“
I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I've always loved strong women, which is lucky for me because once you're over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he's not into strong women is fooling himself mindless; he's into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in her makeup bags.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
Somewhere between the shower and the Red Bull I fell in love with you, Aves. I’m talking epically. There is no coming back from a fall like mine.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
You said you were a fairy princess
You said you were a shooting star
You said we'd go to Bora Bora
Now look at where the fuck we are
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Her forehead was a maze of anxious little grooves, from a lifetime of wondering about whether everyone within range was OK.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I love beautiful; always have. I never saw why I should hate what I wish I had. Love it harder. Work your way closer. Clasp your hands around it tighter. Till you find a way to make it yours.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
If anybody fell for anybody in the last few months it was me. I love her, Aiden.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
We were still at the age when girls are years older than guy, and the guys grow up by doing their best when the girls need them to.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I LOVE IT when gods offer to pay for a dinner that’s already free. Almost as much as I love assault squads that show up after the assault.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
We’re having another meeting tonight, if you can come,” Yaakov said. “The soldiers are watching the village very closely,” she said, speaking in a whisper. “They are on the lookout for anyone who might be involved in organizing.”
Arguments continued in all corners of the room. One man vehemently warned, “Anyone involved in advancing reforms or revolution against the government could face prison or a firing squad.
”
”
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle)
“
He’s my best friend, and I love him, but I’m not in love with him
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds?
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I’ve always loved strong women, which is lucky for me because once you’re over about twenty-five there is no other kind.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
We had no one else to learn this from- none of our parents were shining examples of relationship success- so we learned this from each other: when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
It took my breath away, that evening. If you've ever dreamed that you walked into your best-loved book or film or TV program, then maybe you've got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you've been watching for so long, from so far away, open their circle and sweep you into it.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved good-bye and walked out of my life tomorrow, I'd still be the same person I am today.
”
”
Tana French (The Trespasser (Dublin Murder Squad #6))
“
― Question. Would you die for me?
― Yes.
― That's too easy. Will you... Would you live for me? ... Hmm?
― Yes.
― Careful! Do not say this oath thoughtlessly! ... Desire becomes surrender, surrender becomes power. You want this?
― I do.
― Say it. Say it. Say it! Pretty, pretty, pretty, pretty, pretty, pretty, pretty...
― Please?!
― Mm, God, you're so... good!
”
”
Joker & Harley Quinn, Suicide Squad (2016 movie directed by David Ayer)
“
As she laughed I was aware of becoming involved in her laughter and being part of it, until her teeth were only accidental stars with a talent for squad-drill.
”
”
T.S. Eliot
“
He'd say "I love you" to every man in the squad before rolling out, say it straight, with no joking or smart-ass lilt and no warbly Christian smarm in it either, just that brisk declaration like he was tightening the seat belts around everyone's soul.
”
”
Ben Fountain (Billy Lynn's Long Halftime Walk)
“
About your easy heads my prayers
I said with syllables of clay.
What gift, I asked, shall I bring now
Before I weep and walk away?
Take, they replied, the oak and laurel.
Take our fortune of tears and live
Like a spendthrift lover. All we ask
Is the one gift you cannot give.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I loved him, you know,' she said. 'I would have loved him as hard as he'd let me, for the rest of my life.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don't trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals....It lures us to leap off high cliffs, fling ourselves on towering waves, leaves behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
Cherry"
Love
I said real love, it's like feeling no fear
When you're standing in the face of danger
'Cause you just want it so much
A touch
From your real love
It's like heaven taking the place of something evil
And lettin' it burn off from the rush
Yeah, yeah
(Fuck)
Darlin', darlin', darlin'
I fall to pieces when I'm with you, I fall to pieces
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined)
Love, is it real love?
It's like smiling when the firing squad's against you
And you just stay lined up
Yeah
(Fuck)
Darlin', darlin', darlin'
I fall to pieces when I'm with you, I fall to pieces (bitch)
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined, bitch)
My rose garden dreams, set on fire by fiends
And all my black beaches (are ruined)
My celluloid scenes are torn at the seams
And I fall to pieces (bitch)
I fall to pieces when I'm with you
(Why?)
'Cause I love you so much, I fall to pieces
My cherries and wine, rosemary and thyme
And all of my peaches (are ruined, bitch)
Are ruined (bitch)
Are ruined (fuck)
”
”
Lana Del Rey
“
Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Secretly, I still get proud of the ways Rosie and I loved each other. We had no one else to learn from - none of our parents were shining examples of relationship success - so we learned this from each other: when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I have a counteroffer. I'll tell you the job description I really want."
Raine's throat tightened in frustration. If he was going to keep it on this level, it was up to her to force them to the next one. As always.
Seth looked down at his feet. She saw his Adam's apple bob, once. Twice. He met her eyes, with the look of a man who was facing the firing squad. "Full-time lover," he said hoarsely. "Father of your children. Companion in adventure, champion, guardian, protector, helpmeet, mate. Love of you life. Forever.
”
”
Shannon McKenna (Behind Closed Doors (McClouds & Friends #1))
“
Love offers choice, and I made mine - I made the choice my squad had taught me from the moment I met them. Your family is where you find it, and this is mine.
”
”
Amie Kaufman (Aurora's End (The Aurora Cycle, #3))
“
I watched her on the stand in that unfamiliar suit and thought of the soft hairs at the back of her neck, warm and smelling of the sun, and it seemed an impossible thing to me, it seemed the vastest and saddest miracle of my life: I touched her hair, once.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Among Paris's kindred," he continues, "we lost our beloved Geneviève Emmanuelle Lorieux. She died in 1943, executed by firing squad for having smuggled food and medicine to the detainees at the Drancy detention camp. Geneviève was a loving and dedicated wife to Philippe Lorieux, who died barely four months ago. We will miss you, Geneviève.
”
”
Amy Plum (If I Should Die (Revenants, #3))
“
You love me," Abby says, smiling.
Jess leans forward. "Yeah, I really do. This isn't our Romeo and Juliet moment. You're going to be okay. No one is dying.
"No, it's the end. I want a goodbye kiss.
”
”
C.B. Lee (Not Your Sidekick (Sidekick Squad, #1))
“
Out of absolutely nowhere I felt a sudden, sweet shot of joy, piercing and distilled as the jolt I imagine heroin users get when the fix hits the vein. It was my partner bracing herself on her hands as she slid fluidly off the desk, it was the neat practiced movement of flipping my notebook shut one-handed, it was my superintendent wriggling into his suit jacket and covertly checking his shoulders for dandruff, it was the garishly lit office with a stack of marker-labeled case files sagging in the corner and evening rubbing up against the window. It was the realization, all over again, that this was real and it was my life. Maybe Katy Devlin, if she had made it that far, would have felt this way about blisters on her toes, the pungent smell of sweat and floor wax in the dance studios, the early-morning breakfast bells raced down echoing corridors. Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
What’s been coming to Becca, since all this began, is this: real isn’t what they try to tell you. Time isn’t. Grown-ups hammer down all these markers, bells schedules coffee-breaks, to stake down time so you’ll start believing it’s something small and mean, something that scrapes flake after flake off of everything you love till there’s nothing left; to stake you down so you won’t lift off and fly away, somersaulting through whirlpools of months, skimming through eddies of glittering seconds, pouring handfuls of hours over your upturned face.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
There was a great jagged hole where they had ripped out the fireplace; the wall around it was crowded with faded graffiti explain who loved who, who was gay and who should fuck off.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
When you're too close to people, when you spend too much time with them and love them too dearly, sometimes you can't see them. Unless Daniel was bluffing, he had made one last mistake, the same one he had been making all along. He was seeing the other four not as they were but as they should have been, could have been in some softer-edged and warmer world.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
If it hadn't been for Prosper, he might never have learned how to love at all. Because the ability to become attached to people was something that you had to exercise at an early age, if you didn't want to lose it altogether.
”
”
Catherine Jinks (Genius Squad (Genius, #2))
“
And then, too, I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn’t find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Sometimes, when nobody is by your side, you have to become your own cheering squad.
”
”
Chetan Bhagat
“
Now,” he murmured huskily into my ear, licking the skin below my lobe. I shivered. “It’s your turn.”
“Tease.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
Over the years, our society has become fascinated with characters who are not fully evil or fully good, but instead lie somewhere in the middle. Our obsession with antiheroes and antivillains is a result of social ideals being rewritten. We are unmaking the concept of wickedness. As the popularity of the 'heroes' in Batman, The Punisher, and Suicide Squad shows, the lines between heroes and villains have become blurred.
”
”
Samantha Lane (Because You Love to Hate Me: 13 Tales of Villainy)
“
I love messy homes, homes where a woman and kids have left their mark on every inch: sticky finger marks down the walls, trinkets and nests of pastel hair-gadgets on the mantelpiece, that smell of flowery things and ironing.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
What?” The corner of his mouth turned up, his white teeth gleaming in the light.
“Just thinking how hot you are.”
He scoffed and playfully rolled his eyes. “Thanks—but aren’t all firefighters hot? I mean, we do basically live in fire.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
The modern world, which denies personal guilt and admits only social crimes, which has no place for personal repentance but only public reforms, has divorced Christ from His Cross; the Bridegroom and Bride have been pulled apart. What God hath joined together, men have torn asunder. As a result, to the left is the Cross; to the right is Christ. Each has awaited new partners who will pick them up in a kind of second and adulterous union. Communism comes along and picks up the meaningless Cross; Western post-Christian civilization chooses the unscarred Christ.
Communism has chosen the Cross in the sense that it has brought back to an egotistic world a sense of discipline, self-abnegation, surrender, hard work, study, and dedication to supra-individual goals. But the Cross without Christ is sacrifice without love. Hence, Communism has produced a society that is authoritarian, cruel, oppressive of human freedom, filled with concentration camps, firing squads, and brain-washings.
