Spike Quotes

We've searched our database for all the quotes and captions related to Spike. Here they are! All 200 of them:

Even the trip throught the Portal had not disarranged Magnus's hair spikes. He tugged on one proudly. "Check it out", he said to Isabelle. "Magic?" "Hair gel. $3.99 at Ricky's.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
There you are," Cardan says as I take my place beside him. "How has the night been going for you? Mine has been full of dull conversation about how my head is going to find itself on a spike.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I don't know how to let you back in." My heart beat spiked and I closed my eyes when he whispered," I don't know how to keep you out either.
S.C. Stephens (Thoughtless (Thoughtless, #1))
Spike (to Giles) : Oh, poor Watcher. Did your life pass before your eyes — 'Cuppa tea, cuppa tea... almost got shagged... cuppa tea'?
Marti Noxon, Buffy the Vampire Slayer
If you're just starting out as a writer, you could do worse than strip your television's electric plug-wire, wrap a spike around it, and then stick it back into the wall. See what blows, and how far. Just an idea.
Stephen King (On Writing: A Memoir of the Craft)
Magnus? Magnus Bane?” “That would be me.” The man blocking the doorway was as tall and thin as a rail, his hair a crown of dense back spikes. Clary guessed from the curse of his sleepy eyes and the gold tone of his evenly tanned skin that he was part Asian. He wore jeans and a black shirt covered with dozens of metal buckles. His eyes were crusted with a raccoon mask of charcoal glitter, his lips painted a dark shade of blue. He raked a ring-laden hand through his spiked hair and regarded them thoughtfully. “Children of the Nephilim,” he said. “Well, well. I don’t recall inviting you. I must have been drunk.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I have a theory. Hating someone feels disturbingly similar to being in love with them. I've had a lot of time to compare love and hate, and these are my observations. Love and hate are visceral. Your stomach twists at the thought of that person. The heart in your chest beats heavy and bright, nearly visible through your flesh and clothes. Your appetite and sleep are schredded. Every interaction spikes your blood with adrenaline, and you're in the brink of fight or flight. Your body is barely under your control. You're consumed, and it scares you. Both love and hate are mirror versions of the same game - and you háve to win. Why? Your heart and your ego. Trust me, I should know.
Sally Thorne (The Hating Game)
Aidan from the past: He took her hands in his bloodied, callused ones. “Accept me?” His eyes glowed, his lashes spiked from rain. Declan in the present: He gripped her nape. “I fuckin love you, Regin!” Rain spiked his lashes as he gazed down at her, commanding her, “Love me back!
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
And second, I don't think there's much of a market for your particular brand of psychology." "So not true." "Butch, you and I just beat the crap out of each other." "You started it. And actually, it would be perfect for Spike TV. UFC meets Oprah. God, I'm brilliant." "Keep telling yourself that. -Butch and V
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
There’s an us?” “As far as I’m concerned…” He leaned forward, his mouth inches from mine, and my pulse spiked. “There’s nothing but us.
Rachel Vincent (If I Die (Soul Screamers, #5))
Said Hamlet to Ophelia, I'll draw a sketch of thee. What kind of pencil shall I use? 2B or not 2B?
Spike Milligan
Money can't buy you happiness but it does bring you a more pleasant form of misery.
Spike Milligan
The soul is a verb." He impales a lit candle on a spike. "Not a noun.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Buffy Summers: (to Spike) "I could NEVER be your girl!
Buffy the Vampire Slayer writers
He tapped one of the ivory spikes between his legs and said, 'There be as good a way to lose your manhood as ever I've seen'.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
My dad hates umbrellas, said Deeba, swinging her own. When it rains he always says the same thing. 'I do not believe the presence of moisture in the air is sufficient reason to overturn society's usual sensible taboo against wielding spiked clubs at eye level.
China Miéville (Un Lun Dun)
I'm watching a dream I'll never wake up from. -Spike Speigel
Keiko Nobumoto
By the time I was fourteen the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went on writing.
Stephen King (On Writing: A Memoir of the Craft)
William untucked the covers and stood, making a mental list of everything he'd need for the coming trip. A few blades, serrated and non serrated. A vial of acid. A bone saw. A spiked paddle. A cat-o'-nine-tails. And a bag of Gummy Bears.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
If I could write words Like leaves on an autumn forest floor, What a bonfire my letters would make. If I could speak words of water, You would drown when I said "I love you.
Spike Milligan
Money can't buy you friends, but you do get a better class of enemy.
Spike Milligan
We'd even devised the Buffy scale of life relationships: you start off wanting Xander, spend your twenties going out with Spike and setttle down with giles.
Jenny Colgan
Ben yanked Hi sideways as spikes snapped from the wall…Once again, only Ben’s reflexes had saved him. “Please stop doing that!” Ben barked. “Please keep doing that!” Hi warbled.
Kathy Reichs (Seizure (Virals, #2))
I thought I'd begin by reading a poem by Shakespeare, but then I thought, why should I? He never reads any of mine.
Spike Milligan
But this…this kid wasn’t dead yet. Makes no sense to me. (Bubba) Maybe someone spiked his Wheaties? (Nick)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
The past is just a story we tell ourselves.
Spike Jonze (her)
He gripped her nape. "I fuckin' love you, Regin!" Rain spiked his lashes as he gazed down at her, commanding her, "Love Me Back
Gena Showalter
The boy took his seat at one side of the fire, his men arrayed about him like the spikes on a porcupine's back, all bristling with spears.
Tony Debajo (In the Shadow of Ruin)
Do you know what I see in you now? The usual aura. A steady golden yellow, healthy and strong, with spikes of purple here and there. But when I do this. . . .” He rested a hand on my hip, and my whole body tensed up. That hand moved around my hip, slipping under my shirt to rest on the small of my back. My skin burned where he touched me, and the places that were untouched longed for that heat. “See?” he said. He was in the throes of spirit now, though with me at the same time. “Well, I guess you can’t. But when I touch you, your aura . . . it smolders. The colors deepen, it burns more intensely, the purple increases. Why? Why, Sydney?” He used that hand on me to pull me closer. “Why do you react that way if I don’t mean anything to you?” There was a desperation in his voice, and it was legitimate.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
[He] saw that a peculiar expression had come into his nephew's face; an expression a little like that of a young hindu fakir who having settled himself on his first bed of spikes is beginning to wish that he had chosen one of the easier religions.
P.G. Wodehouse
Every other person in the world would have looked at it and thought, Max would hate this. It was girly. It was beautiful. It wasn't made of titanium and black leather with spikes on it. But it seemed exactly right, in a weird, heart-fluttery kind of way. And I really loved it.
James Patterson (Fang (Maximum Ride, #6))
The most important reason for your “no” is that you need your downtime so you won’t behave like a jerk because you’re depleted. And you don’t want to battle an appetite spiked by the stress of overcommitment. But that’s your secret; others don’t need that information. So just smile, say no, thank you, and keep moving.
Holly Mosier
She pushed the bathroom door open to discover Magnus lurking on the other side, clutching a towel in one hand and his glittery hair in the other. He must have slept on it, she thought, because one side of the glittered spikes looked dented in. “Why does it take girls so long to shower?” he demanded. “Mortal girls, Shadowhunters, female warlocks, you’re all the same. I’m not getting any younger waiting out here.” Clary stepped aside to let him pass. “How old are you, anyway?” she asked curiously. Magnus winked at her. “I was alive when the Dead Sea was just a lake that was feeling a little poorly.” Clary rolled her eyes. Magnus made a shooing moving. “Now move your petite behind. I need to get in there; my hair is a wreck.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
All I ask is the chance to prove that money can't make me happy.
Spike Milligan
It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.
Martin Amis (Time's Arrow)
I think that perhaps everyone has a moment that splits their life in two. When you look back on your own time line there's a sharp spike somewhere along the way, some event that changed you, changed your life more than the others. A moment that creates a before and an after. Maybe it's when you meet your love or you figure out your life's passion or you have your first child. Maybe it's something wonderful. Maybe it's something tragic. But when it happens it tints your memories, shifts your perspective on your own life and it suddenly seems as if everyone you've been through falls under the label of pre or post.
Taylor Jenkins Reid (One True Loves)
On the third day of their honeymoon, infamous environmental activist Stewie Woods and his new bride, Annabel Bellotti, were spiking trees in the forest when a cow exploded and blew them up. Until then, their marriage had been happy.
C.J. Box (Savage Run (Joe Pickett, #2))
My heart beat spikes, and I think I’m panting. Jeez, I’m a quivering, moist mess, and he hasn’t even touched me. I squirm in my seat and meet his dark glare.
E.L. James
The Divine was expansive, but religion was reductive. Religion attempted to reduce the Divine to a knowable quantity with which mortals might efficiently deal, to pigeonhole it once and for all so that we never had to reevaluate it. With hammers of cant and spikes of dogma, we crucified and crucified again, trying to nail to our stationary altars the migratory light of the world.
Tom Robbins (Skinny Legs and All)
Falling in love is kind of like a form of socially acceptable insanity.
Spike Jonze (her)
To have a child is to be impaled daily on the spike of responsibility.
