Splash Island Quotes

We've searched our database for all the quotes and captions related to Splash Island. Here they are! All 41 of them:

I don’t know if you have ever seem a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less and island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
J.M. Barrie (Peter Pan)
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie
The night wore out, and, as he stood upon the bridge listening to the water as it splashed the river-walls of the Island of Paris, where the picturesque confusion of houses and cathedral shone bright in the light of the moon, the day came coldly, looking like a dead face out of the sky. Then, the night, with the moon and the stars, turned pale and died, and for a little while it seemed as if Creation were delivered over to Death's dominion. But, the glorious sun, rising, seemed to strike those words, that burden of the night, straight and warm to his heart in its long bright rays. And looking along them, with reverently shaded eyes, a bridge of light appeared to span the air between him and the sun, while the river sparkled under it.
Charles Dickens (A Tale of Two Cities)
Jack was already mother-naked when he heard the cry and saw the splash. He slipped from the gunwale into the clear water, made out the vague form at a surprising depth, dived, fished it up, swam to the ship, now a hundred yards away, roared for a line, passed the inanimate Herapath up the side, and followed himself. 'Mr Pullings,'he cried, very angry. 'Put an end to this infernal hallooing instantly. Always the same God-damned foolery, every time a man goes overboard. Damn you all for a mob of mad lunatics. Get along forward. Silence fore and aft.
Patrick O'Brian (Desolation Island (Aubrey & Maturin, #5))
After that, Simon swam naked every night. By the third skinnydipping session, I secretly peeled off my bikini top while I was in the water. It was safe. Simon was splashing somewhere ahead of me. He couldn’t see. It was an amazing feeling. I felt free. Or at least half of me did. And right then that seemed to "t with the person I felt I was on Long Island: half-cautious, half-spontaneous, surprising myself with my random behavior, my sudden moves away from who I thought I was. “So how was it, your half skinny dip?” Simon asked as I was drying off. “You were watching me?” I blushed, horrified. “Just a hunch,” he replied. “Feels good though, right?” I hit him with the towel.
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.
Anne Rivers Siddons (Colony)
A glassy calm replaced the storm surrounding their boat. The distant thunder struck a note, white-hot and remote. An invisible magnet seemed to steer their course. The island pulled them in with its dreamy force.
J.Z. Bingham (Dreamy Drums: Trouble In Paradise (Salty Splashes Collection #1))
Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
J.M. Barrie (The Complete Adventures of Peter Pan)
In the rainy season, back home, when the land had given way to water and the buffaloes grew webbed feet, when the hens took to the roofs, when marooned goats teetered on minuscule islands, when the women splashed across on the raised walkway to the cooking hut and found they could no longer kindle a dung-and-husk fire and looked to their reserves, when the rain rang louder than cow bells, rice was the means, the giver of life.
Monica Ali (Brick Lane)
There are zigzag lines on it...and these are probably roads in the island, for Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in an offering, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
J.M. Barrie (Peter Pan)
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
No alien land in all the world has any deep strong charm for me but one, no other land could so longingly and so beseechingly haunt me, sleeping and waking, through half a lifetime, as that one has done. Other things leave me, but it abides me; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of it surfbeat is in my ear; I can see its garland crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can feel the woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.
Mark Twain
In the rainy season, back home, when the land had given way to water and the buffaloes grew webbed feet, when the hens took to the roofs, when marooned goats teetered on minuscule islands, when the women splashed across on the raised walkway to the cooking hut and found they could no longer kindle a dung-and-husk fire and looked to their reserves, when the rain rang louder than cow bells,
Monica Ali (Brick Lane)
For me, what a single firefly can do is this: it can light a memory I thought was long lost in roadsides overrun with Queen Anne’s lace and goldenrod, a peach pie cooling in the window of a distant house. It might make me feel like I’m traveling again to a gathering of loved ones dining seaside on a Greek island, listening to cicada song and a light wind rustling the mimosa trees. A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn- a shift and a swing and a switch- toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat- your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
The gutters in the lane overflowed with an odd, languid grace. Water filled the lane; rose from ankle-deep to knee-deep. Insects swam in circles. Urchins splashed about haphazardly, while Saraswati returned from market with a shopping-bag in her hands; insects swam away to avoid this clumsy giant. Her wet footprints printing the floor of the house were as rich with possibility as the first footprint Crusoe found on his island.
