Stack And Mary Quotes

To be contemporary is to rise through the stack of the past, like the fire through the mountain. Only a heat so deeply and intelligently born can carry a new idea into the air.

Death has a terrible habit of cutting straight through every careful line you've drawn between your present and your future. I had a hundred thousand of these lines, and in one day they were severed, leaving me with nothing but a stack of his medical bills and gambling debt. Death didn't even give me somewhere to direct my anger. All I could do was search the sky.

WORK, SOMETIMES I was sad all day, and why not. There I was, books piled on both sides of the table, paper stacked up, words falling off my tongue. The robins had been a long time singing, and now it was beginning to rain. What are we sure of? Happiness isn’t a town on a map, or an early arrival, or a job well done, but good work ongoing. Which is not likely to be the trifling around with a poem. Then it began raining hard, and the flowers in the yard were full of lively fragrance. You have had days like this, no doubt. And wasn’t it wonderful, finally, to leave the room? Ah, what a moment! As for myself, I swung the door open. And there was the wordless, singing world. And I ran for my life.

Before that summer, I had many times heard long-winded Baptist preachers take ten minutes to pray over card tables of potato salad and fried chicken at church picnics, but the way those sweating, red-faced men sat around on stacked pallets of lumber gulping oysters taught me most of what I knew about simple gladness.

A whole stack of memories never equal one little hope. —Charles M. Schulz

Four tall stories were stacked haphazardly on top of each other, cresting in a black roofline against the cobalt night sky that made no sense, but leapt whimsically from flat to dangerously steep and back again. Trees with skeletal limbs, badly in need of a trim, scraped against slate, like oaken nails on the lid of a coffin.

The first sign of cooler weather always made him crave a stack of fresh notebooks, made him want to eat an apple and then run a 10K as fast as he could.

Several pallets had been pulled to the middle of the open space and stacked two high with a large blanket over them. The implication stunned her – it was so unexpected, so unlike what she believed about him – her mind only registered denial. She heard Ash bolt the door and remove his leather jacket, felt his hands on her shoulders as he turned her around to face him. He stroked her cheek with one hand while the other reached for his belt. “My sweet, innocent Sage,” he whispered, and still her thoughts could gain no traction. There was the snap of a release from his belt, and though she continued to meet his eyes, she saw a sheathed dagger in the hand he raised between them. “Tonight I must teach you how to kill a man.

This morning's pastry poses challenges. To assemble the tiny mosaic disks of chocolate flake and candied ginger, Avis must execute a number of discrete, ritualistic steps: scraping the chocolate with a fine grater, rolling the dough cylinder in large-grain sanding sugar, and assembling the ingredients atop each hand-cut disk of dough in a pointillist collage. Her husband wavers near the counter, watching. "They're like something Marie Antoinette would wear around her neck. When she still had one." "I thought she was more interested in cake," Avis says, she tilts her narrow shoulders, veers around him to stack dishes in the sink.

You have to find a mother inside yourself. We all do. Even if we already have a mother, we still have to find this part of ourselves inside.’ She held out her hand to me. ‘Give me your hand.’ I lifted my left hand and placed it in hers. She took it and pressed the flat of my palm up against my chest, over my beating heart. ‘You don’t have to put your hand on Mary’s heart to get strength and consolation and rescue, and all the other things we need to get through life,’ she said. ‘You can place it right here on your own heart. Your own heart.’ August stepped closer. She kept the pressure steady against my hand. ‘All those times your father treated you mean, Our Lady was the voice in you that said, “No, I will not bow down to this. I am Lily Melissa Owens, I will not bow down.” Whether you could hear this voice or not, she was in there saying it.’ I took my other hand and placed it on top of hers, and she moved her free hand on top of it, so we had this black-and-white stack of hands resting upon my chest. ‘When you’re unsure of yourself,’ she said, ‘when you start pulling back into doubt and small living, she’s the one inside saying, “Get up from there and live like the glorious girl you are.” She’s the power inside you, you understand?’ Her hands stayed where they were but released their pressure. ‘And whatever it is that keeps widening your heart, that’s Mary, too, not only the power inside you but the love. And when you get down to it, Lily, that’s the only purpose grand enough for a human life. Not just to love – but to persist in love.

