Stairs Design Quotes

Design a flight of stairs for the day a nervous bride descends them. Shape a window to frame a view of a specific tree on a perfect day in autumn.

Once your baby starts to walk you’ll realize why cribs are designed like prisons from the early 1900s. This is clearly because toddlers are a danger to themselves. The main responsibility for a parent of a toddler is to stop them from accidentally hurting or killing themselves. They are superclumsy. If you don’t believe me, watch a two-year-old girl attempt to walk up stairs in a long dress. It looks like a Carol Burnett sketch. Also, toddler judgment is horrible. They don’t have any. Put a twelve-month-old on a bed, and they will immediately try and crawl off headfirst like a lemming on a mindless migration mission. But the toddler mission is never mindless. They have two goals: find poison and find something to destroy.

And so, because business leadership is still so dominated by men, modern workplaces are riddled with these kind of gaps, from doors that are too heavy for the average woman to open with ease, to glass stairs and lobby floors that mean anyone below can see up your skirt, to paving that’s exactly the right size to catch your heels. Small, niggling issues that aren’t the end of the world, granted, but that nevertheless irritate. Then there’s the standard office temperature. The formula to determine standard office temperature was developed in the 1960s around the metabolic resting rate of the average forty-year-old, 70 kg man.1 But a recent study found that ‘the metabolic rate of young adult females performing light office work is significantly lower’ than the standard values for men doing the same type of activity. In fact, the formula may overestimate female metabolic rate by as much as 35%, meaning that current offices are on average five degrees too cold for women. Which leads to the odd sight of female office workers wrapped up in blankets in the New York summer while their male colleagues wander around in summer clothes.

What's the deal with putting animal feet on tubs? It's like insisting that all pianos should have tails, or dinner tables should have scrotal sacs. One of the things we like about tubs is their immobility, their general disinclination to bolt out of the room, scramble down the stairs, and make for the woods in a blind feral panic.

He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face. She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that. He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on. She said, Better to get it over with when she's young. He said, All right but don't let me see it. She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell. He said, I guess we're safe.

The stairs creaked. They always creaked when creaking could lead to your death, and they never creaked when creaking didn’t matter. The universe is anthropic, meaning that its design makes possible and sustains intelligent life, especially human beings. Nevertheless, I perceive some power, some presence, some adversary behind the scenes that by countless devices subtle or blunt seeks to destroy us.

There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.

So [Steve Jobs] had the Pixar building designed to promote encounters and unplanned collaborations ... "to make people get out of their offices and mingle in the central atrium with people they might not otherwise see." The front doors and main stairs and corridors all led to the atrium, the cafe and the mailboxes were there, the conference rooms had windows that looked out onto it, and the six-hundred-seat theater and two smaller screening rooms all spilled into it. "Steve's theory worked from day one, "Lasseter recalled. "I kept running into people I hadn't seen for months. I've never seen a building that promoted collaboration and creativity as well as this one.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.

We walk quickly to the footbridge across the railway line. There’s a dog waste bin here, and in the heat the slope up to the stairs stinks of shit and wee. Indigo lists the dogs whose markers she can smell. Not what their owners call them, unless there are really three dogs called George H-19, George H-15, George H-26. “All gun dogs are designated George,” says Indigo. “The H stands for Heath and the numbers are allocated sequentially.

Flo designed a tapestry chair for Heydon Hall and hassocks for Norwich Cathedral. When in the early 1970s an appeal was made for volunteer workers to create hassocks for the Chapel of the Most Excellent Order of the British Empire, in St Paul’s Cathedral, Flo responded. Her heart sank somewhat when the complicated patterns arrived, but never turning down a challenge, Flo set about creating her hassock, and then volunteered for another . The service of dedication was held in the Cathedral on 22nd November 1972.

