Stacy Schiff Quotes

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As always, an educated woman was a dangerous woman.
Stacy Schiff (Cleopatra: A Life)
And in the absence of facts, myth rushes in, the kudzu of history.
Stacy Schiff (Cleopatra: A Life)
When a woman teams up with a snake a moral storm threatens somewhere.
Stacy Schiff (Cleopatra: A Life)
[Cleopatra's] power has been made to derive from her sexuality, for obvious reason; as one of Caesar's murderers had noted, 'How much more attention people pay to their fears than to their memories!' It has always been preferable to attribute a woman's success to her beauty rather than to her brains, to reduce her to the sum of her sex life.
Stacy Schiff (Cleopatra: A Life)
Cleopatra stood at one of the most dangerous intersections in history; that of women and power. Clever women, Euripides had warned hundreds of years earlier, were dangerous.
Stacy Schiff (Cleopatra: A Life)
It has always been preferable to attribute a woman's success to her beauty rather to her brains, to reduce her to the sum of her sex life.
Stacy Schiff (Cleopatra: A Life)
Ancient history is oddly short on incorrect omens.
Stacy Schiff (Cleopatra: A Life)
No one dances while he is sober. Unless he happens to be a lunatic. -Cicero
Stacy Schiff (Cleopatra: A Life)
The vanity extended most of all to his library, arguably the real love of Cicero's life. It is difficult to name anything in which he took more pleasure, aside possibly evasion of the sumptuary laws. Cicero liked to believe himself wealthy. He prided himself on his books. He needed no further reason to dislike Cleopatra: intelligent women who had better libraries than he did offended him on three counts.
Stacy Schiff (Cleopatra: A Life)
One loyal friend,” Euripides reminds us, “is worth ten thousand relatives.
Stacy Schiff (Cleopatra)
Apollodorus came, Caesar saw, Cleopatra conquered,
Stacy Schiff (Cleopatra)
We all apologize, or fail to, in our own ways.
Stacy Schiff (The Witches: Salem, 1692)
As incandescent as was her personality, Cleopatra was every bit Caesar's equal as a coolheaded, clear-eyed pragmatist, though what passed on his part as strategy would be remembered on hers as manipulation.
Stacy Schiff (Cleopatra: A Life)
We all subscribe to preposterous beliefs; we just don’t know yet which ones they are. We too have been known to prefer plot to truth; to deny the evidence before us in favor of the ideas behind us; to do insane things in the name of reason; to take that satisfying step from the righteous to the self-righteous; to drown our private guilts in a public well; to indulge in a little delusion.
Stacy Schiff (The Witches: Salem, 1692)
Faith aside, witchcraft served an eminently useful purpose. The aggravating, the confounding, the humiliating all dissolved in its cauldron. It made sense of the unfortunate and the eerie, the sick child and the rancid butter along with the killer cat. What else, shrugged one husband, could have caused the black and blue marks on his wife’s arm?
Stacy Schiff (The Witches: Salem, 1692)
Women play the villains in fairy tales—what are you saying when you place the very emblem of lowly domestic duty between your legs and ride off, defying the bounds of community and laws of gravity?
Stacy Schiff (The Witches: Salem, 1692)
As Dio observed later, democracy sounded very well and good, “but its results are seen not to agree at all with its title. Monarchy, on the contrary, has an unpleasant sound, but is a most practical form of government to live under. For it is easier to find a single excellent man than many of them.
Stacy Schiff (Cleopatra: A Life)
Power has for so long been a male construct that it distorted the shape of the first women who tried it on, only to find themselves in a sort of straitjacket.
Stacy Schiff
Her palace shimered with onyx, garnet, and gold, but was richer still in political and sexual intrigue.
Stacy Schiff (Cleopatra: A Life)
Things disturb us in the night. Sometimes they are our consciences. Sometimes they are our secrets. Sometimes they are our fears, translated from one idiom to another.
Stacy Schiff (The Witches: Salem, 1692)
The Ptolemies were in fact Macedonian Greek, which makes Cleopatra approximately as Egyptian as Elizabeth Taylor.
