Spilled Ink Quotes

You know, it's hard work to write a book. I can't tell you how many times I really get going on an idea, then my quill breaks. Or I spill ink all over my writing tunic.

And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly. "Really," he said. "You love me, too, Lottie?

Is love always like this? Is it always so passionate, yet so damn painful?

Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood. Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint. As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.

People change and mature.

...I deliberately spilled the black ink of despair because my perfect soul was a stained glass illusion - can you understand that?...

You know, it's hard work to write a book. I can't tell you how many times I really get going on an idea, then my quill breaks. Or I spill ink all over my writing tunic. No wonder I drink so much! Then I get so drunk, I can barely feed the baby. That's what I call myself when I'm drunk, "The Baby.

The tears and the pain all but blinding her, she forced open her eyes one more time, to a curtain of dark hair; to a waterfall of black ink spilling across the last page of her life. No. I’m not nothing. I was loved.

A hot wind was blowing around my head, the strands of my hair lifting and swirling in it, like ink spilled in water.

Thrones are won with swords, not quills. Spill blood, not ink.

You should be more careful when you move, my dear what with you... spilling moonlight into my poem, with a mere flick of your hand.

Her hair spilled over the pillow like a bottle of overturned ink.

I love words.  I crave descriptions that overwhelm my imagination with vivid detail.  I dwell on phrases that make my heart thrum.  I cherish expressions that pierce my emotions and force the tears to spill over.   In essence, I long for a writer's soul sealed in ink on the page.

There are the boys for whom the ink of a million glittery gel pens was spilled.

Across the moon-pale scar that marred my forearm, Darian danced in dark ink, the gracefully curving edges of his name unravelling into a spill of colour as joyful and haphazard as the promise of stars.

She wished it were evening now, wished for the great relief of the calendar inking itself out, of day done and night coming, of ice cubes knocking about in a glass beneath the whisky spilling in, that fine brown affirmation of need.

His lips are spelling secrets and my ears are spilling ink, staining my skin with his stories.

She wasn’t quite sure how it had happened, or when, but distance seemed to be spreading between them like spilled ink, staining everything.

Once, Lila Zacharov was in love with a boy with hair as black as spilled ink and eyes as dark as coffee. She would trace his name on her skin, over and over, write it in the condensation of her breath on panes of glass, scrawl it on the bottoms of her feet with the tip of her nail, like she was casting a spell.

She focused on that nothingness, imagined it as ink spilling over everything she could possibly think or feel.

I plan on leaving my mark on this world, in ink, with a pen spill that’ll make all the oil spills combined look like literature.

Don’t break a writer’s heart and think ink won’t spill.

The dance of ink over finely woven plant fibers became an act of worship, a connection to the Creator of language himself, especially when the words of a new song spilled from my heart onto a sheet of papyrus.

This shit is magic-you'd have to be a Black girl to understand. Show 'em how it all got started How the bricks got laid That this is what happens when the ink spills When your ancestors dance your worth awake,

Indeed, for the first time in her life she almost could see her heart, and to her astonishment it seemed a brave and hopeful thing: a small wooden cup of some golden liquid, brimming until it spilled over all...

I am no longer a writer. Just an emotion. An emotion that is unable to stay within its own body, and is therefore, trying to make its way into yours.

Seeing the moonlight Spilling down Through these trees, My heart fills to the brim With autumn.

He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.

The story pretends to be about names but it’s actually a story about time, how time flattens everything. Family, duty, whatever. Into dirt. There’s something comforting about that, something vast and, yes, inescapable. Like bright ink spilling over everyone at once.

Tea service wasn’t anything arcane. People came to the wagon with their problems and left with a fresh-brewed cup. Dex had taken respite in tea parlors plenty of times, as everyone did, and they’d read plenty of books about the particulars of the practice. Endless electronic ink had been spilled over the old tradition, but all of it could be boiled down to listen to people, give tea. Uncomplicated as could be.

My love lies across linen sheets, snow white beneath cream coloured flesh an expanse of gentle curves,two rosy buds a dimple of a navel a dark thatch of curls I can describe her beauty And spill precious ink to tell of her goodness But to express my love... Come to my arms, and I'll whisper words I dare not write. How you could damn ore save me with just a word Let me love you with my body the sacred dance of one My Julia

Honesty is easier when you have no face and no real name. And honesty, for me, is very easy on paper.

the past is a liar full of promises it can't keep but like a foolish first love you keep going back to it

He pulled out his personal journal and pen. Jess understood the impulse, all too well, to spill out the bile and hurt into ink, where no one could see it.

You shouldn’t chase people. You should know that you are important enough and deserve the time and attention just like everyone else. You shouldn’t run after people to prove that you matter and exist. You are worth it, more than you could ever imagine. You are a star that could sparkle on anyone’s night sky. You are everything in someone’s eyes. Remember, do not chase, let them know your worth because if you have to chase, it’s not real love. It’s not worth it.

Heavenly Father, I am wounded, and saddened. I am weak and miserable. Without thee, I am lost. I have sinned, dear Lord, and I do not deserve thy grace, but I seek it…” Tears spilled from my eyes and dripped past my moving lips. “I seek it.” I was desperate. “Heavenly Father, I seek thy forgiveness, I seek the forgiveness of thee, and of the one I love, the one I have wronged,

Spilled Ink It seemed unfair And unfinished, And now it would always be tragic. Because you kept Loving them Even when the story ended. And there was nowhere To spill the ink Of the heartbreak their absence wrote.