Amit Chaudhuri (A Strange and Sublime Address)
No alien land in all the world has any deep strong charm for me but that one, no other land could so longingly and so beseechingly haunt me, sleeping and walking, through half a lifetime, as that one has done. Other things leave me, but it abides; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of its surfbeat is in my ear, I can see its garlanded crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can fell the spirit of its woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.
Mark Twain (Mark Twain in Hawaii: Roughing It in the Sandwich Islands: Hawaii in the 1860s)
with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.
J.M. Barrie (Peter Pan)
We remembered the delicate fig-shaped island,stranded between the American Empire and peaceful Canada, as it had been years ago, with its welcoming red white-and-blue flag-shaped flower bed,splashing fountains, European casino, and horse paths leading through woods where Indians had bent trees into giant bows. Now grass grew inpatches down to the littered beach where children fished with pop topstied to string. Paint flaked from once-bright gazebos. Drinking fountains rose from mud puddles laid with broken brick stepping stones. Along the road the granite face of the Civil War Hero had been spray-painted black. Mrs. Huntington Perry had donated her prize orchids to the Botanical Garden in the time before the riots, when civic money still ran high, but since her death ion the eroding tax base had forced cutbacks that had laid off one skilled gardener a year, so that plants that had survived transplantation from equatorial regions to bloom again in that false paradise now withered, weeds sprang up amid scrupulous identification tags, and fake sunlight flowed for only a few hours per day. The only thing that remained was the steam vapor, beading the sloping greenhouse windows and filling our nostrils with the moisture and aroma of a rotting world
Jeffrey Eugenides (The Virgin Suicides)
Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.
Liz Braswell (Straight On Till Morning)
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
splashing. ‘They’re going!’ he called. ‘They
Enid Blyton (The Secret Island: Book 1 (Secret Stories))
Unlike the seeds, I’d thrown the bucket much farther out. I tried swimming underwater, looking in its general direction and seeing nothing but inky midnight. I splashed to the surface, inhaled deeply then crash-dived like a submarine. There it was! In the purple haze of subsurface sunlight, I could just make out a small object hovering on a narrow ledge of gravel. Just one block over, and it would have been lost forever.
Max Brooks (Minecraft: The Island: An Official Minecraft Novel)
The Bridges of Marin County harbor views back east never so panoramic but here driving the folds of mt tamalpais the whole picture smooth blue of the bay set like a table for dinner guests who seat themselves in berkeley oakland and san jose pass around delicate dishes of angel island ferry boats and alcatraz i'll save a spot for you in san francisco spread with your favorite dishes don't leave me hanging in marin dinner at eight and everyone else on time you said you'd bring the wine we waited as long as we could the food went cold witnesses said that you stood nearly an hour i imagine you crossing back and forth leaning tower to tower finally choosing the southern your wish to rest nearer the city than the driveway how long had you been letting your two selves push each other over the edge stuffing your pockets with secrets and shame weighing yourself down with cement shoes a gangster assuring your own silence i pay the toll daily wondering as the dark shroud of the bay smoothed over you that night who did you think your quiet splash was saving were you keeping yourself from the pleasures you found in the city boys in dark bars handsome men who loved you did they love you too did you wrestle with vertigo lose your sense of balance imagine yourself icarus dizzied by your own precarious perch glorious ride on flawed wings was it so impossible to live and love on both sides of the bay did