Steve Toltz (A Fraction of the Whole)
Sometimes I think I've felt everything I'm ever gonna feel and from here on out I'm not going to feel anything new - just lesser versions of what I've already felt.
Spike Jonze (her)
Spikes, " he sighed. "Heads. Walls.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
General: Where are you from? Spike: London. General: Which part? Spike: ... Well, all of me.
Spike Milligan
Forget trying to pass for normal. Follow your geekdom. Embrace nerditude. In the immortal words of Lafcadio Hearn, a geek of incredible obscurity whose work is still in print after a hundred years, “Woo the muse of the odd.” You may be a geek. You may have geek written all over you. You should aim to be one geek they'll never forget. Don't aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them. You should fully realize what society has made of you and take a terrible revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly, thoroughly weird, and don't do it halfway. Put every ounce of horsepower you have behind it. Don't become a well-rounded person. Well-rounded people are smooth and dull. Become a thoroughly spiky person. Grow spikes from every angle. Stick in their throats like a pufferfish.
Bruce Sterling
TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.
Edna St. Vincent Millay
Rose LeBlanc got her name for a reason. She was full of fucking thorns. She was so beautiful—so ridiculously, unbelievably alluring—that just like real roses, she grew little spikes to protect herself. Because everyone wanted to have her.
L.J. Shen (Ruckus (Sinners of Saint, #2))
I have a body of an eighteen year old. I keep it in the fridge.
Spike Milligan
My father had a profound influence on me. He was a lunatic.
Spike Milligan
Elide said, "Your mount doesn't seem evil." Abraxos's tail thumped on the ground, the iron spikes in it glinting. A giant, lethal dog. With wings.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
You're not friends. You'll never be friends. You'll be in love 'til it kills you both. You'll fight, and you'll shag, and you'll hate each other until it makes you quiver, but you'll never be friends. Love isn't brains, children, it's blood -- blood screaming inside you to work its will. I may be love's bitch, but at least I'm man enough to admit it.
Joss Whedon
Basil Stag Hare tut-tutted severely as he remarked to Ambrose Spike, 'Tch, tch. Dreadful table manners. Just look at those three wallahs, kicking up a hullaballoo like that! Eating's a serious business.
Brian Jacques (Redwall (Redwall, #1))
And I knew that tone, the pleading, the fear that was sitting like a spiked ball in his chest. He'd been left behind too, maybe more than I had.
Lili St. Crow (Reckoning (Strange Angels, #5))
Your spikes have gone floppy,
Darren Shan (Demon Thief (The Demonata, #2))
Hey Grover! Thorn's kidnapping us! He's a poisonous spike-throwing maniac! Help!
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
No iron spike can pierce a human heart as icily as a period in the right place.
Isaac Babel
Have - have you got an appointment?' he said. 'I don't know,' said Carrot. 'Have we got an appointment?' 'I've got an iron ball with spikes on,' Nobby volunteered. 'That's a morningstar, Nobby.' 'Is it?' 'Yes,' said Carrot. 'An appointment is an engagement to see someone, while a morningstar is a large lump of metal used for viciously crushing skulls. It is important not to confuse the two, isn't it, Mr-?' He raised his eyebrows. 'Boffo, sir. But-' 'So if you could perhaps run along and tell Dr Whiteface we're here with an iron ball with spi- What am I saying? I mean, without an appointment to see him? Please? Thank you.
Terry Pratchett (Men at Arms (Discworld, #15; City Watch, #2))
When you warned me that you would test me from time to time, I thought you meant spiking my food. But it seems there is more than one way to poison a person’s heart, and it doesn’t even require a meal.
Maria V. Snyder (Poison Study (Study, #1))
The jogger came upon them after the tragedy occurred and witnessed Raymond preparing to take off on his bike while Howard lay facedown on the ground with a metal spike through his head. When the cops arrived at the scene and questioned Raymond, he told them, “I don’t know … he like fell on it, or something. I was just riding my bike to the grocery store when I passed him on the trail. He was walking on the path while I was biking by. He saw me and said hello and then he fell face-first on a spike. I was like, ‘Dude, does that hurt?’ but he didn’t reply or move.” When the cops asked him why he was trying to flee the scene, he said, “I was going to get help on my bike. Maybe doctors could, like, unspike his head or something, like, I don’t know.
Jasun Ether (The Beasts of Success)
Strange how mean words can return to ones thoughts, years after they’ve been callously thrown at you. They replay in your mind, spiking a sense of remembered pain. Nasty name calling can be an ugly memory that stabs unexpectedly—not unlike a nightmare where you wake up crying. Sticks and stones, may break your bones—yet, cruel names can hurt you.
Nikki Sex (Abuse (Abuse, #1))
(On his gravestone): "I told you I was ill".
Spike Milligan
He flipped his spiked tail straight into the air in what could only be interpreted as an obscene gesture. Rexi duplicated it in human form. “Right back atcha.
Betsy Schow (Spelled (The Storymakers, #1))
Since life consists of madness spiked with lies, the farther you are from each other the more lies you can put into it and the happier you'll be. That's only natural and normal. Truth is inedible.
Louis-Ferdinand Céline
Hold on to me!” Tedros yelled, hacking briars with his training sword.Dazed, Agatha clung to his chest as he withstood thorn lashes with moans of pain. Soon he had the upper hand and pulled Agatha from the Woods towards the spiked gates, which glowed in recognition and pulled apart, cleaving a narrow path for the two Evers. As the gates speared shut behind them,Agatha looked up at limping Tedros, crisscrossed with bloody scratches, blue shirt shredded away. “Had a feeling Sophie was getting in through the Woods,” he panted, hauling her up into slashed arms before she could protest. “So Professor Dovey gave me permission to take some fairies and stakeout the outer gates. Should have known you’d be here trying to catch her yourself.” Agatha gaped at him dumbly. “Stupid idea for a princess to take on witches alone,” Tedros said, dripping sweat on her pink dress. “Where is she?” Agatha croaked. “Is she safe?” “Not a good idea for princesses to worry about witches either,” Tedros said, hands gripping her waist. Her stomach exploded with butterflies. “Put me down,” she sputtered— “More bad ideas from the princess.” “Put me down!”Tedros obeyed and Agatha pulled away. “I’m not a princess!” she snapped, fixing her collar. “If you say so,” the prince said, eyes drifting downward.Agatha followed them to her gashed legs, waterfalls of brilliant blood. She saw blood blurring— Tedros smiled. “One . . . two . . . three . . .”She fainted in his arms. “Definitely a princess,” he said.
Soman Chainani (The School for Good and Evil (The School for Good and Evil, #1))
He went in, lean and deadly, and ended the creature with a lightning-fast spike of his blade. It shrieked, likely altering the rest. The death call carried like a mournful song.
Ann Aguirre (Enclave (Razorland, #1))
I try to tighten my heart into a knot, a snarl, I try to learn to live dead, just numb, but then I see someone I want, and it's like a nail, like a hot spike right through my chest, and I know I'm losing.
Tony Kushner (Millennium Approaches (Angels in America, #1))
I'd like to bite that lip," he whispers darkly. I gasp, completely unaware that I am chewing my bottom lip and my mouth pops open. That has to be the sexiest thing anybody has ever said to me. My heartbeat spikes, and I think I'm panting. Jeez, I'm a quivering, mess, and he hasn't even touched me.
E.L. James
The truth is that I’ve spent all my life with my binoculars trained on the Maybe Islands, a pristine place of fantasy that is really no better than the razor-rocks of misery. Maybe if I had stayed on the farm… maybe if I hadn’t gone with Spike… maybe if I could have lived more peaceably… maybe if I’d met the right person years ago, maybe if I hadn’t done this, or that or, its cousin, the other. Maybe, baby, the promised land was there and I missed it. Look at it glittering in the light. But the truth is I am inventing the maybe. I can only make the choices I make, so why torture myself with what I might have done, when all I can handle is what I have done. The Maybe Islands are hostile to human life.
Jeanette Winterson (The Stone Gods)
He was going to be armed with his wand - which, just now, felt like nothing more than a narrow strip of wood - against a fifty-foot-high, scaly, spike-ridden, fire-breathing dragon.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Next he grabs a round yellow thing covered in small bumps. It looks like a strange fruit and I half expect him to squeeze it to produce juice. When it reaches shoulder height the small bumps explode, turning into razor-sharp spikes. I duck and roll in BK's direction to avoid getting impaled. "What the hell?" I shout. "You could have warned me! This is the second time in less than five minutes that you've almost killed me.
Pittacus Lore (The Rise of Nine (Lorien Legacies, #3))
He actually did it, didn't he?" Marsh said, shaking his head in wonder. "That bastard. There are two things I'll never forgive him for. The first is for stealing my dream of overthrowing the Final Empire, then actually succeeding at it." Vin paused. "And the second?" Marsh turned spike-heads towards her. "Getting himself killed to do it.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
There would be a spike in the number of girls who went out for a walk in the woods and were never heard from again. There always were when stories came out portraying the terra indigene as furry humans who just wanted to be loved. Most of the terra indigene didn't want to love humans; they wanted to eat them. Why did humans have such a hard time understanding that?
