Spells For Lost Things Quotes

We've searched our database for all the quotes and captions related to Spells For Lost Things. Here they are! All 68 of them:

Out of the starless night that covers me, (O tribulation of the wind that rolls!) Black as the cloud of some tremendous spell, The susurration of the sighing sea Sounds like the sobbing whisper of two souls That tremble in a passion of farewell. To the desires that trebled life in me, (O melancholy of the wind that rolls!) The dreams that seemed the future to foretell, The hopes that mounted herward like the sea, To all the sweet things sent on happy souls, I cannot choose but bid a mute farewell. And to the girl who was so much to me (O lamentation of this wind that rolls!) Since I may not the life of her compel, Out of the night, beside the sounding sea, Full of the love that might have blent our souls, A sad, a last, a long, supreme farewell.
William Ernest Henley (A Selection of Poems)
We can't pray that God make our lives free of problems; this won't happen, and it is probably just as well. We can't ask Him to make us and those we love immune to diseases, because He can't do that. We can't ask Him to weave a magic spell around us so that bad things will only happen to other people, and never to us. People who pray for miracles usually don't get miracles, any more than children who pray for bicycles, good grades, or good boyfriends get them as a result of praying. But people who pray for courage, for strength to bear the unbearable, for the grace to remember what they have left instead of they have lost, very often find their prayer answered.
Harold S. Kushner (When Bad Things Happen to Good People)
Families splitting are like earthquakes. Yes, they are happening every day all over the world, but that doesn't make them any less shocking when they happen to you.
Jenna Evans Welch (Spells for Lost Things)
Once there was magic, wandering free in roads of sky and paths of sea and in that timeless long gone hour words of nonsense still had power doors still flew and birds still talked witches grinned and giants walked we had magic wands and magic wings and we lost our hearts to impossible things Unbelievable thoughts, unsensible ends for wizards and warriors might be friends. In a world where impossible things are true, I don't know why we forgot the spell when we lost the way how the forest fell but now we are old, we can vanish too. And I see once more the invisible track that will lead us home and take us back so find your wands and spread your wings I'll sing your love of impossible things and when you take my vanished hand, we'll both go back to that magic land where we lost our hearts several lifetimes ago when we were wizards, once.
Cressida Cowell (The Wizards of Once (The Wizards of Once, #1))
The world is a book, and those who do not travel only read one page.
Jenna Evans Welch (Spells for Lost Things)
It wasn’t the sunlight that poked fun at Laura’s imperfections, but the darkness with its looming doubts that mocked her in the sleepless spells that broke the night.
Ruth Hogan (The Keeper of Lost Things)
What you want in warfare is room to maneuver. Tight corners spell death. Having enemies gives you options. You can play them off against each other, make one a friend as a way of attacking the other, on and on. Without enemies you will not know how or where to maneuver, and you will lose a sense of your limits, of how far you can go. Early on, Julius Caesar identified Pompey as his enemy. Measuring his actions and calculating carefully, he did only those things that left him in a solid position in relation to Pompey. When war finally broke out between the two men, Caesar was at his best. But once he defeated Pompey and had no more such rivals, he lost all sense of proportion—in fact, he fancied himself a god. His defeat of Pompey was his own undoing. Your enemies force on you a sense of realism and humility.
Robert Greene (The 33 Strategies of War)
You know about witches, wizards. You can envision dragons, even if you presently think you are above believing in them. You doubt magic, but you have a word for it. Isn't that a strangeness that wears at you? All these things that you know all about, but you think you are above. Did you used to be able to shape the spell children use to find lost things in the grass? Did you always know to look at the sky, at stars, when you make your wishes? Who taught you the things your soul has always known?
Thomm Quackenbush (Don't Stop Believing)
I believe that a desire and a prayer and a spell are all the same thing, I say. When you pray, you know that you want something, that’s always the first step. To let yourself know that you want something, that you yearn for it. Sometimes that’s the hardest thing to do. Because you have to have courage to know what you desire. You have to have courage to acknowledge that you are unhappy without it. And sometimes you have to find courage to know that it was your folly or your wrongdoing which lost it; before you make a spell to bring it back, you have to change yourself. That’s one of the deepest transformations that can be.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and damned rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.
James Baldwin (The Fire Next Time)
I hear the door open again behind me. “Honestly, Eleanor, I will not move in with you. You’re welcome to come to Gallen. I’m certain we could find something for you to study.” A voice that is not Eleanor’s answers me. “I plan on studying history scholars, actually.” All the grief I have neatly packed and stored in the shadows of my soul springs up, rising into my throat and choking me. I stand, unable to turn, unable to draw a breath for fear of being mistaken, my eyes glued to the floor. A fine pair of shoes enters the narrow range of my vision. They cast no shadow. “You’re dead,” I whisper, still not daring to look up. “Nearly,” Finn answers, his voice the soft song of my dreams. I look up, barely able to see him through tears. He’s thinner, with the pale and drawn look of someone who has been sick for a long time but is on the mend. “It’s a tricky thing, trying to use a transport spell stored in your body while being pulled down a river bleeding to death. You will have to excuse me for getting lost and taking so long to get back to you.” “I will excuse no such thing.” I throw my arms around his neck and bury my face in his shoulder. “You are not excused, you will never be excused, and you will spend the rest of your life making it up to me.” He laughs. “I had planned on nothing less.” My lips meet his, and I do not resign myself to this fate. I claim it as my own. Forever.
Kiersten White (Illusions of Fate)
A seashell that fell on the well, Says a telling of a lost spell. That this thing about life, Can be hard as a knife.
Maridany
Cinque Terre. It’s on the Italian Riviera and it means ‘five hills.’ Each hill has a fishing village built into cliffs, with a hiking trail that connects them all.
