“
We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
He bent to put his cheek against hers. His breath against her ear made her shudder with each deliberately spoken word. "I have wanted to do this," he said, "every moment of every hour of every day that I have been with you since the day I met you.
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
...it is not the big events that hurt the most but rather the smallest questionable shift in tone at the end of a spoken word that can plow most deeply into the heart.
”
”
Steve Martin (Shopgirl)
“
You look too pretty to be useful."
"Truer words were never spoken.
”
”
Richelle Mead (Bloodlines (Bloodlines, #1))
“
Words that come from the heart are never spoken, they get caught in the throat and can only be read in ones's eyes.
”
”
José Saramago
“
Among my most prized possessions are words that I have never spoken.
”
”
Orson Scott Card
“
Four things do not come back: the spoken word, the sped arrow, the past life, and the neglected opportunity.
”
”
Ted Chiang (The Merchant and the Alchemist's Gate)
“
The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness.
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often.
We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things.
We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less.
These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships.
These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete...
Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side.
Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent.
Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you.
Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
”
”
Bob Moorehead (Words Aptly Spoken)
“
We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
Many a true word hath been spoken in jest.
”
”
William Shakespeare (King Lear)
“
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!
”
”
Rudyard Kipling (If: A Father's Advice to His Son)
“
These days, loneliness is the new cancer—a shameful, embarrassing thing, brought upon yourself in some obscure way. A fearful, incurable thing, so horrifying that you dare not mention it; other people don’t want to hear the word spoken aloud for fear that they might too be afflicted, or that it might tempt fate into visiting a similar horror upon them.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
If he can't handle you at your worst then he does not deserve you at your best. Real love means seeing beyond the words spoken out of pain, and instead seeing a person's soul.
”
”
Shannon L. Alder (300 Questions LDS Couples Should Ask Before Marriage)
“
Stories, like people and butterflies and songbirds' eggs and human hearts and dreams, are also fragile things, made up of nothing stronger or more lasting than twenty-six letters and a handful of punctuation marks. Or they are words on the air, composed of sounds and ideas-abstract, invisible, gone once they've been spoken-and what could be more frail than that? But some stories, small, simple ones about setting out on adventures or people doing wonders, tales of miracles and monsters, have outlasted all the people who told them, and some of them have outlasted the lands in which they were created.
”
”
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
“
For a word to be spoken, there must be silence. Before, and after.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I have not yet spoken my last word about women. I believe that if a woman succeeds in withdrawing from the mass, or rather raising herself from above the mass, she grows ceaselessly and more than a man.
”
”
Arthur Schopenhauer (Schopenhauer and the Wild Years of Philosophy)
“
Books are love letters (or apologies) passed between us, adding a layer of conversation beyond our spoken words.
”
”
Donalyn Miller (The Book Whisperer: Awakening the Inner Reader in Every Child)
“
Hear the language that isn’t spoken, for everyone can hear spoken words, but only a few can hear the heart that beats behind it.
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door —
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had sought to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; —
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"— here I opened wide the door; —
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore; —
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning— little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
”
”
Edgar Allan Poe (The Raven)
“
My silences had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences.
”
”
Audre Lorde (The Cancer Journals)
“
Fear is a phoenix. Words Liliyana had spoken to her years ago and that Zoya had repeated to others many times. You can watch it burn a thousand times and still it will return.
”
”
Leigh Bardugo (King of Scars (King of Scars, #1))
“
that's it - hundreds of texts and conversations, thousands upon thousands of words spoken and sent, all boiled down into a single line. is that what relationships become?
”
”
David Levithan (Will Grayson, Will Grayson)
“
And the most beautiful words ever spoken, I have not yet said to you.
”
”
Nâzım Hikmet
“
You and I have spoken all these words, but for the way we have to go,words are no preparation. I have one small drop of knowing in my soul. Let it dissolve in your ocean
”
”
Jalal ad-Din Muhammad ar-Rumi
“
...the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.
”
”
Anthony Doerr (All the Light We Cannot See)
“
'Tell Suzie she's a lucky cat.' Have sexier words ever been spoken?
”
”
Ally Carter
“
Boys are stupid and girls are trouble.”
Truer words were never spoken.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
How could one sentence uttered in anger cause so much damage? But then words were the most powerful thing in the universe. Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit. (Acheron)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
Being a hearer and a doer of the written Word (James 1:22) makes us able to handle more of the spoken word of God.
”
”
Ami Loper (Constant Companion: Your Practical Path to Real Interaction with God)
“
Night is purer than day; it is better for thinking and loving and dreaming. At night everything is more intense, more true. The echo of words that have been spoken during the day takes on a new and deeper meaning. The tragedy of man is that he doesn't know how to distinguish between day and night. He says things at night that should only be said by day.
”
”
Elie Wiesel (Dawn)
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
The good you have done, the kind words you have spoken, the love you have shown to others, can never be fully measured.
