“
The Little Boy and the Old Man
Said the little boy, "Sometimes I drop my spoon."
Said the old man, "I do that too."
The little boy whispered, "I wet my pants."
I do that too," laughed the little old man.
Said the little boy, "I often cry."
The old man nodded, "So do I."
But worst of all," said the boy, "it seems
Grown-ups don't pay attention to me."
And he felt the warmth of a wrinkled old hand.
I know what you mean," said the little old man.
”
”
Shel Silverstein
“
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
You know what I like about you? You have no sense. You sit here in my house, you can barely hold a spoon, and you're telling me 'no'. You'd pull on Death's whiskers if you could reach them.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
I would have told you earlier, but as it was your birthday . . . What do you give the man who has everything? I thought I’d give you . . . me.”
He puts the keychain down on the bedside table and snuggles in beside me, pulling me into his arms against his chest so that we’re spooning.
“It’s perfect. Like you.
”
”
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
“
You're bossy, arrogant, intrusive, annoying... "
His minor grin amplified.
See! Totally unrepentant...
"Do I have anything going for me?"
"... you can be sweet, you're a cuddler, and you carried me out of a burning building..."
"I'm a cuddler?"
"You spoon."
His brows went up. "That's important enough to be on your list?"
"Uh... yeah."
[He's grinning] "Fuckin' ridiculous what women think is important.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet."
"Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth.
"No," he says, almost puzzled. "But they taste familiar. Sugar berries?"
"Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go.
"They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable.
I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Father, bless me for I have sinned, I did an original sin… I poked a badger with a spoon.
”
”
Eddie Izzard
“
I skimmed the pond scum with a spoon like broth in a soup bowl. Why does everything have to remind me of her?
”
”
Jarod Kintz (This Book Has No Title)
“
The Swiss have an interesting army. Five hundred years without a war. Pretty impressive. Also pretty lucky for them. Ever seen that little Swiss Army knife they have to fight with? Not much of a weapon there. Corkscrews. Bottle openers. ‘Come on, buddy, let’s go. You get past me, the guy in the back of me, he’s got a spoon. Back off, I’ve got the toe clippers right here.
”
”
Jerry Seinfeld
“
Born with a silver spoon in his mouth, he was going out with a rifle in his hand.
”
”
Kelly Moran (Return to Me (Covington Cove, #1))
“
I love it when you look at me like that,' he murmured, his fingers kneading into the plump flesh of her cheeks, 'How am I looking at you?' she managed. 'Like you want to eat me alive, but you don't have a spoon.
”
”
Cherrie Lynn (Rock Me (Ross Siblings, #2))
“
These days, however, I am much calmer - since I realised that it’s technically impossible for a woman to argue against feminism. Without feminism, you wouldn’t be allowed to have a debate on women’s place in society. You’d be too busy giving birth on the kitchen floor - biting down on a wooden spoon, so as not to disturb the men’s card game - before going back to quick-liming the dunny. This is why those female columnists in the Daily Mail - giving daily wail against feminism - amuse me. They paid you £1,600 for that, dear, I think. And I bet it’s going in your bank account, and not your husband’s. The more women argue loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges.
”
”
Caitlin Moran (How to Be a Woman)
“
He appeared before me and departed. We were not able to speak to or touch each other. But in that short interval, he transformed many things inside me. He literally stirred my mind and body the way a spoon stirs a cup of cocoa, down to the depths of my internal organs and my womb.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Let me tell you something about me. I love vengeance like normal people love sunsets and long walks on the beach. I eat vengeance with a spoon like it's honey. In fact, I may not even be a real person, but just a vow of vengeance made flesh.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
Plastic ware," he said slowly, "like knives and forks and spoons?"
I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually,
"Yeah, I guess.Just the basics, you know."
"Did you need plastic ware?" he asked.
I shrugged.
"Because," he went on, and I fought the urge to squirm, "it's so funny, because I need
plastic ware. Badly."
"Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here."
He looked at the bag again, then at me. And then, slowly, the smile I knew and
dreaded crept across his
face. "You bought me plastic ware," he said. "Didn't you?'
"No," I growled, picking at my license plate.
"You did!" he hooted, laughing out loud. "You bought me some forks. And knives.
And spoons.
Because—"
"No," I said loudly.
"—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush
creep across my
face. Stupid Lissa. I could have killed her.
"It was on sale," I told him again, as if this was some kind of an excuse.
"You love me," he said simply, taking the bag and adding it to the others.
"Only seven bucks," I added, but he was already walking away, so sure of himself. "It
was on clearance,
for God's sake."
"Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
”
”
Sarah Dessen (This Lullaby)
“
The story of my life can be told in silver: in chocolate mills, serving spoons, and services for twelve. The story of my life has nothing to do with me. The story of my life is things. Things that aren’t mine, that won’t ever be mine. It’s all I’ve ever known.
I wish it wasn’t.
”
”
Elizabeth Scott
“
I will love you as we find ourselves farther and farther from one another, where we once were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Zach shoveled another spoonful of Fruit Loops cereal with milk into his mouth. “It is not possible!”
“How do you know? Just because there’s no proof to prove it, there’s no proof to disprove it either.”
“You’re trying to make me crazy, aren’t you?”
“Not at all.” Sara put her bowl down. “I’m just saying there could be bunny shifters.”
“There are no bunny shifters!”
Shaking her head she accused, “You’re a bunny bigot.”
Zach threw his spoon back in the near-empty bowl. “And there is no such thing as bunny bigots.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
Adam leans into my ear. I feel the soft whispers of his breath just before he begins to speak.
"You guys are disgusting, you know that, right?"
I look up, startled, and find Kenji frozen midmovement, his spoon halfway to his mouth, his head cocking in our direction. He gestures with his spoon at our faces. "What the hell is this? You guys playing footsie under the table or someshit?
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Jack was balancing a spoon on his nose when I walked in.
"You," I said knocking it off his face.
"Me!" He answered cheerfully.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
She told me her father taught her to live life way beyond the cusp of it, way out in the outer reaches where most people never had the guts to go, where you got hurt. Where there was unimaginable beauty and pain ... They were always reminding themselves to stop measuring life in coffee spoons, mornings and afternoons, to keep swimming way, way down to the bottom of the ocean to find where the mermaids sang, each to each. Where there was danger and beauty and light. Only the now.
”
”
Marisha Pessl (Night Film)
“
I lean forward and grab the bowl of ice cream she didn't finish and pull it to my, then take a bite. She watches me as I close my lips around the spoon and pull it out of my mouth. She scrunches up her nose staring at the spoon. "I could have herpes, you know," she says. I grin at her and wink. "You somehow just made herpes sound appealing.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
And you, Kibbles, had better lay off me. One more growl and I swear I’m going to geld you with a spoon. (Zarek)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
Anyway, here.” He handed me a bag. “Thought you might be hungry. Since you’re our guests, it would be impolite if we didn’t share our food with you. That’s your rations for the week. Try to make it last.” At my surprised look, he rolled his eyes. “Not all of us live on oil and electricity, you know.”
“What about Ash and Puck?”
“Well, I’m pretty sure eating our food won’t melt their insides to gooey paste. But you never know.” (Glitch)
-----------------
Puck sat and gazed mournfully into the bowl I handed him. “Not an apple slice to be found,” he sighed, picking through the gooey mess with his fingers. “How can mortals even pass this off as fruit? It’s like a peach farmer threw up in a bowl.”
Ash picked up the spoon, gazing at it like it was an alien life form.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
You bought me some forks. And knives. And spoons. Because you love me!
”
”
Sarah Dessen (This Lullaby)
“
He grimaced. ‘Jesus, for a girl who made tea for a living you make a terrible cup.’
‘You’re just used to lesbian tea,’ I said. ‘All that lapsang souchong herbal stuff.’
‘Lesbian tea!’ He almost choked. ‘Well, it’s better than this stair varnish. Christ. You could stand a spoon up in that.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
What were you thinking? You just met him. (Selena)
I know. It’s so not like me, but I couldn’t help myself. It was just like that weird magnetic force that grabs me when I’m walking past the Frostbyte Café and makes me swerve in to get a triple scoop of Ben and Jerry’s Chunky Monkey. The power of temptation was just too much, Selena. I couldn’t resist it. He was a Chunky Monkey container and all I could think was, ‘Someone give me a spoon.’ (Sunshine)
”
”
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
If someday, in a morning, you see you,
in a mirror or the dent of a spoon, and wonder
Where is my soul and
Where has it gone, remember this:
Catch the gaze of a woman
on the metro, subway, tram.
Look at a man. Seek and
you will find you
in the silvered space,
a flash between souls.
”
”
Naomi Shihab Nye (Time You Let Me In: 25 Poets under 25)
“
Hungry licked her spoon and then pointed it at me. 'Aren't you forgetting the dishes?' she asked.
'Absolutely not,' I said. 'I'll remember the dishes as long as I live. See you later, Hungry.
”
”
Lemony Snicket (Shouldn't You Be in School? (All the Wrong Questions, #3))
“
This one is called "Chunky Munky".' Nadia stopped with the spoon halfway to her mouth. 'But isn´t a monkey a small chattering Earth creature that lives in trees?' she asked faintly. 'Are ... are you telling me I´m eating chunks of its flesh?'
'Ugh.' Sophia shivered. 'What a thought! The poor monkeys!'
Nadia felt ill. 'Is that why this stuff is called 'I Scream?' Because the animal screams when they make it into dessert?
”
”
Evangeline Anderson (Found (Brides of the Kindred, #4))
“
Because in trying to articulate what, perhaps, joy is, it has occurred to me that among other things—the trees and the mushrooms have shown me this—joy is the mostly invisible, the underground union between us, you and me, which is, among other things, the great fact of our life and the lives of everyone and thing we love going away. If we sink a spoon into that fact, into the duff between us, we will find it teeming. It will look like all the books ever written. It will look like all the nerves in a body. We might call it sorrow, but we might call it a union, one that, once we notice it, once we bring it into the light, might become flower and food. Might be joy.
”
”
Ross Gay (The Book of Delights: Essays)
“
He said to tell you that he has me and Sophie. He’s going to kill us if you don’t do what he says. He’s also a giant fucking pussy, and I think when you catch him, you should let me cut out his balls with a dull spoon before shooting him in the head.
”
”
Joanna Wylde (Devil's Game (Reapers MC, #3))
“
[Greens] don't come through the back door the same as other groceries. They don't cower at the bottom of paper bags marked 'Liberty.' They wave over the top. They don't stop to be checked off the receipt. They spill out onto the counter. No going onto shelves with cans in orderly lines like school children waiting for recess. No waiting, sometimes for years beyond the blue sell by date, to be picked up and taken from the shelf. Greens don't stack or stand at attention. They aren't peas to be pushed around. Cans can't contain them. Boxed in they would burst free. Greens are wild. Plunging them into a pot took some doing. Only lobsters fight more. Either way, you have to use your hands. Then, retrieving them requires the longest of my mother's wooden spoons, the one with the burnt end. Swept onto a plate like the seaweed after a storm, greens sit tall, dark, and proud.
”
”
Georgia Scott (American Girl: Memories That Made Me)
“
She put a spoonful of mint chocolate chip in her mouth. [...]
"Let me try it."
She held her bowl toward him, but he didn't put his spoon in it. He trailed his fingers over her jaw as he tipped her head back and sealed his lips over hers. His tongue speared into her mouth, and the salt of him mixed with the flavor of the ice cream. She didn't know if she was mortified, shocked, aroused or all three.
”
”
Helen Hoang (The Kiss Quotient (The Kiss Quotient, #1))
“
In Michaela's favourite restaurant, I lift my glass and cutlery spills onto the expensive tiled floor. The sound crashes high as the skylight. Looking at me, Michaela pushes her own silverware over the edge. I fell in love amid the clattering of spoons....
”
”
Anne Michaels (Fugitive Pieces)
“
Then he spooned hot against me, draping his arm over my waist.
”
”
Jennifer Echols (Love Story)
“
Ever killed anyone with a spoon?" she asked him.
"Uhhh..."
"Me neither, but I'm thinking of trying.
”
”
Rob J. Hayes (The Heresy Within (The Ties That Bind, #1))
“
I know the drill, Clark. But I'll be gone for four years. Will you just hold me tonight? Just spooning, no forking.
”
”
Cardeno C.
“
I beg your pardon. I’m not gross. (Simone)
Grody to the max. Gag me with a spoon. I’ve seen you in the mornings. You’re not exactly well coiffed. (Jesse)
”
”
Sherrilyn Kenyon (Dream Chaser (Dark-Hunter, #13; Dream-Hunter, #3))
“
We are four worthy orphans with a no-nonsense nanny."
Like Mary Poppins?" suggested the man, with a pleased look of recognition.
Not one bit like that fly-by-night woman," Nanny said with a sniff. "It almost gives me diabetes just to think of her: all those disgusting spoonfuls of sugar!
”
”
Lois Lowry (The Willoughbys)
“
In bed, I steal moments of tenderness when sex has finally exhausted me to the point where I’m too bone weary to fret anymore about the enormous capacity for evil that’s taken up squatter’s rights inside me. I touch him, put all those things I don’t say into my hands as I trace the red and black tattoos on his skin, the sharp planes and hollows of his face, bury my hands in his dark hair. He watches me in silence when I do, eyes dark, unfathomable.
I sometimes wake up to find he’s pulled me close to him and is holding me, spooned into my back with his face in my hair, and those hands that don’t speak like mine don’t speak move over my skin and tell me I’m cherished, honored, seen.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
He wrapped his arms around me. We were cuddled up like a couple of spoons in a cutlery drawer.
”
”
Malorie Blackman (Noughts & Crosses (Noughts & Crosses, #1))
“
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle—
And a broken laugh, and a thousand memories,
And not a single regret.
”
”
Edgar Lee Masters (Spoon River Anthology)
“
I walked in without knocking. The screen door banged to a close behind me announcing my presence. I followed my nose to the kitchen and found Kaleb standing by the stove. He stirred something that smelled absolutely delicious a wooden spoon in one hand and a huge chef’s knife in the other.
“Are you sober?” I asked from the doorway.
He turned and leveled a smile at me that made me a little wobbly. “I am."
“Good. Because if not I was going to take the deadly kitchen utensil away from you.” I crossed the room and pulled myself up to sit on the counter beside the stove. A cutting board full of green peppers and two uncut stalks of celery waited for attention from the knife. Melted butter and diced onions bubbled in a sauté pan on the stove. “You cook."
Kaleb was so pretty I was jealous. Pretty with ripped muscles and a tattoo of a red dragon covering most of his upper body. “Yes,” he said. “I cook.”
“Do you usually wear a wife beater and,” I pushed him back a little by his shoulder “an apron that says ‘Kiss the Cook’ while you’re doing it? ”
He leaned so close to me my heart skipped a couple of beats. “I’ll wear it all the time if you’ll consider it.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
I have a lot more love than some people in the world. Even if I'll never have a wedding." She took a big spoonful of ice cream. "There's definitely love for ice cream, let me tell you that.
