Spiral Of Silence Quotes

I discovered that I felt at home and alive in the silence, which compelled me to enter my interior world and around there. Without the distraction of constant conversation, the words on the page began to speak directly to my inner self. They were no long expressing ideas that were simply interesting intellectually, but were talking directly to my own yearning and perplexity.

Silence falls, pulsing with the truth of what I’ve learned and what Dean has yet to acknowledge. Our relationship, our love, cannot and will never be perfect. It will, however, always belong only to us in all its flawed, intense beauty. Perfect in its very imperfection.

Why are you so afraid of silence, silence is the root of everything. If you spiral into its void, a hundred voices will thunder messages you long to hear

That night we played truth or dare. You said that after a while you stopped trying to earn your mother's affection." I pause. "Why didn't you give up with me, too?" "You know why," he says quietly. I close my eyes. I do know, but I'm not sure if I'm ready to hear it. But some part of me must be, because I wouldn't have asked the question otherwise, not of Bishop, the boy who never chooses to say something easy just because the truth is hard. Maybe I want to hear it so that i will know, once and for all, that there is no going back. "Because I'm in love with you, Ivy," he whispers. "Giving up on you isn't an option." He lifts my hair away from the back of my neck and kisses the delicate skin there. My breath shudders out of me. The silence spirals into the dark room, and maybe it was foolish to ask the question, but I'm not sorry. I uncurl his hand and kiss his palm, his skin cool and dry. I place his hand over my heart, cover it with my own. We fall asleep that way. His lips on my neck. My heart in his hand.

The constant reprimands made me hyperconscious of my own performance, and so instead of getting rid of self, I had become embedded in the egoism I was supposed to transcend. Now I was beginning to understand that a silence that is not clamorous with vexation and worried self-regard can become part of the texture of your mind, can seep into you, moment by moment, and gradually change you.

Answer this question very carefully, kid. Are you a virgin?" The silence was so long I thought I was going to have to ask him again. "What the hell?" He sounded honestly perplexed. "Yes or no? Are you a virgin?" I lost control halfway through. My voice spiraled up into a scream... "Sonofabitch answer me!" "Yes!" he screamed back. "Yes, I'm a fucking virgin, don't shoot me goddammit fucking please!

You'd be surprised how easy it is to talk an anxiously attached person down from their spiral if you don't leave them in silence to imagine the worst.

The question I would like to pose is not, Why are we repressed? but rather, Why do we say, with so much passion and so much resentment... that we are repressed? By what spiral did we come to affirm that sex is negated? What led us to show, ostentatiously, that sex is something we hide, to say it is something we silence? ...I do not maintain that prohibition of sex is a ruse; but it is a ruse to make prohibition into the basic and constitutive element from which one would be able to write the history of what has been said concerning sex starting from the modern epoch.

Gabriela's pupils were immoveable tempests, dark tunnels spiraling down into invisibility, terrifying the mother. They sat still amongst the greenish-brown puddle and attacked Estefania in total muteness.

We settled into a silence, and I felt the sky's bigness above me, the unimaginable vastness of it all–looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out.

. Drawing Battle Lines 8. Holding Space for Silence I Choose to Be Still with God 9. Lifelines I Choose to Be Known 10. Unafraid I Choose to Surrender My Fears to God 11. A Beautiful Interruption I Choose to Delight in God 12. Less Important I Choose to Serve God and Others 13. Not Overcome I Choose to Be Grateful 14. Run Your Race I Choose to Seek the Good of Others

The men had gnawed through the daisy trees until, wild-eyed and yelling, they broke in two and hit the ground. In the huge silence that followed their fall, orchids spiraled down to join them.

There is a maddening phenomenon of social dynamics variously called pluralistic ignorance, the spiral of silence, and the Abilene paradox, after an anecdote in which a Texan family takes an unpleasant trip to Abilene one hot afternoon because each member thinks the others want to go.274 People may endorse a practice or opinion they deplore because they mistakenly think that everyone else favors it.

And how could I hope to sense God’s presence when I continually broke the silence, frequently had uncharitable thoughts, and above all, constantly yearned for human affection and wept when reprimanded?