Jenna Evans Welch (Spells for Lost Things)
Little Eliza, let me make it very clear—this is not magick. These are not spells and incantations. These are earthly things, as real as the smudge of dust there on your cheek.
Sarah Penner (The Lost Apothecary)
Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.
Robert Frost
In that moment, I let myself entertain the idea of just putting the sword down and lying on the ground. It would feel good, and really, if I’d lost everything, who cared what this tiny homicidal person did to me? But just as quickly, I shut that thought right the heck down. No way had I survived demon attacks, and ghoul duels, and demonglass explosions to end up murdered by Raggedy Ann. Whether Mom was here or not, I was going to survive this. My fingers tightened on the sword’s hilt until I felt the metal cut into my skin. It hurt, but that was good. That might actually keep me from passing out, which in turn would keep Izzy from dissecting me, or whatever it was Brannicks did to demons. Former demons. Whatever. “So you guys have a compound,” I said, trying to will my brain into working. “That’s…cool. I bet it has bunkers and barbed wire.” Izzy rolled her eyes. “Duh.” “Right, so this compound. Where exactly…” My words trailed off as the ground started swaying. Or was it me weaving from side to side? And was everything getting dimmer because the flashlight was dying, or was it my eyes that had stopped working? “No. No, I am not going to faint.” “Um…okay?” I shook my head. “Did I say that out loud?” Izzy rose to her feet slowly. “You don’t look so good.” I would have glared at her if my eyes hadn’t been involved in more important things like not falling out of my skull. A loud clattering noise filled my head, and I realized it was my teeth. Great. I was going into shock. That was just…so inconvenient.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I thought you were dead,” I say. “It almost killed me.” “Did it?” His voice is neutral. “You made a pretty fast recovery.” “No. You don’t understand.” My throat is tight; I feel as though I’m being strangled. “I couldn’t keep hoping, and then waking up every day and finding out it wasn’t true, and you were still gone. I—I wasn’t strong enough.” He is quiet for a second. It’s too dark to see his expression: He is standing in shadow again, but I can sense that he is staring at me. Finally he says, “When they took me to the Crypts, I thought they were going to kill me. They didn’t even bother. They just left me to die. They threw me in a cell and locked the door.” “Alex.” The strangled feeling has moved from my throat to my chest, and without realizing it, I have begun to cry. I move toward him. I want to run my hands through his hair and kiss his forehead and each of his eyelids and take away the memory of what he has seen. But he steps backward, out of reach. “I didn’t die. I don’t know how. I should have. I’d lost plenty of blood. They were just as surprised as I was. After that it became a kind of game—to see how much I could stand. To see how much they could do to me before I’d—” He breaks off abruptly. I can’t hear any more; don’t want to know, don’t want it to be true, can’t stand to think of what they did to him there. I take another step forward and reach for his chest and shoulders in the dark. This time, he doesn’t push me away. But he doesn’t embrace me either. He stands there, cold, still, like a statue. “Alex.” I repeat his name like a prayer, like a magic spell that will make everything okay again. I run my hands up his chest and to his chin. “I’m so sorry. I’m so, so sorry.” Suddenly he jerks backward, simultaneously finding my wrists and pulling them down to my sides. “There were days I would rather they have killed me.” He doesn’t drop my wrists; he squeezes them tightly, pinning my arms, keeping me immobilized. His voice is low, urgent, and so full of anger it pains me even more than his grip. “There were days I asked for it—prayed for it when I went to sleep. The belief that I would see you again, that I could find you—the hope for it—was the only thing that kept me going.” He releases me and takes another step backward. “So no. I don’t understand.
Lauren Oliver (Requiem (Delirium, #3))
There were some things that hadn't changed about Sydney, like her light-brown hair that had just enough natural curl to make it look like waves of caramel icing on a cake. And her beautiful lightly tanned skin. And the freckles across her nose. She'd lost weight but still had a stunning figure, petite in a way that always made Claire, who was four inches taller, feel heavy and clumsy.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
The Men That Don't Fit In There's a race of men that don't fit in, A race that can't stay still; So they break the hearts of kith and kin, And they roam the world at will. They range the field and they rove the flood, And they climb the mountain's crest; Theirs is the curse of the gypsy blood, And they don't know how to rest. If they just went straight they might go far; They are strong and brave and true; But they're always tired of the things that are, And they want the strange and new. They say: "Could I find my proper groove, What a deep mark I would make!" So they chop and change, and each fresh move Is only a fresh mistake. And each forgets, as he strips and runs With a brilliant, fitful pace, It's the steady, quiet, plodding ones Who win in the lifelong race. And each forgets that his youth has fled, Forgets that his prime is past, Till he stands one day, with a hope that's dead, In the glare of the truth at last. He has failed, he has failed; he has missed his chance; He has just done things by half. Life's been a jolly good joke on him, And now is the time to laugh. Ha, ha! He is one of the Legion Lost; He was never meant to win; He's a rolling stone, and it's bred in the bone; He's a man who won't fit in.
Robert W. Service (The Spell of the Yukon and Other Verses)
You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all." She held his gaze but was wise enough not to interrupt. If she had... He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged." Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die." Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity." Smiling, he closed his hand about hers. "Mine to protect for our eternity." Yes. Neither said the word, yet the sense of it vibrated in the air all around them. A high-pitched giggle broke the spell, had them both looking along the path. TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them. Reaching them, laughing with delight, the pair whooped and circled. Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated. Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be. "You're getting married!" Lucilla crowed. Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy." Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward." "I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
I find the Celtic belief very reasonable, that the souls of those we have lost are held captive in some inferior creature, in an animal, in a plant, in some inanimate thing, effectively lost to us until the day, which for many never comes, when we happen to pass close to the tree, come into possession of the object that is their prison. Then they quiver, they call out to us, and as soon as we have recognized them, the spell is broken. Delivered by us, they have overcome death and they return to live with us.