The Western post-Christian civilization has picked up the Christ without His Cross. But a Christ without a sacrifice that reconciles the world to God is a cheap, feminized, colourless, itinerant preacher who deserves to be popular for His great Sermon on the Mount, but also merits unpopularity for what He said about His Divinity on the one hand, and divorce, judgment, and hell on the other. This sentimental Christ is patched together with a thousand commonplaces, sustained sometimes by academic etymologists who cannot see the Word for the letters, or distorted beyond personal recognition by a dogmatic principle that anything which is Divine must necessarily be a myth. Without His Cross, He becomes nothing more than a sultry precursor of democracy or a humanitarian who taught brotherhood without tears.
”
”
Fulton J. Sheen (Life of Christ)
“
One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
When you stop being a kid, you lose your one chance at that too-tender-to-touch gold, that breathtaken everything and forever. Once you start growing up and getting sense, the outside world turns real, and your own private world is never everything again.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
I’ve always loved strong women, which is lucky for me because once you’re over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Considering our states of mind just the week before, it was hard to believe that the five of us could all be so free and happy, so uninhibited, and all dancing at once, but I guess when we joined together and finally opened up, we made more than a star: We made music.
”
”
Willa Strayhorn (The Way We Bared Our Souls)
“
We are LornaCruzCharlotteDelilahIsla and we aren’t afraid of love, even if we’re supposed to be.
”
”
Corey Ann Haydu (The Careful Undressing of Love)
“
Hmm, do you mind if I put out your fire then?” I brushed his earlobe with my upper lip.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
Sometimes, I just want to be comforted—I don’t want to be or appear to be stronger than I am.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
Is it okay?”
I nodded and continued chewing. “Y-you made me my first sub.”
He smiled. “You remembered.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
Are you sure? What about your grandmother?”
He shrugged as though it didn’t matter, and a beaming smile splayed across his mouth. “I’ll be out here with you when I come out.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
You’re scared of sharing me in case you lose me?” - Adan
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
I love the unspoken dress code.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Above the front door the fanlight glowed blue, delicate as wing-bones.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
I threw flips and cartwheels straight across the grass, fuck my imaginary stitches, fuck whether Lexie had done gymnastics, I couldn’t remember the last time I had been this drunk and I loved it. I wanted to dive deeper into it and never come up for air, open my mouth and take a huge breath and drown on this night
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
Well… Five… I just wanted to say rest in peace. To me you are a dead man… I am ashamed that I am related to you. I am ashamed that we have the same bloodline, it is obvious that yours contains a defect in the structure. I’m going to endure the punishment for this gun just because I made the mistake of hanging with a lame. But I swear to God on everything I ever loved… you better change your last fucking name as soon as possible. You will never in your life again be referred to as Powers! Change that shit, or I will kill you with my bare hands the first chance I get. Disconnect yourself bitch!
”
”
David Weaver (Bankroll Squad)
“
when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
I’ll see you later,” I murmured.
“Yeah.” Our foreheads pressed together. Our lips lingered half an inch apart. Thin ropes of dark hair hung over his forehead as sweat glistened across his face in the streetlights.
“Love you.”
“Love you more,” he murmured.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
When you're a little kid, you think people are just one thing; but then you get older, and you realize it's not that simple. Chris wasn't that simple. He was cruel and he was kind. And he didn't like realizing that. It bothered him, that he wasn't just one thing. It made him feel fragile. Like he could break into pieces any time, because he didn't know how to hold himself together. That was why he did that with those other girls, went with them and kept it secret: so he could try out being different things and see how it felt, and he'd be safe. He could be as lovely as he wanted or as horrible as he wanted, and it wouldn't count, because no one else would ever know.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
I have always loved simplicity. With you, everything’s black and white, Richie had said, like an accusation; but the truth is that almost every murder case is, if not simple, capable of simplicity, and that this is not only necessary but breathtaking, that if there are miracles then this is one. In these rooms, the world’s vast hissing tangle of shadows burns away, all its treacherous grays are honed to the stark purity of a bare blade, two-edged: cause and effect, good and evil. To me, these rooms are beautiful. I go into them the way a boxer goes into the ring: intent, invincible, home.
”
”
Tana French (Broken Harbor (Dublin Murder Squad, #4))
“
I don’t like that I didn’t know this essential truth about Theo. I know there’s more to him than I can ever capture and keep close to me, like his fleeting thoughts or his conversations with other people, but this is bigger. It’s so central to his heart, one of my favorite things about him—the way he loves me, the way he loves his parents and sister, the way he loves the squad, the way he loves discovering life’s mysteries and solving them. This
”
”
Adam Silvera (History Is All You Left Me)
“
Our love was insane. Like smiling into the face of a firing squad.
God.
Why were we like this?
The answer soon revealed itself.
Because living without each other was not a life worth living.
Yes, we were crazy. And that was okay.
He would be my remedy. I would be his therapy.
Because we were crazy in love.
”
”
Belle Aurora (Rebirth (RAW Family, #3))
“
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards.
”
”
Tana French (Broken Harbour (Dublin Murder Squad, #4))
“
Are we but mirrors to one another? I'll be your mirror. And you can be mine. It's the nature of this world; I see my damage in your damage. And maybe that's some of the measure of love-- the kindness we give to those who are too damaged to even perceive it. Not falling in love, but staying in it. Regardless of what comes.
”
”
Aleš Kot (Suicide Squad #23)
“
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay."
"No, you don't."
Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you."
Narrowing his eyes, he studied her. "Will you marry me?"
"Yes."
"Will you give me children?"
"If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours."
"In this town that we move to, wherever it is, will you walk down the street with me?"
"Of course."
"Holding my hand?"
"Yes."
"And the hands of my children?"
"Yes."
He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her.
"And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home."
"I don't think that. I love you."
He spun around. "You don't believe in that love, you don't believe in me."
"Yes, I do."
He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze.
"How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?"
He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past.
"If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow?
"If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced?
"If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron?
"If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?"
He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side."
He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned.
"You don't believe in me," he said quietly. "How can you believe in our love?
”
”
Lorraine Heath (Always to Remember)
“
No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved goodbye and walked out of my life tomorrow, I'd still be the same person I am today.
I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit.
”
”
Tana French (The Trespasser (Dublin Murder Squad #6))
“
I’ve wanted to do that since you saved me.” -Lockland
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
On our own, we’d look totally normal. Together, we’re something else. Together, we’re special.
”
”
Corey Ann Haydu (The Careful Undressing of Love)
“
Come, Adan,” Lock ordered. “Come so hard you squeeze every fucking drop of cum from my cock.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
I loved Rosie’s mind. If I could have got inside there, I would happily have spent the rest of my life wandering around, just looking.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Maybe she, like me, would have loved the tiny details and the inconveniences even more dearly than the wonders, because they are the things that prove you belong.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack.
”
”
Tana French (The Likeness (Dublin Murder Squad #2))
“
I laid a hand on his cheek; it was so bright that for a second I thought it was burning me, a pure painless fire.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
Impressed, he watched her disappear into the hellish brew. She was gone. Forever, he thought. Problem solved. He turned from the edge of the platform and dusted off his hands, but then he paused and touched his heart. “What is this? I feel something. Pain? Maybe. Food poisoning? That’s a possibility. Love? Impossible. No way. Could never happen.” The pain was in his heart, and it wasn’t going away. “Nonono… This can’t be. I do not fall in love. Certainly not with a crackpot. I don’t need someone to complete me. I’m loony enough for two families.
”
”
Marv Wolfman (Suicide Squad: The Official Movie Novelization)
“
The world transformed itself around me: the stakes shot up, colors were so beautiful they hurt, life became almost unimaginably sweet and almost unimaginably frightening. It’s so fragile, you know; things are so easily broken. I suppose this may be what it’s like to fall in love, or to have a child, and to know that this could be taken from you at any moment. We were racing at breakneck speed towards the day when everything we had would be at the mercy of a merciless world, and every second was so beautiful and so precarious, it took my breath away.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I LOVE IT when gods offer to pay for a dinner that’s already free. Almost as much as I love assault squads that show up after the assault. I never got the chance to complain about it, though.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
There had been love there. It had looked solid and simple as bread; real. And it felt real to live in, a warm element through which we moved easily and which we breathed in with every breath.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
It’s massively unfair, love. I wish there was something I could say to make it better, but there isn’t. Sometimes things are just really, really bad, and there’s nothing anyone can do about it.
”
”
Tana French (Faithful Place (Dublin Murder Squad #3))
“
Driving to pick up his son, Bennie alternated between the Sleepers and the Dead Kennedys, San Francisco bands he'd grown up with. He listened for muddiness, the sense of actual musicians playing actual instruments in an actual room. Nowadays the quality (if it existed at all) was usually an effect of analogue signaling rather than bona fide tape - everything was an effect in the bloodless constructions Bennie and his peers were churning out. He worked tirelessly, feverishly, to get things right, stay on top, make songs that people would love and buy and download as ring tones (and steal, of course) - above all, to satisfy the multinational crude-oil extractors he'd sold his label to five years ago. But Bennie knew that what he was bringing into the world was shit. Too clear, too clean. The problem was precision, perfection; the problem was digitization, which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. An aesthetic holocaust!
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
We’ve all lost, Noah. But now, it’s about how we pick ourselves up and move forward. Wallowing in the past doesn’t help. The past will always be remembered, and the people we loved will always be special.
”
”
Anna Hackett (Noah (Hell Squad, #6))
“
It was beautiful. I love beautiful; always have. I never saw why I should hate what I wish I had. Love it harder. Work your way closer. Clasp your hands around it tighter. Till you find a way to make it yours.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
It's ok to love someone."
"I know that." I didn't know that. I still don't think I do. It's a little like voluntarily standing in front of a firing squad. Opening myself up to be hurt, since I knoe hurt is inevitable.
