Stab You In Your Back Quotes

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It's hard to tell who has your back, from who has it long enough just to stab you in it....
Nicole Richie
Pain is a pesky part of being human, I've learned it feels like a stab wound to the heart, something I wish we could all do without, in our lives here. Pain is a sudden hurt that can't be escaped. But then I have also learned that because of pain, I can feel the beauty, tenderness, and freedom of healing. Pain feels like a fast stab wound to the heart. But then healing feels like the wind against your face when you are spreading your wings and flying through the air! We may not have wings growing out of our backs, but healing is the closest thing that will give us that wind against our faces.
C. JoyBell C.
Sometimes your dearest friend whom you reveal most of your secrets to becomes so deadly and unfriendly without knowing that they were not really your friend.
Michael Bassey Johnson
I didn't actually think you were hanging out at Hex Hall because of your burning love for me. But that's what I'm telling all the girls back at school," I said, stabbing a forkful of eggs. "I'm thinking 'heartbreaker' might be a nice addition to my 'avenging witch' reputation.
Rachel Hawkins (Demonglass (Hex Hall, #2))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
No,” he muttered, running a hand through his copper hair. “No. No. There are dozens.” “Kell?” she asked, moving to touch his arm. He shook her off. “Dozens of ships, Lila! And you had to climb aboard his.” “I’m sorry,” she shot back, bristling, “I was under the impression that I was free to do as I pleased.” “To be fair,” added Alucard, “I think she was planning to steal it and slit my throat.” “Then why didn’t you?” snarled Kell, spinning on her. “You’re always so eager to slash and stab, why couldn’t you have stabbed him?
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Everybody isn't your friend. Just because they hang around you and laugh with you doesn't mean they're for you. Just because they say they got got your back, doesn't mean they won't stab you in it. People pretend well. Jealousy sometimes doesn't live far. So know your circle. At the end of the day real situations expose fake people so pay attention.
Trent Shelton
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.' 'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?' 'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
Alan Moore (V for Vendetta)
Sometmes when you pull knives on people, they get this impression that you're going to hurt them, and then they're completely terrified. Crazy, I know!" "Okay," said Nick. He turned to Jamie & popped his left wrist sheath again. "Look." Jamie backed up. "Which part of 'completely terrified' did you translate as 'show us your knives, Nick'? Don't show me your knives, Nick. I have no interest in your knives." Nick rolled his eyes. "This is a quillon dagger. That's a knife with a sword handle. I like it because it has a good grip for stabbing." "Why do you say these things?" Jamie inquired piteously. "Is it to make me sad?" "I didn't have you cornered," Nick went on. "You could've run. And this dagger doesn't have an even weight distribution; it's absolute rubbish for throwing. If I had any intention of hurting you, I'd have used a knife I could throw." Jamie blinked. "I will remember those words always. I may try to forget them, but I sense that I won't be able to.
Sarah Rees Brennan (The Demon's Covenant)
You fight. You fight for what you want. You do not wallow or surrender. The lesson in not in lying down and allowing yourself to be stabbed, child. It's in pushing yourself up and battling back." Her eyes flashed. "You fell down. So? Will you stay there, weeping over skinned knees? Or will you brush off your skirts, adjust your hair, and carry on? Do not relinquish your grasp on hope. It's one go the best weapons anyone possesses.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
No being gets to decide what his life is 'supposed to be.' ” She lifted her eyes and her gaze stabbed him. “Be a man. Discover where you are now, and go on from there, making the best of things. Accept your life, and you might survive it. If you hold back from it, insisting this is not your life, not where you are meant to be, life will pass you by. You may not die from such foolishness, but you might as well be dead for all the good your life will do you or anyone else.
Robin Hobb (The Mad Ship (Liveship Traders, #2))
Beware!" Piper yelled at the crowd. "Every man in this palace is your enemy. Each one will stab you in the back at the first chance!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
This whole thing happened because you wouldn't face up to Gideon dying.' he said, which was a stab as precise as any Nonius had managed. 'I don't blame you. But where would you be, right now, if you'd said: She is dead? You're keeping her things like a lover keeping old notes, but with her death, the stuff that made her Gideon was destroyed. That's how Lyctorhood works, isn't it? She died. She can't come back, even if you keep her stuffed away in a drawer you can't look at. You're not waiting for her resurrection; you've made yourself her mausoleum.
Tamsyn Muir (Harrow the Ninth (The Locked Tomb, #2))
When I reached him, I anchored my hands on my hips and glared. "Do not get into anymore fights on my behalf." I didn't want him suspended-or worse. "Now give me your keys." He gently flicked the end of my nose. "Haven't you heard? I do what I want, when I want, and there's nothing anyone can do to stop me." I could knee him between the legs and simply steal his keys, proving otherwise, but all I said was, "Believe me, I've witnessed that firsthand," and held out my hands. "Now be a good boy and do what I want you to do." He lifted the sunglasses and I saw a bright gleam in those violet eyes. "And what is it, exactly, that Little Ali wants?" Little Ali. Ugh. "I said give me your keys." No reason to play nice. He certainly wasn't. "And if you call me Little Ali again, I'll smash your trachea the way I hear you like to to others." Suddenly suspicious, he snapped out a quick "Why?" "Because I hate it." "Not the name. The keys." "Hello. Because I want to stab you with them, why else?" "Why?"He insisted. Fine. "Because I need to practice my driving, and I promised my grandparents I would." "You're telling me..." The glasses slid back into place as he cupped the back of my neck and dragged me closer to him, peering down at me sternly. "That you Don't know how to drive?" "Of course I know how to drive. Now, if you ask me if I know how to drive well, the answer will be different." He choked out a laugh, but backed away and tossed me the keys. "Just wait until the parking lot is empty before putting my precious life in danger.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
A clever enemy would kiss my hand, then stab at my back while I was distracted. (Stryker) A coward’s action. Truly. Don’t insult either one of us with such a suggestion. I don’t believe in petty juvenile attacks. I go after what I want, and when it’s the life of an enemy I don’t want there to be any mistaking my intention. If you’re worth my hatred, then you’re worth my letting you know that I’m coming for you. (Zephyra)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
It’s hard to tell you has your back from who has it long enough just to stab you in it.
Nicole Richie
Let me get you to understand I don't bully anybody. I stand up for what I believe in and I'm very honest and I always tell the truth. I'm not a liar, I'm not manipulative and I don't stab you in your back because I will stab you in your chest.
Nene Leakes
So, what happened to your face?” Sara grabbed Miki by her T-shirt and jeans before she could dive over the counter at the Asian girl they called Kelly. Angelina leaned forward as Sara pulled Miki back to her, “You know what they say about curiosity? That it stabbed the annoying biker girl over and over and over again until she spit up blood.” Oh, yeah. That was subtle.
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
If you turn your back on those who would stab it, you deserve sweet death—for you were too gullible in life.
Kel Carpenter (Fortune Favors the Cruel (Dark Maji, #1))
While stabbing someones back, you recklessly expose your own.
Matshona Dhliwayo
Move back,” the man on the left ordered Valek. “Or I’ll skewer your friend.” Valek considered the threat. “Do you plan to wound, maim or kill him?” he asked the guard. “Threats should be specific in order to have the maximum impact.” The man just stared at him. “Skewer is just too vague. I think if you say, ’Stand back or I’ll stab him in the stomach,’ then I have an idea about how serious you are. After all, Leif’s stomach is his favorite body part so that’s a decent threat.
Maria V. Snyder (Ice Study (Study, #3.6))
[…] I have a date this afternoon." "Oh, Lord." Jake closed his eyes. "Who are you going to destroy now?" "I beg your pardon?" "The hotel would appreciate it if you'd just throw back the men you don't like without maiming them." "I haven't maimed anyone." "You almost drowned Lance, you scared Peter into heart palpitations, you stabbed Donald with a fork, and you hit Brad over the head with a bottle." Jake shook his head. "And they still ask you out.