”
”
Thomas S. Monson
“
He hadn't spoken a word since they'd left the manor except to snap out directions, telling her which way to turn at a fork in the road, or ordering her to skirt a pothole. Even then she doubted if he would have minded much if she'd fallen into the pothole, except that it would have slowed them down.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.
”
”
Ian McEwan (Atonement)
“
Hiljadu puta se pokaješ za ono što kažeš, rijetko za ono što prećutiš.
”
”
Meša Selimović (Death and the Dervish)
“
The first time I saw her,
Everything in my head went quiet.
”
”
Neil Hilborn
“
Hear this if you can:
If you want to reach him
You have to go beyond yourself
And when you finally arrive at the land of absence
Be silent
Don’t say a thing
Ecstasy, not words, is the language spoken there
”
”
Jalal ad-Din Muhammad ar-Rumi (The Rubais of Rumi: Insane with Love)
“
Death is nothing at all. It does not count. I have only slipped away into the next room. Nothing has happened. Everything remains exactly as it was. I am I, and you are you, and the old life that we lived so fondly together is untouched, unchanged. Whatever we were to each other, that we are still. Call me by the old familiar name. Speak of me in the easy way which you always used. Put no difference into your tone. Wear no forced air of solemnity or sorrow. Laugh as we always laughed at the little jokes that we enjoyed together. Play, smile, think of me, pray for me. Let my name be ever the household word that it always was. Let it be spoken without an effort, without the ghost of a shadow upon it. Life means all that it ever meant. It is the same as it ever was. There is absolute and unbroken continuity. What is this death but a negligible accident? Why should I be out of mind because I am out of sight? I am but waiting for you, for an interval, somewhere very near, just round the corner. All is well. Nothing is hurt; nothing is lost. One brief moment and all will be as it was before. How we shall laugh at the trouble of parting when we meet again!
”
”
Henry Scott Holland (Death is Nothing at All)
“
And then it's always that one word that makes you so different and puts you outside the overlap of everyone else; and that word is so fucking big and loud, it's the only thing anyone ever hears when your name is spoken.
And whenever that happens to us, all the other words that make us the same disappear in its shadow.
”
”
Andrew Smith (Winger (Winger, #1))
“
I want to love you simply, in words not spoken: tinder to the flame which transforms it to ash
I want to love you simply, in signs not expressed: clouds to the rain which make them evanescent (Aku Ingin-I Want)
”
”
Sapardi Djoko Damono
“
Words spoken in the dark in the middle of the night always feel so much heavier than they would at any other time.
”
”
Brigid Kemmerer (A Curse So Dark and Lonely (Cursebreakers, #1))
“
To be unbroken, what would that be?
If words that were spoken, had not shattered me
”
”
Zoegirl (ZOEgirl: Different Kind of Free: Piano/Vocal/Guitar)
“
Words are very powerful and they take on more power the more that they’re spoken.… the more that they’re said and read and written, in specific, consistent combinations
”
”
Rainbow Rowell (Fangirl)
“
About dreams. It is usually taken for granted that you dream of something that has made a particularly strong impression on you during the day, but it seems to me it´s just the contrary. Often it´s something you paid no attention to at the time -- a vague thought that you didn´t bother to think out to the end, words spoken without feeling and which passed unnoticed -- these are the things that return at night, clothed in flesh and blood, and they become the subjects of dreams, as if to make up for having been ignored during waking hours.
”
”
Boris Pasternak (Doctor Zhivago)
“
and if you can’t see anything beautiful about yourself
get a better mirror
look a little closer
stare a little longer
because there’s something inside you
that made you keep trying
despite everyone who told you to quit
you built a cast around your broken heart
and signed it yourself
you signed it
“they were wrong
”
”
Shane L. Koyczan
“
Your words will either give you joy or give you sorrow, but if they were spoken without regret, they give you peace.
”
”
Shannon L. Alder
“
I think eulogies are wasted on the dead. It’s the living who need to hear kind words spoken about them.
”
”
Jarod Kintz (This Book is Not for Sale)
“
My love is my soul's imagination...
how do I love you... imagine.
”
”
Saul Williams
“
You see these dictators on their pedestals, surrounded by the bayonets of their soldiers and the truncheons of their police ... yet in their hearts there is unspoken fear. They are afraid of words and thoughts: words spoken abroad, thoughts stirring at home -- all the more powerful because forbidden -- terrify them. A little mouse of thought appears in the room, and even the mightiest potentates are thrown into panic.
”
”
Winston S. Churchill (Blood, Sweat and Tears)
“
When a thoughtless or unkind word is spoken, best tune out. Reacting in anger or annoyance will not advance one’s ability to persuade.
