Splinter Cell Quotes

We've searched our database for all the quotes and captions related to Splinter Cell. Here they are! All 30 of them:

He was a clot looking for a place to happen, a splinter of bone hunting a soft organ to puncture, a lonely lunatic cell looking for a mate - they would set up housekeeping and raise themselves a cozy little malignant tumor.
Stephen King (The Stand)
The symbol of Goddess gives us permission. She teaches us to embrace the holiness of every natural, ordinary, sensual dying moment. Patriarchy may try to negate body and flee earth with its constant heartbeat of death, but Goddess forces us back to embrace them, to take our human life in our arms and clasp it for the divine life it is - the nice, sanitary, harmonious moment as well as the painful, dark, splintered ones. If such a consciousness truly is set loose in the world, nothing will be the same. It will free us to be in a sacred body, on a sacred planet, in sacred communion with all of it. It will infect the universe with holiness. We will discover the Divine deep within the earth and the cells of our bodies, and we will lover her there with all our hearts and all our souls and all our minds.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
You're wrong, I want to say. I'm exactly like you. But I can't. The fact is, alcoholics have programs, steps to take so they can fit into society and function. Crazies like Alison--all they have are padded cells and blunted utensils. That's their normal. Our normal.
A.G. Howard (Splintered (Splintered, #1))
Is that a cell phone in your pocket,” I whisper up at him, “or did I misplace my vibrator?
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to excarcerate himself from the claustral dungeon cell of his life. In the end, however, he broke beneath the weight of his aspiration. And as the years passed, the only mystery which seemed worthy of his interest, and his amazement, was that unknown day which would inaugurate his personal eternity, that incredible day on which the sun simply would not rise, and forever would begin.
Thomas Ligotti (The Nightmare Factory)
A scream so loud it shattered and splintered into a dreadful chorus that rattled and shook my brain and bones and cells and soul. I grabbed the telegram from Mama’s hand, threw it on the fire, ran out of the room into the hallway, and then outside into the square, and I continued running, zigzagging down streets, through mews, and on and on, as though I could escape from that moment; escape my brother’s death and run back through time.
Judith Kinghorn (The Last Summer)
For many feverish years he was burdened with the sensation, an ancient one to be sure, that the incredible sprawl of human history was no more than a pathetically partial record of an infinitely vast and shadowed chronicle of universal metamorphoses. How much greater, then, was the feeling that his own pathetic history formed a practically invisible fragment of what itself was merely an obscure splinter of the infinite. Somehow he needed to liberate himself from the dungeon cell of his life.
Thomas Ligotti (Noctuary)
Pak's head snapped back, his eyes bulging, mouth frozen open in midsentence.
David Michaels (Fallout (Tom Clancy's Splinter Cell, #4))
We drank the blood of our enemies. That's why you see Gnostics so hunted. The sacrament of the Eucharist is really drinking the blood of the enemy. The Grail, the Sangraal, is the bloody vehicle. Why else guard it so sacredly? Why should the black honor-guard ride half a continent, half a splintering Empire, stone night and winter day, if it's only for the touch of sweet lips on a humble bowl? No, it's mortal sin they're carrying: to swallow the enemy, down into the slick juicery to be taken in by all the cells. Your officially defined 'mortal sin,' that is. A sin against you. A section of your penal code, that's all.
Thomas Pynchon (Gravity’s Rainbow)
The evolutionists, piercing beneath the show of momentary stability, discovered, hidden in rudimentary organs, the discarded rubbish of the past. They detected the reptile under the lifted feathers of the bird, the lost terrestrial limbs dwindling beneath the blubber of the giant cetaceans. They saw life rushing outward from an unknown center, just as today the astronomer senses the galaxies fleeing into the infinity of darkness. As the spinning galactic clouds hurl stars and worlds across the night, so life, equally impelled by the centrifugal powers lurking in the germ cell, scatters the splintered radiance of consciousness and sends it prowling and contending through the thickets of the world.
Loren Eiseley (The Star Thrower)
Each day she sensed something creeping nearer. If it was happening to someone, it being unspeakable violence, how could she be happy: the real question of existence. The knowledge was a splinter in her own corporeality. Would this be a moment she looked back on later, damaged in an alley or locked in a cell? Something was approaching. Kathy could not settle. She knew. She knew.