Anne Bishop (Written in Red (The Others, #1))
Anything else you want to tell me?” I asked Valek as we stopped a few feet short of the castle’s south entrance. “Did Ari and Janco set me up for Nix’s attack? Do you have another test of loyalty for me up your sleeve? Maybe the next time, I’ll actually fail. A prospect that seems appealing!” I pushed away Valek’s supporting arm. “When you warned me that you would test me from time to time, I thought you meant spiking my food. But it seems there is more than one way to poison a person’s heart, and it doesn’t even require a meal.
Maria V. Snyder (Poison Study (Study, #1))
His heart was pounding, and adrenaline crackled through his body in delicious spikes.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
If you took the world away and just left the elctricity, it would look like the most exquisite filigree ever made - a ball of twinkling silver lines with the occasional coruscating spike of a satellite beam. Even the dark areas would glow with radar and commercial radio waves. It could be the nervous system of a great beast.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Jack felt arousal spiking through him, clouding his mind with the wanting, wanting this man, all of him, black and tarry, rotted with disuse, glorious and fractured and spilling out of the cracks.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
It was exciting to see her grow - both of us grow and change together. But then, that's the hard part - growing without growing apart, or changing without it scaring the other person.
Spike Jonze (her)
Margo tilted her head toward her husband asking, “What is it about beach volleyball that captures your attention?” More than anything I’m amazed how they’re able to keep everything in the proper place when spiking the ball. Makes me want to invest in spandex . . . and of course, their fitness is enviable,” he said, his face broadening into a playful smile.
JoDee Neathery (A Kind of Hush)
Writing is a habit, an addiction, as powerful and overmastering an urge as putting a bottle to your lips or a spike in your arm. Call it the impulse to make something out of nothing, call it an obsessive-compulsive disorder, call it logorrhea. Have you been in a bookstore lately? Have you seen what these authors are doing, the mountainous piles of the flakes of themselves they're leaving behind, like the neatly labeled jars of shit, piss, and toenail clippings one of John Barth's characters bequeathed to his wife, the ultimate expression of his deepest self?
T. Coraghessan Boyle
It is only the story...that saves our progeny from blundering like blind beggars into the spikes of the cactus fence.The story is our escort;without it,we are blind.Does the blind man own his escort?No,neither do we the story;rather,it is the story that owns us.
Chinua Achebe (Anthills of the Savannah)
Richard has informed me he is shopping for his white picket fence. I'm happy behind my black wrought iron fence. The one with the pointy spikes on top. White never really was my color.
Laurell K. Hamilton (Danse Macabre (Anita Blake, Vampire Hunter, #14))
Contraceptives should be used on every conceivable occasion.
Spike Milligan (Puckoon)
ou look much better without those vampy spikes on your feet.” “Proper?” “Shorter.
Nancy Mangano (Deadly Decisions)
He stole credit for my research. And he was after the code I’m working on now." Cade went still, fury spiking through him. "Holly, I’m going to give you his throat for this." "Aw, you say the sweetest things, demon." She stood on tiptoe and pressed a gentle kiss to his lips. Deciding he’d kill Tim for her anyway, he relaxed and said, "I know how to play those heartstrings, yeah?" She unbuckled Cade’s belt. "I called him a fuckwit tosser." "That’s my girl." He stripped off her top, then his shirt. "Are you coming on to me to get back at him?" "Probably." Down went his zipper. "I’m okay with that.
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
Many people die of thirst but the Irish are born with one.
Spike Milligan (Puckoon)
Oh God, that hurts,” she whimpered. “What hurts?” Kye asked, sounding concerned. “The invisible man pounding spikes into my head.” “That doesn’t sound good. Maybe you should take out an invisible Taser gun and zap the son of a bitch.
Julie James (About That Night (FBI/US Attorney, #3))
Mothers are like dungeons. Some really stink and you'll do anything to avoid them. And some are lush sanctuaries filled with gold, jewels, and butterscotch schnapps-spiked Nestle Nesquik.
Shelly Mazzanoble (Everything I Need to Know I Learned from Dungeons & Dragons - One Woman's Quest to Trade Self-Help for Elf-Help)
You call me Red again, Mister, and you won't need one. What you'll need is a pine box and a preacher to read about you lyin' down green pastures.
Carolyn Brown (Red's Hot Cowboy (Spikes & Spurs, #2))
A sure cure for seasickness is to sit under a tree.
Spike Milligan
Thanks baby, but I won't be sharing you with another man or woman. You're mine and I don't share. Ever." My pulse spiked. "I like that,
L.A. Casey (Alec (Slater Brothers #2))
All I could think about was throwing something at her— something made of glass. Or spikes. Or a viral disease. They really should invent Herpes In A Jar for moments like these
Robin Mellom (Ditched: A Love Story)
My father was my greatest inspiration. He was a lunatic.
Spike Milligan
Russian short story master Isaac Babel put it, “no iron spike can pierce a human heart as icily as a period in the right place.
George Saunders (A Swim in a Pond in the Rain)
Local churches felt a surge following Columbine. Attendance spiked, fervor was unprecedented. It faded. Pastors reported no long-term impact. ____
Dave Cullen (Columbine)
It's like I'm reading a book, and it's a book I deeply love, but I'm reading it slowly now so the words are really far apart and the spaces between the words are almost infinite. I can still feel you and the words of our story, but it's in this endless space between the words that I'm finding myself now. It’s a place that’s not of the physical world - it's where everything else is that I didn't even know existed. I love you so much, but this is where I am now. This is who I am now. And I need you to let me go. As much as I want to I can't live in your book anymore.
Spike Jonze, her
Isla could feel Grim getting closer. When she opened her eyes, he was right in front of her. “Heart,” he said steadily. The spikes on his shoulders made him look like a demon. His blood-slicked armor glimmered in the moonlight. “If waging a war for one woman is a crime, then please do consider me a criminal.” Closer. “If killing thousands to keep you alive is wrong, then consider me a villain.” She now had to tilt her head to see him clearly. He leaned down. His breath was hot against her mouth. “If loving you this much is my downfall . . . then consider me already on my knees.
Alex Aster (Skyshade (Lightlark, #3))
And, ah! his castle. The faery solitude of the place, with its turrets of mistly blue, its courtyard, its spiked gate, his castle that lay on the very bosom of the sea with seabirds mewing about its attics, the casements opening onto the green and purple, evanescent departures of the ocean, cut off by the tide from land for half a day . . . that castle, at home neither on the land nor on the water, a mysterious, amphibious place, contravening the materiality of both earth and waves, with the melancholy of a mermaiden who perches on her rocks and waits, endlessly, for a lover who had drowned far away, long ago. That lovely, sad, sea-siren of a place.
Angela Carter (The Bloody Chamber and Other Stories)
A finely tuned spike of pain speared through his skull, signalling a detectable breach in his conditioning. He didn't want to stop his decent into chaos. What he wanted was to hurt the men who'd dared look at her.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Could even be some prehistoric tricks with wooden logs flying like pendulums or spikes under the moving floor. Perhaps a net—used to catch monkeys?
Misba (The Oldest Dance (Wisdom Revolution, #2))
Then he was on his knees in front of me. "Come here Princess," he cooed. My pulse spiked. I wondered if I should slap him or "come here." Then I realized he was talking to the cat.
Katherine Pine (After Eden (Fallen Angels, #1))
It’s getting closer,” Tristan said. Ayden nodded. “So let’s track it.” “No,” Ayden snapped. “She’s our priority.” “I know, but it’s following her, so,” Tristan held one hand up, “find the demon,” he held up the other, “find Aurora. It could work.” The itching intensified. Invisible claws grazed up the back of my neck, wrenching every nerve to painful attention. Another hungry screech sent spikes piercing my brain. Lights shattered my vision. I couldn’t breathe. I burst out of the suffocating space just as the engine roared to life and gunned the car forward. With a violent curse, Ayden slammed on the brakes but not before the Maserati rammed my hip. I hurtled into the air and rolled a fast spin onto the hood. “Or you could just hit her with the car,” Tristan said. “Real smooth.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Dumping the tent onto the ground, I studied it fiercely. All right, I can do this. How hard can it be, really? Kneeling, I picked up a long metal spike, frowning. What in the world? Are you supposed to stab someone with these? Do tents come with vampire-slaying kits?
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
It was one of the few places where someone remembered his name. Yeah, okay, so he felt like Sam Malone on Cheers, but there was no Norm or Cliff sitting at the bar here. More like Spike and Switchblade.’ (Wulf)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Didn't you," he asked, "have me exorcised?" "Me?" My own voice rocketed up about ten octaves. "Me? Jesse, of course not. I would never do that. I mean, you know I would never do something like that. That kid Jack did it. Your girlfriend Maria made him do it. She was trying to get rid of you. She told Jack you were bothering me, and he didn't know any better, so he exorcised you, and then Felix Diego threw me off the porch roof, and Jesse, they found your body, I mean your bones, and I saw them and I threw up all over the side of the house, and Spike really misses you and I was just thinking, you know, if you wanted to come back, you could, because that's why I've got this rope, so we can find our way back.