We are the fluid gyrations of birthing stars, beautiful explosions in motion coruscating with all the love that we brought from the outer edges of the cosmos, and it whirls wildly, madly, in the centre of our beings...

You need only one taste of madness, and the timeless journey can be spent in thoughts that follow behind like the fiery tail of a comet. And this glowing chaos, the soul will carry under the linings of its peace, to weave beautiful memories with.

The desks were white and waiting for spills and scratches and stains. They might hurt as they went on – like tattoos – but they would make each of the tables unique, and for the dying artists they would be poignant reminders of hands that held and painted and cut and inked.

The crags of the mountain were ruthless in the moon; cold, deadly and shining. Distance had no meaning. The tangled glittering of the forest roof rolled away, but its furthermost reaches were brought suddenly nearer in a bound by the terrifying effect of proximity in the mountain that they swarmed. The mountain was neither far away nor was it close at hand. It arose starkly, enormously, across the lens of the eye. The hollow itself was a cup of light. Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain - each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.

He sees his world in black and white: Filthy snow, a hollow sky, the gray cement of the walls - water stains, like giant ink spills, eating into them - and his own skin, an ashy patina enveloping his body. Even the wounds on his feet, hardened and crusted, have lost their red. He has come to think of colour as something fantastic that exists only in his mind - the red of a tomato sliced and salted at the lunch table, the deep blue of a lapis lazuli on Farnaz's finger, the honey hue of his daughter's hair in the sun.

Pina colada kisses and cocaine nips never lie, swear to me that this feeling is real.

The ink spills thickest before it runs dry before it stops writing at all.

If you’re going to love a poet you should know this. Our words are our truths. Our blood hums with verse. We break easily. Our words save us. Our stanzas keep us alive. If we loved you at all, we loved you truly. And you will never leave us but live under our skin and beneath the tips of our fingers and in the ink spill on blank page. Because poetry, like some love, is forever.

Why were you so happy to see me? You know, besides my general awesomeness." Marz pushed out of his chair, big grin on his face, and held out his hands. "I'm getting married!" Shane sighed. The expressions on the other two said they'd already been down this road. "All right. I'll bite." "I think the appropriate sentiment is 'congratulations'," Marz said, crossing his arms and feigning insult. "Just spill the brilliance of whatever this is about," Shane said. "Only because you acknowledged its brilliance." Marz sat excitement rolling off the guy. "I figured out how to solve the problem of getting us eyes and ears in the back of Confessions." "By getting married?" "By pretending to get married. And what does every pretend groom need?" Marz's grin was full of anticipation. "A bride?" Shane said. Marz rolled his eyes and waved his hands. "Okay, but what else?" Shane looked between the three of them. And then the lightbulb went on. "A bachelor party," Shane said. Marz clapped his hands. "Ding ding ding. Give the man a cigar." Yup. The idea was, in fact, brilliant. Really brilliant.

Hemingway once said that ‘there is nothing to writing, you just sit down at a typewriter and bleed.’ What Hemingway failed to mention is that bleeding is the easy part. To cut is what makes writing hard. Sitting down to write and hitting that first key or touching the tip of your pen to that blank sheet of paper - that’s the hard part. Once you start - once you spill that first bit of ink and let it bleed into the page, the rest takes care of itself. There’s nothing to it. You just sit there and bleed until it stops. It is not for this reason, but it’s still interesting and worth mentioning that the word ‘write’ comes from the Proto-Germanic word ‘writan,’ which literally meant to scratch, tear, or cut.

Every blade of the grass was of consequence, and the few scattered stones held an authority that made their solid, separate marks upon the brain - each one with its own unduplicated shape: each rising brightly from the ink of its own spilling.

And I read something else," Jacob goes on. "There was this discussion of the story of Cain and Abel, from the Bible. After Cain kills his brother, God says, 'The bloods of your brother call out to me.' Not blood. Bloods. Weird, right? So the Talmud tries to explain it." "I can explain it," says William. "The scribe was drunk." "William!" cries Jeanne. "The Bible is written by God!" "And copied by scribes," the big boy replies. "Who get drunk. A lot. Trust me." Jacob is laughing. "The rabbis have a different explanation. The Talmud says it's 'bloods' because Cain didn't only spill Abel's blood. He spilled the blood of Abel and all the descendants he never had." "Huh!" "And then it says something like, 'Whoever destroys a single life destroys the whole world. And whoever saves a single life saves the whole world." There are sheep in the meadow beside the road. Gwenforte walks up to the low stone wall, and one sheep--a ram--doesn't run away. They sniff each other's noses. Her white fur beside the ram's wool--two textures, two colors, both called white in our inadequate language. Jeanne is thinking about something. At last, she shares it. "William, you said that it takes a lifetime to make a book." "That's right." "One book? A whole lifetime?" William nods. "A scribe might copy out a single book for years. An illuminator would then take it and work on it for longer still. Not to mention the tanner who made the parchment, and the bookbinder who stitched the book together, and the librarian who worked to get the book for the library and keep it safe from mold and thieves and clumsy monks with ink pots and dirty hands. And some books have authors, too, like Saint Augustine or Rabbi Yehuda. When you think about it, each book is a lot of lives. Dozens and dozens of them." Dozens and dozens of lives," Jeanne says. "And each life a whole world." "We saved five books," says Jacob. "How many worlds is that?" William smiles. "I don't know. A lot. A whole lot.

