“
Be still and know that I am God.
Be still and know that I am.
Be still and know.
Be still.
Be.
”
”
Patrick of Ireland
“
Surely: the adverb of a man without an argument.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
He found her pretty in a bewildered, washed-out way, but it was her restlessness that aroused him, the quiet exasperation of a woman who longs to throw herself into something significant, but cannot find what it is.
”
”
Edward St. Aubyn (The Patrick Melrose Novels)
“
I pray to God to give me perseverance and to deign that I be a faithful witness to Him to the end of my life for my God.
”
”
Patrick of Ireland (The Confession of Saint Patrick (Confessions of St. Patrick): With the Tripartite Life, and Epistle to the Soldiers of Coroticus (Aziloth Books))
“
How could he think his way out of the problem when the problem was the way he thought...
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
At the beginning, there had been talk of using some of her money to start a home for alcoholics. In a sense they had succeeded.
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
Christ be with me, Christ within me,
Christ behind me, Christ before me,
Christ beside me, Christ to win me,
Christ to comfort and restore me,
Christ beneath me, Christ above me,
Christ in quiet, Christ in danger,
Christ in hearts of all that love me,
Christ in mouth of friend and stranger.
”
”
Patrick of Ireland
“
There is more hope in honest brokenness than in the pretense of false wholeness.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
Mind you, I don’t know why people get so fixated on happiness, which always eludes them, when there are so many other invigorating experiences available, like rage, jealousy, disgust, and so forth.” - Some Hope
”
”
Edward St. Aubyn (Some Hope (Patrick Melrose, #3))
“
What could he do but accept the disturbing extent to which memory was fictional and hope that the fiction lay at the service of a truth less richly represented by the original facts?
”
”
Edward St. Aubyn (The Patrick Melrose Novels)
“
This time he was going to fall apart silently.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
You can only give things up once they start to let you down.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
The sun shone, having no alternative, on the nothing new.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
I shall ne'er chase rainbows again,
Knowing no pot o' gold awaits at the end.
My Irish treasure is not there.
For ye, my love, abide with me here.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
In my rather brief medical practice,' said David modestly, 'I found that people spend their whole lives imagining they are about to die. Their only consolation is that one day they're right.
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
I was thinking that a life is just the history of what we give our attention to,’ said Patrick. ‘The rest is packaging.
”
”
Edward St. Aubyn (The Patrick Melrose Novels)
“
It is St Patrick's Day and here at Scranton, that is a huge deal... It is the closest that the Irish will ever get to Christmas.
”
”
Steve Carell
“
...Relationship is not about positional authority but about dynamic mutuality.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
She was ghastly and quite mad, but when I grew up I figured her worst punishment was to be herself and I didn't have to do anything more.
”
”
Edward St. Aubyn (Some Hope (Patrick Melrose, #3))
“
From space, astronauts can see people making love as a tiny speck of light. Not light, exactly, but a glow that could be mistaken for light--a coital radiance that takes generations to pour like honey through the darkness to the astronaut's eyes.
In about one and a half centuries--after the lovers who made the glow will have long been laid permanently on their backs--metropolises will be seen from space. They will glow all year. Smaller cities will also be seen, but with great difficulty. Shtetls will be virtually impossible to spot. Individual couples, invisible.
The glow is born from the sum of thousands of loves: newlyweds and teenagers who spark like lighters out of butane, pairs of men who burn fast and bright, pairs of women who illuminate for hours with soft multiple glows, orgies like rock and flint toys sold at festivals, couples trying unsuccessfully to have children who burn their frustrated image on the continent like the bloom a bright light leaves on the eye after you turn away from it.
Some nights, some places are a little brighter. It's difficult to stare at New York City on Valentine's Day, or Dublin on St. Patrick's. The old walled city of Jerusalem lights up like a candle on each of Chanukah's eight nights...We're here, the glow...will say in one and a half centuries. We're here, and we're alive.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
It’s the hardest addiction of all,’ said Patrick. ‘Forget heroin. Just try giving up irony, that deep-down need to mean two things at once, to be in two places at once, not to be there for the catastrophe of a fixed meaning.