The cards were stacked against Polly, Annie, Elizabeth, Kate and Mary Jane from the day of their births. They began their lives in deficit. Not only were most of them born into working-class families, but they were born female.

O-kay. Kind of freaky. I’m now standing in an actual tomb, in pitch darkness, with only a vampire to keep me company. Last week if you’d sworn on a stack of Bibles that I’d be okay with all of this, I wouldn’t have believed you.

Once you have an image of what the inside of your drawers will look like, you can begin folding. The goal is to fold each piece of clothing into a simple, smooth rectangle. First, fold each lengthwise side of the garment toward the center (such as the left-hand, then right-hand, sides of a shirt) and tuck the sleeves in to make a long rectangular shape. It doesn’t matter how you fold the sleeves. Next, pick up one short end of the rectangle and fold it toward the other short end. Then fold again, in the same manner, in halves or in thirds. The number of folds should be adjusted so that the folded clothing when standing on edge fits the height of the drawer. This is the basic principle that will ultimately allow your clothes to be stacked on edge, side by side, so that when you pull open your drawer you can see the edge of every item inside. If you find that the end result is the right shape but too loose and floppy to stand up, it’s a sign that your way of folding doesn’t match the type of clothing.

Human beings, Adina faxes, rip their addresses off old magazines when they donate them to hair salons. This is how criminals find their victims. They search stacks of People magazines. If they find one where the address has been left on, they think: What a fool. I will go to her house and murder her.

Kestrel climbed down and studied the garden in the lamplight thrown from her sunroom. She chewed the inside of her cheek, and was wondering whether books stacked on the chair on top of the table would make a difference when she heard something. The grate of a heel against pebbles. It came from beyond the door, and the other side of the wall. Someone had been listening. Was listening still. As quietly as she could, Kestrel took the chair down from the table and went inside. Before Arin left for the mountain pass, during the coldest hours of the night, he found time to order that every piece of furniture light enough for Kestrel to move be taken from her suite.

If, when he disappeared through his portal, he went to Faery, time moves differently there.” “That’s what V’lane said.” I emptied the cash drawer, counted the bills into stacks, then began punching in numbers on an adding machine. The store wasn’t computerized, which made bookkeeping a real pain in the neck. He gave me a look. “The two of you are getting downright chatty, aren’t you, Miss Lane? When did you last see him? What else did he tell you?” “I’m asking the questions tonight.” One day I was going to write a book: How to Dictate to a Dictator and Evade an Evader, subtitled How to Handle Jericho Barrons. He snorted. “If an illusion of control comforts you, Ms. Lane, by all means, cling to it.” “Jackass.” I gave him a look modeled on his own. He laughed, and I stared, then blinked and looked away. I finished rubber-banding the cash, put it in a leather pouch, and punched the final numbers in, running the day’s total. For a moment there he hadn’t looked dark, forbidding, and cold, but dark, forbidding, and . . . warm. In fact, when he’d laughed he’d looked . . . well . . . kind of hot. I grimaced. Obviously I’d eaten something bad for lunch.

The door to the kitchen yard was open. A few snowflakes swirled into the hallway and vanished. Maybe now. Maybe now was the moment when she would flee. Kestrel took another step. Her heartbeat trembled in her throat. Then the door sang wide on its hinges, light flooded the hallway, and Arin walked in. She bit back a gasp. He, too, was surprised to see her. He straightened suddenly under the weight of the grain sack over his shoulder. Quick as thought, his eyes went to the open door. He set down the sack and locked the door behind him. “You’re back,” she said. “I’m leaving again.” “To steal more grain from a captured country estate?” His smile was perfectly mischievous. “Rebels must eat.” “And I suppose you use my horse in these battles and thefts of yours.” “He’s happy to support a good cause.” Kestrel huffed and would have turned to wend her way back through the workrooms, but he said, “Would you like to see him? Javelin?” She stood still. “He misses you,” said Arin. She said yes. After Arin had stacked his final load of grain in the pantry and given her his coat, they walked out into the kitchen yard and crossed its slate flagstones to reach the grounds and the stables.