But I do know that when you and I approach God for help, filled with our cares and distresses, our prayers are not confined to this calendar date, to this particular month and year. What may seem to be His silence and avoidance from where you sit today is already reverberating in future places. If not right here, if not right now, you can be sure His ability is taking visible, tangible shape somewhere, even if beyond the scope of your current sightline. You and I are living right this minute on a tiny dot of time within a vast sea of God-moments. And the ripple effect of today’s prayer, today’s faith—today’s now—spirals out in all directions for all eternity, bumping something here, affecting something there, all under God’s watchful eye and wisdom. Each time we turn to Him, each time we trust, each time we bring our all to the surpassing greatness of His all, we find ourselves instantly connected to every future time zone where His ability lives. We link up across generations where He is already working, present-tense, to make His glory known.

Every morning, my hangover feels like being born again. My head throbs, like being squeezed and pushed out, fists trembling, throat grunting and wailing in protest of the light, screaming for the comfort of warm, dark silence.

But we would do well to meditate daily, rather as the religious do on their God, on the 9.5 trillion kilometres which comprise a single light year, or perhaps on the luminosity of the largest known star in our galaxy, Eta Carinae, 7,500 light years distant, 400 times the size of the sun and 4 million times as bright. We should punctuate our calendars with celebrations in honour of VY Canis Majoris, a red hypergiant in the constellation Canis Major, 5,000 light years from earth and 2,100 times bigger than our sun. Nightly – perhaps after the main news bulletin – we might observe a moment of silence in order to contemplate the 200 to 400 billion stars in our galaxy, the 100 billion galaxies and the 3 septillion stars in the universe. Whatever their value may be to science, the stars are in the end no less valuable to mankind as solutions to our megalomania, self-pity and anxiety. To answer our need to be repeatedly connected through our senses to ideas of transcendence, we should insist that a percentage of all prominently positioned television screens on public view be hooked up to live feeds from the transponders of our extraplanetary telescopes. We would then be able to ensure that our frustrations, our broken hearts, our hatred of those who haven’t called us and our regrets over opportunities that have passed us by would continuously be rubbed up against, and salved by, images of galaxies such as Messier 101, a spiral structure which sits towards the bottom left corner of the constellation Ursa Major, 23 million light years away, majestically unaware of everything we are and consolingly unaffected by all that tears us apart.

Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was. He said, 'spiral jetty.' She said, ''In sand?' He smiled and said, 'That's its beauty.' A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers. Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow

We left the nursery in silence, Ma smoking a roll-up, looking like she hadn’t slept in a week or maybe like she had slept for a whole week. When the nursery was just a grubby finger smudge behind us Ma looked down at me and said in her poshed-up telephone voice: “Will you speak to Janie about swearing? Fuckin’ busybody!” I laughed and swung our linked hands. “Aye, fuckin’ busybody.” Pleas of laughter escaped us and spiraled up into the hot, blue Scottish sky. We laughed all the way home

I reached down and squeezed his hand. "You are a good brother." He nodded. I could see in the gray light that he was crying a little. "Thanks", he said. "i kind of just want to stay here in this particular instant for a really long time." "Yeah", I said. We settled into silence and I felt the sky's bigness above me, the unimaginable vastness of it all - looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out. And I knew I would remember that feeling, underneath the split-up sky, back before the machinery of fate ground us into one thing or another, back when we could still be everything. I thought, lying there, that I might love him for the rest of my life. We did love each other - maybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again and I will be stuck missing him, and isn't that so terrible.

There, beneath the external silence, giants are doing battle as in Homer, melées of dragons and hydras, and clouds of phantoms as in Milton, ghostly spirals as in Dante. Such gloom enfolds that infinity which each man bears within himself and by which he measures in despair the desires of his will and the actions of his life!

Aunt Petunia said nothing. Dudley was staring stupidly at his mother, his mouth hanging open. The silence spiraled horribly. Harry was watching his aunt, utterly bewildered, his head throbbing fit to burst. “Petunia, dear?” said Uncle Vernon timidly. “P-Petunia?” She raised her head. She was still trembling. She swallowed. “The boy — the boy will have to stay, Vernon,” she said weakly. “W-what?” “He stays,” she said.