”
”
Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
Just as a novelist may sometimes wonder why he invents characters who do not exist and makes them do things which do not matter, so a philosopher may wonder why he invents cases that cannot occur in order to determine what must be the case.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
It was never quite clear to Eleanor why the English thought it was so distinguished to have done nothing for a long time in the same place,
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Nobody ever died of a feeling, he would say to himself, not believing a word of it, as he sweated his way through the feeling that he was dying of fear. People died of feelings all the time, once they had gone through the formality of materializing them into bullets and bottles and tumours.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
For that sun, which we see rising every day, rises at His command… - Greg Tobin, The Wisdom of St. Patrick from St. Patrick’s Confession
”
”
Patrick of Ireland
“
Every paradise demands a serpent.
”
”
Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
Could one have a time-release epiphany, an epiphany without realizing it had happened? Or were they always trumpeted by angels and preceded by temporary blindness, Patrick wondered, as he walked down the corridor in the wrong direction.
”
”
Edward St. Aubyn (The Patrick Melrose Novels)
“
Be sure to wear green
on March seventeen,
or else Irish leprechauns
pinch your bones clean!
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
The shock of standing again under the wide pale sky, completely exposed. This must be what the oyster feels when the lemon juice falls.
”
”
Edward St. Aubyn (The Patrick Melrose Novels)
“
After less than a year together they now slept in separate rooms because Victor's snoring, and nothing else about him, kept her awake at night.
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
When we are harassed and reach the limit of our own strength, many of us then turn in desperation to God-"There are no atheists in foxholes." But why wait till we are desperate? Why not renew our strength every day? Why wait even until Sunday? For years I have had the habit of dropping into empty churches on weekday afternoons.
When I feel that I am too rushed and hurried to spare a few minutes to think about spiritual things, I say to myself: "Wait a minute, Dale Carnegie, wait a minute. Why all the feverish hurry and rush, little man? You need to pause and acquire a little perspective." At such times, I frequently drop into the first church that I find open.
Although I am a Protestant, I frequently, on weekday afternoons, drop into St. Patrick's Cathedral on Fifth Avenue, and remind myself that I'll be dead in another thirty years, but that the great spiritual truths that all churches teach are eternal. I close my eyes and pray. I find that doing this calms my nerves, rests my body, clarifies my perspective, and helps me revalue my values. May I recommend this practice to you?
”
”
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
“
I know for certain, that before I was humbled I was like a stone lying in deep mire, and he that is mighty came and in his mercy raised me up and, indeed, lifted me high up and placed me on top of the wall. And from there I ought to shout out in gratitude to the Lord for his great favours in this world and for ever, that the mind of man cannot measure.
”
”
Patrick of Ireland (The Confession of Saint Patrick)
“
Corned beef and cabbage and leprechaun men.
Colorful rainbows hide gold at their end.
Shamrocks and clovers with three leaves plus one.
Dress up in green—add a top hat for fun.
Steal a quick kiss from the lasses in red.
A tin whistle tune off the top of my head.
Friends, raise a goblet and offer this toast—
'The luck of the Irish and health to our host!'
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
What was the thread that held together the scattered beads of experience if not the pressure of interpretation? The meaning of life was whatever meaning one could thrust down its reluctant throat.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
At the same time, his past lay before him like a corpse waiting to be embalmed.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Each and all shall render account for even our smallest sins before the judgement seat of Christ the Lord.
”
”
Patrick of Ireland (The Confession of Saint Patrick)
“
Was he, after all, really a bad man doing a brilliant impersonation of an idiot? It was hard to tell. The connections between stupidity and malice were so tangled and so dense.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
Cruelty is the opposite of love,’ said Patrick, ‘not just some inarticulate version of it.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
With her curling blond hair and her slender limbs and her beautiful clothes, Inez was alluring in an obvious way, and yet it was easy enough to see that her slightly protruding blue eyes were blank screens of self-love on which a small selection of fake emotions was allowed to flicker.