If you look at survivable crashes, it’s rare that even half the emergency exits open,” says Shanahan. “Plus, there’s a lot of panic and confusion.” Shanahan cites the example of a Delta crash in Dallas. “It should have been very survivable. There were very few traumatic injuries. But a lot of people were killed by the fire. They found them stacked up at the emergency exits. Couldn’t get them open.

Jade and Henry stuck it out, but I drove my rental car back to my Brooklyn apartment that evening and downloaded a stack of self-help books on living with crazy families, and skimmed them late into the night, taking from all of them a single idea that resonated as both wise and comforting: I was allowed to draw a line in the sand. I was allowed to stop involving myself in their drama. And so that’s what I did.

The first qualification for most political offices was wealth on a substantial scale. No one could stand for election without passing a financial test that excluded most citizens; the exact amount needed to qualify is not known, but the implications are that it was set at the very top level of the census hierarchy, the so-called cavalry or equestrian rating. When the people came together to vote, the system of voting was stacked in favour of the wealthy.

Zach, it doesn't matter which talking heads the Republicrats put up as their candidates. Either way you're voting to maintain the status quo. Is that what you want?" "Ummm...." "Are you pro-choice?" "Sure, I guess." Abortion's not something a gay man has to think about often. "And you must be in favour of allowing gays to marry?" "Of course." But I'd have to be dating someone first, right? "And you believe in the decriminalization of marijuana?" "I suppose." There was no way i was going to to argue with a man who sold bongs for a living on that one. "Don't you think you should be able to vote against our out-of-control welfare state without having to vote against those basic rights? Basic rights which should be protected by our constitution?" "Well-" "Have you even read the constitution, Zach?" "I don't think so," I admitted in surprise. He shook his head at me. "Neither has the president, Zach. Think about that." He left a stack of pamphlets on the counter and headed for Ruby's. It was going to be a long campaign season.

There was a little sketch pad with a pink paper cover, a packet of handwritten notes in what looked like my grandmother's handwriting, a silk scarf of water lilies on a blue background, a black fountain pen with an ornate silver hand on it, a book of poems by American poets with a number of pages dog-eared (I made a mental note to see if "Mending Wall" was in there), a magnifying glass with a carved wooden handle, a book called 'Native Flowers of New England' with a ragged cloth binding, another clothbound book called the 'Berry Farmer's Companion', and a stack of twenty faded black-and-white photographs.

Who's the Devil?" Frances crouches down as if she were talking to Trixie. "That's something I'll never tell you, Lily, no matter how old you get to be, because the Devil is shy. It makes him angry when someone recognizes him, so once they do the Devil gets after them. And I don't want the Devil to get after you." "Is the Devil after you?" "Yes." "Jesus can beat the Devil." "If God wants." "God is against the Devil." "God made the Devil." "Why?" "For fun." "No, to test us." "If you know, why are you asking me?" "Daddy says there's no such thing as the Devil, it's just an idea." "The Devil lives with us." "No he doesn't." "You see the Devil every day. The Devil hugs you and eats right next to you." "Daddy's not the Devil." "I never said he was. ..." Frances has got a dry look, tinder in the eye; her voice is a stack of hay heating up at the center, her mouth a stitched line. "I'm the Devil." This is the moment Lily stops being afraid of anything Frances could ever say or do again. Stops being afraid of anything at all. She reaches out and takes Frances's hand. The white hand that always smells of small wildflowers, lily of the valley. The hand that has always done up Lily's buttons and laces, and produced wondrous objects. She holds Frances's hand and tells her, "It's okay, Frances.

In the stack of paperwork that came months after it happened, just before the criminal suit was settled, Brian read that as they were rolling him into surgery that first night, a nurse had told Lena Gleeson that he’d already gotten a round of blood transfusions, and asked if they should give him another if he needed it. Lena had not understood the question at first, the question behind the question, but once it clicked she became ferocious and told them to use their own blood if they had to; she told them to wring themselves dry as long as they saved him. And then she waited outside the door for six, seven, eight hours, just to see him for ten minutes.

