Squad Quotes

We've searched our database for all the quotes and captions related to Squad. Here they are! All 100 of them:

β€œ
I'm always happy," Sasha said. "Sometimes I just forget.
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Jennifer Egan (A Visit from the Goon Squad)
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I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
Many years later, as he faced the firing squad, Colonel Aureliano BuendΓ­a was to remember that distant afternoon when his father took him to discover ice...
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Gabriel GarcΓ­a MΓ‘rquez (One Hundred Years of Solitude)
β€œ
If I had a view like this to look down on every day, I would have the energy and inspiration to conquer the world. The trouble is, when you most need such a view, no one gives it to you.
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Jennifer Egan (A Visit from the Goon Squad)
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I am not good at noticing when I'm happy, except in retrospect.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Frank didn’t drop you on purpose,” she said. β€œHe’s not like that. He’s just a little clumsy sometimes.” β€œOops,” Leo said, in his best Frank Zhang voice. β€œDropped Leo into a squad of enemy soldiers. Dang it!
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Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β€œ
Sure, everything is ending," Jules said, "but not yet.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
There's a fine line between thinking about somebody and thinking about not thinking about somebody, but I have the patience and the self-control to walk that line for hours - days, if I have to.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
β€œ
You gonna jump on-line and tell your geek squad you landed me?
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Kristen Ashley (Breathe (Colorado Mountain, #4))
β€œ
What I am telling you, before you begin my story, is this -- two things: I crave truth. And I lie.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
Like all failed experiments, that one taught me something I didn’t expect: one key ingredient of so-called experience is the delusional faith that it is unique and special, that those included in it are privileged and those excluded from it are missing out.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.
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Jennifer Egan (A Visit from the Goon Squad)
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Time’s a goon, right? You gonna let that goon push you around?” Scotty shook his head. β€œThe goon won.
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Jennifer Egan (A Visit from the Goon Squad)
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Structural dissatisfaction: Returning to circumstances that once pleased you, after having experienced a more thrilling or opulent way of life, and finding that you can no longer tolerate them.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick. 'Yeah, don't bother to keep in touch,' said George, mounting his own. Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley β€” Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!' 'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge. 'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd. 'Give her hell from us, Peeves.' And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β€œ
I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
A girl on the cheer squad had once asked Gabriel if having a twin was like looking in a mirror all the time. He'd asked her if being a cheerleader was like being an idiot all of the time - but really, it was a good question.
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Brigid Kemmerer (Spark (Elemental, #2))
β€œ
Are we squad goals?” Ravi whispered to Pip. Cara heard and snorted.
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Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
β€œ
Everybody sounds stoned, because they're e-mailing people the whole time they're talking to you.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
They came for him near midnight, seven hard-faced men arriving simultaneously in a matching set of Zis 101s, the black-lacquered saloon car so shamelessly modeled on the American Buick Roadmaster, and so capriciously favored by the sinister flying squads of the NKVD. Ironically, the arrest when it came did not shock Batya. He had prepared for it.
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K.G.E. Konkel (Who Has Buried the Dead?: From Stalin to Putin … The last great secret of World War Two)
β€œ
I’m done. I’m old, I’m sad - that’s on a good day. I want out of this mess. But I don’t want to fade away, I want to flame away - I want my death to be an attraction, a spectacle, a mystery. A work of art.
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Jennifer Egan (A Visit from the Goon Squad)
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I think, The world is actually huge. That's the part no one can really explain.
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Jennifer Egan (A Visit from the Goon Squad)
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Her only thought was of getting away, as if she were carrying a live grenade from inside the house, so that when it exploded, it would destroy just herself.
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Jennifer Egan (A Visit from the Goon Squad)
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Your Majesty, please get down. My friend Aris is really a very good man, and if you fall off that wall he's going to hang for it, and so will his squad, most of whom are also nice men, and though I can't say I really care if your attendants hang, there are probably many people that do care, and would you please, please get down?" The king looked at him, eyes narrowed. "I don't think I've ever heard you say that many words in a row. You sounded almost articulate.