Olivia Laing (Crudo)
The Big Bang is an involution event, signifying a transition from a higher state to a lower state. God splinters from a conscious unity into an unconscious plurality of countless individual cells. This is “the Fall”. It was not Man that fell, it was God. The God Mirror split into myriad shards, and now they all have to be fitted together again, so that God can once again see himself reflected and know exactly who he is. The evolution of the Cosmos is designed to achieve exactly this. At the Big Bang, God totally loses consciousness. We might even say that God dies. It then has to resurrect itself, which equates to completely restoring consciousness.
Thomas Stark (The Stairway to Consciousness: The Birth of Self-Awareness from Unconscious Archetypes (The Truth Series Book 12))
There are different kinds of darkness,' Rhys said. I kept my eyes shut. 'There is the darkness that frightens, the darkness that soothes, the darkness that is restful.' I pictured each. 'There is the darkness of lovers, and the darkness of assassins. It becomes what the bearer wishes it to be, needs it to be. It is not wholly bad or good.' I only saw the darkness of that dungeon cell; the darkness of the Bone Carver's lair. Cassian swore, but Azriel murmured a soft challenge that had their blades striking again. 'Open your eyes,' I did. And found darkness all around me. Not from me- but from Rhys. As if the sparring ring had been wiped away, as if the world had yet to begin. Quiet. Soft. Peaceful. Lights began twinkling- little stars, blooming irises of blue and purple and white. I reached out a hand toward one, and starlight danced on my fingertips. Far away, in another world perhaps, Azriel and Cassian sparred in the dark, no doubt using it as a training exercise. I shifted the star between my fingers like a coin on the hand of a magician. Here in the soothing, sparkling dark, a steady breath filled my lungs. I couldn't remember the last time I'd done such a thing. Breathed easily. Then the darkness splintered and vanished, swifter than smoke on wind. I found myself blinking back the blinding sun, arm still out, Rhysand still before me. Still without a shirt.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
By dawn tomorrow or the day after that he would pass into Nevada, striking Owyhee first and then Mountain City, and in Mountain City there was a man named Christopher Bradenton who would see that he had a clean car and some clean papers and then the country would come alive in all its glorious possibilities, a body politic with its network of roads embedded in its skin like marvelous capillaries, ready to take him, the dark speck of foreign matter, anywhere or everywhere-heart, liver, lights, brain. He was a clot looking for a place to happen, a splinter of bone hunting a soft organ to puncture, a lonely lunatic cell looking for a mate- they would set up housekeeping and raise themselves a cozy little malignant tumor.
Stephen King (The Stand)
Chicken Roast Puff your plume in anger and fight, cock, delight the owner of knife smear sting with pollen and flap your wings As I said: Twist the arms and keep them bent roll the rug and come down the terrace after disturbed sleep Shoeboots-rifle-whirring bullets-shrieks The aged undertrial in the next cell weeps and wants to go home Liberate me let me go let me go home On its egg in the throne the gallinule doses asphyxiate in dark fight back, cock, die and fight, shout with the dumb Glass splinters on tongue-breast muscles quiver Fishes open their gills and enfog water A piece of finger wrapped in pink paper With eyes covered someone wails in the jailhouse I can't make out if man or woman Keep this eyelash on lefthand palm- and blow off with your breath Fan out snake-hood in mist Cobra's abdomen shivers in the hiss of female urination Deport to crematorium stuffing blood-oozing nose in cottonwool Shoes brickbats and torn pantaloons enlitter the streets I smear my feet with the wave picked up from a stormy sea That is the alphabet I drew on for letters. (Translation of Bengali original 'Murgir Roast')
মলয় রায়চৌধুরী ( Malay Roychoudhury )
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
I didn’t realize how far back I’d have to go in order to tell you about John Coffey, or how long I’d have to leave him there in his cell, a man so huge his feet didn’t just stick off the end of his bunk but hung down all the way to the floor. I don’t want you to forget him, all right? I want you to see him there, looking up at the ceiling of his cell, weeping his silent tears, or putting his arms over his face. I want you to hear him, his sighs that trembled like sobs, his occasional watery groan. These weren’t the sounds of agony and regret we sometimes heard on E Block, sharp cries with splinters of remorse in them; like his wet eyes, they were somehow removed from the pain we were used to dealing with. In a way—I know how crazy this will sound, of course I do, but there is no sense in writing something as long as this if you can’t say what feels true to your heart—in a way it was as if it was sorrow for the whole world he felt, something too big ever to be completely eased. Sometimes I sat and talked to him, as I did with all of them—talking was our biggest, most important job, as I believe I have said—and I tried to comfort him. I don’t feel that I ever did, and part of my heart was glad he was suffering, you know. Felt he deserved to suffer. I even thought sometimes of calling the governor (or getting Percy to do it—hell, he was Percy’s damn uncle, not mine) and asking for a stay of execution. We shouldn’t burn him yet, I’d say. It’s still hurting him too much, biting into him too much, twisting in his guts like a nice sharp stick. Give him another ninety days, your honor, sir. Let him go on doing to himself what we can’t do to him. It’s that John Coffey I’d have you keep to one side of your mind while I finish catching up to where I started—that John Coffey lying on his bunk, that John Coffey who was afraid of the dark perhaps with good reason, for in the dark might not two shapes with blonde curls—no longer little girls but avenging harpies—be waiting for him? That John Coffey whose eyes were always streaming tears, like blood from a wound that can never heal.
