“
Like Blumenberg, Bataille relates uprightness to the origins of mythology, and, like Freud and Ferenczi, he formats the ‘progressive election [from] quadruped to Homo erectus’ as a deviation from coprophiliac anality. Bataille fixates upon half-upright monkeys, who, he delectates, expose their ‘anal projections’ like ‘excremental skulls’. Inasmuch as their knuckle-dragging existence is some kind of ugly ‘halfway house’ between horizontal and vertical modes of carriage, primates are cast as some kind of partway antithesis on the stepwise ascent to mankind’s upright ‘nobility’: a dialectical step between horizontal and vertical, the monkey is awkwardly diagonal. (Primate posture thus inhabits a kind of uncanny valley—from which Bataille derives much titillation.) Nonetheless, by way of necrotizing the Renaissance cliché of orthograde ‘dignity’, Bataille locates in man’s spinal realignment merely a more refined lasciviousness—a more violent voluptuousness. To wit, he pinpoints ‘Two Terrestrial Axes’: the ‘vertical’, which ‘prolongs the radius of the terrestrial sphere’ as axis of libertine escape, lorded by ocean tides and plants (which ‘flee’ the earth to sacrifice themselves ‘endlessly’ to the Sun’s downward onslaught); and the ‘horizontal’, domicile to beasts and ‘analogous to the turning of the earth’. ‘Only human beings’, Bataille notes, ‘tearing themselves away from peaceful animal horizontality’, have ‘succeeded in appropriating the vegetal erection’, surrendering themselves to exquisite upwards collapse towards outer space’s solar enormities and fluxions.
”
”