Marcel Proust (Swann's Way In Search of Lost Time #1)
Okay," she murmured. "I love you." "I love you too." She looked up at Holgar and realized that he didn't understand. She could feel her heartbeat speeding up, and she shook her head. His smile began to fade. "Not as a friend, or as a partner. Holgar, I—I love you, and I want to be with you." His smile faded, and his eyes took on a strange look. She could feel herself beginning to panic. He doesn't feel the same way. That's okay. At least I told him. "Like a mate?" he asked. She almost started laughing. A mate was British slang for a best friend. But that's not what Holgar was likely referencing. He was a werewolf, and they called their spouses mates. "Like a mate," she said, managing not to giggle at the unexpected language barrier. He still looked confused and a little lost. "For helvede," she said, using his favourite curse word. And then she leaned forward and kissed him. She tasted surprise on his lips for just a moment, and then he wrapped his arms around her and crushed her to him. she would have to do a healing spell on her bruised ribs later, but at the moment she didn't care. All she cared about was the passion, the yearning, she felt from him. When at last they broke apart, she whispered again, "I love you." "I love you too," he said. And looking into his eyes this time, she knew that they were talking about the same thing. "So, do we want to give us a shot?" she asked, breathless. He looked at her, confusion again returning to his eyes. "You love me, ja?" "Yes, ja," she said. He grinned at her. His eyes danced. "Then marry me.
Nancy Holder (Vanquished (Crusade, #3))
I believe that a desire and a prayer and a spell are all the same thing,” I say. “When you pray, you know that you want something, that’s always the first step. To let yourself know that you want something, that you yearn for it. Sometimes that’s the hardest thing to do. Because you have to have courage to know what you desire. You have to have courage to acknowledge that you are unhappy without it. And sometimes you have to find courage to know that it was your folly or your wrongdoing which lost it; before you make a spell to bring it back, you have to change yourself. That’s one of the deepest transformations that can be.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Ruth and I often share the stories that we have heard and the things that we have learned to help the western church and many of its congregations grasp a new, and perhaps more biblical, perspective on suffering and persecution in our faith. We share often about how suffering and persecution relate to our faith. We desperately want our western brothers and sisters in Christ to realize that the greatest enemy of our faith today is not communism, Buddhism, Hinduism, Atheism, or even Islam. Our greatest enemy is lostness. Lostness is the terrible enemy that Jesus commissioned His followers to vanquish with the battle strategy that He spelled out for them in Matthew 28:18-20. He was addressing this same enemy when He plainly clarified His purpose in coming: 'I have come to seek and to save those who are lost.' Our hope is that believers around the world will get close enough to the heart of God that the first images that come to mind when we heard the word 'Muslim' are not Somali pirates or suicide bombers or violent jihadists or even terrorists. When we hear the word 'Muslim,' we need to see and think of each and every individual Muslim as a lost person who is loved by God. We need to see each Muslim as a person in need of God's grace and forgiveness. We need to see each Muslim as someone for whom Christ died.
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
Perhaps I should stay. We all know the princess rarely serves as a proper chaperone.” “I don’t need to,” Ro said, adjusting her metal breastplate as she sat up straighter. “Gigantor does enough fun-killing for everybody. Plus, our girl’s still rocking the ‘adorably oblivious’ thing—which, I gotta say, gets less adorable by the day.” Her eyes narrowed at Sophie. “I’d be happy to spell it all out for you if you want. We could make a pros and cons list together!” “Pros and cons of what?” Sophie asked. Ro sighed dramatically, glancing at Keefe as she said, “See what I mean?” Keefe threw Mrs. Stinkbottom at her head, but Ro swatted the stuffed green gulon right back at him—and when he ducked, it knocked into one of the lanterns lining Keefe’s bedside table, sending it crashing to the floor. Sandor rubbed the center of his forehead. “It’s going to be a long afternoon.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Little Sleep's-Head Sprouting Hair in the Moonlight 1 You scream, waking from a nightmare. When I sleepwalk into your room, and pick you up, and hold you up in the moonlight, you cling to me hard, as if clinging could save us. I think you think I will never die, I think I exude to you the permanence of smoke or stars, even as my broken arms heal themselves around you. 2 I have heard you tell the sun, don't go down, I have stood by as you told the flower, don't grow old, don't die. Little Maud, I would blow the flame out of your silver cup, I would suck the rot from your fingernail, I would brush your sprouting hair of the dying light, I would scrape the rust off your ivory bones, I would help death escape through the little ribs of your body, I would alchemize the ashes of your cradle back into wood, I would let nothing of you go, ever, until washerwomen feel the clothes fall asleep in their hands, and hens scratch their spell across hatchet blades, and rats walk away from the culture of the plague, and iron twists weapons toward truth north, and grease refuse to slide in the machinery of progress, and men feel as free on earth as fleas on the bodies of men, and the widow still whispers to the presence no longer beside her in the dark. And yet perhaps this is the reason you cry, this the nightmare you wake screaming from: being forever in the pre-trembling of a house that falls. 3 In a restaurant once, everyone quietly eating, you clambered up on my lap: to all the mouthfuls rising toward all the mouths, at the top of your voice you cried your one word, caca! caca! caca! and each spoonful stopped, a moment, in midair, in its withering steam. Yes, you cling because I, like you, only sooner than you, will go down the path of vanished alphabets, the roadlessness to the other side of the darkness, your arms like the shoes left behind, like the adjectives in the halting speech of old folk, which once could call up the lost nouns. 4 And you yourself, some impossible Tuesday in the year Two Thousand and Nine, will walk out among the black stones of the field, in the rain, and the stones saying over their one word, ci-gît, ci-gît, ci-gît, and the raindrops hitting you on the fontanel over and over, and you standing there unable to let them in. 5 If one day it happens you find yourself with someone you love in a café at one end of the Pont Mirabeau, at the zinc bar where wine takes the shapes of upward opening glasses, and if you commit then, as we did, the error of thinking, one day all this will only be memory, learn to reach deeper into the sorrows to come—to touch the almost imaginary bones under the face, to hear under the laughter the wind crying across the black stones. Kiss the mouth that tells you, here, here is the world. This mouth. This laughter. These temple bones. The still undanced cadence of vanishing. 6 In the light the moon sends back, I can see in your eyes the hand that waved once in my father's eyes, a tiny kite wobbling far up in the twilight of his last look: and the angel of all mortal things lets go the string. 7 Back you go, into your crib. The last blackbird lights up his gold wings: farewell. Your eyes close inside your head, in sleep. Already in your dreams the hours begin to sing. Little sleep's-head sprouting hair in the moonlight, when I come back we will go out together, we will walk out together among the ten thousand things, each scratched in time with such knowledge, the wages of dying is love.