Stacy Schiff (Cleopatra)
Salem is in part a story of what happens when a set of unanswerable questions meets a set of unquestioned answers.
Stacy Schiff (The Witches: Salem, 1692)
Blind passion was one thing, all-knowing intimacy a rarer commodity.
Stacy Schiff (Vera (Mrs. Vladimir Nabokov))
It is notable that when she is not condemned for being too bold and masculine, Cleopatra is taken to task for being unduly frail and feminine.
Stacy Schiff (Cleopatra: A Life)
Cleopatra descended from a long line of murderers and faithfully upheld the family tradition but was, for her time and place, remarkably well behaved.
Stacy Schiff (Cleopatra)
The witch hunt stands as a cobwebbed, crowd-sourced cautionary tale, a reminder that—as a minister at odds with the crisis noted—extreme right can blunder into extreme wrong.
Stacy Schiff (The Witches: Salem, 1692)
Yet what difference does it make whether the women rule or the rulers are ruled by women? The result is the same.” —ARISTOTLE
Stacy Schiff (Cleopatra)
She nonetheless survives as a wanton temptress, not the last time a genuinely powerful woman has been transmuted into a shamelessly seductive one.
Stacy Schiff (Cleopatra: A Life)
History is written not only by posterity, but for posterity as well.
Stacy Schiff (Cleopatra)
Politics have long been defined as “the systematic organization of hatreds.
Stacy Schiff (Cleopatra)
To the punishing study of Egyptian, however, Cleopatra applied herself. She was allegedly the first and only Ptolemy to bother to learn the language of the 7 million people over whom she ruled.
Stacy Schiff (Cleopatra)
It used to be that the longest unprotected border in the world was that between the United States and Canada. Today it's the one between fact and fiction. If the two cozy up any closer together The National Enquirer will be out of business.
Stacy Schiff
When a woman thinks alone, she thinks evil.
Stacy Schiff (The Witches: Salem, 1692)
Disdain is a natural condition of the mind in exile;
Stacy Schiff (Cleopatra)
He was universally charming, as only a writer in pursuit of a publisher can be.
Stacy Schiff (Vera (Mrs. Vladimir Nabokov))
It is a dangerous thing to have the same men in both the prophecy and the history business.
Stacy Schiff (The Witches: Salem, 1692)
He was the type of person who believed he alone could do the job adequately and afterward complained that no one had helped.
Stacy Schiff (The Witches: Salem, 1692)
Men blamed sins for corrupting their souls. Women blamed their souls, which is to say themselves.
Stacy Schiff (The Witches: Salem, 1692)
It has forever been preferable to attribute a woman’s success to her beauty rather than to her brains. —STACY SCHIFF,
Stuart Gibbs (Charlie Thorne and the Curse of Cleopatra)
A woman who is generous with her money is to be praised; not so, if she is generous with her person.” —QUINTILIAN
Stacy Schiff (Cleopatra)
Like any oppressed people, they defined themselves by what offended them, which would give New England its gritty flavor and, it has been argued, America its independence.
Stacy Schiff (The Witches: Salem, 1692)
Briefly (Vladimir Nabokov) caught the (Superman) fever too, composing a poem, now lost, on the the Man of Steel's wedding night.
Stacy Schiff (Vera (Mrs. Vladimir Nabokov))
History existed to be retold, with more panache but not necessarily greater accuracy.
Stacy Schiff (Cleopatra: A Life)
Puberty,” it has been said, “is everyone’s first experience of a sentient madness.
Stacy Schiff (The Witches: Salem, 1692)
there were days you felt like waging war, and days when you just needed to go home.
Stacy Schiff (Cleopatra)
Dioscorides, an expert on medicinal plants, had ample material on which to base a pioneering treatise on bubonic plague.
Stacy Schiff (Cleopatra)
How much more attention people pay to their fears than to their memories!
Stacy Schiff (Cleopatra)
For all its erudition, Cleopatra’s Egypt produced no fine historian.
Stacy Schiff (Cleopatra)
Romans marveled that in Egypt female children were not left to die; a Roman was obligated to raise only his first-born daughter.