Jennifer Crusie (Manhunting)
Nicaise had picked up a gilt three-pronged fork, but had paused before sampling the dish in order to speak. The fear he'd shown of Damen at the ring seemed to still be there. His knuckles, clenched around the fork, were white. 'It's all right,' said Damen. He spoke to the boy as gently as he could. 'I'm not going to hurt you.' Nicaise stared back at him. His huge blue eyes were fringed like a whore's, or like a doe's. Around them, the table was a coloured wall of voices and laughter, courtiers caught up in their own amusements, paying them no attention. 'Good,' said Nicaise, and stabbed the fork viciously into Damen's thigh under the table. Even through a layer of cloth, it was enough to make Damen start, and instinctively grab the fork, as three drops of blood welled up. 'Excuse me a moment,' Laurent said smoothly, turning from Torveld to face Nicaise. 'I made your pet jump,' said Nicaise, smugly. Not sounding at all displeased: 'Yes, you did.' 'Whatever you're planning, it's not going to work.' 'I think it will, though. Bet you your earring.' 'If I win, you wear it,' said Nicaise. Laurent immediately lifted his cup and inclined it toward Nicaise in a little gesture sealing the bet. Damen tried to shake the bizarre impression that they were enjoying themselves. Nicaise waved an attendant over and asked for a new fork.
C.S. Pacat (Captive Prince (Captive Prince, #1))
You will meet many people who try to harm you, pull you down or back stab you. Don’t worry! They can’t really succeed unless you allow them to. Fill your aura with so much love and energy that that it will disallow any efforts to harm you!
Neelam Saxena Chandra
Movie directors often shoot funerals in the rain. The mourners stand in their dark suits under large black umbrellas, the kind you never have handy in real life, while the rain falls symbolically all around them, on grass and tombstones and the roods of cars, generating atmostphere. What they don't show you is how the legs of your suit caked with grass clippings, cling soaked to your shins, how even under umbrellas the rain still manages to find your scalp, running down your skull and past your collar like wet slugs, so that while you're supposed to be meditating on the deceased, instead you're mentally tracking the trickle of water as it slides down your back. The movies don't convey how the soaked, muddy ground will swallow up the dress shoes of the pallbearers like quicksand, how the water, seeping into the pine coffin, will release the smell of death and decay, how the large mound of dirt meant to fill the grave will be transformed into an oozing pile of sludge that will splater with each stab of the shovel and land on the coffin with an audible splat. And instead of a slow and dignified farewell, everyone just wants to get the deceased into the ground and get the hell back into their cars.
Jonathan Tropper (This is Where I Leave You)
At least you kept your promise. You stayed alive long enough to stab me in the back." He laughs bitterly, remembering the attack after the first ball when I tended to his wound. "And now I promise to return the favor." His voice strains with emotion. "Run, Paedyn. Because when I catch you, I will not miss. I will not falter. I will not make the mistake of feeling for you.
Lauren Roberts, Powerless
Ivar grabbed hold of my shoulders, swung me into a strung-up fishing net, and then smashed me into a set of shelves. Clutter rained down on me, and I fought my way to the surface, clawing free of the net. Ivar's fingers curled around my shirt and lifted me until I was eye level with her. "I'm going to enjoy killing you," she sneered. "And when you come back, I'll enjoy killing you again. If the Enshi doesn't eat your soul, I'll gladly eat your heart." Instead of replying, I stabbed her in the gut with a Khopesh. Her eyes bulged and she dropped me. I pulled the flaming sword out and slashed, but she caught my wrist before my blade could catch her skin, and she hissed, pulling her lips back viciously. "Wrong move." Her flesh healed shut with only an ugly marbled scar left behind. She lashed her black power at me, striking me across the chest like a whip, and I staggered back. I shook off the blow and saw her lunge for me through the smoky remains of her attack. My own power detonated in a deafening explosion of white and collided with her. It blew her through the cabin, and she crashed through the wall and flew back out on the other side of the deck in a storm of fiberglass and steel.
Courtney Allison Moulton (Angelfire (Angelfire, #1))
Just like Abel, he finds no issue keeping up with my pace. "If you don't tell me"—that deep baritone of his slides over my senses like audible porn and makes me want to stab my own eardrums out just to take back some of the power he's stolen from me—"then I'll just assume you want to go to this party and I'll carry your ass there as is.
Lucy Smoke (Pretty Little Savage (Sick Boys, #1))
Politics is an extension of war by other means. Arguments are soldiers. Once you know which side you're on, you must support all arguments of that side, and attack all arguments that appear to favor the enemy side; otherwise it's like stabbing your soldiers in the back - providing aid and comfort to the enemy. Politics is the Mind-Killer.
Eliezer Yudkowsky (The Less Wrong Sequences)
No one is that valuable to plan your future based upon them, because in some point every loyal individual will stab you in the back or in the best situation will just leave you. People have expiration dates. The ones who stay longer become more dangerous.
kambiz shabankareh (The Last Smile of The Plaster-man)
Never under estimate the power of guilt, in the end it will find its way to destroy you. The more you try to turn your back on it, the easier it is for it to stab you in the back.
Kabelo A. Mabona
If trouble is coming, don't turn your back, because that's when it's gonna stab. Best to meet it with a grin. That way, you can see what's coming.
Andrew X. Pham (Catfish and Mandala: A Two-Wheeled Voyage Through the Landscape and Memory of Vietnam)
You couldn’t be stabbed in the back if you faced your attackers.
Nora Roberts (Holding the Dream (Dream Trilogy, #2))
Puberty” was a fancy word for your genitals stabbing you in the back.
Lindy West (Shrill: Notes from a Loud Woman)
There isn't room in my back for anymore knives. If you're going to stab me, you're gonna have to look me in the eyes when you do it.
Kalen Dion
Are there things about yourself which you have never told anyone? Way back upon the creaky floors of your childhood, in your solitude, the shadows of your private mind, the things you’ve done and said and thought that compound and contain you: shameful things, sexual things, often solitary acts, but sometimes not, sometimes agonizing stabs of cruelty you’ve inflicted on people you love, or the moments where reality itself seemed to tear as they looked into your eyes and told you ‘you are nothing’. And for a moment you stand there adjusting to the pain, the pain that someone could say that to you, and what that must mean about who you are.
Russell Brand (Recovery: Freedom from Our Addictions)
I didn't stay just for you." I kept my eyes down. "Right.Of course you didn't.Duh." His foot nudged mine under the table, and I finally looked up at him. He was leaning forward, his face intense. "I mean it. I like Graymalkin. I like being close to the ocean and working outside. Working for the Council would've meant..." He sighed, lifting his eyes to the ceiling. "Offices and planes. And wearing a tie. It wasn't for me." "Cal,it's fine," I insisted, even as my cheeks burned. "I didn't actually think you were hanging out at Hex Hall because of your burning love for me. But that's what I'm telling all the girls back at school," I said, stabbing a forkful of eggs. "I'm thinking 'heartbreaker' might be a nice addition to my 'avenging witch' reputation.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I fucking know you, Coralie Taylor.” He stabs his own chest with his index finger. “I fucking know you. I took one look at you back in that library and I knew you. I always have and I always will. That’s never going to change. You can run away for ten years. You can change your hair… wear different clothes… but there’s not a damn thing you can do to hide your soul from mine. It’s far too late for that.
Callie Hart (Calico)
When he reached out with both huge hands to grasp me, I ducked under them and stepped forward, smoothly pulling my knife out of my sleeve. Then, with one quick swipe, I sliced him across the belly. I wasn't certain enough of his anatomy to try stabbing him in the heart. As big as he was, his ribs were probably as thick as my wrist. He stared at me in utter amazement. Then he looked down at the entrails that came boiling out of the gaping wounds that ran from hip to hip across his lower belly. "I think you dropped something there, Grul," I suggested. He clutched at his spilling entrails with both hands, a look of consternation on his brutish face. "'Grat cut Grul's belly," he said. "Make Grul's insides fall out." "Yes, I noticed that. Did you want to fight some more, Grul? I think you could spend your time better by sewing yourself back together. You're not going to be able to move very fast with your guts tangled around your feet." "'Grat is not nice," he accused mournfully, sitting down and holding his entrails in his lap.
David Eddings (Belgarath the Sorcerer)
Father Brendan Flynn: "A woman was gossiping with her friend about a man whom they hardly knew - I know none of you have ever done this. That night, she had a dream: a great hand appeared over her and pointed down on her. She was immediately seized with an overwhelming sense of guilt. The next day she went to confession. She got the old parish priest, Father O' Rourke, and she told him the whole thing. 'Is gossiping a sin?' she asked the old man. 'Was that God All Mighty's hand pointing down at me? Should I ask for your absolution? Father, have I done something wrong?' 'Yes,' Father O' Rourke answered her. 'Yes, you ignorant, badly-brought-up female. You have blamed false witness on your neighbor. You played fast and loose with his reputation, and you should be heartily ashamed.' So, the woman said she was sorry, and asked for forgiveness. 'Not so fast,' says O' Rourke. 'I want you to go home, take a pillow upon your roof, cut it open with a knife, and return here to me.' So, the woman went home: took a pillow off her bed, a knife from the drawer, went up the fire escape to her roof, and stabbed the pillow. Then she went back to the old parish priest as instructed. 'Did you gut the pillow with a knife?' he says. 'Yes, Father.' 'And what were the results?' 'Feathers,' she said. 'Feathers?' he repeated. 'Feathers; everywhere, Father.' 'Now I want you to go back and gather up every last feather that flew out onto the wind,' 'Well,' she said, 'it can't be done. I don't know where they went. The wind took them all over.' 'And that,' said Father O' Rourke, 'is gossip!
