of the original was a partitioned-off toilet in one corner and a washbasin in the other. An opening enclosed by heavy wire mesh opened into the boiler room, serving for both ventilation and heat. Otherwise the room was furnished like a boudoir. There was a dressing-table with a triple mirror, three-quarter bed with chenille spread, numerous foam-rubber pillows in a variety of shapes, three round yellow scatter rugs. On the whitewashed walls an obscene mural had been painted in watercolors depicting black and white silhouettes in a variety of perverted sex acts, some of which could only be performed by male contortionists. And everything was splattered with blood, the walls, the bed, the rugs. The furnishings were not so much disarrayed, as though a violent struggle had taken place, but just bloodied. “Mother-raper stood still and let his throat be cut,” Grave Digger observed. “Wasn’t that,” Coffin Ed corrected. “He just didn’t believe it is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
You!’ the first guard yelled. ‘Hands on your head, don’t move.’ Wing slowly put his hands on his head, showing no hint of emotion. ‘What the hell?’ the other guard said. ‘He’s just a kid.’ He pulled a pair of handcuffs from his belt and slowly moved behind Wing and grasped one of his wrists. In one fluid motion, Wing grabbed the guard’s own wrist with his free hand and twisted hard. There was a sickening crunch, the guard howling in pain as Wing stepped backwards, too close for the man to bring his gun to bear. He pulled the guard’s wounded arm further over his own shoulder, dragging the man closer, and jerked his head backwards, his skull connecting with the man’s nose with a crunch. Wing rotated around the guard, pressing the wounded arm up into the small of the man’s back and ducking behind him, giving the other guard no clean shot without hitting his associate. He pushed hard, sending the stunned guard staggering towards his partner, and delivered a sharp kick to the base of his spine. The wounded guard’s momentum sent him careering into the other man, yowling with pain and confusion. Wing took two short steps and in a blur of movement pulled the handcuffs from the wounded man’s belt and snapped them closed around both his broken wrist and the wrist of the unwounded guard’s gun hand. Wing pressed his fingers into the pressure point behind the wounded guard’s ear and he collapsed, instantly unconscious, pulling the other guard down with him and pinning his gun to the ground. The conscious guard snatched for the gun with his free hand, but Wing dropped on to him, his knee pressing into his throat hard enough to choke him but without crushing his windpipe. Wing delivered a sharp knuckle jab to the guard’s shoulder and his free arm was instantly disabled too. Wing could hear the sound of at least half a dozen more guards racing up the stairs from below. He knew there would be more than he could handle. He reached down and took a smoke grenade from the webbing on the pinned guard’s chest and pulled the pin with his teeth, tossing it through the doorway into the stairwell. There were cries of confusion from just below as the confined space filled with impenetrable clouds of white smoke. Wing pulled a flashbang stun grenade from the other side of the pinned guard’s webbing and waited a couple of seconds before tossing it into the stairwell too. He closed his eyes, the flash of the grenade clear even through his eyelids. ‘Who the hell are you?’ the guard pinned beneath Wing gasped. ‘Just a kid,’ Wing said with a slight smile and punched him unconscious.
Mark Walden (Escape Velocity (H.I.V.E., #3))
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
to stay! It was another answer to prayer, and I graciously accepted her offer. When the service began, I was not surprised to hear the angelic hosts join with the worship team. In fact, several people in the church testified to hearing the angels. After the service, we traveled to Tim Horton’s for a late dinner. We returned to Botwood to find Margaret waiting for us, and she kindly directed us to our separate rooms for the night. The Holy Spirit was still hovering very close to me, and as soon as the door closed behind my host, the Lord began to speak to me. I immediately began to pray and worship the Lord. Once again, the Lord had me begin reading from Revelation 4. It was about 3:30 A.M. when I fell into a peaceful sleep praying in the Spirit. I awoke to the sound of the Lord’s voice speaking to me. “Kevin, get up; it’s time to go to work.” I opened my eyes and looked around the room. My mind began to race. I looked at the clock, and it was just 5:00 A.M. I had only been asleep for a short while. I sleepily said, “Lord, what could you possibly want me to do at this hour?” “Walk downstairs and prophesy to Margaret,” He said. I protested, “Lord, I don’t even know Margaret.” He said, “Don’t worry. I know her. Just say what I tell you to say.” “But Lord, It’s only 5 A.M., and nobody is awake at 5 A.M.” He answered, “Margaret is awake. She is in the kitchen. She is praying and having tea and a scone. Go to her now.” In my natural mind this seemed totally insane! Me? Prophesy? Suddenly the anointing and presence of the Lord intensified, and I found myself dressed. The next thing I knew I was walking down the hallway toward the stairs. All at