”
”
Alice Oseman (Loveless)
“
Alec licked his spoon, then set it on the table and popped his drink open. "Okay, I may be breaking some kind of girl bonding rule or something, but can I offer you a guy's perspective on this?"
I frowned, my spoon halfway to my mouth. "Is this gonna make me want to hit you?"
He shrugged. "Maybe. But it's the truth. Here goes: kissing back is an instinct. Unless the girl smells like a sewer or has tentacles feeling you up independently, a guy's first instinct is to kiss back. That's how it works. What's important is how long that kissing back lasted. So...how long?
”
”
Rachel Vincent (My Soul to Steal (Soul Screamers, #4))
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Why should I keep myself so safe?” he asked her, but he was almost asking himself. What is there in my life worth preserving? With a good wife back there in the mountains, serviceable as an old spoon, dry in the heart from having been scared of marriage since she was six? With three children so shy of their father, the Prince of the Arjikis, that they will hardly come near him? With a careworn clan moving here, moving there, going through th same disputes, herding the same herds, as thy have done for five hundred years? And me, with a shallow and undirected mind, no artfulness in word or habit, no especial kindness toward the world? What is there that makes my life worth preserving?
“I love you,” said Elphaba.
“So that’s that then, and that’s it,” he answered her and himself. “And I love you. So I promise to be careful.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
Do you know you're bleeding?" he asked.
"I had a suspicion."
"That looks nasty."
"My apologies."
"What happened to your forehead?"
"A fork."
"A fork?"
"Yes, sir. I wish I'd been eating with a spoon."
"You stabbed yourself with a fork?"
"It flipped."
"Flipped?"
"The fork."
"A flipped fork?"
"It flicked my forehead."
Pausing in the counting of my change, he gave me a narrow look.
"That's right," I said. "A flipped fork flicked my forehead.
”
”
Dean Koontz (Odd Thomas (Odd Thomas, #1))
“
I sit at the little table, eating creamed corn with a fork. I have a fork and a spoon, but never a knife. When there's meat they cut it up for me ahead of time, as if I'm lacking manual skills or teeth. I have both, however. That's why I'm not allowed a knife.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. “You probably already know this,” she said bluntly, “but I love you. In fact, I love you so much that I don’t mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I’m never going to obey you. But I’m always going to love you.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
There was a time when I experienced architecture without thinking about it. Sometimes I can almost feel a particular door handle in my hand, a piece of metal shaped like the back of a spoon. I used to take hold of it when I went into my aunt's garden. That door handle still seems to me like a special sign of entry into a world of different moods and smells. I remember the sound of the gravel under my feet, the soft gleam of the waxed oak staircase, I can hear the heavy front door closing behind me as I walk along the dark corridor and enter the kitchen, the only really brightly lit room in the house.
”
”
Peter Zumthor
“
After a good run, my legs feel like Jell-O. Somebody get me a spoon and stick a fork in me.
”
”
Jarod Kintz (99 Cents For Some Nonsense)
“
I make a bowl of it every day and pretend to eat it before you come in and snatch it off me,” he answered, with a sexy smile and amused eyes. I gasped, dropping my spoon into my bowl and making a loud clatter. “Why the heck would you make a bowl and pretend to eat it? Do you like to piss me off?” I snapped. “No, Angel. I like to make you breakfast,” he replied simply. I gasped at the revelation. He made them for me?
”
”
Kirsty Moseley (The Boy Who Sneaks in my Bedroom Window)
“
I stood in your doorway this morning
dreaming you’d turn around
you’d tilt your head
you’d softly whisper ”stay”
or that you’d grab my arms
to shake me while asking
what the hell are we doing
we love
each other
and this is not right
so we will make this work
now stay!
You poured your coffee. Stirred the spoon like a crystal man
with your back to me and not a sound. the fridge humming elegies while the clock ticked on
and the streets are so clean here people rushing to work
and maybe I should be too
by now
at this age
this stage
this town.
I will stand in that doorway
dreaming
for many nights to come.
”
”
Charlotte Eriksson
“
Grampa took Mary Ellen inside away from the crowd. "Now, child, I am going to show you what my father showed me, and his father before," he said quietly.
He spooned the honey onto the cover of one of her books. "Taste," he said, almost in a whisper. . . .
"There is such sweetness inside of that book too!" he said thoughtfully. "Such things...adventure, knowledge and wisdom. But these things do not come easily. You have to pursue them. Just like we ran after the bees to find their tree, so you must also chase these
things through the pages of a book!
”
”
Patricia Polacco (The Bee Tree)
“
It was the only time I'd ever heard someone ask, "Can you grab me the spoon?" as opposed to "a spoon," which at least connoted there was more than one.
”
”
Sarah Dessen (This Lullaby)
“
He had a nice laugh, rich and almost melodious. It made me think of warm caramel, dripping from a spoon.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Liv, stop it!" hissed Mia. "You look like a lovelorn sheep!"
I gave a start. "As bad as that? Oh, that's terrible." I added - and I was to regret it in the course of the day - "If you see me looking like that again, give me a nudge or throw something at me. Promise?"
"With pleasure," said Mia, and three hours later, because she always kept her promises, I was black and blue around the ribs and had been hit by assorted flying objects: several chestnuts, a spoon, and a blueberry muffin.
”
”
Kerstin Gier (Dream a Little Dream (The Silver Trilogy, #1))
“
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.”
The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.”
Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
”
”
Catherynne M. Valente (Deathless)
“
You're trying to make me crazy, aren't you?"
"Not at all." Sara put her bowl down. "I'm just saying there could be bunny shifters."
"THERE ARE NO BUNNY SHIFTERS!"
Shaking her head she accused, "You're a bunny bigot."
Zach threw his spoon back in the near-empty bowl. "And there is no such thing as bunny bigots."
"Bunny bigot," she accused again.
”
”
Shelly Laurenston (Pack Challenge (Magnus Pack, #1))
“
I had a dream about you. It's been a while since I could remember any of my dreams, and still, this one has left me with such strong impression. Even now, when I am fully awake, your face flashes before my eyes. It's a face I can totally relate to, as if it wasn't any more yours than it is mine. Terrifying thing, you know? I can't say I've felt that sort of intimacy with anyone. For a moment you knew all my secrets, without me even having to tell them. For a moment I even knew them myself…
While I was looking into your eyes, I suddenly started to realize things about myself that were unspoken for years, like fragments of my inner life that were deeply repressed. It’s hard to distinguish if they were buried inside because dealing with them was such a dirty work, or if leaving them unnamed meant that it was not possible to define them precisely enough, so they would keep their true meaning. Perhaps, all this life that I've known so far was in fact no more but a dream about living. The only thing that has kept me in touch with reality was you…
I know it comes as a surprise, and you may be wondering why it took me so long to come clean. You also may be wondering how come you've never noticed before. I've tricked you on purpose, yes, and you must realize it really has nothing to do with you. It’s always been me. This is why, seeing you in my dream like that, came out as a shock. You also must forgive me. You must forgive me because I know how it looks like, that everything we ever shared was a lie, and it wasn't…
I am more of an illusionist that a deceiver, but it all comes from being in fact, a very private person. Even if it was true that you knew me better than anyone, I’d never admit it. I’d rather dig my own heart out, with a rotten spoon, than admitting it. I may let people in my own little world occasionally, but I would never let them be aware of it. I don’t throw my intimacy in front of others, especially when I care. The more I care, the less I give away, and this is something for you to understand, and grant me your forgiveness. I didn't play my tricks on you in order to deceive you, but rather to save myself, and maybe even deceive myself as well. I’ve had hidden my feelings for you so deeply that I've learned to live with them, as if any other casualty. I have done wrong to myself as much as I did to you, and I don’t know if I can forgive myself. So now I wonder, could you forgive me without feeling sorry for me? I certainly don’t deserve your pity. Especially not now that I am awake.
”
”
Aleksandra Ninković (Dreaming is for lovers)
“
The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him.
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
"Rory," he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive.
"So Thorpe says that-Seriously?"
Callum was in the doorway.
Stephen mumbled what I think was a very obscene word right against my mouth.
"You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
Well, let’s all get maudlin, shall we? George, stop on the way and get us some red-hot pokers to put out our eyes. Oh, and while you’re at it, I think we should see about adding salt for our wounds, too. (Solin)
Quite good, sir. Is there any particular place you’d care for me to stop? I’ve heard the market is a good place for pokers. That is, if you’re agreeable to a short detour. (George)
What do you two think? Run-of-the-mill pokers, or a better quality. Oh hell, why not use rusty spoons. They’d hurt more. (Solin)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
I had a dream about you. You told me you loved me, and then you stabbed me with a spoon. Luckily, moments before your attack, I assumed the identity of a bowl of Jell-O. Later on in the dream, as a half-eaten bowl of Jell-O, I launched a successful political campaign, got elected, and moved to Washington DC.
”
”
Jarod Kintz (I Had a Dream About You)
“
Tortolita, let me tell you a story,” Estevan said. “This is a South American, wild Indian story about heaven and hell.” Mrs. Parsons made a prudish face, and Estevan went on. “If you go visit hell, you will see a room like this kitchen. There is a pot of delicious stew on the table, with the most delicate aroma you can imagine. All around, people sit, like us. Only they are dying of starvation. They are jibbering and jabbering,” he looked extra hard at Mrs. Parsons, “but they cannot get a bit of this wonderful stew God has made for them. Now, why is that?”
“Because they’re choking? For all eternity?” Lou Ann asked. Hell, for Lou Ann, would naturally be a place filled with sharp objects and small round foods.
“No,” he said. “Good guess, but no. They are starving because they only have spoons with very long handles. As long as that.” He pointed to the mop, which I had forgotten to put away. “With these ridiculous, terrible spoons, the people in hell can reach into the pot but they cannot put the food in their mouths. Oh, how hungry they are! Oh, how they swear and curse each other!” he said, looking again at Virgie. He was enjoying this.
“Now,” he went on, “you can go and visit heaven. What? You see a room just like the first one, the same table, the same pot of stew, the same spoons as long as a sponge mop. But these people are all happy and fat.”
“Real fat, or do you mean just well-fed?” Lou Ann asked.
“Just well-fed,” he said. “Perfectly, magnificently well-fed, and very happy. Why do you think?”
He pinched up a chunk of pineapple in his chopsticks, neat as you please, and reached all the way across the table to offer it to Turtle. She took it like a newborn bird.
”
”
Barbara Kingsolver (The Bean Trees (Greer Family, #1))
“
You lied about knowing me. You could lie about anything. People lie all the time, usually for no reason whatsoever. (Aiden)
But I’m not lying about being hungry. Could you toss me a piece of bread before the interrogation continues? Or do I have to beat your butt for a spoonful of peanut butter? (Leta)
”
”
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
“
CONSORTING WITH ANGELS
I was tired of being a woman,
tired of the spoons and the pots,
tired of my mouth and my breasts,
tired of the cosmetics and the silks.
There were still men who sat at my table,
circled around the bowl I offered up.
The bowl was filled with purple grapes
and the flies hovered in for the scent
and even my father came with his white bone.
But I was tired of the gender of things.
Last night I had a dream
and I said to it . . .
"You are the answer.
You will outlive my husband and my father."
In that dream there was a city made of chains
where Joan was put to death in man's clothes
and the nature of the angels went unexplained,
no two made in the same species,
one with a nose, one with an ear in its hand,
one chewing a star and recording its orbit,
each one like a poem obeying itself,
performing God's functions,
a people apart.
"You are the answer,"
I said, and entered,
lying down on the gates of the city.
Then the chains were fastened around me
and I lost my common gender and my final aspect.
Adam was on the left of me
and Eve was on the right of me,
both thoroughly inconsistent with the world of reason.
We wove our arms together
and rode under the sun.
I was not a woman anymore,
not one thing or the other.
0 daughters of Jerusalem,
the king has brought me into his chamber.
I am black and I am beautiful.
I've been opened and undressed.
I have no arms or legs.
I'm all one skin like a fish.
I'm no more a woman
than Christ was a man.
”
”
Anne Sexton (The Complete Poems)
“
If love were seaweed, I’d ask myself one question: Are you the sort of person who’d swim through it, or would you rather eat it? As for me, pass me my Speedo, and a spoon.
”
”
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
“
I'm in love with you, Karissa."
I freeze with the spoon halfway to my mouth and peer across the table at him. "I love you,too."
"No, I don't just love you," he says. "I'm in love with you."
His voice is so earnest it paints my flesh with goose bumps. "Is there a difference?"
"There is," he says. "When you love somebody, you want what's best for them… but
when you're in love with them, you want them for yourself. And they're not always the same
thing. Just because I want you, doesn't mean I'm the best thing for you… because I'm not. I
know I'm not. It isn't easy to reconcile. Because I know I should let you go, should let you walk
away from me right now, but I can't do it. I can't. I'm selfish, and I'm in love with you, and I
want nothing more than to keep you for myself.
”
”
J.M. Darhower (Monster in His Eyes (Monster in His Eyes, #1))
“
Fuck you,” she snarled, pointing right into Seth’s face before aiming her finger at me. “And fuck you.” She turned to point at Darius last. “And fuck you up the ass with a rusty spoon.
”
”
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
“
Welcome Morning"
There is joy
in all:
in the hair I brush each morning,
in the Cannon towel, newly washed,
that I rub my body with each morning,
in the chapel of eggs I cook
each morning,
in the outcry from the kettle
that heats my coffee
each morning,
in the spoon and the chair
that cry "hello there, Anne"
each morning,
in the godhead of the table
that I set my silver, plate, cup upon
each morning.
All this is God,
right here in my pea-green house
each morning
and I mean,
though often forget,
to give thanks,
to faint down by the kitchen table
in a prayer of rejoicing
as the holy birds at the kitchen window
peck into their marriage of seeds.
So while I think of it,
let me paint a thank-you on my palm
for this God, this laughter of the morning,
lest it go unspoken.
The Joy that isn't shared, I've heard,
dies young.
”
”
Anne Sexton
“
She leaves the spoon and takes my face in her hands. They're warm and smell devine. She holds me, whispering, "God help him understand you are still a child. God give you health and prosperity. God release you from all you wish to be released from." I shut my eyes and hope she never releases me.
”
”
Uzma Aslam Khan (The Geometry of God)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
Every rock is spoon by the Word. Every time I touch a stone, I am touching the Voice of God. Every cell of me is crafted by that artistry. My life is His breath. But we mortals grow numb. We want to feel more. And so we add MSG to our earthly brands of holiness.
”
”
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
“
It was very urgent that I got out of my life.
Inside the greasy spoon's steamed up windows and haze of cigarette smoke, this sense of urgency accelerated. I had so little time. Time for what? I didn't know but I was convinced there was another sort of life waiting for me and I had to work out what it was before I cleaned the oven.
