β
Bees do have a smell, you know, and if they don't they should, for their feet are dusted with spices from a million flowers.
β
β
Ray Bradbury (Dandelion Wine)
β
He who controls the spice controls the universe.
β
β
Frank Herbert (Dune (Dune, #1))
β
Perfume was first created to mask the stench of foul and offensive odors...
Spices and bold flavorings were created to mask the taste of putrid and rotting meat...
What then was music created for?
Was it to drown out the voices of others, or the voices within ourselves?
I think I know.
β
β
Emilie Autumn (The Asylum for Wayward Victorian Girls)
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
I often quote myself. It adds spice to my conversation.
β
β
George Bernard Shaw
β
Courage, sacrifice, determination, commitment, toughness, heart, talent, guts. That's what little girls are made of; the heck with sugar and spice.
β
β
Bethany Hamilton (Soul Surfer: A True Story of Faith, Family, and Fighting to Get Back on the Board)
β
Do you know that books smell like nutmeg or some spice from a foreign land? I loved to smell them when I was a boy. Lord, there were a lot of lovely books once, before we let them go.
β
β
Ray Bradbury
β
Not all girls are made of sugar and spice and all things nice. Some are made of witchcraft and wolf and a little bit of vice.
β
β
Nikita Gill
β
The adventure of life is to learn.
The purpose of life is to grow.
The nature of life is to change.
The challenge of life is to overcome.
The essence of life is to care.
The opportunity of like is to serve.
The secret of life is to dare.
The spice of life is to befriend.
The beauty of life is to give.
β
β
William Arthur Ward
β
You have no idea how hard I've looked for a gift to bring You. Nothing seemed right. What's the point of bringing gold to the gold mine, or water to the ocean. Everything I came up with was like taking spices to the Orient. It's no good giving my heart and my soul because you already have these. So I've brought you a mirror. Look at yourself and remember me.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
Words are like spices. Too many is worse than too few.
β
β
Joan Aiken (The Last Slice of Rainbow and Other Stories)
β
They'll say you are bad
or perhaps you are mad
or at least you
should stay undercover.
Your mind must be bare
if you would dare
to think you can love
more than one lover.
β
β
David Rovics
β
While clothes do not, as the saying would sometimes have it, make the man, and fine feathers do not make fine birds, sometimes they can add a certain spice to a recipe.
β
β
Neil Gaiman (Stardust)
β
Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine.
β
β
AnaΓ―s Nin (The Diary of AnaΓ―s Nin, Vol. 1: 1931-1934)
β
I'll never forget the way he tastes. It's not anything I can describe, a little sweet and a whole lot of spice, and it feels, in that moment, absolutely right.
β
β
Cynthia Hand (Hallowed (Unearthly, #2))
β
A little danger adds spice to life.
β
β
Megan Whalen Turner (The Thief (The Queen's Thief, #1))
β
There is no single face in nature, because every eye that looks upon it, sees it from its own angle. So every man's spice-box seasons his own food.
β
β
Zora Neale Hurston
β
There are few things in life that are worth waking up to: sex, the dark spices of freshly brewed coffee and bacon.
β
β
Dannika Dark (Sterling (Mageri, #1; Mageriverse #1))
β
Society. The same society, I might add, that dictates that little girls should always be sugar and spice and everything nice, which encourages them not to be assertive. And that, in turn, then leads to low self-esteem, which can lead to eating disorders and increased tolerance and acceptance of domestic, sexual, and substance abuse."
"You get all that from a pink Onesie?" Leah said after a moment.
β
β
Sarah Dessen
β
I mean she's Cleopatra... shouldn't she and Antony have known better? They were so different..."
"Variety is the spice of life"
"And from a thousand miles apart"
"Absence makes the heart grow fonder
β
β
Ally Carter (Uncommon Criminals (Heist Society, #2))
β
He smelled like smoke too, and under it was the edge of apple pies-spice and goodness. Jesus. Even after all that he smelled like a bakery.
β
β
Lili St. Crow (Betrayals (Strange Angels, #2))
β
Her hair fragrant with hints of vanilla and cinnamon, subtle enough to make him wonder if it were the spices or truly the way she smelled.