once, there was a still, small voice speaking into my left ear. I was being told many things about Margaret. I was hearing the secrets of her heart. When I walked into the kitchen, she was there. She was having tea and a scone. I asked her what she was doing, and she told me that she was praying. PROPHESYING ABOUT ANGELS I said, “Margaret, I think God wants me to tell you something!” Her eyes grew as big as saucers as I launched into a litany of words about angels. I was as shocked as she was! I was able to speak in great detail about angels to her. “Your angel is very precious to you, and it has a name; your angel’s name is Charity. Your very nature is much like your angel. You are full of the love of God. The Lord is going to open your eyes to see your angel again. It is going to happen soon.” Somewhere in the middle of this heavenly utterance Margaret burst into tears! Then something else rather extraordinary began to happen. Gold dust began to rain down into the kitchen! Gold started to cover the kitchen table and our faces. After a few minutes, Margaret regained her composure, and I took a seat at the table with her. She shared with me her journey and how God had always ministered to her using the realm of angels as confirmation of everything that I had just spoken to her. We continued to fellowship together while enjoying tea and scones for the next hour and a half. Margaret gave me a copy of the book, Good Morning, Holy Spirit. Later, I took this Benny Hinn book along with me into the wilderness of Newfoundland where I had a life-changing encounter with the Holy Spirit in a tiny cabin. Margaret and I were joined by two friends for breakfast, and the Lord continued to move. Jennifer received the revelation that she was supposed to give an angel’s feather she had found to our hostess.
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Dane?” Shea asked, surprise in her voice.   The man paused then reached up and removed his goggles. The move made him seem even more unfamiliar, forcing his hair to stick straight up in tuffs. He peered closer at them, his face equally surprised.   “Shea! You’re alive.” He sounded excited and happy.   “Not just her,” Witt said, relaxing his stance but not yet putting his sword away.   “Witt, my friend!” Dane started to bound down the stairs but was brought up short by the rope around his waist. He turned and snapped, “Do you mind? I’m trying to greet people I thought were dead!”   “Keep your pants on,” an irate female voice growled back. “This isn’t the place for such things. You can do your happy dance when we get out.”   Shea arched an eyebrow at the second voice and bit back a grin as Dane turned back to them and let out a heavy sigh.   “Guess the reunion will have to wait. Grumpy britches back there will have a cow if we don’t get a move on.” Dane turned to walk up the stairs. “Follow us. They tell me the path has moved a bit since the last time you’ve been through, Shea.”   With that, the mist swallowed him again, though his voice echoed back to them as he argued with his companion.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
May I sit down, please?” she asked mildly. “I’m tired of standing.” “There’s no place to sit.” “Yes there is.” Breaking away from him, Daisy went to the four-poster bed and tried to climb onto it. Unfortunately the bed was an antique Sheraton, built high to avoid winter drafts and allow for a trundle below. The top of the mattress was level with her breasts. Hoisting herself upward, she tried to lever her h*ps onto the mattress. Gravity defeated her. “Usually,” Daisy said, struggling and squirming with her feet dangling, “there’s a stair-step provided—” She grabbed handfuls of the counterpane. “—for beds this tall.” Straining to hook a knee over the edge of the mattress, she continued, “Good God…if someone fell out of this bed at night…it would be fatal.” She felt Matthew’s hands clamp around her waist. “The bed’s not that tall,” he said. Picking her up as if she were a child, he deposited her on the mattress. “It’s just that you’re short.” “I’m not short. I’m…vertically disadvantaged.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.” “You can’t,” Lillian said with weary certainty. “The key is in St. Vincent’s pocket, and I’ve run out of hairpins.” Sitting beside her, Hunt took her manacled wrist, regarded it thoughtfully, and said with what she thought was rather inappropriate satisfaction, “How fortunate. A pair of Higby-Dumfries number thirty.” Lillian gave him a sardonic glance. “I take it you are a handcuff enthusiast?” His lips twitched. “No, but I do have a friend or two in law enforcement. And these were once given as standard issue to the New Police, until a design flaw was discovered. Now one may find a dozen pair of Higby-Dumfries in any London pawnshop.” “What design flaw?” For answer, Hunt adjusted the locked cuff on her wrist, with the hinge and lock facing downward. He paused at the sound of more furniture breaking from upstairs, and grinned at Lillian’s gathering scowl. “I’ll go,” he said mildly. “But first…” He withdrew a handkerchief from his pocket with one hand, inserting it between her wrist and the steel cuff as a makeshift inner padding. “There. That may help to cushion the force of the blow.” “Blow? What blow?” “Hold still.” Lillian squeaked in dismay as she felt him lift