you think i couldn't feel your love when it was there for me your distraction when desires divided history like the water smoothes over with half-truth story of good job and grieving widow but each time i cross this span i wonder about the men with whom i share the loss of you invisibly i sit unseen in a castro cafe wondering which men gave you what kinds of comfort delight satisfaction these men of leather metal tattoos did you know them how did you get their attention how did they get yours did you walk hand-in-hand with a man who looked like you the marlboro man double exposed did you bury a love of bondage dominance submission in the bay did you find friendship too would you and i have found the same men handsome where are you in this cafe crowd i want to love what you wouldn't show me dance with more than a slice of truth hold your halves together in my arms and rock the till i have mourned and honored the whole of you was it so impossible to cross that divide to live and love on both sides of the bay hey isn't that what bridges are for
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Dad had gone ballistic when Ruby got suspended from school for smoking, but not Nora. Her mother had picked Ruby up from the principal’s office and driven her to the state park at the tip of the island. She’d dragged Ruby down to the secluded patch of beach that overlooked Haro Strait and the distant glitter of downtown Victoria. It had been exactly three in the afternoon, and the gray whales had been migrating past them in a spouting, splashing row. Nora had been wearing her good dress, the one she saved for parent–teacher conferences, but she had plopped down cross-legged on the sand. Ruby had stood there, waiting to be bawled out, her chin stuck out, her arms crossed. Instead, Nora had reached into her pocket and pulled out the joint that had been found in Ruby’s locker. Amazingly, she had put it in her mouth and lit up, taking a deep toke, then she had held it out to Ruby. Stunned, Ruby had sat down by her mother and taken the joint. They’d smoked the whole damn thing together, and all the while, neither of them had spoken. Gradually, night had fallen; across the water, the sparkling white city lights had come on. Her mother had chosen that minute to say what she’d come to say. “Do you notice anything different about Victoria?” Ruby had found it difficult to focus. “It looks farther away,” she had said, giggling. “It is farther away. That’s the thing about drugs. When you use them, everything you want in life is farther away.” Nora had turned to her. “How cool is it to do something that anyone with a match can do? Cool is becoming an astronaut…or a comedian…or a scientist who cures cancer. Lopez Island is exactly what you think it is—a tiny blip on a map. But the world is out there, Ruby, even if you haven’t seen it. Don’t throw your chances away. We don’t get as many of them as we need. Right now you can go anywhere, be anyone, do anything. You can become so damned famous that they’ll have a parade for you when you come home for your high-school reunion…or you can keep screwing up and failing your classes and you can snip away the ends of your choices until finally you end up with that crowd who hangs out at Zeke’s Diner, smoking cigarettes and talking about high-school football games that ended twenty years ago.” She had stood up and brushed off her dress, then looked down at Ruby. “It’s your choice. Your life. I’m your mother, not your warden.” Ruby remembered that she’d been shaking as she’d stood up. That’s how deeply her mother’s words had reached. Very softly, she’d said, “I love you, Mom.
Kristin Hannah (Summer Island)
From seasonal splashes near Trewsbury European eels migrate upstream; Myriad carp, redfin perch, brook lamprey, Dragonflies, mosquitoes, wee midges, Pale cormorant, herring gulls, wagtails, Swans glide round woodland tapestry, Braided channel islands rest alone, Arched medieval stone slab bridges, Tree lines fête ash, alder, chestnut, beech. Floodplains, tangled sedge reedbeds, Owls speed above tree-covered islets, Teaming alluvium water-meadows Growing lavender, iris, marigold.