”
”
Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
Old enough to remember the arrival of 'Have a nice day', Patrick could only look with alarm on the hyperinflation of 'Have a great one'. Where would this Weimar of bullying cheerfulness end? 'You have a profound and meaningful day now.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
Shalom is what love looks like in the flesh. The embodiment of love in the context of a broken creation, shalom is a hint at what was, what should be, and what will one day be again. Where sin disintegrates and isolates, shalom brings together and restores. Where fear and shame throw up walls and put on masks, shalom breaks down barriers and frees us from the pretense of our false selves.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
Do we honestly believe that the best witness we can have as Christians before a watching world is to show moral perfection? While that might convince some, our odds of pulling it off seem less than slim. In truth, the most compelling witness to our faith can be a willingness to humbly accept responsibility for our failings and seek to restore relationships at any cost.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
Above all, she was a baby, not a 'big baby' like so many adults, but a small baby perfectly preserved in the pickling jar of money, alcohol and fantasy.
”
”
Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
I find everything boring, therefore I'm fascinating.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
People think they are individuals because they use the word ''I'' so often.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
That’s what the prom is—St. Patrick’s Day for the young.
”
”
Tim Tharp (The Spectacular Now)
“
He had become so caught up in building sentences that he had almost forgotten the barbaric days when thinking was like a splash of color landing on a page.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
Imagine if we were all magical leprechauns, and every wish ever made on a four-leaf clover obliged us to help others obtain their wishes. Now imagine if people simply lived like this were true.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
I arise today through God’s strength to pilot me;
God’s might to uphold me,
God’s wisdom to guide me,
God’s ear to hear me,
God’s word to speak for me,
God’s hand to guard me,
God’s way to lie before me,
God’s shield to protect me afar and anear, alone or in a multitude.
”
”
Patrick of Ireland
“
No, no, I just meant…’ Patrick felt he was coming from too many directions at once.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Try as one might to live on the edge, thought Patrick, getting into the other lift, there was no point in competing with people who believed what they saw on television.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
She had brushed her teeth before vomiting as well, never able to utterly crush the optimistic streak in her nature.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
in a single day I have said as many as a hundred prayers, and in the night almost as many;
”
”
Patrick of Ireland (The Confession of St. Patrick)
“
It’s simply this:
the Irish kiss,
a snog o’ bliss,
be blessed luck
from any miss.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
This emphasis is directed primarily at the here and now, as Christ-embodying communities of active love in the midst of the world. All of creation is caught up in the restorative work. The mission of God’s people is not simply directed at saving people’s souls from a bad life-after-death into a good life-after-death, but it addresses and hopefully touches the injustice and violence around us—poverty, racism, sexism, economic exploitation, war, environmental destruction—where salvation, justice, and peace can merge.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
No, he mustn't think about it, or indeed about anything, and especially not about heroin, because heroin was the one thing that really worked, the only thing that stopped him scampering around in a hamster's wheel of unanswerable questions. Heroin was the cavalry. Heroin was the missing chair leg, made with such precision that it matched every splinter of the break. Heroin landed purring at the base of his skull, and wrapped itself darkly around his nervous system, like a black cat curling up on its favourite cushion. It was as soft and rich as the throat of a wood pigeon, or the splash of sealing wax onto a page, or a handful of gems slipping from palm to palm.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
Often it is the poor who recognize emptiness before the rest of us—and for obvious reasons. While I am not suggesting that poverty predisposes people to some form of righteousness, I have seen how their circumstances often free them from much of the pretense that our relative privilege affords us. So while the poor are not godlier on the basis of their poverty, they are often at least more authentic in their brokenness, and thus, perhaps, closer to honestly recognizing what true emptiness is.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
God, my God, omnipotent King, I humbly adore thee. Thou art King of kings, Lord of lords. Thou art the Judge of every age. Thou art the Redeemer of souls. Thou art the Liberator of those who believe. Thou art the Hope of those who toil. Thou art the Comforter of those in sorrow. Thou art the Way to those who wander. Thou art Master to the nations. Thou art the Creator of all creatures. Thou art the Lover of all good. Thou art the Prince of all virtues. Thou art the joy of all Thy saints. Thou art life perpetual. Thou art joy in truth. Thou art the exultation in the eternal fatherland. Thou art the Light of light. Thou art the Fountain of holiness. Thou art the glory of God the Father in the height. Thou art Savior of the world. Thou art the plenitude of the Holy Spirit. Thou sittest at the right hand of God the Father on the throne, reigning for ever.