Meg Cabot (Darkest Hour (The Mediator, #4))
After Puckoon I swore I'd never write another book. This is it
Spike Milligan (Adolf Hitler: My Part in His Downfall (War Memoirs, #1))
We're only here briefly. And while I'm here, I want to allow myself joy. So fuck it.
Spike Jonze
You were impaled? (Delphine) You know the worst part about impalement? You don’t die immediately. You hang on bleeding and aching as the spike works its way slowly through your body until it pierces some major organ. Pray to the gods you worship that you never know what that feels like. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Okay, if you have to go. I’m not sure what I’ll do with all these women around.” Jealousy spiked in me so fast and so sharp, Reyes sucked in a breath, the air hissing through his teeth. He closed his eyes, leaned his head back, let my emotion roll over him. I bit down, embarrassed. “Are you enjoying that?” “No,” he said, panting. “A little. It’s like being hit with a hundred razor blades at once, each leaving a tiny cut as it passes.” “Ouch. That sounds horridly unpleasant.” He lowered his head, regarded me from underneath his lashes. “Someday you’ll figure out I’m not like other guys.” “Actually, I figured that out a while back.” “Nothing and no one interests me besides you.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
It was so like Smith's work, so much more like the top of a strongly spiked wall than a head of hair, that the best of players at leap-frog might have declined him, as the most dangerous man in the world to go over.
Charles Dickens (A Tale of Two Cities)
The trick of the internet, I had learned, was not being unapologetically yourself or completely unfiltered; it was mastering the trick of appearing that way. It was spiking your posts with just the right amount of real... which meant, of course, that you were never being real at all.
Jennifer Weiner (Big Summer)
Patience, thought Milligan, that word was invented by dull buggers who couldn't think quick enough.
Spike Milligan (Puckoon)
He deserves to have his head on a spike for all to see. Waring: If you are insufferable, do not walk here. We shall eat you down to the marrow.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
That anticipation spiked in a way I felt it in my nipples. My nipples. Oh dear.
Kristen Ashley (The Will (Magdalene, #1))
I DO have feelings for Curls. Feelings of annoyance and irritation, mainly, spiked with occasional pangs of pity.
Rob Reger (Emily the Strange: The Lost Days (Emily the Strange Novels, #1))
But hope was a malicious, jagged thing, all spikes and razors that churned and cut deep in his guts. Hope was a great deal like fear.
Rachel Caine (Paper and Fire (The Great Library, #2))
I see the steel wrapped in fear that all little girls find on the spike-strewn road to womanhood.
Tess Sharpe (The Girls I've Been)
Nothing is all bad. There are very beautiful flowers in the desert amidst the spikes and thorns. Just don't let them take over. In the garden of love there is little room for prickly things.
Kate McGahan
Life is a long agonized illness only curable by death.
Spike Milligan
Lo didn’t have a splendid time either. He drank something Captain America gave him. Turns out the Cap imposter wasn’t too noble, having spiked his booze with roofies. Nerds can be vicious too.
Krista Ritchie (Addicted to You (Addicted, #1))
He’s a little grumpy,” Asclepius said. “People are always confusing my staff with the staff of Hermes, which has two snakes, obviously. Over the centuries, people have called Hermes’s staff the symbol of medicine, when of course it should be my staff. Spike feels slighted. George and Martha get all the attention. Anyway...
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
That pain moves when you move; it mutters between every breath; it spikes your ears; it rips. You think pain can’t be any more horrible than that. Until you discover that the well is bottomless. There’s always more.
Ilsa J. Bick (Drowning Instinct)
A bird in The Strand is worth two in Shepherds Bush
Spike Milligan
And then, the last words Raspail ever said: 'I wonder why my parents didn't kill me before I was old enough to fool them.' The slender handle of the stiletto wiggled as Raspail's spiked heart tried to keep beating, and Dr Lecter said, 'Looks like a straw down a doodlebug hole, doesn't it?' but it was too late for Raspail to answer.
Thomas Harris (The Silence of the Lambs (Hannibal Lecter, #2))
Life wasn't too bad. The trouble with Man was, even while he was having a good time, he didn't appreciate it. Why, thought Milligan, this very moment might be the happiest in me life. The very thought of it made him miserable.
Spike Milligan (Puckoon)
I think that’s the hardest thing about bipolar disorder. You don’t know if you will wake up in the morning and spike a manic episode or if you won’t want to get out bed because you’re in a depressive episode that makes you want to go back to sleep and never see the light of day again. The moment I tell someone I am bipolar, they are shocked. You know, the whole ‘I never would have known because you don’t act like it’s a thing.' It always makes me laugh. ‘What does bipolar look like to you, sir?’ - that’s what I want to say to them.
Emma Thomas (Live for Me)
Emotion. It's a lethal weakness of our kind. A sickness that inhibits logic and eventually drives our minds toward the breaking point. It's our kryptonite – our fatal flaw and our saving grace. After all, emotions make us who we are. They make us capable of love and compassion and selflessness, bring out the best in us. At the same time, they ruin us. Make us feel hatred and pain and guilt. Cause our muscles to lock, our pulses to spike, our hearts to split in half. These things called…feelings…could break every single one of us, if we let them.
Tiana Dalichov (Simulation 8 (Rebellion Rising #2))
And it be well for a knowlessman that he should not be here, for he would be taken from this place and his gaskin slit, his moules shown to the four winds, his welchet torn asunder with many hooks and his figgin placed upon a spike (...)
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
Parents kill more dreams than anybody.
Spike Lee
We could endlessly reminisce, live in the past to an unhealthy degree, then politely kill each other some winter night before bedtime, stirring poison into our cups of whiskey-spiked chamomile tea, wearing party hats. Then, nervous about our double homicide, we could lie in bed together, holding hands again, frightened and waiting, still wondering, after all these years, if we even believed in our own souls.
Timothy Schaffert (The Coffins of Little Hope)
Child," she said placing her head to mine and her callused fingers on my cheek, "you can whip it and beat it senseless, you can drag it through the streets and spin on it, you can even dangle it from a tree, drive spikes trough it, and drain the last breath from it, but in the end, no matter what you do, and no matter how hard you try to kill it, love wins.
Charles Martin (Wrapped in Rain)
What is a Bongaloo, Daddy?" A Bongaloo, Son," said I, Is a tall bag of cheese Plus a Chinaman's knees And the leg of a nanny goat's eye
Spike Milligan
The child was forever marked with untrustworthy eyes—pitch black irises, each overlaid by a golden wheel with eight tiny golden spikes. The wheel of fate and fortune, which, if you are wise, you know is the greatest deception of all. Such a peculiar gaze ensured that all who saw her would know she had been touched by old magic.
Marissa Meyer (Gilded (Gilded, #1))
Under normal conditions people react to a threat with a temporary increase in their stress hormones. As soon as the threat is over, the hormones dissipate and the body returns to normal. The stress hormones of traumatized people, in contrast, take much longer to return to baseline and spike quickly and disproportionately in response to mildly stressful stimuli. The insidious effects of constantly elevated stress hormones include memory and attention problems, irritability, and sleep disorders. They also contribute to many long-term health issues, depending on which body system is most vulnerable in a particular individual.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
Clear your throat and open your eyes. You are on stage. The lights are on. It’s only natural if you’re sweating, because this isn’t make-believe. This is theater for keeps. Yes, it is a massive stage, and there are millions of others on stage with you. Yes, you can try to shake the fright by blending in. But it won’t work. You have the Creator God’s full attention, as much attention as He ever gave Napoleon. Or Churchill. Or even Moses. Or billions of others who lived and died unknown. Or a grain of sand. Or one spike on one snowflake. You are spoken. You are seen. It is your turn to participate in creation. Like a kindergartener shoved out from behind the curtain during his first play, you might not know which scene you are in or what comes next, but God is far less patronizing than we are. You are His art, and He has no trouble stooping. You can even ask Him for your lines.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
Fructose molecules glycate things 10 times as fast as glucose, generating much more damage. Again, this is another reason why spikes from sugary foods such as cookies (which contain fructose) make us age faster than do spikes from starchy foods such as pasta (which doesn't).
Jessie Inchauspé (Glucose Revolution: The Life-Changing Power of Balancing Your Blood Sugar)
i am constantly telling him that i'm not sure the laws of sex and the city apply when there's no sex and there's no city, but then he looks at me like i'm throwing spiked darts at the heart-shaped helium balloons that populate his mind, so i let it go
David Levithan (Will Grayson, Will Grayson)
Lorcan rubbed his head. “Am I asking too much to want the little bitch dead? Am I?” It seemed Hefaidd-Hen learned long ago not to answer certain questions. “All I want is for her to suffer a painful, horrifying death. And for her head to be on a spike in front of my castle. That’s all I want.
G.A. Aiken (Dragon Actually (Dragon Kin, #1))
If you’re going to eat something sweet or starchy, use your muscles afterward. Your muscles will happily uptake excess glucose as it arrives in your blood, and you’ll lessen the glucose spike, reduce the likelihood of weight gain, and avoid an energy slump.