Ruth Ann Oskolkoff (The Bones of the Poor)
Three days after their wedding they were standing at the base of Liffey Falls, at the brisk death of winter, watching an airborne river thrash its way earthward. The water tumbled through high ridges, crowded with the princes of the island's wetter wildernesses: blackheart sassafras, dappled leatherwoods, contortions of mossy myrtles. Giant stringybarks rose above them all, their gum-topped crowns fighting for space in the clouds. The forest loomed, wet-dark and thickly green in the morning dew, and through the ancient roots of its trees the Liffey ran and broke and fell to splash the boots of the gazing newlyweds. p.68
Robbie Arnott (Limberlost)
The English textbooks, which the ministry had handpicked and shipped to every school, were intended for American children learning to read in English, not for foreign children learning English itself. “Splish splash,” a story might declare on one page. “Jane got soaked by the hose.” In one sentence the book had managed to combine a pseudo-word (“splish”), an irregular past tense (“got”), a passive construction (“got soaked by”) for speakers of a language in which there was no such thing, and three words that should not be at the top of a basic vocabulary list (“splash,” “soaked,” and “hose”), one of which (“hose”) referred to an object that didn’t exist in this world. This was supposed to be appropriate reading for second graders, merely because the words were easy to sound out—and this at a school where, on a very good day, my second graders were working on the grammatical complexities of the sentence “I walk.” I
Peter Rudiak-Gould (Surviving Paradise: One Year On A Disappearing Island)
when he sat in the rowboat again, the oars ready but not yet dipped into the water to take him away from the island, Jeff looked back. He didn’t see the busy land crabs nor the overgrown interior; he saw the beach, knowing it was there just beyond sight, keeping the sight of it clear in his inner eye. He splashed the oars into the water. Behind him, a great blue squawked — Jeff turned his head quickly. The heron rose up from the marsh grass, croaking its displeasure at the disturbance, at Jeff, at all of the world. Its legs dragged briefly in the water before it rose free to swoop over Jeff’s head with a whirring of powerful wings. It landed again on the far side of the ruined dock, to stand on stiltlike legs with its long beak pointed toward the water. Just leave me alone, the heron seemed to be saying. Jeff rowed away, down the quiet creek. The bird did not watch him go.
Cynthia Voigt (A Solitary Blue (Tillerman Family, #3))
Makani (a fledgling Albatross) ...kept going....until solid ground reached an abrupt end. She splashed into the ocean and bobbed with a flotilla of hundreds of her fellow fledglings...Suddenly one of her fellow fleglings disappeared in a terrifying commotion of white water and shark teeth. Talk about incentive. Makani ran on the surface, webs slapping water, never skinking, a Jesus bird, flapping with all her might until she got liftoff...She was really and truly the pilot of her own craft. Makani followed her nose, using wind and gravity to propel her forward. She had to teach herself to forage for food, and over the weeks and months she got good at it. Wherever she went, she flew solo. For years she explored an enormous region of the North Pacific, from Japan to the Aleutian Islands to British Columbia, landing only on the surface of the sea. She forgot what land felt like. Her to-do list was deceptively short: Fly far. Find squid. Then, when she was four years old, two more items were added: Go home. Find love.
Hob Osterlund (Holy Moli: Albatross and Other Ancestors)
Tahitians don’t chase happiness. Happiness comes naturally to them. You only need to see them in the water, with a beer in their hand, splashing each other or waving to every stranger they see on the road, to know this. Happiness is in the air: in every hibiscus flower that opens early in the morning, in the sweet aroma of the pineapple plantations, in the smile of the people lolling around idly, resting slothfully in the warm breeze that ruffles the surface of the lagoon.