I will say tell me. Tell me how much we’ll have to live by after the emperor’s tithe. You’ll say you don’t know. You have no intention of knowing.” Kestrel had risen from her seat. “Then I will be silent,” Arin said, “and you will stir your tea. You will drink and I will drink. There. Is that how it will be?” Kestrel was light-headed. “Go away,” she whispered, though she was the one standing. Arin didn’t move from the table. He stared up at her, jawline tight, and she didn’t understand how it could still be there in his face: that hard expectation, that angry faith. Don’t fail me, his eyes said. Don’t fail yourself. She quit the table. “You’re better than this,” he called after her. A librarian stepped from the stacks to shush him. Kestrel walked away. He said, “How can the inconsequence of your life not shame you?” He said, “How do you not feel empty?” I do, she thought as she pushed through the library doors and let them thud behind her. I do.

Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

Danny fills a pitcher with water as R2-D2 gallops into the room to nuzzle my thigh. He is a two-year-old unexercised and panicky Labrador who looks as if he will at any moment speak. Everything in him wants to run. R2-D2 hunts scraps on the floor underneath Danny, who holds the pitcher brimming with water. I worry about his grip, but he wants to tell a story like an intact man about a fair he went to where a man balanced on top of a Ferris wheel. A tremor grows in his forearm. I say, “Why don’t you let me hold that?” “Are you listening? I’m talking to you.” He sways as if regaining his balance. The pitcher slips silently out of his grip, barely missing the dog as it shatters against the floor. R2-D2 yelps, scrabbles out of the room. I collect the chunks of glass. “Was I holding that?” he says. “Don’t move,” I say. He says he won’t but forgets. “Don’t.” He roots in place. I’ve never raised my voice to him. “Did you drop the pitcher?” he says, when I am transferring the large chunks to the trash can. “Yes.” I guide him over the mess and into the family room. I motion for him to sit and hand him the remote. I wipe the kitchen floor and take the garbage to the outside patio where several other bags are stacked. The dog jogs beside me, sniffs a tree trunk.

Mary was standing behind it, emptying minestrone out of tins into the vat.  An entire slab was resting on the stage behind her with half of the cans missing. They looked to be wholesale and cheap. But the folks outside wouldn’t complain. A stack of plastic bowls and spoons had been set on the table next to the heater. Once it was full and hot, she’d call them in. Jamie was surprised that they hadn’t flooded in already. The door was open, after all.  That said something to her about Mary, and about the respect these people had for her. ‘Detectives,’ Mary said, a little surprised. ‘Did I call you?’ She seemed to be asking herself as much as Jamie and Roper.  ‘No,’ Roper said. ‘But we wanted to be here when Grace arrived.’ Mary took it in, stirring the soup with a ladle. ‘Oh, well she’s not here yet — as far as I know. I won’t be serving lunch for another half an hour or so.’ ‘That’s fine, we’ll wait,’ Roper said, smiling. He thought he was charming at times. But he never was. Silence hung in the air while Mary popped and emptied in another tin with a dull slap.  Jamie looked at the slab and saw that the soup was best before August last year. It was out of date — probably salvaged from a food bank. Jamie thought about the phrase, beggars can't be choosers, and then immediately felt bad about it. ‘There was a guy outside this morning,’ Roper said, pushing his hands into his pockets. ‘Smartly dressed, short black hair, glasses.’ ‘Oh, um,’ Mary said, not sure where he was going with it. ‘He bumped into Jamie, said some pretty nasty things — about the good people who rely on this shelter. Didn’t seem too excited about them being there.’ Mary’s face lit up and then drooped as she realised who he meant. ‘Ah, yes — I don’t know

Danny flicks an ashless cigarette and bounces in place on the couch, occasionally checking the door leading to the kitchen. Crates are stacked along the wall, magazines piled on the floor. I smell fish and char. “You baking?” He frowns. “Nah.” I’m undermining him if I check, but the smell of burning thickens. We enter the kitchen, where hundreds, maybe thousands of reminders blink in the occasional ocean breeze. I never escape the sensation I’m being surveilled, except instead of a penetrating gaze they are commands, observations. DON’T FORGET RICE. PETER IS THE COUSIN WHO STEALS. AN HOUR IS SIXTY MINUTES. CLOVER HATES LILIES. TAKE SHOWER. Some are so old the paper has become cloth soft. Danny plucks one from the wall. SALMON IN THE OVEN. “Damn.” He opens the oven door, releasing smoke. “Oven mitt,” I warn when he is about to barehand the rack.