Jessie Inchauspé (Glucose Revolution: The Life-Changing Power of Balancing Your Blood Sugar)
People always describe jealousy as this sharp, green, venomous thing. Unfounded, vinegary, mean-spirited. But I’ve found that jealousy, to writers, feels more like fear. Jealousy is the spike in my heart rate when I glimpse news of Athena’s success on Twitter—another book contract, awards nominations, special editions, foreign rights deals. Jealousy is constantly comparing myself to her and coming up short; is panicking that I’m not writing well enough or fast enough, that I am not, and never will be, enough. Jealousy means that even just learning that Athena’s signing a six- figure option deal with Netflix means that I’ll be derailed for days, unable to focus on my own work, mired by shame and self-disgust every time I see one of her books in a bookstore display.
R.F. Kuang (Yellowface)
WEATHERS This is the weather the cuckoo likes, And so do I; When showers betumble the chestnut spikes, And nestlings fly; And the little brown nightingale bills his best, And they sit outside at 'The Traveller's Rest,' And maids come forth sprig-muslin drest, And citizens dream of the south and west, And so do I. This is the weather the shepherd shuns, And so do I; When beeches drip in browns and duns, And thresh and ply; And hill-hid tides throb, throe on throe, And meadow rivulets overflow, And drops on gate bars hang in a row, And rooks in families homeward go, And so do I.
Thomas Hardy
He spiked the dirt, twisted out the deformed rose, tossed it aside. His palms sweated. 'Sorry,' Persephone suggested. 'Pardon?' She murmured, 'You should say sorry when you kill something.' It took him a moment to realize she meant the rose. 'It was dying anyway.' 'Dying and dead are different words.' Shamed, Adam muttered an apology....
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Author? Author? Did you write these legs?' 'Yes." 'Well, I don't like dem. I don't like 'em at all at all. I could ha' writted better legs meself.
Spike Milligan (Puckoon)
The width of neck and shoulder suggested a rugby player, the broken nose confirmed it. Which shows just how wrong you can be as he never played the game in his life.
Spike Milligan (Puckoon)
What Happens, Happens.
Spike Spiegel Cowboy Bebop
The clock in the church tower said 4.32, as it had done for three hundred years. It was right once a day and that was better than no clock at all.
Spike Milligan
And as much of a selfish, uncaring prick Hawk was, Gia was the one person to somehow have climbed under the spikes of his soul, to make him care whether he hurt her, used her, damaged her in any way with his body and fucked up mind. She was the only one he could leash his selfish wants for.
V. Theia (Filthy Love (Renegade Souls MC Romance Saga #4))
I thought wulfen howls were bad when I heard them in my own garage. Hearing the high, glassy cry in the middle of the woods at night is infinitely worse, because the howls sounds like it could be words if you just listen hard enough. The horrible thing is that it pulls on that deep hidden part in every person-the blind animal part. The part that knows you're the prey. But the worst thing about it? Is when it sounds right behind you, and something hits you from behind, tumbling you into another thorn-spiked mess of vines and branches, leaf mold and dirt filling your nose, and a huge, hot, hairy hand winds in your hair.
Lilith Saintcrow (Betrayals (Strange Angels, #2))
Now that music is faithfully reproducible, musicians are not needed as once they were. And music itself has changed. Though small cadres of classicists keep the sacred and ineffable alive, they are under siege by coarse generations whose music is hardly as musical as a bus engine or a chain saw. Something must have occurred during their mothers' pregnancies. How else is it possible to explain that playing Bach keeps them away from public spaces the way iron spikes drive pigeons from cathedral ledges?
Mark Helprin
Waiting for the operation, there was a gentle tap on the door. In came a strapping nurse. 'Good morning', she shrilled, whipped back the bedclothes, upped with his nightshirt, grabbed his willy, lathered furiously around it till it looked like the Eddystone Lighthouse in a storm, then shaved the whole area till it looked like an oven-ready chicken. 'Excuse me, nurse', said Looney, 'why did you knock?
Spike Milligan
Hey,maybe I could have a talk show, since you aren't going to be my June Cleaver anymore. I could call it the O'Neal Hour. Sounds important, doesn't it?" [Butch to Vishous] "First of all, you were going to be June Cleaver-" "Screw that. No way I'd bottom for you." "Whatever. And second, I don't think there's much of a market for your particular brand of psychology." "So not true." "Butch, you and I just beat the crap out of each other." "You started it. And actually, it would be perfect for Spike TV. UFC meets Oprah. God, I'm brilliant." "Keep telling yourself that.
J.R. Ward
Professor Milligan will now play his tree! The composition is in A Minor, the tree is in A garden.
Spike Milligan (Where Have All the Bullets Gone? (War Memoirs #5))
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
Robert Penn Warren (All the King's Men)
There is one thing I like about the Poles—their language. Polish, when it is spoken by intelligent people, puts me in ecstasy. The sound of the language evokes strange images in which there is always a greensward of fine spiked grass in which hornets and snakes play a great part. I remember days long back when Stanley would invite me to visit his relatives; he used to make me carry a roll of music because he wanted to show me off to these rich relatives. I remember this atmosphere well because in the presence of these smooth−tongued, overly polite, pretentious and thoroughly false Poles I always felt miserably uncomfortable. But when they spoke to one another, sometimes in French, sometimes in Polish, I sat back and watched them fascinatedly. They made strange Polish grimaces, altogether unlike our relatives who were stupid barbarians at bottom. The Poles were like standing snakes fitted up with collars of hornets. I never knew what they were talking about but it always seemed to me as if they were politely assassinating some one. They were all fitted up with sabres and broad−swords which they held in their teeth or brandished fiercely in a thundering charge. They never swerved from the path but rode rough−shod over women and children, spiking them with long pikes beribboned with blood−red pennants. All this, of course, in the drawing−room over a glass of strong tea, the men in butter−colored gloves, the women dangling their silly lorgnettes. The women were always ravishingly beautiful, the blonde houri type garnered centuries ago during the Crusades. They hissed their long polychromatic words through tiny, sensual mouths whose lips were soft as geraniums. These furious sorties with adders and rose petals made an intoxicating sort of music, a steel−stringed zithery slipper−gibber which could also register anomalous sounds like sobs and falling jets of water.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
I hang up and don’t even need to look at Joshua. I know he’s shaking his head. After a few minutes I glance at him, and he is staring at me. Imagine it’s two minutes before the biggest interview of your life, and you look down at your white shirt. Your peacock-blue fountain pen has leaked through your pocket. Your head explodes with an obscenity and your stomach is a spike of panic over the simmering nerves. You’re an idiot and everything’s ruined. That’s the exact color of Joshua’s eyes when he looks at me.
Sally Thorne
The 'base frees and condenses, compresses the whole experience to the implosion of one terrible shattering spike in the graph, an afflated orgasm of the heart that makes her feel, truly, attractive, sheltered by limits, deveiled and loved, observed and alone and sufficient and female, full, as if watched for an instant by God.
David Foster Wallace (Infinite Jest)
Romance may be the world’s oldest cult. It hooks you when you’re vulnerable, scares the shit out of you, hold your deepest fears as collateral, renames you something like ‘baby,’ brainwashes you, then makes you think that your soul will wither and die if you let go of a person who loved you. So you better have a good goddamn reason for saying ‘nah, not enough.’ The love lobby is worse than the fun lobby. More misery, more addiction, more heads on spikes. And for what?
Sloane Crosley (Cult Classic)
Companionate love is neurologically different from passionate love. Passionate love always spikes early, then fades away, while companionate love is less intense but grows over time. And, whereas passionate love lights up the brain’s pleasure centers, companionate love is associated with the regions having to do with long-term bonding and relationships. Anthropologist Helen Fisher, the author of Anatomy of Love and one of the most cited scholars in the study of sex and
Aziz Ansari (Modern Romance: An Investigation)
In the Northern Hemisphere, the switch to daylight savings time in March results in most people losing an hour of sleep opportunity. Should you tabulate millions of daily hospital records, as researchers have done, you discover that this seemingly trivial sleep reduction comes with a frightening spike in heart attacks the following day. Impressively, it works both ways. In the autumn within the Northern Hemisphere, when the clocks move forward and we gain an hour of sleep opportunity time, rates of heart attacks plummet the day after. A similar rise-and-fall relationship can be seen with the number of traffic accidents, proving that the brain, by way of attention lapses and microsleeps, is just as sensitive as the heart to very small perturbations of sleep. Most people think nothing of losing an hour of sleep for a single night, believing it to be trivial and inconsequential. It is anything but.
Matthew Walker (Why We Sleep: Unlocking the Power of Sleep and Dreams)
First of all, you don’t want me to get too hungry. Ever. I’m an ever worse bastard than normal and having starved for centuries, I’m not about to deprive myself again when I don’t have to. Second, let me tell you something about your ‘friends.’ Deimos held me down while I was branded and then took me to the human realm where I was left with nothing. No clothes, no money. Not a damn thing to call my own. Hence the aforementioned starvation. A hundred years later, M’Ordant dumped my inside a Spartan prison camp and told the commander I was a traitor to their people. You don’t really want to know what the Spartans did to people they thought betrayed them. D’Alerian had me put inside a Turkish prison in the fifteenth century where I was impaled after being tortured for three weeks. So you’ll have to excuse me if I have a hard time feeling too sorry for them right now. At least no one’s shoving a sharp spike up their asses. (Jericho)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
Edward wasn't supposed to leave Jordan, though. They were meant to age together. That loss continues to be spiked with pain; it will never be soothed. And he can see, objectively, that Shay's life without him would have been woven with different moments, friends or lack of friends, different fights with Besa, different books and different struggles.