It is super beautiful and romantic,” I said. “We just can’t see it.” I thought about him asking me if I’d ever been in love. It’s a weird phrase in English, in love, like it’s a sea you drown in or a town you live in. You don’t get to be in anything else—in friendship or in anger or in hope. All you can be in is love. And I wanted to tell him that even though I’d never been in love, I knew what it was like to be in a feeling, to be not just surrounded by it but also permeated by it, the way my grandmother talked about God being everywhere. When my thoughts spiraled, I was in the spiral, and of it. And I wanted to tell him that the idea of being in a feeling gave language to something I couldn’t describe before, created a form for it, but I couldn’t figure out how to say any of that out loud. “I can’t tell if this is a regular silence or an awkward silence,

Last one,” Winter said, pointing to the mirror. “Try Tsunami.” “She’s probably back at the academy,” Qibli said with a sigh. Most likely she’d arrived at the rainforest after everyone had left, and they were too far ahead for her to figure out where they’d gone. But he whispered her name to the mirror and breathed out smoke. It seemed to take a moment, coiling back and forth and around before settling into a blue spiral in the center, which immediately started yelling. “I SAID WHO ARE YOU?” shouted Tsunami’s voice. “You coward! Show yourself! What do you want with me?” She took a deep breath, as if listening for a response, then roared again. “LET ME OUT OF HERE! My friends are heroes, you know! YOU’LL BE SORRY FOR THIS!” Thorn’s eyes met Qibli’s, both of them shocked into silence. Tsunami wasn’t safely back at Jade Mountain after all. The great warrior of the Five Dragonets, one of the best and most ferocious dragons Qibli knew, was somebody’s prisoner.

Mountains, a moment’s earth-waves rising and hollowing; the earth too’s an ephemerid; the stars— Short-lived as grass the stars quicken in the nebula and dry in their summer, they spiral Blind up space, scattered black seeds of a future; nothing lives long, the whole sky’s Recurrences tick the seconds of the hours of the ages of the gulf before birth, and the gulf After death is like dated: to labor eighty years in a notch of eternity is nothing too tiresome, Enormous repose after, enormous repose before, the flash of activity. Surely you never have dreamed the incredible depths were prologue and epilogue merely To the surface play in the sun, the instant of life, what is called life? I fancy That silence is the thing, this noise a found word for it; interjection, a jump of the breath at that silence; Stars burn, grass grows, men breathe: as a man finding treasure says “Ah!” but the treasure’s the essence: Before the man spoke it was there, and after he has spoken he gathers it, inexhaustible treasure.

Briefly, my aim is to examine the case of a society which has been loudly castigating itself for its hypocrisy for more than a century, which speaks verbosely of its own silence, takes great pains to relate in detail the things it does not say, denounces the powers it exercises, and promises to liberate itself from the very laws that have made it function. (...) By what spiral did we come to affirm that sex is negated? What led us to show, ostentatiously, that sex is something we hide, to say it is something we silence?

Mental illness is symptoms and impaired decisions and blackouts and snap reactions, but sometimes, it’s silence. Sometimes, there are no words to describe the darkest, bleakest feelings. The ones that eat you alive, inside your head. Those are hushed whispers, thoughts unvoiced. The scary things that make you feel as if you’re losing your humanity. No one wants to admit to spiraling. When anyone asks you how you are, you’re fine. Because how can you say you hate yourself out loud? How can you say something isn’t right inside a place no one can see?

We gaze with perplexity at the highest part of the spiral of force that governs the Universe. And we call it God. We could give it any other name: Abyss, Mystery, Absolute Darkness, Total Light, Matter, Spirit, Supreme Hope, Supreme Despair, Silence. “But we call it God, because only this name – for some mysterious reason – is capable of making our heart tremble with vigor. “And let there be no doubt that this trembling is absolutely indispensable for us to be in contact with the basic emotions of the human being, emotions that are always beyond any explanation or logic.