β
β
William Kely McClung (Black Fire)
β
Maybe I should add some graffiti to spice it up. For a good time call the Consort. Beast Lord eats your food and turns into a lion in his sleep. Mahon has hemorrhoids. Boudas do it better. Warning, paranoid attack jaguar on the prowlβ¦
β
β
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
β
Sandwich outdoors isnβt a sandwich anymore. Tastes different than indoors, notice? Got more spice. Tastes like mint and pinesap. Does wonders for the appetite.
β
β
Ray Bradbury (Dandelion Wine)
β
Variety's the very spice of life, that gives it all it's flavour.
β
β
William Cowper
β
Each day has a color, a smell.
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
..Some of our loves and attachments are elemental and beyond our choosing, and for that very reason they come spiced with pain and regret and need and hollowness and a feeling as close to anger as I will ever be able to imagine.
β
β
Colm TΓ³ibΓn
β
Dullness is the spice of life. Which is why we must always use other spices.
β
β
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
β
Once you get a spice in your home, you have it forever. Women never throw out spices. The Egyptians were buried with their spices. I know which one I'm taking with me when I go.
β
β
Erma Bombeck
β
Compromise, if not the spice of life, is its solidity. It is what makes nations great and marriages happy
β
β
Phyllis McGinley
β
I'm afraid I couldn't like him without a spice of human naughtiness.
β
β
Louisa May Alcott (Little Women)
β
Each spice has a special day to it. For turmeric it is Sunday, when light drips fat and butter-colored into the bins to be soaked up glowing, when you pray to the nine planets for love and luck.
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
Universal truths in butter. Secrets folded into the dough. Poetry in the spices. Romance in a chocolate. Love in a lemon pie.
β
β
Ashley Poston (The Seven Year Slip)
β
Do you scent the same things I do?β
Ransom made a face when she described what sheβd picked up from the passing vamp. βYeah, except I donβt say shit like βcinnamon spice with a hint of burnt oak.β I say βdude smells like an electrified tree with a side of doughnut topping.
β
β
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
β
Tell me what you want, what you really, really want," he said.
"Braiiinnnnssss," we said in unison.
β
β
Maureen Johnson (The Name of the Star (Shades of London, #1))
β
Cookery meansβ¦English thoroughness, French art, and Arabian hospitality; it means the knowledge of all fruits and herbs and balms and spices; it means carefulness, inventiveness, and watchfulness.
β
β
John Ruskin
β
Those around you can have their novellas, sweet, their short stories of clichΓ© and coincidence, occasionally spiced up with tricks of the quirky, the achingly mundane, the grotesque. A few will even cook up Greek tragedy, those born into misery, destined to die in misery. But you, my bride of quietness, you will craft nothing less than epic with your life. Out of all of them, your story will be the one to last.
β
β
Marisha Pessl (Special Topics in Calamity Physics)
β
But now it was spring again, and spring was almost unbearable for sensitive hearts. It drove creation to its utmost limits, it wafted its spice-laden breath even into the nostrils of the innocent.
β
β
Knut Hamsun (Dreamers)
β
The crew was mostly men. That's how it was and that's pretty much how it still is. It's a man's world & show business is a man's meal with women generously sprinkled through it like over-qualified spice.
β
β
Carrie Fisher (The Princess Diarist)
β
I looked at this man and thought: Oh, how we are going to hurt each other.
β
β
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
β
Hello, my name is ees Lebkuchen Spice, and I vant to show you my coooooookies...
β
β
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
β
Fenugreek, Tuesday's spice, when the air is green like mosses after rain.
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
The dust was antique spice, burnt maple leaves, a prickling blue that teemed and sifted to earth. Swarming its own shadows, the dust filtered over the tents.
β
β
Ray Bradbury (Something Wicked This Way Comes)
β
She's a baby," Maggie told me. "Babies wear pastels."
"Says who?" I asked. ... "Society. The same society, I might add, that dictates that little girls should always be sugar and spice and everything nice, which engourages them to not be assertive. And that, in turn, then leads to low self-esteem, which can lead to eating disorders and increased tolerance and acceptance of domestic, sexual, and substance abuse.