Ann Napolitano (Dear Edward)
On the Ning Nang Nong Where the Cows go Bong! And the Monkeys all say Boo! Theres a Nang Nong Ning Where the trees go Ping! And the tea pots Jibber Jabber Joo On the Nong Ning Nang All the Mice go Clang! And you just cant catch em when they do! So its Ning Nang Nong! Cows go Bong! Nong Nang Ning! Trees go Ping! Nong Ning Nang! The mice go Clang! What a noisy place to belong,Is the Ning Nang Ning Nang Nong!
Spike Milligan
What do you know of sacrifice? Need I tell you of York's dead . . . of Sandal Castle? My brother did survive the battle, his first. He was seventeen and he entreated them to spare his life. They cut his throat. Their heads were then impaled on York's Micklegate Bar to please the House of Lancaster, to please a harlot and a madman. She had my father's head crowned with straw and she left a spike between the two. . . . That one, she said, was for York's other son.
Sharon Kay Penman (The Sunne in Splendour)
Jacob caught my arm with a shivering hand. "Please, Bella. I'm begging." His dark eyes were glistening with tears. A lump filled my throat. "Jake, I have to―" "You don't, though. You really don't. You could stay here with me. You could stay alive. For Charlie. For me." The engine of Carlisle's Mercedes purred; the rhythm of the thrumming spiked when Alice revved it impatiently. I shook my head, tears spattering from my eyes with the sharp motion. I pulled my arm free, and he didn't fight me. "Don't die Bella," he choked out. "Don't go. Don't." What if I never saw him again? The thought pushed me past the silent tears; a sob broke out from my chest. I threw my arms around his waist and hugged for one too-short moment, burying my tear-wet face against his chest. He put his big hand on the back of my hair, as if to hold me here. "Bye, Jake." I pulled his hand from my hair, and kissed his palm. I couldn't bear to look at his face. "Sorry," I whispered.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Love,you don´t know what you do to me." "I have a pretty good idea.I make you stiff and hard,and when I touch you,you want to screw me." His eyes were slits."You´re close." "You mean you don´t want to screw me?" "I mean I want to screw you all the time,whether you´re touching me or not.I want to lift your pretty skirt and do you right now." Excitement spiked through her."Right here on the wall?"she asked in an innocent voice. "Right here on the wall.
Jennifer Ashley (Pride Mates (Shifters Unbound, #1))
We're plotting to steal time itself from you.... We're going to spike it to the floor as it slips by. And just as you come over to see why it's so still, we'll pull it out from under you--and send you spinning off around the galaxy's edge. We're planning to pluck all the best stars out of the sky and stuff them in our pockets... so that when we meet you once again and thrust our hands deep inside to hide our embarrassment, our fingertips will smart on them, as if they were desert grains, caught down in the seams, and we'll smile at you on your way to a glory that, for all our stellar thefts, we shall never be able to duplicate.
Samuel R. Delany (Stars in My Pocket Like Grains of Sand)
Shhh,” he murmurs, kissing away the droplets clinging to my cheeks. “We’re together now.” I shake my head, rejecting an answer that promises only one moment in time. “I have to know that the next time you get like that, we deal with it together, no matter what that means, Chris. I have to know.” “I won’t get—” His denial spikes through me and I try to push away from him, but he holds me. “Sara, wait.” “You will go there again. You will. I’m not about to pretend otherwise. It’s all or nothing, Chris. All the dark, hated places you go, you go with me. You have to trust me enough to love that part of you as much as I do the rest.” “You don’t know what you’re asking.” “It’s not a question. It’s not even close to a request. This is how it has to be.” His lashes lower; his struggle is palpable, and I soften instantly, hurting as he hurts. My fingers find his hair, stroking tenderly. “Let me love what you hate. Let me do that for you.” He presses his cheek to mine, his whiskers a welcome rasp on my cheek. “God, woman. I can’t lose you.” I close my eyes and whisper, “I’m not going anywhere.
Lisa Renee Jones (Being Me (Inside Out, #2))
Extremism, racism, nativism, and isolationism, driven by fear of the unknown, tend to spike in periods of economic and social stress—a period like our own. Americans today have little trust in government; household incomes lag behind our usual middle-class expectations. The fires of fear in America have long found oxygen when broad, seemingly threatening change is afoot. Now, in the second decade of the new century, in the presidency of Donald Trump, the alienated are being mobilized afresh by changing demography, by broadening conceptions of identity, and by an economy that prizes Information Age brains over manufacturing brawn. “We are determined to take our country back,” David Duke, a former grand wizard of the Ku Klux Klan, said in Charlottesville. “We are going to fulfill the promises of Donald Trump. That’s what we believed in, that’s why we voted for Donald Trump. Because he said he’s going to take our country back. And that’s what we gotta do.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
Well, he thought, you can fool some of the people all the time and all the people some of the time, which is just long enough to be President of the United States, and on that useless profundity, Milligan himself pedalled on, himself, himself.
Spike Milligan
Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye— corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb, leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear
Allen Ginsberg
Her clothes were almost dry by the time she reached the gatehouse. The portcullis was down and the gates barred, so she turned aside to a postern door. The gold cloaks who had the watch sneered when she told them to let her in. “Off with you,” one said. “The kitchen scraps are gone, and we’ll have no begging after dark.” “I’m not a beggar,” she said. “I live here.” “I said, off with you. Do you need a clout on the ear to help your hearing?” “I want to see my father.” The guards exchanged a glance. “I want to fuck the queen myself, for all the good it does me,” the younger one said. The older scowled. “Who’s this father of yours, boy, the city ratcatcher?” “The Hand of the King,” Arya told him. Both men laughed, but then the older one swung his fist at her, casually, as a man would swat a dog. Arya saw the blow coming even before it began. She danced back out of the way, untouched. “I’m not a boy,” she spat at them. “I’m Arya Stark of Winterfell, and if you lay a hand on me my lord father will have both your heads on spikes. If you don’t believe me, fetch Jory Cassel or Vayon Poole from the Tower of the Hand.” She put her hands on her hips. “Now are you going to open the gate, or do you need a clout on the ear to help your hearing?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
People imagined poems were wispy things, she said, frilly things, like lace doilies. But in fact they were like claws, like the metal spikes mountaineers use to find purchase on the sheer face of a glacier. By writing a poem, the lady poets could break through the slippery, nothingy surface of the life they were enclosed in, to the passionate reality that beat beneath it. Instead of falling down the sheer face, they could haul themselves up, line by line, until at last they stood on top of the mountain. And then maybe, just maybe, they might for an instant see the world as it really is.
Paul Murray (The Bee Sting)
definitions belong to the definer, not the defined, & I no longer wished to have my life & death foretold by others. I had endured too much to be reduced to an idea. Onto that pyre I threw so many, many words - that entire untrue literature of the past which had shackled & subjugated my as surely as the spiked iron collars & leg locks & jagged basils & balls & chains & headshaving - that had so long denied me my free voice & the stories I needed to tell. I no longer wished to read lies as to who & why I was. I knew who I was
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
Because the next moment, when I was hauled out from under the bed and up to a pair of so-familiar green eyes, I just hung there limply. And stared. At a face that was hard to look at. Not that it was unattractive. There had been a time when I'd thought so-the overlarge nose, the hard-as-glass eyes, the I-couldn't-be-bothered-to-shave-today-and-possibly-not-yesterday-either stubble didn't exactly spell out movie-star good looks. But there was a lot more to John Pritkin than looks, although even there I'd started to come around recently. The strong, stubborn jawline, the rock-hard body, and the flashes of humor behind the taciturn expression-hell, even the rigid blond spikes he called hair might not add up to handsome, but they added up to something. Something that might have been disturbing if I hadn't had plenty of other things to disturb me right now.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
The die was cast. It was a proud day for the Milligan family as I was taken from the house. "I'm too young to go," I screamed as Military Policemen dragged me from my pram, clutching a dummy. At Victoria Station the R.T.O. gave me a travel warrant, a white feather and a picture of Hitler marked "This is your enemy." I searched every compartment, but he wasn't on the train. At 4.30, June 2nd, 1940, on a summer's day all mare's tails and blue sky we arrived at Bexhill-on-Sea, where I got off. It wasn't easy. The train didn't stop there.