her manacled wrist high over the desk and bring it down sharply on the bottom of the hinge. The whack served to jar the lever mechanism inside the lock, and the cuff snapped open as if by magic. Stunned, Lillian regarded Hunt with a half smile as she rubbed her bare wrist. “Thank you. I—” There was another crashing sound, this time coming from directly overhead, and a chorus of excited bellows from the onlookers caused the walls to tremble. Above it all, the innkeeper could be heard complaining shrilly that his building would soon be reduced to matchsticks. “Mr. Hunt,” Lillian exclaimed, “I do wish that you would try to be of some use to Lord Westcliff!” Hunt’s brows lifted into mocking crescents. “You don’t actually fear that St. Vincent is getting the better of him?” “The question is not whether I have sufficient confidence in Lord Westcliff’s fighting ability,” Lillian replied impatiently. “The fact is, I have too much confidence in it. And I would rather not have to bear witness at a murder trial on top of everything else.” “You have a point.” Standing, Hunt refolded his handkerchief and placed it in his coat pocket. He headed to the stairs with a short sigh, grumbling, “I’ve spent most of the day trying to stop him from killing people.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
There is nothing wrong with stretching. It doesn’t do any harm, and sometimes it just feels really good to stretch. But as far as getting a lot of bang for your buck, stretching falls short because it doesn’t address all the aspects of the movement system. Stretching is fine; go ahead and stretch if you like it. But if you want to have less pain, move more fluidly, and be better able to recover from physical stress—whether it’s from hiking over grueling switchbacks or carrying the laundry up and down the stairs ten times in one day—mobilizations, not stretching, are your ticket to success.
Kelly Starrett (Built to Move: The Ten Essential Habits to Help You Move Freely and Live Fully)
Cocking a brow, she rose. “What’s all this about?” she asked the House, following the trail it had left. Down the hall, along the stairs, all the way down to the library itself. “Where are we going?” Nesta asked the warm air. Mercifully, even the night owls amongst the priestesses had gone to sleep, leaving no one to see her hurrying after the trail of branches. Around the levels of the library they twined, deeper and deeper, until they reached the seventh level. Nesta drew up short as the trail stopped at the edge of the wall of darkness. A light flickered beyond it. Several lights. As if to say, Come. Don’t be afraid. So Nesta sucked in a breath as she stepped into the gloom. Little tea lights wended into a familiar darkness. She and Feyre had once ventured down here—had faced horrors here. No evidence remained of that day. Only the firelit dimness, the candles leading her to the lowest levels of the library. To the pit itself. Nesta followed them, spiraling to the bottom of the pit, where one small lantern glowed, faintly illuminating the rows of books veiled in permanent shadow around it. Heart racing, Nesta lifted the lantern in one hand and gazed at the darkness, untouched by the light from the library high, high above. The heart of the world, of existence. Of self. The heart of the House. “This …” Her fingers tightened on the lantern. “This darkness is your heart.” As if in answer, the House laid a little evergreen sprig at her feet. “A Winter Solstice present. For me.” She could have sworn a warm hand brushed her neck in answer. “But your darkness …” Wonder softened her voice. “You were trying to show me. Show others. Who you are, down deep. What haunts you. You were trying to show them all those dark, broken pieces because the priestesses, and Emerie, and I … We’re the same as you.” Her throat constricted at what the House had gifted her. This knowledge. She lifted the lantern higher and blew out its flame. Let the darkness sweep in. Embraced it. “I’m not afraid,” she whispered into it. “You are my friend, and my home. Thank you for sharing this with me.” Again, Nesta could have sworn that phantom touch caressed her neck, her cheek, her brow. “Happy Solstice,” she said into the beautiful, fractured darkness.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Uncleanliness, however, is but one of the drawbacks of dogs. Dogs also fall ill and no one really understands dogs’ diseases. Then the animal sits in a corner or limps about, whimpers, coughs, chokes from some pain; one wraps it in a rug, whistles a little melody, offers it milk – in short, one nurses it in the hope that this, as indeed is possible, is a passing sickness while it may be a serious, disgusting, and contagious disease. And even if the dog remains healthy, one day it will grow old, one won’t have the heart to get rid of the faithful animal in time, and then comes the moment when one’s own age peers out at one from the dog’s oozing eyes. Then one has to cope with the half-blind, weak-lunged animal all but immobile with fat, and in this way pay dearly for the pleasures the dog once had given. Much as Blumfeld would like to have a dog at this moment, he would rather go on climbing the stairs alone for another thirty years than be burdened later on by such an old dog which, sighing louder than he, would drag itself up, step by step.