β
β
Sarah Dessen (Along for the Ride)
β
Infatuation was a good thing. It gave spice to life, and added to its enjoyment... But it was different from love. Love was worth everything, and couldn't be exchanged for anything.
β
β
Paulo Coelho (The Valkyries)
β
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though Iβd
never been your lover
β
β
Leonard Cohen (The Spice-Box of Earth)
β
Fennel, which is the spice for Wednesdays, the day of averages, of middle-aged people. . . . Fennel . . . smelling of changes to come.
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
the wolf who wins is the wolf you feed. The evil wolf feeds on anger, guilt, sorrow, lies, and regret. The good wolf needs a diet of love and honesty, spiced up with big spoonfuls of compassion and faith. So if you want the good wolf to win, youβre going to have to starve the other one.
β
β
Deborah Harkness (The Book of Life (All Souls, #3))
β
The same chemicals were used in the cooking as were used on the composition of her own being: only those which caused the most violent reaction, contradiction, and teasing, the refusal to answer questions but the love of putting them, and all the strong spices of human relationship which bore a relation to black pepper, paprika, soybean sauce, ketchup and red peppers.
β
β
AnaΓ―s Nin (Ladders to Fire (Cities of the Interior #1))
β
Never be afraid of trying something new, Hassan. Very important. It is the spice of life.
β
β
Richard C. Morais (The Hundred-Foot Journey)
β
In honor of October, really just hours away now.....
Brew me a cup for a winter's night.
For the wind howls loud and the furies fight;
Spice it with love and stir it with care,
And I'll toast our bright eyes,
my sweetheart fair.
β
β
Minna Thomas Antrim
β
Willie said normal was boring and that I should be grateful that I had a touch of spice. She said no one cared about boring people, and when they died, they were forgotten, like something that slips behind the dresser.
β
β
Ruta Sepetys (Out of the Easy)
β
All worries are less with wine.
β
β
Amit Kalantri (Wealth of Words)
β
Rejoice with glitters of ashes tonight
Sparkling for moon's spiced silver bite
Upon skin of darkness, loving night more
Storm begins unlocking cold wind's door
β
β
Munia Khan
β
She couldnβt make him look just like any other man to her. He looked like the love thoughts of women. He could be a bee to a blossom β a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung above him. He was a glance from God.
β
β
Zora Neale Hurston (Their Eyes Were Watching God)
β
I found a few springs of rosemary and returned. Ignoring the collective sigh when I appeared, I stripped off the leaves and handed them to Loren.
He sniffed them in suspicion. "What's this?"
I guess it would take more than my word for them to trust me, "Rosemary." No glimmer of recognition. "It's to make your stew taste better. Don't you know the basic herbs and spices?"
"No. I took this job in self-defence. Quain burns everything. Belen thinks jerky is all we need to survive. Flea's idea of good meal is something that hasn't been in garbage can first. And Kerrick poisoned us---"
"Not on purpose." Kerrick said. "The meat looked done.
β
β
Maria V. Snyder (Touch of Power (Healer, #1))
β
Briefly, the nymphaeum glowed with a softer light, like a full moon. Piper smelled exotic spices and blooming roses. She heard distant music and happy voices talking and laughing. She guessed she was hearing hundreds of years of parties and celebrations that had been held at this shrine in ancient times, as if the memories had been freed along with the spirits.
'What is that?' Jason asked nervously.
Piper slipped her hand into his. 'The ghosts are dancing.
β
β
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
β
All things are strange which are worth knowing.
β
β
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
β
My initial impression of her had been totally wrong. The impression that she was this sweet and stunningly beautiful Vietnamese girl who had survived a difficult time in her life, and was, perhaps, still vulnerable. But, now it was different. She was nothing but a paid whore. It took me a moment to analyze it. Totally against my character, but I realized, if only for a fleeting instant, I wanted to take this whore to bed, even though there would be no spice of pursuit, and it would generate no particular tension between us.
β
β
Behcet Kaya (Treacherous Estate (Jack Ludefance, #1))
β
We like the wrong sorts of girls, they wrote. They are usually the ones worth writing about.