Spike Milligan (Adolf Hitler: My Part in His Downfall (War Memoirs, #1))
Thomas stared in horror at the monstrous thing making its way down the long corridor of the Maze. It looked like an experiment gone terribly wrong—something from a nightmare. Part animal, part machine, the Griever rolled and clicked along the stone pathway. Its body resembled a gigantic slug, sparsely covered in hair and glistening with slime, grotesquely pulsating in and out as it breathed. It had no distinguishable head or tail, but front to end it was at least six feet long, four feet thick. Every ten to fifteen seconds, sharp metal spikes popped through its bulbous flesh and the whole creature abruptly curled into a ball and spun forward. Then it would settle, seeming to gather its bearings, the spikes receding back through the moist skin with a sick slurping sound. It did this over and over, traveling just a few feet at a time. But hair and spikes were not the only things protruding from the Griever’s body. Several randomly placed mechanical arms stuck out here and there, each one with a different purpose. A few had bright lights attached to them. Others had long, menacing needles. One had a three-fingered claw that clasped and unclasped for no apparent reason. When the creature rolled, these arms folded and maneuvered to avoid being crushed. Thomas wondered what—or who—could create such frightening, disgusting creatures.
James Dashner (The Maze Runner (Maze Runner, #1))
Good," he said. "We need to talk." Suddenly, I didn't feel so relaxed anymore. Talk? What does he want to talk about? The part where I nearly died? I didn't want to talk about that. Because the fact is, that whole part, the part where I nearly died, well, I nearly died trying to save him. Seriously. I was hoping he hadn't noticed, but I could tell by the look on his face that he totally had. Noticed, I mean. And now he wanted to talk about it. But how could I talk about it? Without letting it slip? The L word, I mean. "You know what?" I said, very fast. "I don't want to talk. Is that okay? I really, really don't want to talk. I am all talked out. Jesse lifted Spike of his lap and put him on the floor. Then he stood up. What was he doing? I wondered. What was he doing? I took a deep breath, and kept talking about not talking. "I'm just--Look," I said as he took a step toward me. "I'm just going to give CeeCee a call and maybe we'll go to the beach or something, because really...I just need a day off." Another step forward. Now he was right in front of me. "Especially," I said, significantly, looking up at him, "from talking. That's especially what I need a day off from. Talking." "Fine," he said. He reached up and cupped my face in both hands. "We don't have to talk." And that's when he kissed me. On the lips.
Meg Cabot
If you can try to nap where someone's sitting, Although there is another empty chair, Then rub against his ankle without quitting Until he rises from your favorite lair; If you can whine and whimper by a portal Until the bolted door is opened wide, Then howl as if you've got a wound that's mortal Until he comes and lets you back inside; If you can give a guest a nasty spiking, But purr when you are petted by a thief; If you can find the food not to your liking Because they put some cheese in with the beef; If you can leave no proffered hand unbitten, And pay no heed to any rule or ban, then all will say you are a Cat, my kitten. And -- which is more -- you'll make a fool of Man!
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
Do you know why the leaves change colour, Makin?" They did look spectacular. The forest had grown around us as we traveled and the canopy burned with colour, from deepest red to flame orange, an autumn fire spreading in defiance of the rain. "I don't know," he said, "Why do they change?" "Before a tree sheds a leaf it pumps it full of all the poison it can't rid itself of otherwise. That red there—that's a man's skin blotching with burst veins after an assassin spikes his last meal with roto-weed. The poison spreading through him before he dies.
Mark Lawrence (Emperor of Thorns (Broken Empire, #3))
Josie examined the booklet, candelabra on the cover, a program. Brahms, and then Psalm 16, Psalm 32, Bach. A prayer, the Mourner's Kaddish, in the flamelike Hebrew, followed by an English pronunciation, a translation. At least she would not clap in the wrong part. She remembered that night at the Dorothy Chandler Pavilion, Michael so handsome in his iridescent thrift-store suit and green silk tie, she in her Lana Turner black lace and spike heels. How they peered down from their seats in the top balcony at the horseshoe of musicians with their stands and instruments. When the music stopped, Michael caught hold of her hand. Lacing his fingers in hers, he tenderly bit her knuckles. She would have been the only one applauding.
Janet Fitch (Paint it Black)
I figured if I was tired enough, I wouldn’t miss Travis. Which kind of worked, until after the three o’clock fussing-wombat feed and I got back into bed and his side of the bed was cold. Or until I tripped over his laundry that he’d left on the bathroom floor. That he always left on the bathroom floor. Or until I sat at the table at breakfast time and his chair was too damn empty. There was no smartarse comments, no bursts of laughter. His blue eyes didn’t spark with humour and his sandy-blond hair didn't spike out just so. There was no foot-holding under the table.
N.R. Walker (Red Dirt Heart 3 (Red Dirt, #3))
The archival record backs up the testimony of the survivors. Neither crop failure nor bad weather caused the famine in Ukraine. Although the chaos of collectivization helped create the conditions that led to famine, the high numbers of deaths in Ukraine between 1932 and 1934, and especially the spike in the spring of 1933, were not caused directly by collectivization either. Starvation was the result, rather, of the forcible removal of food from people’s homes; the roadblocks that prevented peasants from seeking work or food; the harsh rules of the blacklists imposed on farms and villages; the restrictions on barter and trade; and the vicious propaganda campaign designed to persuade Ukrainians to watch, unmoved, as their neighbours died of hunger.
Anne Applebaum (Red Famine: Stalin's War on Ukraine)
The 46-year-old recipient of the Jarvik IX Exterior Artificial Heart was actively window shopping in Cambridge, Massachusetts’ fashionable Har­vard Square when a transvestite purse snatcher, a drug addict with a crimi­nal record all too well known to public officials, bizarrely outfitted in a strapless cocktail dress, spike heels, tattered feather boa, and auburn wig, brutally tore the life sustaining purse from the woman’s unwitting grasp. The active, alert woman gave chase to the purse snatching ‘woman’ for as long as she could, plaintively shouting to passers by the words ‘Stop her! She stole my heart!’ on the fashionable sidewalk crowded with shop­pers, reportedly shouting repeatedly, ‘She stole my heart, stop her!’ In response to her plaintive calls, tragically, misunderstanding shoppers and passers by merely shook their heads at one another, smiling knowingly at what they ignorantly presumed to be yet another alternative lifestyle’s re­lationship gone sour. A duo of Cambridge, Massachusetts, patrolmen, whose names are being withheld from Moment’s dogged queries, were publicly heard to passively quip, ‘Happens all the time,’ as the victimized woman staggered frantically past in the wake of the fleet transvestite, shouting for help for her stolen heart.
David Foster Wallace (Infinite Jest)
Eric Harris wanted a prom date. Eric was a senior, about to leave Columbine High School forever. He was not about to be left out of the prime social event of his life. He really wanted a date. Dates were not generally a problem. Eric was a brain, but an uncommon subcategory: cool brain. He smoked, he drank, he dated. He got invited to parties. He got high. He worked his look hard: military chic hair— short and spiked with plenty of product—plus black T-shirts and baggy cargo pants. He blasted hard-core German industrial rock from his Honda. He enjoyed firing off bottle rockets and road-tripping to Wyoming to replenish the stash. He broke the rules, tagged himself with the nickname Reb, but did his homework and earned himself a slew of A’s. He shot cool videos and got them airplay on the closed-circuit system at school. And he got chicks. Lots and lots of chicks. On the ultimate high school scorecard, Eric outscored much of the football team. He was a little charmer. He walked right up to hotties at the mall. He won them over with quick wit, dazzling dimples, and a disarming smile.
Dave Cullen (Columbine)
But were the coming narrative to reveal in any instance, the complete abasement of poor Starbuck's fortitude, scarce might I have the heart to write it; for it is a thing most sorrowful, nay shocking, to expose the fall of valour in the soul. Men may seem detestable as joint stock-companies and nations; knaves, fools, and murderers there may be; men may have mean and meagre faces; but man, in the ideal, is so noble and so sparkling, such a grand and glowing creature, that over any ignominious blemish in him all his fellows should run to throw their costliest robes. That immaculate manliness we feel within ourselves, so far within us, that it remains intact though all the outer character seem gone; bleeds with keenest anguish at the undraped spectacle of a valor-ruined man. Nor can piety itself, at such a shameful sight, completely stifle her upbraidings against the permitting stars. But this august dignity I treat of, is not the dignity of kings and robes, but that abounding dignity which has no robed investiture. Thou shalt see it shining in the arm that wields a pick or drives a spike; that democratic dignity which, on all hands, radiates without end from God; Himself! The great God absolute! The centre and circumference of all democracy! His omnipresence, our divine equality!
Herman Melville (Moby Dick)
Once we get the anticipated reward, brain dopamine firing increases well above tonic baseline, but if the reward we anticipated doesn't materialise, dopamine levels fall well below baseline. Which is to say, if we get the expected reward, we get an even bigger spike, if we don't get the expected reward, we experience an even bigger plunge. We've all experienced the letdown of unmet expectations. An expected reward that failed to materialise is worse than a reward that was never anticipated in the first place. How does cue-induced craving translate to our pleasure-pain balance? The balance tips to the side of pleasure, a dopamine mini spike, in anticipation of future reward. Immediately followed by a tip to the side of pain, a dopamine mini defecit, in the aftermath of the cue. The dopamine defecit is craving and drives drug seeking behaviour.