Franz Kafka (Franz Kafka: Collected Works (21 Stories Including The Metamorphosis and Others))
In the early to mid-’70s, a small loft located up a short set of wooden stairs in the Rainbow led to the lair of the Hollywood Vampires. In short, the Vampires were a celebrity drinking club. Formed by my friend Alice Cooper, it consisted of a rotating cast of characters depending on who was in town at any given time. The principles were, aside from Alice and myself, Ringo Starr, Micky Dolenz, Harry Nilsson, Keith Moon, and on occasion, John Lennon. Outside of these gatherings I didn’t spend a whole lot of time in the Rainbow; it just wasn’t my sort of place.
Bernie Taupin (Scattershot: Life, Music, Elton, and Me)
Grip.” Bristol bends over the rail up on the landing. Her dark hair hangs a little wild and completely free down her back. She rushes down the stairs and hurls herself into my arms. I stumble back, laughing with an armful of my girl. God, yes. This. Parker can have his billions and his hotels and his helicopters. This is all I want. I squeeze Bristol so tightly our hearts converse through our clothes. I lean into her, sliding my hands down to her waist and kissing her. “Are you hungry?” she asks against my lips. She’s wearing a simple black dress with short sleeves. She’s barefoot and has on no makeup. I could eat her for dinner she looks so good. Or actual food and then just make love to her afterwards. I like that option even better. “Starving.” I peck her lips and squint toward the take out menus under magnets on the refrigerator. “We can order whatever you want, just make it fast.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
The mixture of displeasure and relief is so overpowering my mind. I knew that I would pick to have that pleasure if he kept being so passionate and felt right. I look down the tunneling hallway my eyes feel like kaleidoscopes, yet I can figure there are kids with sparklers and the firecrackers the sounds are going off within all the colors I see. He has to hold me with my back against the walls or I am sure I would fall, I see Justen feeling the left of a rail of the stairs, walking over the entryway into their room feather down that hallway, up above me, me like they’re going to slip away any second, and share the rest of the night cuddling in bed. Is tonight the night I follow him to his room and crawl in with him, or isn’t tonight the night, maybe hold back until tomorrow? That kept running through my head. Tonight, or tomorrow? Tomorrow I’ll wake up and be the same, regardless if I am in his bed or not. This earth will look the same, and everything will feel and taste and smell the same. What am I rushing it for, he’s going to love me the same if not more is, I hold out? Maybe play that three-date rule. My throat gets taut, just thinking about what we could be doing right now, also I have to think about what Ray and Justen are doing, and my eyes start to tingle in ire, and all I can think at that moment is that it’s all Ray’s fault, that my sis has gone home broken-hearted. Yet I don’t want her spending the night here anyway, with him of all boys. It’s funny how you can go from love to hate in seconds. Half an hour later the party starts to wind down. Inside, everyone is just about passed out, at this point, I need to find a place to crash too. Then I thought, should I, or shouldn’t I? My sis is one of those shy ones around cute boys, and those are the ones you have to worry about because they are freaks between the sheets. I can see that somebody pulled the drooping icicle lights off the wall there getting crouched on by the others passing by. They are getting tangled up in my feet, as I move. There twanging and shorting out from the broken blabs, in sparks lighting up the grime corners, like cups and broken beer bottles. You have to be careful like I see a lot of girls with flip-flops on or barefoot running around not a good idea. I think that I’m feeling better now until I move away from the walls, but I’m starting to feel more like the girl I should be around all my friends. ‘There’s always tomorrow,’ Jenny walked up to me and said before going up to her bed when I told her about Ray, yet she seemed not suppressed and I ran the phrase over and over in my head like a chant: There’s always tomorrow. There’s always tomorrow. So that is what I went with thinking… I am going to be with him tomorrow night. I see myself in the ornate hall mirror in the makeup that I replayed, thinking- ‘God Marcel loves this face.’ Every time I put on makeup it reminds me of my mom, I used to watch me bowed over her vanity, getting ready for dates with my father-daughter dates-and it calms me down.
