“
why can't you see i'm a kid', said the kid.
Why try to make me like you?
Why are you hurt when I don't cuddle?
Why do you sigh when I splash through a puddle?
Why do you scream when I do what I did?
Im a kid.
”
”
Shel Silverstein (Falling Up)
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.
I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza.
I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey.
I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
”
”
Lemony Snicket
“
Ma and God
God gave us fingers--Ma says, "Use your fork."
God gave us voices--Ma says, "Don't scream."
Ma says eat broccoli, cereal and carrots.
But God gave us tasteys for maple ice cream.
God gave us fingers--Ma says, "Use your hanky."
God gave us puddles--Ma says, "Don't splash."
Ma says, "Be quiet, your father is sleeping."
But God gave us garbage can covers to crash.
God gave us fingers--Ma says, "Put your gloves on."
God gave us raindrops--Ma says, "Don't get wet."
Ma says be careful, and don't get too near to
Thoses strange lovely dogs that God gave us to pet.
God gave us fingers--Ma says, "Go wash 'em."
But God gave us coal bins and nice dirty bodies.
And I ain't too smart, but there's one thing for certain--
Either Ma's wrong or else God is.
”
”
Shel Silverstein
“
You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied.
I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery.
I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind.
And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Have you noticed how children never bypass a puddle of water, but jump, splash, and slosh right through it? That's because they know an important truth: Life was meant to be lived; puddles were meant to be experienced.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I’ll string a fiddle with your guts and make you play it while I dance.” Bast leaned closer until their faces were mere inches apart, his eyes gone white as opal, white as a full-bellied moon. “You are an educated man. You know there are no such things as demons.” Bast smiled a terrible smile. “There is only my kind.” Bast leaned closer still, Chronicler smelled flowers on his breath. “You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
What is childlike humility? It’s not the lack of intelligence, but the lack of guile. The lack of an agenda. It’s that precious, fleeting time before we have accumulated enough pride or position to care what other people might think. The same un-self-conscious honesty that enables a three-year-old to splash joyfully in a rain puddle, or tumble laughing in the grass with a puppy, or point out loudly that you have a booger hanging out of your nose, is what is required to enter heaven. It is the opposite of ignorance—it is intellectual honesty: to be willing to accept reality and to call things what they are even when it is hard.
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
I sprinted down the alley, not fast enough to avoid the cold water rolling down my back, with a childlike shriek. I caught his arm by the elbow, and we ran together, through the singing crowd, past swaying elders, men and women dancing too close, irritable off-planet visitors trying to cover up their wares in the market. We splashed through bright blue puddles, soaking our clothes. And we were both, for once, laughing.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
You can't go splashing through puddles of happy without getting some of it on you.
”
”
Becca Wilhite
“
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain.
This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain.
Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it.
Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
”
”
Antwone Quenton Fisher (Finding Fish)
“
And he gets why I didn't want us to be that to each other. Most people want puddles to splash around in; Thom wants souls where scuba diving is encouraged.
”
”
Courtney C. Stevens (Dress Codes for Small Towns)
“
unless you change and become like little children, you will never enter the kingdom of heaven. Therefore, whoever humbles himself like this child is the greatest in the kingdom of heaven.”5 Whoever humbles himself like this child . . . What is childlike humility? It’s not the lack of intelligence, but the lack of guile. The lack of an agenda. It’s that precious, fleeting time before we have accumulated enough pride or position to care what other people might think. The same un-self-conscious honesty that enables a three-year-old to splash joyfully in a rain puddle, or tumble laughing in the grass with a puppy, or point out loudly that you have a booger hanging out of your nose, is what is required to enter heaven. It is the opposite of ignorance—it is intellectual honesty: to be willing to accept reality and to call things what they are even when it is hard.
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
The same un-self-conscious honesty that enables a three-year-old to splash joyfully in a rain puddle, or tumble laughing in the grass with a puppy, or point out loudly that you have a booger hanging out of your nose, is what is required to enter heaven. It is the opposite of ignorance—it is intellectual honesty: to be willing to accept reality and to call things what they are even when it is hard.
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
...DAMNATION!'
No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub.
The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom.
The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me.
I trust you are not injured, Peabody. Those scratches...'
The bleeding has almost stopped, Emerson. It was not Bastet's fault.'
It was mine, I suppose,' Emerson said mildly.