Behind us lay rainy weeks—grey sky, grey fluid earth, grey dying. If we go out, the rain at once soaks through our overcoat and clothing;—and we remain wet all the time we are in the line. We never get dry. Those who will wear high boots tie sand bags round the tops so that the mud does not pour in so fast. The rifles are caked, the uniforms caked, everything is fluid and dissolved, the earth one dripping, soaked, oily mass in which lie yellow pools with red spiral streams of blood and into which the dead, wounded, and survivors slowly sink down. The storm lashes us, out of the confusion of grey and yellow the hail of splinters whips forth the child-like cries of the wounded, and in the night shattered life groans painfully into silence.

I reached down and squeezed his hand. "You are a good brother." He nodded. I could see in the gray light that he was crying a little. "Thanks", he said. "i kind of just want to stay here in this particular instant for a really long time." "Yeah", I said. We settled into silence and I felt the sky's bigness above me, the unimaginable vastness of it all - looking at Polaris and realizing the light I was seeing was 425 years old, and then looking at Jupiter, less than a light-hour from us. In the moonless darkness, we were just witnesses to light, and I felt a sliver of what must have driven Davis to astronomy. There was a kind of relief in having your own smallness laid bare before you, and I realized something Davis must have already known: Spirals grow infinitely small the farther you follow them inward, but they also grow infinitely large the farther you follow them out. And I knew I would remember that feeling, underneath the split-up sky, back before the machinery of fate ground us into one thing or another, back when we could still be everything. I thought, lying there, that I might love him for the rest of my life. We did love each other - maybe we never said it, and maybe love was never something we were in, but it was something I felt. I loved him, and I thought, maybe I will never see him again and I will be stuck missing him, and isn't that so terrible. But it turn out not to be terrible, because i know the secret that the me lying beneath that sky could not imagine: I know that girl would go on, that she would grow up, have children and love them, that despite loving them she would get too sick to care for them, be hospitalized, get better, and then get sick again. I know a shrink would say, write it down, how you got here. So you would, and in writing it down you realize, love is not a tragedy or a failure, but a gift. You remember your first love because they show you, prove to you, that you can love and be loved, that nothing in this world is deserved except for love, that love is both how you become a person, and why. - But underneath those skies, your hand - no, my hand, no - our hand - in his, you don't know yet. You don't know that the spiral painting is in that box on your dining room table, with a Post-it note stuck to the back of the frame. You don't know that you will make a life, see it unbuilt and rebuilt.

I’ll teach you as much as I can before we arrive in Skull’s Bay,” Rowan said. “We may find someone there who escaped the butchers—someone to instruct you more than I can.” “You taught Aelin.” Again, silence. Then, “Aelin is my heart. I taught her what I knew, and it worked because our magics understood each other deep down—just as our souls did. You are … different. Your magic is something I have rarely encountered. You need someone who grasps it, or at least how to train you in it. But I can teach you control; I can teach you about spiraling down into your power, and taking care of yourself.” Dorian nodded his thanks. “The first time you met Aelin, did you know … ?” A snort. “No. Gods, no. We wanted to kill each other.” The amusement flickered. “She was … in a very dark place. We both were. But we led each other out of it. Found a way—together.

Self-evaluation proved to be distasteful business. The refraction of light created from an undulating wave of critical self-observation passing through a tarnished lens produces its own morose, self-negating fixations that can result in a dangerous downward spiral. Unless timely arrested, murderous bouts of self-hatred can destroy a person. A person must use self-detestation exclusively as a means to pry oneself away from the haunting specter created courtesy of the clamor, filth, and grunginess of their prior anarchism. Kick starting a stranded person’s emotional motors through reflective contemplation and thoughtful rumination acts to prod loose remote memories seared in the unspoken silence of a person’s unconscious memory bank. Self-discovery is also an uplifting affair. Contemplation helps one confront their streaked presence and realign their inner voice with the sanguine spirits of their ancestors that preceded one in the walk through time.