”
”
Patrick of Ireland
“
experience of love is that you get excited thinking that someone can mend your broken heart, and then you get angry when you realize that they can’t. A certain economy creeps into the process and the jewelled daggers that used to pierce one’s heart are replaced by ever-blunter penknives.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Above all is the centrality of love at the heart of vulnerable faith. Vulnerability will thrive only where love abounds—a love that is generous, gracious, patient, compassionate, humble, curious, joyful, and full of hope. In the absence of fear and the bondage it inflicts on us, love will put down roots, grow, and extend its reach far beyond our expectations or natural capacity. Love we once reserved only for those closest to us can be offered even to those who would persecute us. Enemies are transformed into sisters and brothers and friends.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
For daily I expect to be murdered or betrayed or reduced to slavery if the occasion arises. But I fear nothing, because of the promises of Heaven; for I have cast myself into the hands of Almighty God, who reigns everywhere. As the prophet says: ‘Cast your burden on the Lord and he will sustain you.
”
”
Patrick of Ireland (The Confessions of St. Patrick)
“
What if memories were just memories, without any consolatory or persecutory power? Would they exist at all, or was it always emotional pressure that summoned images from what was potentially all of experience so far?
”
”
Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
Observe Everything. Always think for yourself. Never let other people make important decisions for you.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
How could he relax his guard when beams of neurotic energy, like searchlights weaving about a prison compound, allowed no thought to escape, no remark to go unchecked.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Either I wake up in the Grey Zone,’ he whispered, ‘and I’ve forgotten how to breathe, and my feet are so far away I’m not sure I can afford the air fare;
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
All she remembered was that Caligula had planned to torture his wife to find out why he was so devoted to her. What was David’s excuse, she wondered.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
She tried to walk more slowly up the hill. God, her mind was racing, racing in neutral,
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
If we can’t control our conscious responses, what chance do we have against the influences we haven’t recognized?
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
The past has all the time in the world. It's only the future which is running out.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
a face like a crème brûlée after the first blow of the spoon,
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
But that's what the English mean, isn't it, when they say, "He was very philosophical about it"? They mean that someone stopped thinking about something.
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
I just have to get rid of this piece of glass,' said Anne. 'I guess something broke here earlier?'
'It was me,' said Patrick.
”
”
Edward St. Aubyn (Never Mind (Patrick Melrose, #1))
“
Lying on a pile of pillows and smaller cushions, slurping her coffee and playing with her cigarette smoke, she felt briefly that her thoughts were growing more subtle and expansive.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
All your sea-omens are of disaster; and of course, with man in his present unhappy state, huddled together in numbers far too great and spending all his surplus time and treasure beating out his brother's brains, any gloomy foreboding is likely to be fulfilled; but your corpse, your parson, your St Elmo's fire is not the cause of the tragedy.
”
”
Patrick O'Brian (H.M.S. Surprise (Aubrey & Maturin #3))
“
No pain is too small if it hurts, but any pain is too small if it's cherished
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
She liked the feeling that Maine was basically inhospitable, that it would soon shake out its summer visitors, like a dog on a beach.