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Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
β€œ
If the entire cheerleading squad turns into mice, Robin, I will be very upset with you. Mortal adolescents are blind and cruel. You know that. You mustn't take revenge, no matter how you feel about the girl. Especially now. There are more worrisome things on the move. -Ms Stacy
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Julie Kagawa (The Iron King (The Iron Fey, #1))
β€œ
When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Redemption, transformation--God how she wanted these things. Every day, every minute. Didn't everyone?
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
It is cold at six-forty in the morning on a March day in Paris, and seems even colder when a man is about to be executed by firing squad.
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Frederick Forsyth (The Day of the Jackal)
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My father told me once that the most important thing every man should know is what he would die for.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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Some people are little Chernobyls, shimmering with silent, spreading poison: get anywhere near them and every breath you take will wreck you from the inside out.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
It was the hat. He looked sweet in the hat. How could a man in a fuzzy blue hat have used human bones to pave his roads?
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Jennifer Egan (A Visit from the Goon Squad)
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It was only when the giant got halfway down the incline that he suddenly, happily, burst into flame and continued his trip saying, "NO SURVIVORS, NO SURVIVORS!" in a manner that could only indicate deadly sincerity. It was seeing him happily burning and advancing that startled the Brute Squad to screaming. And once that happened, why, everybody panicked and ran...
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William Goldman (The Princess Bride)
β€œ
I can't tell if she's actually real, or if she's stopped caring if she's real or not. Or is not caring what makes a person real?
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Jennifer Egan (A Visit from the Goon Squad)
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Rich children are always blond, Jocelyn goes. It has to do with vitamins.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
Perhaps grief is like battle: After experiencing enough of it, your body’s instincts take over. When you see it closing in like a Martial death squad, you harden your insides. You prepare for the agony of a shredded heart. And when it hits, it hurts, but not as badly, because you have locked away your weakness, and all that’s left is anger and strength.
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Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
β€œ
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
I’ve got news for you, Aves. When a guy says he wants to take you out in the name of science, he’s totally full of it. He really just wants to take you out.” β€œBut you’ve taken me out like a million times for the experiment. You kissed me once in the name of science.” β€œExactly.
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Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
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Get moving. We need to find that stag so I don’t have to chop your head off.” β€œI never said you had to chop my head off,” I grumbled, rubbing the sleep from my eyes and stumbling after him. β€œRun you through with a sword, then? Firing squad?” β€œI was thinking something quieter, like maybe a nice poison.” β€œAll you said was that I had to kill you. You didn’t say how.” I stuck my tongue out at his back, but I was glad to see him so energized, and I suppose it was a good thing that he could joke about it all. At least, I hoped he was joking.
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Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
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She was clean": no piercings, tattoos, or scarifications. All the kids were now. And who could blame them, Alex thought, after watching three generations of flaccid tattoos droop like moth-eaten upholstery over poorly stuffed biceps and saggy asses?
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Jennifer Egan (A Visit from the Goon Squad)
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Our entire society is based on discontent. People wanting more and more and more. Being constantly dissatisfied with their homes, their bodies, their dΓ©cor, their clothes, everything – taking it for granted that that’s the whole point of life. Never to be satisfied. If you are perfectly happy with what you got, especially if what you got isn’t even all that spectacular then you’re dangerous. You’re breaking all the rules. You’re undermining the sacred economy. You’re challenging every assumption that society is built on.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Somewhere between the shower and the Red Bull I fell in love with you, Aves. I’m talking epically. There is no coming back from a fall like mine.
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Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
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Time works so hard for us, if only we can let it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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That we have some history together that hasn’t happened yet.