Amar loosed a breath. “I understand, you know.” I looked up. “The forced silence…the voices of this palace.” We stood there, not saying anything. I felt too aware of the space between us. Even with Akaran’s secrets spiraling in the shadows of my head, I couldn’t ignore the weightless feeling that had gripped me. Standing beside Amar did something to me. Like my center had shifted to make room for him. “You do not trust me, do you?” “No,” I said. I had no reason to lie. “I told you in the Night Bazaar that trust is won in actions and time. Not words.” “I wish you trusted me.” “I don’t place my faith in wishes,” I said. “How can I? I can’t even--” I bit back the rest of my words. I can’t even see your face. Perhaps Gupta was lying and he really did have a disfiguring scar. Amar moved closer until we were only a hand space apart. “What?” he coaxed, his voice hovering between a growl and a question. “I can’t even see your face.” A strange chill still curled off of him like smoke and even though the glass garden was teeming with little lights, shades veiled him. “Is that what you want?” he said. “Would it make you trust me?” “It would be a start.” “You are impossible to please.” I said nothing. Amar leaned forward, and I felt the silken trails of his hood brush across my neck. My breath constricted. “Is that what you want? An unguarded gaze can spill a thousand secrets.” “I would know them anyway,” I said evenly.

May I? I would like you to remember something.” His hand accepts the flute. It’s not merely warm — it’s hot, like the places on the walls where someone has just written something important. The handprints are always hot, visible to the touch. The flute trembles and meanders in Blind’s hand, the dead wood follows the traces left by the live wood. Blind plays the song he had heard once, the one with the wind, the spiraling leaves, and the boy in the middle of the whirlwind, protected and vulnerable at the same time. Blind plays well, this is not the first time he has played this song. He re-creates all the nuances faithfully, and he can be proud of his performance. “What was that?” Humpback says. “You used to play this down in the yard. Remember?” Humpback shakes his head. They often respond like that to Blind, and only then check themselves and put their movements into words, but by that time it’s already unnecessary. “No, I don’t.” Blind plays another snippet, and Humpback’s aloof silence tells him that Humpback really does not recognize his own song. “Too many repetitions.” Blind doesn’t tell him that the repetitions are his, that they helped him weave the protective net, that it’s what the magic of monotony is about, completing the circle, doubling on itself until the end becomes the beginning, building an impenetrable wall around the player. The words remain unsaid as he hands back the flute. Other people’s songs have damaged Humpback, he can no longer do magic even when he lives in a tree.

When he was twenty-four, André floated down to Saigon and returned with a wife standing upon his prow. Eugenia was the eldest child of Pierre Cazeau, the stately, arrogant owner of the Hôtel Continental, on rue Catinat. She was also deaf. Her tutors had spent the first thirteen years of her life attempting to teach her how to speak like a hearing person, as was dictated by the popular pedagogy of the time. Her tongue was pressed, her cheeks prodded, countless odd intonations were coaxed forth from her lips. Cumbersome hearing horns were thrust into her ears, spiraling upward like ibex horns. It was a torture she finally rejected for the revolutionary freedom of sign, which she taught herself from an eighteenth-century dictionary by Charles-Michel de l’Épée that she had stumbled upon accidentally on the shelf of a Saigon barbershop.1 Based on the grammatical rules of spoken language, L’Épée’s Methodical Sign System was unwieldy and overly complex: many words, instead of having a sign on their own, were composed of a combination of signs. “Satisfy” was formed by joining the signs for “make” and “enough.” “Intelligence” was formed by pairing “read” with “inside.” And “to believe” was made by combining “feel,” “know,” “say,” “not see,” plus another sign to denote its verbiage. Though his intentions may have been noble, L’Epée’s system was inoperable in reality, and so Eugenia modified and shortened the language. In her hands, “belief” was simplified into “feel no see.” Verbs, nouns, and possession were implied by context. 1 “So unlikely as to approach an impossibility,” writes Røed-Larsen of this book’s discovery, in Spesielle ParN33tikler (597). One could not quite call her beautiful, but the enforced oral purgatory of her youth had left her with an understanding of life’s inherent inclination to punish those who least deserve it. Her black humor in the face of great pain perfectly balanced her new husband’s workmanlike nature. She had jumped at the opportunity to abandon the Saigon society that had silently humiliated her, gladly accepting the trials of life on a backwater, albeit thriving, plantation. Her family’s resistance to sending their eldest child into the great unknowable cauldron of the jungle was only halfhearted—they were in fact grateful to be unburdened of the obstacle that had kept them from marrying off their two youngest (and much more desirable) daughters. André painstakingly mastered Eugenia’s language. Together, they communed via a fluttering dance of fingertips to palms, and their dinners on the Fig. 4.2. L’Épée’s Methodical Sign System From de l’Épée, C.-M. (1776), Institution des sourds et muets: par la voie des signes méthodiques, as cited in Tofte-Jebsen, B., Jeg er Raksmey, p. 61 veranda were thus rich, wordless affairs, confluences of gestures beneath the ceiling fan, the silence broken only by the clink of a soup spoon, the rustle of a servant clearing the table, or the occasional shapeless moan that accentuated certain of her sentences, a relic from her years of being forced to speak aloud.