”
”
Deborah Levy (Things I Don't Want to Know)
“
She said the secret to long life is to never stop moving. The moment you stop, you’re dying.” He poked me in the arm and sat back. “That’s your lesson today. Expect a test tomorrow.” I giggled a little. “Always teaching?” “I don’t have to today,” he said. “That was just a bonus.” He polished off the last of the apple pie, licking the spoon like a lollipop. “Ready?” “For what?” “You’ll see.
”
”
C.L. Stone (Drop of Doubt (The Ghost Bird, #5))
“
Whenever I hurt myself, my mother says
it is the universe’s way of telling me to
slow down. She also tells me to put some
coconut oil on it. It doesn’t matter what it
is. She often hides stones underneath my
pillow when I come home for the weekend.
The stones are a formula for sweet dreams
and clarity. I dig them out from the streets,
she tells me what each one is for. My throat
hurts, so she grinds black pepper into a
spoonful of honey, makes me eat the entire
thing. My mother knows how to tie knots
like a ship captain, but doesn’t know how
I got that sailor mouth. She falls asleep
in front of the TV only until I turn it off,
shouts, I was watching that! The sourdough
she bakes on Friday is older than I am.
She sneaks it back and forth across the country
when she flies by putting the starter in small
containers next to a bag of carrots.
They think it’s ranch dressing, she giggles.
She makes tea by hand. Nettles, slippery elm,
turmeric, cinnamon- my mother is a recipe
for warm throats and belly laughs. Once
she fell off of a ladder when I was three.
She says all she was worried about was
my face as I watched her fall.
”
”
Sarah Kay (No Matter the Wreckage: Poems)
“
Mind telling me what’s so funny?” he asked as he spooned beans onto their plates. “Nothing.” Lorelai avoided looking at Kol. “Then if nothing is funny, you two can stop grinning at each other like village idiots and start eating your dinner. I imagine tomorrow will be another difficult day.” And
”
”
C.J. Redwine (The Shadow Queen (Ravenspire, #1))
“
I smiled and rolled onto my side, bringing my arms around her. She wiggled against me, letting me spoon her, and I swept some sweaty hair away from her neck to kiss beneath her ear. “How do you like your new tattoo?”
“I love it. It makes me want to be a bird.”
“You already are a bird.”
“I don’t get to fly.”
“You fly all the time. Haven’t you noticed?
”
”
Rachael Wade (Declaration (Preservation, #3))
“
As for me, the thought of me being spoon-fed so many lies while believing you respected me enough to pour me some truth is what makes me sick to my stomach.
”
”
Pierre Alex Jeanty (Apologies That Never Came)
“
Such a happy sound, it makes me want to scoop out someone’s eyeballs with a spoon.
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
You and me, we're sandy spoons and fireworks, lighthouses and wishes and peanut butter" -Grace
”
”
Ashley Herring Blake (How to Make a Wish)
“
Yes," I said, smiling. He nodded, looked closely at me and then slowly smiled back. The moment hung in time like a drop of honey from a spoon, heavy, golden.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
You bought me plastic ware," he said. "Didn't you?'
"No," I growled, picking at my license plate.
"You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—"
"No," I said loudly.
"—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her.
"It was on sale," I told him again, as if this was some kind of an excuse.
"You love me," he said simply, taking the bag and adding it to the others.
"Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake."
"Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
”
”
Sarah Dessen (This Lullaby)
“
She told me her father taught her to live life way beyond the cusp of it, way out in the outer reaches where most people never had the guts to go, where you got hurt. Where there was unimaginable beauty and pain. She was always demanding of herself, Do I dare? Do I dare disturb the universe? From Prufrock. Her dad revered the poem, I guess, and the entire family lived in answer to it. They were always reminding themselves to stop measuring life in coffee spoons, mornings and afternoons, to keep swimming way, way down to the bottom of the ocean to find where the mermaids sang, each to each. Where there was danger and beauty and light. Only the now. Ashley said it was the only way to live.
”
”
Marisha Pessl (Night Film)
“
Her hand tightened around the handle of the serving spoon.
"Don't do it," he warned.
"Do what?"
"Throw the spoon."
"I wouldn't dream of it," she said tightly.
He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it."
Sophie's hand was gripping the spoon so hard it shook.
Benedict was chuckling so hard his bed shook.
Sophie stood,still holding the spoon.
Benedict smiled. "Are you planning to take that with you?"
Remember your place, Sophie was screaming at herself. Remember your place.
"Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise."
Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head.
Benedict raised his brows approvingly. "That was very mature of you."
Sophie turned around slowly. "Are you this charming with everyone or only me?"
"Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett."
"This is the best?" she asked with obvious disbelief.
"I'm afraid so.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
43. My couch is 92 inches; it’s a deep green three-cushion. It seats hundreds. But that’s not why I got it. I got it because, lying down the long way, in the spooning-in-front-of-a-movie way, in the head-to-toe lying with a pair of lamps burning and a pair of people reading, it fits me and another – it fits her – really well.
”
”
Nathan Englander (What We Talk About When We Talk About Anne Frank)
“
Swallowing hard, she looked at him.
He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes
locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer
came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing.
"Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite
enough," she managed.
"You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?"
Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean?
"Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
What do you mean, 'what happened to my Redcoat boy'?" Fiona asked, swirling her spoon around her dish.
"I mean, where did he go?"
"He went..." Fiona gazed off into the distance and shook her head slightly." He went the way of all things."
"You mean he died?"
Her focus snapped back to me. "No."
"Well, you made it sound like he died."
"I just meant that he went wherever it is that boys go when they go." She waved a hand. "Into the ether. Into the great beyond."
"It's still sounding like he died. Did you at least get his number?
”
”
Leila Sales (Past Perfect)
“
Want to lie down and be the little spoon?” I whisper, half joking. “Little spoon?” Grim tilts his head as his brow furrows. “Like nesting spoons. Right now, I’m the little spoon and Calix is the big spoon,” I explain. “I want to be the big spoon.” His chin lifts a little. “Well then, you have to go lie behind Calix.” I hook my thumb behind me. “That’s not acceptable. I will only nest spoons with you.
”
”
Albany Walker (Friends with the Monsters (Friends with the Monsters, #1))
“
Mantra to Overcome Depression
Vitamin D. Sunlight. Go
outside. Get a good night
of sleep. Not too good.
Not shades drawn forever
good. Not like you used to.
Open the windows.
Buy more houseplants.
Breathe. Meditate. One day,
you will no longer be
afraid of being alone
with your thoughts.
Exercise. Actually exercise
instead of just Googling it.
Eat well. Cook for yourself.
Organize your closet, the
garage. Drink plenty of
water and repeat after me:
I am not a problem
to be solved. Repeat after me:
I am worthy I am worthy
I am neither the mistake nor
the punishment. Forget to take
vitamins. Let the houseplant die.
Eat spoonfuls of peanut butter.
Shave your head. Forget
this poem. It doesn't matter.
There is no wrong way
to remember the grace of your
own body; no choice
that can unmake itself.
There is only now, here
look: you are already
forgiven.
”
”
Sierra DeMulder (Today Means Amen)
“
I have just come from the East End,” he said. “Something about the stories disturbed me, for more than the obvious reasons. I went there to have a look about for myself. And what happened last night proves my theory. There have been many murders recently—all of women, women who . . .”
“Prostitutes,” Tessa said.
“Quite,” Gabriel said.
“Tessa has such an extensive vocabulary,” Will said. “It is one of the most attractive things about her. Shame about yours, Gabriel.”
“Will, listen to me.” Gabriel allowed himself a long sigh.
“Spoon!” James said, running at his uncle Gabriel and jabbing him in the thigh. Gabriel mussed the boy’s hair affectionately.
“You’re such a good boy,” he said. “I often wonder how you could possibly be Will’s.”
“Spoon,” James said, leaning against his uncle’s leg lovingly.
“No, Jamie,” Will urged. “Your honorable father has been impugned. Attack, attack!
”
”
Cassandra Clare (Tales from the Shadowhunter Academy)
“
Over two hundred years," Jeanne said, finishing his sentence as she shoveled a mountain of scrambled eggs onto Ambrose's plate. Her gave her a ravishing smile, and said "Marry me, Jeanne" leaning over to kiss the hand holding the serving spoon. "In your dreams," she laughed...
”
”
Amy Plum
“
That's right. Carrington didn't want to marry the likes of me. He had to be dragged kicking and screaming
to the negotiation table.”
“Did you enjoy the dragging?” He glanced down at her.
“Yes, I rather did,” she confessed. “It was amusing threatening to strip his house bare to the last plank on the floor and the last spoon in the kitchen.”
“My parents are convinced of your grief.” She heard the smile in his voice. “They said tears streamed
down your face at his funeral.”
“For nearly three years of hard work down the drain, I cried like a bereaved mother.
”
”
Sherry Thomas (Private Arrangements)
“
He appeared before me and departed. We were not able to speak to or touch each other. But in that short interval, he transformed many things inside me. He literally stirred my mind and body the way a spoon stirs a cup of cocoa, down to the depths of my internal organs and my womb.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Some are teethed on a silver spoon,
With the stars strung for a rattle;
I cut my teeth as the black raccoon--
For implements of battle.
Some are swaddled in silk and down,
And heralded by a star;
They swathed my limbs in a sackcloth gown
On a night that was black as tar.
For some, godfather and goddame
The opulent fairies be;
Dame Poverty gave me my name,
And Pain godfathered me.
For I was born on Saturday--
"Bad time for planting a seed,"
Was all my father had to say,
And, "One mouth more to feed."
Death cut the strings that gave me life,
And handed me to Sorrow,
The only kind of middle wife
My folks could beg or borrow.
”
”
Countee Cullen
“
So many of us fail: we divorce our wives and husbands, we leave the roofs of our lovers, go once again into the lonely march, mustering our courage with work, friends, half pleasures which are not whole because they are not shared. Yet still I believe in love's possibility, in its presence on the earth; as I believe I can approach the altar on any morning of any day which may be the last and receive the touch that does not, for me, say: There is no death; but does say: In this instant I recognize, with you, that you must die. And I believe I can do this in an ordinary kitchen with an ordinary woman and five eggs. The woman sets the table She watches me beat the eggs. I scramble them in a saucepan, as my now-dead friend taught me; they stand deeper and cook softer, he said. I take our plates, spoon eggs on them, we sit and eat. She and I and the kitchen have become extraordinary; we are not simply eating; we are pausing in the march to perform an act together, we are in love; and the meal offered and received is a sacrament which says: I know you will die; I am sharing food with you; it is all I can do, and it is everything.
”
”
Andre Dubus (Broken Vessels: Essays)
“
Sport is a mystery to me. In primary school, sports day was the one day of the year when the less academically gifted students could triumph, winning prizes for jumping fastest in a sack, or running from Point A to Point B more quickly than their classmates. How they loved to wear those badges on their blazers the next day! As if a silver in the egg-and-spoon race was some sort of compensation for not understanding how to use an apostrophe.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
When I was a real girl, my mother fed me her glass dreams one spoonful at a time. Harvard. Yale. Princeton. Duke. Undergrad. Med school. Internship, residency, God. She'd brush my hair and braid it with long words, weaving the Latin roots and Greek branches into my head so memorizing anatomy would come easy.
”
”
Laurie Halse Anderson (Wintergirls)
“
it's 4:21 am. He's gotta be done having mind-blowing-knock-your-dick-into-your-watch-pocket sex with her, and she's probably spooning with him right now. Ugh, it makes me sick. I'll bet he's in front, too, the dick. Anyone would know that Heaven is supposed to be the little spoon, but he's probably making her be the big spoon.
”
”
Caprice Crane (Stupid and Contagious)
“
I stared at the objects before me: cold coffee in a cup of thick white glass, folded napkin, spoon with a liquid coffee shadow on its face. Symbols of order and humility, comfort and banality. These were the things of my life; I had been sitting at these goddamn coffee tables all my life recovering from what other people had done to me.
”
”
Mary Gaitskill (Two Girls, Fat and Thin)
“
Love equals a morbid and relentless fear of losing the other person. It’s a freak-accident fear, a piece of space junk falling from the sky and obliterating him, leaving nothing but his smoking boots. It’s the unfortunate-organ-defect fear—suddenly, on his thirtieth birthday, the little crack in his heart that’s been there since birth will rear its ugly head and take him in his sleep while he’s spooning you. It’s the only way to know you’re really in love, when you ask the question would it be harder to watch him die, or to know he’ll watch me die? Is there more mercy in being the one who does the watching or in being the one who does the dying? It’s when you realize what mercy-killing actually means, it’s when you actually care to the point of tormenting worry. It’s not roses and white horses, it’s fucking brutal and it can send a person running for the hills. To love is brave and Will was the bravest person I knew.
”
”
Renee Carlino (Sweet Thing (Sweet Thing, #1))
“
While we're on brunch, how about hollandaise sauce? Not for me. Bacteria love hollandaise. And hollandaise, that delicate emulsion of egg yolks and clarified butter, must be held at a temperature not too hot nor too cold, lest it break when spooned over your poached eggs. Unfortunately, this lukewarm holding temperature is also the favorite environment for bacteria to copulate and reproduce in. Nobody I know has ever made hollandaise to order. Most likely, the stuff on your eggs was made hours ago and held on station. Equally disturbing is the likelihood that the butter used in the hollandaise is melted table butter, heated, clarified, and strained to get out all the breadcrumbs and cigarette butts. Butter is expensive, you know. Hollandaise is a veritable petri-dish of biohazards.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
Gender-neutral fashion does not start and end with the masculine for me.
”
”
Rae Spoon (Gender Failure)
“
Can I stay here and sleep?” “Yes.” “Will you come in and spoon me?” “As soon as fucking possible.
”
”
Layla Frost (Little Dove (Black Resorts, #1))
“
I want him to come lie down with me, fit his body around mine like spoons in a drawer and not ask a thing and not be bothered by the silence.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue & The Lady's Guide to Petticoats and Piracy By Mackenzi Lee 2 Books Collection Set)
“
...she had already tasted a delicious spoonful of sleep, and all she wanted was another.
”
”
Leila Howland (The Forget-Me-Not Summer (Silver Sisters, #1))
“
Sitting by the rocket stove in the fire-hut, tending to a brew, I put the finishing touches to a soup spoon. It’s not perfect, yet every imperfection tells a story of my afternoon, which makes it perfect to me, and me only. When I eat soup from this day forth, that small dent in the bottom will be my Buddha, but I’m content with it. There’s no point being otherwise.
”
”
Mark Boyle (The Way Home: Tales from a life without technology)
“
What will you do with that hideous statue when you become Queen?" Shen asked. "Smash it to smithereens? Replace it with a statue of me?"
"I'll smash it to little pieces," said Wren. " And then I'll feed them to whoever commissioned that eyesore in the first place. One spoonful at a time.