AFTER DINNER, WITH A GREAT FLOURISH, my friend Andrew brought out a lovely leather box. “Open it,” he said, proudly, “and tell me what you think.” I opened the box. Inside was a gleaming stainless-steel set of old mechanical drawing instruments: dividers, compasses, extension arms for the compasses, an assortment of points, lead holders, and pens that could be fitted onto the dividers and compasses. All that was missing was the T square, the triangles, and the table. And the ink, the black India ink. “Lovely,” I said. “Those were the good old days, when we drew by hand, not by computer.” Our eyes misted as we fondled the metal pieces. “But you know,” I went on, “I hated it. My tools always slipped, the point moved before I could finish the circle, and the India ink—ugh, the India ink—it always blotted before I could finish a diagram. Ruined it! I used to curse and scream at it. I once spilled the whole bottle all over the drawing, my books, and the table. India ink doesn’t wash off. I hated it. Hated it!” “Yeah,” said Andrew, laughing, “you’re right. I forgot how much I hated it. Worst of all was too much ink on the nibs! But the instruments are nice, aren’t they?” “Very nice,” I said, “as long as we don’t have to use them.

Crystals of old honey on her body's tongue, long hardened, were loosening in the warmth of her spilling blood, turning from grain to syrup, a slow sweet hum of wings unfurling from deep within her and looping outward, solid and multitudinous, the comb in her chest and the workers in her veins, and the hive all around her.

The road swerved left. The crash of waves morphed into the rumble of thunder, and the black asphalt tapered to become a slender stretch of rope. She followed it up into the darkness, night spilling around and below her as someone knocked over the ink-jar of the sky and scattered its liquid to the furthest corners, dislodging silver shards of moon that bounced off her umbrella.

She was a mimicry of a façade fashioned from the half-truths of her life. She was a beautiful abomination, patched together from the most pristine and terrible parts she could find. She was a black crystal of many cuts and facets whose dark glow suffocated and entranced those it washed over. There was a pointlessness in her eyes and apathy in her stature, and further in, past the symphonies of nightmarish screams was a blinding light. All the capability she could ever ask for kept in a place she would never reach. She chose the ice rather than the fire, shivering and hard with heat sparse, for while a flicker can exist in freeze's cold, it's heat will not radiate, no matter how bold. She took my face in hands that would make ice seem warm and whispered a blizzard into my ear, a cascading song of fear after fear. The lies she spilled, mixed with regrets and appeal, were cloaked in the inferno of her rage, the anger, the only thing that really made her real. This was her one semblance of life, a bottomless and endless void of proportions vast with a calamity of fusion and fission streaking through, a mindless hue, an emotion with a face, a darling of her race. The cracks spew darkness from within her ever so pale skin. They congregated on her curves and flesh in black and churning rivers and streams. They flooded every dip with blackness. They filled every hollow with unstable curiosity, this is her release, this is when she is free. The faces of deceit always laugh, they never wallow for their lies are a pleasure tool, her insides are contorted in laughter the same way, just as slick, just as cruel. A crude combination of fascination, of animation, of the darkest demons of them all. She was poetry written in pen, scratched and scribbled again and again. Ink splattered across the page, and within those scrawled words, those small, sharp incisions, an image can be seen, and you're left to wonder what, in the end, this all could mean...

I don’t exist metal pressed to pages spilling blood, ink in vein each thought rages Sunlight shooting through a forest of pines black top winding and yellow dotted lines I am not here only a deep aching, a lightning flash and a tree trunk breaking Sheets once alive covered in a deep red mark the present but I am not yet dead Nothing is here only the rain and mist fresh air and soil I do not need to exist.

Rhys lunged against his hold, but Amren stepped to their side and hissed, 'Listen.' Nesta whispered, 'I give it all back.' Her shoulders heaved as she wept. Rhys began shaking his head, his power a palpable, rising wave that would destroy them all, destroy the world if it meant Feyre was no longer in it, even if he only had seconds to live beyond her, but Amren grabbed the nape of his neck. Her red nails dug into his golden skin. 'Look at the light.' Iridescent light began flowing from Nesta's body. Into Feyre. Nesta kept holding her sister. 'I give it back. I give it back. I give it back.' Even Rhys stopped fighting. No one moved. The lights glimmered down Feyre's arm. Her legs. It suffused her ashen face. Began to fill the room. Cassian's Siphons guttered, as if sensing a power far beyond his own, beyond any of theirs. Tendrils of light drifted between the sisters. And one, delicate and loving, flowed towards Mor. To the bundle in her arms, setting the silent babe within glowing bright as the sun. And Nesta kept whispering, 'I give it back. I give it all back.' The iridescence filled her, filled Feyre, filled the bundle in Mor's arms, lighting his friend's face so the shock on it was etched in stark relief. 'I give it back,' Nesta said, one more time, and Mask and Crown tumbled from her head. The light exploded, blinding and warm, a wind sweeping past them, as if gathering every shard of itself out of the room. Ans as it faded, dark ink splashed upon Nesta's back, visible through her half-shredded shirt, as if it were a wave crashing upon the shore. A bargain. With the Cauldron itself. Yet Cassian could have sworn a luminescent, gentle hand prevented the light from leaving her body altogether. Cassian didn't fight Rhys this time as he raced to the bed. To where Feyre lay, flush with colour. No more blood spilling between her legs. Feyre opened her eyes. She blinked at Rhys, and then turned to Nesta. 'I love you, too,' Feyre whispered to her sister, and smiled. Nesta didn't stop her sob as she launched herself onto Feyre and embraced her.