Anna Lembke (Dopamine Nation: Finding Balance in the Age of Indulgence)
How are you holding up?" "I'm good.And still untouched," she added. "Are you alone in that bed?" "Except for the six members of the all-girl Swedish volleyball team.Helga's got a hell of a spike.Aren't you going to ask what I'm wearing?" "Black Speedos,sweat,and a big smile." "How'd you guess?So,what are you wearing?" Slowly,she ran a tongue around her teeth. "Oh,just this little..very little..white lace teddy." "And stiletto heels." "Naturally.With a pair of sheer hose.They have little pink roses around the tops. It matches the one I'm tucking between my breasts right now. I should add I've just gotten out of the tub.I'm still a little..wet." "Jesus.You're too good at this.I'm hanging up." Her response was a long, throaty laugh."I'm going to love driving the Jag.let me know when to expect the shipment." When the phone clicked in her ear,she laughed again,turned, and found herself nearly face to face wth Kate. "how long have you been standing there?" "Long enough to be confused.Were you just having [hone sex with Josh? Our Josh?" Carelessly,Margo brushed her hair behind her ear. "It was more foreplay really.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
What did you do?" said Charles. "You know that night all our shoes went into the hall," said Nirupam. "Well, we had a feast that night. Dan Smith made me get up the floorboards and get the food out. He says I have no right to be so large and so weak," Nirupam said resentfully, "and I was hating him for it, when I took the boards up and found a pair of running shoes, with spikes, hidden there with the food. I turned those shoes into a chocolate cake. I knew Dan was so greedy that he would eat it all himself. And he did eat it. He didn't let anyone else have any. You may have noticed that he wasn't quite himself the next day." So much had happened to Charles that particular day, that he could not remember Dan seeming anything at all. He didn't have the heart to explain all the trouble Nirupam had caused him. "Those were my spikes," he said sadly. He wobbled along on the mop rather awed at the thought of iron spikes passing through Dan's stomach. "He must have a digestion like an ostrich!" "The spikes were turned into cherries," said Nirupam. "The soles were the cream. The shoes as a whole became what is called a Black Forest gateau.
Diana Wynne Jones (Witch Week (Chrestomanci, #3))
Imagine a person who enjoys alcohol, perhaps a bit too much. He has a quick three or four drinks. His blood alcohol level spikes sharply. This can be extremely exhilarating, particularly for someone who has a genetic predisposition to alcoholism.23 But it only occurs while blood alcohol levels are actively rising, and that only continues if the drinker keeps drinking. When he stops, not only does his blood alcohol level plateau and then start to sink, but his body begins to produce a variety of toxins, as it metabolizes the ethanol already consumed. He also starts to experience alcohol withdrawal, as the anxiety systems that were suppressed during intoxication start to hyper-respond. A hangover is alcohol withdrawal (which quite frequently kills withdrawing alcoholics), and it starts all too soon after drinking ceases. To continue the warm glow, and stave off the unpleasant aftermath, the drinker may just continue to drink, until all the liquor in his house is consumed, the bars are closed and his money is spent. The next day, the drinker wakes up, badly hungover. So far, this is just unfortunate. The real trouble starts when he discovers that his hangover can be “cured” with a few more drinks the morning after. Such a cure is, of course, temporary. It merely pushes the withdrawal symptoms a bit further into the future. But that might be what is required, in the short term, if the misery is sufficiently acute. So now he has learned to drink to cure his hangover. When the medication causes the disease, a positive feedback loop has been established.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
Come,” he whispered. They all were welcome. They scattered for the racks, seizing their spiked swords, and their sharp axes, and the Bloody-Nine laughed to watch them. Armed or not, their death was a thing already decided. It was written into the cavern in lines of fire and lines of shadow. Now he would write it in lines of blood. “Die!” he roared, and the blade made circles, savage and beautiful, the letter on the metal burning red and leaving bright trails behind. And where the circles passed everything would be made right. The Shanka would scream and gibber, and the pieces of them would scatter, and they would be sliced and divided as neatly as meat on the butcher’s block The Bloody-Nine showed his teeth, and smiled to be free, and to see the good work done so well. He knocked a barbed sword from a Flathead’s hand, seized it by the scruff of the neck and forced its face down into the channel where the molten steel flowed, furious yellow, and its head hissed and bubbled, shooting out stinking steam. “Burn!” laughed the Bloody-Nine, and the ruined corpses, and their gaping wounds, and their fallen weapons, and the boiling bright iron laughed with him. Only the Shanka did not laugh. They knew their hour was come.
Joe Abercrombie (The First Law Trilogy)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
One day in the next five hundred billion years, while the probes complete one full circuit of the Milky Way, maybe they’ll stumble upon intelligent life. In forty thousand years or so, when the two probes sail close enough to a planetary system, maybe just maybe one of these plants will be home to some life form which will spy the probe with whatever it has that passes for eyes, stay its telescope, retrieve the derelict fuel-less old probe with whatever it has that passes for curiosity, lower the stylus (supplied) to the record with whatever it has that passes for digits, and set free the dadadadaa of Beethoven’s Fifth. It’ll roll like thunder through a different frontier. Human music will permeate the Milky Way’s outer reaches. There’ll be Chuck Berry and Bach, there’ll be Stravinsky and Blind Willie Johnson, and the didgeridoo, violin, slide guitar and shakuhachi. Whale song will drift through the constellation of Ursa Minor. Perhaps a being on a planet of the star AC +793888 will hear the 1970s recording of sheep bleat, laughter, footsteps, and the soft pluck of a kiss. Perhaps they’ll hear the trundle of a tractor and the voice of a child. When they hear on the phonograph a recording of rapid firecracker drills and bursts, will they know that these sounds denote brainwaves? Will they ever infer that over forty thousand years before in a solar system unknown a woman was rigged to an EEG and her thoughts recorded? Could they know to work backwards from the abstract sounds and translate them once more into brainwaves, and could they know from these brainwaves the kinds of thoughts the woman was having? Could they see into a human’s mind? Could they know she was a young woman in love? Could they tell from this dip and rise in the EEG’s pattern that she was thinking simultaneously of earth and lover as if the two were continuous? Could they see that, though she tried to keep her mental script, to bring to mind Lincoln and the Ice Age and the hieroglyphs of ancient Egypt and whatever grand things have shaped the earth and which she wished to convey to an alien audience, every thought cascaded into the drawn brows and proud nose of her lover, the wonderful articulation of his hands and the way he listened like a bird and how they had touched so often without touching. And then a spike in sound as she thought of that great city Alexandria and of nuclear disarmament and the symphony of the earth’s tides and the squareness of his jaw and the way he spoke with such bright precision so that everything he said was epiphany and discovery and the way he looked at her as though she were the epiphany he kept on having and the thud of her heart and the flooding how heat about her body when she considered what it was he wanted to do to her and the migration of bison across a Utah plain and a geisha’s expressionless face and the knowledge of having found that thing in the world which she ought never to have had the good fortune of finding, of two minds and bodies flung at each other at full dumbfounding force so that her life had skittered sidelong and all her pin-boned plans just gone like that and her self engulfed in a fire of longing and thoughts of sex and destiny, the completeness of love, their astounding earth, his hands, his throat, his bare back.
Samantha Harvey (Orbital)
We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger. Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.” She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.” “Look at you,” I said. "You’re tottering like a drunk. You can’t ride.” “I can and I will." “What’s your hurry, Your Highness?” Sven asked. She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever? Her expression sobered. “Please, Rafe, you have to trust me on this.” “What did you see?” I asked. “It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.” “Didn’t she say that to you a dozen times?” “At least,” she answered, but her stance remained determined. All this rush over don’t tarry? Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too. I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.
Mary E. Pearson (The Beauty of Darkness (The Remnant Chronicles, #3))
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
My cheeks are hot when he stalks right up to me, eyes narrowed. Pinched between his bloody fingers is a piece of scrap metal laced with seilgflùr from the blunderbuss—a shot that would have killed any other faery. “Really?” he says. “You were traipsing around in a low-visibility field while enemy fae are afoot,” I say defensively, hoping he can’t tell I’m blushing. “What is wrong with you?” Aithinne snickers and Kiaran casts her a sharp glance. “It’s not funny.” His sister tries to hold back a laugh, but doesn’t quite succeed. “I’m sorry,” she says. “But you just . . . I’ve never seen you look like such a complete mess.” Kiaran studies her with a narrowed gaze. “And both of you look like you’ve gone three rounds with a roving band of feral cats. I’d say we’re even.” “Even? Oh, please.” Aithinne ticks off each finger. “Thus far the Falconer and I escaped through a forest of spiked trees, fought off the mara, fled from Lonnrach’s soldiers, and defeated two mortair. You were shot by accident with some weapon composed of a wooden stick with a barrel on the end—” “A blunderbuss,” I correct helpfully. Kiaran gives me a pointed look that says, Whose side are you on? “—so I’d say I win this round.” She finishes with the sort of arrogant grin that makes it very clear that this must be an ongoing competition. Sibling rivalry, it seems, is not just for humans. If Kiaran’s glare is any indication, he’s contemplating about fifty different ways of killing his own sister. “Just remember,” I whisper to him, “murder is frowned upon in most societies.” “Not mine,” Kiaran says shortly. “She’s lucky I love her.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.
Donald Barthelme (The Dead Father)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)