”
”
Catherine Doyle (Twin Crowns (Twin Crowns, #1))
“
Nursemaid, you mean? Someone who can sing me to sleep at bedtime, spoon
porridge into my mouth, and wipe my”—he hesitated just long enough to make both servants cringe with
dread—“chinif I dribble?”
“I haven’t the voice for lullabies and I’m sure you’re perfectly capable of wiping your own…chin,
”
”
Teresa Medeiros (Yours Until Dawn)
“
I have a fork and a spoon, but never a knife. When there’s meat they cut it up for me ahead of time, as if I’m lacking manual skills or teeth. I have both, however. That’s why I’m not allowed a knife.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to.
”
”
Jared Singer
“
Molly! I’ve got to ask you your question first!” “Arthur, really, this is just silly. . . .” “What do you like me to call you when we’re alone together?” Even by the dim light of the lantern Harry could tell that Mrs. Weasley had turned bright red; he himself felt suddenly warm around the ears and neck, and hastily gulped soup, clattering his spoon as loudly as he could against the bowl. “Mollywobbles,” whispered a mortified Mrs. Weasley into the crack at the edge of the door. “Correct,” said Mr. Weasley. “Now you can let me in.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
You would -- you would take him into Your heaven, my lord?" asked Ingrey in astonishment and outrage. "He slew, not in defense of his own life, but in malice and madness. He tried to steal powers not rightly given to him. If I guess right, he plotted the death of his own brother. He would have raped Ijada, if he could, and killed again for his sport!"
The Son held up his hands. Luminescent, they seemed, as if dappled by autumn sun reflecting off a stream into shade. "My grace flows from me as a river, wolf-lord. Would you have me dole it out in the exact measure that men earn, as from an apothecary's dropper? Would you stand in pure water to your waist, and administer it by the scant spoon to men dying of thirst on a parched shore?"
Ingrey stood silent, abashed, but Ijada lifted her face, and said steadily, "No, my lord, for my part. Give him to the river. Tumble him down in the thunder of Your cataract. His loss is no gain of mine, nor his dark deserving any joy to me."
The god smiled brilliantly at her. Tears slid down her face like silver threads: like benedictions.
"It is unjust," whispered Ingrey. "Unfair to all who -- who would try to do rightly...."
"Ah, but I am not the god for justice," murmured the Son. "Would you both stand before my Father instead?
”
”
Lois McMaster Bujold (The Hallowed Hunt (World of the Five Gods, #3))
“
It’s me, not you.” She turned to him, urging him with her eyes to go along with her. “Everybody else thinks you’re fabulous, so it has to be me, right? Nobody else seems to find you just a little bit . . . creepy.”
He cocked an eyebrow.
Francesca swelled up in her chair. “Did you just call my son ‘creepy’?”
Ted spooned up another bite of chocolate, interested in what else she’d come up with. He wasn’t going to help at all. She wanted to kiss him, yell at him. Instead, she returned her attention to the women.
“Be honest.” Her voice gained strength with the rightness of what she was doing. “You all know what I mean. The way the birds start to sing when he walks outside. That’s creepy, right? And those halos that keep popping up around his head?
”
”
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
“
You've never been a whiner, Margo."
"I could give lessons.It's time for me to grow up, take responsibility,be sensible."
"Talk to life insurance salesman," Josh said dryly. "Apply for a library card.Clip coupons."
She looked down her nose. "Spoken like a man born with not only a silver spoon but the whole place setting stuck in his arrogant little mouth."
"I happen to have several library cards," he muttered. "Somewhere."
"Do you mind?
”
”
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
“
‘And what about a [band] name?’ said Tony [Iommi]. The three of us looked at each other.
‘We should all take a couple of days to think about it,’ I said. ‘I dunno about you two, but I’ve got a special place where I go to get ideas for important stuff like this. It’s never failed me yet.’
Forty-eight hours later I blurted out: ‘I’ve got it!’
‘Must have been that dodgy bird you poked the other night,’ said Geezer. ‘Has your whelk turned green yet?’
Tony and Bill snickered into their plates of egg and chips. We were sitting in a greasy spoon caff in Aston. So far, everyone was getting along famously.
‘Very funny, Geezer,’ I said, waving an eggy fork at him. ‘I mean the name for our band.’
The snickering died down.
‘Go on then,’ said Tony [Iommi].
‘Well, I was on the shitter last night, and...'
‘That’s your special place?’ spluttered Bill, blobs of mushed-up egg and HP sauce flying out of his mouth.
‘Where the f**k did you think it was, Bill?’ I said. ‘The hanging gardens of f**king Babylon?
”
”
Ozzy Osbourne (I Am Ozzy)
“
Symbolic value of the pickling process: all the six hundred million eggs which gave birth to the population of India could fit inside a single, standard-sized pickle-jar; six hundred million spermatozoa could be lifted on a single spoon. Every pickle-jar (you will forgive me if I become florid for a moment) contains, therefore, the most exalted of possibilities: the feasibility of the chutnification of history; the grand hope of the pickling of time!
”
”
Salman Rushdie (Midnight’s Children)
“
I had the pleasure of dining with your
brother.”
“Gregory? Really? You’d classify it as a pleasure?” But he was
grinning as he said it, and Honoria could instantly picture what life
must be like in the Bridgerton household: a great deal of teasing and
a great deal of love.
“He was most gracious to me,” she said with a smile.
“Shall I tell you a secret?” Mr. Bridgerton murmured, and
Honoria decided that in his case, it was right and proper to listen to
gossip—he was an incredible flirt.
“Must I keep the secret?” she asked, leaning forward ever-soslightly.
“Definitely not.”
She gave him a sunny smile. “Then yes, please.”
Mr. Bridgerton leaned in, just about as far as she had done. “He
has been known to catapult peas across the supper table.”
Honoria gave him a very somber nod. “Has he done this
recently?”
“Not too recently, no.”
She pressed her lips together, trying not to smile. It was lovely
to witness this type of sibling teasing. There used to be so much of it
in her home, although most of the time she’d been but a witness.
She was so much younger than the rest of her siblings; in all
honesty, most of the time they’d probably just forgotten to tease
her.
“I have but one question, Mr. Bridgerton.”
He cocked his head.
“How was this catapult constructed?”
He grinned. “Simple spoon, Lady Honoria. But in Gregory’s
devious hands, there was nothing simple about it.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
Can I ask you a favor?" Matthew says.
"Anything."
That throws him, but only for a moment. "If I do something that might screw this up, would you tell me?"
I set my spoon down. The cereal has gone soggy and I'm beginning to make a mess anyway. "You won't screw this up, Matthew. Mom and Dad aren't like that."
"But–just in case."
"Okay." I carry my bowl to the sink. "Anything else?"
"No." He hestitates. "Maybe."
"What's up?"
"Do you think you could just call me Matt?
”
”
Brigid Kemmerer (More Than We Can Tell (Letters to the Lost, #2))
“
But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell. See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.
"Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars."
The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly.
I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees.
"Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam."
"Elly doesn't like anything anymore."
The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.
"Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama."
Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.
I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
”
”
Katherine Dunn (Geek Love)
“
Taste this." Rick held out a wooden spoon smothered in sauce, cradling the underside with his free hand.
"That's heaven." Laney licked the spoon clean. "When I die, bury me in a vat of that." She kissed Rick on the lips and heaved the groceries onto the counter.
"I feel like I'll be too sad to cook that much, what with you dead and all." He turned back to the pot, stirring the sauce as gently as he'd handle a newborn baby. "Though if we have a little advance warning, I could stockpile it in the freezer."
"Absolutely. I'll do what I can to die a slow death." Laney smirked. "All in the name of the sauce, of course.
”
”
Emily Liebert (You Knew Me When)
“
Mercy, look what Ethan found, your Tennessee Collector’s spoon. I told you I didn’t take it!" Aunt Prue hollered.
"Let me see that." Mercy put her glasses on to inspect the spoon. "Well, I’ll be. I finally have all eleven states."
"There are more than eleven states, Aunt Mercy."
"I only collect the states a the Confed’racy." Aunt Grace and Aunt Prue nodded in agreement.
”
”
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
“
The Son held up his hands. Luminescent, they seemed, as if dappled by autumn sun reflecting off a stream into shade. “My grace flows from these as a river, wolf-lord. Would you have me dole it out in the exact measure that men earn, as from an apothecary’s dropper? Would you stand in pure water to your waist, and administer it by the scant spoon to men dying of thirst on a parched shore?
”
”
Lois McMaster Bujold (The Hallowed Hunt (World of the Five Gods, #3))
“
Mom would hate it if she knew I told Coco this stuff. She'd hate it, and she wouldn't even admit that to me, because she'd be too worried about making me uncomfortable or ashamed. She's like a silverware divider with a conscience, trying to keep us all separate and safe without making the forks feel bad about not being spoons or the spoons feel worried that the forks shouldn't be so poky.
”
”
Emily Henry (The Love That Split the World)
“
I think back to that night, and I write exactly what happened. How James made me laugh until my sides hurt. How we stayed out until two talking at a greasy spoon diner. How I came to realize that some of life's most beautiful things grow out of the darkest moments.
”
”
Sarah Jio (Morning Glory)
“
Hunter scooped her up into his arms as if she weighed nothing and carried her over to the bed. He laid her down and then moved behind her to spoon her, his arm holding her close to his chest. His lips brushed her ear. "Before you push me away, you have my word that once you're asleep, I'll go in the other room, okay?" ...
Without moving, she whispered into the darkness, "What if I don't want you to go?
”
”
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
“
My soup arrived. Crusted with cheese, golden at the edges. The waiter placed it carefully in front of me, and I broke through the top layer with my spoon and filled it with warm oniony broth, catching bits of soaking bread. The smell took over the table, a warmingness. And because circumstances rarely match, and one afternoon can be a patchwork of both joy and horror, the taste of the soup washed through me. Warm, kind, focused, whole. It was easily, without question, the best soup I had ever had, made by a chef who found true refuge in cooking.
”
”
Aimee Bender (The Particular Sadness of Lemon Cake)
“
For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I've also learned that as someone with a limited number of spoons it's best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller's torch; or a rack of cooking spices; or the time to shape a young child's day....
To me, it's all art, inside the studio and out. At least it is if we approach our lives that way.
”
”
Terri Windling
“
Once I was old enough to understand it, the Swedish birthday song always made me sad. I didn't know anybody who had lived to one hundred, and I didn't think I would live to one hundred either. So, every year when my parents and friends sang to me, I felt this sadness that they were celebrating something that wouldn't actually happen. They were hoping for the impossible. I would let them down.
In the video, having just blown out my first birthday candle and been fed some icing on a spoon by my father, I have no idea what the song means and I look so happy.
”
”
Marianne Cronin (The One Hundred Years of Lenni and Margot)
“
He stops his conversation with Grom and leans over to kiss my forehead. “How do you feel?”
“Hungry.”
Rachel sets a plate full of eggs, jalapenos, bacon, cheese, and a bunch of other ingredients that a less-famished person might care about. I don’t even blow on it before I spoon it into my mouth. As soon as I do, of course, Grom says, “Good morning, Emma.”
I nod politely. “Goo monig,” I tell him around my good.
Galen winks at me, then takes a bite of his own breakfast, which looks like a crab cake the size of his face. Also, it smells like dirty socks and sauerkraut.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
My mother understood the fundamental facts about me. She knew that I would always prefer to eat with a tiny spoon rather than a regular one, that I was an excellent Thing Finder because I was always looking down at the sidewalk, that I wanted to recite spells, live in a nutshell, play a gold harp. That I had a house in my head that was far away. But it did not seem plausible, yet, that she and her pain had actually produced me.
”
”
Patricia Lockwood (Priestdaddy: A Memoir)
“
You’re going to tell me what you’ve blundered into.”
It wasn’t a question, but I determined to take it as such. “No.”
“No?”
“No.”
He crossed his arms on his chest, making his carved biceps bulge. I vividly remembered those steel-hard biceps flexing as he hoisted me up off the floor by my throat.
“You know what I like about you? You have no sense. You sit here in my house, you can barely hold a spoon, and you're telling me 'no.' You'd pull on Death's whiskers if you could reach them.”
Actually, Death wasn't that far out of reach. If I stretched my leg, I could kick him.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
I was six years old, watching my pregnant mother wash the dishes. Cutlery clinked, filling the air with sparkling bursts of colour.
'Do it again!' I begged her, bouncing in my seat.
My mother glanced back at me. 'Do what?'
'Make the stars.'
'Stars?'
It never occurred to me that she couldn't' see what I was seeing. 'The gold ones', I said.
'I don't know what you're talking about.' she replied, and with a child's impatience, I hopped down from my stool to show her.
'Like this,' I said, taking two spoons and clanging them together. Each clink produced another starburst expanding luminous through the air between us.
'You mean,' said my mother slowly, 'the sound makes you think of the stars?'
'No, it makes the stars..
”
”
R.J. Anderson (Ultraviolet (Ultraviolet, #1))
“
His hand gripped mine hard. It said you’re welcome and thank you and this is all so freaking joyful there are no words. For a minute, maybe more, we just lay there, side by side, hand in hand, until finally Max rolled toward me, said, “You be the little spoon,” and pulled the sheets up over us.
”
”
Nicola Rendell (So Good (Alpha Dogs, #1))
“
My period continued, an inevitable cycle, yet every month I was somehow surprised by the violent pain. It was as if I refused to believe my body, something I’d trusted for years, would repeatedly betray me. My stomach ate itself from the inside, a revelry I had been dragged to, a feast I was forced to join though I was not hungry. The meal lasted four to six days, gorging on cramps, the spilled crumbs falling out of me stained with raspberry jam. My stomach was never a clean eater, gnawing on my uterus and fallopian tubes, leaving bite marks. I counted each rotation of the sun with heightening anxiety until it passed and I reset the clock. The knife carved my insides into pot roasts; the fork jabbed my sides into holey cheese. I could distinguish each fork prong—the pain was profound. My guts twisted around the spoon like spaghetti, tangled noodles slathered in scarlet marinara. Menstruation was more smashed acidic tomatoes than sweet fruit compote. I wiped my fingers on white jeans made of napkins and left streaks dried to rust. The stains came out with bleach and detergent. I died and regenerated every month. How else could I define the experience? The reasonable explanation was death. I decided when my body was wheeled into the morgue, the coroner would declare I died of being a woman. Which was far better than dying of being a man.
”
”
Jade Song (Chlorine)
“
One can never call me a quitter
I take something right and see it
through till it’s wrong
Auctioning myself off to the lowest bidder
Going once, going twice
Gone
Sold to the man for the price of disdain
Some are sold for a song
I don’t rate a refrain
I guess it was all going just a little too well
If I wasn’t careful I’d be happy pretty soon
Heaven’s no place for one who thrives on hell,
One who prefers the bit to the silver spoon.
Then just when I’d almost resigned myself to winning
When it seemed my bright future would never dim
When my luck looked as though it was only beginning
I met him.