Stephen King (The Green Mile)
I was standing lost, sunk, my hands in my pockets, gazing toward Tinker Mountain and feeling the earth reel down. All at once, I saw what looked like a Martian spaceship whirling towards me in the air. It flashed borrowed light like a propeller. Its forward motion greatly outran its fall. As I watched, transfixed, it rose, just before it would have touched a thistle, and hovered pirouetting in one spot, then twirled on and finally came to rest. I found it in the grass; it was a maple key…Hullo. I threw it into the wind and it flew off again, bristling with animate purpose, not like a thing dropped or windblown, pushed by the witless winds of convection currents hauling round the world’s rondure where they must, but like a creature muscled and vigorous, or a creature spread thin to that other wind, the wind of the spirit that bloweth where it listeth, lighting, and raising up, and easing down. O maple key, I thought, I must confess I thought, o welcome, cheers. And the bell under my ribs rang a true note, a flourish of blended horns, clarion, sweet, and making a long dim sense I will try at length to explain. Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. That breath never ceases to kindle, exuberant, abandoned; frayed splinters spatter in every direction and burgeon into flame. And now when I sway to a fitful wind, alone and listing, I will think, maple key. When I see a photograph of earth from outer space, the planet so startlingly painterly and hung, I will think, maple key. When I shake your hand or meet your eyes, I will think two maple keys. If I am maple key falling, at least I can twirl. Thomas Merton wrote, “There is always a temptation to diddle around in the contemplative life, making itsy-bitsy statues.” There is always an enormous temptation in all of life to diddle around making itsy-bitsy friends and meals and journeys for itsy-bitsy years on end. It’s no self-conscious, so apparently moral, simple to step aside from the gaps where the creeks and winds pour down, saying, I never merited this grace, quite rightly, and then to sulk along the rest of your days on the edge of rage. I won’t have it. The world is wilder than that in all directions, more dangerous and bitter, more extravagant and bright. We are making hay when we should be making whoopee; we are raising tomatoes when we should be raising Cain, or Lazarus. Ezekiel excoriates false prophets who have “not gone up into the gaps.” The gaps are the thing. The gaps are the spirit’s one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself for the first time like a once blind man unbound. The gaps are the cliffs in the rock where you cower to see the back parts of God; they are the fissures between mountains and cells the wind lances through, the icy narrowing fjords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock- more than a maple- a universe. This is how you spend the afternoon, and tomorrow morning, and tomorrow afternoon. Spend the afternoon. You can’t take it with you.
Annie Dillard (Pilgrim at Tinker Creek)
The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.
Annie Dillard (Pilgrim at Tinker Creek)
Underscoring southerners’ sense that it was hypocritical for their region to be targeted for its racial misdeeds, residents in Belleville, Illinois, went on a rampage a day after the Dadeville editorial appeared. A black schoolteacher named David Wyatt and the town's white school superintendent had argued over the renewal of Wyatt's teaching certificate. An altercation ensued. The superintendent was shot, but not seriously harmed. Wyatt was arrested and taken to jail. By nightfall, at least two thousand whites were gathered in the town—including many women and children encouraged to attend the spectacle. A phalanx of two hundred men attacked the steel doors at the rear of the jail with sledgehammers, pounding it with thousands of hammer blows. The city's police did not voluntarily hand the prisoner over to the crowd, but also gave no meaningful resistance. Wyatt, an educated and imposing man—standing six feet three inches tall—waited in his cell on the second floor of the jail, enveloped in the cacophony of the hammers pounding out his death beat. After half an hour, the doors splintered open. Wyatt was seized from his cell and his head immediately smashed. Dragged into the street, the mob surged around him, kicking and stomping his body until it was matted in blood and dirt. A rope was secured to his neck and tossed to two men who had climbed a telegraph pole. Hoisted just a few feet off the ground, Wyatt's body whipped back and forth as members of the crowd gouged, stabbed, and sliced his torso, legs, and arms with knives. Others in the mob gathered pickets from nearby fences and roadside signs to build a crude pyre beneath his dangling corpse. Still more went for gasoline and benzene. Soon Wyatt's body was engulfed in flame. By the time the earliest churchgoers left their homes on Sunday, June 7, the grotesque form of Wyatt's carbonized remains lay amid
Douglas A. Blackmon (Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II)
As the second half of the decade started to churn, it all began to fall apart: Spandau Ballet, Ultravox and Japan split up, Frankie Goes to Hollywood collapsed, Duran Duran fractured into the Power Station and Arcadia (two splinter groups that succeeded only in confusing their fans), Culture Club were destroyed by Boy George’s heroin addiction, Visage appeared to lose the will to live, Martin Fry got cancer, Soft Cell outlived their welcome, George Michael went solo and OMD successfully alienated their fan base.