Stacy Schiff (Cleopatra)
IN 1692 THE Massachusetts Bay Colony executed fourteen women, five men, and two dogs for witchcraft.
Stacy Schiff (The Witches: Salem, 1692)
It was rare to find a member of the family who did not liquidate a relative or two, Cleopatra VII included.
Stacy Schiff (Cleopatra)
We will declare frankly that nothing is clear in this world. Only fools and charlatans know and understand everything. —ANTON CHEKHOV
Stacy Schiff (The Witches: Salem, 1692)
What is optimism? Alas, it is the mania for pretending that all is right, when in fact everything is wrong. —Voltaire, Candide
Stacy Schiff (A Great Improvisation: Franklin, France, and the Birth of America)
Helvétius’s maxims: “It is worth being wise only so long as one can also be foolhardy.
Stacy Schiff (A Great Improvisation: Franklin, France, and the Birth of America)
When you predicted an apocalypse, you needed sooner or later to produce one.
Stacy Schiff (The Witches: Salem, 1692)
And if you take away my life,” she threatened, “God will give you blood to drink.
Stacy Schiff (The Witches: Salem, 1692)
The personal inevitably trumps the political, and the erotic trumps all: We will remember that Cleopatra slept with Julius Caesar and Mark Antony long after we have forgotten what she accomplished in doing so, that she sustained a vast, rich, densely populated empire in its troubled twilight in the name of a proud and cultivated dynasty. She remains on the map for having seduced two of the greatest men of her time, while her crime was to have entered into those same "wily and suspicious" marital partnerships that every man in power enjoyed. She did so in reverse and in her own name; this made her a deviant, socially disruptive, an unnatural woman. To these she added a few other offenses. She made Rome feel uncouth, insecure, and poor, sufficient cause for anxiety without adding sexuality into the mix.
Stacy Schiff (Cleopatra: A Life)
Plutarch gave her nine languages, including Hebrew and Troglodyte, an Ethiopian tongue that—if Herodotus can be believed—was “unlike that of any other people; it sounds like the screeching of bats.
Stacy Schiff (Cleopatra)
It was in Alexandria that the circumference of the earth was first measured, the sun fixed at the center of the solar system, the workings of the brain and the pulse illuminated, the foundations of anatomy and physiology established, the definitive editions of Homer produced. It was in Alexandria that Euclid had codified geometry.
Stacy Schiff (Cleopatra)
A commanding woman versed in politics, diplomacy, and governance; fluent in nine languages; silver-tongued and charismatic, Cleopatra nonetheless seems the joint creation of Roman propagandists and Hollywood directors.
Stacy Schiff (Cleopatra)
A capable, clear-eyed sovereign, she knew how to build a fleet, suppress an insurrection, control a currency, alleviate a famine. An eminent Roman general vouched for her grasp of military affairs. Even at a time when women rulers were no rarity she stood out, the sole female of the ancient world to rule alone and to play a role in Western affairs. She was incomparably richer than anyone else in the Mediterranean. And she enjoyed greater prestige than any other woman of her age..... Cleopatra descended from a long line of murderers and faithfully upheld the family tradition but was, for her time and place, remarkably well behaved. She nonetheless survives as a wanton temptress, not the last time a genuinely powerful woman has been transmuted into a shamelessly seductive one.
Stacy Schiff
It turns out to be eminently useful to have a disgrace in your past; Salem endures not only as a metaphor but as a vaccine and a taunt. It glares at us when fear paralyzes reason, when we overreact or overcorrect, when we hunt down or deliver up the alien or seditious.
Stacy Schiff (The Witches: Salem, 1692)
It did what a foreign adventure is supposed to do-it made the mundane thrilling.
Stacy Schiff
The art of speaking,” it was later said, “depends on much effort, continual study, varied kinds of exercise, long experience, profound wisdom, and unfailing strategic sense.
Stacy Schiff (Cleopatra)
The Ptolemaic system has been compared to that of Soviet Russia; it stands among the most closely controlled economies in history.
Stacy Schiff (Cleopatra)
everything that lifts people above their fellows arouses both emulation and jealousy.