Cardan comes over, stepping on my star chart, kicking over the ink-pot with his silver-tipped boots, sending the blood spilling across the paper, blotting out my marks. 'Come with me,' he says imperiously. 'I knew you liked her,' says Locke. 'That's why I had to have her first. Do you remember the party in my maze garden? How I kissed her while you watched?' 'I recall that your hands were on her, but her eyes were on me,' Cardan returns. 'That's not true!' I insist, but I remember Cardan on a blanket with a daffodil-haired faerie girl. She pressed her lips to the edge of his boot, and another girl kissed his throat. His gaze had turned to me when one of them began kissing his mouth. His eyes were coal-bright, wet as tar. The memory comes with the slide of Locke's palm over my back, heat in my cheeks, and the feeling my skin was too tight, that everything was too much.

She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?

This story is always yours for the telling. This has always been yours. You can expand to fill it all or take up the smallest corner. You can write in invisible ink. You can tell your story in red wine stains and spilled ink and bite marks. You can only write in pencil so it can always be erased. You can write in layers, and turn the page and write sideways. You can spin spiral and make your words dance. You can ink it on the surface of your skin or x-ray vision the story onto the blank canvas of your bones. You can write a novel and then let the whole thing dissolve in the waves. You can write the truth and bury it in the ground, throw it in the fire, fold it into paper airplanes and watch it fly, roll it into a note in a bottle and toss it in the ocean and let it find its own way home. Or, you share it with the whole fucking world. You can care and not care and care-not-care all at once. But you get to write. And you get to choose the story you tell. And there’s no freedom bigger or bolder or braver than that.

Her feelings as dark as the night sky, the moon was the only thing making her come alive So she got some paper and pen to let the ink spill it all out because talking never seemed to work. Blood drops fell on her little piece of paper, drowning it along with her. By the time the blood dried up it left her with nothing but red dust. Red. The same color her eyes were captivated by. They never told her that there is no way to get over crazy, messy things in life. There's only crossing that red sea as if you're walking through the wilderniss. The sun will rise when you've gone through the depts of it all. Writing wont matter anymore. Don't you understand? You're life is not messy little girl, you're just crazy sometimes.

It happens surprisingly fast, the way your shadow leaves you. All day you’ve been linked by the light, but now that darkness gathers the world in a great black tide, your shadow joins the sea of all other shadows. If you stand here long enough, you, too, will forget your lines and merge with the tall grass and old trees, with the crows and the flooding river—all these pieces of the world that daylight has broken into objects of singular loneliness. It happens surprisingly fast, the drawing in of your shadow, and standing in the field, you become the field, and standing in the night, you are gathered by night, Invisible birds sing to the memory of light but then even those separate songs fade, tiny drops of ink in an infinite spilling. — Rosemerry Wahtola Trommer, “Still Life at Dusk,” Poetry of Presence: An Anthology of Mindfulness Poems, eds. Phyllis Cole-Dai & Ruby R. Wilson (Grayson Books, 2017)

Listen then these are the charms And will I see your pleasure stretched An even dozen they crowd the tomb You can read the dead in twelve faces And the winter months are long The shields are hammered into splinters Beating war's time will never ring true Fools stir in the crypt counting notches And the snow settles burying all traces Crows spill the sky knocked like ink Babies crawl to the front line Plump arms shouting proof 'gainst harm The helms rock askew in pitching tumult And the brightest blood is the freshest Round the well charged and spatted Cadavers cherish company's lonely vigil The tomb's walls trumpet failures Dressed as triumphs and glory's trains And the fallen are bundled lying under foot Each year Spring dies still newborn Listen then these are the charms History is written for the crows By children with red lips and eyes blinking On the cocked ends of their tongues And it seems summer will never end Hail the Season of War Gallan

We need to get to the Chakara Forest,” I said, turning to Kamala. She had not moved once since I sank into that memory. She had not laughed, nor gnashed her awful teeth, claggy with blood. “You changed,” she said slowly. “What?” Kamala whinnied. “You looked different. Shade-play, shadow-play against my eyes. Trust me, false queen”--she paused--“maybe queen, I know shadows.” “What did I look like?” “Like ink-spills and umbra, cloudless nights and winter mornings. Lovely, lovely,” said Kamala in her singsong voice. “But you wore no crown of blackbuck horns and something swirled across your skin. I almost tried to taste it, but I did not want to get swatted by a maybe-deity. Maybe-deity! Maybe-deity! Oh, what a song.” I glanced at my arm, ignoring Kamala as she pranced about in a circle, tossing her head and singing maybe-deity so loudly it might summon thunder. There was nothing on me but the crust of sea-salt and dried ash. I dusted it off. Kamala’s words put flesh on the bones of my hope. Still, that didn’t give me as much comfort as I’d like. I was asking a flesh-eating demon for comfort.