”
”
Ruth Bader Ginsburg (My Own Words: Ruth Bader Ginsburg)
“
I hate that word, CAN’T. I wish it had never been dreamed
up, spoken, or defined. I wish the concept of CAN’T could be
eradicated not only from language, but more importantly from
the psyche of a girl who I know is filled with so much CAN it seeps out of her pores and scents the air.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
He slouched back in his seat, looking tired, and leaned his face on his shoulder to look at me while he played with my hair. He started to hum a song, and then, after a few bars, he sang it. Quietly, sort of half-sung, half-spoken, incredibly gentle. I didn’t catch all the words, but it was about his summer girl. Me. Maybe his forever girl. His yellow eyes were half-lidded as he sang, and in that golden moment, hanging taut in the middle of an icecovered landscape like a single bubble of summer nectar, I could see how my life could be stretched out in front of me.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Hey, Cammie... tell Suzie she's a lucky cat."
Have sexier words ever been spoken? I seriously think not!
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
Three Things
Three things cannot be retrieved:
The arrow once sped from the bow
The word spoken in haste
The missed opportunity.
(Ali the Lion, Caliph of Islam, son-in-law of Mohammed the Prophet),
”
”
Idries Shah (Caravan of Dreams)
“
There were words for what he meant to me, but if I studied every language ever spoken for the next thousand years, I still wouldn’t find enough of them to describe it.
”
”
Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
“
Lips and tongues lie. But actions never do. No matter what words are spoken, actions betray the truth of everyone's heart.
”
”
Sherrilyn Kenyon (Born of Fury (The League: Nemesis Rising, #6))
“
It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I have one outstanding trait in my character, which must strike anyone who knows me for any length of time, and that is my knowledge of myself. I can watch myself and my actions, just like an outsider. The Anne of every day I can face entirely without prejudice, without making excuses for her, and watch what's good and what's bad about her. This 'self-consciousness' haunts me, and every time I open my mouth I know as soon as I've spoken whether 'that ought to have been different' or 'that was right as it was.' There are so many things about myself that I condemn; I couldn't begin to name them all. I understand more and more how true Daddy's words were when he said: 'All children must look after their own upbringing.' Parents can only give good advice or put them on the right paths, but the final forming of a person's character lies in their own hands.
”
”
Anne Frank (The Diary of a Young Girl)
“
In that moment Ged understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I can find another maid; I cannot find another Sophie. If being a Shadowhunter was what you wanted, my girl, I wish you had spoken. I could have gone to the Consul before I was at odds with him. Still, when we return-'
She broke off, and Cecily heard the words beneath the words: If we return.
'When we return, I will put you forward for Acension,' Charlotte finished.
'I will speak out for her aswell,' Gideon said. 'After all, I have my father's place on the Council-his friends will listen to me; they still owe loyalty to our family-and besides, how else can we be married?'
'What'? said Gabriel with a wild hand gesture that accidentally flipped the nearest plate on the floor, where it shattered.
'Married?' said Henry. 'You're marrying your father's friends on the Council? Which of them?
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
He had not breathed a word of love, or dropped one hint of tenderness or affection, and yet I had been supremely happy. To be near him, to hear him talk as he did talk, and to feel that he thought me worthy to be so spoken to - capable of understanding and duly appreciating such discourse - was enough.
”
”
Anne Brontë (Agnes Grey)
“
We are a culture that relies on technology over community, a society in which spoken and written words are cheap, easy to come by, and excessive. Our culture says anything goes; fear of God is almost unheard of. We are slow to listen, quick to speak, and quick to become angry.
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
I was once reproved by a minister who was driving a poor beast to some meeting-house horse-sheds among the hills of New Hampshire, because I was bending my steps to a mountain-top on the Sabbath, instead of a church, when I would have gone farther than he to hear a true word spoken on that or any day. He declared that I was 'breaking the Lord's fourth commandment,' and proceeded to enumerate, in a sepulchral tone, the disasters which had befallen him whenever he had done any ordinary work on the Sabbath. He really thought that a god was on the watch to trip up those men who followed any secular work on this day, and did not see that it was the evil conscience of the workers that did it. The country is full of this superstition, so that when one enters a village, the church, not only really but from association, is the ugliest looking building in it, because it is the one in which human nature stoops the lowest and is most disgraced. Certainly, such temples as these shall erelong cease to deform the landscape. There are few things more disheartening and disgusting than when you are walking the streets of a strange village on the Sabbath, to hear a preacher shouting like a boatswain in a gale of wind, and thus harshly profaning the quiet atmosphere of the day.
”
”
Henry David Thoreau (A Week on the Concord and Merrimack Rivers (Writings of Henry D. Thoreau))
“
Happy Birthday."
Adrian came to a sudden halt. The words were soft and small, spoken tentatively, but easily discerned by vampire ears. Slowly, he turned around and found Jill Mastrano standing shyly before him.
”
”
Richelle Mead (Adrian's Lost Chapter (Bloodlines, #0.5))
“
Very often in everyday life one sees that by losing one's temper with someone who has already lost his, one does not gain anything but only sets out upon the path of stupidity. He who has enough self-control to stand firm at the moment when the other person is in a temper, wins in the end. It is not he who has spoken a hundred words aloud who has won; it is he who has perhaps spoken only one word.