β
β
Catherynne M. Valente (In the Cities of Coin and Spice (The Orphan's Tales, #2))
β
Now he was astonished by how much he missed them. The English made regular use of only two flavours β salty and not salty β and did not seem to recognize any of the others. For a country that profited so well from trading in spices, its citizens were violently averse to actually using them; in all his time in Hampstead, he never tasted a dish that could be properly described as βseasonedβ, let alone βspicyβ.
β
β
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
β
All men burn with foolish jealousy, but women are fools to take delight in it. This world is full of fools no matter where you look.
β
β
Isuna Hasekura (Spice & Wolf, Vol. 01)
β
Haven't had your fill of interesting events?"
"Never. They are the spice of life." She held up her half-finished hat. "How do you like it?"
"It's nice. The blue is pretty. But what do the runes say?"
"Raxacori-Oh, never mind. It wouldn't mean a thing to you anyway. Safe travels to you and Saphira, Eragon. And remember to watch out for earwigs and wild hamsters. Β Ferocious things, wild hamsters."Β
β
β
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
β
While one may lose much because of avarice, nothing was ever accomplished by abstinence.
β
β
Isuna Hasekura (Spice & Wolf, Vol. 01)
β
Believe nothing of me
except that I felt your beauty
more closely than my own.
β
β
Leonard Cohen (The Spice-Box of Earth)
β
How can I forgive if you are not ready to give up that which caused you to stumble?
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
[The kitchen] was also messy--delightfully so, thought Jane--and it didn't look as though lots of cooking went on there. There was a laptop computer on the counter with duck stickers on it, the spice cabinet was full of Ben's toy trucks, and Jane couldn't spot a cookbook anywhere. This is the kitchen of a Thinker, she decided, and promised herself that she'd never bother with cooking, either.
β
β
Jeanne Birdsall (The Penderwicks on Gardam Street (The Penderwicks, #2))
β
Leto turned a hard stare at Kynes.
And Kynes, returning the stare, found himself troubled by a fact he had observed here: This Duke was concerned more over the men than he was over the spice. He risked his own life, and that of his son to save the men. He passed off the loss of a spice crawler with a gesture. The threat to men's lives had him in a rage. A leader such as that would command fanatic loyalty. He would be difficult to defeat.
Against his own will and all previous judgements, Kynes admitted to himself: I like this Duke.
β
β
Frank Herbert (Dune (Dune, #1))
β
Boomer took bites of all six varieties, contemplating each one and "guring out the order in which he would then eat them. βI like the
brown one and the lighter brown one and the almost-brown one. Iβm not so sure about the minty one. But really, I think the lebkuchen spice
one is the best.β
βThe what?β
βThe lebkuchen spice one.β He held it up for me. βThis one.β
βYouβre making that up. Whatβs a lebkuchen spice? It sounds like a cross between a Keebler elf and a stripper. Hello, my name ees
Lebkuchen Spice, and I vant to show you my cooooookies...β
βDonβt be rude!β Boomer protested. As if the cookie might be offended.
β
β
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
β
I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn't eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it'd be set with a heaping double portion, served alongside the various other preferences that made you, you.
β
β
Michelle Zauner (Crying in H Mart)
β
But there are people who take salt with their coffee. They say it gives a tang, a savour, which is peculiar and fascinating. In the same way there are certain places, surrounded by a halo of romance, to which the inevitable disillusionment you experience on seeing them gives a singular spice. You had expected something wholly beautiful and you get an impression which is infinitely more complicated than any that beauty can give you. It is the weakness in the character of a great man which may make him less admirable but certainly more interesting.
Nothing had prepared me for Honolulu...
β
β
W. Somerset Maugham
β
Mentorβs Official and Complete Procedural Handbook on Initial Succubus Intake and Probationary Period (Abridged).
βAbridged?β I spun toward Jerome. βTell me youβre getting back at me for the time I accused you of wearing Old Spice.β
βThat oneβs still coming,β said the demon. βThis oneβs for real.
β
β
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
β
Love is the spice of life!" Aunt Lydia picked up her glass and took a long drink before setting it down again. "Did it end in heartache, dear?" "Well, yes...but it was the good kind of heart ache, Aunt Lydia. The kind where you'll always think fondly of each other, even though you know your love could never be." My aunt squealed with delight. "Ooh, I just love stories that end that way! Those happy, sappy endings in romance novels aren't realistic at all. But if you can gaze up at the stars at night and think fondly of your lost love, then it's worth falling in love and losing him." "You're absolutely right.