”
”
Kacen Callender (This Is Kind of an Epic Love Story)
“
Or possibly- forgive me- you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
But because the whole point of the vow was for none of them to have to feel like this. The point was for one place in their lives to be impregnable. For just one kind of love to be stronger than any outside thing; to be safe.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
What I warn you to remember is that I am a detective. Our relationship with truth is fundamental but cracked, refracting confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies and concealment and every variation on deception. The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely, spending hours and days stupor-deep in lies, and then turn back to her holding out the lover’s ultimate Möbius strip: But I only did it because I love you so much.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….]
I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors:
Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space.
[…] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Why did you come out when you knew how your family would react?” I murmured, wrapping my arms around his waist. I brushed my lips the length of Lock’s neck.
“Because I didn’t want to hide. I hated acting like I was someone I wasn’t.”
“I never did thank you for that sub.”
Lock laughed. “Adan, you’ve thanked me a hundred times over.”
“I don’t recall.”
“Every time we’re together, or when you kiss me, it’s a constant reminder of how we met, and I wouldn’t exchange that for anything.
”
”
Shaye Evans (Seduction Squad (Seduction Squad book 1))
“
he had been lost somewhere in the wild borderlands of nineteen, half in love with his friends with a love passing the love of women, desperate for some mystical rite that would reverse time and put their disintegrating private world back together.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I started thinking about all the other people living there. All those different lives. Even if they were all just cooking dinner, one guy could be making his kid's favorite to cheer her up after a bad day at school, some couple could be celebrating finding out she was pregnant...Every one of them, making dinner out there, every one of them was thinking something all their own. Loving someone all their own. Every time I was up there, it hit me harder. That kind of life: it's beautiful, after all.
”
”
Tana French (Broken Harbor (Dublin Murder Squad, #4))
“
And then there are those you stop counting the years with because they are here to stay.
They are here. And they aren't going anywhere.
Nothing will make them flinch.
Nothing will make them think twice.
They know you at your worst,
the worst you didn't even know you had.
They know the sound of your mood swings, the color of your anger, how you curse when you curse, how you shout when you throw a tantrum. They know when you're avoiding a subject. They know when you're lying. They know when you're jealous. They know your vices by heart and they celebrate them. They celebrate you-- vices included.
They know your lost dreams and how life fucked you over. They know the battles you lost. And they think your fabulous when you think you're just an unlucky mediocre person who once thought will make it big in life.
They know the last time you were happy. They see the unspoken sadness in your eyes. They know the words behind your silence. They know the photographs playing in your mind when you're looking afar.
They know YOU, the naked YOU, the raw YOU, not the embellished YOU people see, not the YOU that will be read in biographies or in elegies once you're dead, not the YOU that introduces you to others.
They love you from the bottom of their heart. They are your family regardless of their blood. They are your squad. They are your people.
And no matter how many times you make them open the door, they can't walk out. They just can't. Because, just sometimes, when people say forever, they mean it. They do.
”
”
Malak El Halabi
“
It was the sheer blazing courage of it that hit me first: the passion of trust it would take, to put your future where your mouth was, no half measures, scoop up all your tomorrows and put them so deliberately, so simply, in the hands of the people you loved best.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
If you’ve ever dreamed that you walked into your best-loved book or film or TV program, then maybe you’ve got some idea how it felt: things coming alive around you, strange and new and utterly familiar at the same time; the catch in your heartbeat as you move through the rooms that had such a vivid untouchable life in your mind, as your feet actually touch the carpet, as you breathe the air; the odd, secret glow of warmth as these people you’ve been watching for so long, from so far away, open their circle and sweep you into it.
”
”
Tana French (The Likeness (Dublin Murder Squad #2))
“
It does that to you, being a detective. You look at blank space and see gears turning, motives and cunning; nothing looks innocent any more. Most times when you prove away the gears, the blank space looks lovely, peaceful. But that arm: innocent, it looked just as dangerous.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
Oh, Frank. That’s lovely of you. But she’s not in New York or San Francisco, anywhere that . . .” Mum looks at the wineglass in her hand, bewildered, and puts it down on the counter. “She’s in Minnesota, a smallish town there. That’s where her husband’s from. I don’t know if . .
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
Just dinner?"
If there was a God in heaven, no was the answer to that.
"Whatever else is up to you and that little voice inside you telling you to jump my bones like a trampoline, darlin'."
This time she did roll her eyes. "How charming."
"Trust me, my charm isn't what the ladies love most about me.
”
”
Avery Flynn (Bang (B-Squad, #2))
“
Julia doesn’t like James Gillen, but that’s not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours.
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely, spending hours and days stupor-deep in lies, and then turn back to her holding out the lover's ultimate Möbius strip: But I only did it because I love you so much.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I rent," I said. "I'm probably two paychecks from the street. It doesn't bother me."
Daniel nodded, unsurprised. "Possibly you're braver than I am," he said. "Or possibly - forgive me - you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding on to, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
A best friend, the kind I read about in books . Everyone had best friends in the books I've loved, the ones about ordinary girls like me. They had multiple best friends, sometimes. Whole squads of them. A lot of the time they made me feel lonely in my own friendless reality, but I kept reading them. I devoured them, learning how to be a good best friend, so one day-one day- I'd be ready.
”
”
Sara Barnard
“
A Retir’d Friendship Here let us sit and bless our Starres Who did such happy quiet give, As that remov’d from noise of warres. In one another’s hearts we live. Why should we entertain a feare? Love cares not how the world is turn’d. If crouds of dangers should appeare, Yet friendship can be unconcern’d. We weare about us such a charme, No horrour can be our offence; For mischief’s self can doe no harme To friendship and to innocence. Katherine Philips
”
”
Tana French (The Secret Place (Dublin Murder Squad, #5))
“
The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
I’ve always loved strong women, which is lucky for me because once you’re over about twenty-five there is no other kind. Women blow my mind. The stuff that routinely gets done to them would make most men curl up and die, but women turn to steel and keep on coming. Any man who claims he’s not into strong women is fooling himself mindless: he’s into strong women who know how to pout prettily and put on baby voices, and who will end up keeping his balls in their makeup bags.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Yeah,’ I said. ‘A place of our own.’ That was what I wanted: a bed where Rosie and I could sleep through the night in each other’s arms, wake up in the morning wrapped together. I would have given anything, anything at all, just for that. Everything else the world had to offer was gravy. I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop on women in cafés while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? I never once bought Rosie flowers–too hard for her to explain at home–and I never once wondered whether her ankles looked exactly the way they were supposed to. I wanted her, all mine, and I believed she wanted me.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe #5))
“
The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other’s hands.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
The people and events that had come along and healed me never went unnoticed. My dad pointed out recently that after my botched baptism, I started to gather people--congregants, squads, cheerleaders. I knew in some way that if I was ever going to see this or any dream come true, I needed people. I now realized where this instinct had come from. It was an early childhood tactic that I had been given by being the first child born on both sides of my family. I was adored by my grandparents, parents, and aunts and uncles. Showered with affection. that religious rejection was enough to send me back to one of my earliest and most primitive instincts: to simply surround myself with love and acceptance. It saved my life many times.
”
”
Brandi Carlile (Broken Horses)
“
He grabbed her by the shoulders and stared into her soul with his madly hypnotic eyes, the same color as his chemical birthplace. “Would you die for me?” he asked. Quinzel nodded with certainty. “Yes.” “No. That’s too easy.” He leaned in closer, his eyes drawing her in. “Would you live for me?” He then smiled The Smile, and it scared the hell out of her. Quinzel trembled. There was a power about him she could not deny, and she wanted that power to ravage her. He was a lion about to swallow a mouse, and she could hardly wait another instant to be devoured. But he wouldn’t let her go. Not now. Not yet. “Will you embrace me and only me?” he demanded. She nodded vigorously. Of course. There’ll never be anyone else. “Will you bind your spirit to mine, in hate?” If not you, who else? Bind me. Bind me any way you want. “Do you consign your soul to me?” Duh. What do you think I’ve been trying to do? C’mon. Let’s do this already. “Do you laugh at the world in disgust?” Always have. Always will. ’Specially if we can laugh at it together. All she said to him was, “Yes.” Joker backed away. He stared at her, studied her. He was the doctor now, and she the patient, but he still needed to make sure. “Do not say this oath thoughtlessly,” he said, his expression serious. “Desire becomes surrender. Surrender becomes power. Do you want it? Do you really want it?” She looked at him with undying love in her eyes. “I do,” she joyously said. “I do.” “Then goodbye, Dr. Quinzel.” He
”
”
Marv Wolfman (Suicide Squad: The Official Movie Novelization)
“
Liberals: Liberty-loving liberals founded our country and enshrined its freedoms. Dedicated, fair-minded liberals ended slavery and brought women the vote. Hardworking liberals fought the goon squads and won workers’ rights: the eight-hour day, the weekend, health plans, and pensions. Courageous liberals risked their lives to win civil rights. Caring liberals have made the vulnerable elderly secure with Social Security and healthy with Medicare. Forward-looking liberals have extended education to everyone. Liberals who love the land have been preserving our environment so you can enjoy it. Nobody loves liberty and life more than a liberal. When conservatives say you’re on your own, we liberals know we’re all in this together. “Liberal
”
”
George Lakoff (Thinking Points: Communicating Our American Values and Vision)
“
Now the moment had arrived. Birgit took her place beside him in the command car. She pulled up her large striped cotton dirndl skirt made by her fellow national, Katya of Sweden, and looked around with an excited smile. But to onlookers it was more like the strained expression of a Swedish farm woman in a Swedish outhouse in the dead of a Swedish winter. She was trying to restrain her excitement at the sight of all those naked limbs in the amber light. From the shoulders up she had the delicate neckline and face of a Nordic goddess, but below her body was breastless, lumpy with bulging hips and huge round legs like sawed-off telegraph posts. She felt elated, sitting there with her man who was leading these colored people in this march for their rights. She loved colored people. Her eyeblue eyes gleamed with this love. When she looked at the white cops her lips curled with scorn. A number of police cruisers had appeared at the moment the march was to begin. They stared at the white woman and the colored man in the command car. Their lips compressed but they said nothing, did nothing. Marcus had got a police permit. The marchers lined up four abreast on the right side of the street, facing west. The command car was at the lead. Two police cars brought up the rear. Three were parked at intervals down the street as far as the railroad station. Several others cruised slowly in the westbound traffic, turned north at Lenox Avenue, east again on 126th Street, back to 125th Street on Second Avenue and retraced the route. The chief inspector had said he didn’t want any trouble in Harlem. “Squads, MARCH!” Marcus shouted over the amplifier.