Galway Kinnell
I made an appointment with a sleep doctor, who explained that during the sleep study people would be watching me sleep and monitoring my brain waves to see how I reacted during the four stages of sleep. I'd explain those stages if I could spell all the complicated words but they basically range from "Wide awake" to "Just barely not dead." My sleep cycle is a bit more elaborate. The seven stages of sleep (according to my body) STAGE 1: You take the maximum dose of sleeping pills, but they don't work at all and then you glare at their smug bottles at three a.m., whispering, "You lying bastards." STAGE 2: You fall asleep for eight minutes and you have that dream where you've missed a semester of classes and don't know where you're supposed to be and when you wake up you realize that even in your sleep you're fucking your life up. STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it's been hours since you closed your eyes and you feel like you've lost time and were probably abducted by aliens. STAGE 4: This is the sleep that you miss because you're too busy looking up "Symptoms of Alien Abduction" on your phone. STAGE 5: This is the deep REM sleep that recharges you completely and doesn't actually exist but is made up by other people to taunt you. STAGE 6: You hover in a state of half sleep when you're trying to stay under but someone is touching your nose and you think it's a dream but now someone is touching your mouth and you open your eyes and your cat's face is an inch from yours and he's like, "BOOP. I got your nose." STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you're suppose to be awake, and you feel guilty about getting it because you should have been up hours ago but you've been up all night and now your arms are missing. I suspected that the only stage of sleep I'd have during the sleep study would be the sleep you don't get because strangers are watching you.
Jenny Lawson (Furiously Happy: A Funny Book about Horrible Things)
Shepard clears his throat again. “I need to tell you something, a few somethings. Because now is the time to tell you. Before we get serious. But it’s going to make it seem like I think we’re more serious than we are. I just don’t want to miss my window for being honest with you.” “Shepard, you’re making me nervous.” He groans. “I’m sorry. Don’t be nervous.” My hands were on his shoulders. I drop them into my lap. “Don’t pull away,” he says. “Just tell me, Shepard! Are you engaged to more than one demon?” “No! But … you know I’ve been in a lot of unusual magickal situations…” “Right.” “And you know about my thirdborn…” “I know that a giant you call a friend is going to eat your thirdborn.” He closes one eye and bites his bottom lip. “I may also have promised someone my firstborn.” “Shepard, your firstborn…” He squeezes my waist. “It’s all right, I told you—I’m not having kids.” “Who gets your firstborn?” “An imp. Or three.” “Aren’t imps the same as demons?” “Never say that to an imp.” “How did this even happen?” “We were playing impdice. I thought they were joking about the wager.” “We are going to kill these imps.” “Penelope…” He bites his lip again. “There’s more.” “More? Your secondborn?” “No, I’ve got dibs on that one…” He’s grimacing. “But I did lose my last name.” Every time he talks, my jaw drops lower and my eyebrows climb higher. “How on earth did you lose your last name?” “Told it to the wrong fairy.” My hands are in the air. “How have you met so many fairies!” “I fell in with a crew of them…” “Shepard—hell’s spells, is your name even Shepard?” “Yes! I only lost my last name. And I only ‘magickally and profoundly’ lost it; I can still say it, I can still wear name tags. There’s just one more thing—one more big thing…” He closes both eyes for a second. “I have a, um, well … I don’t have a sexually transmitted disease. But I am a carrier. Only other merpeople can get it. So it’s probably not relevant. Unless you want to sleep with a merperson. And also me. Me first. Which I’m not suggesting…” Hell’s spells … Shepard. I climb off his lap.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Those of us who hope to be their allies should not be surprised, if and when this day comes, that when those who have been locked up and locked out finally have the chance to speak and truly be heard, what we hear is rage. The rage may frighten us; it may remind us of riots, uprisings, and buildings aflame. We may be tempted to control it, or douse it with buckets of doubt, dismay, and disbelief. But we should do no such thing. Instead, when a young man who was born in the ghetto and who knows little of life beyond the walls of his prison cell and the invisible cage that has become his life, turns to us in bewilderment and rage, we should do nothing more than look him in the eye and tell him the truth. We should tell him the same truth the great African American writer James Baldwin told his nephew in a letter published in 1962, in one of the most extraordinary books ever written, The Fire Next Time. With great passion and searing conviction, Baldwin had this to say to his young nephew: This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it …. It is their innocence which constitutes the crime …. This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity …. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off …. We cannot be free until they are free. God bless you, and Godspeed.67
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colourblindness)