John Patrick Shanley (Doubt, a Parable)
Only one thing to it: a strong stomach. The guts to gladhand a man you're going to stab in the back; pledge allegiance to principles you stomp on every day; righteously denounce some despot in the press and sell him arms under the table. The talent to whip up the voters' worst passions while you seem to call on their highest instincts, and the sense to stay wrapped in the flag. That's politics: I'll take the simple life.
Pierre-Augustin Caron de Beaumarchais (The Marriage of Figaro (Le Nozze Di Figaro): Vocal Score)
Life had a twisted and weird sense of humor. It makes you yearn for things, makes you fall in love, but it’s diabolical because it never fails to betray you. It stabs you in the back when you’re not anticipating it. Love kills.
Pamela Ann (Frayed (Torn, #2))
You’re my captive,” I tell him as he awkwardly pushes himself up to sitting position. His wings lift at his back as he does so. Death’s eyebrows lift. “I’m your … ?” He smirks then. “Captive.” He says the word with relish and perhaps a pinch of humor, and maybe I should stab him again. Just, you know, to remind him of the power dynamics here.
Laura Thalassa (Death (The Four Horsemen, #4))
I’m so close to crying, I don’t think I can stop myself. They’re alive. They’re alive and nothing else matters. Tears are already starting to burn my eyes, clouding my vision. Kiaran looks at me with an expression I’ve never seen on him. It takes me a moment to realize it’s dawning horror. “Kam. Kam, don’t do that. Don’t cry. Don’t—” Then I’m crying and he puts his arms around me in quite possibly the most awkward, stiff embrace I’ve ever had in my life. And I adore every second of it. Aithinne speaks from behind us. “I admit to being somewhat unclear on the function of human tears,” she says. “So we’re sad about this? Should I menace someone?” In lieu of a response, the only thing I can manage is something of a half-laugh, half-sob, because they’re alive and I haven’t felt like this in so long. “For god’s sake, Aithinne,” Kiaran says, his voice rumbling through his chest, “put the blade away. You’re not going to stab Kam’s idiot friends.” Then, after a moment: “On second thought, the Seer really serves no purpose . . .” “Oh, shush.” I look up at him, whisking the tears off my cheeks. “Don’t ruin this. It helps if you don’t speak.” Then I press my face back into his chest. “And if you stop responding to my hug like I’m torturing you.” Kiaran makes some attempt to relax, but he could use lessons in hugging. He ends up with one hand shoved up in my hair and the other giving my back a there there pat, but it’s the thought that counts
Elizabeth May (The Vanishing Throne (The Falconer, #2))
If you could go back and relive any perfect moment in your life, which one would it be?”His smile took her breath away. “You know I’m forbidden to use that‘gift’ except in the direst of circumstances. And itdoesn’t work like that—remember, I can only bend it to gain back the last few minutes.”“I know, but if youcould. Humor me.”He thought for a long moment. “None of them.”Disappointment stabbed her. “Why not?”“Because the perfect moment can never be improved, and should be remembered, cherished, just the way it was. Like every moment I spend in your arms,” he said.“We should just go forward and make more of them.
J.D. Tyler (Primal Law (Alpha Pack, #1))
The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' We sailed away from Hallasholm, we had to be real quick, For Kloof had eaten Erak's ax and chewed his walking stick. We sailed across the Stormwite and we struck a mighty storm. We had to wear our woolly caps to keep us nice and warm. We sailed around Cape Shelter and then south to Araluen. We called upon the people there to find out what was doin'. We chased an evil slaver to the market of Socorro. "We can't rescue them tonight," said Hal. "We'll get them out tomorrow." Lydia and the Ranger burned the market to the ground. The rest of us, we freed the slaves then headed out of town. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin' The slave master named Mahmel was a nasty kind of thug, So Stiggy dropped a rock and crushed him like a bug. We sailed back to Cresthaven and we set the captives free. King Duncan said, "Well done, my lads, you're just the boys for me. My Ranger Gilan has to go hunt down some assassins So go along with him and give these wicked types a thrashin'." A pirate galley barred our way. We quickly overtook 'em. And Ingvar led the charge aboard to stab and chop and hook 'em. We beat the Tualaghi and the Scorpions as well. The Ranger stuck his saxe into the leader, the Shurmel. When all the assassins threw a fit of wild hysterics, Hal grabbed up the Shurmel's staff and brought it back for Erak. The Herons! The Herons! The mighty, fighting Herons! No other Brotherband you'll see Is even half as darin
John Flanagan
I'll be the extra rib that protects your heart." Keir pulled back abruptly. The motion sent a stab of pain through his ribs, and he swore. Rising to his feet, he sent her a glance of mingled torment and frustration. "You can't, Merry." The hint of a smile had vanished. "Because you doubt my abilities," she said rather than asked. Keir shook his head. "Because you are my heart.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
What we hadn’t known about, back then, was pain. Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it. Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
Jim Butcher (White Night (The Dresden Files, #9))
While Brambleclaw paused to taste the air, she crouched down beside one of the puddles and touched the ice with her tongue, grateful for the tingling freshness. “Come on,” the Clan deputy meowed. “This way.” Hollyleaf tried to jump up, only to stop with a strangled cry of dismay. Her tongue had frozen to the ice; a sharp pain shot through it as she tried to wrench herself free. “What’s the matter?” Lionblaze asked. “My tongue . . .” Hollyleaf could hardly get the words out. “It’th thtuck!” Lionblaze snorted as he suppressed a mrrow of laughter. Birchfall stooped down until he was nose to nose with Hollyleaf; irritation swelled inside her when she saw amusement dancing in his eyes. “It’th not funny!” she mumbled as clearly as she could with her tongue plastered to the ice. “Stand back.” Brackenfur’s calm voice came from behind Hollyleaf. “Let me have a look.” He leaned beside Birchfall, gently shouldering the younger cat out of the way. “Well, you’re certainly stuck,” he went on. Hollyleaf could tell that he was struggling not to laugh, too. “I suppose we could break off the ice. Then you’d have to carry it until it melts.” “Hey, you’ve discovered a new way to fetch water for the elders!” Hazeltail put in. Her pelt itching with frustration, Hollyleaf tried again to wrench her tongue free, only getting another stab of pain for her efforts. “It hurt-th! Do thomething!” She pictured herself crouched on the hard ground with her tongue stretched out, and suddenly she felt laughter bubbling up inside her. I guess I do look pretty funny. She couldn’t remember the last time she had found anything to laugh at.
Erin Hunter (Sunrise (Warriors: Power of Three #6))
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do." "Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?" "I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk." "Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried. "Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!" Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded. "Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere." He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more. "He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it." "I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe." "Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him." "Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way." "I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will." "We were only talking,Finn!" "I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him." "My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you." "Princess-" "No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
Amanda Hocking (Torn (Trylle, #2))
What if all your hard work never pays off? What if I am the outsider to my friends and family? What then? What if all the good you’ve done has been transformed into evil and greed? What if those you help the most, stabbed you in the back? What then? Should I trust again? What if life is unfair, painful and cruel? What if Death invites you to join its tribe? What if death makes you feel at peace and alive! What then? Should I take death’s hand and walk away? What then?
Quetzal
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay." "No, you don't." Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you." Narrowing his eyes, he studied her. "Will you marry me?" "Yes." "Will you give me children?" "If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours." "In this town that we move to, wherever it is, will you walk down the street with me?" "Of course." "Holding my hand?" "Yes." "And the hands of my children?" "Yes." He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her. "And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home." "I don't think that. I love you." He spun around. "You don't believe in that love, you don't believe in me." "Yes, I do." He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze. "How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?" He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past. "If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow? "If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced? "If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron? "If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?" He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side." He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned. "You don't believe in me," he said quietly. "How can you believe in our love?