Two hours later, Revere trotted into Lexington, his mount thoroughly lathered after outgalloping a pair of Gage’s equestrian sentinels near Charlestown. Veering north toward the Mystic River to avoid further trouble, Revere had alerted almost every farmstead and minute captain within shouting distance. Popular lore later credited him with a stirring battle cry—“The British are coming!”—but a witness quoted him as warning, more prosaically, “The regulars are coming out.” Now he carried the alarm to the Reverend Jonas Clarke’s parsonage, just up the road from Lexington Common. Here Clarke had written three thousand sermons in twenty years; here he called up the stairs each morning to rouse his ten children—“Polly, Betsey, Lucy, Liddy, Patty, Sally, Thomas, Jonas, William, Peter, get up!” And here he had given sanctuary, in a bedroom to the left of the front door, to the renegades Hancock and Samuel Adams. A squad of militiamen stood guard at the house as Revere dismounted, spurs clanking. Two warnings had already come from the east: as many as nine mounted British officers had been seen patrolling the Middlesex roads, perhaps “upon some evil design.” At the door, a suspicious orderly sergeant challenged Revere, and Clarke blocked his path until Hancock reportedly called out, “Come in, Revere, we’re not afraid of you.” The herald delivered his message: British regulars by the hundreds were coming out, first by boat, then on foot. There was not a moment to lose.

Did I want to be like him? Did I want to be him? Or did I just want to have him? Or are "being" and "having" thoroughly inaccurate verbs in the twisted skein of desire, where having someone's body to touch and being that someone we're longing to touch are one and the same, just opposite banks on a river that passes from us to them, back to us and over to them again in this perpetual circuit where the chambers of the heart, like the trapdoors of desire, and the wormholes of time, and the false-bottomed drawer we call identity share a beguiling logic according to which the shortest distance between real life and the life unlived, between who we are and what we want, is a twisted stair-case designed with the impish cruelty of M.C. Escher.

Do we really want to condemn as excessive the use of safety helmets, car seats, playgrounds designed so kids will be less likely to crack their skulls, childproof medicine bottles, and baby gates at the top of stairs? One writer criticizes "the inappropriateness of excessive concern in low-risk environments," but of course reasonable people disagree about what constitutes both "excessive" and "low risk." Even if, as this writer asserts, "a young person growing up in a Western middle-class family is safer today than at any time in modern history," the relevance of that relative definition of safety isn't clear. Just because fewer people die of disease today than in medieval times doesn't mean it's silly to be immunized. And perhaps young people are safer today because of the precautions that some critics ridicule.

...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.

Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.

Reaching out, Andrew crooked his little finger with mine. “If I live, I’ll find a way to let you know, Drew,” he promised. “I owe you that much--and a whole lot more.” After a little silence, Andrew’s face brightened. “You don’t suppose you could stay, do you? Just think of the fun we’d have playing tricks on Edward and Mrs. Armiger.” He laughed at his own thoughts. “Why, we’d make their heads spin, Drew. They wouldn’t know one of us from the other.” For a moment, it seemed possible. My mother and father were away, they wouldn’t miss me. As for Aunt Blythe--well, we’d think of some way to let her know I was all right. We were bouncing on the bed, singing “Yip-I-Addy-I-Ay,” when the door opened and Mama appeared. It was Andrew she looked at, not me. “Why are you still awake?” she asked. “I told you to go to sleep.” As Mama approached the bed, Andrew flung his arms around her. “You can see me, Mama,” he cried. “Oh, thank the Lord! It’s me, your own true son, back again for keeps.” She stared at him, perplexed. “What nonsense is this? Of course I can see you. Of course it’s you. Who else would it be, you silly goose?” I slid off the bed and ran to her side. “Me,” I shouted, “it could be me.” When Mama didn’t even blink, I tugged at her nightgown. “Look at me,” I begged. “I’m here too, we both are. Andrew and me. Can’t you see us both?” I hugged her, but all she did was shiver. “No wonder this room is so drafty,” she murmured. “The attic door is wide open.” Andrew and I stared at each other, his face reflecting my disappointment. He was visible, I was invisible. Like the design on his quilt, the pattern had reversed. Sadly I released Mama. As I turned away, Andrew whispered, “We’ll meet again, Drew. I swear it.” Mama looked at him. “What did you say?” “Oh, nothing.” Hiding his face from his mother, Andrew winked at me and said, “I was just talking to myself, Mama.” I took one long last look at Andrew. Much as I wanted to stay, it was time to leave. When Mama reached out to close the attic door, I slipped through it like a ghost. The door shut behind me. I was alone at the bottom of the dark stairs with nowhere to go but home.