Sullen and scornful; a real Marlboro man
The type who pours out the beer and eats the can
A tall guy with a cultivated leer
One you can count on to diaprove or disappear
I knew right away that he was a find
Given this, he was the kindest man I’d ever met
Back came my sense of worthlessness
And my long lost pangs of regret
I was my old self again, lost and confused
Reunited with that old feeling
Of being misunderstood and misused.
Sold to the man for the price of disdain
All of this would be interesting
If it weren’t so mundane
”
”
Carrie Fisher (The Princess Diarist)
“
My old man
16 years old
during the depression
I’d come home drunk
and all my clothing–
shorts, shirts, stockings–
suitcase, and pages of
short stories
would be thrown out on the
front lawn and about the
street.
my mother would be
waiting behind a tree:
“Henry, Henry, don’t
go in . . .he’ll
kill you, he’s read
your stories . . .”
“I can whip his
ass . . .”
“Henry, please take
this . . .and
find yourself a room.”
but it worried him
that I might not
finish high school
so I’d be back
again.
one evening he walked in
with the pages of
one of my short stories
(which I had never submitted
to him)
and he said, “this is
a great short story.”
I said, “o.k.,”
and he handed it to me
and I read it.
it was a story about
a rich man
who had a fight with
his wife and had
gone out into the night
for a cup of coffee
and had observed
the waitress and the spoons
and forks and the
salt and pepper shakers
and the neon sign
in the window
and then had gone back
to his stable
to see and touch his
favorite horse
who then
kicked him in the head
and killed him.
somehow
the story held
meaning for him
though
when I had written it
I had no idea
of what I was
writing about.
so I told him,
“o.k., old man, you can
have it.”
and he took it
and walked out
and closed the door.
I guess that’s
as close
as we ever got.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
A Book I Can Put Down
I’m halfway through
and I’ve gotten used
to the way it wants
to be read. This writer
wants to spoon it up,
wants to watch me
swallow it. This writer
makes a point of good
deeds, clean living,
god and country,
when what I want
is sin and shame,
the rusty metal edge
of cruelty, varieties
of pain, his mother
still crying years later,
just like mine. I want
a writer who’s given up
on the moral of the story,
one who’ll hand me
a knife and sit back
to see what I do with it.
(Published in Anderbo)
”
”
Antonia Clark
“
Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out: "Clear the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise."
He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first and spoon vittles to top off on." He see me, and rode up and says:"Whar'd you come f'm boy? You prepared to die?" Then he rode on. I was scared, but a man says: "He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best-naturedest old fool in Arkansaw--never hurt nobody, drunk no sober.
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
GOODNESS ME!’ said Daisy very loudly beside me. ‘IS THERE PRAWN IN THIS DUMPLING?
”
”
Robin Stevens (A Spoonful of Murder (Murder Most Unladylike, #6))
“
Let me see if I've got this right,' said Vimes. 'Überwald is like this big suet pudding that everyone's suddenly noticed, and now with this coronation as an excuse we've all got to rush there with knife, fork and spoon to shovel as much on our plates as possible?'
'Your grasp of political reality is masterly, Vimes. Your lack only the appropriate vocabulary.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
She died on March 22. Those last hours I didn’t stop stroking her hair or telling her, “Don’t worry, I’m here.” I told her that I was a good cook because of her. I told her I ate fresh fruit and vegetables because of her. I told her I ran because of her. I told her I could still picture the little garden on our dead-end road. I could feel the rough wooden spoon, my hands clutching it, hers covering mine. I told her I remembered that, how warm her hands felt. I told her I loved her and that she would always be with me. I didn’t tell her I was lost.
”
”
Scott Jurek (Eat and Run: My Unlikely Journey to Ultramarathon Greatness)
“
All this is dreadfully ominous: my destiny will lead me to prison. Fabrice would have given anything in the world to know whether the hussar Boulot was actually guilty: as he searched his memory, he thought he recalled the jailer’s wife in B*** telling him that the hussar had been arrested not only over some silver forks and spoons, but also for having stolen a peasant’s cow and beaten the peasant almost to death: Fabrice had no doubt that he would one day be put in prison for a crime that would have some connection with that of the hussar Boulot.
”
”
Stendhal (The Charterhouse of Parma)
“
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
”
”
Brian Doyle (Mink River)
“
There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already.
”
”
Ian McEwan (Nutshell)
“
dear samantha
i’m sorry
we have to get a divorce
i know that seems like an odd way to start a love letter but let me explain:
it’s not you
it sure as hell isn’t me
it’s just human beings don’t love as well as insects do
i love you.. far too much to let what we have be ruined by the failings of our species
i saw the way you looked at the waiter last night
i know you would never DO anything, you never do but..
i saw the way you looked at the waiter last night
did you know that when a female fly accepts the pheromones put off by a male fly, it re-writes her brain, destroys the receptors that receive pheromones, sensing the change, the male fly does the same. when two flies love each other they do it so hard, they will never love anything else ever again. if either one of them dies before procreation can happen both sets of genetic code are lost forever. now that… is dedication.
after Elizabeth and i broke up we spent three days dividing everything we had bought together
like if i knew what pots were mine like if i knew which drapes were mine somehow the pain would go away
this is not true
after two praying mantises mate, the nervous system of the male begins to shut down
while he still has control over his motor functions
he flops onto his back, exposing his soft underbelly up to his lover like a gift
she then proceeds to lovingly dice him into tiny cubes
spooning every morsel into her mouth
she wastes nothing
even the exoskeleton goes
she does this so that once their children are born she has something to regurgitate to feed them
now that.. is selflessness
i could never do that for you
so i have a new plan
i’m gonna leave you now
i’m gonna spend the rest of my life committing petty injustices
i hope you do the same
i will jay walk at every opportunity
i will steal things i could easily afford
i will be rude to strangers
i hope you do the same
i hope reincarnation is real
i hope our petty crimes are enough to cause us to be reborn as lesser creatures
i hope we are reborn as flies
so that we can love each other as hard as we were meant to
”
”
Jared Singer
“
I think about her as she is in front of me, in her weird overalls and woolen socks and fancy leather slippers. I wonder if she still wears that Indian shawl around the house, if she still drinks hot water with a spoonful of some honey that she claims has miraculous, antiviral, immortality-giving properties, whether she still plays the piano late at night and insists on cooking pasta in not-quite-boiling water because she’s too impatient to wait. I wonder whether she still crashes the gears on the car as she’s driving but denies all knowledge of this. I wonder if there is anything of mine that she’s kept, any shirts, any books, any letters. I wonder if she still walks in her sleep and whether there is anybody there to get up, follow her, and lead her back to bed.
”
”
Maggie O'Farrell (This Must Be the Place)
“
As she watched while Gabriel sorted through the medicine spoons, she decided to take the bull by the horns. "You probably already know this," she said bluntly, "but I love you. In fact, I love you so much that I don't mind your monotonous handsomeness, your prejudice against certain root vegetables, or your strange preoccupation with spoon-feeding me. I'm never going to obey you. But I'm always going to love you."
The declaration wasn't exactly poetic, but it seemed to be what he'd needed to hear.
The spoons clattered on the table. In the next moment, he sat on the bed and gathered her against his chest. "Pandora," he said huskily, holding her against his violently thumping heart. "I love you more than I can bear. You're everything to me. You're the reason the earth turns and morning follows night. You're the meaning of primroses and why kissing was invented. You're the reason my heart beats. God help me, I'm not strong enough to survive without you. I need you too much... I need you...
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
FLEISCHMANN: Since the days of Sigmund Freud and the advent of psychoanalysis the interpretation of dreams has played a big role in Austria[n life]. What is your attitude to all that?
BERNHARD: I’ve never spent enough time reading Freud to say anything intelligent about him. Freud has had no effect whatsoever on dreams, or on the interpretation of dreams. Of course psychoanalysis is nothing new. Freud didn’t discover it; it had of course always been around before. It just wasn’t practiced on such a fashionably huge scale, and in such million-fold, money-grubbing forms, as it has been now for decades, and as it won’t be for much longer. Because even in America, as I know, it’s fallen so far out of fashion that they just lay people out on the celebrated couch and scoop their psychological guts out with a spoon.
FLEISCHMANN: I take it then that psychoanalysis is not a means gaining knowledge for you?
BERNHARD: Well, no; for me it’s never been that kind of thing. I think of Freud simply as a good writer, and whenever I’ve read something of his, I’ve always gotten the feeling of having read the work of an extraordinary, magnificent writer. I’m no competent judge of his medical qualifications, and as for what’s known as psychoanalysis, I’ve personally always tended to think of it as nonsense or as a middle-aged man’s hobby-horse that turned into an old man’s hobby-horse. But Freud’s fame is well-deserved, because of course he was a genuinely great, extraordinary personality. There’s no denying that. One of the few great personalities who had a beard and was great despite his beardiness.
FLEISCHMANN: Do you have something against beards?
BERNHARD: No. But the majority of people call people who have a long beard or the longest possible beard great personalities and suppose that the longer one’s beard is, the greater the personality one is. Freud’s beard was relatively long, but too pointy; that was typical of him. Perhaps it was the typical Freudian trait, the pointy beard. It’s possible.
”
”
Thomas Bernhard
“
I carried to my lips a spoonful of the tea in which I had let soften a bit of madeleine. But at the very instant when the mouthful of tea mixed with cake crumbs touched my palate, I quivered, attentive to the extraordinary thing that was happening inside me. A delicious pleasure had invaded me, isolated me, without my having any notion as to its cause. It had immediately rendered the vicissitudes of life unimportant to me, its disasters innocuous, its brevity illusory, acting in the same way that love acts, by filling me with a precious essence: or rather this essence was not merely inside me, it was me.
”
”
Marcel Proust (Swann's Way)
“
Men may perish, but the world will neither celebrate nor mourn. It will go on.' His smile thinned. 'Would you like to know how?'
'No.'
'Animals will swell to fill the void left by men," he told her. 'And over-swell it, perhaps. There will be other extinctions and other recoveries. The sky will clear, but those who see it will not marvel at its many colors. Those ruins will collapse, burying treasures like this-' He waved at the walls. '-and this-' He picked up the spoon from her coffee tray and tossed it down again with a clatter. '-forever, but the world will go on. Years become centuries so easily when no one is there to count them. Centuries become millennia. The forests will reclaim the lands that Men have razed. Rivers will carve canyons across the scars left by this fallen cities. Mountains will rise up, trapping seas to dry under and uncaring sun and leaving the bones of whales to bleach in the newborn deserts for no one to find, no one to be inspired by thoughts of giants and dragons. And still the worlds will go on, and I will go on with it through ages that can only be measured by the coming and going of glaciers. The stars themselves will shift in the heavens and no one will be there to invent names for their new alignments or remember the stories of the old ones, no one but me. In time, the sun itself will begin to cool. Here on Earth, the world goes on and on as its remaining life passes through its last changes and dies away. It will be quiet. And lonely.' His mouth curved into a bitter line. 'But I'll live.'
'Stop it,' Lan whispered through numb lips.
'I read once that the sun will someday swell and engulf this world before it burns itself out. Perhaps I will finally die with it. Or perhaps I' will continue to endure... my ashes pulled eternally apart through the frozen vacuum of space, and I with no more mouth to scream... still alive.
”
”
R. Lee Smith (Land of the Beautiful Dead)
“
What’s wrong?”
Before I could stop myself, I mumbled, “I’m used to resting my head on a warm tiger-fur pillow is what’s wrong.”
He grunted, “Hmm, let me see what I can do.”
Panicky, I squeaked out, “No, really. I’m okay. Don’t bother.”
He ignored my protests, scooped up my mummy-wrapped self, and set me down again on his side of the fire. He turned me on my side so I faced the fire, lay down behind me, and slid an arm under my neck to cradle my head.
“Is that more comfortable for you?”
“Uh, yes and no. My head can definitely rest better in this position. Unfortunately, the rest of me is feeling the complete opposite of relaxed.”
“What do you mean? Why can’t you relax?”
“Because you’re too close for me to relax.”
Bemused, he said, “Me being too close never bothered you when I was a tiger.”
“The tiger you and the man you are two completely different things.”
He put his arm around my waist and tugged me closer so we were spooned together. He sounded irritated and disappointed when he muttered, “It doesn’t feel different to me. Just close your eyes and imagine I’m still a tiger.”
“It doesn’t exactly work like that.” I lay stiffly in his arms, nervous, especially when he began nuzzling the back of my neck.
He said softly, “I like the smell of your hair.” His chest rumbled against my back, sending massaging vibrations through my body as he purred.
“Ren, can you not do that right now?”
He lifted his head. “You like it when I purr. It helps you sleep better.”
“Yes, well, that only works with the tiger. How can you do that as a man anyway?”
He paused, and said, “I don’t know. I just can,” then buried his face in my hair again and stroked my arm.
“Uh, Ren? Explain to me how you plan to keep watch like this.”
His lips grazed my neck. “I can hear and smell the Kappa, remember?”
I twitched and shivered, with nerves, or anticipation, or something else, and he noticed. He stopped kissing my neck and lifted his head to peer at my face in the flickering firelight. His voice was solemn and calm. “Kells, I hope you know that I would never hurt you. You don’t need to be afraid of me.”
Rolling toward him, I lifted my hand and touched his cheek. Looking into his blue eyes, I sighed. “I’m not afraid of you, Ren. I trust you with my life. I’ve just never been close to someone like this before.”
He kissed me softly and smiled. “I haven’t either.”
He shifted, lying down again. “Now, turn around and go to sleep. I’m warning you that I plan to sleep with you in my arms all night long. Who knows when, or if, I’ll ever get to do it again. So try to relax, and for heaven’s sake, don’t wiggle!”
He pulled me back against his warm chest, and I closed my eyes. I ended up sleeping better than I had in weeks.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
The logical questions become: Why are you storing all this stuff inside you? And if you’re going to store stuff inside, why not make it nice stuff? People collect all sorts of things as hobbies. Some collect spoons, teacups, stamps, or coins from all over the world. But you had a brilliant idea for a hobby—let’s collect bad experiences. That’s what you did: “I’m going to collect every bad experience I ever had and keep it inside me so it can bother me for the rest of my life.” How can that work out well? If you keep doing it, you’re going to collect more and more bad experiences, and your life will get heavier and heavier.
”
”
Michael A. Singer (Living Untethered: Beyond the Human Predicament)
“
So that’s the secret,” the Beast Lord said.
I froze with the spoon halfway to my mouth. That was it. He had figured out what I was and now he was playing with me.
“You okay?” he asked. “Gone a bit pale there.”
In a moment he would drop the charade and rip me to pieces. If I was lucky. “Secret to what?”
“Secret to shutting you up,” he said. “I just have to beat you till you’re half-dead, then give you chicken soup and”—he raised his hands—“blessed silence.”
I went back to the soup. Ha-ha. Very funny.