Marcel Ray Duriez (Young Taboo (Nevaeh))
I spoke with your wife a short while ago. She’s not here anymore. The student carried her off to the examining magistrate.” “You see,” said the court usher, “they’re always taking her away from me. Today is Sunday, and I have no official duties, but just to get me out of the way, they send me off with a message that’s meaningless anyway. And in fact I’m not sent far, so that the hope remains that if I really hurry, I might get back in time. I run as fast as I can to the office they’ve sent me to, shout my message so breathlessly through the half-open door that they probably don’t understand it, and race back again, but the student has moved even faster than I have, and of course he doesn’t have as far to go, he has only to run down the attic stairs. If I weren’t so dependent on them, I would have long since crushed the student against this wall. Right here next to the sign. I keep dreaming about it. He’s squashed flat a little above floor level here, his arms stretched out, his fingers spread, his crooked legs curved in a circle with blood spattered all about. But it’s just been a dream up to now.
Franz Kafka (The Trial)
Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window. There was a dull, repetitive sound coming from out there. It was Mr. Rhodes. Chopping wood. Shirtless. And I mean shirtless. I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality. If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window. A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin. His biceps were big and supple. Shoulders rounded. His forearms were incredible. And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular. He was the DILF to end all DILFs. My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job. Kaden’s physique had nothing on Mr. Rhodes though. My mouth watered a little more. I whistled. And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately. Busted. I waved. And inside… inside, I died. He lifted his chin. I backed away, trying to play it off. Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah. A girl could dream. I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame. Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life. So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house. I wasn’t that lucky. He had a shirt on, but that was the only difference. Darn.
Mariana Zapata (All Rhodes Lead Here)
I knew exactly what was going on, but I unfortunately didn't have a firearm. (Adam have most likely offered someone 6000 Euros, to end this all, then and there. Tomas. 10%) Only a mini baseball bat. A Louisville Slugger. And Martina’s weapon of choice: a broom. The witches’ vehicle. Before I could tell him to go to Hell, a neighbor exited the building and let the stranger claiming to be from the gas company inside. Now the stranger dressed in black was running up the 94 stairs. I could hear his footsteps approaching. I didn't have time to react, grab the biggest knife from the kitchen, and stand by my entrance door. He was already upstairs, right outside my apartment door. He began knocking loudly and aggressively, whether with his metal ring or a lighter. I looked through the peephole, but he had covered it with a black folder, which I soon realized was an iPad. Covering his face. Covering my eyes. The same speech repeated played through the iPad, ensuring that I wouldn't recognize his voice and open the door. „I am from the gas company, looking for Tomas Adam Nyapi.” He kept playing in a prerecorded voice on the iPad outside my door, "Open up", "It's the gas company", and "We are looking for Tomas Adam Nyapi." I was trying to pay attention and make sense of it all, trying to figure out who it could be. But the Catalan girl couldn't keep quiet and yelled at the person in Spanish with her strong Catalan accent, after a minute or two: "Who are you and what do you want? Go away before I call the police!" Suddenly, the stranger began sprinting down the 94 stairs upon realizing that I wasn't alone. In case the reason for his visit wasn't clear enough. He was running so fast that he nearly stumbled, clearly determined to prevent me from catching up with him. I swung open my door and peered down the stairwell, straining my eyes to discern his identity, but the darkness obscured any details in the vertical tunnel below. By the time he reached the bottom of the stairs, I hurried to my loggia to catch a glimpse of him. He was tall and thin, with long legs, and his strides were hurried and distinct, unlike anyone else. Deep inside, I knew it was Mario Larese. Mister Twister. I recognized his movements, but it wasn't until 2023 that I had concrete confirmation. An evidence orgy. Mario had been sent to either spy on me or seek revenge for my closure of the club, with him being responsible for triggering the landslide, the avalanche. The mafia had dispatched Mario to finish what he/they had started. With Adam and the rest of them. Mario. Adam. Nico. Ferran. „The Beatles.” „Plus Yoko.” The Nazi junkies had sent him to deliver the final blow, the fatal shot, the kill. It was Mario who was accountable - the thief, the liar, the "Romanian gypsy." To deliver „The Final Solution”, to sever ties. And keep that 60,000 as well of course. Shortly after the stranger (Mario) had left our address Martina called me on the phone.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
He began taking the stairs in twos, in threes, as long as he could jump. There was no time to be tired and no time to succumb to the temptation to take a short breath. He knew he was racing death, and he wasn’t too certain that he would win.