”
”
Edward St. Aubyn (Mother's Milk (Patrick Melrose #4))
“
They had never met, but she had come to understand what had driven Victor’s wife to seek refuge in a full set of Snoopy mugs.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
Unlike the riotous appetites of adolescence, his present cravings had a tragic tinge, they were cravings for the appetites, metacravings, wanting to want.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
observe everything . . . trust nobody . . . despise your mother . . . effort is vulgar . . . things were better in the eighteenth century.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
made him more conscious of how little experience he had of saying what he meant.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
Willingly embracing the emptiness of the tomb is more difficult for those of us in places of privilege. We have so much “stuff,” so many activities and endless sources of distraction and busyness to fill any potential emptiness, that our pretense is better fortified against any attempts to expose it, whether through circumstance or intentionality. This is why, in part, Jesus speaks so strongly against the love of money. He did not demonize money itself, but recognized how easily we become enslaved to a different master, in bondage to mammon, instead of following Christ in loving service of God and others.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
Despair is so familiar to me; it could be banished by the sight of a beautiful mannekin in the window. It could be dispelled by the lights surrounding a tower. It would be lifted by the great ghostly shape of St. Patrick's coming into view. And then despair would come again. Meaningless, I almost said, aloud.
”
”
Anne Rice (Memnoch the Devil (The Vampire Chronicles, #5))
“
If they made a film of my inner life, it would be more than the public could take. Mothers would scream, "Bring back The Texas Chainsaw Massacre, so we can have some decent family entertainment!
”
”
Edward St. Aubyn (Some Hope (Patrick Melrose, #3))
“
57. For which reason I should make return for all that he returns me. But what should I say, or what should I promise to my Lord, for I, alone, can do nothing unless he himself vouchsafe it to me. But let him search my heart and [my] nature, for I crave enough for it, even too much, and I am ready for him to grant me that I drink of his chalice, as he has granted to others who love him.
”
”
Patrick of Ireland (The Confession of St. Patrick)
“
Shamrocks
And roses
In an ever green flock
Now Up to your noses
Turning into a high stock!
People nice and seen
All around you green!
These lucky streams
Realizing major dreams.
In strives, when in pain
Call oh call up my name,
Know it isn't in vain...
”
”
Ana Claudia Antunes (ACross Tic)
“
You see, my son,” continues Kolbe softly, “the saints are not so different than you or me. Their stories reveal them to be very much human. However, this frailty does not weaken their witness or holiness, but rather extends to us the invitation to the same life amid our own frailty.
”
”
Jamie Arpin-Ricci (The Sinner Saint: A Novella of St. Patrick of Ireland)
“
Sometimes, when he was lying in bed, a single word like ‘fear’ or ‘infinity’ flicked the roof off the house and sucked him into the night, past the stars that had been bent into bears and ploughs, and into a pure darkness where everything was annihilated except the feeling of annihilation. As the little capsule of his intelligence disintegrated, he went on feeling its burning edges, its fragmenting hull, and when the capsule flew apart he was the bits flying apart, and when the bits turned into atoms he was the flying apart itself, growing stronger instead of fading, like an evil energy defying the running out of everything and feeding on waste, and soon enough the whole of space was a waste-fuelled rush and there was no place in it for a human mind; but there he was, still feeling.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
This was it, the big moment: the corpse of his chief enemy, the ruins of his creator, the body of his dead father; the great weight of all that was unsaid and would never have been said; the pressure to say it now, when there was nobody to hear, and to speak also on his father's behalf, in an act of self-division that might fissure the world and turn his body into a jigsaw puzzle. This was it.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
The mission of God’s people is not simply directed at saving people’s souls from a bad life-after-death into a good life-after-death, but it addresses and hopefully touches the injustice and violence around us—poverty, racism, sexism, economic exploitation, war, environmental destruction—where salvation, justice, and peace can merge.
”
”
Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
“
Patrick’s own nanny was dead. A friend of his mother’s said she had gone to heaven, but Patrick had been there and knew perfectly well that they had put her in a wooden box and dropped her in a hole. Heaven was the other direction and so the woman was lying, unless it was like sending a parcel.
”
”
Edward St. Aubyn (The Complete Patrick Melrose Novels)
“
the real failure: that he couldn’t be the sort of father he wanted to be, a man who had transcended his ancestral muddle and offered his children unhaunted love. He had made it out of what he thought of as Zone One, where a parent was doomed to make his child experience what he had hated most about his life, but he was still stuck in Zone Two, where the painstaking avoidance of Zone One blinded him to fresh mistakes. In Zone Two giving was based on what the giver lacked. Nothing was more exhausting than this deficiency-driven, overcompensating zeal. He dreamt of Zone Three. He sensed that it was there, just over the hill, like the rumour of a fertile valley.