He shifts in his seat, stalls. “If I can’t get an erection, how could I ejaculate?” “Sometimes in sleep, you’re able to … without really … also, it is possible to ejaculate while having a flaccid penis.” “You’ll have to teach me that trick. What’s occasionally again?” “Anywhere from one time on,” I say. He hears my impatience, pouts. “Write down occasionally.” Danny used to be quick to joke, according to his friends, but the accident triggered another man’s temper. He yells at Clover, the kid, the dog. He doesn’t even walk the same, Clover told me. This personality change is why certain lawyers present brain injury cases as fatalities. The client’s first life has ended. “Are you able to go to the bathroom without assistance from anything or anyone?” He waits for a truck commercial to finish before answering. My phone vibrates in my pocket with messages, e-mails. “I’m able to piss but not the other thing,” he says. “You’re able to urinate,” I say. “All the time, occasionally—” “All the time.” He lifts the waistband of his jeans to show me a diaper. “How do you relieve yourself of fecal matter?” He points to a stack of medical supplies in the corner. “I use gloves to remove what I need. Six or seven times a day. I don’t know when I have to go, that sensation or whatever is gone. I keep checking.” He slumps into himself on the chair. He’s crying, shoulders shaking, holding the remote like a sword. I want to tell him that tears are a bother and a waste of time. “This is normal for someone with your injury,” I say. “Most of my clients can’t achieve erections at all.

In college, I stacked my bookshelves with Rumi, Woolf, Didion, Wendell Berry, Mary Oliver, Banana Yoshimoto, Miranda July, Chang-rae Lee, Carlos Bulosan

Dad had bought a stack of these biographies, towering over one hundred now. Martin Luther King Jr. Frederick Douglass. Mary McLeod Bethune. Richard Allen. Ida B. Wells. Dad kept urging me to pull from the tower for every writing project.

Death has a terrible habit of cutting straight through every careful line you’ve drawn between your present and your future. The line that leads to your dad filling your dorm room with flowers on your graduation day. To him designing your wedding dress. To him coming over for dinner at your future house every Sunday, where his off-key singing would make you laugh so hard you’d cry. I had a hundred thousand of these lines, and in one day they were severed, leaving me with nothing but a stack of his medical bills and gambling debt. Death didn’t even give me somewhere to direct my anger. All I could do was search the sky.

idea. I told Mom we should empty out each room, clean it thoroughly, and put back only the things that were essential. That was the one way, it seemed to me, to get rid of the clutter. But Mom said my idea was too time-consuming, so all we ended up doing was straightening piles of paper into stacks and stuffing dirty clothes into the chest of drawers. Mom insisted that we chant Hail Marys while we worked. “It’s a way of cleansing our souls while we’re cleaning house,” she said. “We’re killing two birds with one stone.” The

Well, don’t you look prettier than a pat of butter meltin’ on a short stack. —The gospel according to Elmer Stillman