Christopher J.C. Buchheit (Waypoint Eclipse)
This all could have been so much easier,” he added with a sigh, “if you’d known sooner what was happening to Elizabeth. You have many acquaintances in English society; how is it they never mentioned it to you?” “In the first place, I was away from England for almost a year after the episode. In the second place,” Ian added with contempt, “among what is amusingly called Polite Society, matters that concern you are never discussed with you. They are discussed with everyone else, directly behind your back if possible.” Ian watched an inexplicable smile trace its way across his uncle’s face. “Putting their gossip aside, you find them an uncommonly proud, autocratic, self-assured group, is that it?” “For the most part, yes,” Ian said shortly as he turned and strode up the stairs. When his door closed the vicar spoke to the empty room. “Ian,” he said, his shoulders beginning to shake with laughter, “you may as well have the title-you were born with the traits.” After a moment, however, he sobered and lifted his eyes to the beamed ceiling, his expression one of sublime contentment. “Thank You,” he said in the direction of heaven. “It took You a rather long time to answer the first prayer,” he added, referring to the reconciliation with Ian’s grandfather, “but You were wonderfully prompt with the one for Elizabeth.
Judith McNaught (Almost Heaven (Sequels, #3))
Gray headed toward the stairs to find her mom and grill her, then stopped short. She recalled the dark circles she’d seen under her mom’s eyes that morning. Even when Gray had returned from the hospital Mom had been holding her head at the dining room table, ancient texts spread open before her. That was why Gray had greeted then quickly bypassed her in favor of online research before she began firing away questions about Stacey Morehouse’s accident. Mom was worried. She’d already complained of a headache that wouldn’t go away. Must be a migraine if Mom couldn’t cast it off. Gray had put
Nikki Jefford (Entangled (Spellbound, #1))
Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
But then his tongue moved over me and started to lick the whipped cream over my sex, making my legs fall open, swiping the creamy coolness down and over my cleft, making a long, ragged moan escape me, dragging a rumbling sound from his chest that made another rush of wet pool as his mouth closed over my clit and sucked hard. Then he devoured me, drove me up fast and unrelenting until the orgasm started to crest, seeming to start at the base of my spine and exploding outward until it took over whole body, making me cry out his name as he took possession of my clit and sucked it in pulses as the waves washed over me, dragging it out, intensifying everything. As soon as the waves lessened, he released me and licked a line back upward, taking the whipped cream off my breasts then pressing up to balance over me, wicked look in his eyes. "Tell me." "Tell you what?" I asked, brain nothing but sparking misfirings right then. He smiled at that, either delighted with his prowess or glad to torture me more. Or, more likely, both. I grabbed the can of whipped cream as I moved to straddle him, watching as his eyes went knowing just a second before I started making a line down his stomach with the cream, then down the little happy trail, over his balls, and then up the underside of his cock until there was a large amount on the swollen head. Then I tossed the can to the side and gave him a smile before ducking my head and starting my path down, deciding that while foreplay was always good, it was infinitely better with food involved as my tongue licked the cream off his balls then his shaft before closing my lips around the head and licking it off from there as well, making Brant let out a deep, primal groan that spurred me on, made me work him faster, deeper. "Maddy..." he warned, but I didn't need a warning. I wanted to make him come. I wanted to give him the selfless orgasm he gave me. "Fuck," he growled, his hand crushing into the back of my head as he came down my throat. I worked him for a long moment before letting him slide away, looking up at him to find an intense weight in his gaze. "From now on, we only ever eat dessert off of each other," he said a second later, his hand going under my chin and pulling me until I moved to straddle him, bringing my face close to his. "I can get behind that plan," I agreed with a smile before he yanked me forward and our lips crashed together. It wasn't a slow, sweet, post-orgasm kiss. It was still wild, hungry, primal. It said we weren't done. "Come on," he said when he pulled away, a little out of breath. "Let's go take a shower. That was hot as fuck but we're both sticky now." Thank God. I didn't want to complain, but every time I moved, my skin got stuck to his skin and it was weird and decidedly unsexy. I went to move off him, but his arms went to slip around my lower back, holding me to him as he stood and started walking around the house. Then up the stairs. I was generally not the kind of girl who got carried around. I was fit, sure, but I was tall and leggy and most guys wanted to carry around the short, lithe little women. But since Brant was a huge wall of muscle, he didn't seem bothered by my height and less than dainty limbs. He set me on my feet outside the shower and reached in to put the water on, water I knew would take a couple of minutes to warm up. But he stepped in regardless, cursing at the cold spray. "Yeah, I think not," I said when he looked at me expectantly. I should have known to step away. I really should have. But I didn't and the next thing I knew, he was yanking me in with him, making me let out a string of incredibly unladylike curses before I felt the water get warmer against my back.