Carol Vorvain (Why Not? The island where happiness starts with a question)
As their uncle, Earl Spencer, says their characters are very different from the public image. “The press have always written up William as the terror and Harry as a rather quiet second son. In fact William is a very self-possessed, intelligent and mature boy and quite shy. He is quite formal and stiff, sounding older than his years when he answers the phone.” It is Harry who is the mischievous imp of the family. Harry’s puckish character manifested itself to his uncle during the return flight from Necker, the Caribbean island owned by Virgin airline boss Richard Branson. He recalls: “Harry was presented with his breakfast. He had his headphones on and a computer game in front of him but he was determined to eat his croissant. It took him about five minutes to manoeuvre all his electronic gear, his knife, his croissant and his butter. When he eventually managed to get a mouthful there was a look of such complete satisfaction on his face. It was a really wonderful moment.” His godparent Carolyn Bartholomew says, without an ounce of prejudice, that Harry is “the most affectionate, demonstrative and huggable little boy” while William is very much like his mother, “intuitive, switched on and highly perceptive.” At first she thought the future king was a “little terror.” “He was naughty and had tantrums,” she recalls. “But when I had my two children I realized that they are all like that at some point. In fact William is kind-hearted, very much like Diana. He would give you his last Rolo sweet. In fact he did on one occasion. He was longing for this sweet, he only had one left and he gave it to me.” Further evidence of his generous heart occurred when he gathered together all his pocket money, which only amounted to a few pence, and solemnly handed it over to her. But he is no angel as Carolyn saw when she visited Highgrove. Diana had just finished a swim in the open air pool and had changed into a white toweling dressing gown as she waited for William to follow her. Instead he splashed about as though he were drowning and slowly sank to the bottom. His mother, not knowing whether it was a fake or not, struggled to get out of her robe. Then, realizing the urgency, she dived in still in her dressing gown. At that moment he resurfaced, shouting and laughing at the success of his ruse. Diana was not amused. Generally William is a youngster who displays qualities of responsibility and thoughtfulness beyond his years and enjoys a close rapport with his younger brother whom friends believe will make an admirable adviser behind the scenes when William eventually becomes king. Diana feels that it is a sign that in some way they will share the burdens of monarchy in the years to come. Her approach is conditioned by her firmly held belief that she will never become queen and that her husband will never become King Charles III.
Andrew Morton (Diana: Her True Story in Her Own Words)
Gil handed Henny one of the cushions and a one-pound coffee can from under the seat. Henny was very suspicious. “What’s this for?” he asked. “Why are you giving me this stuff?” “The cushion is for your sitter,” Gil said, “and the can is for the water.” “What water?” said Henny. He didn’t look too good. “Well, there’s bound to be a little extra water with the three of us sitting here,” said Gil. “And your friend hasn’t done much rowing. He splashes a bit over the side.” Henny glared at me. “Quit it,” he said. “Just quit splashing water into the boat.” I tried to be smooth. By the time we got out into the river, I was doing better. “Two steps forward, one step backward,” said Gil. “We aren’t making much progress against this current.” “I’ll go out a little farther,” I said. “Maybe the current won’t be so strong out there.” I felt very good about things. My rowing was getting better. We were closer to the bowl. The crew was busy and in high spirits. Gil was reading from The Journals of Lewis and Clark. Henny was searching his photographic memory for loose information. “Says here that one time, the expedition had nothing to eat but bear fat and candles,” said Gil. “Now that’s real interesting.” Henny sighed. “Sometimes they ate buffalo humps, and wolf meat, and a root called Wappato. Wappato is supposed to taste like potatoes. Boy, am I hungry. Did anybody bring a snack?” “There might be a few crackers under your seat,” said Gil. “Then again, there might not be.” “There is a box of Wheat Thins,” said Henny after he rummaged around under the seat. “It is soggy, dirty, crushed, and unfit for human consumption.” “I never eat them,” said Gil. “I feed them to the kingfishers. But if you’re really hungry, they’re better than candles.” Henny waved the box in the air. “Is anything going to go right on this trip?” he said. A sea gull swooped down and almost got the box. The crew was starting to feel the hardships. Desperation and hunger had set in. I figured the people from my island would look to the turtle for an answer to this situation, so I tried to do the same. The only thing I could come up with was that the armor on a turtle was much better protection than an old rowboat.
Brenda Z. Guiberson (Turtle People)
Grand Turk Island is so named because it is the largest island in the Turks Islands, which is the smaller of the two archipelagos that make up the island nation. Grand Turk was first settled in 1681 by Bermudians, who started a salt industry. In 1766, the Island became the territory's capitol, Cockburn Town. It has the second largest population of the archipelago with 3,720 people. There are those that believe that it was here that Columbus first set foot in the America’s, and although San Salvador is still accepted as being the actual island where he landed, there is convincing evidence that this may not be so. For years Grand Turk was frequently referred to as Grand Cay. Grand Turk gained attention in 1962, when John Glenn's Friendship 7 splashed into the Atlantic Ocean, off the southeast shoreline of the Grand Turk Island. A replica of the Friendship 7 is on display in Grand Turk at the entrance to the Grand Turk Island International Airport.