(RIC), designers at Vanderbilt University and prosthetics company Freedom Innovations reached a breakthrough by creating artificial limbs that allow amputees to walk up stairs, rotate an ankle, and navigate sloped terrains merely by thinking about it.

Now that the scaffolding had been removed from the Bolivar County courthouse, Brewer could see where five giant slabs of limestone formed gleaming steps that sprawled nearly the entire front facade of the building. Recently renovated in polished granite and sandstone, Rosedale’s courthouse was untouched by the grit of the town that was designed around it. At right angles to the limestone stairs were twin cement blocks. Each served as the base for a shining white column, which supported an ornate cornice that circled the roof. Carrying five recently typed pages,

Brian Chesky sends to all Airbnb employees is a powerful one. “You have to continue to repeat things” Brian told our class at Stanford. “Culture is about repeating, over and over again, the things that really matter for your company.” Airbnb reinforces these verbal messages with visual impact as well. Brian hired an artist from Pixar to create a storyboard of the entire experience of an Airbnb guest, from start to finish, emphasizing the customer-centered design thinking that is a hallmark of its culture. Even Airbnb conference rooms tell a story; each one is a replica of a room that’s available for rent on the service. Every time Airbnb team members hold a meeting in one of those rooms, they are reminded of how guests feel when they stay there. At Amazon, Jeff Bezos famously bans PowerPoint decks and insists on written memos, which are read in silence at the beginning of each meeting. This memo policy is one of the ways that Amazon encourages a culture of truth telling. Memos have to be specific and comprehensive, and those who read the memos have to respond in kind rather than simply sit through some broad bullet points on a PowerPoint deck and nod vague agreement. Bezos believes that memos encourage smarter questions and deeper thinking. Plus, because they’re self-contained (rather than requiring a person to present a deck), they are more easily distributed and consumed by a wider population within Amazon. The late Steve Jobs used architecture as a core part of his deliberate communications strategy at Pixar. He designed Pixar headquarters so that the front doors, main stairs, main theater, and screening rooms all led to the atrium, which contained the café and mailboxes, ensuring that employees from all departments and specialties would see people from other groups on a regular basis, thus reinforcing Pixar’s collaborative, inclusive culture.

Platinum Flooring Company’s certified and skilled installers are trained to install hardwood products for any give art form, which would not only make your new floor look great, but last long for years to come. The Platinum Flooring Company’s specialist would not only help you select the perfect laminate flooring for your home that would suit your home décor as well as budget, but would also install your new laminate flooring for a fast, worry-free installation experience. Platinum Flooring Company is a full service, Hayward based flooring and installation firm specializing in classic design with a global influence. Whether designing residential or commercial spaces, Platinum Flooring has built a reputation on achieving highly individual results for a discerning clientele across the state of California and Beyond. At Platinum Floor Company, we have a separate team of stair installers headed by a stair specialist, having intense knowledge of different wood species, latest technology tools and in-depth knowledge of angular complexities. “Wooden floor, especially hardwood is good as it can take a lot of abuse and has a greater life expectancy compared to laminate or engineered floors.”, says Alex Vongsouthi – Founder, Platinum Flooring Company. But there are several reasons which can make your wood floor crack or separate between boards, cup, crown, etc. some being high traffic on the floor, spillages, sunlight and high percentage of moisture content in the room. With this it can be difficult to know whether floors need to be replaced or can be fixed. Platinum Flooring is renowned for its high standards and uncompromising service quality, with the expertise of a high-end retailer in Hardwood, Engineered wood and Laminate flooring.

I picked this up again because every time I enter a really old building with a spiral staircase I remember this quote from this exact book about why spiral staircases spiral clockwise, and I don't know if it's true or apocryphal or just plain fiction -- I suppose I could look it up -- but I just love that it's permanently engrained in my memory at this point: "That stairway would be a narrow spiral, set to the left-hand side and twisting the right as it ascended. In that way, a right-handed swordsman climbing the stairs would be at a disadvantage to a right-handed defender. An attacker would have to expose all of his body in order to use his sword, while the defender could strike with only his right side exposed. It was standard design for the castle tower.