Lorraine Heath (Always to Remember)
As for the danger of alienating people with good intentions — well, one of the things that I learned from RaceFail (and also from general experience) was that people with good intentions are the ones to fear most. The overt racists are easy to deal with. You can spot them coming a mile away. But the well-intentioned people are scarier. They might not intend harm, but in most cases they haven’t thought about all the racist (and other “-ist”) messages they’ve absorbed from society. They haven’t done the basic groundwork necessary to purge themselves of that passively-absorbed “-ism”. So they say the most incredibly hurtful, self-absorbed, and utterly useless things, then compound the problem by getting upset when they’re called on it. I liken these people to sleeper agents — they seem OK at first, but then they suddenly “activate” and stab you in the back, and then they come out of their fugue and freak because there’s blood on their hands and they don’t know how it got there and they refuse to accept that they’re the ones who put it there, OMG, OMG. Meanwhile, you’re on the floor bleeding out, unnoticed because of their histrionics. The rage of RaceFail made many of these well-intentioned sleeper agents wake up. So while yes, I think the anger risked alienating some of them, I’m fine with that. They were always dangerous; I haven’t lost anything by their alienation. The ones who wake up are a gain (or they will be, once they shift from “not causing harm” anymore to “actually trying to help”).
N.K. Jemisin
You can’t go back,” she told him bluntly. Her voice was neither kind nor unkind. “That part of your life is over. Set it aside as something you have finished. Complete or no, it is done with you. No being gets to decide what his life is ‘supposed to be.’” She lifted her eyes and her gaze stabbed him. “Be a man. Discover who you are now, and go on from there, making the best of things. Accept your life, and you might survive it. If you hold back from it, insisting that this is not your life, not where you are meant to be, life will pass you by. You may not die from such foolishness, but you might as well be dead for all the good your life will do you or anyone else.” p. 114 Etta to Wintrow
Robin Hobb (The Mad Ship (Liveship Traders, #2))
As I went to stand up, I felt a tiny point of pressure on my back. "Don't move," Kasey whispered. I stayed bent over. "Drop the knife," she said. "Excuse me, I'm using it," I said. She swallowed hard. "For what?" "Mom and Dad. You." The pressure on my back increased. "Drop it, Alexis." Drop it? Like I was a bad dog running around with a sock in my mouth. "How long will this take?" I asked, setting the knife on the floor. "I'm in the middle of something." Get in the bathroom," she said. The faster I indulged her, the faster it would be over with. So I walked into the bathroom. She followed, kicking the knife toward the end of the hallway and flipping on the bathroom light. "What's this all about, Kasey?" I asked, turning around. At the sight of my face, she gasped, and the point of the fireplace poker she was holding wavered in her hands. I realized a second too late that I'd missed my chance to grab it and smash it into the side of her head. "What's happening to you?" she whispered. I glanced in the mirror. The darkness had begun to spread from my mouth and eyes. It leached out in inky puddles with thin tendrils of black snaking out in delicate feathery patterns. What's happening to me? What was she talking about? "So you have a pointy stick," I said. "Big deal. get out of my way." "What are you going to do?" I sneered. "Poke me?" 'I'll hit you, Lexi." Her face was stony. "As hard as I have to." Whatever. I'm really not in the mood. "Can we talk about this in the morning?" I asked. After I kill you? "No," her eyes hardened. "Get your toothbrush." "What?" "Pick up your toothbrush, and stick it down your throat." "Kasey-" "Do it," she said. "Ugh, fine. You're sick, you know that?" "Get in the tub." "Happy?" I stuck the toothbrush into my throat. Instantly, I gagged and doubled over. "Do it again," she said. "God Kasey," I cried. Stabbing people was one thing. But making them barf- that was just disturbing.
Katie Alender (From Bad to Cursed (Bad Girls Don't Die, #2))
Power is like a knife. It can be used to cut bread to share with your neighbor or stab you in the back.
Sadiqua Hamdan
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
What is wrong with you?” I say in lieu of greeting. “You went to Morris’s dorm and declared your intentions?” He offers a faint smile. “Of course. It was the noble thing to do. I can’t be chasing after another guy’s girl without his knowledge.” “I’m not his girl,” I snap. “We went on one date! And now I’m never going to be his girl, because he doesn’t want to go out with me again.” “What the hell?” Logan looks startled. “I’m disappointed in him. I thought he had more of a competitive spirit than that.” “Seriously? You’re going to pretend to be surprised? He won’t see me again because your jackass self told him he couldn’t.” Astonishment fills his eyes. “No, I didn’t.” “Yes, you did.” “Is that what he told you?” Logan demands. “Not in so many words.” “I see. Well, what words did he actually use?” I grit my teeth so hard my jaw aches. “He said he’s backing off because he doesn’t want to get in the middle of something so complicated. I pointed out that there’s nothing complicated about it, seeing as you and I are not together.” My aggravation heightens. “And then he insisted that I need to give you a chance, because you’re a—” I angrily air-quote Morris’s words “—‘stand-up guy who deserves another shot.’” Logan breaks out in a grin. I stab the air with my finger. “Don’t you dare smile. Obviously you put those words in his mouth. And what the hell was he jabbering about when he told me you and him were ‘family’?” All the disbelief I’d felt during my talk with Morris comes spiraling back, making me pace the bedroom in hurried strides. “What did you say to him, Logan? Did you brainwash him or something? How are you guys family? You don’t even know each other!” Strangled laughter sounds from Logan’s direction. I spin around and level a dark glower at him. “He’s talking about the joint family we created in Mob Boss. It’s this role-playing game where you’re the Don of a mob family and you’re fighting a bunch of other mafia bosses for territory and rackets and stuff. We played it when I went over there, and I ended up staying until four in the morning. Seriously, it was intense.” He shrugs. “We’re the Lorris crime syndicate.” I’m dumbfounded. Oh my God. Lorris? As in Logan and Morris? They fucking Brangelina’d themselves? “What is happening?” I burst out. “You guys are best friends now?” “He’s a cool guy. Actually, he’s even cooler in my book now for stepping down like that. I didn’t ask him to, but clearly he grasps what you refuse to see.” “Yeah, and what’s that?” I mutter. “That you and I are perfect for each other.” No words. There are no words to accurately convey what I’m feeling right now. Horror maybe? Absolute insanity? I mean, it’s not like I’m madly in love with Morris or anything, but if I’d known that kissing Logan at the party would lead to…this, I would have strapped on a frickin’ chastity gag.
Elle Kennedy (The Mistake (Off-Campus, #2))
Relationships fail because of trust issues, commitment issues and communication issues. Without communication there is no relationship. Without respect there is no LOVE. Without trust there is no reason to continue. Stay grounded to the one you love. Respect him or her to the utmost. Respect the relationship. If the relationship is healthy, then keep on keeping on and never let a Hurricane, Tornado, or Tsunami tear your house down. Life's to short for broken hearts. Life's to short for betrayal or back stabbing. Life's to short to live with the thoughts of "What if's". Life's to short to waste a perfectly good heart. Adhere to the truth, if not Karma has no deadline. She could strike whenever you're in a relationship or married, then you look back on years ago wondering "What if...
Antonio Logan
My dog, Willy, died a few years ago, but one of my great memories of him is watching him play in the front yard of our house at dusk. He was a puppy then, and in the early evenings he would contract a case of the zoomies. He ran in delighted circles around us, yipping and jumping at nothing in particular, and then after a while, he'd get tired, and he'd run over to me and lie down. And then he would do something absolutely extraordinary: He would roll over onto his back, and present his soft belly. I always marveled at the courage of that, his ability to be so absolutely vulnerable to us. He offered us the place ribs don't protect, trusting that we weren't going to bite or stab him. It's hard to trust the world like that, to show it your belly. There's something deep within me, something intensely fragile, that is terrified of turning itself to the world. I’m scared to even write this down, because I worry that having confessed this fragility, you know now where to punch. I know that if I’m hit where I am earnest, I will never recover.
John Green (The Anthropocene Reviewed)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
They walked to the doors, and she unlocked them. Before she could say anything, I began the show. "Garrett! Oh, my God!" I rushed forward and threw my arms around him. "What happened? Who did this?" "I was mugged." "Do we say mugged in Albuquerque?" He glared at me. "I'm so sorry. I'll take you to the hospital." Disappointment lined the guard's face. But it quickly transformed into confusion. "Wait, I thought you said your name was Reyes. Reyes Farrow." After I gaped at him for an eternity, an eternity in which he struggled to conceal [a] mischievous grin, I turned back to her. "It is. It's Reyes Garrett Farrow. Not Reyes Alexander Farrow." I snorted and waved a dismissive hand. "That's another guy altogether." She wrinkled her forehead in suspicion. "Gotta go," I said, hurrying him along. "Have to get this man to a hospital for multiple stab wounds." "He was stabbed?" she asked with a concerned gasp. "Not yet, but the night is young.