Kestrel set her cup on its saucer. “I didn’t ask to see you,” she said. “Too bad.” Arin claimed the chair across from her table in the library in a manner unbearably familiar to her. It was as if the chair had always been his. He slouched in his seat, tipped his head back, and looked at her from beneath lowered lids. The morning light fired his profile. “Worried, Lady Kestrel?” He spoke in Valorian, his accent roughening his voice. He always pronounced his r’s too low in his throat, so that when he spoke in her tongue everything came across as a soft growl. “Dreading what I’ll say…or do?” He smiled a grim little smile. “No need. I’ll be the perfect gentleman.” He tugged at his cuffs. It was only then that Kestrel noticed that they came too short on his arms and showed his wrists. It pained her to see his self-consciousness, the way it had suddenly revealed itself. In this light, his gray eyes were too clear. His posture had been confident. His words had had an edge. But his eyes were uncertain. Arin fidgeted again with his cuffs as if there was something wrong with them--with him. No, she would have said. You’re perfect, she wanted to say. She imagined it: how she would reach out to touch Arin’s bare wrist. That could lead nowhere good. She was nervous, she was cold. Her stomach was a flurry of snow. She dropped her hands to her lap. “No one’s here anyway,” Arin said, “and the librarians are in the stacks. You’re safe enough.” It was too early for courtiers to be in the library. Kestrel had counted on this, and on the fact that if anyone did turn up and saw her with the Herrani minister of agriculture, such a meeting would excite little interest. One with Arin, however, was an entirely different story. It was frustrating: his uncanny ability to unsettle her plans--and her very sense of self. She said, “Pressing where you’re not invited seems to be a habit with you.” “And yours is to put people in their place. But people aren’t gaming pieces. You can’t arrange them to suit yourself.” A librarian coughed. “Lower your voice,” Kestrel hissed at Arin. “Stop being so--” “Inconvenient?” “Frankly, yes.” His smile came: quick, true, surprised by itself. Then changing, and slow. “I could be worse.” “I am sure.” “I could tell you how.” “Arin, how is it for you here, in the capital?” He held her gaze. “I would rather talk about what we were talking about.” “Arin, how is it for you here, in the capital?” He held her gaze. “I would rather talk about what we were talking about.” She arranged her fingers along the studs that pinned green leather to the tabletop. She felt each cool, small, hard nail. The silence inside her was like those nails. What it held down was something sheer: a feeling like fragile silk, billowing up at the sound of his voice. If she and Arin were to talk about what they had been talking about, that silk could tear free. It would float up. It would catch the light, and cast a colored shadow. What color would it be, Kestrel wondered, the silk of what she felt? What would it be like to let it go, let it canopy above her?

First, fold each lengthwise side of the garment toward the center (such as the left-hand, then right-hand, sides of a shirt) and tuck the sleeves in to make a long rectangular shape. It doesn’t matter how you fold the sleeves. Next, pick up one short end of the rectangle and fold it toward the other short end. Then fold again, in the same manner, in halves or in thirds. The number of folds should be adjusted so that the folded clothing when standing on edge fits the height of the drawer. This is the basic principle that will ultimately allow your clothes to be stacked on edge, side by side, so that when you pull open your drawer you can see the edge of every item inside. If you find that the end result is the right shape but too loose and floppy to stand up, it’s a sign that your way of folding doesn’t match the type of clothing. Every piece of clothing has its own “sweet spot” where it feels just right—a

It is not uncommon for people to purchase a book and then buy another one not long after, before they have read the first one. Unread books accumulate.

A year after the gold lamé shoe, the gift basket I received from Donald and Ivana hit the trifecta: it was an obvious regift, it was useless, and it demonstrated Ivana’s penchant for cellophane. After unwrapping it, I noticed, among the tin of gourmet sardines, the box of table water crackers, the jar of vermouth-packed olives, and a salami, a circular indentation in the tissue paper that filled the bottom of the basket where another jar had once been. My cousin David walked by and, pointing at the empty space, asked, “What was that?” “I have no idea. Something that goes with these, I guess,” I said, holding up the box of crackers. “Probably caviar,” he said, laughing. I shrugged, having no idea what caviar was. I grabbed the basket handle and walked toward the pile of presents I’d stacked next to the stairs. I passed Ivana and my grandmother on the way, lifted the basket, said, “Thanks, Ivana,” and put it on the floor. “Is that yours?” At first I thought she was talking about the gift basket, but she was referring to the copy of Omni magazine that was sitting on top of the stack of gifts I’d already opened. Omni, a magazine of science and science fiction that had launched in October of that year, was my new obsession. I had just picked up the December issue and brought it with me to the House in the hope that between shrimp cocktail and dinner I’d have a chance to finish reading it. “Oh, yeah.” “Bob, the publisher, is a friend of mine.” “No way! I love this magazine.” “I’ll introduce you. You’ll come into the city and meet him.” It wasn’t quite as seismic as being told I was going to meet Isaac Asimov, but it was pretty close. “Wow. Thanks.” I filled a plate and went upstairs to my dad’s room, where he’d been all day, too sick to join us. He was sitting up, listening to his portable radio. I handed the plate to him, but he put it on the small bedside table, not interested. I told him about Ivana’s generous offer. “Wait a second; who does she want to introduce you to?” I would never forget the name. I’d looked at the magazine’s masthead right after speaking to Ivana, and there he was: Bob Guccione, Publisher. “You’re going to meet the guy who publishes Penthouse?” Even at thirteen I knew what Penthouse was. There was no way we could be talking about the same person. Dad chuckled and said, “I don’t think that’s such a good idea.” And all of a sudden, neither did I.