We are more than simple people - we are the creators of this world. We are here to live, to exist, to learn. So, live the pain. . live the pleasure, live. Be alive in this life. . be who you want to be! Be aware and live this. . the attitude of others, it has nothing to affect you, it has nothing to do with you, it is not part of you, it is part of them. The only ones affected are themselves. Be aware that the true treasures of life are within you. Be aware that the mind is a great friend, but also a terrible enemy [for fools]. Be aware that everything is interconnected, you are a co-creator! .. and if you want to be happy, all you have to do is think positive! Acts! give what you want to receive, love and you will be loved. . smile at life and life will smile to you. Be aware that everything, everything - every gesture, word, thought, smile. . everything creates energy and therefore moves. Anticipate events! Recognize your role in this world too big, among millions of possibilities, among countless squinting eyes. Be aware that no matter what you experience. . everything remains a part of you and turns you into what you are today. . get rich though. Be aware that to change your life, you don't need charms or spells, you don't need books or psychologists. You need the strength and courage to do this ... Put down the "how to ..." books, get close to you again and if you want to take off your shoes and walk barefoot through the grass, Do it ! Prove that you have imagination and show your strength, overcome the rules that make you not take life seriously. Unfortunately, these rules have not improved your mental state, and medical research in recent years has clearly shown that "rules" do not have the power to reduce depression and stress. Of course, we need rules, as long as they do not lead to dictatorship, but not from the existing ones: how you should have the body or what measure to wear. Rules about how to dress, how to raise your children, how to socialize, how to behave with your girlfriend / boyfriend. Be aware that the Book of your life is fascinating if you know how to write it yourself, especially since you never know what the end will be like. You are the main character and no one is allowed to take away your right to be happy. . Yes ! Her joy and normalcy are part of your life, and if you wait to do only things that seem to follow the rules, you may wake up later because you have not lived too many moments that will make you happy. .you don't know how to really enjoy your moments of happiness - when they appear, you think scared "it's too easy, is it okay?" Be aware that self-knowledge goes much deeper than adopting a system of ideas or beliefs; because ideas and beliefs can at best function as useful indicators 3-4 times out of a thousand, but "to know yourself means to be rooted in the Being, not lost in the mind". Eckhart Tolle When you do these things, you begin to become aware that you want to be a detail, which improves another detail. You realize that you don't want to be the essence - essential, because there is nothing that can't be replaced!
Corina Abdulahm Negura
Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence... 'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University.
John Barth (Giles Goat-Boy)
For most people, having company for more than three of four days is a serious mistake, the equivalent to sawing a large hole in the roof and leaving all the doors and windows open in the middle of winter. Out of a desire to be helpful or the need to be kind, they let themselves in for prolonged spells of entertaining, forfeit their privacy and their easy understanding, knowing that the result will be an estrangement―however temporary―between husband and wife, and that nothing proportionate to this is to be gained by the giving up of beds, the endless succession of heavy meals, the afternoon drives. Either the human race is incurably hospitable or else people forget from one time to the next, as women forget the pains of labor, how weeks and months are lost that can never be recovered. The guest also loses―even the so-called easy guest who makes her own bed, helps with the dishes and doesn't require entertaining. She sees things no outsider should see, overhears whispered conversations about herself from two rooms away, finds old letters in books, and is sooner or later the cause of and witness to scenes that because of her presence do not clear the air. When she has left, she expects to go on being a part of the family she has stayed with so happily and for so long; she expects to be remembered; instead of which, her letters, full of intimate references and family jokes, go unanswered. She sends beautiful presents to the children at a time when she really cannot afford any extravagance and the presents also go unacknowledged. In the end her feelings are hurt, and she begins to doubt―quite unjustly―the genuineness of the family's attachment to her.
William Maxwell (Time Will Darken It)
This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. . . . It is their innocence which constitutes the crime. . . . This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. . . . You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off. . . . We cannot be free until they are free. God bless you, and Godspeed.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
I probably won’t be seeing you again, will I? I mean, I know the others might come back, but you…” He trails off, but picks up the thought again a moment later. “Just seems like you’ll be happy to leave it behind, that’s all.” “Yeah, you’re probably right.” I look at my shoes. “You sure you won’t come?” “Can’t. Shauna can’t wheel around where you guys are going, and it’s not like I’m gonna leave her, you know?” He touches his jaw, lightly, testing the skin. “Make sure Uri doesn’t drink too much, okay?” “Yeah,” I say. “No, I mean it,” he says, and his voice dips down the way it always does when he’s being serious, for once. “Promise you’ll look out for him?” It’s always been clear to me, since I met them, that Zeke and Uriah were closer than most brothers. They lost their father when they were young, and I suspect Zeke began to walk the line between parent and sibling after that. I can’t imagine what it feels like for Zeke to watch him leave the city now, especially as broken by grief as Uriah is by Marlene’s death. “I promise,” I say. I know I should leave, but I have to stay in this moment for a little while, feeling its significance. Zeke was one of the first friends I made in Dauntless, after I survived initiation. Then he worked in the control room with me, watching the cameras and writing stupid programs that spelled out words on the screen or played guessing games with numbers. He never asked me for my real name, or why a first-ranked initiate ended up in security and instruction instead of leadership. He demanded nothing from me. “Let’s just hug already,” he says. Keeping one hand firm on Caleb’s arm, I wrap my free arm around Zeke, and he does the same. When we break apart, I pull Caleb down the alley, and can’t resist calling back, “I’ll miss you.” “You too, sweetie!” He grins, and his teeth are white in the twilight. They are the last thing I see of him before I have to turn and set out at a trot for the train.