Stacy Schiff (Cleopatra)
You could not really bargain away your soul before it was established that you had one.
Stacy Schiff (The Witches: Salem, 1692)
Like any oppressed people, they defined themselves by what offended them, which
Stacy Schiff (The Witches: Salem, 1692)
But the standouts in the generations immediately preceding Cleopatra’s were—for vision, ambition, intellect—universally female.
Stacy Schiff (Cleopatra)
It would be difficult to write about Véra without mentioning Vladimir. But it would be impossible to write about Vladimir without mentioning Véra.
Stacy Schiff (Vera: Mrs. Vladimir Nabokov)
The best that can be said of the Alexandrian War is that Caesar acquitted himself brilliantly in a situation in which he stupidly found himself.
Stacy Schiff (Cleopatra)
There was good reason why Cleopatra’s subjects viewed time as a coil of endless repetitions.
Stacy Schiff (Cleopatra)
There are people whose defects become them, and others who are ill served by their good qualities. —La Rochefoucauld
Stacy Schiff (A Great Improvisation: Franklin, France, and the Birth of America)
For ten generations her family had styled themselves pharaohs. The Ptolemies were in fact Macedonian Greek, which makes Cleopatra approximately as Egyptian as Elizabeth Taylor.
Stacy Schiff (Cleopatra)
Everyone has a captivity narrative; today we call it memoir.
Stacy Schiff
...but from an early age she would have known literarily what she at twenty-one discovered empirically: there were days you felt like waging war, and days when you just needed to go home.
Stacy Schiff (Cleopatra: A Life)
Until well into the evening, when the vermillion sun plunged precipitously into the harbor, Alexandria remained a swirl of reds and yellows, a swelling kaleidoscope of music, chaos, and color.
Stacy Schiff (Cleopatra: A Life)
We all subscribe to preposterous beliefs; we just don't know yet which ones they are. We too have been known to prefer plot to truth; to deny the evidence before us in favor of the ideas behind us; to do insane things in the name of reason; to take that satisfying step from the righteous to the self-righteous; to drown our private guilt in a public well; to indulge in a little delusion.
Stacy Schiff (The Witches: Salem, 1692)
For talk is evil: It is light to raise up quite easily, but it is difficult to bear, and hard to put down. No talk is ever entirely gotten rid of, once many people talk it up: It too is some god.” —HESIOD
Stacy Schiff (Cleopatra)
Though it affected only one family, he believed the ordeal would be of interest to all; already he excelled at inflating a small issue into a larger one, of salvaging radiant principle from a slag heap of detail.
Stacy Schiff (The Revolutionary: Samuel Adams)
America’s tiny reign of terror, Salem represents one of the rare moments in our enlightened past when the candles are knocked out and everyone seems to be groping about in the dark, the place where all good stories begin.
Stacy Schiff (The Witches: Salem, 1692)
Cleopatra moreover came of age in a country that entertained a singular definition of women’s roles. Well before her and centuries before the arrival of the Ptolemies, Egyptian women enjoyed the right to make their own marriages. Over time their liberties had increased, to levels unprecedented in the ancient world. They inherited equally and held property independently. Married women did not submit to their husbands’ control. They enjoyed the right to divorce and to be supported after a divorce. Until the time an ex-wife’s dowry was returned, she was entitled to be lodged in the house of her choice. Her property remained hers; it was not to be squandered by a wastrel husband. The law sided with the wife and children if a husband acted against their interests. Romans marveled that in Egypt female children were not left to die; a Roman was obligated to raise only his first-born daughter. Egyptian women married later than did their neighbors as well, only about half of them by Cleopatra’s age. They loaned money and operated barges. They served as priests in the native temples. They initiated lawsuits and hired flute players. As wives, widows, or divorcées, they owned vineyards, wineries, papyrus marshes, ships, perfume businesses, milling equipment, slaves, homes, camels. As much as one third of Ptolemaic Egypt may have been in female hands.
Stacy Schiff (Cleopatra)
The sky over New England was crow black, pitch-black, Bible black, so black it could be difficult at night to keep to the path, so black that a line of trees might freely migrate to another location or that you might find yourself pursued after nightfall by a rabid black hog, leaving you to crawl home, bloody and disoriented, on all fours.