Hank Bracker
On the third day, a sail crept over the waves, full-bellied and perfectly white. Yule watched the ship lumbering closer, awkward and squarish in the water, until his eyes burned from salt and sun. There was a single figure aboard, facing the island with a challenging, prideful stance and a flaxen tangle of hair whipping around her head. Yule felt a hysterical desire to dance or scream or faint, but instead he simply stood and raised one arm into the air. He saw her see him. A stillness fell over her, despite the lolling of the ship beneath her feet. Then she laughed—a wild, whooping laugh that rolled over the water to Yule like summertime thunder—removed several layers of dirt-colored clothing, and dove into the shallow waves beneath her ship without a trace of hesitation. Yule had half a second in which to wonder precisely what manner of half-wild madwoman he had been questing after for twelve years, and to doubt his sufficiency for the task, before he was splashing out to meet her, laughing and dragging his white scholar’s robes through the waves. And so, in the late spring of the year 1893 in your world, which was the year 6920 in that one, Yule Ian Scholar and Adelaide Lee Larson found one another in the noonday tides surrounding the City of Plumm. They were never willingly parted again.
Alix E. Harrow (The Ten Thousand Doors of January)
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Her world was lonely and silent. Now that there was open water, there was no longer the crash of the ice pack, the long, low grind of the floes churning against one another, the deep and sudden splash of water as masses of the pack broke off and plunged into the sea, or the staccato burst like rifle shots that echoed across the island as the ice expanded. There was only the sound of her own voice as she spoke to Vic. She fussed over the cat like a mother and picked up and held her in her arms and talked to her like she had talked to Crawford and the others. Vic was a warm, breathing creature, who responded in purrs and rubs and an occasional meow. Ada thought she would go insane without her.
Jennifer Niven (Ada Blackjack: A True Story of Survival in the Arctic)
Zai’s promises about Faery being lush and alive? Maybe actually not a lie after all. Because everything up here is green. The starlight overhead is just bright enough that I can still make out the sprawling scenery unfolding in front of us. Trees taller than anything I’ve ever seen, fields of wildflowers stretching on and on. There are buildings, too, but they’re not like anything on Earth. They’re built right into the layout of the land, not disrupting anything to make space for themselves. There are homes nestled into the giant limbs of the trees, and tucked into massive tangles of flowers. Cavenia has led us to a massive door carved directly into a sloping hillside. There are people moving around, still finishing up their days. Witches and fae move together, intermingling without concern. They’ve set up in what appears to be some kind of town center, gathered around a natural pool of water, where children splash. It isn’t only witches and fae, either. Pixies dart in the air. A goblin helps a young fae patch a hole in the tree branch roof of their home. The sight of a hellhound with her two pups makes my heart ache for Boom, back in Asalin. [...] Overhead, floating islands dot the sky, their undersides made of roots that hang loosely toward the ground. I can barely make out the greenery peeking over the edge on top. One of them has a waterfall flowing off the side, and the water seems to turn to mist before it reaches anyone below. The islands look small from here, as high up as they are, but I know they must be huge. Know, because I can see dragons lounging on all of them. [...] Behind us, I can make out the island we came from in the distance, the colossal divot of an empty ocean stretched between us. This far above it, I realize the island is shaped like a near-perfect crescent moon.