β
β
Lynn Austin (Wonderland Creek)
β
He held the book up to his nose. It smelled like Old Spice talcum powder. Books that smelled that way were usually fun to read. He threw the book onto his bed and went to his suitcase. After rummaging about for awhile, he came up with a long, narrow box of chocolate-covered mints. He loved to eat candy while he read, and lots of his favorite books at home had brown smudges on the corners of the pages.
β
β
John Bellairs (The House with a Clock in Its Walls (Lewis Barnavelt, #1))
β
Monday is the day of silence, day of the whole white mung bean, which is sacred to the moon.
β
β
Chitra Banerjee Divakaruni (The Mistress of Spices)
β
She serves me a piece of it a few minutes
out of the oven. A little steam rises
from the slits on top. Sugar and spice -
cinnamon - burned into the crust.
But she's wearing these dark glasses
in the kitchen at ten o'clock
in the morning - everything nice -
as she watches me break off
a piece, bring it to my mouth,
and blow on it. My daughter's kitchen,
in winter. I fork the pie in
and tell myself to stay out of it.
She says she loves him. No way
could it be worse.
β
β
Raymond Carver
β
She wasnβt so much afraid of dying as she was of forgetting to live her life. Somewhere along the way, sheβd forgotten to figure out who she was or what she wanted to be when she grew up.
β
β
Laurie Gilmore (The Pumpkin Spice CafΓ© (Dream Harbor, #1))
β
When he puts his mouth against her shoulder
she is uncertain whether her shoulder
has given or received the kiss.
All her flesh is like a mouth.
β
β
Leonard Cohen (The Spice-Box of Earth)
β
Sarah Cynthia Sylvia Stout
Would not take the garbage out!
She'd scour the pots and scrape the pans,
Candy the yams and spice the hams,
And though her daddy would scream and shout,
She simply would not take the garbage out.
And so it piled up to the ceilings:
Coffee grounds, potato peelings,
Brown bananas, rotten peas,
Chunks of sour cottage cheese.
It filled the can, it covered the floor,
It cracked the window and blocked the door
With bacon rinds and chicken bones,
Drippy ends of ice cream cones,
Prune pits, peach pits, orange peel,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans and tangerines,
Crusts of black burned buttered toast,
Gristly bits of beefy roasts. . .
The garbage rolled on down the hall,
It raised the roof, it broke the wall. . .
Greasy napkins, cookie crumbs,
Globs of gooey bubble gum,
Cellophane from green baloney,
Rubbery blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk and crusts of pie,
Moldy melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold french fried and rancid meat,
Yellow lumps of Cream of Wheat.
At last the garbage reached so high
That it finally touched the sky.
And all the neighbors moved away,
And none of her friends would come to play.
And finally Sarah Cynthia Stout said,
"OK, I'll take the garbage out!"
But then, of course, it was too late. . .
The garbage reached across the state,
From New York to the Golden Gate.
And there, in the garbage she did hate,
Poor Sarah met an awful fate,
That I cannot now relate
Because the hour is much too late.
But children, remember Sarah Stout
And always take the garbage out!
β
β
Shel Silverstein
β
Not all girls are made of sugar
and spice and all things nice.
These are girls made of dark lace
and witchcraft and a little bit of vice.
These are daughters made claw first
and story-mad, tiger roar and wolf-bad.
These are women made of terrible tempests
and savage storms and the untamed unwanted.
These are damsels made of flawless fearlessness
made of more bravery than knights have ever seen.
These are princesses made of valour and poison alike
and they are here to hold court as your queens.
β
β
Nikita Gill
β
If you try to make a shrimp boil, but the bag of spices bursts, and so you just toss it in along with whatever spices you can find in the pantry--you can make homemade pepper spray. Unintentionally.
And everyone at your dinner party will run outside for the next hour, coughing and tearing up as if they've been maced, because technically they kind of have been, because mace was one of the spices I found in the panty. I blame whoever makes spice out of mace, and I remind my gasping dinner guests that even if I did mace them, I did it in an old fashioned, homemade, Martha Stewart sort of way. With love.