Jessica Gadziala
P lanning a wedding can be murder. Planning weddings for a living is nothing short of suicide. “Is there a patron saint for wedding consultants? Because I think after this wedding, I just might meet the requirements.” I stood near the top of the wide marble staircase that swept down the middle of the Corcoran Gallery of Art’s central foyer. Below me, dozens of tuxedo-clad waiters scurried around the enormous hall filled end to end with tables and gold ladder-backed chairs. After having draped ivory chiffon into swags on all forty tables, I massaged the red indentations left on my fingers by the heavy pins. “Annabelle, darling, I may be a lapsed Catholic, but I’m pretty sure you have to be dead to qualify for sainthood.” Richard Gerard has been one of my closest friends since I arrived in Washington, D.C. three years ago and started “Wedding Belles.” At the time he’d been the only top caterer who’d bother talking to a new wedding planner. Now I worked with him almost exclusively. “The wedding isn’t over yet.”“At least your suffering hasn’t been in vain.” Richard motioned at the room below us. “It’s divine.” The museum’s enormous hall did look magical. The side railings of the staircase were draped with a floral garland, leading to a pair of enormous white rose topiaries flanking the bottom of the stairs. Amber light washed each of the three-story limestone columns bordering the room, and white organza hung from the ceiling, creating sheer curtains that were tied back at each column with clusters of ivory roses. “I just hope the MOB is happy.” My smile disappeared as I thought
Laura Durham (Better Off Wed (Annabelle Archer, #1))
I walked the short distance to Nogizaka, then strolled up and down Gaienhigashi-dori. It took awhile, but I finally spotted it. There was no sign, only a small red rose on a black awning. The entrance was flanked by two black men, each of sufficient bulk to have been at home in the sumo pit. Their suits were well tailored and, given the size of the men wearing them, must have been custom-made. Nigerians, I assumed, whose size, managerial acumen, and relative facility with the language had made them a rare foreign success story, in this case as both middle management and muscle for many of the area’s entertainment establishments. The mizu shobai, or “water trade” of entertainment and pleasure, is one of the few areas in which Japan can legitimately claim a degree of internationalization. They bowed and opened the club’s double glass doors for me, each issuing a baritone irasshaimase as they did so. Welcome. One of them murmured something into a microphone set discreetly into his lapel. I walked down a short flight of stairs. A ruddy-faced, prosperous-looking Japanese man whom I put at about forty greeted me in a small foyer. Interchangeable J-Pop techno music was playing from the room beyond. “Nanmeisama desho ka?” Mr. Ruddy asked. How many? “Just one,” I said in English, holding up a finger. “Of course.” He motioned that I should follow him. The room was rectangular, flanked by dance stages on either end. The stages were simple, distinguished only by mirrored walls behind them and identical brass poles at their centers. One stage was occupied by a tall, long-haired blonde wearing high heels and a green g-string and nothing more. She was dancing somewhat desultorily, I thought, but seemed to have the attention of the majority of the club’s clientele regardless. Russian, I guessed. Large-boned and large-breasted. A delicacy in Japan. Harry hadn’t mentioned floorshows. Probably he was embarrassed. My sense that something was amiss deepened.
Barry Eisler (A Lonely Resurrection (John Rain #2))
I dashed down the narrow steps. When I got to the bottom of the stairs, I turned into the hallway and came up short. A lumberjack was standing there. Or at least, that’s what he looked like. A really young, really hot lumberjack. He was tall and broad, with midnight black hair that curled around his ears and across his brow, creating the perfect frame for his startling blue eyes. He was wearing an unbuttoned red plaid flannel shirt that was so thick it was almost a jacket. Beneath that he wore a black turtleneck sweater. He was turned slightly so I couldn’t see his other hand. Lumberjacks carried axes. I had a flashback to The Shining. My heart hammered against my ribs. I didn’t know this guy. Who was he? And where was Mom? He grinned. “Hey.” “Who are you?” I snapped, jerking the sides of my robe together and tying the sash. His eyebrows shot up. “Most people I know respond to a greeting with another greeting.” “Well, I’m not someone you know, am I? For all I know you’re a serial killer.” He chuckled. How could anyone chuckle in the morning? “Do I look like a serial killer?” he asked. I guessed not, but still… “What are you doing here?” I demanded. “Your mom hired my dad to do some repairs. They’re in the kitchen discussing details.” “So you just decided to make yourself at home?” He narrowed his eyes. “Your mom said I could look around. I’ve never been in this house before, but it’s always interested me because of the turrets. I have this thing for turrets. I’m Josh Wynter, by the way.” “And do you become Josh Summer in June?” I asked.