”
”
Hazrat Inayat Khan (Mastery Through Accomplishment)
“
I am Ubik. Before the universe was, I am. I made the suns. I made the worlds. I created the lives and the places they inhabit; I move them here, I put them there. They go as I say, then do as I tell them. I am the word and my name is never spoken, the name which no one knows. I am called Ubik, but that is not my name. I am. I shall always be.
”
”
Philip K. Dick (Ubik)
“
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy.
"We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -"
But somebody else had spoken Snape's name, quite softly.
"Severus ..."
The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading.
Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed.
Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face.
"Severus ... please ..."
Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
Silence is kind of awkward, don’t you think?” he said.
Oh. Or not. “No. I’m okay with silence. We’re in a library after all. This is the birthplace of silence.”
“The library is the birthplace of silence?” David asked.
“All the words are being used by the books. When I was little, that’s what I used to think. That people were told to be quiet so that all their words didn’t get stolen by the books. I thought books needed words to exist. Well, obviously they do, but I thought they needed spoken words. Yeah … I was always weird.”
“And here I thought libraries were quiet because people were trying to study,” David whispered.
“That might be another explanation.
”
”
Kasie West (P.S. I Like You)
“
But more than that, no unloving words were ever spoken, and everything was held up as another small piece of proof that it can be this way, it doesn't have to be that way; if there is no love in the world, we will make a new world, and we will give it heavy walls, and we will furnish it with soft red interiors, from the inside out, and give it a knocker that resonates like a diamond falling to a jeweler's felt so that we should never hear it.
Love me, because love doesn't exist, and I have tried everything that does.
”
”
Jonathan Safran Foer (Everything Is Illuminated)
“
There are some words that once spoken will split the world in two. There would be the life before you breathed them and then the altered life after they'd been said. They take a long time to find, words like that. They make you hesitate. Choose with care. Hold on to them unspoken for as long as you can just so your world will stay intact.
”
”
Andrea Levy (Small Island)
“
Her seductive power, however, did not lie in her looks [...]. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one-woman spectacle.
Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it.
”
”
Robert Greene (The Art of Seduction)
“
When we turn around & come face to face with our destiny, we discover that words (spoken) are not enough. I know so many people who are brilliant speakers but are quite incapable of practising what they preach. It's one thing to describe a situation & quite another to experience it.
I realised a long time ago that a warrior in search of his dream must take his inspiration from what he actually does & not from what he imagines himself doing.
”
”
Paulo Coelho (Aleph)
“
So I feared not just the violence of this world but the rules designed to protect you from it, the rules that would have you contort your body to address the block, and contort again to be taken seriously by colleagues, and contort again so as not to give the police a reason. All my life I’d heard people tell their black boys and black girls to “be twice as good,” which is to say “accept half as much.” These words would be spoken with a veneer of religious nobility, as though they evidenced some unspoken quality, some undetected courage, when in fact all they evidenced was the gun to our head and the hand in our pocket. This is how we lose our softness. This is how they steal our right to smile.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
I don’t have many friends, not the living, breathing sort at any rate. And I don’t mean that in a sad and lonely way; I’m just not the type of person who accumulates friends or enjoys crowds. I’m good with words, but not spoken kind; I’ve often thought what a marvelous thing it would be if I could only conduct relationships on paper. And I suppose, in a sense, that’s what I do, for I’ve hundreds of the other sort, the friends contained within bindings, pages after glorious pages of ink, stories that unfold the same way every time but never lose their joy, that take me by the hand and lead me through doorways into worlds of great terror and rapturous delight. Exciting, worthy, reliable companions - full of wise counsel, some of them - but sadly ill-equipped to offer the use of a spare bedroom for a month or two.
”
”
Kate Morton (The Distant Hours)
“
He said, 'Damianos.'
Before Damen could tell him to rise, he heard it again, echoed in another voice, and then another. It was passing over the gathered men in the courtyard, his name in tones of shock and of awe. The steward beside Nikandros was kneeling. And then four of the men in the front ranks. And then more, dozens of men, rank after rank of soldiers.
And as Damen looked out, the army was dropping to its knees, until the courtyard was a sea of bowed heads, and silence replaced the murmur of voices, the words spoken over and over again.
'He lives. The King's son lives. Damianos.'
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
What the—Have you been crying?" Tohrment demanded. "Are you all right? Dear God, is it the baby?"
"Tohr, relax. I'm a female, I cry at matings. It's in the job description." There was the sound of a kiss.
"I just don't want anything to upset you, leelan."
'Then tell me the brothers are ready."
"We are."
"Good. I'll bring her out."
"Leelan ? "
"What?" There were low words spoken in their beautiful language.
"Yes, Tohr," Wellsie whispered. "And after two hundred years, I'd mate you again. In spite of the fact that you snore and you leave your weapons all over our bedroom.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
here’s a toast to Alan Turing
born in harsher, darker times
who thought outside the container
and loved outside the lines
and so the code-breaker was broken
and we’re sorry
yes now the s-word has been spoken
the official conscience woken
– very carefully scripted but at least it’s not encrypted –
and the story does suggest
a part 2 to the Turing Test:
1. can machines behave like humans?