Veronica Roth (Allegiant (Divergent, #3))
Things I know about Mr. Forkle His official name (for this identity, at least) is Mr. Errol L. Forkle, which he apparently chose because the initials spell out “elf,” and because the word “Forkle” can sometimes mean “disguise” in Norwegian. (I guess he used to spend a lot of time in Norway—no idea why.) The L stands for Loki, because he was kinda the source of some of the Loki myths—which is way too weird to think about. He claims he’s not my biological father (despite being listed that way on certain documents). Even if that’s true, he still helped create me. And he knows who my biological father is. And he refuses to tell me. He’s a super powerful Telepath. He loves to start sentences with “you kids.” He eats a lot of ruckleberries to disguise what he really looks like. He lies sometimes. Maybe all the time. Who knows? He was my annoying next-door neighbor in San Diego, always sitting in his yard rearranging his lawn gnomes (and apparently the gnomes were one of the ways he passed along messages to the Black Swan). He’s the one who triggered my abilities. And the one who stole my missing memories. And the one who planted the information in my brain. He also rescued me from the Neverseen after they kidnapped me. And probably a bunch of other stuff I don’t know about yet. He’s Magnate Leto. Also Sir Astin. I’m sure he has other identities too. I just haven’t figured out what they are yet. And… he secretly had an identical twin. Only one of them was registered (their parents didn’t want them to face the scorn of being a “multiple birth”), and they were sharing one life and switching places all the time. Sometimes I was talking to one brother, and sometimes I was talking to the other—or I was, until one of them died right in front of me in Lumenaria. I thought he was gone, but… then Granite brought us to Brumevale, and… there was the other Forkle. I still don’t really know how to process it. But I’m glad he’s still here, even if he’s a little more limited now that he can’t be two places at once. We planted a Wanderling for the Forkle-twin we lost near Trolltunga in Norway. The tree looks like it’s leaning a bit, waiting for its brother—but I’m selfishly hoping it grows alone for a really long time. Maybe forever.
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
Her enormous eyes were staring straight into his silver ones. He couldn’t look away, couldn’t let go of her hand. He couldn’t have moved if his life depended on it. He was lost in those blue-violet eyes, somewhere in their mysterious, haunting, sexy depths. What was it he had decided? Decreed? He was not going to allow her anywhere near Peter’s funeral. Why was his resolve fading away to nothing? He had reasons, good reasons. He was certain of it. Yet now, drowning in her huge eyes, his thoughts on the length of her lashes, the curve of her cheek, the feel of her skin, he couldn’t think of denying her. After all, she hadn’t tried to defy him; she didn’t know he had made the decision to keep her away from Peter’s funeral. She was including him in the plans, as if they were a unit, a team. She was asking his advice. Would it be so terrible to please her over this? It was important to her. He blinked to keep from falling into her gaze and found himself staring at the perfection of her mouth. The way her lips parted so expectantly. The way the tip of her tongue darted out to moisten her full lower lip. Almost a caress. He groaned. An invitation. He braced himself to keep from leaning over and tracing the exact path with his own tongue. He was being tortured. Tormented. Her perfect lips formed a slight frown. He wanted to kiss it right off her mouth. “What is it, Gregori?” She reached up to touch his lips with her fingertip. His heart nearly jumped out of his chest. He caught her wrist and clamped it against his pumping heart. “Savannah,” he whispered. An ache. It came out that way. An ache. He knew it. She knew it. God, he wanted her with every cell in his body. Untamed. Wild. Crazy. He wanted to bury himself so deep inside her that she would never get him out. Her hand trembled in answer, a slight movement rather like the flutter of butterfly wings. He felt it all the way through his body. “It is all right, mon amour,” he said softly. “I am not asking for anything.” “I know you’re not. I’m not denying you anything. I know we need to have time to become friends, but I’m not going to deny what I feel already. When you’re close to me, my body temperature jumps about a thousand degrees.” Her blue eyes were dark and beckoning, steady on his. He touched her mind very gently, almost tenderly, slipped past her guard and knew what courage it took for her to make the admission. She was nervous, even afraid, but willing to meet him halfway. The realization nearly brought him to his knees. A muscle jumped in his jaw, and the silver eyes heated to molten mercury, but his face was as impassive as ever. “I think you are a witch, Savannah, casting a spell over me.” His hand cupped her face, his thumb sliding over her delicate cheekbone. She moved closer, and he felt her need for comfort, for reassurance. Her arms slid tentatively around his waist. Her head rested on his sternum. Gregori held her tightly, simply held her, waiting for her trembling to cease. Waiting for the warmth of his body to seep into hers. Gregori’s hand came up to stroke the thick length of silken, ebony hair, taking pleasure in the simple act. It brought a measure of peace to both of them. He would never have believed what a small thing like holding a woman could do to a man. She was turning his heart inside out; unfamiliar emotions surged wildly through him and wreaked havoc with his well-ordered life. In his arms, next to his hard strength, she felt fragile, delicate, like an exotic flower that could be easily broken. “Do not worry about Peter, ma petite,” he whispered into the silken strands of her hair. “We will see to his resting place tomorrow.” “Thank you, Gregori,” Savannah said. “It matters a lot to me.” He lifted her easily into his arms. “I know. It would be simpler if I did not. Come to my bed, chérie, where you belong.