”
”
Edward St. Aubyn (The Patrick Melrose Novels (Patrick Melrose #1-4))
“
I have a rule: Anything that can be done privately does not need to be performed publicly. It’s why I love the gays but I hate their parades. Actually, I hate all parades. Marching to celebrate something you’re born as seems silly. (As I write this, St. Patrick’s Day is in full bore in Midtown. It’s delightful how celebrating a heritage requires you to pick fights with strangers and then pee in a parking garage. The upside—the sea of clover-painted drunks moving in unison—might be the only green energy I’ve ever seen work.) And what’s the point of a parade anyway? A bunch of yahoos who share some affinity, walking in one direction? Who decided this was entertainment? For previous generations, this was called a migration, or more often, refugees fleeing for their lives
”
”
Greg Gutfeld (The Joy of Hate: How to Triumph over Whiners in the Age of Phony Outrage)
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After the crushing of the Wolfe Tone’s United Irishmen Rising of 1798, the British were determined not to have to contend with any further liberation-minded Dublin Parliaments. To this end, William Pitt, the British Prime Minister, engineered an Act of Union for the sole purpose of total political suppression of the Irish. Cornwallis, the Viceroy of Ireland, embarked on a campaign of rank chicanery designed to coerce the Dublin Parliament into dissolving itself after five hundred years. When it was done, the Cross of St. Patrick was added to the British Cross of St. George and the Scottish Cross of St. Andrew, all fixed on a single banner known as the Union Jack to fly over a so-called United Kingdom. For
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Leon Uris (Trinity)
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But then neither revenge nor forgiveness change what happened. They’re sideshows, of which forgiveness is the less attractive because it represents a collaboration with one’s persecutors. I don’t suppose that forgiveness was uppermost in the minds of people who were being nailed to a cross until Jesus, if not the first man with a Christ complex still the most successful, wafted onto the scene. Presumably those who enjoyed inflicting cruelty could hardly believe their luck and set about popularizing the superstition that their victims could only achieve peace of mind by forgiving them.
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Edward St. Aubyn (Some Hope (Patrick Melrose, #3))
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The practices and disciplines of building and sustaining community could fill volumes (and has). From mystics to anthropologists, we learn how critical the quality of a community is to the health and well-being of people. Yet, community remains one of the most elusive goals to so many of the Christians and churches in our individualistic Western societies. When we encounter true community, we are not encountering mere healthy relationships of equality and moral uprightness, but we are witnessing, and being invited to participate in, the divine nature of God.
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Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
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It is in the face of this radical revisioning of ourselves as the community of Christ that our relationship to “the least of these” is formed. They don’t represent a threat to our lives, both physically (in their demands on our resources, in the loss of safety) and existentially (in how they expose our pretense, our privilege), but they actually can be seen as Christ Himself. Not in some romantic, shallow way in which we take in the homeless beggar only to have him later throw off his rags to reveal himself as Jesus, rewarding us for our righteousness. No, we encounter Christ in them because the process we have gone through has demonstrated to us that in the other—in those most different from us—our own inadequacy is exposed, offering us the opportunity to embrace the gift of the transforming cross.
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Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
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Oh well,' said Jack: and then, 'Did you ever meet Bach?'
'Which Bach?'
'London Bach.'
'Not I.'
'I did. He wrote some pieces for my uncle Fisher, and his young man copied them out fair. But they were lost years and years ago, so last time I was in town I went to see whether I could find the originals: the young man has set up on his own, having inherited his master's music-library. We searched through the papers — such a disorder you would hardly credit, and I had always supposed publishers were as neat as bees — we searched for hours, and no uncle's pieces did we find. But the whole point is this: Bach had a father.'
'Heavens, Jack, what things you tell me. Yet upon recollection I seem to have known other men in much the same case.'
'And this father, this old Bach, you understand me, had written piles and piles of musical scores in the pantry.'