2. can we?
”
”
Matt Harvey
“
This isn't over," I said. "After everything we've been through, you don't get the right to brush me off. I'm not letting you off that easily." I wasn't sure if it was a threat, my last stab at defiance, or irrational words spoken straight from my splintered heart.
"I want to protect you," Patch said quietly.
He stood so close. All strength and heat and silent power. I couldn't escape him, now or ever. He'd always be there, consuming my every thought, my heart locked in his hands. I was drawn to him by forces I couldn't control, let alone escape.
"But you didn't.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
We were fools.”
“You were children. Was there no one to protect you?”
“Was there anyone to protect you?”
“My father. My mother. They would have done anything to keep me from being stolen.”
“And they would have been mowed down by slavers.”
“Then I guess I was lucky I didn’t have to see that.”
How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.”
“They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.”
“The fact that you’re bleeding through your bandages tells me otherwise.”
She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.”
He didn’t mean to say it. He meant to let her go. “I can help you.”
Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
My child, I know you're not a child
But I still see you running wild
Between those flowering trees.
Your sparkling dreams, your silver laugh
Your wishes to the stars above
Are just my memories.
And in your eyes the ocean
And in your eyes the sea
The waters frozen over
With your longing to be free.
Yesterday you'd awoken
To a world incredibly old.
This is the age you are broken
Or turned into gold.
You had to kill this child, I know.
To break the arrows and the bow
To shed your skin and change.
The trees are flowering no more
There's blood upon the tiles floor
This place is dark and strange.
I see you standing in the storm
Holding the curse of youth
Each of you with your story
Each of you with your truth.
Some words will never be spoken
Some stories will never be told.
This is the age you are broken
Or turned into gold.
I didn't say the world was good.
I hoped by now you understood
Why I could never lie.
I didn't promise you a thing.
Don't ask my wintervoice for spring
Just spread your wings and fly.
Though in the hidden garden
Down by the green green lane
The plant of love grows next to
The tree of hate and pain.
So take my tears as a token.
They'll keep you warm in the cold.
This is the age you are broken
Or turned into gold.
You've lived too long among us
To leave without a trace
You've lived too short to understand
A thing about this place.
Some of you just sit there smoking
And some are already sold.
This is the age you are broken
Or turned into gold.
This is the age you are broken or turned into gold.
”
”
Antonia Michaelis (The Storyteller)
“
What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.
”
”
José Rizal (Noli Me Tángere (Touch Me Not).)
“
Whatever I do, however I find a way to live, I will tell these stories. I have spoken to every person I have encountered these last difficult days...I speak to these people, and I speak to you because I cannot help it. It gives me strength, almost unbelievable strength, to know that you are there. I covet your eyes, your ears, the collapsible space between us. How blessed are we to have each other? I am alive and you are alive and so we must fill the air with our words. I will fill today, tomorrow, every day until I am taken back to God. I will tell stories to people who will listen and to people who don't want to listen, to people who seek me out and to those who run. All the while I will know that you are there. How can I pretend that you do not exist? It would be almost as impossible as you pretending that I do not exist.
”
”
Dave Eggers (What Is the What)
“
You were born into a state of grace. It is impossible for you to leave it. You will die in a state of grace whether or not special words are spoken for you, or water or oil is poured upon your head. You share this blessing with the animals and all other living things. You cannot fall out of grace, nor can it be taken from you. You can ignore it. You can hold beliefs that blind you to its existence. You will still be graced but unable to perceive you own uniqueness and integrity, and blind also to other attributes with which you are automatically gifted.
”
”
Jane Roberts (The Nature of Personal Reality: Specific, Practical Techniques for Solving Everyday Problems and Enriching the Life You Know (Jane Roberts))
“
None of the children knew who Aslan was any more than you do; but the moment the Beaver had spoken these words everyone felt quite different. Perhaps it has sometimes happened to you in a dream that someone says something which you don't understand but in the dream it feels as if it had some enormous meaning--either a terrifying one which turns the whole dream into a nightmare or else a lovely meaning too lovely to put into words, which makes the dream so beautiful that you remember it all your life and are always wishing you could get into that dream again. It was like that now. At the name of Aslan each one of the children felt something jump in it's inside. Edmund felt a sensation of mysterious horror. Peter felt suddenly brave and adventurous. Susan felt as if some delicious smell or some delightful strain of music had just floated by her. And Lucy got the feeling you have when you wake up in the morning and realize that it is the beginning of the holidays or the beginning of Summer.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
Learning
After some time, you learn the subtle difference between
holding a hand
and imprisoning a soul;
You learn that love does not equal sex,
and that company does not equal security,
and you start to learn….