Christine Feehan (Dark Magic (Dark, #4))
To let yourself know that you want something, that you yearn for it. Sometimes that’s the hardest thing to do. Because you have to have courage to know what you desire. You have to have courage to acknowledge that you are unhappy without it. And sometimes you have to find courage to know that it was your folly or your wrongdoing which lost it; before you make a spell to bring it back, you have to change yourself. That’s one of the deepest transformations that can be.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
Optimizing London Park Lane City Apartments Maintenance For Greater Success Most imperative for any new site is drawing in guests. Ensure that you have designed your website well and that you use search engine advertising to bring in visitors. There're a number of internet marketing tools available to you; make use of them to get the very best results. Here are some great recommendations on how to make a booming website. The most popular websites are well designed in appearance in addition to content. The experts advise against getting too creative with oddball fonts or crazy color schemes, or including so many graphics that the message gets lost in the confusion. Do not depend on your own eyes to catch blunders in spelling, punctuation, or grammar. Even minor blunders in grammar, spelling, or punctuation make people question your professionalism and credibility. If your website has been designed to run successfully on all different browsers then your online business will likely be even more fruitful. Maximizing your traffic can be achieved if your online site is accessed on all devices on any browser. You can lose a lot of visitors if your online site is just compatible with a select few internet browsers. Ensure that you address the issue of browser compatibility problems with your website designer, who will probably be your best friend in fixing this issue. If your pages do not load quickly, you'll have a tough time retaining visitors. Visitors have a relatively short attention span; on average, studies show that you have only five to ten seconds to hook their attention. It's important to do everything you can to effectively ensure quick load times, like compressing images and not using too many of them. Consider using a dedicated server to give your website more speed and precision. Use multiple domains to get a better ranking in search engine results. Using the proper search phrases is essential to driving visitors to your website through searches. The more search phrases are in your domain name, the more visitors your website will receive. Additionally, put copy on the page that is directly related to the search in order to maximize your numbers. London park lane city apartmentss require a high rate of speed in order to be used effectively. The operating speed of your webpage can be improved by using a high-quality hosting site. You can increase your website's speed and functionality by using CSS. The most vital thing to ask a potential designer for your website is how much they know about making your website faster. Choose key phrases that correlate closely with the content on your website. If you emphasize key phrases that do not align with your webpage, you may very well draw visitors you do not want. A poor choice in key phrases could damage your website's reputation. Ask a professional in the internet presence industry to critique your choice of key phrases to ensure you have the very best possible use. Park Lane City Apartments 92 Middlesex St London E1 7EZ 44 20 7377 1763
Park Lane City Apartments
The incubi had sensed great power in her, and believed she could destroy them, but if she could speak their language, she’d tell them they had the wrong girl. Mari was what was known as an underachiever, which even an underachiever knew was sociology code for “overfailer.” She was famous in the Lore for the simple fact that one day she might be worth being famous. All hype—no substance. That was Mari. Everyone in the covens expected her to do something epic and always kept an eye on her. They wanted her to be worth “awaiting.” Even other factions in the Lore monitored her with anticipation because, while most witches possessed the strength of one, two, or very rarely, three of the five castes of witches, Mari was the only witch ever to possess the strengths of all of them. In theory, Mari was a witch warrior, healer, conjurer, seeress, and an enchantress. In reality, Mari had lost her college scholarship, couldn’t manage even the simplest spells, and kept blowing things up. She couldn’t even balance her checkbook.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
My name is Bill Brandon i live in south Carolina, I am here to testify to the good work of the Best African Traditional Doctor As he Call himself 4 years ago, my lovely husband left home, he never returned, no phone calls,no letters, no emails, no sign of him anywhere. my daughter got so sick with multiple sclerosis that made her paralyses, things were so tough for me. I had lost hope, i met UTHMAN MAJANGWA on the internet,he said would help me at-least saving my daughter's life and getting a job that i was contesting for,i had lost hope completely, my daughter's situation got worse each day. I decided to try UTHMAN MAJANGWA i gave him a try...for all three spells (Bring Lover back, Healing spell and Career spells). In a matter of weeks, my husband called me and told me apologizing that he was sorry and that he wants to come back to me and that he would explain everything when he reaches home three days later, i got my new job with a loan from a finance company,right now my daughters condition is getting better each day and i trust she would be well day by day. I want to thank UTHMAN MAJANGWA for being so kind and for his effort and for bringing my life back that i can now have smiles on my face with my family back together. When i talk about this man i don't want to finish he is my life hero of the century thanks DR UTHMAN MAJANGWA Email:drwilliamokoro18@gmail.com powerfulspe
Dr uthmqn
The Last Street of Tehean Facing the airport, all that's now left in my grasp is a crumpled land that fits in the palm of my hand. Facing wavering sunbeams— a sun that is angry and mute. All the way from the salt sands of Dasht-e Lut, it came, the dream that forced my fingers' shift, that set my teeth on edge. A muted breeze, whirlwind spun from sand dunes all the way, even through the back alley. Are you pasting together the cut-up fragments of my face to make me laugh? No longer than the palm of the hand, a short leap, exactly the length you had predicted. A huge grave in which to lay the longest night of the year to sleep. Sleep has quit our eyelids for other pastures, has dropped its anchor at the shores of garden ponds, has lost the chapped flaking of its lips, poor thing! Are you pasting together the cut-up fragments of my face to make me laugh? With scissors - snip, snip - they are severing something. The alphabet shavings strewn on the ground, are they the letters that spell our family name? With every zig-zag, you cage my mother's breath, her footprints fading in the shifting sands. Are you pasting together the cut-up fragments of my face to make me laugh? No. A strange land-shape form. I will not return. I left behind a shoe, one of a pair, for you to put on and follow after me. Translated from Persian to English by Franklin Lewis