Now, my dear, I did not say that. Are you going to get up from the floor?'
No,' said Emerson.
He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
”
”
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
“
What is childlike humility? It's that precious, fleeting time before we have accumulated enough pride or position to care what other people might think. The same un-self-conscious honesty that enables a three-year-old to splash joyfully in a rain puddle, or tumble laughing in the grass with a puppy, or point out loudly that you have a booger hanging out of your nose, is what is required to enter heaven. It is the opposite of ignorance—it is intellectual honesty: to be willing to accept reality and to call things what they are even when it is hard.
”
”
Todd Burpo (Heaven is for Real: A Little Boy's Astounding Story of His Trip to Heaven and Back)
“
The uncertainty of the future made them turn their hearts toward the past. They saw themselves in the lost paradise of the deluge, splashing in the puddles in the courtyard, killing lizards to hang on Úrsula, pretending that they were going to bury her alive, and those memories revealed to them the truth that they had been happy together ever since they had had memory.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Poignancy, she told me, is the richest feeling humans experience, one that gives meaning to life—and it happens when you feel happy and sad at the same time. It’s the state you enter when you cry tears of joy—which tend to come during precious moments suffused with their imminent ending. When we tear up at that beloved child splashing in a rain puddle, she explains, we aren’t simply happy: “We’re also appreciating, even if it’s not explicit, that this time of life will end; that good times pass as well as bad ones; that we’re all going to die in the end. I think that being comfortable with this is adaptive. That’s emotional development.
”
”
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
“
Most people want puddles to splash around in; Thom wants souls where scuba diving is encouraged.
”
”
Courtney C. Stevens (Dress Codes for Small Towns)
“
They began to invent humourless, glum jokes of their own and disastrous rumours about the destruction awaiting them at Bologna.
Yossarian sidled up drunkenly to Colonel Korn at the officers' club one night to kid with him about the new Lepage gun that the Germans had moved in.
'What Lepage gun?' Colonle Korn inquired with curiousity.
'The new three-hundred-and-forty-four-millimeter Lepage glue gun,' Yossarian answered. 'It glues a whole formation of planes together in mid-air.'
Colonel Korn jerked his elbow free from Yossarian's clutching fingers in startled affront. 'Let go of me, you idiot!' he cried out furiously, glaring with vindictive approval as Nately leaped upon Yossarian's back and pulled him away.
'Who is that lunatic anyway?'
Colonel Cathcart chortled merrily. 'That's the man you made me give a medal to after Ferrara. You had me promote him to captain, too, remember? It serves you right.'
Nately was lighter than Yossarian and had great difficulty maneuvering Yossarian's luching bulk across the room to an unoccupied table. 'Are you crazy?' Nately kept hissing with trepidation. 'That was Colonel Korn. Are you crazy?'
Yossarian wanted another drink and promised to leave quietly if Nately bought him one. Then he made Nately bring him two more. When Nately finally coaxed him to the door, Captain Black came stomping in from outside, banging his sloshing shoes down hard on the wood floor and spilling water from his eaves like a high roof.
'Boy, are you bastards in for it!' he announced exuberantly, splashing away from the puddle forming at his feet. 'I just got a call from Colonel Korn. Do you know what they've got waiting for you at Bologna? Ha! Ha! They've got the new Lepage glue gun. It glues a whole formation of planes together in mid-air.'
'My God, it's true!' Yossarian shrieked, and collapsed against Nately in terror.
”
”
Joseph Heller (Catch-22)
“
Puddles were weak. Puddles were transparent, with all their secrets and imperfections clearly visible to observers standing above them. Puddles could be stepped on and splashed through and ruined.
”
”
Juliana Gray
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
”
”
Lemony Snicket (The Beatrice Letters)
“
Every historical subject is deeper than The Mariana Trench. Wikipedia is for people who like to splash around in mud puddles and think of themselves as oceanographers. Even my ducks delve down further than those people, because they actually explore the world around them.
”
”
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
“
Bast's eyes were now the pale blue-white of lightning, his voice tight and fierce. "And I swear by the night and sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a puddle. I'll string a fiddle with your guts and make you play it while I dance.
”
”
Patrick Rothfuss
“
Some people are ponds. Or puddles. Fun to splash in but all it takes is a sunny day or two and everything goes dry.