”
”
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
“
The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don’t trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals. When I was a teenager, that smell used to set me boiling, spark my muscles like electricity, bounce me off the walls of the caravan till my parents sprang me free to obey the call, bounding after whatever tantalizing once-in-a-lifetimes it promised. Now I know better. That smell is bad medicine. It lures us to leap off high cliffs, fling ourselves on towering waves, leave behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore.
”
”
Tana French (Broken Harbor (Dublin Murder Squad #4))
“
I listen to the things people want out of love these days and they blow my mind. I go to the pub with the boys from the squad and listen while they explain, with minute precision, exactly what shape a woman should be, what bits she should shave how, what acts she should perform on which date and what she should always or never do or say or want; I eavesdrop of women in cafes while they reel off lists of which jobs a man is allowed, which cars, which labels, which flowers and restaurants and gemstones get the stamp of approval, and I want to shout, Are you people out of your tiny minds? I never once bought Rosie flowers—too hard for her to explain at home—and I never once wondered whether her ankles looked exactly the way they were supposed to. I wanted her, all mine, and I believed she wanted me. Till the day Holly was born, nothing in my life has ever been so simple.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Possibly you're braver than I am," he said. "Or possibly--forgive me--you simply haven't decided what you want from life yet; you haven't found anything that you truly want to hold onto. That changes everything, you know. Students and very young people can rent with no damage to their intellectual
freedom, because it puts them under no threat: they have nothing, yet, to lose. Have you noticed how easily the very young die? They make the best martyrs for any cause, the best soldiers, the best suicides. It's because they're held here so lightly: they haven't yet accumulated loves and responsibilities and commitments and all the things that tie us securely to this world. They can let go of it as easily and simply as lifting a finger. But as you get older, you begin to find things that are worth holding onto, forever. All of a sudden you're playing for keeps, as children say, and it changes the very fabric of you.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
She is waiting for me when I step outside of school at the end of the day, her sturdy frame standing by the passenger door of my papaw's small truck, waving. Yes,waving-ildly, with both arms in the air,and catching herself on the door when she loses her balance.
Mortified,I attempt a nonchalant wave to the other girls on my squad. Practice actually went well today.I like the girls and I'm on top of all the pyraminds, which is cool.
What is not cool is my grandmother shouting my name and motioning at me like an escaped mental patient who has taken a day job landing planes.I sprint over to their truck, which is parked diagonally across to handicapped spots, as quickly as I can.
"I'm here, gosh! Stop yelling," I say.
"Comee here, baby," she says, and before I know it, she's pressing me against her massive bosom in a bear hug, slapping my back and cooing into my ear. "You're Mamaw's baby, ain't ya? Yes, Mamaw's sure happy to see you."
There is no escape.Because I am too short and scrawny and no match for her brute grandchild-love strength, I wait it out.
”
”
Alecia Whitaker (The Queen of Kentucky)
“
One of the few perks of the shit so monumentally hitting the fan is you discover who your real tribe is. It’s the only way through. So make sure you find yours, Kit.”
“Okay,” I say, and start assembling my team in my head. I think back to middle school, when we’d have to pick players for dodgeball in gym. David was always chosen last. I imagine him standing there, looking two feet above everyone else’s heads, his hands flapping at his sides—something he still does occasionally, though I’m not sure he realizes it—and I want to go back in time and hug him, whisper in his ear that he can come stand by me. Tell him if he gets tired of flapping, he can hold my hand instead.
“I very much hope you’ll consider including me,” my mom says in her quietest voice, and I realize this is the closest someone like my mother gets to begging. When I don’t immediately respond, she says, “At the very least, hashtag squad goals.”
I laugh. My mom loves to try to talk like a teenager. A few weeks ago, I overheard her on the phone complaining about how she was tired of adulting and the last time we watched a romantic comedy together, she wanted to ship all the secondary characters.
“Yeah, we can work on that,” I say, and realize just how much I’ve missed my mom recently. How I can’t make it through without her. That there will always be room in my tribe
”
”
Julie Buxbaum (What to Say Next)
“
My God. How can people be so cruel and thoughtless? They should be thanking you for your service!” “That’s even worse! What the fuck do they think they’re thanking me for? They don’t know what I did over there! They don’t understand that I’ve got seconds to make a judgment call that will either save my guys or end someone’s life—and that someone could be an enemy combatant or it could be a civilian. A farmer. A woman. A child. Or it could be both! That’s the real fucked-up part of it. It could be both a child and the enemy. That kid you’ve been giving candy and comic books to? The one that brought you fresh bread and knows your name and taught you a few words in his language? Is he the one reporting your position? Did he pull the trigger wire on the IED that killed your friend and wounded every single guy in your squad? Has he been the enemy all along? Is it your fault for talking to him?” I was so shocked, I didn’t know what to say. Tears burned my eyes, and my chest ached as I raced along beside him. “Oh, Ryan, no. Of course it isn’t.” “It is. I should have known. I let them down.” “You didn’t,” I said, trying to touch his arm, but he shrugged me off, refusing to be comforted. “And how about the time Taliban fighters lined up women and children as shields behind a compound wall while they fired at you, only you didn’t realize what they’d done until after you’d fired back, killing dozens of innocents?” The tears dripped down my cheeks, but I silently wiped them away in the dark. This wasn’t about me, and I didn’t want him to stop if he needed to get these things out. “Or how about the farmer I killed that didn’t respond to warning shots, the one whose son later told us was deaf and mute? Should I be thanked for that?” I could see how furious and heartsick he was, and I hated that I’d brought this on. “Yes,” I said firmly, although I continued to cry. “Because you’re brave and strong and you did what you were trained to do, what you had to do.
”
”
Melanie Harlow (Only Love (One and Only, #3))
“
De Villiers was shortlisted for the South African national hockey squad,’ the article says. True or false? False. In truth, I played hockey for one year at high school and was a member of the Afrikaanse Hoër Seunskool Under-16A team that beat our near neighbours and rivals at Pretoria Boys’ High for the first time, but I was never shortlisted for the national hockey squad, or ever came remotely close to that level. ‘De Villiers was shortlisted for the South African national football squad,’ the article says. True or false? False. I have never played any organised football (soccer). We used to kick a ball around during break at school and the game has become part of the Proteas’ warm-up routine. That is all. ‘De Villiers was the captain of South Africa junior rugby,’ the article says. True or false? False. I played rugby at primary school and high school, and enjoyed every minute, but I never represented South Africa at any level, either at SA Schools or SA Under-20, and was never captain. ‘De Villiers is still the holder of six national school swimming records,’ the article says. True or false? False. As far as I recall, I did set an Under-9 breaststroke record at Warmbaths Primary School but I have never held any national school swimming records, not even for a day. ‘De Villiers has the record fastest 100 metres time among South African junior sprinters,’ the article says. True or false? False. I did not sprint at all at school. Elsewhere on the Internet, to my embarrassment, there are articles in which the great sprinter Usain Bolt is asked which cricketer could beat him in a sprint and he replies ‘AB de Villiers’. Maybe, just maybe, I would beat him if I were riding a motorbike. ‘De Villiers was a member of the national junior Davis Cup tennis team,’ the article says. True or false? Almost true. As far as I know, there was no such entity as the national junior Davis Cup team, but I did play tennis as a youngster, loved the game and was occasionally ranked as the national No. 1 in my age group. ‘De Villiers was a national Under-19 badminton
”
”
A.B. de Villiers (AB de Villiers - The Autobiography)
“
Have you written to Emmie?” “I write to them both,” St. Just replied, chugging some cold lemonade. “Emmie chided me to observe the proprieties, so I have not written to her, precisely.” “If you did write, just to her, what would you write?” St. Just sat back, more relaxed than he’d been in days for having had a good gallop. “I would tell her I miss her, that I am scared of being around people all the time, but only marginally less scared when alone. I’m afraid of the next rainy night, still, and I miss Winnie more than I thought I would. Winnie is just… good. Innocent, you know? I would tell her I am not sleeping as well as I did in Yorkshire, but I am managing not to drink much, so far. I would tell her—” “Yes?” Douglas cocked his head, no doubt surprised at the raw honesty of these sentiments. “I would tell her I was better when I could smell fresh bread in every corner of my house and know she was busy in my kitchen. I would tell her there are no stone walls here for me to beat my head against, and I miss her.” “Emmie is a stone wall?” Douglas eyed his water, his expression perplexed. “In a sense.” St. Just grinned ruefully. “A good sense.” Douglas rose to his feet. “If I were you, I would start writing.” “I’m not passing along such drivel to such a sensible woman.” St. Just rose, as well, and eyed Douglas a little uncertainly. “She’d think my wits had gone begging.” “It isn’t your wits,” Douglas said sternly. He pulled St. Just into his arms, not for a quick, self-conscious, furtive male hug, but for an embrace, full of affection and protectiveness. “It’s your heart, you ass. Now listen to me.” He put a hand on the back of St. Just’s head, effectively preventing St. Just from doing aught but remaining pliant in his arms. “I love you, and I am proud of you. I am grateful for the years you spent defending me and mine, and I will keep you in my prayers each and every night. Write to me, or I will tattle to Her Grace, Rose, and Winnie.” “A veritable firing squad of guilt,” the earl said, stepping back. He turned his back on Douglas and reached for a linen napkin on the tea cart. “Damn you, Amery.” Douglas stepped up behind him and offered him one last pat on the shoulder. “You’ll be all right, Devlin. Just keep turning toward the light, no matter how weak, shifting, or uncertain. Write to me, and know you are always welcome in my house, under any circumstances, no matter what.” St.