I know if you are going to be for me or against me at first glance. I can read you just like an open book. I know that all book covers are misleading. It is a must to read between the lines of the individual characters, and that is when it is acknowledged with me what to think. I can figure out what anyone’s interpretations are, and if I want to be a part of their story or not. Just because one is well cultured, and observes the world that is before them does not make them strange. Each one of us has our unique way of expression- like me. Besides, sometimes, an expression can conflict, yet not meaning to; just move on, do not fear rejection. ‘Do not let the fear of the black ink spilling all over your drawing stop you from creating a masterpiece.’ The laughter is seen in my conscience, yet it plays out silently in my mind. My entire secret admirer base is left to admire, they have to close the door from the heart, and they are shut down if they desire, Because of the control of the tower, she holds the master keys. The tower and her clans can turn their backs at any time or face me, yet, there are cowards and fearless at the same time.

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

He said bleed on the page my son. So my heart spilled with ink and that is when I realized my soul is as black as these words.

I let my eyes rest again on the craggy spot, dark as spilled ink and barely out of my reach, where the ice had given way and the hungry lake had swallowed my mother whole.

The same challenge also appears in an even more fraught setting: dating. Optimal stopping is the science of serial monogamy. Simple algorithms offer solutions not only to an apartment hunt but to all such situations in life where we confront the question of optimal stopping. People grapple with these issues every day—although surely poets have spilled more ink on the tribulations of courtship than of parking—and they do so with, in some cases, considerable anguish. But the anguish is unnecessary. Mathematically, at least, these are solved problems. Every harried renter, driver, and suitor you see around you as you go through a typical week is essentially reinventing the wheel. They don’t need a therapist; they need an algorithm. The therapist tells them to find the right, comfortable balance between impulsivity and overthinking. The algorithm tells them the balance is thirty-seven percent.

I spill my heart on pure white pages, and let the ink dance and twirl into the splattered story of my soul.

okay as long as there was a chance it wasn’t sinful; this was condemned by Pope Innocent IX in 1591. Others advocated for “rigorism,” where something was forbidden if there was any chance at all that it was sinful; this was condemned by Pope Alexander VIII in 1690.73 A great number of other competing theories weighed the probability of a rule being correct or the percentage of reasonable people who believed it. “Probabiliorism,” for instance, held that you should do something only if it was less likely to be sinful than not; “equiprobabilism” held that it was also okay if the chance was perfectly even. The “pure probabilists” believed that a rule was optional as long as there was a “reasonable” probability that it might not be true; their cry was Lex dubia non obligat: “A doubtful law does not bind.” However, in contrast to the free-spirited laxists, the probabilists stressed that the argument for ignoring the rule, while it didn’t need to be more probable than the argument for obeying the law, nonetheless needed to be “truly and solidly probable, for if it is only slightly probable it has no value.”74 Much ink was spilled, many accusations of heresy hurled, and papal declarations issued during this time. The venerable Handbook of Moral Theology concludes its section on “The Doubting Conscience, or, Moral Doubt” by offering the “Practical Conclusion” that rigorism is too rigorous, and laxism too lax, but

Knowing that he couldn’t play this strange music with such reservations and distractions, he strove to find a calming place within himself. To remember and fall back into a time when he was a boy and Cadence was all he had known. When he loved the sea and the hills and the mountains, the caves and the heather and the rivers. A time when he had yearned to behold a spirit, face-to-face. His fingers grew nimble, and Lorna’s notes began to trickle into the air, metallic beneath his nails. He could hardly contain the splendor of them anymore, and he played and felt as if he were not flesh and blood and bone but made by the sea foam, as if he had emerged one night from the ocean, from all the haunted deep places where man had never roamed but where spirits glided and drank and moved beneath. He sang up the spirits of the sea, the timeless beings that belonged to the cold depths. He sang them up to the surface, to the moonlight, with Lorna’s ballad. He watched the tide cease, just as it had done the night he returned to Cadence. He watched eyes gleam from beneath the water like golden coins; he watched webbed fingers and toes drift beneath the shallow ripples. The spirits manifested into their physical forms; they came with barbed fins and tentacle, with hair like spilled ink, with gills and iridescent scales and endless rows of teeth. They rose from the water and gathered close about him, as if he had called them home.

Whether those claims are true or false is irrelevant. When we cross these lines, we are justifying behavior that we know is wrong precisely so that we can continue to see ourselves as honest people and not criminals or thieves. Whether the behavior in question is a small thing like spilling ink on a hotel bedspread or a big thing like embezzlement, the mechanism of self-justification is the same.

Someone approached from the other end, a smear of black against the gold and orange light. Shadows seemed to leak from him, flowing onto the stones and the windows and the walls like spilled ink.

Because that was what we were, essentially. Authors of our own stories. A curveball in the form of a dark twist had spilled onto Leah’s story, an ink-stained hole in her happily ever after, but she could still turn a corner. A page. She could still ride into the sunset with the prince with the shining tattoo sleeve. Not on a horse, but on a Harley.