Darynda Jones (The Trouble with Twelfth Grave (Charley Davidson, #12))
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’ Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand. ‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
Some Cutting Advice by Stewart Stafford Before you pick up your knife, To run your enemy through, Know the entry wound bleeds red, And the exit thrust bleeds blue. Not because they are of noble birth, But they are protected by a mighty hand, Not just of those moneyed and influential, But the mightiest hands in all the land. So stab with caution, I urge you, For the blade jabs back in your gut, Swallow the bile that fuels you so, Lest it be your throat you cut. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
People go funny in the head when talking about politics. The evolutionary reasons for this are so obvious as to be worth belaboring: In the ancestral environment, politics was a matter of life and death. And sex, and wealth, and allies, and reputation... When, today, you get into an argument about whether "we" ought to raise the minimum wage, you're executing adaptations for an ancestral environment where being on the wrong side of the argument could get you killed. Being on the right side of the argument could let you kill your hated rival! [...] Politics is an extension of war by other means. Arguments are soldiers. Once you know which side you're on, you must support all arguments of that side, and attack all arguments that appear to favor the enemy side; otherwise it's like stabbing your soldiers in the back—providing aid and comfort to the enemy. People who would be level-headed about evenhandedly weighing all sides of an issue in their professional life as scientists, can suddenly turn into slogan-chanting zombies when there's a Blue or Green position on an issue.
Eliezer Yudkowsky
I need to ask, are you afraid of spiders?" Nicholas blinked, suddenly caught off guard, "Yes, I'm afraid of spiders." "Were you always?" "What are you, a psychiatrist?" Pritam took a breath. He could feel Laine's eyes on him, appraising his line of questioning. "Is it possible that the trauma of losing your best friend as a child and the trauma of losing your wife as an adult and the trauma of seeing Laine's husband take his life in front of you just recently..." Pritam shrugged and raised his palms, "You see where I'm going?" Nicholas looked at Laine. She watched back. Her gray eyes missed nothing. "Sure," agreed Nicholas, standing. "And my sister's nuts, too, and we both like imagining that little white dogs are big nasty spiders because our daddy died and we never got enough cuddles." "Your father died?" asked Laine. "When?" "Who cares?" Pritam sighed. "You must see this from our point of - " "I'd love to!" snapped Nicholas. "I'd love to see it from your point of view, because mine is not that much fun! It's insane! It's insane that I see dead people, Pritam! It's insane that this," he flicked out the sardonyx necklace,"stopped me from kidnapping a little girl!" "That's what you believe," Pritam said carefully. "That's what I fucking believe!" Nicholas stabbed his finger through the air at the dead bird talisman lying slack on the coffee table.
Stephen M. Irwin (The Dead Path)
Charlie suddenly walked back out of the kitchen, a bag of unopened flour in her hands. “Do you all realize—” “Uh-oh,” Stevie said softly, her head dropping. “—that the only reason we’re all here is because of my father?” She pointed at Coop. “You had to cancel the rest of your world tour because of my father.” She pointed at Berg. “You were shot and stabbed because of my father.” “I’m not sure we can blame him specifically—” She pointed at Livy. “You got in a fight with your cousin because of my father.” Pointed at Vic. “Strangers in your apartment because of my father.” She gestured between her and Max and Stevie. “Recent attempts on our lives, most likely because of our idiot father.” “We don’t know,” Stevie interrupted, “that Daddy had anything to do with any of this.” Her sisters suddenly turned to her and stared. For a really long time. Until Stevie finally admitted, “It was probably him, but we don’t know it was him. That’s all I’m saying.” Making a sound of disgust, Charlie turned on her heel and walked back into the kitchen. “Where did she find the flour?” Livy asked Vic. “We have flour?
Shelly Laurenston (Hot and Badgered (Honey Badger Chronicles, #1))
I felt the back of my neck crawl. The crawling reached around to the corners of my jaw, then up to my temple, and across my cheeks. I reached up to touch it. Splinters, small fingers, hooks. Scraping at my fingertips, gouging. Slowly reaching for my eyes, reaching for my remaining flesh. Tiny, like the legs of spiders, pincers, fish hooks, they stabbed and set themselves into the flesh that remained, around my mouth, near my eyes, at my forehead. Then they stopped. Waited. Asking. Offering. A deal with the devil, metaphorically speaking. Give up your face if you truly want wings. Give up your eyes. I could hear the dragon screech, not all that far away. This crisis I faced was removed from a very large, very real crisis that threatened people and Others I cared a great deal about. Do it, and you can fly. Fly, and you might be able to do something to save them.
Wildbow
Sit down," she ordered Peabody. "I prefer to stand." "And I prefer to give you a good boot in the ass, but I'm restraining myself." Eve reached up, fisted her hands in her own hair and yanked until the pain cleared most of the rage. "Okay, stand. You couldn't sit with that stick up your butt, anyway. One you shove up it every time Subject Monroe, Charles, is mentioned. You want to be filled in, you want to be briefed? Fine. Here it is." She had to take another deep breath to insure her tone was professional. "On the evening of March twenty-six, at or about nineteen-thirty, I, accompanied by Roarke, had occasion to visit Areena Mansfield's penthouse suite at The Palace Hotel, this city. Upon entering said premises, investigation officer found subject Mansfield in the company of one Charles Monroe, licensed companion. It was ascertained and confirmed that LC Monroe was there in a professional capacity and had no links to the deceased or the current investigation. His presence, and the salient details pertaining to it, were noted in the report of the interview and marked Level Five in a stupid, ill-conceived attempt by the investigating officer to spare her fat-headed aide any unnecessary embarrassment." Eve stomped back to her desk, snatched up her coffee, gulped some down. "Record that," she snapped. Peabody's lip trembled. She sat. She sniffled. "Oh, no." In genuine panic, Eve stabbed out a finger. "No, you don't. No crying. We're on duty. There is no crying on duty.
J.D. Robb (Witness in Death (In Death, #10))
Surely the Prince of Greed and the Mother of Destruction can kick some demon-ass back to the netherworld. It might mess up your street-cred, but I’m sure an ego the size of yours can take it. Once we’ve averted disaster, you can go back to being the slippery, back-stabbing son-of-a-bitch I know so well.
Pippa DaCosta (Darkest Before Dawn (The Veil, #3))
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
It's just that I love you so much, and -' 'Belle, please.' 'Please what? Please don't tell you I love you? Please don't love you?' 'I can't accept it, Belle.' ... 'How can I possibly let myself continue to love a man who can never love me back?' 'But Belle,' he whispered. 'I do love you.' John wasn't certain how he expected her to respond, but it was certainly not in the manner she did. She stepped back as if hit ... 'No,' she finally gasped. 'No. Don't say that. Don't tell me that.' ... 'You can't do that,' she said, each word a hoarse little stab of pain. 'You're not allowed. You can’t say that and not let me do the same. It isn’t fair.