”
”
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
“
Real Quick"
[Intro:]
Valuable lesson, man I had to grow up
That's why I never ask for help
I'll do it for you niggaz and do it for myself
[Chorus:]
I go 0 to 100 nigga, real quick
Real quick, whole squad on that real shit
0 to 100 nigga, real quick
Real quick, real fuckin quick nigga
0 to 100 nigga, real quick
Real quick, whole squad on that real shit
0 to 100 nigga, real quick
Real quick, real fuckin quick nigga!
[50 Cent:]
I'll run my blade 'cross a nigga ass {"real quick"}
I'm so for real I'm on some real real nigga shit
You playin boy I'll get you hit {"real quick"}
You better hope the parademics come {"real quick"}
Got me fucked up you think it's different now a nigga rich
Before I get to cuttin know you niggaz better cut the shit
Boy, you gon' have ya head popped, pull a trigger for me
And my lil' niggaz trigger op' like it's legal homie
No game when I bang, boy I empty the clip
You run like a bitch, you ain't 'bout that shit
Hey hey hey hey, I'll catch you another day day day day
It's the Unit back to the bullshit
[Tony Yayo:]
Yeah! Nothin in life is out of bounds
AK hold about a hundred rounds
60 shots like K.D. at the Rucker's
Okay! When I see you on respirators
Southside nigga 'til the day I'm gone
Indulge in the violence when the drama on
Yeah, these rap niggaz lukewarm
I'm two sleeves of dope, when the mic on
[Chorus]
[Kidd Kidd:]
Real quick, Rida Gang fuck nigga, huh!
Don't Tweet me, see me when you see me
Down to make the news just to say that I'm on TV (Kidd Kidd)
This clip rated R, niggaz PG
Them shells burn like a bootleg CD (huh?)
Fuck love, I want the money
When you get too much of it they gon' say you actin funny
"Kidd, how you feel now that the Unit's back?"
Like a million bucks, muh'fucker do the math!
[Young Buck:]
Cold-blooded, boy my heart don't feel shit
Get with me, ask 50, I'll take the hit {"real quick"}
Balenciagas, you can still get ya ass kicked
Take a rapper nigga bitch and make a real flick
I know I'm different from what you usually be dealin with
Don't need a mic, give me some white to make a million with
Single borough, six shots on the Brooklyn Bridge
I'll let the nigga Drake tell you what I just did (yeah)
[Chorus]
[Lloyd Banks:]
Nigga gettin money new to you (uh)
I give a fuck if shit get ugly, there'll be a beautiful funeral
You fit the script I'm gon' assume it's true
Can't manuever through the street without a strategy, ain't nobody to tutor you
And man was lucky Unit's through, you know why he flows
15 years, switchin dealers like casinos
And my goon'll clip you on the arm (uhh)
I'm out the country every week and dumpin ash out on the Autobahn
Auto-pilot's always on
Rather better livin, I've been [?] green bills callin me all day long
This is homicide, more tears in your mama eyes
More reason to wake up, real niggaz arrive
[Chorus]
”
”
G-Unit
“
Hemingway took his hands off the wheel and spat out of the window. “We’re on a nice street here, ain’t we? Nice homes, nice gardens, nice climate. You hear a lot about crooked cops, or do you?”
“Once in a while,” I said.
“Okey, how many cops do you find living on a street even as good as this, with nice lawns and flowers? I’d know four or five, all vice squad boys. They get all the gravy. Cops like me live in itty-bitty frame houses on the wrong side of town. Want to see where I live?”
“What would it prove?”
“Listen, pally,” the big man said seriously. “You got me on a string, but it could break. Cops don’t go crooked for money. Not always, not even often. They get caught in the system. They get you where they have you do what is told them or else. And the guy that sits back there in the nice big corner office, with the nice suit and the nice liquor breath he thinks chewing on them seeds makes smell like violets, only it don’t—he ain’t giving the orders either. You get me?”
“What kind of a man is the Mayor?”
“What kind of guy is a mayor anywhere? A politician. You think he gives the orders? Nuts. You know what’s the matter with this country, baby?”
“Too much frozen capital, I heard.”
“A guy can’t stay honest if he wants to,” Hemingway said. “That’s what’s the matter with this country. He gets chiseled out of his pants if he does. You gotta play the game dirty or you don’t eat. A lot of bastards think all we need is ninety thousand FBI men in clean collars and brief cases. Nuts. The percentage would get them just the way it does the rest of us. You know what I think? I think we gotta make this little world all over again. Now take Moral Rearmament. There you’ve got something. M.R.A. There you’ve got something, baby.”
“If Bay City is a sample of how it works, I’ll take aspirin,“ I said.
“You could get too smart,” Hemingway said softly. “You might not think it, but it could be. You could get so smart you couldn’t think about anything but bein’ smart. Me, I’m just a dumb cop. I take orders. I got a wife and two kids and I do what the big shots say. Blane could tell you things. Me, I’m ignorant.
”
”
Raymond Chandler (Farewell My Lovely (Philip Marlowe #2))
“
I love you, Luna. I’ve tried to fight it for so long, but why fight something so good? I know I don’t deserve you, and after everything I’ve put you through, I don’t expect you to feel the same. But I want you to know nonetheless.
”
”
G.K. DeRosa (Supernatural Slayer Squad (Darkblood Academy, #2))
“
Early in his life, Dostoevsky underwent a virtual resurrection. He had been arrested for belonging to a group judged treasonous by Tsar Nicholas I, who, to impress upon the young parlor radicals the gravity of their errors, sentenced them to death and staged a mock execution. A firing squad stood at the ready. Bareheaded, robed in white burial shrouds, hands bound tightly behind them, they were paraded through the snow before a gawking crowd. At the very last instant, as the order, “Ready, aim!” was heard and rifles were cocked and lifted, a horseman galloped up with a message from the tsar: he would mercifully commute their sentences to hard labor. Dostoevsky never recovered from this experience. He had peered into the maw of death, and from that moment life became for him precious beyond all calculation. “Now my life will change,” he said; “I shall be born again in a new form.” As he boarded the convict train toward Siberia, a devout woman handed him a New Testament, the only book allowed in prison. Believing that God had given him a second chance to fulfill his calling, Dostoevsky pored over that New Testament during his confinement. After ten years he emerged from exile with unshakable Christian convictions, as expressed in a letter to the woman who had given him the New Testament, “If anyone proved to me that Christ was outside the truth … then I would prefer to remain with Christ than with the truth.” Prison offered Dostoevsky another opportunity, which at first seemed a curse: it forced him to live at close quarters with thieves, murderers, and drunken peasants. His shared life with these prisoners later led to unmatched characterizations in his novels, such as that of the murderer Raskolnikov in Crime and Punishment. Dostoevsky’s liberal view of the inherent goodness in humanity could not account for the pure evil he found in his cell mates, and his theology had to adjust to this new reality. Over time, though, he also glimpsed the image of God in the lowest of prisoners. He came to believe that only through being loved is a human being capable of love.
”
”
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
“
Communism has chosen the Cross in the sense that it has brought back to an egotistic world a sense of discipline, self-abnegation, surrender, hard work, study, and dedication to supra-individual goals. But the Cross without Christ is sacrifice without love. Hence, Communism has produced a society that is authoritarian, cruel, oppressive of human freedom, filled with concentration camps, firing squads, and brain-washings.
”
”
Fulton J. Sheen (Life of Christ)
“
De Vincenzi put his hand on the shiny black box, touching it almost lovingly. “My dear, tyrannical telephone! It’s this which, during the long hours of waiting at night, connects me to the city… I’m exaggerating. Let’s say to the world, my world as a policeman, head of the flying squad. Through it alarmed voices reach me, the first desperate pleas.” He smiled indulgently, as if sorry for himself. “For the most part, they are doormen awakened by the noise of burglars or the abrupt bang of a revolver or just by the din of a party of nocturnal troublemakers. Look at it! It’s chunky, black, inexpressive. For you, nothing but a black box with a silly mouthpiece and a green cord. But for me it has a thousand voices, a thousand faces, a thousand expressions. When it rings, I already know whether it’s bringing an ordinary administrative request or is about to announce some new drama, some tragic crime of passion.
”
”
Augusto De Angelis (The Murdered Banker)
“
Love my new therapists Carly&Jessica! so much! They're the best therapists that I can talk to them about everything! Lol! 100% Savage Queens Squad for life!
”
”
100% Savage Queen Sarah
“
So excited to see my fav 100% Savage Korean Fam in Korea soon in November 9! Love them so much and 100% Savage Fam Squad for life! Love my fav 100% Savage Cousins Sam, David&Ashley so much! They're the best 100% Savage cousins for life! 100% Savage Fam Squad for life! They&I treat each other so well as 100% Savage Kings&100% Savage Queens to each other! They love to be called as 100% Savage Kings&100% Savage Queens to each other! Lol! They&I are 100% Savage Kings&100% Savage Queens for life in my 100% Savage Kingdom!
”
”
100% Savage Queen Sarah
“
My Fav 100% Savage Friends are on my side, by my side in my fucking way. in my fav 100% Savage Friends Squad's Kingdom. Don't mess with me&them! Hmm. Love them&they're there to protect me including each other. We don't give a fuck about rude people. My Fav 100% Savage Friends Squad for life. I'm 100% Savage/so emotional&so sensitive queen forever.
”
”
100% Savage Queen Sarah
“
Grief. It doesn’t go away entirely.