“What did you think I meant?”
“I don’t know,” I mumbled. “The ways of the Beast Lord are a mystery to a humble merc like me.”
“You don’t do humble.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
I hurled myself under the covers, naked and half wet, grabbing my phone on the way. - don't come nevermind - I heard a phone dine from the living room and, soon after, a voice so close it shocked me. "Too late," Jonathan said. "Your front door was open." -go away - a blast of cold air hit me as the covers were moved, and in the next breath, I caught his new scent. He pulled the covers over us just as his phone dinged. He pressed his front to my back, spooning me, this clothes taking on the dampness I hadn't gotten around to toweling off. "I'm sorry Monica. He put his face in my wet hair and draped his arm around me. "Ah. What's this text I have here? It says go away." I sniffled. He slid his arm under my neck and held the phone in front of our faces with both hands. His breath tickled my ear. "Let me text back. Hang on." -I'd rather be here for you - I waited for it to appear on my phone. He nuzzled into the hair pooling at the back of my neck as i typed back. - And then what? - His fingers flew across the glass. - And let's talk about the rest later. Today, you are the goddess my universe revolves around. -
”
”
C.D. Reiss (Submit (Songs of Submission, #3))
“
This woman and I, though we came together as poor as poor might be (not having so much household stuff as a dish or a spoon betwixt us both), yet this she had for her part: The Plain Man’s Pathway to Heaven and The Practice of Piety; which her father had left her when he died. In these two books I would sometimes read with her, wherein I also found some things that were somewhat pleasing to me (but all this while I met with no conviction). She also would be often telling of me what a godly man her father was, and how he would reprove and correct vice, both in his house, and among his neighbours; what a strict and holy life he lived in his days, both in word and deed.
”
”
John Bunyan (Grace Abounding to the Chief of Sinners)
“
And, well, for most of my life I’d been way too far up my own ass to be of any use to anyone—something that only got worse after Kitchen Confidential. I don’t know exactly when the possibility of that changing presented itself—but sometime, I guess, after having made every mistake, having already fucked up in every way a man can fuck up, having realized that I’d had enough cocaine, that no amount in the world was going to make me any happier. That a naked, oiled supermodel was not going to make everything better in my life—nor any sports car known to man. It was sometime after that. The precise moment of realization came in my tiny fourth-floor walk-up apartment on Ninth Avenue. Above Manganaro’s Heroboy restaurant—next building over from Esposito Pork Shop. I was lying in bed with my then-girlfriend—I guess you could diplomatically call it “spooning”—and I caught myself thinking, “I could make a baby with this woman.
”
”
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
“
Utensil
While feasting
On venison stew
After we buried my mother,
I recognized my spoon
And realized my family
Had been using it
For at least forty-two years.
How does one commemorate
The ordinary? I thanked
The spoon for being a spoon
And finished my stew.
How does one get through
A difficult time? How does
A son properly mourn his mother?
It helps to run the errands--
To get shit done. I washed
That spoon, dried it,
And put it back
In the drawer,
But I did it consciously,
Paying attention
To my hands, my wrists,
And the feel of steel
Against my fingertips.
Then my wife drove us back
Home to Seattle, where I wrote
This poem about ordinary
Grief. Thank you, poem,
For being a poem. Thank you,
Paper and ink, for being paper
And ink. Thank you, desk,
For being a desk. Thank you,
Mother, for being my mother.
Thank you for your imperfect love.
It almost worked. It mostly worked.
Or partly worked. It was almost enough.
”
”
Sherman Alexie (You Don't Have to Say You Love Me)
“
I resisted the urge to laugh. Clearly, Angie hadn’t been kidding when she’d said that Bashrik was driving her crazy. And I knew all too well how swift Angie’s justice was when it came to her enemies. I remembered how she’d slipped several spoonfuls of the spiciest chili sauce into the soup of an unsuspecting Andrea, a girl who’d bullied me in junior high. I could still remember her little cheeks puffed out like a squirrel’s as she held her mouth and raced to the bathroom.
”
”
Bella Forrest (Coldbloods (Hotbloods, #2))
“
When you have a pot belly and I have whiskers. When you are stooped and I am buckled. When it’s a Beckett play. When you wear beige anoraks and I wear bed jackets. Permanently, that is. When I am permanently wearing a bed jacket because I am permanently in a bed, and you are on the visitor’s chair listening to me witter on, and on, I will know When you are on statins and I am too bewildered to understand that this middle-aged man is my baby. —Oh, Time is coming for us, Sailor. Time will do us in— You hardly know what time is But soon you’ll find out. This nice middle-aged man whom I may or may not recognise. Because my mind may be mush by then. Mush like the food they spoon into me. I will still look at you and know Somehow
”
”
Claire Kilroy (Soldier Sailor)
“
I feel my hand. I am these two beasts struggling at the end of my arms. My hand scratches one of its paws with the nail of the other paw; I feel its weight on the table which is not me. It's long, long, this impression of weight, it doesn't pass. There is no reason for it to pass. It becomes intolerable
...
I draw back my hand and put it in my pocket; but immediately I feel the warmth of my thigh through the stuff. I pull my hand out of my pocket and let it hang against the back of the chair. Now I feel a weight at the end of my arm. It pulls a little, softly, insinuatingly it exists. I don't insist: no matter where I put it it will go on existing; I can't suppress it, nor can I suppress the rest of my body, the sweaty warmth, which soils my shirt, nor all this warm obesity which turns lazily, as if someone were stirring it with a spoon, nor all the sensations going on inside, going, coming, mounting from my side to my armpit or quietly vegetating from morning to night, in their usual corner.
”
”
Jean-Paul Sartre (Nausea)
“
Just—let me hold you. That’s all. Hold you and go to sleep.” He smoothed his thumbs over the back of her hands. “You can tell me everything about tableware.”
She was silent a moment, gazing down at their hands. Then she said, “Would you like to know about holloware or flatware?”
“Flatware. Naturally, flatware.”
“I shall certainly put you to sleep with that. I venture to say you’ll be snoring by the time I get to the runcible spoon.”
“My God. Do I snore?”
“You were decidedly snoring last night, as I was enlightening you upon the nature and arrangement of sideboards. I’m rather a connoisseur of sideboards, but I suppose not everyone enters into my own enthusiasm. Kindly refrain from swearing, if you please.”
“I beg your pardon.” He kissed her nose...
”
”
Laura Kinsale (The Shadow and the Star (Victorian Hearts, #2))
“
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace."
The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time."
"Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women."
"That's not true," the duke said, "The non-gullible ones follow me as well."
Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women.
When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined.
She moved forward and took his arm.
"How was your journey, my dear?" the duke asked as he escorted her into the house.
Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage."
"Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on."
"No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks."
"Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather."
"I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously.
The duke laughed gently. "What a delightful girl.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
I slip into the seat behind hers and take a mouthful of the coffee, wincing at the heat. “Apologies. I neglected to eat supper.” “I neglected to eat supper,” Pytha repeats, mocking my accent. Born on the Palantine Hill of Luna, I have lamentably inherited the most egregiously stereotypical highLingo accents. Apparently others find it hilarious. “Haven’t we servants to spoon-feed His Majesty supper?” “Oh, shut your gory gob,” I say, modulating my voice to mimic the Thessalonican bravado. “Better?” “Eerily so.” “Skipping supper. No wonder you’re a little twig,” Cassius says, pinching my arm. “I daresay you don’t even weigh a hundred ten kilos, my goodman.” “It’s usable weight,” I protest. “In any matter, I was reading.” He looks at me blankly. “You have your priorities. I have mine, muscly creature. So piss off.
”
”
Pierce Brown (Iron Gold (Red Rising Saga, #4))
“
Doling out the forks,
little crab claws,
tines filched from lions,
and the knives, incisors
from the tigers we once worshipped,
lacking raw-meat-shearing
tools of our own.
Though our feastfires have faded to candles
we're hooked on the same old gods,
much diminished.
They no longer talk to us
but that's okay:
we do enough talking.
So, Nature. We sit around it,
chew it into rags
with our artful fangs and talons.
Spoons, however:
there are no spoons in Nature,
or not on animals.
We imitate ourselves.
Here, let me help you:
two cupped hands
”
”
Margaret Atwood (Dearly)
“
I was thinking that it was regrettable that your tastes have grown canalized so young. There it
was, raining soup-and you were caught without a spoon. Even three days of what you were
offered-urged on you!-would have been something to treasure when you reach my age. And you, you
young idiot, let jealousy chase you away! Believe me, at your age I would have gone Eskimo in a big
way, thankful that I had been given a free pass instead of having to attend church and study Martian to
qualify. I'm so vicariously vexed that my only consolation is the sour one that I know you will live to
regret it. Age does not bring wisdom, Ben, but it does give perspective . . . and the saddest perspective
of all is to see far, far behind you, the temptations you've passed up. I have such regrets myself but all of
them are as nothing to the whopper of a regret I am happily certain you will suffer.
”
”
Robert A. Heinlein
“
As I lay there, trying to swallow a loud, obnoxious yawn, I remembered something he’d said when we first met, about life being too short. I imagined he had firsthand experience with shortened lives while he was serving. That mentality came from experience. I got that now. Could even understand it, but there was something I didn’t understand.
“Why?” I asked.
There was a beat. “Why what?”
Jax sounded tired, and I should shut up or point out that I was now tired and could sleep, so he could leave. But I didn’t. “Why are you here? You don’t know me and . . .” I trailed off, because there really wasn’t anything left to say.
A minute went by, and he hadn’t answered my question, and then I think another minute ticked on, and I was okay with him not answering because maybe he didn’t even know. Or maybe he was just bored and that was why he was here.
But then he moved.
Jax pressed against my back, and the next breath I took got stuck in my throat. My eyes shot open. The sheet and blanket were between us, but they felt like nothing.
“What are you doing?” I asked.
“Getting comfortable.” He dropped an arm over my waist, and my entire body jerked against his. “It’s time to sleep I think.”
“But—”
“You can’t sleep when you talk,” he remarked.
“You don’t need to be all up on me,” I pointed out.
His answering chuckle stirred the hair along the back of my neck. “Honey, I’m not all up on you.”
I freaking begged to differ on that point. I started to wiggle away, but the arm around my waist tightened, holding me in place.
“You’re not going anywhere,” he announced casually, as if he wasn’t holding me prisoner in the bed.
Okay. The whole prisoner thing might be melodramatic, but he wasn’t letting me up. Not when he was getting all kinds of comfy behind me.
Oh my God, this was spooning. Total spooning. I was spooning with an honorary member of the Hot Guy Brigade. Did I wake up in a parallel universe?
“Sleep,” he demanded, as if the one word carried that much power. “Go to sleep, Calla.” This time his voice was softer, quieter.
“Yeah, it doesn’t work that way, Jax. You have a nice voice, but it doesn’t hold the power to make me sleep on your command.”
He chuckled.
I rolled my eyes, but the most ridiculous thing ever was the fact that after a couple of minutes, my eyes stayed shut. I . . . I actually settled in against him. With his front pressed to my back, his long legs cradling mine, and his arm snug around my waist, I actually did feel safe. More than that, I felt something else—something I hadn’t felt in years.
I felt cared for . . . cherished.
Which was the epitome of dumb, because I barely knew him, but feeling that, recognizing what the warm, buzzing feeling was, I fell right asleep.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
Phoebe stared up at Mr. Ravenel with narrowed eyes. He was standing too close to her, his head and shoulders blocking the sunlight. "You should know that looming over me like that doesn't intimidate me," she said curtly. "I grew up with two very large brothers."
He relaxed his posture instantly, hooking his thumbs in his trouser pockets. "I'm not trying to intimidate you. I'm taller. I can't help that."
Hogwash, Phoebe thought. He knew quite well he'd been standing over her. But she was secretly amused by the sight of him trying so hard not to appear overbearing. "Don't think I couldn't cut you down to size," she warned.
He gave her an innocent glance. "Just as long as you do it by hand."
The smart-aleck remark surprised a laugh from her. Insolent rascal.
West Ravenel smiled slightly, his gaze holding hers, and for a moment her throat tinged sweetly at the back, as if she'd just swallowed a spoonful of cool honey.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
I am nine.
We are bored
and Karen is dying.
We drove to Austin
that summer
so Sarah's dad-
who described Karen as
/the great and impossible love/
of his life, who taught us
the word /lymphoma/ and then,
the concept of the prefix,
how it explains where the tumor lives-
could say goodbye.
The house is a rind
spooned out by the onset of death,
what's left in the medicine cabinet
full of razors & we are hungry
& alone & sitting
on the living room floor
where the light
from a naked window
slices the hardwood
like a melon, brandishes
each, individualfuzz
on my scabbed calf
a field of erect, yellow poppies
& we have been alive as girls
long enough to know
to scowl at this reveal
& what better time
than now to practice removal.
Once, I watched my mother
skin a potato in six
perfect strokes
I remember this
as Sarah teaches me
to prop up my leg
on the side of the tub
and runs the blade
along my thing, /See?/
she says, /Isn't that so much better?/
Before we left Albuquerque
her father warned us,
/She will have no hair/
a trait
we have just
begun to admire
except, of course
for the hair he is talking about
we hold against our necks,
that which will get us
compliments
or scouted in a mall,
eventually cut off
by our envious sisters
while we sleep.
”
”
Olivia Gatwood (New American Best Friend)
“
Every dish I cooked exhumed a memory. Every scent and taste brought me back for a moment to an unravaged home. Knife-cut noodles in chicken broth took me back to lunch at Myeondong Gyoja after an afternoon of shopping, the line so long it filled a flight of stairs, extended out the door, and wrapped around the building. The kalguksu so dense from the rich beef stock and starchy noodles it was nearly gelatinous. My mother ordering more and more refills of their famously garlic-heavy kimchi. My aunt scolding her for blowing her nose in public.
Crispy Korean fried chicken conjured bachelor nights with Eunmi. Licking oil from our fingers as we chewed on the crispy skin, cleansing our palates with draft beer and white radish cubes as she helped me with my Korean homework. Black-bean noodles summoned Halmoni slurping jjajangmyeon takeout, huddled around a low table in the living room with the rest of my Korean family.
I drained an entire bottle of oil into my Dutch oven and deep-fried pork cutlets dredged in flour, egg, and panko for tonkatsu, a Japanese dish my mother used to pack in my lunch boxes. I spent hours squeezing the water from boiled bean sprouts and tofu and spooning filling into soft, thin dumpling skins, pinching the tops closed, each one slightly closer to one of Maangchi's perfectly uniform mandu.
”
”
Michelle Zauner (Crying in H Mart)
“
FIDDLER JONES
The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.
What do you see, a harvest of clover?
Or a meadow to walk through to the river?
The wind's in the corn; you rub your hands
For beeves hereafter ready for the market;
Or else you hear the rustle of skirts.
Like the girls when dancing at Little Grove.