And suddenly Esther began to feel it. Crystals of old honey on her body’s tongue, long hardened, were loosening in the warmth of her spilling blood, turning from grain to syrup, a slow sweet hum of wings unfurling from deep within her and looping outward, solid and multitudinous, the comb in her chest and the workers in her veins and the hive all around her.

Cardan comes over, stepping on my star chart, kicking over the ink-pot with his silver-tipped boots, sending the blood spilling across the paper, blotting out my marks. 'Come with me,' he says imperiously. 'I knew you liked her,' says Locke. 'That's why I had to have her first. Do you remember the party in my maze garden? How I kissed her while you watched.' 'I recall that your hands were on her, but her eyes were on me,' Cardan returns. 'That's not true!' I insist, but I remember Cardan on a blanket with a daffodil-haired faerie girl. She pressed her lips to the edge of his boot, and another girl kissed his throat. His gaze had turned to me when one of them began kissing his mouth. His eyes were coal-bright, wet as tar. The memory comes with the slide of Locke's palm over my back, heat in my cheeks, and the feeling my skin was too tight, that everything was too much.

A red ink is spilled from an imitation heart. In my dream I am late. I am sentenced to death. I am not the ruler of my dream. It is a great crime to seal up two humans who cannot even shake hands.

Then why?” Shrike demanded. “Why choose me at all, if I do not act according to her design?” Wren gazed upon Shrike’s high cheekbones, strong jawline, noble profile, and the silver-shot ink-spill waterfall of his hair flowing down between his broad shoulders to halt just above his lithe waist, but kept his own suspicions to himself.

The poet in me broke free of the writer and spilled stars on a white sky scattered and spaced across like the Milky Way.

Let's run amok. Let's make a mess. Taste a little chaos. Throw away the grid. Change the font. Spill the ink. Play the guitar with a missing string. Make art with cardboard boxes. Take a chance. Don't judge or question or filter it. Let it out. Make mistakes. Write with the wrong hand. Give it shot. Embrace imperfection. See what happens.

My first lyric departed directly from Mingus’s title “This Subdues My Passion.” If you didn’t think the song was already half written after that title, then you had no business dallying with the tune in the first place. I wrote about the way that music tempers the violence within a man. This subdues my passion And it may control my rage It may stem the poison that spills out onto the page

Speak without words. Know the weight of words

Silence is not possible

You are to me, what wind is to dry leaves. The reason for me to fall, the reason for me to fly.

My dreams are unfathomed realities

I watched you through hollow eyes choking on the last lie you would ever tell

What did he do?” I whipped around, startled. I had been so immersed in my own thoughts that I hadn’t even noticed Philantha standing into the doorway to one of the sitting rooms. “Pardon?” “Well, in my experience, it’s usually the man who bumbles about causing most of the problems in relationships of romance,” she said. “So, naturally, I assumed that your young man has done or said or thought something that caused you to come bursting in like a hurricane. Am I correct?” I shook my head so violently the braid coiled around my head threatened to come loose. “We’re not in a…relationship of romance. He’s just my friend.” Philantha made a sound surprisingly like a snicker. “Truly?” she asked. “I suppose that’s why he’s been with you most evenings.” “Like I said, we’re friends. And we haven’t seen each other in a long time.” She raised an eyebrow. “I may not care about it--or at least I didn’t, until recently--but I do hear some of the court gossip when I visit the college. The noble students, they bring it with them, you know. And one of the stories is how the Earl of Rithia and his wife are scrambling to find eligible matches for their son.” I felt suddenly dizzy for no reason, and a hot flush--disturbingly like the jealous feeling I had experienced at the inn--rushed through me. “Matches?” I repeated. “Girls, young women, marriageable prospects. Strange, how suddenly they started. Right after the princess came back, it’s been noted. As if they had had hope for another match before, and it was ruined.” “Me?” I asked. “People think Kiernan’s parents wanted him to marry me? That’s…ridiculous. Princesses don’t marry earls--a duke, maybe, but not an earl, not unless he’s foreign and brings some grand alliance. And besides, we’re just--” “Friends,” Philantha finished. “I know. That’s what you keep saying.” She eyed me, before saying, “They haven’t had much luck, though, from the gossip. He’s polite to everyone they trot out, but nothing more. But that’s neither here nor there, since you don’t love him.” I glared at her, my face and chest still filled with that rush of heat. “In fact, he’s made you angry, hasn’t he?” “He did. Well, I said…Yes, we fought. He says that Na--the princess--wants to see me. And I told him that he couldn’t bring her to me, that I didn’t want to see her. He said that if she asked, he would have to. But he’s wormed his way out of stickier situations than that. He could find a way to avoid it, if he wanted to.” “Then perhaps he doesn’t want to,” Philantha answered before gliding away up the stairs and out of sight. I had plenty of time to mull over Philantha’s words, because I didn’t see Kiernan for the next three days. It was the longest we had been parted since I returned to the city, and even through my anger at him it drove me to distraction. I mangled my spells even worse than usual, spilled ink, and tripped so frequently that Philantha threatened to call Kiernan to the house herself and turn him into a sparrow if we didn’t make up. Her eyes glinted dangerously when she said it, and only that was enough to force away a bit of my muddleheadedness.