The photos hide everything: the twenties that do not roar for the Hoels. The Depression that costs them two hundred acres and sends half the family to Chicago. The radio shows that ruin two of Frank Jr.’s sons for farming. The Hoel death in the South Pacific and the two Hoel guilty survivals. The Deeres and Caterpillars parading through the tractor shed. The barn that burns to the ground one night to the screams of helpless animals. The dozens of joyous weddings, christenings, and graduations. The half dozen adulteries. The two divorces sad enough to silence songbirds. One son’s unsuccessful campaign for the state legislature. The lawsuit between cousins. The three surprise pregnancies. The protracted Hoel guerrilla war against the local pastor and half the Lutheran parish. The handiwork of heroin and Agent Orange that comes home with nephews from ’Nam. The hushed-up incest, the lingering alcoholism, a daughter’s elopement with the high school English teacher. The cancers (breast, colon, lung), the heart disease, the degloving of a worker’s fist in a grain auger, the car death of a cousin’s child on prom night. The countless tons of chemicals with names like Rage, Roundup, and Firestorm, the patented seeds engineered to produce sterile plants. The fiftieth wedding anniversary in Hawaii and its disastrous aftermath. The dispersal of retirees to Arizona and Texas. The generations of grudge, courage, forbearance, and surprise generosity: everything a human being might call the story happens outside his photos’ frame. Inside the frame, through hundreds of revolving seasons, there is only that solo tree, its fissured bark spiraling upward into early middle age, growing at the speed of wood.

Right in the middle of a Stevie Wonder concert, right in the middle of this musical trance, this electronic night with thousands in the stadium, a night worthy of Metropolis with the thousands of cerebro-motor slaves gyrating to the rhythm of synthesizers and all the lighter flames serving as a luminous ovation - a new ritual worthy of the catacombs - I feel a total coldness, complete indifference to this faked music, without the slightest melodic phrase, music of a pitiless technicity. Everything is both visceral and coded at the same time. A strictly regulated release, a cold ceremonial, very far in human terms from its own musical savagery, which is merely that of technology. Only the visual impact remains, the spectacle of the crowd and its phYSical idolatry, particularly as the idol is blind and directs the whole thing with his dead eyes, exiled from the world and its tumult, but absorbing it all like an animal. The same air of sacredness as with Borges. The same translucidity of the blind, who enjoy the benefits of the silence of light and therefore of blackmail by lucidity. But modern idolatry is not easily accepted; the bodies stay clenched. Technicity wins out over frenzy in the new metropolitan nights. Growing old is not the approach of a biological term. It is the ever lengthening spiral which distances you from the physical and intellectual openness of your youth. Eventually, the spiral becomes so long that all chance of return is lost. The parabola becomes eccentric, and the peak of one's life-curve gets lost in space. Simultaneously the echo of pleasures in time becomes shorter. One ceases to find pleasure in pleasure. Things live on in nostalgia, and their echo becomes that of a previous life. This is the second mirror phase, and the beginning of the third age.