'A whimsical place to compose in, perhaps; but then birds sing in trees, do they not? Why not antediluvian Germans in a pantry?'
'I mean the piles were kept in the pantry. Mice and blackbeetles and cook-maids had played Old Harry with some cantatas and a vast great passion according to St Mark, in High Dutch; but lower down all was well, and I brought away several pieces, 'cello for you, fiddle for me, and some for both together. It is strange stuff, fugues and suites of the last age, crabbed and knotted sometimes and not at all in the modern taste, but I do assure you, Stephen, there is meat in it. I have tried this partita in C a good many times, and the argument goes so deep, so close and deep, that I scarcely follow it yet, let alone make it sing. How I should love to hear it played really well — to hear Viotti dashing away.
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Patrick O'Brian (The Ionian Mission (Aubrey & Maturin #8))
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You spoke of the saints a moment ago. You spoke of them as though they were men and women of exceptional, inhuman holiness, so far above us mere mortal men that they could only be revered from afar. Never could they be looked to as examples—never role models for us to emulate. I understand your feelings. It pains me to admit that we, the church, have too often failed you by perpetuating this inaccurate image of the saints. In truth, they are very much human, very much like you and me. They lived in the world with the same fears, temptations, and failings that everyone must. So you see, what made them saints was not the absence of fear or failure, but instead their willing surrender to the grace of God, a grace available to all who come to the Cross. Yes, that does mean suffering and perhaps death, but for Jesus Christ they were prepared to suffer still more.
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Jamie Arpin-Ricci (The Sinner Saint: A Novella of St. Patrick of Ireland)
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In truth, Thomas was being a faithful disciple of Jesus, who warned His disciples that “many will come in my name, saying, ‘I am the Messiah!’ and they will lead many astray” (Matt. 24:5). Indeed, Jesus affirms those who believe without seeing because such belief takes great faith. But that in no way suggests we should ignore evidence when it is available, as though doing so makes us more faithful. This impulse, combined with an often uncritical biblicism, not only neglects God’s command to love him with our minds, but leads us into unnecessary divisiveness and shallow literalism that blinds us to the deeper truth of Scripture. Therefore, during this process of self-emptying, we must be aware of and honest with our uncertainties. While we should never throw around our doubt with rebellious defiance, neither should we view our genuine questions and uncertainties as liabilities. Sometimes allowing ourselves to question deeply held beliefs opens us up to discovering that we were, in fact, in error, offering us the opportunity for more faithful understanding. Other times we discover that our fears are unfounded, returning to our former beliefs without doubt, yet stronger for it.
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Jamie Arpin-Ricci (Vulnerable Faith: Missional Living in the Radical Way of St. Patrick)
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When the Bolide Fragmentation Rate shot up through a certain level on Day 701, marking the formal beginning of the White Sky, a number of cultural organizations launched programs that they had been planning since around the time of the Crater Lake announcement. Many of these were broadcast on shortwave radio, and so Ivy had her pick of programs from Notre Dame, Westminster Abbey, St. Patrick’s Cathedral, the Imperial Palace in Tokyo, Tiananmen Square, the Potala Palace, the Great Pyramids, the Wailing Wall.
After sampling all of them she locked her radio dial on Notre Dame, where they were holding the Vigil for the End of the World and would continue doing so until the cathedral fell down in ruins upon the performers’ heads and extinguished all life in the remains of the building. She couldn’t watch it, since video bandwidth was scarce, but she could imagine it well: the Orchestre Philharmonique de Radio France, its ranks swollen by the most prestigious musicians of the Francophone world, all dressed in white tie and tails, ball gowns and tiaras, performing in shifts around the clock, playing a few secular classics but emphasizing the sacred repertoire: masses and requiems. The music was marred by the occasional thud, which she took to be the sonic booms of incoming bolides. In most cases the musicians played right through. Sometimes a singer would skip a beat. An especially big boom produced screams and howls of dismay from the audience, blended with the clank and clatter of shattered stained glass raining to the cathedral’s stone floor. But for the most part the music played sweetly, until it didn’t. Then there was nothing.
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Neal Stephenson (Seveneves)