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Jennifer Egan (A Visit from the Goon Squad)
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Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Everyone we've lost, we'll find. Or they'll find us.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
Take what you want and pay for it, says God. You can have anything you want, as long as you accept that there is a price and you will have to pay it.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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You said you were a fairy princess You said you were a shooting star You said we'd go to Bora Bora Now look at where the fuck we are
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Jennifer Egan (A Visit from the Goon Squad)
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Human beings, as I know better than most, can get used to anything. Over time, even the unthinkable gradually wears a little niche for itself in your mind and becomes just something that happened.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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She informed me, matter-of-factly, that she was old enough to know the difference between intriguing and fucked up. "You should go for younger women," she advised me. "They can't always tell.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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See," Sasha muttered, eyeing the sun. "It's mine.
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Jennifer Egan (A Visit from the Goon Squad)
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Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
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When a girl lets you be the one to hold her as her entire world falls apart, even though you’re ass naked, it changes the way you see her.
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Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
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You're like a crazy cat lady, but you collect killers instead of fluffy cats." "I don't collect killers." "Yes, you do, and those who aren't killers turn into killers by the time you're done. You made Julie into a maniac. That child has more knives on her than a squad of the PAD.
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Ilona Andrews (Magic Binds (Kate Daniels, #9))
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So here I am, in the middle way, having had twenty years- Twenty years largely wasted, the years of l'entre deux guerres- Trying to use words, and every attempt Is a wholy new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it. And so each venture Is a new beginning, a raid on the inarticulate, With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion. And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate - but there is no competition - There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious. But perhaps neither gain nor loss. For us, there is only the trying. The rest is not our business.
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T.S. Eliot (Four Quartets)
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Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
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Tana French (Broken Harbour (Dublin Murder Squad, #4))
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The answers were maddeningly absentβ€”it was like trying to remember a song that you knew made you feel a certain way, without a title, artist, or even a few bars to bring it back.
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Jennifer Egan (A Visit from the Goon Squad)
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I am, of course, romanticizing; a chronic tendency of mine.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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You get one chance to form your own squad, and you choose your ex, your current lover, the quadrant’s resident smart-ass, two people who have tried to kill you in the past yearβ€”one over said current loverβ€”and whatever Dain is? These are your choices for the most important mission any rider could possibly undertake?” β€œI’m glad someone said it,” Tairn chimes in.
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Rebecca Yarros (Onyx Storm (The Empyrean, #3))
β€œ
th blu nyt th stRs u can't c th hum tht nevr gOs awy
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Jennifer Egan (A Visit from the Goon Squad)
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We think about mortality so little, these days, except to flail hysterically at it with trendy forms of exercise and high-fiber cereals and nicotine patches.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
For a moment, I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars, and I knew, beyond any doubt, that everything was going to be alright.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
The world is full of shitheads, Rhea. Don’t listen to themβ€”listen to me. And I know that Lou is one of those shitheads. But I listen.
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Jennifer Egan (A Visit from the Goon Squad)
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Sarte was right, Hell is other people
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Tana French (The Likeness (Dublin Murder Squad, #2))
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Regardless of the advertising campaigns may tell us, we can't have it all. Sacrifice is not an option, or an anachronism; it's a fact of life. We all cut off our own limbs to burn on some altar. The crucial thing is to choose an altar that's worth it and a limb you can accept losing. To go consenting to the sacrifice.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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When does a fake Mohawk become a real Mohawk? Who decides? How do you know if it's happened?
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Jennifer Egan (A Visit from the Goon Squad)
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I love beautiful; always have. I never saw why I should hate what I wish I had. Love it harder. Work your way closer. Clasp your hands around it tighter. Till you find a way to make it yours.
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Tana French (The Secret Place (Dublin Murder Squad, #5))
β€œ
Absence of evidence is not evidence of absence.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Kathy was a Republican, one of those people who used the unforgivable phrase "meant to be"--usually when describing her own good fortune or the disasters that had befallen other people.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
A bore or an uggo might manage not to get up anyone's nose, but if a girl's got brains and looks and personality, she's going to piss someone off, somewhere along the way.
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Tana French (Faithful Place (Dublin Murder Squad, #3))
β€œ
Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.