That stairway would be a narrow spiral, set to the left-hand side and twisting the right as it ascended. In that way, a right-handed swordsman climbing the stairs would be at a disadvantage to a right-handed defender. An attacker would have to expose all of his body in order to use his sword, while the defender could strike with only his right side exposed. It was standard design for the castle tower.

Word has been spread to our accomplices within the city, London has armed the villagers and all are waiting for our signal.” Koranis stooped to hoist up a canvas bag, which he dropped on the rickety table before us. “The rockets,” he said, pulling a long, slender tube from the bag. “The King of Sarterad had to send all the way to Alidovia for these--they only arrived yesterday. Prop them up facing skyward, light the wick at the bottom and we have our signal.” He tossed the strange tube he held to Steldor, then removed two more from the bag for Galen and Temerson. “Set them off as planned, in the designated areas of the city, and be ready,” Cannan ordered. “I’ll certainly have to be,” said a new voice--one with an accent. We all leaped backward to face the cellar stairs, where we could hear methodical footsteps descending. Knives had appeared in the hands of the men around me; they were small, but they would be effective. The Cokyrian commander emerged into the torchlight, calm and unarmed. “Oh, good Lord,” King Adrik breathed, but everyone else stood silently, rigidly, their eyes assessing the enemy. Addressing the captain, Narian declared, “This stops now.” Cannan clenched his jaw and I slipped behind Steldor, hoping he could protect me. Maybe if I hid…but there was nowhere to conceal myself. I certainly had a knack for stumbling into the most compromising and dangerous of situations. I hadn’t been involved in this at all, but was sure to be sentenced for it now. Taking a breath, I forced myself to step into the open. After all, I had wanted to be here. And if I had to die, I stood in good company. “What is it you think you know?” Steldor demanded, but Narian ignored him, speaking only to Cannan. “You have the ability to be the voice of reason here. Don’t let these men walk to their deaths.” “Should I have them die by execution instead?” the captain ground out, but Narian did not flinch, continuing to stare at him, steely conviction in his eyes. “I’m alone, Cannan. I’ve been following your movements and the movements of your men since Shaselle was caught with that dagger, and I haven’t said a word to the High Priestess, to my comrades, not even to Alera. I’m giving you a chance to walk away, to live. Don’t be a fool--take it.” Cannan tucked his knife into the shaft of his boot, then cast his eyes over Steldor, Galen, Adrik and Koranis. All resolutely met his gaze. “I don’t see fear in this room, Narian,” he said, shaking his head. “Do what you must, as will we.

Religion, I could now see, without a single college course helping me out, was designed for those enduring the death of their sweet children. And when children grew stronger and died less, and were in fact less sweet, religion faded away. When children began to sweeten and die again, it returned.

Paul Costelloe One of the most established and experienced names in British fashion, Irish-born Paul Costelloe has maintained a highly successful design label for more than twenty-five years. He was educated in Paris and Milan, and has since become known for his expertise in fabrics, primarily crisp linen and tweed. I was commuting to London from Ireland at the time when I got a call to come to Kensington Palace. I got a minicab and threw some garments in the back of the car, and the driver drove me to Kensington Palace. The police at the gate were surprised to see a battered minicab--it was no black cab, if you know the difference between a black cab and a minicab in London (a minicab is half the price of a black cab and always more battered). Anyway, they asked me who I was. I said, “I have an appointment to see Diana,” and they told me to wait. They were reluctant to let me through the gates--it was during the major troubles in Northern Ireland, during the mid to late seventies and early eighties, when Belfast was blazing--but I was soon met at the door. I remember hauling my garments up the stairs of the palace. I fell. Diana came halfway down the stairs and gave me a hand with the garments. Then we went into the living room and had a lovely cup of tea, and I met the children, William and Harry. She tried on some of the garments right there in front of me. I (being a confirmed heterosexual) found her very attraction. I came back down the stairs, and half an hour later she made her selection. She was a perfect size 10 (that would be a U.S. size 8), except she was tall, so a few things had to be lengthened. She was an absolute delight. Afterward, I went into Hyde Park for the afternoon and sat on a bench. I just couldn’t believe what had just happened!