Dylan Jones (Sweet Dreams: The Story of the New Romantics)
I gagged. It was not air. It was cold, it smelled like the hiss of gas in a cellar, it had echoes in it, it rang like metal footsteps, it hissed, cell doors clanged shut, I heard my voice calling to me down long stone corridors, I could not breathe. I knew I must not lose consciousness. I fought. I shook my head, I could not free myself. And now great swirls of colored light advanced toward me, spinning like pinwheels, revolving so fast they seemed to scream. And then the light was splintering and flying toward me, needles of it stinging me, flying past me, yellow and red stings, and now a roaring sound filled my head and began to pulsate. And all this swirling light and roaring screaming noise popped into Donald Duck looming up from a point, and he spoke and clacks came out of his mouth, and then Mickey Mouse loomed up in front of me and made horrible faces, and spoke in clacks or roars, and they were laughing at me and shaking their fists and showing their teeth. And I couldn’t help it, now I was breathing in this terrible gas in a white tiled swimming pool or corridor whose walls moved in toward me and then outwards. I was falling through my Compton’s Picture Encyclopedia article on the sea and these underwater animals were laughing in my ears, but the laughter pulsated like a machine, and I couldn’t stop breathing even though I knew it was the machine breathing. The smell was cold, the hiss grew softer. I felt as if I were under the sea but breathing under the sea somehow this air that was the only thing left to breathe in all this cold floating.
E.L. Doctorow (World's Fair)
skimmed thirty feet over the hills and grasslands. They were flying dark, with no navigation lights and all emission sources powered down: no IFF transponder, radio, or FLIR (Forward-Looking Infrared Radar). Within minutes, they’d skirted Ashgabat, which lay fifteen miles out the side window. Fisher could see headlights moving along the highways and surface streets. They passed over the black oval of a lake and a rail line, and then the terrain began to change, hillocks turning into the rolling foothills of the Köpetdag. Redding sat at the console, watching the same map Bird and Sandy were using to navigate. One by one, villages disappeared behind them. Fisher read their names on the screen—Bagir, Chuli, Firyuza—until they were all gone and there was nothing but empty land. “Five miles from the border,” Bird called. Fisher went to the cockpit and knelt between the seats. Through the windscreen he could see the Köpetdag Range, an expanse of jagged peaks and ridgelines stacked against the even darker night sky. A red light started flashing on Bird’s console, followed by a beeping. A
Raymond Benson (Checkmate (Tom Clancy's Splinter Cell, #3))
No one is an ‘expert’ on terrorism. That is nonsense. Terrorism is fluid. It changes daily. Terrorism used to be hijacking an aircraft and forcing the pilot to take it to another location. This evolved into holding hostages aboard the craft to force governments to do something. Now we have hijackers willing to die on an airplane and kill every passenger along with them. Terrorists have become more desperate and bold.
Raymond Benson (Splinter Cell (Tom Clancy's Splinter Cell, #1))
...a fissure appeared. Splinters of plastic broke away around it, and the fissure widened, radiating further fractures. When the first leg broke out, Simon tried to shriek.
A. Ashley Straker (Infected Connection)
The Brotherhood cannot be wiped out because it is not an organization in the ordinary sense. Nothing holds it together except an idea which is indestructible. You will never have anything to sustain you, except the idea. You will get no comradeship and no encouragement. When finally you are caught, you will get no help. We never help our members. At most, when it is absolutely necessary that someone should be silenced, we are occasionally able to smuggle a razor blade into a prisoner’s cell. You will have to get used to living without results and without hope. You will work for a while, you will be caught, you will confess, and then you will die. Those are the only results that you will ever see. There is no possibility that any perceptible change will happen within our own lifetime. We are the dead. Our only true life is in the future. We shall take part in it as handfuls of dust and splinters of bone. But how far away that future may be, there is no knowing. It might be a thousand years. At present nothing is possible except to extend the area of sanity little by little. We cannot act collectively. We can only spread our knowledge outwards from individual to individual, generation after generation. In the face of the Thought Police, there is no other way.