Some days, you think you’ve forgotten that you’ve lost someone important, and other days, it’s all you can think about. It comes and goes, like a wave. If you’re loved, and if you love, grief is a thing you’ll experience eventually. It means you’re human, Callie
”
”
Chantel Acevedo (Muse Squad: The Mystery of the Tenth (Muse Squad, 2))
“
You also need a strong village to hold you up in the times when you can’t. If people demean you or make you feel like you aren’t worth loving or defending, your squad will remind you of who you are. If you doubt everything you know about you, they bring you back to what you stand for. The real ones don’t go running after you fall on your ass. Who is there taking your hand and pulling you back on your feet? Remember them. My accomplishments might be half because of my drive and the other half because I don’t come from half-stepping people. The people who I love do amazing shit, so that’s also my job. If they were slackers, maybe I’d feel less pressure to always GO. Without competition or envy, we can compare ourselves to them with the lens of “Well if it’s possible for her, it’s possible for me.” My crew normalizes winning.
”
”
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
“
There is, of course, no reason why the new totalitarianisms should resemble the old. Government by clubs and firing squads, by artificial famine, mass imprisonment and mass deportation, is not merely inhumane (nobody cares much about that nowadays); it is demonstrably inefficient - and in an age of advanced technology, inefficiency is the sin against the Holy Ghost. A really efficient totalitarian state would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude … If persecution, liquidation [killing] and other symptoms of social friction are to be avoided, the positive sides of propaganda must be made as effective as the negative. The most important Manhattan Projects of the future will be vast government-sponsored inquiries into what the politicians and the participating scientists will the call 'the problem of happiness' - in other words, the problem of making people love their servitude … The love of servitude cannot be established except as the result of a deep personal revolution in human minds and bodies.
”
”
Aldous Huxley
“
squad care”—a way to be in relationship with people committed to caring for one another: “Squad care reminds us there is no shame in reaching for each other and insists the imperative rests not with the individual, but with the community. Our job is to have each other’s back.
”
”
Valarie Kaur (See No Stranger: A Memoir and Manifesto of Revolutionary Love)
“
A lot of people think they have no platform. You do. Your platform is your kin, squad, colleagues. Do the work close to home so you can have far-reaching consequences. We are most easily moved by the words that come out of the mouths of our loved ones. —
”
”
Luvvie Ajayi Jones (Professional Troublemaker: The Fear-Fighter Manual)
“
She’s calm and happy now that Scotty loves her. I can’t tell if she’s actually real, or if she’s stopped caring if she’s real or not. Or is not caring what makes a person real?
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
A Prayer about Normal Trials Blessed be the God and Father of our Lord Jesus Christ! According to his great mercy, he has caused us to be born again to a living hope through the resurrection of Jesus Christ from the dead, to an inheritance that is imperishable, undefiled, and unfading, kept in heaven for you, who by God’s power are being guarded through faith for a salvation ready to be revealed in the last time. In this you rejoice, though now for a little while, as was necessary, you have been grieved by various trials, so that the tested genuineness of your faith—more precious than gold that perishes though it is tested by fire—may be found to result in praise and glory and honor at the revelation of Jesus Christ. (1 Pet. 1:3–7) Heavenly Father, today I need a fresh supply of persevering grace, for the “all kinds of trials” of life are sapping my spirit and weighing me down. I need to be reassured that you are refining my faith and not just ignoring me. I feel tired, weary, disillusioned, and a simmering anger is emerging in my spirit. A part of me just says, “Buck up, you woozy whiner!” But I think the gospel offers a better way. Honestly, I’m embarrassed to even speak of my trials, because I didn’t go to sleep hungry or thirsty last night, I didn’t hear gunfire echoing through my neighborhood, there’s no plague pillaging my community, I don’t live with the fear of my children being sold into slavery, and my government isn’t threatening the exercise of my faith. These are realities with which many of my brothers and sisters in Christ live on a daily basis. For me, it’s more like swimming in a pool of tiny piranha just nibbling away at my joy, energy, and peace. Please give me grace perfectly suited for the demands and the dailiness of normal life—in this body with aging joints and a leaking memory; among fellow sinner-saints who, like me, love inconsistently; in unresolved stories from the past and present of brokenness and weakness; in the face of minor injustices and a lack of common mercies; when cars, plumbing, air conditioners, and other stuff just break; when people don’t say “thank you,” people drive like maniacs, and pets pee on the carpet. Lord, in all these things, I want your hand and heart to be at work. I want to know what a man of faith looks like, not just when I am praying for daily bread or facing a firing squad but when I’m living out the implications of the gospel in the daily messiness of normal life. I pray in Jesus’ tender name. Amen.
”
”
Scotty Smith (Everyday Prayers: 365 Days to a Gospel-Centered Faith)
“
Real Quick
[Intro:]
Valuable lesson, man I had to grow up
That's why I never ask for help
I'll do it for you niggaz and do it for myself
[Chorus:]
I go 0 to 100 nigga, real quick
Real quick, whole squad on that real shit
0 to 100 nigga, real quick
Real quick, real fuckin quick nigga
0 to 100 nigga, real quick
Real quick, whole squad on that real shit
0 to 100 nigga, real quick
Real quick, real fuckin quick nigga!
[50 Cent:]
I'll run my blade 'cross a nigga ass {"real quick"}
I'm so for real I'm on some real real nigga shit
You playin boy I'll get you hit {"real quick"}
You better hope the parademics come {"real quick"}
Got me fucked up you think it's different now a nigga rich
Before I get to cuttin know you niggaz better cut the shit
Boy, you gon' have ya head popped, pull a trigger for me
And my lil' niggaz trigger op' like it's legal homie
No game when I bang, boy I empty the clip
You run like a bitch, you ain't 'bout that shit
Hey hey hey hey, I'll catch you another day day day day
It's the Unit back to the bullshit
[Tony Yayo:]
Yeah! Nothin in life is out of bounds
AK hold about a hundred rounds
60 shots like K.D. at the Rucker's
Okay! When I see you on respirators
Southside nigga 'til the day I'm gone
Indulge in the violence when the drama on
Yeah, these rap niggaz lukewarm
I'm two sleeves of dope, when the mic on
[Chorus]
[Kidd Kidd:]
Real quick, Rida Gang fuck nigga, huh!
Don't Tweet me, see me when you see me
Down to make the news just to say that I'm on TV (Kidd Kidd)
This clip rated R, niggaz PG
Them shells burn like a bootleg CD (huh?)
Fuck love, I want the money
When you get too much of it they gon' say you actin funny
"Kidd, how you feel now that the Unit's back?"
Like a million bucks, muh'fucker do the math!
[Young Buck:]
Cold-blooded, boy my heart don't feel shit
Get with me, ask 50, I'll take the hit {"real quick"}
Balenciagas, you can still get ya ass kicked
Take a rapper nigga bitch and make a real flick
I know I'm different from what you usually be dealin with
Don't need a mic, give me some white to make a million with
Single borough, six shots on the Brooklyn Bridge
I'll let the nigga Drake tell you what I just did (yeah)
[Chorus]
[Lloyd Banks:]
Nigga gettin money new to you (uh)
I give a fuck if shit get ugly, there'll be a beautiful funeral
You fit the script I'm gon' assume it's true
Can't manuever through the street without a strategy, ain't nobody to tutor you
And man was lucky Unit's through, you know why he flows
15 years, switchin dealers like casinos
And my goon'll clip you on the arm (uhh)
I'm out the country every week and dumpin ash out on the Autobahn
Auto-pilot's always on
Rather better livin, I've been [?] green bills callin me all day long
This is homicide, more tears in your mama eyes
More reason to wake up, real niggaz arrive
[Chorus]
”
”
Drake
“
Her name was Jane,” I said, and Olivia stopped walking. “We were together for two years, married after a few months. I was happy, genuinely happy. Even though she was human, and I knew I’d outlive her, I just wanted to enjoy the time that we had together. “It all ended on a damp November morning in seventeen eighty-two. I’d been away working for Avalon for a few months and had been eager to get home. I found her inside the house we’d shared. She’d been butchered. Her blood decorated our bedroom. She was naked and appeared to have been dead for several days. My rage was…terrifying. I buried Jane with my own hands, placing her near a field that we used to love going to. And then I burnt the house to the ground.” Olivia’s shoulders sagged, but she didn’t turn and face me. “I hunted her killer for a year. I didn’t care who I hurt to get the information I needed. I was so single-minded, so determined to have vengeance. Eventually, I discovered that her murderer had been part of the king’s army, which had been going through the area. “The killer was an officer by the name of Henry. No idea what his last name was. It didn’t matter. He liked hurting women, and once he’d finished with them, he kept their hair as a souvenir. The rest of his squad had waited outside while he brutalized and murdered the woman I loved. No one had helped Jane, and no one had tried to stop him. “I discovered that they’d been on training maneuvers the day of the murder, just their squad of thirty. And after all my searching, I found them and I killed them. They died in one night of blood and rage. All but one. I left Henry until last. I took him away to a secluded place and had my fill of vengeance. It took a week for him to die, and when he finally succumbed, I buried Hellequin with him.” The memory of Henry’s blind and bloody form flashed in my mind—his pleas had long since silenced because I’d removed his tongue. I hadn’t wanted information from him; I’d just wanted to make him suffer. Before he’d lost his ability to talk, he’d told me that someone had paid him to do it, but he never said who. No matter what I did to him, he took that secret to his grave. And after a few years of searching, I decided he’d been lying. Trying to prolong his life for a short time more, hoping for mercy where there was none to give. “I no longer had the desire to go by that name,” I continued, still talking to Olivia’s back, “I no longer wanted to instill fear with a word. I hoped that the legend would die, but it didn’t, it grew, became more…fanciful. “You’re right, I’m a killer. I’ve killed thousands, and very few of them have ever stained my conscience. I can go to a dark place and do whatever I need to. But for those I care about, those I love, I will move fucking mountains to keep them safe. And I care about Tommy and Kasey, whether you grant permission or not.
”
”
Steve McHugh (Born of Hatred (Hellequin Chronicles, #2))
“
Better to have loved and lost than to never have loved at all.