”
”
Andrea Contos (Throwaway Girls)
“
NIGHT, I dreamt of him. He was waiting for me on the dirt road, the sun filtering through the leaves, little splashes of light on the ground like puddles of rippling water. He smiled so brightly as I reached my hand for his, our fingers curling together like they always had. We walked slowly toward the house at the end of the lane. We didn’t speak. We didn’t have to. It was enough just to be. ROBBIE
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
I found out the differences between “the truth” and “all the truth.” You can know some pretty terrible things about a person, and you can know they’re true. But sometimes it makes a huge difference if you know what else is true too. I read something in a book once about an old lady who was walking along the street minding her own business when a young guy came charging along, knocked her down, rolled her in a mud puddle, slapped her head and smeared handsful of wet mud all over her hair. Now what should you do with a guy like that?
But then if you find out that someone had got careless with a drum of gasoline and it ignited and the old lady was splashed with it, and the guy had presence of mind enough to do what he did as fast as he did, and severely burned his hands in the doing of it, then what should you do with him?
Yet everything reported about him is true. The only difference is the amount of truth you tell.
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume X: The Man Who Lost the Sea)
“
In front of a big aluminum building with a plywood cross on the roof, I kneel in a puddle and splash water on my face. I wash my mouth out with dirty gutter runoff and spit until I can't taste anything. That holy wooden "t" looms overhead, and I wonder if the Lord might ever find cause to approve of me, wherever and whatever he is.
Have you met him yet, Perry? Is he alive and well? Tell me he's not just the mouth of the sky. Tell me there's more looking down on us than that empty blue skull.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
I see all the while how folks could say he was queer, but that was the very reason couldn't nobody hold it personal. It was like he was outside of it too, same as you, and getting mad at it would be kind of like getting mad at a mud-puddle that splashed you when you stepped in it.
”
”
William Faulkner (As I Lay Dying)
“
As they talked, Merritt entertained him with stories of her childhood in Hampshire as the oldest of six siblings. Her father, the earl, loomed large in those stories, as a loving parent and a man of great authority and responsibility. His marriage to Lillian Bowman, an American heiress, had been an improbable match, but the union had turned out to be a remarkably happy one. Merritt's mother was a lively and lighthearted woman, the kind of mother who had romped outside with her children and splashed in puddles with them, and encouraged their flights of fancy.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
I recognize that Dr. Deb and I need to continue patching up my mental umbrella, so that love and confidence comes from within, so that I can protect myself from the thoughts that want to surge and drown me. But these are my puddle people, the ones who will go splash around with me, even when I can't.
”
”
Tarah DeWitt (Funny Feelings)
“
Many parents think their role is to make children happy. Meet their needs and they will be happy. But think about it. Your child knows how to be happy. Give him a lollipop? Happy. Let her splash in a mud puddle? Happy. Play run and chase, over and over again? Happy. They don’t need us to make them happy.
”
”
Tovah P. Klein (How Toddlers Thrive: What Parents Can Do Today for Children Ages 2-5 to Plant the Seeds of Lifelong Success)
“
Hurricane Katrina arrived without a confirmed weather category, or a name that adequately addressed anger summoned from a thousand leagues down. When the levees broke in New Orleans images escaped television screens to tattoo every skin with the shameful reality that America’s towers fell twice. There was no phoenix. Only mosquitoes escaped the ashes, promising to puncture any still unbloodied with the needle kiss of plague.
Then, a great swarm of dragonflies, sent by some other to even the odds. They feasted on the thin-limbed vampires, devoured body and virus, and then hovered around the floating bloated bodies of forgotten grandmothers, armored escorts of the dead. Their wings hummed swamp sonnets while their mouths swallowed maggots, thwarting attempts to hurry death beyond spring sunsets and autumn graves. They kept up their holy procession until New Orleans rebirthed jazz and cut the bodies loose and let saints march in all over again.
As I steer my bike through one puddle after the other, making the street music urban rainforest dwellers know, I ask the splash to summon the dragonfly. Call her from the swamp into my throat to name the lump that will never loose me. Be my escort, gobble the flies ever entering me before their children become my whole.
”
”
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
“
Jumpin’ and Mabel had to wait for the verdict outside among the palmettos and saw grass of the square, along with the few other blacks. Just as they spread colorful quilts on the ground and unpacked biscuits and sausage from paper bags, a rain shower sent them grabbing things and running for cover under the overhang of the Sing Oil. Mr. Lane shouted that they had to wait outside—a fact they’d known for a hundred years—and not to get in the way of any customers. Some whites crowded in the diner or the Dog-Gone for coffee, and others clustered in the street beneath bright umbrellas. Kids splashed in sudden puddles and ate Cracker Jacks, expecting a parade.