But perhaps you would argue that, since you want to be a contemporary poet, you do not want to be too much under the influence of what is old, attaching to the term the idea that old is old hat-out-of-date. You imagine you should surround yourself with the modern only. It is an error. The truly contemporary creative force is something that is built out of the past; but with a difference. Most of what calls itself contemporary is built, whether it knows it or not, out of a desire to be liked. It is created in imitation of what already exists and is already admired. There is, in other words, nothing new about it. To be contemporary is to rise through the stack of the past, like the fire through the mountain. Only a heat so deeply and intelligently born can carry a new idea into the air.

My phone dings. Probably my mother, who has mom-radar and always knows when I’m up to no good. Undoubtedly asking how many Hail Marys she needs to say for me today. I grab my phone just to make sure it’s not a somebody died text, and almost fall off my stool. Tarzan here. Looking for Ms. P. This her? I close my eyes, blow out a slow breath. One, if he’s texting me, his date with Lila Valentine probably didn’t produce a second, which makes me happier than I have any right to be. Two, I’m not asking the guy to marry me. I’m asking him to be a hot piece of ass to make me look good. And three, I’m suddenly worried that my bad taste in men is making an unfortunate appearance again. What man in his right mind would text back a woman who made that proposition last weekend? Am I wrong about his date with the auction winner? Did I leave something behind at the hotel, and he’s just returning it? Or does he actually have some secret fetish that’ll play out wrong in the middle of my class reunion? "Who’s that?" Sia demands. "Tele-texter," I lie. I ignore the glares from my friends and type a quick reply. Yes, this is Parker. Except my phone hates me, and it autocorrects to Trying. This is Parking. Thanks, phone. Y E S, I type. Damn autocorrect. I hit send, and "Ohmygod." "What? What?" My friends all peer around me, and I jump off my stool to keep them from seeing my screen. Autocorrect just autocorrected to autocunnilingus. I just told Tarzan I’m eating myself. What have I done? Does that count as sexting? I don’t know. This is why I can’t have nice things.

In all Mary had 283 protestants killed. Most of them burned at the stack. For ever after the queen will be known as Bloody Mary. Though given the methods involved Crispy Mary what is the more appropriate.

I say this because deep in my bones I am that certain everything really is figureoutable. Yes, even if you’re starting from scratch. Even if you’ve already tried and failed. Even if you don’t have a clue what the hell you’re doing or why things keep going wrong. Even if the world has told you time and time again that you can’t. Even if you’ve been born into extraordinary challenges or find yourself with the deck stacked against you.

Never turn your back on an indexer, Max. Or an archivist. Especially an archivist. Just plain bonkers, every single one of them. Rituals,’ he added mysteriously. ‘Among the stacks. The more powerful archivists can actually hear the documents whispering their secrets to each other in the dead of night. Never ever venture into an archive without the most powerful protection you can afford.

Our chakras, or energy centers, are meant to stack up, one atop the other, for the maximum flow of wisdom and healing energy. We can align with the divine by straightening our spine.