Stacy Schiff (The Witches: Salem, 1692)
She knew neither that she was living in the first century BC nor in the Hellenistic Age, both of them later constructs. (The Hellenistic Age begins with the death of Alexander the Great in 323 BC and ends in 30 BC, with the death of Cleopatra.
Stacy Schiff (Cleopatra)
We have ample testimony to her sense of humor; Cleopatra was a wit and a prankster. There is no cause to question how she read Herodotus’s further assertion that Egypt was a country in which “the women urinate standing up, the men sitting down.
Stacy Schiff (Cleopatra)
Protests had been heroic, passionate, erudite, and creative. A young Newport woman refused to marry until the odious legislation was repealed. Other female patriots refused to do their part to populate the colonies, which should serve British manufacturers right.
Stacy Schiff (The Revolutionary: Samuel Adams)
The Ptolemies were in fact Macedonian Greek, which makes Cleopatra approximately as Egyptian as Elizabeth Taylor. The word ‘honey skinned’ recurs in descriptions of her relatives and would presumably applied to hers as well, despite the inexactitudes surrounding her mother and paternal grandmother. There was certainly Persian blood in the family, but even an Egyptian mistress is a rarity among the Ptolemies. She was not dark skinned.
Stacy Schiff (Cleopatra: A Life)
It’s easy. Pretend to know what you don’t, and pretend not to know when you do. Hear what you don’t understand and don’t hear what you do. Promise what you cannot deliver, what you have no intention of delivering. Make a great secret of hiding what isn’t there. Plead you’re busy as you spend your time sharpening pencils. Speak profoundly to cover up your emptiness, encourage spies, reward traitors, tamper with seals, intercept letters, hide the ineptitude of your goals by speaking of them glowingly—that’s all there is to politics, I swear. —Beaumarchais, The Marriage of Figaro
Stacy Schiff (A Great Improvisation: Franklin, France, and the Birth of America)
While Egyptian speakers learned Greek, it was rare that anyone ventured in the opposite direction. To the punishing study of Egyptian, however, Cleopatra applied herself. She was allegedly the first and only Ptolemy to bother to learn the language of the 7 million people over whom she ruled.
Stacy Schiff (Cleopatra)
He had never been a believer in systems—his was an overweening faith that life lay in the contradictions, not in the formulae, in the doubting, not the certainties, the needs rather than the riches—and political parties seemed to him little more than artificial structures designed to save man from his loneliness.
Stacy Schiff (Saint-exupery: A Biography)
When Cleopatra was nine or ten, a visiting official had accidentally killed a cat, an animal held sacred in Egypt.* A furious mob assembled, with whom Auletes’ representative attempted to reason. While this was a crime for an Egyptian, surely a foreigner merited a special exemption? He could not save the visitor from the bloodthirsty crowd.
Stacy Schiff (Cleopatra)
Our appetite for the miraculous endures; we continue to want there to be something beyond our ken. We hope to locate the secret powers we didn't know we had, like the ruby slippers Dorothy finds on her feet and that Glinda has to tell her how to work. Where women are concerned, it is preferable that those powers manifest only when crisis strikes; the best heroine is the accidental one.
Stacy Schiff (The Witches: Salem, 1692)
What was said of an earlier tribune was more true of Antony: “He was a spendthrift of money and chastity—his own and other people’s.” The brilliant cavalry officer had all of Caesar’s charm and none of his self-control. In 44 the conspirators had deemed him too inconsistent to be dangerous. After the Ides Mark Antony was in his glory, entirely the man of the hour—at least until Octavian arrived. Cleopatra
Stacy Schiff (Cleopatra)
Plutarch clearly notes that her beauty “was not in itself so remarkable that none could be compared with her, or that no one could see her without being struck by it”. It was rather the “contact of her presence, if you lived with her, that was irresistible”. Her personality and manner, he insists, were no less than “bewitching”. Time has done better than fail to wither Cleopatra’s case; it has improved upon her allure. She came into her looks only years later. By the third century AD she would be described as “striking”, exquisite in appearance. By the Middle Ages, she was “famous for nothing but her beauty”.