Julia Quinn (Dancing at Midnight (The Splendid Trilogy, #2))
The list of correlations to that night is as long as the Jersey coast. And so is the list of reasons I shouldn't be looking forward to seeing him at school. But I can't help it. He's already texted me three times this morning: Can I pick you up for school? and Do u want 2 have breakfast? and R u getting my texts? My thumbs want to answer "yes" to all of the above, but my dignity demands that I don't answer at all. He called my his student. He stood there alone with me on the beach and told me he thinks of me as a pupil. That our relationship is platonic. And everyone knows what platonic means-rejected. Well, I might be his student, but I'm about to school, him on a few things. The first lesson of the day is Silent Treatment 101. So when I see him in the hall, I give him a polite nod and brush right by him. The zap from the slight contact never quite fades, which mean he's following me. I make it to my locker before his hand is on my arm. "Emma." The way he whispers my name sends goose bumps all the way to my baby toes. But I'm still in control. I nod to him, dial the combination to my locker, then open it in his face. He moves back before contact. Stepping around me, he leans his hand against the locker door and turns me around to face him. "That's not very nice." I raise my best you-started-this brow. He sighs. "I guess that means you didn't miss me." There are so many things I could pop off right now. Things like, "But at least I had Toraf to keep my company" or "You were gone?" Or "Don't feel bad, I didn't miss my calculus teacher either." But the goal is to say nothing. So I turn around. I transfer books and papers between my locker and backpack. As I stab a pencil into my updo, his breath pushes against my earlobe when he chuckles. "So your phone's not broken; you just didn't respond to my texts." Since rolling my eyes doesn't make a sound, it's still within the boundaries of Silent Treatment 101. So I do this while I shut my locker. As I push past him, he grabs my arm. And I figure if stomping on his toe doesn't make a sound... "My grandmother's dying," he blurts. Commence with the catching-Emma-off-guard crap. How can I continue Silent Treatment 101 after that? He never mentioned his grandmother before, but then again, I never mentioned mine either. "I'm sorry, Galen." I put my hand on his, give it a gentle squeeze. He laughs. Complete jackass. "Conveniently, she lives in a condo in Destin and her dying request is to meet you. Rachel called your mom. We're flying out Saturday afternoon, coming back Sunday night. I already called Dr. Milligan." "Un-freaking-believable.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Are there things about yourself which you have never told anyone? Way back upon the creaky floors of your childhood, in your solitude, the shadows of your private mind, the things you’ve done and said and thought that compound and contain you: shameful things, sexual things, often solitary acts, but sometimes not, sometimes agonizing stabs of cruelty you’ve inflicted on people you love, or the moments where reality itself seemed to tear as they looked into your eyes and told you ‘you are nothing’. And for a moment you stand there adjusting to the pain, the pain that someone could say that to you, and what that must mean about who you are. Or what it means to be cruel, to have hurt someone, to feel the cords of love that bind, split and flail and to fall away, into yourself, engulfed but absolutely alone. And you do what humans do: you accept and you adapt. You build the pain into the story of who you are until it isn’t pain anymore, it’s just another piece of who you are.
Russell Brand (Recovery: Freedom from Our Addictions)
Relax,” the woman said. “It’s just me.” “Just you?” Hale asked with heavy irony, remembering the black leather and predator’s eyes with a stab of heat. Dangerous beauty had always been his downfall. “I’m watching your back.” “Sure you are,” he snorted. Beauty or not, he wasn’t stupid enough to trust. Screw, sure. Trust, no way.
Michelle O'Leary (The Third Sign)
I ask him if he tried to rape Nyla. “Laws are silent in times of war,” Tactus drawls. “Don’t quote Cicero to me,” I say. “You are held to a higher standard than a marauding centurion.” “In that, you’re hitting the mark at least. I am a superior creature descended from proud stock and glorious heritage. Might makes right, Darrow. If I can take, I may take. If I do take, I deserve to have. This is what Peerless believe.” “The measure of a man is what he does when he has power,” I say loudly. “Just come off it, Reaper,” Tactus drawls, confident in himself as all like him are. “She’s a spoil of war. My power took her. And before the strong, bend the weak.” “I’m stronger than you, Tactus,” I say. “So I can do with you as I wish. No?” He’s silent, realizing he’s fallen into a trap. “You are from a superior family to mine, Tactus. My parents are dead. I am the sole member of my family. But I am a superior creature to you.” He smirks at that. “Do you disagree?” I toss a knife at his feet and pull my own out. “I beg you to voice your concerns.” He does not pick his blade up. “So, by right of power, I can do with you as I like.” I announce that rape will never be permitted, and then I ask Nyla the punishment she would give. As she told me before, she says she wants no punishment. I make sure they know this, so there are no recriminations against her. Tactus and his armed supporters stare at her in surprise. They don’t understand why she would not take vengeance, but that doesn’t stop them from smiling wolfishly at one another, thinking their chief has dodged punishment. Then I speak. “But I say you get twenty lashes from a leather switch, Tactus. You tried to take something beyond the bounds of the game. You gave in to your pathetic animal instincts. Here that is less forgivable than murder; I hope you feel shame when you look back at this moment fifty years from now and realize your weakness. I hope you fear your sons and daughters knowing what you did to a fellow Gold. Until then, twenty lashes will serve.” Some of the Diana soldiers step forward in anger, but Pax hefts his axe on his shoulder and they shrink back, glaring at me. They gave me a fortress and I’m going to whip their favorite warrior. I see my army dying as Mustang pulls off Tactus’s shirt. He stares at me like a snake. I know what evil thoughts he’s thinking. I thought them of my floggers too. I whip him twenty brutal times, holding nothing back. Blood runs down his back. Pax nearly has to hack down one of the Diana soldiers to keep them from charging to stop the punishment. Tactus barely manages to stagger to his feet, wrath burning in his eyes. “A mistake,” he whispers to me. “Such a mistake.” Then I surprise him. I shove the switch into his hand and bring him close by cupping my hand around the back of his head. “You deserve to have your balls off, you selfish bastard,” I whisper to him. “This is my army,” I say more loudly. “This is my army. Its evils are mine as much as yours, as much as they are Tactus’s. Every time any of you commit a crime like this, something gratuitous and perverse, you will own it and I will own it with you, because when you do something wicked, it hurts all of us.” Tactus stands there like a fool. He’s confused. I shove him hard in the chest. He stumbles back. I follow him, shoving. “What were you going to do?” I push his hand holding the leather switch back toward his chest. “I don’t know what you mean …” he murmurs as I shove him. “Come on, man! You were going to shove your prick inside someone in my army. Why not whip me while you’re at it? Why not hurt me too? It’ll be easier. Milia won’t even try to stab you. I promise.” I shove him again. He looks around. No one speaks. I strip off my shirt and go to my knees. The air is cold. Knees on stone and snow. My eyes lock with Mustang’s. She winks at me and I feel like I can do anything.
Pierce Brown (Red Rising (Red Rising Saga, #1))
Hubris you say, brother? Please, tell us the nature of the prince's actions against you. Let everyone know exactly how Prince Styxx offended you." Bethany Disguised as Athena "He has held himself up as a god. His arrogance and pride are an affront to us all." Apollo "Held himself up as a god? Pray tell, when was this? .... Ah, yes, I remember... It was when he dared to slay your Atlantean grandson during battle. Is that not right, brother? I'm sure, like me, you remember that day well. The Atlanteans, led to our shores by your own blood kin, were slaughtering hundreds of Greeks until the beach sands turned red from good Greek blood. The onslaught was so fierce that entire veteran regiments fled from the Atlanteans and cowered. Even the brave, noble Dorians pulled back in fear. But not Prince Styxx. He rode in like a lion and jumped from his horse to save the life of a young shield-bearer who was about to be killed by one of the Atlantean giants." Bethany/Athena Bethany swept her gaze around the people there, who were completely silent now. "And with reckless disregard for his own life and limb, this prince picked the boy up and put him on the back of his royal steed and told him to ride to safety. He spent the rest of the day fighting on foot. Not as a prince or a god, but as a mere, heroic Greek soldier." She turned back to Apollo. "His actions so enraged the Atlantean gods that they turned all of their animosity toward him. And still Prince Styxx fought on for his people, wounded, bloody, and tired. He never backed off or backed down. Not even when your own grandson almost buried his axe through the prince's skull. He hit Styxx's hoplon so hard, it splintered a portion of it off. And as Xan held the prince down, the prince, who was barely more than a child, managed to stab him through the ribs. But now that I think about it, you don't remember that day, do you, Apollo? You weren't even there when it was fought, but later that very night-
Sherrilyn Kenyon (Styxx (Dark-Hunter, #22))
Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head. Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this. He tastes like sour wine. I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin. That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me. The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh. Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much. 'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh. 'No,' he said tonelessly. 'Tell me,' I say. He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.' I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I called the Keep, introduced myself to the disembodied female voice on the phone, and asked for the Beast Lord. In less than fifteen seconds Curran came on the line. “I’m going into hiding with Jim.” The silence on the other side of the phone had a distinctly sinister undertone. Perhaps he thought that his kissing superpowers had derailed me. Fat chance. I would keep him from having to kill Derek. That was a burden he didn’t need. “I thought about this morning,” I said, doing my best to sound calm and reasonable. “I’ve instructed the super to change the locks. If I ever catch you in my apartment again, I will file a formal complaint. I’ve taken your food, under duress, but I did take it. You rescued me once or twice, and you’ve seen me near naked. I realize that you’re judging this situation by shapeshifter standards, and you expect me to fall on my back with my legs spread.” “Not necessarily.” His voice matched mine in calmness. “You can fall on your hands and knees if you prefer. Or against the wall. Or on the kitchen counter. I suppose I might let you be on top, if you make it worth my while.” I didn’t grind my teeth—he would’ve heard it. I had to be calm and reasonable. “My point is this: no.” “No?” “There will be no falling, no sex, no you and me.” “I wanted to kiss you when you were in your house. In Savannah.” Why the hell was my heart pounding? “And?” “You looked afraid. That wasn’t the reaction I was hoping for.” Be calm and reasonable. “You flatter yourself. You’re not that scary.” “After I kissed you this morning, you were afraid again. Right after you looked like you were about to melt.” Melt? “You’re scared there might be something there, between you and me.” Wow. I struggled to swallow that little tidbit. “Every time I think you’ve reached the limits of arrogance, you show me new heights. Truly, your egotism is like the Universe—ever expanding.” “You thought about dragging me into your bed this morning.” “I thought about stabbing you and running away screaming. You broke into my house without permission and slobbered all over me. You’re a damn lunatic! And don’t give me that line about smelling my desire; I know it’s bullshit.” “I didn’t need to smell you. I could tell by the dreamy look in your eyes and the way your tongue licked the inside of my mouth.” “Enjoy the memory,” I ground out. “That’s the last time it will ever happen.” “Go play your games with Jim. I’ll find you both when I need you.” Arrogant asshole. “I tell you what, if you find us before those three days run out, I’ll cook you a damn dinner and serve it to you naked.” “Is that a promise?” “Yes. Go fuck yourself.” I slammed the phone down. Well, then. That was perfectly reasonable. On the other side of the counter an older, heavyset man stared at me like I had sprouted horns. Glenda handed me the money I’d given her. “That was some conversation. It was worth ten bucks.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
Tobias and I stand yards away from each other for a few seconds. He approaches me slowly. “You okay?” he says. “I might throw up if I have to answer that one more time,” I say. “I don’t have a bullet in my head, do I? So I’m good.” “Your jaw is so swollen you look like you have a wad of food in your cheek, and you just stabbed Eric,” he says, frowning. “I’m not allowed to ask if you’re okay?” I sigh. I should tell him about Marcus, but I don’t want to do it here, with so many people around. “Yeah. I’m okay.” His arm jerks like he was thinking of touching me but decided against it. Then he reconsiders and slides his arm around me, pulling me to him. Suddenly I think maybe I’ll let someone else take all the risks, maybe I’ll just start acting selfishly so that I can stay close to Tobias without hurting him. All I want is to bury my face in his neck and forget anything else exists. “I’m sorry it took me so long to come get you,” he whispers into my hair. I sigh and touch his back with just my fingertips. I could stand here until I go unconscious from exhaustion, but I shouldn’t; I can’t.