That kisses are not contracts and gifts are not promises,
and you start to accept defeat with the head up high
and open eyes,
and you learn to build all roads on today,
because the terrain of tomorrow is too insecure for plans…
and the future has its own way of falling apart in half.
And you learn that if it’s too much
even the warmth of the sun can burn.
So you plant your own garden and embellish your own soul,
instead of waiting for someone to bring flowers to you.
And you learn that you can actually bear hardship,
that you are actually strong,
and you are actually worthy,
and you learn and learn…and so every day.
Over time you learn that being with someone
because they offer you a good future,
means that sooner or later you’ll want to return to your past.
Over time you comprehend that only who is capable
of loving you with your flaws, with no intention of changing you
can bring you all happiness.
Over time you learn that if you are with a person
only to accompany your own solitude,
irremediably you’ll end up wishing not to see them again.
Over time you learn that real friends are few
and whoever doesn’t fight for them, sooner or later,
will find himself surrounded only with false friendships.
Over time you learn that words spoken in moments of anger
continue hurting throughout a lifetime.
Over time you learn that everyone can apologize,
but forgiveness is an attribute solely of great souls.
Over time you comprehend that if you have hurt a friend harshly
it is very likely that your friendship will never be the same.
Over time you realize that despite being happy with your friends,
you cry for those you let go.
Over time you realize that every experience lived,
with each person, is unrepeatable.
Over time you realize that whoever humiliates
or scorns another human being, sooner or later
will suffer the same humiliations or scorn in tenfold.
Over time you learn to build your roads on today,
because the path of tomorrow doesn’t exist.
Over time you comprehend that rushing things or forcing them to happen
causes the finale to be different form expected.
Over time you realize that in fact the best was not the future,
but the moment you were living just that instant.
Over time you will see that even when you are happy with those around you,
you’ll yearn for those who walked away.
Over time you will learn to forgive or ask for forgiveness,
say you love, say you miss, say you need,
say you want to be friends, since before
a grave, it will no longer make sense.
But unfortunately, only over time…
”
”
Jorge Luis Borges
“
And as for romance? Well, I want that too.
I want to fall asleep next to you, 100 times a night,
so I can know you 100 times better before we hit the day light. And despite all of this,
I also want amnesia so I can relive each kiss with a perfect newness
that leaves me smashed in the arms of rapture. I want the sky to fracture under
the impossible weight of an apology because I'm sorry. I'm sorry that I want so much.
I'm sorry that I'm using "I'm sorry" as a crutch to lean on for so long
but if you sing me that song of sweet logic again then I promise to make the effort
to stand on my own. There is a reason that our hearts are more like a muscle
and less like a bone. I've known so many people who've have grown up flexing
in front of mirrors and falling for their own reflection as if that's adequate but that's bullshit.
Because we only get now until the time we go and if they've only got time to love themselves
then nobody is going to be around to hear the sound of their heartbeat echo.
So lady, don't expect an apology when I tell you I'm only held together
by a heart that pumps blue, it's the strongest muscle in my body and I'm flexing it for you
”
”
Shane L. Koyczan
“
I take it that “gentleman” is a term that only describes a person in his relation to others; but when we speak of him as “a man” , we consider him not merely with regard to his fellow men, but in relation to himself, - to life – to time – to eternity. A cast-away lonely as Robinson Crusoe- a prisoner immured in a dungeon for life – nay, even a saint in Patmos, has his endurance, his strength, his faith, best described by being spoken of as “a man”. I am rather weary of this word “ gentlemanly” which seems to me to be often inappropriately used, and often too with such exaggerated distortion of meaning, while the full simplicity of the noun “man”, and the adjective “manly” are unacknowledged.
”
”
Elizabeth Gaskell (North and South)
“
I have hope
in who I am becoming.
I have belief in every scar and disgraceful word
I have ever spoken
or been told
because it is still teaching me
and I have hope in who I am becoming.
They say it takes 756 days to run to someone you love
and they also say that the only romance worth fighting for
is the one with yourself
and I know by now
that they say a lot of things,
people talking everywhere
without saying a word,
but if it took me all those years to learn myself
or teach myself
how to look into the mirror
without breaking it
I know for a fact that it was a fight worth fighting.
I stood up for my own head and so did my heart
and we are coming to terms with ourselves.
Shaking hands, saying ”let’s make this work
for we have places to go
and people to see
and we will need each other”
So I have hope
in who I am becoming.
It’s July
and I have hope in who I am becoming.
”
”
Charlotte Eriksson
“
Men," said Mr. Kyle, "people have been trying to understand dogs ever since the beginning of time. One never knows what they'll do. You can read every day where a dog saved the life of a drowning child, or lay down his life for his master. Some people call this loyalty. I don't. I may be wrong, but I call it love - the deepest kind of love."
After these words were spoken, a thoughtful silence settled over the men. The mood was broken by the deep growling voice I had heard back in the washout.