β
β
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
β
When I arrived in Beirut from Europe, I felt the oppressive, damp heat, saw the unkempt palm trees and smelt the Arabic coffee, the fruit stalls and the over-spiced meat. It was the beginning of the Orient. And when I flew back to Beirut from Iran, I could pick up the British papers, ask for a gin and tonic at any bar, choose a French, Italian, or German restaurant for dinner. It was the beginning of the West. All things to all people, the Lebanese rarely questioned their own identity.
β
β
Robert Fisk (Pity the Nation: The Abduction of Lebanon)
β
Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it
becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
"You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood.
If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with
tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range,
what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
β
β
AnaΓ―s Nin (Delta of Venus)
β
Survive long enough and you get to a far point in life where nothing else of particular interest is going to happen. After that, if you donβt watch out, you can spend all your time tallying your losses and gains in endless narrative. All you love has fled or been taken away. Everything fallen from you except the possibility of jolting and unforewarned memory springing out of the dark, rushing over you with the velocity of heartbreak. May walking down the hall humming an old songββThe Girl I Left Behind Meββor the mere fragrance of clove in spiced tea can set you weeping and howling when all youβve been for weeks on end is numb.
β
β
Charles Frazier (Thirteen Moons)
β
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
β
β
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
β
She gestured toward his very fine chest with her pencil. βOn the off chance I find out after weβre married that your declaration of abiding love and devotion has been an elaborate con job perpetrated by you, Bodie, and Scary Spiceβ¦β
He massaged her arch. βI definitely wouldnβt lose too much sleep over that.β
βJust in case. You will give me all you worldly goods, shave your head, and leave the country.β
βDeal.β
βPlus, you have to hand out your Sox tickets so I can burn them in front of your eyes.
β
β
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
β
I think we should probably get Vanessa out of the Quiet Box to help us. What do you guys say?'
'Absolutely,' Newel affirmed. 'Best idea I've heard all day.'
'I'll second that,' Doren said gladly.
Seth gave the satyrs a doubtful scowl. 'Wait a minute. You guys just think she's pretty.'
'I've been around a long time,' Newel said. 'Vanessa Santoro is not jut pretty.'
'He's right,' Doren agreed. 'She's walking dynamite. My pulse is rising just talking about her.'
'She also might be a traitor,' Seth stressed.
'The lethal temptress,' Newel said with relish. 'Even better.'
'It will definitely spice up the adventure,' Doren encouraged.
'I'm obviously talking to wrong guys,' Seth sighed.
'Believe me,' Newel said cockily. 'you're talking to the right guys. We've been chasing babes since the world was flat.'
Seth rolled his eyes.
β
β
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
β
There are very few men and women, I suspect, who cooked and marketed their way through the past war without losing forever some of the nonchalant extravagance of the Twenties. They will feel, until their final days on earth, a kind of culinary caution: butter, no matter how unlimited, is a precious substance not lightly to be wasted; meats, too, and eggs, and all the far-brought spices of the world, take on a new significance, having once been so rare. And that is good, for there can be no more shameful carelessness than with the food we eat for life itself When we exist without thought or thanksgiving we are not men, but beasts.
β
β
M.F.K. Fisher (The Art of Eating)
β
He sighed profoundly, and flung himself - there was a passion in his movements which deserves the word - on the earth at the foot of the oak tree. He loved, beneath all this summer transiency, to feel the earth's spine beneath him; for such he took the hard root of the oak tree to be; or, for image followed image, it was the back of a great horse that he was riding; or the deck of a tumbling ship - it was anything indeed, so long as it was hard, for he felt the need of something which he could attach his floating heart to; the heart that tugged at his side; the heart that seemed filled with spiced and amorous gales every evening about this time when he walked out. To the oak tree he tied it and as he lay there, gradually the flutter in and about him stilled itself; the little leaves hung, the deer stopped; the pale summer clouds stayed; his limbs grew heavy on the ground; and he lay so still that by degrees the deer stopped nearer and the rooks wheeled round him and the swallows dipped and circled and the dragonflies shot past, as if all the fertility and amorous activity of a summer's evening were woven web-like about his body.