To Cooney Potter a pillar of dust
Or whirling leaves meant ruinous drouth;
They looked to me like Red-Head Sammy
Stepping it off, to Toor-a-Loor.
How could I till my forty acres
Not to speak of getting more,
With a medley of horns, bassoons and piccolos
Stirred in my brain by crows and robins
And the creak of a will-mill – only these?
And I never started to plow in my life
That some one did not stop in the road
And take me away to a dance or picnic.
I ended up with forty acres;
I ended up with a broken fiddle –
And a broken laugh, and a thousand memories,
And not a single regret.
”
”
Edgar Lee Masters (Spoon River Anthology)
“
Bissell fingered his napkin. "I do, Mr. Boyd. And I know how generous Mr. Hoffa, Mr. Marcello and a few other Italian gentlemen have been to the Cause, and I know that you possess a certain amount of influence in the Kennedy camp. And as the President's chief Cuban-issue liaison, I also know that Fidel Castro and Communism are a good deal worse than the Mafia, although I wouldn't dream of asking you to intercede on our friends' behalf, because it might cost you credibility with your sacred Kennedys."
Stanton dropped his soup spoon. Pete let a big breath out eeeasy.
Boyd put out a big shit-eating grin. "I'm glad you feel that way, Mr. Bissell. Because if you did ask me, I'd have to tell you to go fuck yourself.
”
”
James Ellroy (American Tabloid (Underworld USA #1))
“
You carried your infant daughter in one arm, and walked with me, a child six years of age, tired, trudging beside you. You left that nightmare behind. And you left behind other things, too. The elm trees that lined your street. The familiar scent of autumn. The baker's smile when he handed you the fresh bread, the song of the peddlers in the street, the sound of strangers around you talking, haggling, buying, singing, speaking, fighting in a language you understood. Your friends. Your career. Your home. Your dreams. Your family. Your memories. Pots, pans, the fine silver spoons and forks. Photographs. Heirlooms. Your favorite dresses. Your father's grave. The colorful wares of the markets at the new year. Streets you knew by name. Cab drivers who recited poetry. The halls of your old university. You left whatever you couldn't fit into a single suitcase behind you and closed the door of your home for the last time, the dishes washed, the beds made, the curtains drawn, thinking, "Perhaps, perhaps we will come back," and you shut the door, and left, without knowing if you'd ever find home again.
”
”
Parnaz Foroutan (Radical Hope: Letters of Love and Dissent in Dangerous Times)
“
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
”
”
David Levithan (Are We There Yet?)
“
Under a Certain Little Star"
My apologies to chance for calling it necessity.
My apologies to necessity in case I’m mistaken.
May happiness not be angry if I take it for my own.
May the dead forgive me that their memory’s but a flicker.
My apologies to time for the multiplicity of the world overlooked
each second.
My apologies to an old love for treating the new one as the first.
Forgive me far-off wars for taking my flowers home.
Forgive me open wounds for pricking my finger.
My apologies for the minuet record, to those calling out from the
abyss.
My apologies to those in railway stations for sleeping comfortably
at five in the morning.
Pardon me hounded hope for laughing sometimes.
Pardon me deserts for not rushing in with a spoonful of water.
And you O hawk, the same bird for years in the same cage,
forever still and staring at the same spot,
absolve me even if you happened to be stuffed.
My apologies to the tree felled for four table legs.
My apologies to large questions for small answers.
Truth, do not pay me too much attention.
Solemnity, be magnanimous to me.
Endure, O mystery of being that I might pull threads from your
veil.
Soul, don’t blame me that I’ve got you so seldom.
My apologies to everything that I can’t be everywhere.
My apologies to all for not knowing how to be every man and
woman.
I know that as long as I live nothing can excuse me,
because I myself am my own obstacle.
Do not hold it against me, O speech, that I borrow weighty words,
and then labor to make them light.
”
”
Wisława Szymborska (Miracle Fair: Selected Poems of Wisława Szymborska)
“
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and I put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
“Rory,” he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn’t move—he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
“I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn’t stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold—now it was warm. Now it was alive.
”
”
Maureen Johnson (The Madness Underneath (Shades of London, #2))
“
Summer Between Terms"
The day's so calm and muggy I sweat tears,
the summer's cloudcap and the summer's heat...
surely good writers write all possible wrong--
are we so conscience-dark and cataract-blind,
we only blame in others what they blame in us?
(The sentence writes we, when charity wants I...)
It takes such painful mellowing to use error...
I have stood too long on a chair or ladder,
branch-lightening forking through my thought and veins--
I cannot hang my heavy picture straight.
I can't see myself...in the cattery,
the tomcats doze till the litters are eatable,
then find their kittens and chew off their breakable heads.
They told us by harshness to win the stars.
Planes, trains, lorries simmer through the garden,
the reviewer sent by God to humble me
ransacking my bags of dust for silver spoons--
he and I go on typing to go on living.
There are ways to live on words in England--
reading for trainfare, my host ruined on wine,
my ear gone bad from clinging to the ropes.
I'd take a lower place, eat my toad hourly;
even big frauds wince at fraudulence,
and squirm from small incisions in the self--
they live on timetable with no time to tell.
I'm sorry, I run with the hares now, not the hounds.
I waste hours writing in and writing out a line,
as if listening to conscience were telling the truth
”
”
Robert Lowell
“
I was going to do some more work when I got home, but…” She sighs, rubbing her knuckles against her eyes. “I didn’t have enough juice.”
“Ah,” I say.
For her birthday this summer, I splurged and bought a small bushel of oranges, which we squeezed into glasses and pretended was the real, gourmet orange juice our father used to make. As we sat at the table, acting like the drink wasn’t sour and pulpy, we got to talking about how her illness had come to affect her life. She explained to me that her energy reserves were like that glass of yellow juice. Every action of daily life—getting out of bed, bathing, dressing, doing research—siphoned juice away. Once the glass was empty, no matter how much she had left she needed to do or how much she’d hoped to get done, her body needed to rest. To refill the glass. If she tried to push beyond that, it could knock her out for days. Even weeks.
”
”
Jessica S. Olson (A Forgery of Roses)
“
And there was the moon. A warm and visible greeting, a beacon of relief. Full, unshrouded, its edges crisp. It looked like an airy wafer- what were those crackers that came in the big green tin? She stared at the moon and thought about the fact that she was breathing. Fact of breathing, fact of life. This she could control: slow down and speed up her breathing, despite the pain in her throat. She'd never really looked at the moon, never really seen how intricate the etchings on its yellowy silver surface. Bowl of a spoon in candlelight. When she'd looked a long time- I see the moon, and the moon sees me- a glimmering ring like a rainbow materialized at the rim. In the memory she still retained, as clear as a framed snapshot, a portrait worn in a locket, Saga stared at the moon that way for hours, and it kept her company, it kept her sane, it kept her in one piece, it kept her alive. It was proof, fact, patience, faith.
”
”
Julia Glass (The Whole World Over)
“
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill.
Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand.
Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers.
When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
”
”
Katie Hafner (Mother Daughter Me)
“
You seem surprised to find us here,’ the man said.
‘I am,’ I said. ‘I wasn’t expecting to find anyone.’
‘We are everywhere,’ the man said. ‘We are all over the country.’
‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’
‘Jewish refugees.’
[...]
‘Is this your land?’ I asked him.
‘Not yet,’ he said.
‘You mean you are hoping to buy it?’
He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’
‘So where do you go from here?’ I asked him. ‘You and all your orphans?’
‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’
‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’
He smiled again, presumably at the naïvety of my questions.
‘No,’ the man said, ‘I do not think we will become Palestinians.’
‘Then what will you do?’
‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’
‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip.
‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’
‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’
‘That is a very small problem,’ the man said. ‘Ours is much bigger.’
I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him.
‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’
‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours.
I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’
‘You mean the Jews have no country?’
‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’
‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’
‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us.
‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’
‘We don’t want Germany,’ the man said.
‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever.
‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
”
”
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
“
E-9 This is not a easy subject to speak on. I could think of many things that were easier to speak on. But, brother, if somebody don't stand out in this sinful, adulternous day that we live in and call the colors, what's going to happen? Somebody has got to speak the thing. Somebody's got to place it before the people. Perhaps Ezra didn't want to do it. But it was in his heart.
And when you see a servant of God get so sincere till he's on his face with his hands in the air, praying to God, and blushing because the iniquity of the people, then you're going to see a revival start. A man cannot lay in the Presence of God, a church cannot stay in the Presence of God under repentance unless the Holy Spirit comes down and gives unction and power to start a move of God in there among those people. Just got to be.
Show me a man. Show me another Calvin, Knox, Finney, Sankey, or any of those who feels the burden of the people, that'll lay on their face and cry and pray before God. Send us a John Smith of the Baptist Church again, who prayed all night for the iniquity of the people until his eyes would be swelled shut the next morning from weeping, till his wife would lead him to the table and feed him his breakfast out of a spoon. Show me a John Wesley again, a firebrand snatched from the fire. I'll show you a revival. ( "A Blushing Prophet" Preached on Sunday evening, 25th November 1956 at the Branham Tabernacle in Jeffersonville, Indiana, U.S.A - See Paragraph E -9 ).
”
”
William Marrion Branham
“
The Lanyard
The other day I was ricocheting slowly
off the blue walls of this room,
moving as if underwater from typewriter to piano,
from bookshelf to an envelope lying on the floor,
when I found myself in the L section of the dictionary
where my eyes fell upon the word lanyard.
No cookie nibbled by a French novelist
could send one into the past more suddenly—
a past where I sat at a workbench at a camp
by a deep Adirondack lake
learning how to braid long thin plastic strips
into a lanyard, a gift for my mother.
I had never seen anyone use a lanyard
or wear one, if that's what you did with them,
but that did not keep me from crossing
strand over strand again and again
until I had made a boxy
red and white lanyard for my mother.
She gave me life and milk from her breasts,
and I gave her a lanyard.
She nursed me in many a sick room,
lifted spoons of medicine to my lips,
laid cold face-cloths on my forehead,
and then led me out into the airy light
and taught me to walk and swim,
and I , in turn, presented her with a lanyard.
Here are thousands of meals, she said,
and here is clothing and a good education.
And here is your lanyard, I replied,
which I made with a little help from a counselor.
Here is a breathing body and a beating heart,
strong legs, bones and teeth,
and two clear eyes to read the world, she whispered,
and here, I said, is the lanyard I made at camp.
And here, I wish to say to her now,
is a smaller gift—not the worn truth
that you can never repay your mother,
but the rueful admission that when she took
the two-tone lanyard from my hand,
I was as sure as a boy could be
that this useless, worthless thing I wove
out of boredom would be enough to make us even.
”
”
Billy Collins (Aimless Love: New and Selected Poems)
“
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.”
Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze.
Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?”
“Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.”
“Impertinent twit!” the countess exclaimed.
Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering.
“Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.”
“Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?”
“Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.”
“Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous.
“In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.”
Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.”
“Do not encourage her effrontery, Westcliff,” the countess warned.
“Very well—I shall leave you to your Sisyphean task.”
“What does that mean?” he heard Daisy ask.
Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.”
“Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…”
“The boulder,” Lady Westcliff said succinctly, causing both girls to laugh.
“Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
You need a battle plan,” Matt advised. “I never left the base without detailed reconnaissance and a battle plan. It’s why I came home alive.”
Tate chuckled in spite of himself. “She’s a woman, not an enemy stronghold.”
“That’s what you think,” Matt said, pointing a spoon in the other man’s direction before he lowered it into his cup. “Most women are enemy strongholds,” he added, with a wicked glance at his smiling wife. “You have to storm the gates properly.”
“He knows all about storming gates, apparently,” Leta said with faint sarcasm. “Otherwise, we wouldn’t be expecting a grandchild…” She gasped and looked at Matt. “A grandchild. Our grandchild,” she emphasized with pure joy.
Matt glanced at Tate. “That puts a whole new face on things, son,” he said, the word slipping out so naturally that it didn’t even seem to surprise Tate, who smiled through his misery.
“You go to Tennessee and tell Cecily she’s marrying you,” Leta instructed her son.
“Sure,” Tate said heavily. “After all the trouble I’ve given her in the past weeks, I’m sure she can’t wait to rush down the aisle with me.”
“Honey catches more flies than vinegar,” Matt said helpfully.
“If I go down there with any honey, I’ll come home wearing bees.”
Leta chuckled.
“You aren’t going to give up?” Matt asked.
Tate shook his head. “I can’t. I have to get to her before Gabrini does, although I’m fairly sure he has no more idea where she really is than I did until today. I just have to find a new approach to get her back home. God knows what.” He sipped more coffee and glanced from one of his parents to the other. He felt as if he belonged, for the first time in his life. It made him warm inside to consider how dear these two people suddenly were to him. His father, he thought, was quite a guy. Not that he was going to say so. The man was far too arrogant already.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
We’re walking to our cars when Gabe says, “Hey, Lara Jean, did you know that if you say your name really fast, it sounds like Large? Try it! LaraJean.”
Dutifully I repeat, “LaraJean. Larjean. Largy. Actually I think it sounds more like Largy, not Large.”
Gabe nods to himself and announces, “I’m going to start calling you Large. You’re so little it’s funny. Right? Like those big guys who go by the name Tiny?”
I shrug. “Sure.”
Gabe turns to Darrell. “She’s so little she could be our mascot.”
“Hey, I’m not that small,” I protest.
“How tall are you?” Darrell asks me.
“Five two,” I fib. It’s more like five one and a quarter.
Tossing his spoon in the trash, Gabe says, “You’re so little you could fit in my pocket!” All the guys laugh. Peter’s smiling in a bemused way. Then Gabe suddenly grabs me and throws me over his shoulder like I’m a kid and he’s my dad.
“Gabe! Put me down!” I shriek, kicking my legs and pounding on his chest.
He starts spinning around in a circle, and all the guys are cracking up. “I’m going to adopt you, Large! You’re going to be my pet. I’ll put you in my old hamster cage!”
I’m giggling so hard I can’t catch my breath and I’m starting to feel dizzy. “Put me down!”
“Put her down, man,” Peter says, but he’s laughing too.
Gabe runs toward somebody’s pickup truck and sets me down in the back. “Get me out of here!” I yell. Gabe’s already running away. All the guys start getting into their cars. “Bye, Large!” they call out. Peter jogs over to me and extends his hand so I can hop down.
“Your friends are crazy,” I say, jumping onto the pavement.
“They like you,” he says.
“Really?”
“Sure. They used to hate when I would bring Gen places. They don’t mind if you hang out with us.” Peter slings his arm around me. “Come on, Large. I’ll take you home.”