”
”
Delia Owens (Where the Crawdads Sing)
“
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.”
Harper laughed.
“What’s funny?”
“I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.”
Trent’s mouth twitched, a slight smile making its way to his lips.
“Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?”
Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift.
“Trent,” she squealed, kicking her feet to get free. “What are you doing?”
He slapped her butt playfully and laughed as he carried her down the hallway.
Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others.
“Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.”
Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks.
“Pick one.”
“Pick one what?”
“Sink. Which do you want?”
“You’re giving me a whole sink? Wait … stop…”
Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her.
Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity.
He did the same thing with the vanity drawers and created some space under the sink.
“I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.”
“You like the vanilla?” It never ceased to surprise her, the details he remembered.
Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.”
“Oh my goodness, you are beyond!” Harper blushed furiously.
“I want you for so much more than just sex, Harper.
”
”
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
“
He remembers an afternoon not long after his wife’s arrest when he caught himself avoiding puddles of rainwater on the streets. When he realised what he was doing it struck him as ridiculous and even reprehensible that he was still prey to such petty concerns. He began deliberately splashing through all the biggest puddles, as if to show some higher power how little he cared about anything anymore. His daughter copied him. Skipping and dancing as if she and the rain shared a secret complicity.
”
”
Glenn Haybittle (The Way Back to Florence)
“
Then--as it had every season of my life--it started to rain blue.
Keeping one hand firmly in Akos’s, I turned my other palm to catch some of the blue. It was dark, and wherever it rolled across my skin, it left a faint stain. The people at the end of the alley were laughing and smiling and singing and swaying. Akos’s chin was tipped back. He gazed at the ship’s belly, and then at his hand, at the blue rolling over his knuckles. His eyes met mine. I was laughing.
“Blue is our favorite color,” I said. “The color of the currentstream when we scavenge.”
“When I was a child,” he replied wonderingly, “it was my favorite color, too, though all of Thuvhe hates it.”
I took the palmful of blue water I had collected, and smeared it into his cheek, staining it darker. Akos spluttered, spitting some of it on the ground. I raised my eyebrows, waiting for his reaction. He stuck out his hand, catching a stream of water rolling off a building’s roof, and lunged at me.
I sprinted down the alley, not fast enough to avoid the cold water rolling down my back, with a childlike shriek. I caught his arm by the elbow, and we ran together, through the singing crowd, past swaying elders, men and women dancing too close, irritable off-planet visitors trying to cover up their wares in the market. We splashed through bright blue puddles, soaking our clothes. And we were both, for once, laughing.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
muddy ground. He pushed himself backward, his hands frantically splashing in puddles of muddied water. The darkness of the cemetery made it impossible to see anything more than a shadow, but Cody knew what stalked him. He knew the evil coming. He screamed and jumped back to his feet. He ran as fast as he could on the slippery ground. Another loud crash of thunder followed a bright flash of lightning. He was so close, so close to the entrance to the cemetery, but the rain, stronger than before, hammered down upon him. He splashed through puddles of water, flinching from the sheets of rain slapping his face. He struggled to increase his speed, his tears blending in with the rain. Four bicycles lay scattered on the ground near the entrance of the cemetery. Cody yanked his bicycle upright off the ground and checked behind him, but there wasn’t anything there. He hesitated, his heart breaking at the sight of his friends’ bikes lying next to his. “I’m so sorry,” he cried before mounting his own bike. The mud, caked onto the soles of his shoes, caused his feet to slip on the wet pedals. He peered into the dark depths of the cemetery again and found the familiar shadow creeping towards him. Whimpering again, Cody reached down to scrape the mud off with his bare hands, and then pedaled a mile to his home in the heavy rain. Rain-drenched, Cody jumped the curb in front of his house and dropped his bicycle on the lawn. He ran to his open bedroom window, stumbled through it, and fell onto the floor. His bedroom curtains flapped inward
”
”
Robert Pruneda (Devil's Nightmare (Devil's Nightmare #1))
“