H.E. Edgmon (The Fae Keeper (Witch King #2))
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uaebestdesertsafar
Franz tipped his wing and looked down on the P-38 he had wounded. It was circling downward, its engine coughing black smoke. Suddenly the hood of its canopy tumbled away in the slipstream. The pilot stood in the cockpit then dove toward the rear of the wing. The draft sucked his body under the forked tail. He free-fell from twelve thousand feet, passing through the clouds. “Pull it!” Franz shouted at the American, urging him to open his chute. When the pilot’s parachute finally popped full of air, Franz felt relief. The pilot drifted lazily downward while his P-38 splashed into the sea. Franz flew lower and saw the P-38 pilot climb into a tiny yellow raft against the whitecaps. Franz radioed Olympus to tell them to relay the American’s position to the Italians. He guessed they were seventy kilometers west of Marettimo and asked if the island could send a boat to pick up the man. For a second, Franz considered hovering over the man in the raft like an aerial beacon to steer a boat to the spot, but he shook the thought from his mind. It would put him at risk. If a prowling flight of enemy fighters found him, Franz knew he, too, could be shot into the sea. Franz and Willi departed the scene, leaving the pilot in his raft to fate. As they flew away, Franz wished the man a strong westerly wind. The American who looked up from the raft was Second Lieutenant Conrad Bentzlin, a young man from a large Swedish-American family in Saint Paul, Minnesota. He was quiet and hardworking, having taught himself English in high school. He had paid his way through the University of Minnesota by working for the government’s Civilian Conservation Corps program, cutting firebreaks in the forests of northern Minnesota. Among his buddies of the 82nd Fighter Group, Bentzlin was known as “the smartest guy in the unit.” Far from shore Bentzlin floated alone. A day later, another flight of P-38s flew over him and, through a hole in the clouds, saw him waving his arms from a raft. But he was in the middle of the sea and they could do nothing. Bentzlin would never be seen again.*
Adam Makos (A Higher Call)
He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.
Menna Van Praag (The Dress Shop of Dreams)
The next afternoon we got a studio car to take us up to the pool at the inn. We were like kids—Duke was 41, Pete 36, and I was 27. We splashed one another, pushed one another under water, and shoved one another off the diving board. We had a hell of a time, laughing and talking about all the crises during the shooting. In those days, everybody smoked. You were either odd or in training, if you didn’t. But Duke! He lit one Camel off another all day long. We used to raise hell with him about it. “You’re not patting me down already? It’s only ten-thirty in the morning, and you’re already out?” He’d start toward, you patting the pockets on his vest or pants with a big grin on his face, trying to make you think he’d forgotten his. “Hell-ooo, Ol’ Dobe,” he’d say. Then he’d start searching you like a detective looking for dope in one of today’s TV shows. When I’d give him one, he’d say, “Jesus, how can you smoke these (meaning the brand) goddamn things? I’ll give you a pack tomorrow.” He never did so, but I found a remedy for that problem. One day I was passing his dressing room—the kind that is on coasters and is on the sound stage. The door was open, and I looked in. He wasn’t there, but his cigarettes were! Right there on his dressing room table were five cartons of Camels. He’d posed for an ad for them. I just took a carton to my own dressing room, and then, when he wanted a cigarette, I gave him one of his own! He finally said, “Ya’ finally learned to smoke the best cigarette!” The reason I bring all this up is because I thought I was some sort of champ at staying underwater a long time. I figured that because of the way Duke smoked and the fact that his only exercise was playing cards, I could easily beat him swimming underwater. So, as we were splashing around, I said to Duke, “I’ll bet I can swim underwater in this pool longer than you can.” “What? Hah—hah—hah. You have ta’ be kiddin,’ friend! You are on!" I really did think I could beat him; after all, I was younger, and I exercised a lot more than he did. I played golf and tennis, and rode horseback. It was a very big pool. My turn first. I swam up and back twice and then another half. I ran out of air and surfaced. “Not too bad, for a skinny guy,” he commented and jumped in. He then went almost twice as far! I couldn’t believe it! He didn’t razz me or brag—he just knew what he could do. It never occurred to me that his lung capacity was over twice mine and that he’d been diving for abalone off Catalina Island for years.
Harry Carey Jr. (Company of Heroes: My Life as an Actor in the John Ford Stock Company)