On my first trip to Ghana, my long-time colleague Jude Hama of Scripture Union decided to give me the broadest exposure possible to the movements of the church in his country. We visited with Methodist bishops, Baptist leaders and Pentecostal church leaders whose churches were sending missionaries all over the world. We visited Presbyterians, Anglicans and charismatics. This last church was the most fascinating. The preacher, a man who weighed at least three hundred pounds (although he was only five feet, six inches tall), testified that his physical size was evidence of God's poured-out blessings. As the service progressed, people came and laid their money on the stairs leading up to the stage. At several points, beautifully dressed ladies carrying baskets on their heads would collect the money. And the process would then repeat, and more people would lay more money on the stairs. Jude explained, "These people have a prayer request: a job, an illness, a desire to marry, etc. The money is their `love offering' and is designed to let God know that they are serious about their request." Seed faith expressed in Ghana dollars. Jude went on: "You see, Paul, you in America concentrate on the God of love. But here we want the God of power. When you live in poverty or with some incurable affliction or some injustice, you don't want to feel loved. You want God's power to make you prosper, or to make you healthy or to make you free. And they have been taught and they believe that money is the way to release the power.

Each turn of the spiral tied a fresh knot in her stomach, and she cursed the architect who designed such dreadful stairs.

When the fourth officer entered the post office on G deck, the mail clerks were hastily pulling armfuls of envelopes out of the sorting racks. On looking down into the lower storage room, he saw mailbags floating in water. When Boxhall reported this to the bridge, the captain gave the order for the lifeboats to be uncovered and went below to see the damage for himself. The ship’s designer, Thomas Andrews, was already making his own inspection tour of the lower decks. He went into the post office and soon dispatched a mail clerk to find the captain. The clerk hurried along the corridor and returned with Captain Smith and Purser McElroy. After they had viewed the damage, Andrews was overheard saying to Smith, “Well, three have gone already, Captain.” Andrews was undoubtedly referring to three of the ship’s bulkheads that divided the ship into the watertight compartments that gave the Titanic its reputation for unsinkability. With only three compartments flooded, however, there was a chance that the pumps could stay ahead of it. The captain then returned to the bridge and gave the order for women and children to go up on deck with lifebelts. Thomas Andrews, meanwhile, continued his inspection. At around twelve-twenty-five William Sloper saw Andrews racing up the staircase with a deeply worried look on his face. As the ship’s designer passed by Dorothy Gibson, she put her hand on his arm and asked him what had happened. Andrews simply brushed past the prettiest girl and continued upward three stairs at a time. He had just discovered that two more watertight compartments had been breached. Andrews knew how serious this was. The bulkhead between the fifth and sixth compartments extended only as high as E deck. As the ship was pulled down at the bow, the water would spill over it into the next compartment, and then the next, until the ship inevitably sank. In all his planning at Harland and Wolff, he had never imagined a scenario such as this. Andrews informed the captain that the ship had only an hour left to live—an hour and a half at best. Smith immediately told Fourth Officer Boxhall to calculate the liner’s position and take it to the Marconi Room so the call for assistance could be sent out. He also gave orders to muster the passengers and crew.

American Airlines Customer Service Number-+1-855-653-5006 American Airlines Customer Service Number We also have plans for all airports we regularly serve (including our designated diversion airports) to make reasonable efforts to share facilities and gates with other carriers in an emergency and during irregular operations such as extreme weather. Gates would be made available in accordance with established operational priorities (i.e. medical emergencies, maintenance concerns) and local gate compatibility constraints. If a gate is not available and deplaning is necessary, other equipment such as air stairs will be made available to deplane passengers. Unless otherwise noted, marketed international and/or codeshare flights (AA flight number operated by another carrier) follow their own tarmac delay contingency plan. This contingency plan is explicitly separate from and not a part of these carriers' contract of carriage.