Once you have an image of what the inside of your drawers will look like, you can begin folding. The goal is to fold each piece of clothing into a simple, smooth rectangle. First, fold each lengthwise side of the garment toward the center (such as the left-hand, then right-hand, sides of a shirt) and tuck the sleeves in to make a long rectangular shape. It doesn’t matter how you fold the sleeves. Next, pick up one short end of the rectangle and fold it toward the other short end. Then fold again, in the same manner, in halves or in thirds. The number of folds should be adjusted so that the folded clothing when standing on edge fits the height of the drawer. This is the basic principle that will ultimately allow your clothes to be stacked on edge, side by side, so that when you pull open your drawer you can see the edge of every item inside. If you find that the end result is the right shape but too loose and floppy to stand up, it’s a sign that your way of folding doesn’t match the type of clothing. Every piece of clothing has its own “sweet spot” where it feels just right—a folded state that best suits that item. This will differ depending on the type of material and size of the clothing, and therefore you will need to adjust your method until you find what works. This isn’t difficult. By adjusting the height when folded so that it stands properly, you’ll reach the sweet spot surprisingly easily.

Then I can turn my attention to cleaning. It’s a fine cabin but . . . but . . .” She looked a bit lost as she studied all the clutter stacked through the cabin. “I need to knock a f-few cobwebs down.” Rylan saw about a hundred cobwebs without turning his head. “And the floor needs to be swept and scrubbed.” She had to find the floor first.

Steel Arm Johnny, Mary Meathouse, Gold Tooth Gussie, Bird Leg Nora, Titanic, Coke-Eyed Laura, Scratch, Bull Frog Sonny, Snaggle Mouf Mary, Stack O. Dollars, Charlie Bow Wow, Good Lord the Lifter, and many more.

He nips at my lip with his teeth, and Jesus, Mary, and One Direction, that one little nibble is going to make me come apart at my seams. My panties are so hot they’re smoking. Like my pussy’s going to need a cigarette after this, and neither I, nor my pussy, have ever smoked a day in our lives.

I keep getting drunk. There’s no more interesting way to say it. Only drunk does the volume crank down. Liquor no longer lets me bullshit myself that I’m taller, faster, funnier. Instead, it shrinks me to a plodding zombie state in which one day smudges into every other—it blurs time. Swaying on the back landing in the small hours, I stare at the boxy garage and ghostly replicas of it multiplying along either side, like playing cards spread against the slate sky. Though this plural perspective is standard, I’m surprised by my own shitfaced state. The walkman sends punk rock banging across the tiny bones of my ears. And with the phonebook-sized stack of papers on my lap still unmarked, I—once more, with feeling—take the pledge to quit drinking. Cross my heart. Pinky swear to myself. This is it, I say, the last night I sit here. Okay, I say in my head. I give. You’re right. (Who am I talking to? Fighting with?) By the next afternoon, while I’m lugging the third armload of groceries up the back stairs, Dev, who’s bolted ahead to the living room, shrieks like he’s been stabbed, and I drop the sack on the kitchen floor, hearing as it hits what must be a jar of tomato sauce detonating. In the living room, I find Dev has leaped—illicitly, for the nine hundredth time—off the sofa back, trying to land in the clothes basket like a circus diver into a bucket of water. He’s whapped his noggin on the coffee table corner. Now dead center on his pale, formerly smooth forehead, there’s a blue knot like a horn trying to break through. I gather him up and rush to the kitchen, aiming to grab a soothing bag of frozen peas. But I step on a shard of tomato sauce jar, gash my instep, slide as on a banana peel, barely hanging on to Dev till we skid to a stop. I tiptoe across the linoleum, dragging a snail of blood till I can plop him in a kitchen chair, instructing him to hold the peas to his head and not move an inch while I bunny-hop upstairs to bandage my foot. Coming back, I find he’s dragged the formerly white laundry into the kitchen to mop up the tomato sauce. I’m helping, he says, albeit surrounded by gleaming daggers of glass while on his forehead the blue Bambi horn seems to throb. Minutes later, my hand twists off a beer cap as I tell myself that a beer isn’t really a drink after all. So I have another after that to speed preparing the pot roast, and maybe even a third. Before we head to the park, I tuck two more beer bottles in my coat pocket, plus one in my purse alongside a juice box.

stacking is very hard on the things at the bottom

Marie Kondo strikes me as a very strange person. I do not want to be like her. I also do not want to be like the ruthless and tidy monsters who follow her technique and roll their socks and stack their clothes sideways in drawers and who throw so much away.

The elegant hands, the voice that has always sounded like stacked bars of light.