Erin. “No matter what else has happened, you’re water and your element is welcome in our circle, but we don’t need any negative energy here—this is too important.” I nodded to the spiders. Erin’s gaze followed mine and she gasped. “What the hell is that?” I opened my mouth to evade her question, but my gut stopped me. I met Erin’s blue eyes. “I think it’s what’s left of Neferet. I know it’s evil and it doesn’t belong at our school. Will you help us kick it out?” “Spiders are disgusting,” she began, but her voice faltered as she glanced at Shaunee. She lifted her chin and cleared her throat. “Disgusting things should go.” Resolutely, she walked to Shaunee and paused. “This is my school, too.” I thought Erin’s voice sounded weird and kinda raspy. I hoped that meant that her emotions were unfreezing and that, maybe, she was coming back around to being the kid we used to know. Shaunee held out her hand. Erin took it. “I’m glad you’re here,” I heard Shaunee whisper. Erin said nothing. “Be discreet,” I told her. Erin nodded tightly. “Water, come to me.” I could smell the sea and spring rains. “Make them wet,” she continued. Water beaded the cages and a puddle began to form under them. A fist-sized clump of spiders lost their hold on the metal and splashed into the waiting wetness. “Stevie Rae.” I held my hand out to her. She took mine, then Erin’s, completing the circle. “Earth, come to me,” she said. The scents and sounds of a meadow surrounded us. “Don’t let this pollute our campus.” Ever so slightly, the earth beneath us trembled. More spiders tumbled from the cages and fell into the pooling water, making it churn. Finally, it was my turn. “Spirit, come to me. Support the elements in expelling this Darkness that does not belong at our school.” There was a whooshing sound and all of the spiders dropped from the cages, falling into the waiting pool of water. The water quivered and began to change form, elongating—expanding. I focused, feeling the indwelling of spirit, the element for which I had the greatest affinity, and in my mind I pictured the pool of spiders being thrown out of our campus, like someone had emptied a pot of disgusting toilet water. Keeping that image in mind, I commanded: “Now get out!” “Out!” Damien echoed. “Go!” Shaunee said. “Leave!” Erin said. “Bye-bye now!” Stevie Rae said. Then, just like in my imagination, the pool of spiders lifted up, like they were going to be hurled from the earth. But in the space of a single breath the dark image reformed again into a familiar silhouette—curvaceous, beautiful, deadly. Neferet! Her features weren’t fully formed, but I recognized her and the malicious energy she radiated. “No!” I shouted. “Spirit! Strengthen each of the elements with the power of our love and loyalty! Air! Fire! Water! Earth! I call on thee, so mote it be!” There was a terrible shriek, and the Neferet apparition rushed forward. It surged from our circle, breaking over Erin
”
”
P.C. Cast (Revealed (House of Night #11))
“
Ah, my friends, that innocent afternoon with Larry provoked me into thought in a way my own dicelife until then never had. Larry took to following the dice with such ease and joy compared to the soul-searching gloom that I often went through before following a decision, that I had to wonder what happened to every human in the two decades between seven and twenty-seven to turn a kitten into a cow. Why did children seem to be so often spontaneous, joy-filled and concentrated while adults seemed controlled, anxiety-filled and diffused?
It was the Goddam sense of having a self: that sense of self which psychologists have been proclaiming we all must have. What if - at the time it seemed like an original thought - what if the development of a sense of self is normal and natural, but is neither inevitable nor desirable? What if it represents a psychological appendix: a useless, anachronistic pain in the side? - or, like the mastodon's huge tusks: a heavy, useless and ultimately self-destructive burden? What if the sense of being some-one represents an evolutionary error as disastrous to the further development of a more complex creature as was the shell for snails or turtles?
He he he. What if? indeed: men must attempt to eliminate the error and develop in themselves and their children liberation from the sense of self. Man must become comfortable in flowing from one role to another, one set of values to another, one life to another. Men must be free from boundaries, patterns and consistencies in order to be free to think, feel and create in new ways. Men have admired Prometheus and Mars too long; our God must become Proteus.
I became tremendously excited with my thoughts: 'Men must become comfortable in flowing from one role to another' - why aren't they? At the age of three or four, children were willing to be either good guys or bad guys, the Americans or the Commies, the students or the fuzz. As the culture molds them, however, each child comes to insist on playing only one set of roles: he must always be a good guy, or, for equally compulsive reasons, a bad guy or rebel. The capacity to play and feel both sets of roles is lost. He has begun to know who he is supposed to be.