Slowly, carefully, she threaded her arms around his neck and hugged him. Under her touch, his muscles were rigid, bunched, braced. But then it was like he melted, and his arms came around her in return. For a long moment, he held on tight, like she was his anchor. And then he pulled back enough to rest his forehead on her shoulder, the pain that had rolled off of him moments before replaced by a heavy weariness. She stroked the back of his head and neck, soft caresses meant to comfort. She loved holding this big man in her arms, loved knowing that maybe she wasn’t the only one in need of some comfort and protection and reassurance. “Know what’ll make you feel better?” she said after a little while. “You?” Her heart literally panged in her chest at the sweetness of that single word. She kissed the side of his head, his super short hair tickling her lips. “Besides me.” Reaching out with her hand, she grabbed the milk-shake glass and her spoon. Easy sat up, an eyebrow arched as he looked between her and the ice cream. She scooped some onto the spoon and held it out to him. “Trust me.” Skepticism plain on his face, he ate what she offered. Jenna couldn’t keep from grinning at his lack of reaction. “You clearly need more. Here.” He swallowed the second spoonful, too, but still wasn’t looking particularly better. “This is a very serious case,” she said playfully. “Better make it a double this time.” The spoon nearly overflowed. A smile played around the corners of Easy’s lips, and it filled her chest with a warm pressure. He ate it just before it dripped, humor creeping into his dark eyes. “See? It’s working. I knew it.” This time he stole the spoon right out of her fingers. “Problem is, you aren’t administering this medicine the proper way,” he said as he filled the spoon himself. Jenna grinned again, happy to see lightness returning to his expression. “I’m not?” “Nope,” he said, shaking his head. “This is what will really help.” He held the spoon up to her lips. “How will me taking it—” “No questioning. Just obeying.” There was that cocked eyebrow again. “Oh, is that how it is?” she asked, smirking. When he just stared at her, she gave in and ate the ice cream. Next thing she knew, his lips were on hers. Avoiding the cut on her lip, Easy’s cool tongue slowly snaked over her lips and stroked at her tongue. He grasped the back of her head as he kissed and nibbled at her. The rich flavor of the chocolate combined with another taste that was all Easy and made her moan in appreciation. His grip tightened, his tongue stroked deeper, and a throaty groan spilled from his lips. One more soft press of his lips against hers, and he pulled away. Jenna was nearly panting, and very definitely wanting more. “You’re right,” she said, “that is much more effective.” He gave a rare, open smile, and it made her happy to see it after how sad he’d seemed a few minutes before. “Told ya,” he said with a wink. She nodded. “But, you know, that could’ve been a fluke. Just to be sure it really worked, maybe you should, um, give me another dose?” Easy looked at her a long moment, then leaned in and scooped another spoonful from her nearly empty glass. He held it out to her, making her heart flutter in anticipation. When she tilted her head toward the spoon, he yanked it away and ate the ice cream himself. “No fair,” Jenna sputtered, reaching for the spoon. “That is not what the doctor prescribed.” Holding the spoon above his head put it out of Jenna’s reach, even with them sitting on the bed. She pushed to her knees, grabbed hold of his shoulder, and lunged for it. Laughing, he banded an arm around her lower back and held her in place, easily avoiding her grabs. Jenna couldn’t stop laughing as they wrestled for the spoon. It was stupid and silly and childish . . . and exactly what she needed. And it seemed he did, too. It was perfect.

The Power of the Pen is not in the color of ink it spills; but the power of the word it spells

We�'ve all heard the statement "It�s not fair that a woman who sleeps around is a whore, but men who sleep around are studs." There�s been more than enough digital ink spilled on this topic in the manosphere, so I won�t go in to it. Everybody knows it�s easy to be a whore, but hard to be a player � and society doesn�t award trophies for doing easy shit. It�s not a double standard; it�s two different standards for two different genders with two different barriers to sexual entry and two different sets of risk factors.

How would the letters have enough strength to fall off my fingers? How could my words caress the paper with tears of ink spilling off my pen?” “كلماتي دموع تتسرب من بين أناملي على صفحاتي كيف ستمتلك حروفي القوة لتتساقط من بين أصابعي ؟ كيف لكلماتي أن تعانق أوراقي بدموع ذرفتها دموع قلمي؟