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Tana French (Broken Harbour (Dublin Murder Squad, #4))
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I found out early that you can throw yourself away, missing what you've lost.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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I felt no shame in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
I'm not your girl" "You could be." "Yeah and I could also tattoo an anorexic pterodactyl on my navel, but I'm not planning on do that, either
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Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
β€œ
This is the music business. 'Five years is five hundred years' - your words.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
We’re having another meeting tonight, if you can come,” Yaakov said. β€œThe soldiers are watching the village very closely,” she said, speaking in a whisper. β€œThey are on the lookout for anyone who might be involved in organizing.” Arguments continued in all corners of the room. One man vehemently warned, β€œAnyone involved in advancing reforms or revolution against the government could face prison or a firing squad.
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Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
β€œ
Ooh, Snowberry, you were right,” one of them said, wrinkling her nose like she smelled something foul. β€œShe does reek of a dead pig in the summer. I don’t know how Mab can stand it.” Clenching my fists, I tried to keep my cool. I was so not in the mood for this now.God, it’s like high school all over again. Will it never end? These are ancient faeries, for Pete’s sake, and they’re acting like my high school pom squad.
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Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
β€œ
People you knew when you were teenagers, the ones who saw your stupidest haircut and the most embarrassing things you've done in your life, and they still cared about you after all that: they're not replaceable, you know?
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Tana French (Broken Harbour (Dublin Murder Squad, #4))
β€œ
Being easily freaked out comes with its own special skill set: you develop subtle tricks to work around it, make sure people don't notice. Pretty soon, if you're a fast learner, you can get through the day looking almost exactly like a normal human being.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?
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Tana French (Faithful Place (Dublin Murder Squad, #3))
β€œ
I read a lot. I always have, but in those two years I gorged myself on books with a voluptuous, almost erotic gluttony. I would go to the local library and take out as many as I could, and then lock myself in the bedsit and read solidly for a week. I went for old books, the older the better--Tolstoy, Poe, Jacobean tragedies, a dusty translation of Laclos--so that when I finally resurfaced, blinking and dazzled, it took me days to stop thinking in their cool, polished, crystalline rhythms.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
You kneel beside her, breathing the familiar smell of Sasha's sleep, whispering into her ear some mix of I'm sorry and I will never leave you, I'll be curled around your heart for the rest of your life, until the water pressing my shoulders and chest crushes me awake and I hear Sasha screaming into my face: Fight! Fight! Fight!
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
The very concept of "revolutionary violence" is somewhat falsely cast, since most of the violence comes from those who attempt to prevent reform, not from those struggling for reform. By focusing on the violent rebellions of the downtrodden, we overlook the much greater repressive force and violence utilized by the ruling oligarchs to maintain the status quo, including armed attacks against peaceful demonstrations, mass arrests, torture, destruction of opposition organizations, suppression of dissident publications, death squad assassinations, the extermination of whole villages, and the like.
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Michael Parenti (Blackshirts and Reds: Rational Fascism and the Overthrow of Communism)
β€œ
Dalek Sec: The Doctor will open the Ark! The Doctor: Ha ha, the Doctor will not. Dalek Sec: You have no way of resisting! The Doctor: Mm, you got me there. [withdrawing the sonic screwdriver] Although, there is always this. Dalek Sec: A sonic probe? The Doctor: [with jocular bravado] That's screwdriver. Dalek Sec: It is harmless. The Doctor: Ohh, yes. Harmless is just the word: that's why I like it! Doesn't kill, doesn't wound, doesn't maim. But I'll tell you what it does do: It is very good at opening doors. [He pushes the switch and the doors explode inwards; Jake's squad and some Cybermen run in and open fire.]