Veronica Roth (Insurgent (Divergent, #2))
It was always better to have friends in low places, often far better, than having them in high places. At least when it came to Sorilla’s line of work. Friends in high places tended to forget your name as soon as things got inconvenient, but she’d been consistently surprised by how loyal thugs and thieves could be in the right circumstances. They might literally stab you in the back, true, but they’d never just forget your name and ignore you in a crisis. Sorilla learned a long time past that she preferred an honest betrayal over a political one.
Evan Currie (By Other Means (Hayden War Cycle, #5))
Girls,” the nurse says quietly, and they hear a door close on her end of the line, followed by a peripheral silence. “Do you know who did this to your father?” Soledad lets out a sob and then answers, “Yes, I think yes. I do.” Rebeca’s black eyes grow even larger and darker. A storm in her face. “Listen to me,” the nurse says then. “I need you to listen carefully.” Both girls breathe raggedly. They are shaking. “Don’t you dare come back here,” the nurse says. “Don’t even think about it. Do you hear me?” Their faces are wet, their noses filled with snot and tears. Rebeca sniffs loudly and lets a small cry loose into the room. “He’s getting the best care possible, okay?” the nurse says. There’s a catch in her voice, too. “We are doing everything we can to make him well again. And if you come back here just to sit in our waiting room and wring your hands and cry and get yourselves both stabbed in the eye, too, well, it’s not going to do him one bit of good, you understand?” They do not answer. “How old are you girls?” “Fifteen,” Soledad says. “Fourteen,” says Rebeca. “Good. Your papi wants you to live until you are one hundred years old, okay? You cannot do that if you come back here. Keep going.
Jeanine Cummins (American Dirt)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Then he happened to glance at the viscount, and his blood stilled. The viscount’s eyes followed Celia’s every move, and his finger kept stroking his goblet as if he wanted to stroke some part of her. Jackson gritted his teeth. No way in hell was he letting that bloody foreigner-or Devonmont, or even the duke-stroke anything of hers. “Are we going to stand around all day discussing which guns are more effective at killing,” he snapped, “or are we actually going to kill something?” Gabe exchanged a glance with his sister. “You’re right. ‘Prickly’ is the word.” “Mr. Pinter is probably just eager to earn his kiss,” Stoneville put in. “And given how the numbers stand right now, he may very well do so.” They all pivoted to look at his lordship. Stoneville chuckled. “Devonmont has killed a pathetic eight brace of birds, Gabe a respectable fifteen, Basto an impressive seventeen and a half, Lyons an even more impressive nineteen, and Pinter an astonishing twenty brace. My sister is tied with him at twenty brace.” “Good show, Pinter!” Gabe said amiably. “You must beat her so none of us have to pay for a blasted rifle.” “Here now, Gabe,” the duke cut in irritably, “I have as much chance of beating her as Pinter does. I’m only behind by one brace.” “I don’t’ care who beats her,” Gabe said. “Just make sure one of you does, in case I can’t catch up. She’ll pick the most expensive gun in Manton’s shop.” “You’re such a pinchpenny, Gabe,” Celia teased as they tramped back over the field, headed toward the east end of the estate. “That’s because need every guinea I have, in case you don’t marry.” The lord might have meant the comment as a joke, but clearly Celia didn’t take it that way. When the blood drained from her face, Jackson felt a stab of sympathy. He could understand why she wanted to show her family that she could find a decent husband. But decent was the operative word. “Oh, I daresay Lady Celia will be married sooner than you think,” the duke remarked. When he slid a knowing glance at Celia and she smiled faintly, Jackson felt his heart drop. The duke seriously had his eye on her. And apparently she knew it. Confound it all. As they stopped, Jackson began loading his gun with quick, efficient movements. That blasted duke could look all he wanted, but he was not marrying Celia. Nor even getting another chance to kiss her. Not if Jackson had anything to say about it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.” Kiaran moves to stand beside me. “I would have pulled off your wings.” “Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.” Kiaran’s emotionless gaze flickers to her. “Phiuthair.” “Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.” “Don’t.” Kiaran’s voice dips in warning. “I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?” “Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?” “You’re here because Kam wanted your help. Not because I did.” “Damn it, MacKay—” “You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.” “I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.” “Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.” Derrick peeks through my hair. “What’s that murderous arsehole doing here?” Sorcha blinks at him. “What did you just call me?” “You heard me, pointy-toothed hag.” “Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.” “So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.” “I chose the one who was conveniently chained up, rather than the one in hiding.” Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?” “I’m standing right here,” Sorcha says sharply. “Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.” “Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
The waitress delivered me a plate of towering blueberry pancakes dripping in butter. The sweet scent of the fluffy goodness had my stomach rumbling in appreciation. I pushed back my tall glass of orange juice to make way for the food that was about to be introduced to my belly. I swirled my finger around in a giant pad of softening butter and brought it to my lips as the waitress handed Holt his own stack of pancakes plus a plate loaded with scrambled eggs, bacon, and toast. When she was gone, I reached for the syrup. “Are you trying to kill me?” Holt said, leaning over the table and stabbing his fork in my direction. I glanced dubiously at the fork. “Are you trying to kill me?” He grinned. “You can’t just go around licking your fingers like that, Freckles. It makes a man forget he’s in a public place.” I laughed and dug into my pancakes, shoving an unladylike bite into my mouth and then groaning as the sweetness slid over my tongue. “There you go again,” he said, his eyes darkening with desire. “Wasn’t last night and this morning enough for you?” I asked playfully. “I don’t think I’ll ever get enough of you.
Cambria Hebert (Torch (Take It Off, #1))
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.
