Spencer Movie Quotes

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My first love was everything, all at once. The kind of love you fight for, the kind of boy you fight for.
Scott Spencer
You know, while you’re off sexercizing, I’ll be sitting here all by my lonesome watching lame ass lifetime movies.
Kimberly Spencer (Limerick (The Shimmer Trilogy, #2))
A minute passes as we enter Little Tokyo. It's kind of similar to what you see in the movies, with a lot of signs in different languages with "engrish" translations underneath and those big red gates with the curved wood on top, whatever they're called. The passing people on the street are, understandably, largely of Asian descent. ... I get a couple looks, but I suspect it's 'cause my hair is a variety of shades not seen outside of an anime.
Vaughn R. Demont (Coyote's Creed (Broken Mirrors, #1))
From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.
Laura Hillenbrand (Seabiscuit: An American Legend)
He knew nothing about werewolves but what was in the movies. He hadn’t even believed they existed until he was attacked. The tall dude, though, knew. Joshua managed to force his body to make a left-hand turn at the corner, and again once he was across the street, and then a third time. He came looping past the Kitchen Kitsch where the tall dude was standing in the hole in the wall. “You’re really conflicted about this running away part, aren’t you?” the dude said as Joshua dashed past him. “Yes!” He tried to put on the brakes but his body kept running. He could smell his own blood on the man and his body wanted nothing to do with that. The dude wasn’t standing in the hole as Joshua came looping back toward the Kitchen Kitsch a second time. Joshua was afraid he’d lost the man. He was so focused on the opposite side of the street that he nearly ran into the glass door that opened out in front of him. A hand caught him, jerking him into the building.
Wen Spencer (The Black Wolves of Boston (Black Wolves of Boston))
The whitewash of Kingdom of Heaven Kingdom of Heaven is a classic cowboys-and-Indians story in which the Muslims are noble and heroic and the Christians are venal and violent. The script is heavy on modern-day PC clichés and fantasies of Islamic tolerance; brushing aside dhimmi laws and attitudes (of which Ridley Scott has most likely never heard), it invents a peace-and-tolerance group called the “Brotherhood of Muslims, Jews and Christians.” But of course, the Christians spoiled everything. A publicist for the film explained, “They were working together. It was a strong bond until the Knights Templar caused friction between them.” Ah yes, those nasty “Christian extremists.” Kingdom of Heaven was made for those who believe that all the trouble between the Islamic world and the West has been caused by Western imperialism, racism, and colonialism, and that the glorious paradigm of Islamic tolerance, which was once a beacon to the world, could be reestablished if only the wicked white men of America and Europe would be more tolerant. Ridley Scott and his team arranged advance screenings for groups like the Council on American-Islamic Relations, making sure that sensitive Muslim feelings were not hurt. It is a dream movie for the PC establishment in every way except one: It isn’t true. Professor Jonathan Riley-Smith, author of A Short History of the Crusades and one of the world’s leading historians of the period, called the movie “rubbish,” explaining that “it’s not historically accurate at all” as it “depicts the Muslims as sophisticated and civilised, and the Crusaders are all brutes and barbarians. It has nothing to do with reality.” Oh, and “there was never a confraternity of Muslims, Jews and Christians. That is utter nonsense.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
Islamophobia” as a weapon of jihad The charge of “Islamophobia” is routinely used to shift attention away from jihad terrorists. After a rise in jihadist militancy and the arrest of eight people in Switzerland on suspicion of aiding suicide bombers in Saudi Arabia, some Muslims in Switzerland were in no mood to clean house: “As far as we’re concerned,” said Nadia Karmous, leader of a Muslim women’s group in Switzerland, “there is no rise in Islamism, but rather an increase in Islamophobia.”5 This pattern has recurred in recent years all over the world as “Islamophobia” has passed into the larger lexicon and become a self-perpetuating industry. In Western countries, “Islamophobia” has taken a place beside “racism,” “sexism,” and “homophobia.” The absurdity of all this was well illustrated by a recent incident in Britain: While a crew was filming the harassment of a Muslim for a movie about “Islamophobia,” two passing Brits, who didn’t realize the cameras were rolling, stopped to defend the person being assaulted. Yet neither the filmmakers nor the reporters covering these events seemed to realize that this was evidence that the British were not as violent and xenophobic as the film they were creating suggested.6 Historian Victor Davis Hanson has ably explained the dangerous shift of focus that “Islamophobia” entails: There really isn’t a phenomenon like “Islamophobia”—at least no more than there was a “Germanophobia” in hating Hitler or “Russophobia” in detesting Stalinism. Any unfairness or rudeness that accrues from the “security profiling” of Middle Eastern young males is dwarfed by efforts of Islamic fascists themselves—here in the U.S., in the UK, the Netherlands, France, Turkey, and Israel—to murder Westerners and blow up civilians. The real danger to thousands of innocents is not an occasional evangelical zealot or uncouth politician spouting off about Islam, but the deliberately orchestrated and very sick anti-Semitism and anti-Americanism that floods the airways worldwide, emanating from Iran, Lebanon, and Syria, to be sure, but also from our erstwhile “allies” in Egypt, Saudi Arabia, and Qatar.7
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
You want us to take on a job about funny books?” “They’re graphic novels,” Hardison said in a grave tone. “And it’s a serious art form. They’re the most vibrant format for modern literature. And—and they make freaking great movies. I mean, have you seen The Avengers?
Matt Forbeck (The Con Job (Leverage, #1))
Dixie shook her head impatiently. “Not a chance, not a ghost of a chance! Our early-warning facilities are geared to detect the approach of missiles hailing from outside our borders, certainly not from Grizzly Gulch, Illinois! Try to imagine the resultant confusion, the bewildering questions—was the missile one of ours—was this an accident—what, where, how, why, whom? And all of this, mind you, with the very nerve center of the country obliterated!. Why, my God, Kirby, it would have been a scene out of a Three Stooges movie—we wouldn’t have known if our asses were punched or bored!
Ross H. Spencer (Kirby's Last Circus)
First of all, remember that happiness is in the little things: it’s Thanksgiving with your family, it’s reading your favourite book on a park bench whilst enjoying the summer sun, it’s listening to a song that you’ve always loved even though you’ve heard it a million times, it’s the practice basketball game with your father, the coffee with your best friend, and the movie with the one you love. Happiness comes from the small things we do every day. Don’t take them for granted.
Nicole Spencer-Skillen (If We Meet Again - The Choice (Book 3))