The sense of permanent self: ah, how psychologists and parents lust to lock their kids into some definable cage. Consistency, patterns, something we can label - that's what we want in our boy.
'Oh, our Johnny always does a beautiful bower movement every morning after breakfast.'
'Billy just loves to read all the time...'
'Isn't Joan sweet? She always likes to let the other person win.'
'Sylvia's so pretty and so grown up; she just loves all the time to dress up.'
It seemed to me that a thousand oversimplifications a year betrayed the truths in the child's heart: he knew at one point that he didn't always feel like shitting after breakfast but it gave his Ma a thrill. Billy ached to be out splashing in mud puddles with the other boys, but... Joan wanted to chew the penis off her brother every time he won, but ... And Sylvia daydreamed of a land in which she wouldn’t have to worry about how she looked . . .
Patterns are prostitution to the patter of parents. Adults rule and they reward patterns. Patterns it is. And eventual misery.
What if we were to bring up our children differently? Reward them for varying their habits, tastes, roles? Reward them for being inconsistent? What then? We could discipline them to be reliably various, to be conscientiously inconsistent, determinedly habit-free - even of 'good' habits.
”
”
Luke Rhinehart (The Dice Man)
“
We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per
day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Another day, sheltering beneath trees in a rain-shower, I uncovered a doorway long obliterated by undergrowth. After pulling shrubbery aside, I stepped inside a long deserted summerhouse, fronted by cracked marble columns and ironwork, the rear extending deep into the hillside. Though still filthy, even after I cleared away the tenacious vines, the windowpanes gave sufficient greenish light for me to sketch indoors. In a cobwebbed corner stood a gardener's burner that must once have coaxed oranges or other delicate shrubs to life. With that alight, I found a chair and sat with my shawl muffled around me as I sketched.
The marble statues that lined the walls were fine copies of the Greek masters, with muscular limbs and serene faces, though sadly disfigured with a blueish-green patina. As an exercise, I copied a figure of a handsome boy, admiring the sculptor's rendering of tensed muscle, the body frozen just an instant before extending in action. My mind drifted to Michael, the uncertainty hanging over us, my urges to please him, my need to move beyond this stupid impasse. As I sketched the statue's blind eyes I half-heartedly followed his line of sight.
I stood and looked more closely at the statue. "What are you looking at?" I said out loud. A green stain blotted the boy's cheek, ugly but also strangely beautiful, for the color was a peacock's viridian. For the first time I noticed the description, "HARPOCRATES- SILENCE", engraved on the pediment, and had a vague recollection of a Roman boy-god who personified that virtue. He held one index finger raised coyly to his lips, while his other hand pointed towards a low arch in the wall. I paced over to the spot at which he pointed. The niche was filled with gardener's trellis that I removed with rising excitement. Behind stood an oak doorway set low in the wall. As I lifted the latch, it opened onto a blast of chilly darkness. Lighting the stub of a candle at the stove, I propped the door open and ventured inside.
At once I knew this was no gardeners' store, but another tunnel burrowing into the hillside. Setting forth with the excitement of new discovery, my footsteps rang out and my breath fogged before me in clouds. The place had a mossy, mineral smell, and save for the dripping of water, was silent. Though at first the tunnel ran straight, it soon descended an incline, and my feet splashed into muddy puddles. Who, I wondered, had last passed through that door?
”
”
Martine Bailey (A Taste for Nightshade)
“
He rubbed his unshaven chin with the back of his hand. Beyond the gates lay a life he had been forbidden. He tightened his grip on the satchel and walked spindle-legged over the sodden ground, glancing at the numerous closed doors on either side of the passage, expecting one to open at any moment. The walls echoed as he splashed through puddles of oil and water. He reached the gates, allowed himself a deep breath, and squinted through the ironwork.
”
”
Richard A. Kirk (The Lost Machine)
“
He's splashing through ancient water, water from the beginning that has cycled through all centuries, puddle-jumped by a thousand young boys through the ages and I wonder if the water Adam knew falls here.