The rich never give you anything (dixit A.). Wealth is unrelenting; it always screws you. Those who are rich in intelligence, power and beauty don't give much away either. They make you pay all the more for the fact that their capital is symbolic. Comparing that unrelenting face of wealth with Countess Bathory who tortured young peasant girls. She at least was tortured herself, walled up in total darkness, in absolute silence and her own excrement, with a hole in the wall for food to be passed through. The bloodbaths she had taken gave her the savage energy to hold out for two years in the dark. Thinking of those happy days while walking around in the backstreets of Rome. Here everything is deeply incestuous, though in a different way from Elisabeth Bathory for whom all those peasant girls were her daughters whose incest was to be sealed with blood. But that was a sadistic and violent incest, whereas the whole Roman culture practises a gentle, spiritual incest. Akin to fetishism: that of the mamma, the sister, the young adolescent, the Virgin and the Saints, all swirling about in the same incestuous spiral. The carnal perfection of the detail, the carnal softness of the marble, the lewd transparency of the fountains - little navels of the squares set deep in the backstreets - and the water which streams down from them. The miracle of a faultless urbanity, a total civility - even the ruins share in this. However far back you go in Italy, there has never been any nature. There has only ever been a baroque figuration.

Borges - his blind face like an Aztec woman's, that old shyster of metaphor, across whose open eyes pass flashes of magnesium without affecting him. The blind always seem to be holding their heads out of water. Yet they are gifted in unreality and cunning. I am sure he knows down to ten people how many are there to hear him, simply by listening, by sensing. The lecture is hopeless, but it is a sacrificial ceremony. The listeners are overwhelmed by the intelligence of this man whose cunning ploy is to make it seem as though he were speaking from beyond the grave, as if he were already dead. His muffled, syncopated, barely audible voice condemns the others to silence in the same way as he is condemned to the night. All the metaphors he uses are those of the night, including the thousand and first night, the finest since it is one added to eternity. He is without doubt also in his eighty-four-and-first year - i.e. he has one foot in eternity. There reigns all about him an ironic and cruel affectation. I don't know what animal he resembles. He has a soft spot for the tiger. Put a tiger in your liltrary and take away its sight: that's Borges. In this vegetation of Californian academics' soft encephalons, his silences carve lethal spirals. Since he can no longer see the world, he quotes it. His speech is one long quotation. ' Life itself is a quotation ', he says.

Why are you so afraid of silence, silence is the root of everything.If you spiral into its void, a hundred voices will thunder messages you long to hear.

Womb cosmologies also contained the secret teachings of awakening the “Magdalene Womb,” or the “mystical rose,” by experiencing a mystical union with the Earth Womb. Through the spiral path of merging and harmonizing with the primordial elements, a person could once more enter the collective dreaming of Gaia. This mystical descension process into the Earth Womb, or the underworld, was the key to unifying with the arche, primordial feminine first cause, the deep silence of the dark mother. Uniting with the interconnected cosmic weaving allowed one to gain access to the vast knowledge store held within the Akashic field—the collective cosmic memory....connection with this energy was achieved through a feminine path of descent rather than ascent.

But this isn’t about the Business, it’s about freedom. Allow me to be clear, nobody is coming to save us. We must save ourselves. And that begins now. We are latents. We’re stronger than them. They will see our handprints on every street corner, bus shelter, advertisement board. They will see us. And they will know, London is ours too.” Silence. The kind waiting to be shattered. My heart thumped and the voices in my head told me that even if I just reached one or two, it would be enough. True change began slowly, in little gestures, in increments. It would take something larger to spark a chain reaction, but anything had to be better than the spiral of hate we were all trapped in.

Snowflakes spiraled downward, settling on her hair and eyelashes. Silence had enveloped the normally bustling street, the quiet so profound that she could almost hear the ice crystals chiming in the clouds: a high, chalky, clear ringing, as though someone were tapping the highest keys on a piano far above the rooftops.

A call from him always sends me into this spiral where I wonder if I’m a shitty daughter who’s holding a dumb grudge, or if my silence is valid.

Menjadi wartawan yang netral, berarti telah berkontribusi dalam memberikan manfaat untuk khalayak. Saat ada spiral kebisuan di antara mereka yang minoritas karena tertelan pendapat mayoritas, maka tugas wartawan untuk mengangkat fanomena itu. Wartawanlah yang membingkai suatu kondisi masyarakat yang tidak tersuarakan, menjadi lebih terdengar.