Anonymous
The Brotherhood cannot be wiped out because it is not an organization in the ordinary sense. Nothing holds it together except an idea which is indestructible. You will never have anything to sustain you, except the idea. You will get no comradeship and no encouragement. When finally you are caught, you will get no help. We never help our members. At most, when it is absolutely necessary that someone should be silenced, we are occasionally able to smuggle a razor blade into a prisoner’s cell. You will have to get used to living without results and without hope. You will work for a while, you will be caught, you will confess, and then you will die. Those are the only results that you will ever see. There is no possibility that any perceptible change will happen within our own lifetime. We are the dead. Our only true life is in the future. We shall take part in it as handfuls of dust and splinters of bone. But how far away that future may be, there is no knowing. It might be a thousand years. At present nothing is possible except to extend the area of sanity little by little. We cannot act collectively. We can only spread our knowledge outwards from individual to individual, generation after generation. In the face of the Thought Police, there is no other way.
George Orwell
And this is how he made love to her: The overwhelming, aching tenderness, the desire and reverence, in his every touch, more eloquent, more profound, than words could ever hope to be. Susannah closed her eyes and only once murmured his name, floating in the center of a bliss that had edges of flame. His hands, his mouth, seemed everywhere, everywhere, from her shoulders, to her breasts, to the round curve of her belly, relentlessly knowing, sure and delicate, setting slow fire to every cell of her until she arched and rippled beneath his touch, until she was nothing but a creature made to be touched. And then his mouth moved between her legs, and he parted her knees so he could taste the silkiest, most sensitive part of her. Her fingers gripped the coverlet as his tongue dipped, and circled, and savored, loving her, until her blood roared in her ears, until she was nearly sobbing from the pleasure of it, until she splintered into light and sensation. Then, at last, off came his clothes, which he did as deftly as he did everything else, and his beautiful body hovered an instant over her. She surrounded him with her thighs, pulled him to her with her arms, took him into her body. This joining always seemed never to last quite long enough to Susannah, because she could never fully be part of him, but the finite nature of it made it all the more sweeter. And this was slow, slow, too, and his eyes never left hers; he burned his love into her with his eyes. He moved, inexorably to his own release, which came for him with a sigh of her name. He kissed her. He turned over gently, with her in his arms. They held each other, face to face. "That's how much I love you, Susannah," he whispered.
Julie Anne Long (Beauty and the Spy (Holt Sisters Trilogy #1))
Most people’s minds are awash in a buzz of thoughts, worries, and desires. From that splintered mental state, which is reinforced by the necessities of daily life, samadhi sounds like a vacation to a Valiumscented fantasy island. Work, commuting, and chronic television violence are very effective at smothering the equanimity and silence necessary to develop and sustain samadhi. That’s why when one seriously practices yoga at a traditional ashram (retreat center), there are no mundane distractions. No television, radio, iPod, cell phone, Internet, sugar, caffeine, spicy foods, clocks, and in some cases, no talking. The ecstasy associated with the experience of samadhi might sound superficially similar to the momentary high achieved by smoking crack or shooting heroin. But while narcotics can blast the mind into a euphoric stupor, it doesn’t take long before that route becomes horrifically grim, to say nothing of fleeting and a considerable drain on society. By contrast, the mind trained to sustain samadhi is focused, calm, and crystal clear, and the accompanying happiness doesn’t fade or cost anything (other than maintaining a lifestyle that is probably much simpler than most Westerners are willing to adopt). The modern sophisticate has been taught to associate claims about “bliss” and “ecstasy” as starry-eyed New Age pabulum, or as a sign of taking one too many psychedelic drugs. But this is indeed the serious aspiration of yoga practice. It may not be simple to achieve this goal today, but nor was it all that easy even when Patanjali wrote the Yoga Sutras. Still, the sages insist it is achievable, and both history and contemporary examples confirm that it is possible. These people smile and laugh too much. They burst with radiant health and generosity. We are suspicious of them. They’ve been transformed out of the ordinary, and it shows.
Dean Radin (Supernormal: Science, Yoga and the Evidence for Extraordinary Psychic Abilities)
Fisher set up his rappelling line, attaching its carabiner clip to the fitting
Peter Telep (Blacklist Aftermath (Tom Clancy's Splinter Cell, #7))