”
”
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
“
Harry strained his ears. Distantly, from the floor above, and growing fainter still, he heard the voice: ‘… I smell blood … I SMELL BLOOD!’ His stomach lurched. ‘It’s going to kill someone!’ he shouted, and ignoring Ron and Hermione’s bewildered faces, he ran up the next flight of steps three at a time, trying to listen over his own pounding footsteps. Harry hurtled around the whole of the second floor, Ron and Hermione panting behind him, not stopping until they turned a corner into the last, deserted passage. ‘Harry, what was that all about?’ said Ron, wiping sweat off his face. ‘I couldn’t hear anything …’ But Hermione gave a sudden gasp, pointing down the corridor. ‘Look!’ Something was shining on the wall ahead. They approached, slowly, squinting through the darkness. Foot-high words had been daubed on the wall between two windows, shimmering in the light cast by the flaming torches. THE CHAMBER OF SECRETS HAS BEEN OPENED. ENEMIES OF THE HEIR, BEWARE. ‘What’s that thing – hanging underneath?’ said Ron, a slight quiver in his voice. As they edged nearer, Harry almost slipped over: there was a large puddle of water on the floor. Ron and Hermione grabbed him, and they inched towards the message, eyes fixed on a dark shadow beneath it. All three of them realised what it was at once, and leapt backwards with a splash. Mrs Norris, the caretaker’s cat, was hanging by her tail from the torch bracket. She was stiff as a board, her eyes wide and staring. For a few seconds, they didn’t move. Then Ron said, ‘Let’s get out of here.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Every child's first lesson in reflection, refraction, surface tension, colloidal solutions, fluid dynamics, and what not, begins with a pool of water on the road.
//All in a child's play
”
”
Vineet Raj Kapoor
“
All Clemmie wanted from life was a nice cheerful home and to dance in the garden with Clog. She wanted to lick ice cream cones, splash through puddles, bake gooey biscuits, and have cuddles and smiles and laughs. But most of all, she wanted to be loved.
”
”
Rosie Boyes (Clemmie's War)
“
Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.”
He led her back to the previous room, which had amazing, rare rainforest plants in it.
“Check this out!”
He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page.
Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article.
“Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!”
William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella.
“I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.”
Holly squealed with laughter and applauded.
William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse.
“William, there is no air guitar in that song!”
“There is now, baby!”
Holly exploded again in laughter, clutching her sides.
After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably.
“Thank you, thank you very much,” William said in his Elvis impersonation.
He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.”
He now launched into Elvis’s famous “Hound Dog.”
“You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso.
“Work it, William! Work it!” Holly screamed in laughter.
He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter.
“William, stop! Stop! Where are you? I can’t see I’m crying so hard!”
William dropped his voice even lower and more dramatically.
In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand.
“Thank you, thank you very much,” he said in Elvis mode.
“My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.”
He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.”
“Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss.
He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end.
“Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .”
He sang the entire song, and then Holly exploded in appreciative applause.
He was breathing heavily and had a million-dollar smile on his face.
“Hoo-wee, that was fun! I am so sweaty now, hoo-boy!”
He splashed some water on his face, and then shook his hair.
“William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!”
“That was fun.” William laughed. “Are in a better mood now?”
“How can I not be? You are THE best!
”
”
Kira Seamon (Dead Cereus)
“
I was awakened early by the massed cockerels of Osh. There had been heavy rain overnight, and as I lay in bed I could hear the first traffic splashing through deep puddles in the potholed streets. Unfamiliar birdsong floated in, and a thin steam rose off the windowsills. I found myself in a faded hotel suite of two bedrooms, bathroom and huge sitting room full of ancient threadbare sofas draped in rugs. I felt very much at home; even more so when the hotelier brought in a breakfast tray of fresh, hot bread, honey, butter and chai. I even enjoyed the stampede of silverfish that fled the bathroom and the rusty water of the shower. I knew for certain I was going to like Kyrgyzstan.
”
”
Roger Deakin (Wildwood: A Journey through Trees)
“
Rain Haiku
When I splash puddles
I go in a time machine
back to my childhood.
”
”
Beryl Dov
“
Token of Love
You give me the kind of feelings
great poets write about,
but since I'm not a great poet,
please accept this fire hydrant cap,
that I pinched with you in mind,
to use as a paperweight to hold
the gazillion love letters I've sent.
I pray thee,
let not the weight of this cumbersome token
undermine the gravity of my forthright intent.
My love for thee is that of a wanton child,
splashing puddles in the summer's rain,
and therefore procures its pleasure
in Nature's simple bounty, not in chattels vain.
Consider this red fire hydrant cap a blushing rose,
Should Heaven smile upon this union,
then consider me the hose.