Time and time again Billy Collins takes a mundane situation and spirals it out into something that is by turns humorous and poignant as in his poem "Imperial Garden", one of my favorites in this new collection: It was at the end of dinner, the two of us in a red booth maintaining our silence, when I decided to compose a message for the fortune cookie you were soon to receive. Avoid mulishness when choosing a position on the great board game of life was my mean-spirited contribution to the treasury of Confucian wisdom. But while we waited for the cookies, the slices of oranges, and the inescapable pot of watery tea, I realized that by mulishness I meant your refusal to let me have my own way every time I wanted it. I watched you looking off to the side— your mass of dark hair, your profile softened by lamplight— and then I made up a fortune for myself. He who acts like a jerk on an island of his own creation will have only the horizon for a friend. I seemed to be getting worse at this, I seemed to be getting worse at this, I thought, as the cookies arrived at the table along with the orange slices and a teapot painted with tigers menacingly peering out from the undergrowth. The restaurant was quiet then. The waiter returned to looking out at the street, a zither whimpered in the background, and we turned to our cookies, cracking the brittle shells, then rolling into little balls the tiny scrolls of our destinies before dropping them, unread, into our cups of tea— a little good-luck thing we’d been doing ever since we met.

With its reverent silence the Library was as close to a religious experience as anything he had ever encountered. Its domed reading room was a thing of sheer beauty and wonder. It always inspired in him a childish desire to stand in the centre and spin round and round, making it appear as though the books spiralled into infinity.

city, ending again at the palace gate. “Bounds must always be walked to dawn first,” Belvarin had explained. “It is not the direction of the circle, but the direction of the first turn that matters—it must be the shortest way to the rising sun and the elvenhome kingdoms.” Now they were nearing the city’s margin, with forest beyond gardens and orchards. A cloud of birds rose singing from the trees—tiny birds, brilliantly colored, fluttering like butterflies. They swooped nearer, flew in a spiral over his head, and returned to the trees as the procession turned toward the river. Butterflies then took over, out of the gardens and orchards, arching over the lane, then settling on his shoulders and arms as lightly as air, as if he wore a cloak of jeweled wings. As they neared the river side of the city, the butterflies lifted away, and out of the water meadows rose flying creatures as brightly colored as the birds and butterflies … glittering gauzy wings, metallic greens, golds, blues, scarlet. Kieri put up his hand and one landed there long enough for him to see it clearly. Great green eyes, a body boldly striped in black, gold, and green, with a green tail. The head cocked toward him; he could see tiny jaws move. Was it talking? He could hear nothing, but the creature looked as if it were listening. It was a long walk, and his new boots—comfortable enough that morning—were far less so by the time they reached the palace gates again. He could smell the fragrance of roast meats and bread, but next he had the ritual visit to the royal ossuary, and spoke vows into that listening silence, to those who had given him bone and blood, vows no one else would hear. He came up again to find the feast spread in the King’s Ride, long tables stretching away into the distance. On either side, the trees rose up; he could feel them, feel their roots below the cushiony sod that welcomed his feet. His place lay at the farthest table, with

There’s a reason for that. The government here mismanaged the planning and construction of the Sydney Opera House so badly that the costs and schedule exploded. Little of that was Utzon’s fault. But he was the architect, so he was blamed and fired midconstruction. He left Australia in secret and in disgrace. His reputation was ruined. Instead of being showered with commissions to build more masterpieces, Utzon was marginalized and forgotten. He became what no masterbuilder wants to be or deserves to be. He became a one-building architect.[16] “What you call the costs are not the full costs,” I continued. “Yes, the Sydney Opera House cost a large amount of money, far more than it should have. But the full cost of that building includes all the other architectural treasures that Jørn Utzon never built. Sydney got its masterpiece, but cities around the world were robbed of theirs.” More silence. There are always other costs—costs that never appear on any spreadsheet—when a project spirals out of control. The simplest are what economists call “opportunity costs”: the money unnecessarily burned by bad planning that could have been used to fund something else, including other projects.