So, who won the fight?' Cassian asked the next morning as she sat on her rock and watched him go through his exercises. He hadn't asked at breakfast about the black eye and cut chin or how stiffly she'd moved. Neither had Mor upon her arrival. That the bruising and cuts remained at all told Nesta how bad the fall had been, but as High Fae, with her improved healing, they were already on the mend. ... 'What fight?' She examined her mangled nails. Even with the... whatever it was she'd flung out to catch herself, her nails had cracked. She didn't let herself name what had come from within her, didn't let herself acknowledge it. By dawn, it had been strangled into submission. 'The one between you and the stairs.' Nesta cut him a glare. 'I don't know what you're talking about.' Cassian began moving once more, drawing his sword and running through a series of movements that all seemed designed to hack a person in two. 'You know: three in the morning, you leave your room to get shit-faced drunk in town, and you're in such a rush to conquer the steps that you fall down a good thirty of them before you can stop yourself.' Had he seen the step? The handprint? She demanded. 'How do you know that?' He shrugged. 'Are you watching me?' Before he could answer, she spat. 'You were watching and didn't come to help?' Cassian shrugged again. 'You stopped falling. If you'd kept at it, someone would have eventually come to catch you before you hit the bottom.' She hissed at him. He only grinned and beckoned with a hand. 'Want to join me?' 'I should push you down those stairs.' ... 'Well?' he demanded, an edge creeping into his voice. 'If you've got those glorious bruises, you might as well claim it came from training and not a pathetic tumble.

Steep steps, and the sway of her skirt couldn't be contained. Instead of side to side, it flounced front to back, flashing Jake from behind. She cringed. He chuckled, deep and admiring. "Sexy thigh-highs. Those blue bows along the seams do it for me." His compliment sent heat up and between her legs. Her composure slipped. The hoop skirt would be the death of her. She would never wear one again. Sheer will pushed her up the remainder of the stairs. Once on the landing, she struggled to turn and face him. The light overhead flickered and dimmed, needing a bulb replaced. Jake's face was shadowy, but she could make out his expression, equally intense and indulgent. She would have immediately taken to her room, but his gaze detained her. All dark heat and sinful appreciation. His face was hard cut. His mouth curved, wicked by design. Tension stretched between them. Nerves overcame her. She felt inept with this man.

Going back again to how nature designed us, the nose is built to be our primary breathing portal for reasons that range from its germ-filtering abilities to its power, as the initiator of the inhale, to funnel more oxygen to our cells. Mouth breathing is your backup ventilation system. It’s for those times when you’re running from a bear or escaping a fire or when you have a cold and your nose is clogged—not for when you’re simply sitting in a chair or sleeping. Nose breathing is not only normal, but it also helps you sleep better, get up the stairs without panting, exercise harder and longer, and even have better teeth

Was this cathedral just a figurehead, a way of disguising the wealth of a too-powerful nation trying to catch up with history and culture-oriented Europe by tolerating a cathedral on some of the most valuable real estate in Manhattan? What in the European burg represented the heart of the social life of the community, seemed to survive here as an empty symbol. In my old and tranquil Transylvanian town, there was something magical about the Black Church, but in the American cathedral, the chaotic city was the enemy of any contemplative attempt. The cathedral was not a place of dialogue; Bach was missing and God was missing as well. There was a loss of mystery watching the Gothic shadows of the cathedral projected on the tall, ultramodern building, among screaming ambulances, elegant women and tourists eating their french fries on the stairs. New York City was closer to a factory than a temple. I have learned that it makes a difference if behind the cathedral you find a mountain or a well-designed skyscraper. From "On the Mountain, The Cathedral and the Fast-Food Culture (A Tale of Two Worlds)" in New to North America

Thus, if your story began with the secretary shocked and scared because of the change in her office environment, your next step had to be the selection of her intention designed to fix things. Let’s say you decided that she decided to learn how to operate the new computer system, or bust. The reader at this point can be trusted to translate this goal into a story question, and begin reading to learn the answer to “Will she learn the new computer system?” When you answer that question, the story ends. This answering, which takes place at the climax of your story, must answer the question you asked. You can’t cheat here. You can’t end with a climax that shows her accepting a marriage proposal, for example, or falling down a flight of stairs, or winning the Florida lottery. Your reader has worried about “Will she learn the new computer system?” and that’s what you have to answer; nothing other or less will do!

Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.” “You can’t,” Lillian said with weary certainty. “The key is in St. Vincent’s pocket, and I’ve run out of hairpins.” Sitting beside her, Hunt took her manacled wrist, regarded it thoughtfully, and said with what she thought was rather inappropriate satisfaction, “How fortunate. A pair of Higby-Dumfries number thirty.” Lillian gave him a sardonic glance. “I take it you are a handcuff enthusiast?” His lips twitched. “No, but I do have a friend or two in law enforcement. And these were once given as standard issue to the New Police, until a design flaw was discovered. Now one may find a dozen pair of Higby-Dumfries in any London pawnshop.” “What design flaw?” For answer, Hunt adjusted the locked cuff on her wrist, with the hinge and lock facing downward. He paused at the sound of more furniture breaking from upstairs, and grinned at Lillian’s gathering scowl. “I’ll go,” he said mildly. “But first…” He withdrew a handkerchief from his pocket with one hand, inserting it between her wrist and the steel cuff as a makeshift inner padding. “There. That may help to cushion the force of the blow.” “Blow? What blow?” “Hold still.” Lillian squeaked in dismay as she felt him lift her manacled wrist high over the desk and bring it down sharply on the bottom of the hinge. The whack served to jar the lever mechanism inside the lock, and the cuff snapped open as if by magic. Stunned, Lillian regarded Hunt with a half smile as she rubbed her bare wrist. “Thank you. I—” There was another crashing sound, this time coming from directly overhead, and a chorus of excited bellows from the onlookers caused the walls to tremble. Above it all, the innkeeper could be heard complaining shrilly that his building would soon be reduced to matchsticks. “Mr. Hunt,” Lillian exclaimed, “I do wish that you would try to be of some use to Lord Westcliff!” Hunt’s brows lifted into mocking crescents. “You don’t actually fear that St. Vincent is getting the better of him?” “The question is not whether I have sufficient confidence in Lord Westcliff’s fighting ability,” Lillian replied impatiently. “The fact is, I have too much confidence in it. And I would rather not have to bear witness at a murder trial on top of everything else.” “You have a point.” Standing, Hunt refolded his handkerchief and placed it in his coat pocket. He headed to the stairs with a short sigh, grumbling, “I’ve spent most of the day trying to stop him from killing people.

glass stairs and lobby floors that mean anyone below can see up your skirt,

The problem with castles, Halt thought as he continued upward, was that they were full of stairs. If someone could only design a castle that was all on one level, it would save a lot of effort.

The passageway leads to a spiraling staircase. Back on Earth I wouldn’t be able to climb anything so steep. But ability is contextual. Whatever we’re able to do—and whatever meaning we make of that—changes from one environment to another. We make all of our own environments now. To design a place that others can’t possibly move through or inhabit is the same as raising up a drawbridge, dropping down a toothy portcullis, or punching a row of murder holes through a ceiling. It writes down a clear, solid message in the language of architecture: You are not welcome here. You don’t even have the right to exist here. Please cease to exist as soon as possible. That’s what the stairs would have said to me, back on Earth. But we aren’t on Earth. I bound up that staircase, which cannot object.