”
”
Beryl Dov
“
The antidote is something I like to call “puddle theory”—a way to divide overwhelming tasks and take things smallest step by smallest step. Instead of contemplating the insurmountable sea, we can create tiny puddles that we don’t fear stepping into, making it easier to begin. For example, instead of focusing on a disorderly garage we want to tidy, we can take the task item by item. Puddle theory allows us to take on right-sized tasks and even move between them—splashing about in one puddle may lead us unexpectedly to another. This is a helpful reminder that often it doesn’t matter much where we start—what’s important
”
”
Madeleine Dore (I Didn't Do the Thing Today: Letting Go of Productivity Guilt)
“
It is against the law to drive through a puddle and splash a pedestrian.
”
”
Manik Joshi (Weird Laws from Around the World)
“
Red everywhere. Soaking her black outfit. Puddling in her boots and squishing with each step. Running in rivers along the ground and splashing as she ran. No blonde could be seen in her hair, no part of her skin left clean. Only the scent of iron filled her nostrils, the slick and stick of blood and sweat dripping from her fingers and daggers. She didn’t know her name. Didn’t know where she had come from or who she was. Didn’t care if she ever remembered those things. All she knew was that she was a vessel for the Night Terror. Her muscles a conduit for shredding and ripping through skin and bone. The hum of that energy in her soul carried her through body after body. Power rippled off her skin, calling on the shadows as if they belonged to her. Heat cut through the air and burned her lungs, but all she felt was cold stinging through the shard in her chest. The taste of fear lingered on her tongue, screams never reaching her ears. She’d never stop slicing until there was silence in her head. Until the song was over and there was nothing left. The Night Terror unleashed itself on Calcheth, and no one walked away. No one.
”
”
Laura Winter (The Curse of Broken Shadows (Smoke and Shadow #1))
“
Brain always going like a fire-hydrant you can’t turnoff. Always fun puddles of thoughts for me to jump into and splash around.
”
”
Richie Norton
“
the man vaulted over an embankment, rolled across a boat prow, and sprang up the side of a building, finding hand-and footholds on downspouts and window shutters. Even as he went vertical, his momentum barely slowed. That particular brand of obstacle-course discipline—parkouring—had come into popularity after Harville’s training, and he couldn’t help but watch with a touch of awe now. The man hauled himself through a third-story window, scaring a chinless woman smoking a cigarette back onto her heels. An instant later the man flew out of a neighboring window on Harville’s side of the waterway. Harville had lost precious seconds. He reversed, splashing through a puddle, and bolted. The narrow passages and alleys unfolded endlessly, a match for the thoughts racing in his head—Giovanna’s openmouthed laugh, their freestanding bathtub on the cracked marble floor, bedside candles mapping yellow light onto the walls of their humble apartment. Without a conscious thought, he was running away from home, leading his pursuer farther from everything he held dear. He sensed footfalls quickening behind him. Columns flickered past, lending the rain a strobe effect as he raced along the arcade bordering Piazza San Marco. The piazza was flooded, the angry Adriatic surging up the
”
”
Gregg Hurwitz (Hellbent (Orphan X, #3))
“
splash in puddles. But she wasn’t five any more and she was stuck in Natasha’s house. Sitting back down on the bed, she dragged the duvet to her chin and remembered the rows she’d had with her mother. About her dad, and her granny. That woman could shout when she wanted. And the rows she’d overheard. The words that had been flung to the four walls.
”
”
Patricia Gibney (The Lost Child (D.I. Lottie Parker, #3))
“
Moving slowly and carefully to avoid bruising the fruit, I combined handfuls of plump raspberries and deep purple blueberries, a healthy cup of sugar, and some spring water into a heavy saucepan. It climbed slowly to a gentle boil while I stirred and folded it carefully onto itself. I lowered the heat and let it form a syrup before adding another handful of raspberries and a splash of raspberry brandy.
Avery came back to hover as I was finishing the dish. I puddled the warm berries into the bottom of a bowl and added a scoop of my housemade vanilla bean ice cream. Nestling the bowl onto a white rectangular dish, I added two ceramic shot glasses and poured in the final piece.
"What is that?" Tova asked, her voice hushed.
"Something I've been tinkering with. It's kind of a hot chocolate meets a pot de crème. Silky, espresso-laced chocolate sauce with a touch of cream and a pinch of freshly grated cinnamon. They can sip it, like a mini-cocktail. I think it will go well with the berries.
”
”
Kimberly Stuart (Sugar)