β
β
Virginia Woolf (Orlando)
β
It was sort of like Macbeth, thought Fat Charlie, an hour later; in fact, if the witches in Macbeth had been four little old ladies and if, instead of stirring cauldrons and intoning dread incantations, they had just welcomed Macbeth in and fed him turkey and rice and peas spread out on white china plates on a red-and-white patterned plastic tablecloth -- not to mention sweet potato pudding and spice cabbage -- and encouraged him to take second helpings, and thirds, and then, when Macbeth had declaimed that nay, he was stuffed nigh unto bursting and on his oath could truly eat no more, the witches had pressed upon him their own special island rice pudding and a large slice of Mrs. Bustamonte's famous pineapple upside-down cake, it would have been exactly like Macbeth.
β
β
Neil Gaiman (Anansi Boys)
β
What a face this girl possessed!βcould I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender PsychΓ© and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!βalmost foul, with so many odors. Γ, that and the spicy night! β¦Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl tooβthe moon! And once a month it will make the face of this tender girl bloom.
β
β
Roman Payne
β
We were in the autumnlands.
Dim as it was, the forest glowed. The golden leaves flashing by blazed like sparks caught in the updraft of a fire. A scarlet carpet unrolled before us, rich and flawless as velvet. Rising from the forest floor, the black, tangled roots breathed a bluish mist that reduced the farthest trees' trunks to ghostly silhouettes, yet left their foliage's luminous hues untouched. Vivid moss speckled the branches like tarnished copper. The crisp spice of pine sap infused the cool air over a musty perfume of dry leaves. A knot swelled in my throat. I couldn't look away. There was too much of it, too fast. I'd never be able to drink it all in...
β
β
Margaret Rogerson (An Enchantment of Ravens)
β
The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.
Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of ο¬sh and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overο¬owed.
β
β
Ray Bradbury (Dandelion Wine)
β
How about this? Hong Kong had been appropriated by British drug pushers in the 1840s. We wanted Chinese silk, porcelain, and spices. The Chinese didn't want our clothes, tools, or salted herring, and who can blame them? They had no demand. Our solution was to make a demand, by getting large sections of the populace addicted to opium, a drug which the Chinese government had outlawed. When the Chinese understandably objected to this arrangement, we kicked the fuck out of them, set up a puppet government in Peking that hung signs on parks saying NO DOGS OR CHINESE, and occupied this corner of their country as an import base. Fucking godawful behavior, when you think about it. And we accuse them of xenophobia. It would be like the Colombians invading Washington in the early twenty-first century and forcing the White House to legalize heroin. And saying, "Don't worry, we'll show ourselves out, and take Florida while we're at it, okay? Thanks very much.
β
β
David Mitchell (Ghostwritten)
β
Beauty was all around them. Unsuspected tintings glimmered in the dark demesnes of the woods and glowed in their alluring by-ways. The spring sunshine sifted through the young green leaves. Gay trills of song were everywhere. There were little hollows where you felt as if you were bathing in a pool of liquid gold. At every turn some fresh spring scent struck their faces: Spice ferns...fir balsam...the wholesome odour of newly ploughed fields. There was a lane curtained with wild-cherry blossoms; a grassy old field full of tiny spruce trees just starting in life and looking like elvish things that had sat down among the grasses; brooks not yet "too broad for leaping"; starflowers under the firs; sheets of curly young ferns; and a birch tree whence someone had torn away the white-skin wrapper in several places, exposing the tints of the bark below-tints ranging from purest creamy white, through exquisite golden tones, growing deeper and deeper until the inmost layer revealed the deepest, richest brown as if to tell tha all birches, so maiden-like and cool exteriorly, had yet warm-hued feelings; "the primeval fire of earth at their hearts.
β
β
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
β
Up steps, three, six, nine, twelve! Slap! Their palms hit the library door.
* * *
They opened the door and stepped in.
They stopped.
The library deeps lay waiting for them.
Out in the world, not much happened. But here in the special night, a land bricked with paper and leather, anything might happen, always did. Listen! and you heard ten thousand people screaming so high only dogs feathered their ears. A million folk ran toting cannons, sharpening guillotines; Chinese, four abreast marched on forever. Invisible, silent, yes, but Jim and Will had the gift of ears and noses as well as the gift of tongues. This was a factory of spices from far countries. Here alien deserts slumbered. Up front was the desk where the nice old lady, Miss Watriss, purple-stamped your books, but down off away were Tibet and Antarctica, the Congo. There went Miss Wills, the other librarian, through Outer Mongolia, calmly toting fragments of Peiping and Yokohama and the Celebes.