Rachel Hawthorne (Snowed In)
Although I considered not replacing the dishwasher and resigning myself to the drudgery of hand washing, my painter-pushing friend Randal slapped some sense into me. One day shortly thereafter, two hunky Frenchmen showed up at my apartment, muscles bulging and a fine mist of sweat glistening on their chiseled features. Which was great, but what was even more appreciated than their presence was the new dishwasher they’d hauled up the six flights of stairs.
David Lebovitz (The Sweet Life in Paris: Delicious Adventures in the World's Most Glorious - and Perplexing - City)
And then she says, “I feel all these footsteps come loose from the stairs and move forward in the void, then plunge… a crowd falling…” And she digs in her heels. I look through the spaces between the iron steps at the colorless flow of the river down below, transporting chunks of ice like white clouds. In a distress that lasts an instant, I seem to be feeling what she feels: that every void continues in the void, every gap, even a short one, opens into another gap, every chasm empties into the infinite abyss.
Italo Calvino
So,” holding his arms outstretched, like Kubla Khan welcoming Marco Polo to Xanadu, “what do you think?” “Nice,” I croaked. “Very nice.” “Home sweet home,” he said fondly, and slurped his tea. “Although . . . ,” I began. “Yeah?” “Well, I have to say,” I said, in a careless, jokey sort of way to show there were no hard feelings, “I don’t think much of your doorman.” “Doorman?” Frank repeated. “Yes, the doorman,” I said, trying to maintain my smile. “You know, he was really quite slovenly.” “That wasn’t a doorman, Charlie, he’s homeless.” “Homeless?” “Yeah, he lives in that cardboard box on the steps.” “Oh,” I said in a small voice. “I wondered why he wasn’t wearing a cap.” There was a pause. “Doorman,” Frank chuckled to himself. Light struggled in through the ungenerous window, weak gray light that was more like the residue of light. I looked down thoughtfully into my tea, which had bits in it. After a time I said judiciously, “I imagine that’s why it’s taking him so long to bring up my cases.” Frank put his cup down, wincing. “Ah, Charlie . . .” “You don’t suppose,” I ventured, “he might have forgotten which room—” But Frank had already leapt from his seat and was hurtling back down the stairs. I got up and hurried after him, catching up outside the front door, where he stood studying the cardboard box and blanket until a short while ago occupied by the homeless person–doorman. “Fuck,” he said, stroking his chin.
Paul Murray
An ambulance finally arrived, and the injured were picked up. Ahmed, whose family is comprised of five sons and three daughters, escaped with his family in the middle of the night. According to Ahmed, a family including women and children was running away ahead of them when a shell hit and killed them. “We decided to hide by walking on the sidewalk close to the wall,” Ahmed narrated how he and his family barely escaped death as mortars fell near them. “My children were crying and we walked as fast as we could till we got to al-Shujayeh Square where ambulances picked us up.” When they got to al-Shifa hospital, Ahmed was reunited with the rest of his family. He saw his dead brother for only a short time as bodies were being piled on top of each other as new ambulances arrived. Hamada al-Ghafeer described his and his family’s survival as “a miracle.” As bombs fell down, he and his family hid under the stairs, broken glass showering over them. “I prayed that I’d die before my kids and not live to see them torn and burnt in front of my eyes,” 39-year-old Hamad said.
Anonymous
PANG LIVED in an obscure district off On Nuch and to reach his house required a long drive down some narrow dirt tracks. Dust rose up from the ground as Nigel was thrown around in the back like a rag doll. Eventually they arrived at a row of painted houses and parked outside one painted blue. Nigel stepped out, tidied his hair in the wing mirror then followed Pang to the house. “That’s a nice shade of blue.” “I like blue,” Pang drawled. Nigel followed Pang to the front door and watched as Pang fiddled with his keys and connected with the lock. Stepping in, Pang flicked off his shoes and waited for Nigel to do something similar. Pang then pointed upstairs. “We better be quiet; Tuk sleeping.” They crept into the house on tip-toes and just as they were reaching the staircase, a light came on. They froze in their steps. A tall Thai lady stood at the top of the stairs looking down. She had short, brown hair, long legs and high, curvy hips. “I can see you.
Simon Palmer (Lost Innocence (Tales From the Land of Smiles))
Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here
Barbara Delinsky (The Right Wrong Number)