”
”
Cortez Law III (Serial Rites (Atlanta Homicide Squad #3))
“
Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-
”
”
Chris Grabenstein (Mr. Lemoncello's Library Olympics (Mr. Lemoncello's Library, #2))
“
Could a child in the comfort of her own home experience anything as overwhelming as the terror and stress of a soldier in combat? In fact, children who are chronically physically or sexually abused must endure precisely the kind of protracted and inescapable fear, unpredictability, and helplessness that results in posttraumatic stress disorder. What makes an experience traumatic, says van der Kolk, is not its objective reality but the subjective meaning the victim attaches to it. In general, the more terrified a victim feels and the more powerless she is over her fate, the more likely she is to develop PTSD. Factors that may compound the sense of trauma include the relationship between victim and perpetrator, feelings of shame or guilt over actions the victim did or did not take, lack of support after the trauma or blaming or rejecting the victim, and any symbolic or psychosexual interpretation overlaid onto the experience. All of these are factors that come into play in childhood abuse. In some ways, an abused child faces terror and uncertainty far worse than anything a soldier experiences on the field of battle. She lives in a world of continual and unpredictable danger and may, with good reason, fear for her life. Yet she has no gun to protect her, no squad to back her up, no training for her combat role. She is completely alone, completely powerless, completely at the mercy of her parents' will. She cannot fight back, cannot escape. She is trapped. Like Pavlov's dogs, she endures a punishment inescapable. Her experience may actually be more akin to that of a prisoner of war, but it is even more psychologically pernicious than that. Her captors are her own parents, the people who are supposed to love and nurture her, teach her right from wrong, and protect her from harm.
”
”
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
“
I’m Detective Pepper Love.
”
”
Cortez Law III (Serial Rites (Atlanta Homicide Squad #3))
“
He loved watching her use that big brain of hers.
”
”
Anna Hackett (Ash (Hell Squad, #14))
“
Holy shit, dude,” called out an amused voice from behind them. “Whatever you two are doing back there is fogging up the windows of your squad car on the street. Keep it up and forest animals will start coming out of the mountains.
”
”
Violet Duke (Before That Night (Unfinished Love, #1))
“
Guess what?” she said to us. “Someone chopped down a tree in Mrs. Spencer’s garden last night.”
I stared at her incredulously for a moment. Not a much-loved family member, then, not a nuclear power plant. My eyes went to Florence’s face, which was wet with tears. Was she really crying over Mr. Snuggles?
Unobtrusively, I slipped past Lottie and over to the coffee machine, put the biggest cup I could find under it, and pressed the cappuccino button. Twice.
“A tree? But why?” asked Mia with a perfectly judged mixture of curiosity and mild surprise.
“No one knows,” said Lottie. “But Mrs. Spencer has already called in Scotland Yard. It was a very valuable tree.”
I almost laughed out loud. Yes, sure. I bet they had a special gardening squad to investigate such cases. Scotland Front Yard. Good day, my name is Inspector Griffin and I’m looking into the murder of Mr. Snuggles.
”
”
Kerstin Gier
“
The crowd began to murmur in the indistinguishable syllables of backstage banter. As the ball ascended, so did the volume of the murmurs. Words could be made out. Then phrases. “Lovely golf stroke.” “Super golf shot.” “Beautiful golf shot.” “Truly fine golf stroke.” They always said golf stroke, like someone might mistake it for a swim stroke, or—as Myron was currently contemplating in this blazing heat—a sunstroke. “Mr. Bolitar?” Myron took the periscope away from his eyes. He was tempted to yell “Up periscope,” but feared some at stately, snooty Merion Golf Club would view the act as immature. Especially during the U.S. Open. He looked down at a ruddy-faced man of about seventy. “Your pants,” Myron said. “Pardon me?” “You’re afraid of getting hit by a golf cart, right?” They were orange and yellow in a hue slightly more luminous than a bursting supernova. To be fair, the man’s clothing hardly stood out. Most in the crowd seemed to have woken up wondering what apparel they possessed that would clash with, say, the free world. Orange and green tints found exclusively in several of your tackiest neon signs adorned many. Yellow and some strange shades of purple were also quite big—usually together—like a color scheme rejected by a Midwest high school cheerleading squad. It was as if being surrounded by all this God-given natural beauty made one want to do all in his power to offset it. Or maybe there was something else at work here. Maybe the ugly clothes had a more functional origin. Maybe in the old days, when animals roamed free, golfers dressed this way to ward off dangerous wildlife. Good
”
”
Harlan Coben (Back Spin (Myron Bolitar, #4))
“
If Trigga took the bait, he would literary be walking in front of a firing squad of over twenty of Lloyd’s most trusted goons.
”
”
Leo Sullivan (Keisha & Trigga 3: A Gangster Love Story (Keisha & Trigga: A Gangster Love Story))
“
Kitten..." Whip quick, he grasped her waist and lifted her up so she fit snugly against his hard cock. "I know you love me best naked.
”
”
Avery Flynn (Brazen (B-Squad, #1))
“
All my love poems are to her and everything and stupid"
We built a Tesla coil
to take x-rays
of each other’s tongues or dew
perspires on the inside. Hard work,
being lovely at dawn, when the firing squad
fires up. No blindfold
for me, I’d watch lightning die
in my arms if I could stand that tall.
Then we fucked and x-rayed our panting
after. Where she saw a horse, I saw moonlight
braiding its hair. It’s possible
a crow is a piece of the night
crossing the day, a reconnaissance
by dream, a renaissance
of unity: she and I and every atom
in this together, whatever this is,
it’s lovely of her knees
to bring her eyes to me
to be as brown as I dare say dirt.
The kind I hold and think, I owe you
breath, that I could almost
put in a bowl and eat without bothering
to wait for the world
after rain that will grow from it.
Blackbird, Fall 2011 Vol. 10 No. 2
”
”
Bob Hicok
“
- Question. Would you die for me?
- Yes.
- That's too easy. Will you... Would you live for me? ... Hmm?
- Yes.
- Careful! Do not say this oath thoughtlessly! ... Desire becomes surrender, surrender becomes power. You want this?
- I do.
- Say it. Say it. Say it! Pretty, pretty, pretty, pretty, pretty, pretty, pretty...
- Please?!
- Mm, God, you're so... good!
―― Joker & Harley Quinn
”
”
Suicide Squad (2016 movie directed by David Ayer)
“
We get to teach our sons how to be strong and how to be tender. We know how big and easily broken their hearts can be, and we get to be their safe, soft place to land when someone breaks them. Best of all, we’re the lucky recipients of the boundless love and surprising reverence that boys have for their mamas. There is no loyalty so fierce, no protectiveness so great, than that of a son for his mother – unless maybe it’s that of a mother for her son.
”
”
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
“
I am a boy mom, but I am raising two very different boys. So what does #lifewithboys mean in my house? Mud. Blood. ER visits and black eyes. “He threw a rock at me!” but also, “Let’s play a math game on the computer!” Holes in the knees of brand-new pants. Dirty cleats and stinky jock-straps. Marathon games of Monopoly, chess, and Sudoku. Reading Harry Potter five times. Yelling “No throwing baseballs in the house!” Science camp by day and soccer practice by night. Messy hair and dirty fingernails. Overdue library books. Tears. Fears. And love. We may have holes in the walls and holes in our pants, but I wouldn’t trade this life. It’s exhaustingly beautiful and never boring. Someday, my youngest child may have a boy just like him, and when he throws a baseball through the living room window, I’ll tell my son that it’s okay. He’s just a little boy.
”
”
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
“
Last time on the Anime Trope System, Clyde and Team Stone dealt with one of their biggest problems yet: an unexpected and uncalled for visit from the Punishment Squad. Group Eight, known as one of the most reckless and destructive divisions, was sent to conduct an investigation concerning Venus’s appearance and other major figures involving themselves with the Stone, possibly illegally. Haruko, captain of Group Eight, had other plans. His disobedience of Atlas’s orders brought Team Stone to the brink of death. But… Even when they’re overmatched, Team Stone should never be underestimated. Pushed to the edge, they fought back with strength that could only be awakened with backs to the wall. Unfortunately, there was still a loss, a casualty. Showing her love for the first time, Amaterasu took a blast from a Punisher’s attack that would’ve surely killed Melody and anyone near her. Her sacrifice didn’t go in vain. Through the power of friendship…
”
”
Alvin Atwater (The Anime Trope System: Stone vs. Viper, #16 (The Anime Trope System, #16))
“
Once you step away from the herd and let your true self shine, you'll probably find yourself in front of the opinion firing squad (especially if what you want to do is extraordinary and outside of everyone's comfort zones), which is why so many people run screaming from the lives they'd so love to live. Merely allowing yourself to be seen is a risk.
”
”
Jen Sincero (You Are a Badass)
“
What, exactly, are you talking about?" "I'm talking about love." "I'm unconvinced." "I wasn't attempting to convince you. I'm now sufficiently tranquil not to have to convince anyone of anything." "Will you be tranquil in front of the firing squad?" "I don't know. We'll see tomorrow. You'll be able to watch from the window." Alessandro winked at Ludovico, to show him that he was undisturbed. "The way you winked," Ludovico said accusingly, "the way you winked at me was just like a religious fanatic." "Sorry," Alessandro said. "I'll try to wink like a Marxist.
”
”
Mark Helprin (A Soldier of the Great War)
“
that the willingness to die for another person was a special, maybe even unique, form of love – one that even religions failed to inspire. The experience of it changes a person profoundly, and permanently. What researchers and Army psychologists had slowly come to understand, but what any grunt in a foxhole with his squad works out in five minutes, is that courage in war simply is love – nothing more, and definitely nothing less. It was love that made warriors sacrifice for each other, even give their lives for each other, in a split-second, without hesitation. Courage was simply love made visible. In combat, neither could exist without the other. They were just different ways of saying the same thing. An old adage had it that warriors didn’t fight because of hatred for what was in front of them – but because of love for what was behind them. Ali, however, and everyone she had ever served with, would say that was bullshit. They fought for love of those to either side of them.
”
”
Michael Stephen Fuchs (Death of Empires (Arisen, #7))
“
For God hath not given us the spirit of fear; but of power, and of love and of a sound mind!