β
β
Ray Bradbury (Something Wicked This Way Comes)
β
Old Spice
Β
Β
Β
Β
Β
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Β
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
Heβll say she looked like your mother
and you will feel a storm in your stomach.
Β
Your grandfather is from another generationβ
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
Β
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
Β
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Β
Your motherβs father,
βthe almost martyr,
can load a gun under water
in under four seconds.
Β
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
Β
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Β
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you donβt know how to tell him that it wonβt be
anything like the way he left it.
β
β
Warsan Shire (Teaching My Mother How to Give Birth)
β
A Kite is a Victim
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so you make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Gift
You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me
There are some men
There are some men
who should have mountains
to bear their names through time
Grave markers are not high enough
or green
and sons go far away to lose the fist
their fatherβs hand will always seem
I had a friend he lived and died
in mighty silence and with dignity
left no book son or lover to mourn.
Nor is this a mourning song
but only a naming of this mountain
on which I walk
fragrant, dark and softly white
under the pale of mist
I name this mountain after him.
-Believe nothing of me
Except that I felt your beauty
more closely than my own.
I did not see any cities burn,
I heard no promises of endless night,
I felt your beauty
more closely than my own.
Promise me that I will return.-
-When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.-
Song
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though I'd
never been your lover
-Reach into the vineyard of arteries for my heart.
Eat the fruit of ignorance and share with me the mist and
fragrance of dying.-
β
β
Leonard Cohen (The Spice-Box of Earth)
β
He was rowed down from the north in a leather skiff manned by a crew of trolls. His fur cape was caked with candle wax, his brow stained blue by wine - though the latter was seldom noticed due to the fox mask he wore at-all times. A quill in his teeth, a solitary teardrop a-squirm in his palm, he was the young poet prince of Montreal, handsome, immaculate, searching for sturdier doors to nail his poignant verses on.
In Manhattan, grit drifted into his ink bottle. In Vienna, his spice box exploded. On the Greek island of Hydra, Orpheus came to him at dawn astride a transparent donkey and restrung his cheap guitar. From that moment on, he shamelessly and willingly exposed himself to the contagion of music. To the secretly religious curiosity of the traveler was added the openly foolhardy dignity of the troubadour. By the time he returned to America, songs were working in him like bees in an attic. Connoisseurs developed cravings for his nocturnal honey, despite the fact that hearts were occasionally stung.
Now, thirty years later, as society staggers towards the millennium - nailing and screeching at the while, like an orangutan with a steak knife in its side - Leonard Cohen, his vision, his gift, his perseverance, are finally getting their due. It may be because he speaks to this wounded zeitgeist with particular eloquence and accuracy, it may be merely cultural time-lag, another example of the slow-to-catch-on many opening their ears belatedly to what the few have been hearing all along. In any case, the sparkle curtain has shredded, the boogie-woogie gate has rocked loose from its hinges, and here sits L. Cohen at an altar in the garden, solemnly enjoying new-found popularity and expanded respect.
From the beginning, his musical peers have recognized CohenΒ΄s ability to establish succinct analogies among lifeΒ΄s realities, his talent for creating intimate relationships between the interior world of longing and language and the exterior world of trains and violins. Even those performers who have neither "covered" his compositions nor been overtly influenced by them have professed to admire their artfulness: the darkly delicious melodies - aural bouquets of gardenia and thistle - that bring to mind an electrified, de-Germanized Kurt Weill; the playfully (and therefore dangerously) mournful lyrics that can peel the apple of love and the peach of lust with a knife that cuts all the way to the mystery, a layer Cole Porter just could`t expose. It is their desire to honor L. Cohen, songwriter, that has prompted a delegation of our brightest artists to climb, one by one, joss sticks smoldering, the steep and salty staircase in the Tower of Song.
β
β
Tom Robbins
β
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
β
β
F. Scott Fitzgerald (The Great Gatsby)