As we walk to his car, I let my hair fall in my face so he doesn’t see me smiling. It sure is nice being part of a group, feeling like I belong.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
I do not know how much money Britney Spears earned last year.. However, I do know that it's not enough for me to want her life, were I given the option to have it. Every day, random people use Britney's existence as currency; they talk about her public failures and her lack of talent as a way to fill the emptiness of their own normalcy. She — alone with Lindsay Lohan and Paris Hilton and all those androids from The Hills — are the unifying entities within this meta era. In a splintered society, they are the means through which people devoid of creativity communicate with each other. THey allow Americans to understand who they are and who they are not; they allow Americans to unilaterally agree on something they never needed to consciously consider. A person like Britney Spears surrenders her privacy and her integrity and the rights to her own persona, and in exchange we give her huge sums of money. But she still doesn't earn a fraction of what she warrants in free-trade economy. If Britney Spears were paid $1 every time a self-loathing stranger used her as a surrogate for his own failure, she would out earn Warren Buffet in three months. This is why entertainers (and athletes) make so much revenue but are still wildly underpaid: We use them for things that are worth more than money. It's a new kind of dehumanizing slavery — not as awful as the literal variety, but dehumanizing nonetheless.
”
”
Chuck Klosterman (Bending Spoons with Britney Spears: An Essay from Chuck Klosterman IV)
“
Yet the very smell of food made her stomach oddly unsettled and she set down the bowl of porridge without taking a spoonful.
That infuriated Dragon,still watching from the stable. As though the circumstances were not bad enough,a night without sleep had left him even more on edge. It was all he could do not to stomp out into the yard and demand she swallow every bite.
After which he would take her in his arms, kiss her lingeringly, beseech her to tell him he could not possibly be wrong to trust her,and generally make a slobbering fool of himself to rival those great dolts Grani and Sleipnir.
No,that he would not do. He would instead have a word with the men on the watchtowers, telling them to keep an eye on his wife and leaving them to make of that what they would while he went off to the river, there to immerse himself in blessedly cold water and cast off the shadows of sleeplessness.
When he returned, freshly garbed but not having taken time to shave, he found the day unfolding much as usual. People were coming and going about their daily tasks,now that the barn was rebuilt, apparently determined to ignore the fact that the lady of their manor was tied to a punishment post. Not Magda,though. That stalwart passed him with as close to a glare as she would ever come and bustled out to ask Rycca advice about something or other. The sheer ludicrousness of that struck Dragon and he was chuckling when Magda passed by again,which earned him another stern frown.
That was the height of levity for the day.Hours passed and nothing happened. Magda came and went,clucking over Rycca's failure to eat and glaring more at Dragon every time she saw him. Several of the other women began to do the same. He took that as an indication that those who had gotten to know Rycca best held her blameless. His venture into Byzantine intrigue of the previous day rankled all the more. He tried not to think about it.
The day dragged on. With the stronghold as busy as ever, Dragon told himself no one would be so foolish as to approach Rycca with intent to do her harm. Yet he found excuse after excuse to be in the yard himself.
”
”
Josie Litton (Come Back to Me (Viking & Saxon, #3))
“
After that, we don't talk much until she brings out a ginger cake from the larder.
"An old family recipe," she says. "I've been experimenting with the quantities of cloves and Jamaica ginger. Tell me what you think." And she pushes a slice toward me. I try not to gobble for it, for I am starving.
"The most important thing with this cake is to beat in every ingredient, one by one, with the back of a wooden spoon," she says. "Simply throwing everything in together and then beating produces a most unsuccessful cake. I know because my first attempt was as heavy as a brick---quite indigestible!" She gives a rueful smile and asks if I think it needs more ginger.
I feel the crumb, dense and dark, melt on my tongue. My mouth floods with warmth and spice and sweetness. As I swallow, something sharp and clean seems to lift through my nose and throat until my head swims.
"I can see you like it." Miss Eliza watches me and smiles.
And then I blurt something out. Something I know Reverend Thorpe and his wife would not like. But it's too late, the words jump from my throat of their own accord. "I can taste an African heaven, a forest full of dark earth and heat."
The smile on Miss Eliza's face stretches a little wider and her eyes grow brighter. And this gives me the courage to ask a question that's nothing to do with my work. "What is the flavor that cuts through it so keenly, so that it sings a high note on my tongue?"
She stares at me with her forget-me-not eyes. "It's the lightly grated rinds of two fresh lemons!
”
”
Annabel Abbs (Miss Eliza's English Kitchen)
“
Little Sleep's-Head Sprouting Hair
in the Moonlight
1
You scream, waking from a nightmare.
When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.
2
I have heard you tell
the sun, don't go down, I have stood by
as you told the flower, don't grow old,
don't die. Little Maud,
I would blow the flame out of your silver cup,
I would suck the rot from your fingernail,
I would brush your sprouting hair of the dying light,
I would scrape the rust off your ivory bones,
I would help death escape through the little ribs of your body,
I would alchemize the ashes of your cradle back into wood,
I would let nothing of you go, ever,
until washerwomen
feel the clothes fall asleep in their hands,
and hens scratch their spell across hatchet blades,
and rats walk away from the culture of the plague,
and iron twists weapons toward truth north,
and grease refuse to slide in the machinery of progress,
and men feel as free on earth as fleas on the bodies of men,
and the widow still whispers to the presence no longer beside her
in the dark.
And yet perhaps this is the reason you cry,
this the nightmare you wake screaming from:
being forever
in the pre-trembling of a house that falls.
3
In a restaurant once, everyone
quietly eating, you clambered up
on my lap: to all
the mouthfuls rising toward
all the mouths, at the top of your voice
you cried
your one word, caca! caca! caca!
and each spoonful
stopped, a moment, in midair, in its withering
steam.
Yes,
you cling because
I, like you, only sooner
than you, will go down
the path of vanished alphabets,
the roadlessness
to the other side of the darkness,
your arms
like the shoes left behind,
like the adjectives in the halting speech
of old folk,
which once could call up the lost nouns.
4
And you yourself,
some impossible Tuesday
in the year Two Thousand and Nine, will walk out
among the black stones
of the field, in the rain,
and the stones saying
over their one word, ci-gît, ci-gît, ci-gît,
and the raindrops
hitting you on the fontanel
over and over, and you standing there
unable to let them in.
5
If one day it happens
you find yourself with someone you love
in a café at one end
of the Pont Mirabeau, at the zinc bar
where wine takes the shapes of upward opening glasses,
and if you commit then, as we did, the error
of thinking,
one day all this will only be memory,
learn to reach deeper
into the sorrows
to come—to touch
the almost imaginary bones
under the face, to hear under the laughter
the wind crying across the black stones. Kiss
the mouth
that tells you, here,
here is the world. This mouth. This laughter. These temple bones.
The still undanced cadence of vanishing.
6
In the light the moon
sends back, I can see in your eyes
the hand that waved once
in my father's eyes, a tiny kite
wobbling far up in the twilight of his last look:
and the angel
of all mortal things lets go the string.
7
Back you go, into your crib.
The last blackbird lights up his gold wings: farewell.
Your eyes close inside your head,
in sleep. Already
in your dreams the hours begin to sing.
Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among
the ten thousand things,
each scratched in time with such knowledge, the wages
of dying is love.
”
”
Galway Kinnell
“
The milk is long since out of date, the bread all has mold and I think you could start a bacterial plague with what’s in the crisper here…”
“Order a pizza,” he suggested. “There’s a place down on the corner that still owes me ten pizzas, paid for in advance.”
“You can’t eat pizza for breakfast!”
“Why can’t I? I’ve been doing it for a week.”
“You can cook,” she said accusingly.
“When I’m sober,” he agreed.
She glowered at him and went back to her chore. “Well, the eggs are still edible, barely, and there’s an unopened pound of bacon. I’ll make an omelet.”
He collapsed into the chair at the kitchen table while she made a fresh pot of coffee and set about breaking eggs.
“You look very domesticated like that,” he pointed out with a faint smile. “After we have breakfast, why don’t you come to bed with me?”
She gave him a shocked glance. “I’m pregnant,” she reminded him.
He nodded and laughed softly. “Yes, I know. It’s an incredible turn-on.”
Her hand stopped, poised in midair with a spoon in it. “Wh…What?”
“The eggs are burning,” he said pleasantly.
She stirred them quickly and turned the bacon, which was frying in another pan. He thought her condition was sexy? She couldn’t believe he was serious.
But apparently he was, because he watched her so intently over breakfast that she doubted if he knew what he was eating.
“Mr. Hutton told the curator of the museum in Tennessee that I wasn’t coming back, and he paid off the rent on my house there,” she said. “I don’t even have a home to go to…”
“Yes, you do,” he said quietly. “I’m your home. I always have been.”
She averted her eyes to her plate and hated the quick tears that her condition prompted. Her fists clenched. “And here we are again,” she said huskily.
“Where?” he asked.
She drew in a harsh breath. “You’re taking responsibility for me, out of duty.”
He leaned back in his chair. The robe came away from his broad, bronzed chest as he stared at her. “Not this time,” he replied with a voice so tender that it made ripples right through her heart. “This time, it’s out of love, Cecily.”
Cecily doubted her own ears. She couldn’t have heard Tate saying that he wanted to take care of her because he loved her.
He wasn’t teasing. His face was almost grim. “I know,” he said. “You don’t believe it. But it’s true, just the same.” He searched her soft, shocked green eyes. “I loved you when you were seventeen, Cecily, but I thought I had nothing to offer you except an affair.” He sighed heavily. “It was never completely for the reasons I told you, that I didn’t want to get married. It was my mother’s marriage. It warped me. It’s taken this whole scandal to make me realize that a good marriage is nothing like the one I grew up watching. I had to see my mother and Matt together before I understood what marriage could be.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
I do trust you though. I think if someone tried to take me, you’d at least fight them for me a little…” I watched his face for a moment before narrowing my eyes. “Wouldn’t you?”
That had his other eye popping open, his cheeks still slightly pink, but everything else about him completely alert. “You know I would.”
Why that pleased me so much, I wasn’t going to overanalyze.
“If someone tried to take you, I know aikido, some jiu-jitsu, and kickboxing,” I offered him up. “But my dentist says I have really strong teeth, so I’d be better off trying to bite someone’s finger or ear off instead.”
Aaron’s eyebrows climbed up his forehead almost comically. “Like a little Chihuahua,” he suggested, the spoon going into his mouth with a sly grin.
I winked at him, immediately regretting it. I didn’t want it to come across like I was flirting. “I was thinking more of a piranha. I’ve only had one filling in my entire life,” I told him, wishing each word coming out of my mouth wasn’t coming out of it.
If he thought I was being awkward or a flirt, he didn’t make it known. “Or a raptor.”
“A lion.”
“A tiger.”
“Did you know a jaguar has twice the strength in its bite than a tiger does?”
Aaron frowned as he took another bite of his oatmeal. “No shit?”
“No. Two thousand pounds per square inch. They’re the only big cat that kills their prey by biting its head, through bone and everything. A tiger bites the neck of whatever animal they’re eating to cut their air and blood flow off. Crazy, huh?”
He looked impressed. “I had no idea.”
I nodded. “Not a lot of people do.”
“Is there anything that bites harder than they do?”
“Crocodiles. The really big ones. I’m pretty sure they have about 4000 or 5000 psi bites.” For the fifty-second time, I shrugged. “I like watching the Animal Channel and Discovery,” I said, making it sound like an apology.
Aaron gave me that soft smile that made me feel like my insides were on fire. Then he winked. “I don’t know much about crocodiles, but I know all about alligators,” he offered. “Did you know there are only two species left in the world?”
“There are?”
“American alligator and the Asian alligator. More than a fifth of all of them live in Florida.”
“We have some gators in Texas. There’s a state park by Houston where you can go and you can usually see a bunch. I went camping there one time.”
One corner of his mouth tilted up as he chewed. “Look at you, Rebel Without a Cause.”
With anyone else, I’d probably think they were picking on me, but I could see the affection on Aaron’s face. I could feel the kindness that just came off him in waves, so I winked back at him. “I live life on the edge. I should start teaching a class on how to be bad.”
“Right? Quitting your job, coming to Florida even though you were worried….” He trailed off with a grin and a look out of the corner of his eye.
“I pretty much have my masters and license to practice. I’ll teach people everything I know.
”
”
Mariana Zapata (Dear Aaron)
“
What are you doing?”
“Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute.
It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon.
“You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
English Gingerbread Cake Serves: 12 to 16 Baking Time: 50 to 60 minutes Kyle Cathie, editor for the British version of The Cake Bible (and now a publisher), informed me in no uncertain terms that a book could not be called a cake "bible" in England if it did not contain the beloved gingerbread cake. When I went to England to retest all the cakes using British flour and ingredients, I developed this gingerbread recipe. Now that I have tasted it, I quite agree with Kyle. It is a moist spicy cake with an intriguing blend of buttery, lemony, wheaty, and treacly flavors. Cut into squares and decorated with pumpkin faces, it makes a delightful "treat" for Halloween. Batter Volume Ounce Gram unsalted butter (65° to 75°F/19° to 23°C) 8 tablespoons (1 stick) 4 113 golden syrup or light corn syrup 1¼ cups (10 fluid ounces) 15 425 dark brown sugar, preferably Muscovado ¼ cup, firmly packed 2 60 orange marmalade 1 heaping tablespoon 1.5 40 2 large eggs, at room temperature ¼ cup plus 2 tablespoons (3 fluid ounces) 3.5 100 milk 2/3 cup (5.3 fluid ounces) 5.6 160 cake flour (or bleached all-purpose flour) 1 cup plus 2 tablespoons (or 1 cup), sifted into the cup and leveled off 4 115 whole wheat flour 1 cup minus 1 tablespoon (lightly spooned into the cup) 4 115 baking powder 1½ teaspoons . . cinnamon 1 teaspoon . . ground ginger 1 teaspoon . . baking soda ½ teaspoon . . salt pinch . . Special Equipment One 8 by 2-inch square cake pan or 9 by 2-inch round pan (see Note), wrapped with a cake strip, bottom coated with shortening, topped with a parchment square (or round), then coated with baking spray with flour Preheat the Oven Twenty minutes or more before baking, set an oven rack in the lower third of the oven and preheat the oven to 325°F/160°C. Mix the Liquid Ingredients In a small heavy saucepan, stir together the butter, golden syrup, sugar, and marmalade over medium-low heat until melted and uniform in color. Set aside uncovered until just barely warm, about 10 minutes. Whisk in the eggs and milk. Make the Batter In a large bowl, whisk together the cake flour, whole wheat flour, baking powder, cinnamon, ginger, baking soda, and salt. Add the butter mixture, stirring with a large silicone spatula or spoon just until smooth and the consistency of thick soup. Using the silicone spatula, scrape the batter into the prepared pan. Bake the Cake Bake for 50 to 60 minutes, or until a wire cake tester inserted in the center comes out clean and the cake springs back when pressed lightly in the center. The cake should start to shrink from the sides of the pan only after removal from the oven. Cool the Cake Let the cake cool in the pan on a wire rack for 10 minutes. While the cake is cooling, make the syrup.
”
”
Rose Levy Beranbaum (Rose's Heavenly Cakes)