”
”
Cortez Law III (Serial Rites (Atlanta Homicide Squad #3))
“
A dramatic illustration of how environment shapes personality is the story of the Gilmore family. On January 17, 1978, in Utah, the convicted double murderer Gary Gilmore was executed by firing squad, his unyielding refusal to appeal his death sentence having gained him a measure of international notoriety. The shattering story of his childhood, blighted by family violence, alcoholism and spite was chronicled later by his brother Mikal Gilmore in the memoir Shot in the Heart. Mikal, the youngest of four boys, was born when Gary was eleven years old. If children reared in the same family shared the same environment, the differences between siblings would have to be due to genetic inheritance. In the case of the Gilmores, it is easy to see why Mikal, born at a time when the family was enjoying a period of relative stability, would feel he had been brought up in a different world, why the misery of his childhood, as he put it, had been so radically different from the misery of his brothers’ childhood.
Even without such vast chasms in experience, the environment of siblings is never the same. Environment has far greater impact on the structures and circuits of the human brain than was realized even a decade ago. It is what shapes the inherited genetic material. I believe it to be the decisive factor in determining whether the impairments of ADD will or will not appear in a child. Many variables will influence the particular environment a child experiences. Birth order, for one, automatically places siblings in dissimilar situations. The older sibling has to suffer the pain of seeing parental love and attention directed toward an intruder. The younger sibling may need to learn survival in an environment that harbors a stronger, potentially hostile rival, and never comes to know either the special status or the burden of being an only child. The full weight of unconscious parental expectations is far more likely to fall on the firstborn. Historical studies of birth order have established it as an important influence on the shaping of the personality, comparable with sex.
”
”
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
“
Who wants to serve in a police vice squad, spending hours peeking into men’s johns to detect acts of homosexuality? Who wants a job as a debt-collection agent, spending his whole day being nasty to people? What sort of person voluntarily serves as a prison guard or hangman? Also, alas, one might ask what kind of individual would want to spend millions of dollars to become president of the United States, never away from the telephone, guarded around the clock by agents of the Secret Service, reading tomes of amazingly uninteresting documents, and being accompanied day and night by a warrant officer carrying a black bag containing the mechanisms to set off the atomic bomb? We believe that all such occupations, dreary or dangerous as they may be, are exercises of high responsibility and even of glory, despite the maxim that “the paths of glory lead but to the grave.” But what is their actual end and purpose? Towards what is Progress? In fact, what on Earth are we doing? No one has even the ghost of a notion, save perhaps a few simple-minded people who live to smell flowers, to listen to the sea, to watch trees in the wind, to climb mountains, to eat pâté de veau en croûte, to drink the Malvasia wine from Ruby Hill, and to cuddle up with a lovely woman—and such pursuits are not really expensive, as compared with the trillions spent on the Kingdom, the Power, and the Glory.
”
”
Alan W. Watts (Cloud-hidden, Whereabouts Unknown)
“
I love you, Theron.” His hazel eyes darkened. “I know.” Sienna waited. And then waited another second. “You know? Theron, you aren’t some scoundrel space smuggler. You need to say more than that.” He just looked at her. She
”
”
Anna Hackett (Theron (Hell Squad #12))
“
Sasha wasn't moving at all. She stood still, watching him. And then she reached for him, encircled Ted with her long arms and clung to him so that he felt her modest bulk, the height and weight of this new Sasha, his grown-up niece who had once been so small, and the irrevocability of that transformation released in Ted a ragged sorrow, so his throat seized up and a painful tingling fizzed in his nostrils,. He cleaved to Sasha. But she was gone, that little girl. Gone with the passionate boy who had loved her.
Finally, she pulled away. 'Wait here,' she said, not meeting his eyes. 'I'll be right back.' Disoriented, Ted hovered among the dancing Italians until a mounting sense of awkwardness drove him from the floor. He lingered near it. Eventually, he circled the floor. She's mentioned having friends there – could she be talking to them somewhere? Had she gone outside? Anxious, foggy from his own drink, Ted ordered a San Pellegrino at the bar. And only then, as he reached for his wallet and found it gone, did he realize that she's robbed him." (p. 223)
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Let’s make sure it’s always like this.” And so entwined were their thoughts at that point that Ted knew exactly why she’d said it: not because they’d made love that morning or drunk a bottle of Pouilly-Fuissé at lunch—because she’d felt the passage of time. And then Ted felt it, too, in the leaping brown water, the scudding boats and wind—motion, chaos everywhere—and he’d held Susan’s hand and said, “Always. It will always be like this.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
we deserve love and pleasure, no matter who we are, or what we’ve done. We all deserve it.” He
”
”
Anna Hackett (Holmes (Hell Squad, #8))
“
Whole different story this time,' Bosco began. 'I'm going to make you work, Stephi-babe. This album is going to be my comeback.'
Stephanie assumed he was joking. But he met her gaze evenly from within the folds of black leather.
'Comeback?' she asked.
Jules had been wandering the loft, eyeing the framed gold and platinum Conduit albums paving the walls, the few guitars Bosco hadn't sold off, and his collection of pre-Columbian artifacts, which he hoarded in pristine glass cases and refused to sell. At the word 'comeback,' Stephanie felt her brother's attention suddenly engage.
'The album's called A to B, right?' Bosco said. 'And that's the question I want to hit straight on: how did I go from being a rock star to being a fat fuck no one cares about? Let's not pretend it didn't happen.'
Stephanie was too startled to respond.
'I want interviews, features, you name it,' Bosco went on. 'Fill up my life with that shit. Let's document every fucking humiliation. This is reality, right? You don't look good anymore twenty years later, especially when you've had half your guts removed. Time's a goon, right? Isn't that the expression?'
Jules had drifted over from across the room. 'I've never heard that,' he said. '"Time is a goon"?'
'Would you disagree?' Bosco said, a little challengingly.
There was a pause. 'No,' Jules said.
'Look,' Stephanie said, 'I love your honesty, Bosco - '
'Don't give me "I love your honesty, Bosco,"' he said. 'Don't get all PR-y on me.'
'I'm your publicist,' Stephanie reminded him.
'Yeah, but don't start believing that shit,' Bosco said. 'You're too old.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
In the shattered schoolhouse where for the first time he had felt the security of power, a few feet from the room where he had come to know the uncertainty of love, Arcadio found the formality of death ridiculous. Death really did not matter to him but life did, and therefore the sensation he felt when they gave their decision was not a feeling of fear but of nostalgia. He did not speak until they asked him for his last request. “Tell my wife,” he answered in a well-modulated voice, “to give the girl the name of Úrsula.” He paused and said it again: “Úrsula, like her grandmother. And tell her also that if the child that is to be born is a boy, they should name him José Arcadio, not for his uncle, but for his grandfather.” Before they took him to the execution wall Father Nicanor tried to attend him. “I have nothing to repent,” Arcadio said, and he put himself under the orders of the squad after drinking a cup of black coffee.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Motherhood, despite my good intentions, often leaves me feeling like I’m making a huge mess. Yet, I’m supposed to be the one restoring order. My shortcomings bulldoze my confidence, and I don’t always like the person I am at the end of the day. Sometimes I wonder how my husband still loves the mess I see in the mirror. My family deserves someone who patiently gives them her all, not someone who steals the good candy out of their Halloween buckets after they go to bed then shamelessly goes back for seconds.
”
”
Tiffany O'Connor (The Unofficial Guide to Surviving Life With Boys: Hilarious & Heartwarming Stories About Raising Boys From The Boymom Squad (Boy Mom Squad Book 1))
“
Oh, Timothy . . . your father always says you’re a Kingston man through and through, but deep down, I think you take after me more. All he cares about is business and data and analytics, but you and I—we both love the arts and are able to appreciate the softer beauty in our world.
”
”
Kyla Zhao (The Fraud Squad: The most dazzling and glamorous debut of 2023!)
“
Ted rose early the next morning and took a taxi to the Museo Nazionale, cool, echoey, empty of tourists despite the fact that it was spring. He drifted among dusty busts of Hadrian and the various Caesars, experiencing a physical quickening in the presence of so much marble that verged on the erotic. He sensed the proximity of Orpheus and Eurydice before he saw it, felt its cool weight across the room but prolonged the time before he faced it, reminding himself of the events leading up to the moment it described: Orpheus and Eurydice in love and newly married; Eurydice dying of a snakebite while fleeing the advances of a shepherd; Orpheus descending to the underworld, filling its dank corridors with music from his lyre as he sang of his longing for his wife; Pluto granting Eurydice's release from death on the sole condition that Orpheus not look back at her during their ascent. And then the hapless instant when, out of fear for his bride as she stumbled in the passage, Orpheus forgot himself and turned.
Ted stepped toward the relief. He felt as if he's walked inside it, so completely did it enclose and affect him. It was the moment before Eurydice must descend to the underworld a second time, when she and Orpheus are saying goodbye. What moved Ted, mashed some delicate glassware in his chest, was the quiet of their interaction, the absence of drama or tears as they gazed at each other, touching gently. He sensed between them an understanding too deep to articulate: the unspeakable knowledge that everything is lost. (p. 211)
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Eloquently, Barbara Deming expresses this longing when she writes about her father’s death: “Years ago now. It was on a weekend in the country and he’d been working outside with a pick and a shovel, making a new garden plot. He’d had a heart attack and fallen there in the loose dirt. We’d called a rescue squad, and they were trying to bring him back to life, but couldn’t. I was half-lying on the ground next to him, with my arms around his body. I realized that this was the first time in my life that I had felt able to really touch my father’s body. I was holding hard to it—with my love—and with my grief. And my grief was partly that my father, whom I loved, was dying. But it was also that I knew already that his death would allow me to feel freer. I was mourning that this had to be so. It’s a grief that is hard for me to speak of. That the only time I would feel free to touch him without feeling threatened by his power over me was when he lay dead—it’s unbearable to me.
”
”
bell hooks (The Will to Change: Men, Masculinity, and Love)