Neal Stephenson (Snow Crash)
And he felt it. Rogal Dorn had been feeling it for days, weeks, building up, up, up, rising over him like a black fog, dragging at his limbs, clogging his mind, making him question every decision he made, every order he gave. He hadn’t had any respite at all, of any kind, for three months. Three months! His sharpness was going now, his reactions were slower. A billion functionaries depending on him for everything, reaching out to him, suffocating him with their endless demands, pleas for help, for guidance. A billion eyes, on him, all the time. And he’d fought, too. He’d fought. He’d fought primarchs, brothers he’d once thought of as equals or betters. He’d seen the hatred in Perturabo’s eyes, the mania in Fulgrim’s, stabbing at him, poisoning him. Every duel, every brief foray into combat, had chipped a bit more off, had weakened the foundations a little further. Fulgrim had been the worst. His brother’s old form, so pleasing to the eye, had gone, replaced by bodily corruption so deep he scarcely had the words for it. That degradation repulsed him almost more than anything else. It showed just how far you could fall, if you lost your footing in reality completely. You couldn’t show that repulsion. You couldn’t betray the doubt, or give away the fatigue. You couldn’t give away so much as a flicker of weakness, or the game was up, so Dorn’s face remained just as it always had been – static, flinty, curt. He kept his shoulders back, spine straight. He hid the fevers that raged behind his eyes, the bone-deep weariness that throbbed through every muscle, all for show, all to give those who looked up to him something to cling on to, to believe in. The Emperor, his father, was gone, silent, locked in His own unimaginable agonies, and so everything else had crashed onto his shoulders. The weight of the entire species, all their frailties and imperfections, wrapped tight around his mouth and throat and nostrils, choking him, drowning him, making him want to cry out loud, to cower away from it, something he would never do, could never do, and so he remained where he was, caught between the infinite weight of Horus’ malice and the infinite demands of the Emperor’s will, and it would break him, he knew, break him open like the walls themselves, which were about to break now too, despite all he had done, but had it been enough, yes it had, no it could not have been, they would break, they must not break… He clenched his fist, curling the fingers up tight. His mind was racing again. He was on the edge, slipping into a fugue state, the paralysis he dreaded. It came from within. It came from without. Something – something – was making the entire structure around him panic, weaken, fail in resolve. He was not immune. He was the pinnacle – when the base was corrupted, he, too, eventually, would shatter.
Chris Wraight (Warhawk (The Siege of Terra #6))
Marcelina loved that miniscule, precise moment when the needle entered her face. It was silver; it was pure. It was the violence that healed, the violation that brought perfection. There was no pain, never any pain, only a sense of the most delicate of penetrations, like a mosquito exquisitely sipping blood, a precision piece of human technology slipping between the gross tissues and cells of her flesh. She could see the needle out of the corner of her eye; in the foreshortened reality of the ultra-close-up it was like the stem of a steel flower. The latex-gloved hand that held the syringe was as vast as the creating hand of God: Marcelina had watched it swim across her field of vision, seeking its spot, so close, so thrillingly, dangerously close to her naked eyeball. And then the gentle stab. Always she closed her eyes as the fingers applied pressure to the plunger. She wanted to feel the poison entering her flesh, imagine it whipping the bloated, slack, lazy cells into panic, the washes of immune response chemicals as they realized they were under toxic attack; the blessed inflammation, the swelling of the wrinkled, lined skin into smoothness, tightness, beauty, youth. Marcelina Hoffman was well on her way to becoming a Botox junkie. Such a simple treat; the beauty salon was on the same block as Canal Quatro. Marcelina had pioneered the lunch-hour face lift to such an extent that Lisandra had appropriated it as the premise for an entire series. Whore. But the joy began in the lobby with Luesa the receptionist in her high-collared white dress saying “Good afternoon, Senhora Hoffman,” and the smell of the beautiful chemicals and the scented candles, the lightness and smell of the beautiful chemicals and the scented candles, the lightness and brightness of the frosted glass panels and the bare wood floor and the cream-on-white cotton wall hangings, the New Age music that she scorned anywhere else (Tropicalismo hippy-shit) but here told her, “you’re wonderful, you’re special, you’re robed in light, the universe loves you, all you have to do is reach out your hand and take anything you desire.” Eyes closed, lying flat on the reclining chair, she felt her work-weary crow’s-feet smoothed away, the young, energizing tautness of her skin. Two years before she had been to New York on the Real Sex in the City production and had been struck by how the ianqui women styled themselves out of personal empowerment and not, as a carioca would have done, because it was her duty before a scrutinizing, judgmental city. An alien creed: thousand-dollar shoes but no pedicure. But she had brought back one mantra among her shopping bags, an enlightenment she had stolen from a Jennifer Aniston cosmetics ad. She whispered it to herself now, in the warm, jasmine-and vetiver-scented sanctuary as the botulin toxins diffused through her skin. Because I’m worth it.
Ian McDonald (Brasyl)
Cooper grinned. “You should listen to me, man. After all, I’ve got a way with the ladies.” When Judd said nothing, I realized he wasn’t even looking at Cooper. Everyone followed his gaze until we realized he was glaring at Mac. Tucker laughed for the simple reason that he was hammered. Maddy rubbed his face and they started making out. Bailey rolled her eyes. “What did Mac do? Should I kick his ass?” Cooper patted his sister. “You could so take him too, midget.” Nuzzling Judd, I ignored Cooper tugging my shirt as if to separate me from my man. “I never liked him even a little bit.” “You touched his arm.” Bailey stepped closer and slapped Cooper’s hand off me. “Judd, the only way to make things right is to cut off Mac’s arm and feed it to our dogs.” “Sounds about right,” Judd muttered, still glaring at Mac who moved around the large packed family room as if trying to dodge the eyes on him. “Bailey,” I whispered, giving her the look. “What I meant was that Tawny is all kinds of loyal and shit, so cutting off Mac’s arm, while fun, isn’t necessary. Trust your woman.” “I do trust her,” Judd muttered. “I still want to stab Mac’s face.” “Yeah, that takes me back,” Cooper said, grinning at Farah who frowned. Rolling his eyes, he sighed. “Trust your woman. You know, what the dipshit said.” “Don’t call her a dipshit,” I told Cooper who glared down at me. “I’m not having a staring contest with you.” “Cause you’d lose.” “Farah,” I said and she wrapped her arms around Cooper who sighed.   Seeing a way to fix my other problem, I hugged Judd to me. As he looked down and grinned, I murmured, “Pay attention to me.” Exhaling hard, Judd caressed my face. “Sorry, but that guy had your fingers on him. I feel like I should make an example of him, but I won’t. That wouldn’t be respectable.” Bailey leaned in and whispered, “Are you training him too?” “I’m training everyone,” I whispered back.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Shrugging, I glanced at Judd who was watching someone in the corner. When I looked back at Cooper, he was studying the hair in my eyes. “You look tired,” he said, reaching out to brush away the hair. Cooper’s hand never reached my face before Judd grabbed his wrist and yanked it away. In that instant, everything shifted. The men stepped closer, eyeballing each other as the heat of their anger became palatable. I thought to step between them and calm things before violence broke out. Then, I remembered when I tried to break up a fight between my uncle’s dogs. If Farah hadn’t pulled me out of the way, I’d have been mauled. That day, I learned if predators wanted to fight, you let them while staying as far back as possible. “I’ll let this go because it’s your woman,” Cooper muttered, dark eyes still angry. “If you pull this shit again and it’s not your woman, you and I will have a problem.” Once Cooper walked away, Judd finally relaxed. I just stared at him as he led me to a booth because a group of old timers were at his table. Sitting next to him, I caressed his face, soothing him. He finally gave me a little grin. Suddenly, Vaughn appeared and took the spot across from us. “Why do you look so pissed off?” “He almost went feral on Cooper for trying to touch me.” Vaughn gave us a lazy grin. “So losing his balls makes a man stupid, eh? Good to know. Just another reason to keep mine attached.” Judd exhaled hard. “You wouldn’t want anyone touching your woman. One day, you’ll know that despite your love affair with your balls.” “A man should love his balls,” Vaughn said, still grinning. “What if I touch her?” he asked, his hand moving slowly towards my face. “I’ll stab you in the fucking eye.” Grinning, Vaughn put down his hand. “You’re pretty damn sexy when you go drama queen, O’Keefe.” “He is, isn’t he?” I said, sliding closer to Judd. “I wish we were naked right now.” Both men frowned at me, but I only smiled and Judd adjusted in the booth as his jeans grew too tight. “Stop,” he warned. “I’m not afraid of you.” “I could make a liar of you.” “You won’t though because you wish you were inside me.” Judd exhaled hard like a pissed bull and adjusted in the booth again. I just laughed and rested my head against his shoulder. “I so own you.” Vaughn nodded. “He’s a keeper. I remember how poetic he was when I asked him if he could imagine himself as an old man. He turned to me and grunted. Real profound grunt too. Oh, and once I asked if he ever imagined himself as a father. I kid you not, he burped. The man is fucking Shakespeare.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))