The aspiring writer comes home after a hard day’s work in the plastic shop. Maybe he has a few beers, or a cocktail, but soon he retires to his writing. There he discovers the aroma of burning lavender incense, and a soft red glow streaming from his reading lamp. The strings of a violin sing out softly, romantically. He notices his favorite notebook lying on his desk, submissively, with her blank naked pages spread open for him. He fondles his ballpoint pen and gawks at her 9.75 by 7.5-inch-wide ruled lines. He simply sits and stares at her awhile, lustfully, admiring the soft red lines that run down her legs to form margins. He smiles, feeling shy and perhaps a little apprehensive about this, what is for him, inevitable endeavor. He glances at his eager pen for a moment. It is a small pen. She reassures him that it is not the size of the pen that counts, but rather his prowess with it.        Not having any sort of plan in mind, all the more excited by the spontaneity of it, he sets to writing. He starts out softly, gently, and careful at first, forming each letter of each word with intimate precision. The inhibitions drop with each gentle stroke of his pen. Soon he is inside and one with the inviting quarter blank page. His pen is feverishly scratching against the warm paper. Madly he is marking the page. The blood in his head pounds, as he lets all his energy, all the everything inside him spill out onto the page. Faster and faster he writes with wild abandon, pushing it out onto her! “More” she moans. He grunts a primal grunt that rises up thick and full, from somewhere in the depths of his very soul, and he writes on! From under his pen she screams out in shades of purple passion ecstasy! “YES! OH GOOD GOD, YES! GIVE IT TO ME! YOU MAD MAD POET!” So he writes on, harder and faster, striving for climax. Until it seems at any moment, his pen might explode and spray thick creamy bubbling blue ink everywhere! He comes! To the end of the page. With the ink still wet and strangely sticky between her pages, he closes the notebook. Feeling drained, he lies his head against her soft cardboard cover and dozes off to dream the dreams that writers dream…           Rainbow

War soaks into your bones, drills down into the marrow like a parasite. It blots your life like ink spilled on snow white paper, and it has its perils even long after you've given it up.

Writing, it's Feeling. spontaneous urges touching upon each of the senses the moment the pen magnetises into fingertips spilling out currents of words in panicked ink splatters, unmanaged, unfiltered & channeled. wept out, breath subtle,surrounded by empty sound. static brush,while wrist sweeps across lanes,crossing lines, giving in,its desperation, its surrender,where its heading,where its been.

We have to go. I know." She reared back and met his gaze. "Oh, my God. Do you think your friends will know?" Marz tried to hold back his reaction. He really fucking did. But a grin that big wasn't staying under wraps. "Probably. And now they're all a bunch of jealous bastards." She slapped his chest and buried her face. "Oh, my God." He was having none of it. Tipping her chin, he arched an eyebrow. "No shame, Emilie. Not for this." "No," she said. "Never for this." They made quick if somewhat wobbly work of putting themselves back together, and Emilie zipped up her suitcase. "So, uh, big plans?" he asked, pointing at the spilled condoms before she'd finished closing her bag. Emilie rolled her eyes and smiled. "My best friend Kelly told me to be bold and be prepared." Marz laughed. "I like her already." And then he pulled Emilie in for one last, searing kiss. The kind that has his body stirring already again despite his utter exhaustion. Then he grabbed her suitcase for her and they made their way downstairs. Where there was a whole loots staring off at the ceiling, faking napping, and whistling going on. Fuckers.

We have to go. I know." She reared back and met his gaze. "Oh, my God. Do you think your friends will know?" Marz tried to hold back his reaction. He really fucking did. But a grin that big wasn't staying under wraps. "Probably. And now they're all a bunch of jealous bastards." She slapped his chest and buried her face. "Oh, my God." He was having none of it. Tipping her chin, he arched an eyebrow. "No shame, Emilie. Not for this." "No," she said. "Never for this." They made quick if somewhat wobbly work of putting themselves back together, and Emilie zipped up her suitcase. "So, uh, big plans?" he asked, pointing at the spilled condoms before she'd finished closing her bag. Emilie rolled her eyes and smiled. "My best friend Kelly told me to be bold and be prepared." Marz laughed. "I like her already." And then he pulled Emilie in for one last, searing kiss. The kind that has his body stirring already again despite his utter exhaustion. Then he grabbed her suitcase for her and they made their way downstairs. Where there was a whole loots staring off at the ceiling, faking napping, and whistling going on. F*@kers.

In Christian thought, the belief that the universe was created by a benign and all-powerful god leads to a conundrum: If true, how can we explain the existence of evil? This is called the problem of evil and much ink has been spilled by theologians trying to resolve it—including Thomas Malthus’s belief that famine and disease are divinely imposed to teach virtuous behavior. The evolutionary worldview turns the problem of evil on its head. The behaviors that we associate with evil are easy to explain from an evolutionary perspective, because they typically benefit the evildoer at the expense of others. The problem is to explain how the behaviors that people associate with goodness, which typically benefit others and society as a whole, can evolve by a Darwinian process.

Newspapers are printing blank. White ink on white paper. Gospel truths of humanity spilled. But no one can read. No one cares to read. We switch to blue screens for meaning.

Just as I turned the last page in the journal, the sun crested the horizon and the first rays of dawn spilled over me, making me lift my head to look at it. Ryder shifted in my hair, a low hiss escaping him as he slid around my neck. I glanced back at him as he moved towards the journal and my breath snagged as I looked down at the page I was holding open. On it had been nothing but a faint sketch of the ocean and a view out over the horizon before, but as I watched, golden ink began to paint patterns on top of that image, the lines slowly forming a map of the whole of Solaria right before my eyes. I gazed down at it, wetting my lips as I drank in the names of cities, towns and villages all over the map, carefully scrawled in Gareth's handwriting.

Poets must first ponder themselves and learn to see the beauty within them to allow the beauty to spill out of them in ink on paper.

A large amount of ink was spilled on the subject of Simon Magus (the Magician). A quick summary of Simon’s life makes it clear why he was so threatening: Simon performed various miracles, gathered a following of people who thought he was a god—including a former prostitute—and one of Simon’s disciples “persuaded those who adhered to him that they should never die.