”
”
Russell T. Davies
β€œ
They resumed walking. Alex felt an ache in his eyes and throat. "I don't know what happened to me," he said, shaking his head. "I honestly don't." Bennie glanced at him, a middle-aged man with chaotic silver hair and thoughtful eyes. "You grew up, Alex," he said, "just like the rest of us.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
I had always felt that I was an observer, never a participant; that I was watching from behind a thick glass wall as people went about the business of living--and did it with such ease, with a skill that they took for granted and that I had never known.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
You forget what it was like. You'd swear on your life you never will, but year by year it falls away. How your temperature ran off the mercury, your heart galloped flat-out and never needed to rest, everything was pitched on the edge of shattering glass. How wanting something was like dying of thirst. How your skin was too fine to keep out any of the million things flooding by; every color boiled bright enough to scald you, any second of any day could send you soaring or rip you to bloody shreds.
”
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Tana French (The Secret Place (Dublin Murder Squad, #5))
β€œ
Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
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Tana French (In the Woods (Dublin Murder Squad, #1))
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Rebecca was an academic star. Her new book was on the phenomenon of word casings, a term she'd invented for words that no longer had meaning outside quotation marks. English was full of these empty words--"friend" and "real" and "story" and "change"--words that had been shucked of their meanings and reduced to husks. Some, like "identity" and "search" and "cloud," had clearly been drained of life by their Web usage. With others, the reasons were more complex; how had "American" become an ironic term? How had "democracy" come to be used in an arch, mocking way?
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Jennifer Egan (A Visit from the Goon Squad)
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Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.
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Tana French (The Likeness (Dublin Murder Squad, #2))
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This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.
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Tana French (The Likeness (Dublin Murder Squad, #2))
β€œ
I am not good at noticing when I'm happy, except in retrospect. My gift, or fatal flaw, is for nostalgia. I have sometimes been accused of demanding perfection, of rejecting heart's desires as soon as I get close enough that the mysterious impressionistic gloss disperses into plain solid dots, but the truth is less simplistic than that. I know very well that perfection is made up of frayed, off-struck mundanities. I suppose you could say my real weakness is a kind of long-sightedness: usually it is only at a distance, and much too late, that I can see the pattern.
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Tana French (In the Woods (Dublin Murder Squad, #1))
β€œ
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy β€” had never not been happy β€” and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
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Jennifer Egan (A Visit from the Goon Squad)
β€œ
Why you?” I asked. β€œWhy are you the one here with me? Why isn’t it him?” Grayson’s smile was sad and full of sympathy. β€œI don’t know, Aves, but maybe it’s for the best. You guys are almost seventeen. If it hasn’t happened by now, maybe it’s not supposed to.” β€œI can’t accept that.” β€œDenial isn’t good for you.” β€œIt isn’t denial.” β€œNow you’re denying your denial.” β€œBut look at you,” I said. β€œYou always thought I was like a sister too. If you can change your mind, then he can too. He just needs a wake up call.” β€œHey now, you can’t just go jumping in the shower with every guy you know. That’s totally our thing.
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Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
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You're suicidal.You know how impossible this sounds?" "Yes." I pause. "But I don't really have much choice." "Well,go on.What about the square?" "Diversion." My eyes lock onto Kaede's. "Create chaos in Batalla Square, as much chaos as you can manage. Enough chaos to force most of the soldiers guarding the back exits to enter the square and help contain the crowd-if only for a couple of minutes. That's what the electro-bomb might help you with. Set it off in the air, and it'll shake up the ground in Batalla Hall and around it. It shouldn't hurt anyone, but it'll definitely stir up some panic. And if the guns in the vicinity are disabled,they can't shoot at Day even if they see him escaping along a rooftop.They'll have to chase him or try their luck with less accurate stun guns." "Okay,genius." Kaede laughs, a little too sarcastically. "Let me ask you this, though. How the hell are you going to get Day out of the building at all? You think you're going to be the only soldier escorting him to the firing squad? Other soldiers will probably flank you.Hell,a whole patrol might join you." I smile at her. "There will be other soldiers. But who says they can't be Patriots in disguise?" She doesn't answer me,not in words. But I can see the grin spreading on her face, and I realize that even though she thinks I'm crazy,she has also agreed to help.
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Marie Lu (Legend (Legend, #1))