At the street level, Sugar Fair welcomed customers into a bright, child-like fantasy. The architecturally designed enchanted forest was awash in jewel tones, and gorgeous smells, and the waterfall of free-flowing chocolate. But it was the Dark Forest downstairs that had proved an unexpected money-spinner, an income stream that had helped keep them afloat through the precarious first year. Four nights a week, through a haze of purple smoke and bubbling cauldrons, Sylvie taught pre-booked groups how to make concoctions that would tease the senses, delight the mind... and knock people flat on their arse if they weren't careful. High percentage of alcohol. It was a mixology class with a lot of tricks and pyrotechnics. It had been Jay's idea to get a liquor license. "Pleasures of the mouth," he'd said at the time. "The holy trinity--- chocolate, coffee, and booze." With even her weekends completely blocked out, Sylvie had almost made a crack about forfeiting certain other pleasures of the mouth, but Jay had inherited a puritanical streak from his mother. Both their mouths looked like dried cranberries if someone made a sex joke. The sensuous, moody haven in the basement was a counterbalance to the carefully manufactured atmosphere upstairs. There were, after all, reasons to shy away from relentless cheer. Perhaps someone had just been through a breakup, or a family reunion. A really distressing haircut. Maybe they'd logged on to Twitter and realized half the population were a bunch of pricks. Or maybe the'd picked up the Metropolitan News and found Dominic De Vere indirectly thrashing their entire business aesthetic in a major London daily. Whatever the reason--- feeling a little stressed? A bit peeved? Annoyed as fuck? Welcome to the Dark Forest. Through the bakery, turn left, down the stairs.

In one life she was a travel vlogger who had 1,750,000 YouTube subscribers and almost as many people following her on Instagram, and her most popular video was one where she fell off a gondola in Venice. She also had one about Rome called 'A Roma Therapy'. In one life she was a single parent to a baby that literally wouldn't sleep. In one life she ran the showbiz column in a tabloid newspaper and did stories about Ryan Bailey's relationships. In one life she was the picture editor at the National Geographic. In one life she was a successful eco-architect who lived a carbon-neutral existence in a self-designed bungalow that harvested rain-water and ran on solar power. In one life she was an aid worker in Bostwana. In one life a cat-sitter. In one life a volunteer in a homeless shelter. In one life she was sleeping on her only friend's sofa. In one life she taught music in Montreal. In one life she spent all day arguing with people she didn't know on Twitter and ended a fair proportion of her tweets by saying 'Do better' while secretly realising she was telling herself to do that. In one life she had no social media accounts. In one life she'd never drunk alcohol. In one life she was a chess champion and currently visiting Ukraine for a tournament. In one life she was married to a minor Royal and hated every minute. In one life her Facebook and Instagram only contained quotes from Rumi and Lao Tzu. In one life she was on to her third husband and already bored. In one life she was a vegan power-lifter. In one life she was travelling around South Corsican coast, and they talked quantum mechanics and got drunk together at a beachside bar until Hugo slipped away, out of that life, and mid-sentence, so Nora was left talking to a blank Hugo who was trying to remember her name. In some lives Nora attracted a lot of attention. In some lives she attracted none. In some lives she was rich. In some lives she was poor. In some lives she was healthy. In some lives she couldn't climb the stairs without getting out of breath. In some lives she was in a relationship, in others she was solo, in many she was somewhere in between. In some lives she was a mother, but in most she wasn't. She had been a rock star, an Olympics, a music teacher, a primary school teacher, a professor, a CEO, a PA, a chef, a glaciologist, a climatologist, an acrobat, a tree-planter, an audit manager, a hair-dresser, a professional dog walker, an office clerk, a software developer, a receptionist, a hotel cleaner, a politician, a lawyer, a shoplifter, the head of an ocean protection charity, a shop worker (again), a waitress, a first-line supervisor, a glass-blower and a thousand other things. She'd had horrendous commutes in cars, on buses, in trains, on ferries, on bike, on foot. She'd had emails and emails and emails. She'd had a fifty-three-year-old boss with halitosis touch her leg under a table and text her a photo of his penis. She'd had colleagues who lied about her, and colleagues who loved her, and (mainly) colleagues who were entirely indifferent. In many lives she chose not to work and in some she didn't choose not to work but still couldn't find any. In some lives she smashed through the glass ceiling and in some she just polished it. She had been excessively over- and under-qualified. She had slept brilliantly and terribly. In some lives she was on anti-depressants and in others she didn't even take ibuprofen for a headache. In some lives she was a physically healthy hypochondriac and in some a seriously ill hypochondriac and in most she wasn't a hypochondriac at all. There was a life where she had chronic fatigue, a life where she had cancer, a life where she'd suffered a herniated disc and broken her ribs in a car accident.