Stacy Schiff (Cleopatra: A Life)
The most reckless volume on the subject, the Malleus Maleficarum, or Witch Hammer, summoned a shelf of classical authorities to prove its point: “When a woman thinks alone, she thinks evil.” As is often the case with questions of women and power, elucidations here verged on the paranormal. Weak as she was to devilish temptations, a woman could emerge dangerously, insatiably commanding. According to the indispensable Malleus, even in the absence of occult power, women constituted “a foe to friendship, an inescapable punishment, a necessary evil, a natural temptation, a desirable calamity, a domestic danger, a delectable detriment.” The
Stacy Schiff (The Witches: Salem, 1692)
Young Goodman Brown,” The Scarlet Letter, or his 1851 bestseller, The House of the Seven Gables, but Hawthorne proved that territory still radioactive. Guilt and blame have grown up lushly on the scene, attracting writers from Walt Whitman to John Updike. Arthur Miller read the court papers under the spell of McCarthyism. He discovered, as New England itself had, that events must be absorbed before monuments can be raised. The Crucible
Stacy Schiff (The Witches: Salem, 1692)
The first known prosecution took place in Egypt around 1300 BC, for a crime that would today constitute practicing medicine without a license. (That supernatural medic was male.) Descended from Celtic horned gods and Teutonic folklore, Pan's distant ancestor the devil was not yet on the scene. He arrived with the New Testament, a volume notably free of witches. Nothing in the Bible connects the two, a job that fell, much later, to the church.
Stacy Schiff (The Witches: Salem, 1692)
For some of the things that plagued the seventeenth-century New Englander we have modern-day explanations. For others we do not. We have believed in any number of things—the tooth fairy, cold fusion, the benefits of smoking, the free lunch—that turn out not to exist. We all subscribe to preposterous beliefs; we just don’t know yet which ones they are. We too have been known to prefer plot to truth; to deny the evidence before us in favor of the ideas behind us; to do insane things in the name of reason; to take that satisfying step from the righteous to the self-righteous; to drown our private guilts in a public well; to indulge in a little delusion. We have all believed that someone had nothing better to do than spend his day plotting against us. The seventeenth-century world appeared full of inexplicables, not unlike the automated, mind-reading, algorithmically enhanced modern one.
Stacy Schiff (The Witches: Salem, 1692)
We know that Antony pined for Cleopatra months later, though she wound up with all the credit for the affair. As one of her sworn enemies asserted, she did not fall in love with Antony but “brought him to fall in love with her.” In the ancient world too women schemed while men strategized; there was a great gulf, elemental and eternal, between the adventurer and the adventuress. There was one too between virility and promiscuity: Caesar left Cleopatra in Alexandria to sleep with the wife of the king of Mauretania. Antony arrived in Tarsus fresh from an affair with the queen of Cappadocia. The consort of two men of voracious sexual appetite and innumerable sexual conquests, Cleopatra would go down in history as the snare, the delusion, the seductress. Citing her sexual prowess was evidently less discomfiting than acknowledging her intellectual gifts. In the same way it is easier to ascribe her power to magic than to love. We have evidence of neither, but the first can at least be explained; with magic one forfeits rather than loses the game. So Cleopatra has Antony under her thumb, poised to obey her every wish, “not only because of his intimacy with her,” as Josephus has it, “but also because of being under the influence of drugs.” To claim as much is to acknowledge her power, also to insult her intelligence.
Stacy Schiff (Cleopatra)
In her adult life Cleopatra would have met few people she considered her equal. To the Romans she was a stubborn, supreme exception to every rule. She remains largely incomparable: She had plenty of predecessors, few successors. With her, the age of empresses essentially came to an end. In two thousand years only one or two other women could be said to have wielded unrestricted authority over so vast a realm. Cleopatra remains nearly alone at the all-male table, in possession of a hand both flush and flawed. She got a very good deal right, and one crucial thing wrong.
Stacy Schiff (Cleopatra)