"It's a shame that people all over the world can't have that kind of love in their hearts," he said. "There would be no wars, slaughter, or murder; no greed or selfishness. It would be the kind of world that God wants us to have - a wonderful world.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
We’re all risking something.” There was so little of the friend he’d grown up with. The prince glanced at his pocket watch. “I need to go.” Dorian stalked to the stairs, and there was no fear in his face, no doubt, as he said, “You gave me the truth today, so I’ll share mine: even if it meant us being friends again, I don’t think I would want to go back to how it was before — who I was before. And this...” He jerked his chin toward the scattered crystals and the bowl of water. “I think this is a good change, too. Don’t fear it.”
Dorian left, and Chaol opened his mouth, but no words came out. He was too stunned. When Dorian had spoken, it hadn't been a prince who looked at him.
It had been a king.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, "It's too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings." And then someone else on board says something like, "But your father gave you this yacht, and these are his servants who brought the hors d'oeuvres." At which point that person gets tossed overboard by a group of hired thugs who'd been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can't get to him soon enough, or they don't even try, and the yacht's speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.
”
”
Tommy Orange (There There)
“
As I exclaimed 'Jane! Jane! Jane!' a voice- I cannot tell whence the voice came, but I know whose voice it was- replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words- 'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents- as certain as I live- they were yours!" Reader, it was on Monday night- near midnight- that I too had received the mysterious summons: those were the very words by which I replied to it.
(Mr. Rochester and Jane Eyre)
”
”
Charlotte Brontë (Jane Eyre)
“
The most common English word spoken in the nail salon was sorry. It was the one refrain for what it meant to work in the service of beauty. Again and again, I watched as manicurists, bowed over a hand or foot of a client, some young as seven, say, "I'm sorry. I'm sorry. I'm so, so sorry," when they had nothing wrong. I have seen workers, you included, apologize dozens of times throughout a forty-five-minute manicure, hoping to gain warm traction that would lead to the ultimate goal, a tip--only to say sorry anyway when none was given.
In the nail salon, sorry is a tool one uses to pander until the word itself becomes currency. It no longer merely apologizes, but insists, reminds: I'm here, right here, beneath you. It is the lowering of oneself so that the client feels right, superior, and charitable. In the nail salon, one's definition of sorry is deranged into a new word entirely, one that's charged and reused as both power and defacement at once. Being sorry pays, being sorry even, or especially, when one has no fault, is worth every self-deprecating syllable the mouth allows. Because the mouth must eat.
”
”
Ocean Vuong (On Earth We're Briefly Gorgeous)
“
Private Parts
The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room.
Always too much body and not enough time for me to show it.
Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide.
He never asked for more.
He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful.
We collected them like we were trying to build an orchid.
And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me.
There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs.
We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space.
Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible.
To save some thing for myself.
Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other.
He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep.
Before tucking myself into elbows and knees reach for things I have long since given up.
”
”
Sarah Kay
“
I am convinced that poets are toddlers in a cathedral, slobbering on wooden blocks and piling them up in the light of the stained glass. We can hardly make anything beautiful that wasn’t beautiful in the first place. We aren’t writers, but gleeful rearrangers of words whose meanings we can’t begin to know. When we manage to make something pretty, it’s only so because we are ourselves a flourish on a greater canvas. That means there’s no end to the discovery. We may crawl around the cathedral floor for ages before we grow up enough to reach the doorknob and walk outside into a garden of delights. Beyond that, the city, then the rolling hills, then the sea. And when the world of every cell has been limned and painted and sung, we lie back on the grass, satisfied that our work is done. Then, of course, the sun sets and we see above us the dark dome of glittering stars.
On and on it goes, all the way to the lightless borderlands of time and space, which we come to discover in some future age are but the beginnings or endings of a single word spoken from the mouth of God. Some nights, while I traipse down the hill, I imagine that word isn’t a word at all, but a burst of laughter.
”
”
Andrew Peterson
“
It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are."
"All young ladies accomplished? My dear Charles, what do you mean?"
"Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished."
"Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished."
"Nor I, I am sure." said Miss Bingley.
"Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman."
"Yes, I do comprehend a great deal in it."
"Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved."
"All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading."
"I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
”
”
Jane Austen (Pride and Prejudice)
“
Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story’s silent twin. There are so many things that we can’t say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent.
Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way--a vision gleaned from the way we had heard the word 'beat' spoken on streetcorners on Times Square and in the Village, in other cities in the downtown city night of postwar America--beat, meaning down and out but full of intense conviction--We'd even heard old 1910 Daddy Hipsters of the streets speak the word that way, with a melancholy sneer--It never meant juvenile delinquents, it meant characters of a special spirituality who didn't gang up but were solitary Bartlebies staring out the dead wall window of our civilization--the subterraneans heroes who'd finally turned from the 'freedom' machine of the West and were taking drugs, digging bop, having flashes of insight, experiencing the 'derangement of the senses,' talking strange, being poor and glad, prophesying a new style for American culture, a new style (we thought), a new incantation--The same thing was almost going on in the postwar France of Sartre and Genet and what's more we knew about it--But as to the actual existence of a Beat Generation, chances are it was really just an idea in our minds--We'd stay up 24 hours drinking cup after cup of black coffee, playing record after record of Wardell Gray, Lester Young, Dexter Gordon, Willie Jackson, Lennie Tristano and all the rest, talking madly about that holy new feeling out there in the streets- -We'd write stories about some strange beatific Negro hepcat saint with goatee hitchhiking across Iowa with taped up horn bringing the secret message of blowing to other coasts, other cities, like a veritable Walter the Penniless leading an invisible First Crusade- -We had our mystic heroes and wrote, nay sung novels about them, erected long poems celebrating the new 'angels' of the American underground--In actuality there was only a handful of real hip swinging cats and what there was vanished mightily swiftly during the Korean War when (and after) a sinister new kind of efficiency appeared in America, maybe it was the result of the universalization of Television and nothing else (the Polite Total Police Control of Dragnet's 'peace' officers) but the beat characters after 1950 vanished into jails and madhouses, or were shamed into silent conformity, the generation itself was shortlived and small in number.
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Jack Kerouac
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Tom Paine has almost no influence on present-day thinking in the United States because he is unknown to the average citizen. Perhaps I might say right here that this is a national loss and a deplorable lack of understanding concerning the man who first proposed and first wrote those impressive words, 'the United States of America.'
But it is hardly strange.
Paine's teachings have been debarred from schools everywhere and his views of life misrepresented until his memory is hidden in shadows, or he is looked upon as of unsound mind.
We never had a sounder intelligence in this Republic. He was the equal of Washington in making American liberty possible. Where Washington performed Paine devised and wrote. The deeds of one in the Weld were matched by the deeds of the other with his pen.
Washington himself appreciated Paine at his true worth. Franklin knew him for a great patriot and clear thinker. He was a friend and confidant of Jefferson, and the two must often have debated the academic and practical phases of liberty.
I consider Paine our greatest political thinker. As we have not advanced, and perhaps never shall advance, beyond the Declaration and Constitution, so Paine has had no successors who extended his principles. Although the present generation knows little of Paine's writings, and although he has almost no influence upon contemporary thought, Americans of the future will justly appraise his work. I am certain of it.
Truth is governed by natural laws and cannot be denied. Paine spoke truth with a peculiarly clear and forceful ring. Therefore time must balance the scales. The Declaration and the Constitution expressed in form Paine's theory of political rights. He worked in Philadelphia at the time that the first document was written, and occupied a position of intimate contact with the nation's leaders when they framed the Constitution.
Certainly we may believe that Washington had a considerable voice in the Constitution. We know that Jefferson had much to do with the document. Franklin also had a hand and probably was responsible in even larger measure for the Declaration. But all of these men had communed with Paine. Their views were intimately understood and closely correlated. There is no doubt whatever that the two great documents of American liberty reflect the philosophy of Paine.
...Then Paine wrote 'Common Sense,' an anonymous tract which immediately stirred the fires of liberty. It flashed from hand to hand throughout the Colonies. One copy reached the New York Assembly, in session at Albany, and a night meeting was voted to answer this unknown writer with his clarion call to liberty. The Assembly met, but could find no suitable answer. Tom Paine had inscribed a document which never has been answered adversely, and never can be, so long as man esteems his priceless possession.
In 'Common Sense' Paine flared forth with a document so powerful that the Revolution became inevitable. Washington recognized the difference, and in his calm way said that matters never could be the same again. It must be remembered that 'Common Sense' preceded the declaration and affirmed the very principles that went into the national doctrine of liberty. But that affirmation was made with more vigor, more of the fire of the patriot and was exactly suited to the hour... Certainly [the Revolution] could not be forestalled, once he had spoken.
{The Philosophy of Paine, June 7, 1925}
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Thomas A. Edison (Diary and Sundry Observations of Thomas Alva Edison)
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People walk the paths of the gardens below, and the wind sings anthems in the hedges, and the big old cedars at the entrance to the maze creak. Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived - maybe a million times more. Torrents of text conversations, tides of cell conversations, of televisions programs, of e-mails, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, arcing between transmitters in Metro tunnels, between antennas atop buildings, from lampposts with cellular transmitters in them, commercials for Carrefour and Evian and prebaked toaster pastries flashing into space and back to earth again, I am going to be late and Maybe we should get reservations? and Pick up avocados and What did he say? and ten thousand I miss yous, fifty thousand I love yous, hate mail and appointment reminders and market updates, jewelry ads, coffee ads, furniture ads flying invisibly over the warrens of Paris, over the battlefields and tombs, over the Ardennes, over the Rhine, over Belgium and Denmark, over the scarred and ever-shifting landscape we call nations. And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it.
Every hour, she thinks, someone for whom the war was memory falls out of the world.
We rise again in the grass. In the flowers. In songs.
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Anthony Doerr (All the Light We Cannot See)