Rosa Jamali (Selected Poems of Rosa Jamali)
I think Phelan and Beatrix should wait,” Leo said. “Nothing will be lost by waiting.” “I don’t know about that,” Cam said. “As the Rom say, ‘Take too much time, and time will take you.’” Leo looked smug. “I knew there would be a saying.” “With all due respect,” Christopher muttered, “this conversation is leading nowhere. At least one of you should point out that Beatrix deserves a better man.” “That’s what I said about my wife,” Leo remarked. “Which is why I married her before she could find one.” He smiled slightly as he contemplated Christopher’s glowering face. “So far, I haven’t been all that impressed by your flaws. You drink more than you should, you have trouble controlling your impulses, and you have a temper. All of those are practically requirements in the Hathaway family. I suppose you think Beatrix should marry a quiet young gentleman whose idea of excitement is collecting snuffboxes or writing sonnets. Well, we’ve tried that, and it hasn’t worked. She doesn’t want that kind of man. Apparently what she wants is you.” “She’s too young and idealistic to know better,” Christopher said. “I fault her judgment.” “So do I,” Leo shot back. “But unfortunately none of my sisters let me pick their husbands for them.” “Easy, the two of you,” Cam interceded calmly. “I have a question for you, Phelan…if you decide to wait indefinitely before proposing marriage to Beatrix…do you intend to continue seeing her in the meantime?” “Yes,” Christopher said honestly. “I don’t think anything could keep me away from her. But we’ll be circumspect.” “I doubt that,” Leo said. “The only thing Beatrix knows about being circumspect is how to spell it.” “Before long there would be gossip,” Cam said, “and criticism, which would harm Beatrix’s reputation. With the result that you would have to marry her anyway. There’s not much point in delaying the inevitable.” “Are you saying you want me to marry her?” Christopher asked incredulously. “No,” Cam replied, looking rueful. “But I can’t say I’m all that fond of the alternative. Beatrix would be miserable. Besides, which one of us will volunteer to tell her that she’s going to have to wait?” All three were silent.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
A low-context culture is a place where little is left to assumption so things are spelled out explicitly. In contrast, high-context cultures are places where people have significant history together and so a great deal of understanding can be assumed. Things operate in high-context cultures as if everyone there is an insider and knows how to behave. Written instructions and explicit directions are minimal because most people know what to do and how to think. Our families are probably the most tangible examples we have of high-context environments. After years of being together, we know what the unspoken rules are of what to eat, how to celebrate holidays, and how to communicate with each other. Many of our workplaces are the same. We know when to submit check requests, how to publicize an event, and how to dress on “casual” Fridays. New employees joining these kinds of organizations can really feel lost without adequate orientation. And many religious services are also very high context. People routinely stand, bow, or recite creeds that appear very foreign and confusing to someone just joining a religious community for the first time. Discerning whether a culture provides direct and explicit communication versus one that assumes a high degree of shared understanding is a strategic point of knowledge. And leaders need to bear in mind the areas of their own organizational and national culture that are high context and how that affects outsiders when they enter. Table
David Livermore (Leading with Cultural Intelligence: The New Secret to Success)
You really told them you wanted to marry me?” I asked. The smile had taken over his whole face now. “I told you before: I fell under your spell before you even knew you had magic, before you saved a kingdom, back when there was no chance you would be allowed to marry me. Nothing’s really changed since then, except that now any children we have might be wizards themselves, and I’ll be hopelessly outnumbered. “So, yes, I want to marry you. Someday. If you’ll have me,” he said modestly. “Of course I will, you idiot,” I said with a shriek, and threw myself into his arms. Some things, though, never change, regardless of how many countries you save. I tripped at the last moment, and we both went down in a laughing heap. It didn’t stop me from kissing him for so long that we both were gasping by the time it ended. “So what should I call you now?” he said when we had our breath back. “Savior of Thorvaldor? Soon-to-Be-Master Wizard? Chief Councillor of Wise Words? My own love?” “Sinda,” I said, without the slightest twinge of old memories, or something lost, or regret. “Just Sinda. Though I like that last one almost as much.” Kiernan reached out and tucked a strand of escaping hair behind my ear. “I think I like Sinda best myself,” he said. We hauled ourselves up and, still laughing, brushed grass and sticks from our clothes. Then, arms around each other, we began the walk back to Philantha’s house to tell her that her scribe had just gotten a new job and become engaged in the same afternoon. I looked back up the hill once, toward the palace, and then turned away. I would go there tomorrow, but right now, it didn’t matter. Today I only had to walk with Kiernan, to visit Philantha, to finally be just myself. For once, for the first time, it was enough.
Eilis O'Neal (The False Princess)
She tells him about Old Salem and the sewing sampler and the owl winging toward her through the trees; living in the lost library of Avalon, outside of time and mind, and standing in its ashes; Araminta’s spells, which rely on stars and songs rather than rhymes and herbs, and her growing suspicion that witchcraft isn’t one thing but many things, all the ways and words women have found to wreck their wills on the world.
Alix E. Harrow (The Once and Future Witches)
Do I need a reason to want to hear my girl sing?” Ok, Julie decided she might as well get used to the blush on her cheeks being a permanent companion for the day. “Your girl?” She repeated, intending to sound mocking but managing only to sound a little awed. Somehow his eyes managed to soften even more than usual when he looked at her. Luckily he kept his tone joking even if his words were clearly sincere. She wasn’t sure if she could have handled it if he approached the subject seriously. “What? Am I wrong?” He asked, bouncing on his heels a little. They had already exchanged “I love you’s” so why was his labeling of her as his girl managing to shake her so much? If she was truly honest with herself, she knew. Ever since she had tumbled into the past she had been adrift, feeling caught between two worlds and like she didn’t fully belong in either of them. Even before that she had lost her sense of self. She knew there was more to her, but being Rose Molina’s daughter had always been the anchoring fact in Julie’s life, the thing that made her feel safe, and grounded and special . Until she wasn’t anymore. Of course she was still her mother’s daughter but it had gone from being a source of belonging to a source of pain. So to hear Luke label her “his girl” didn’t stir up any of the independent thoughts bristling at the phrase that she might have expected. It just made her feel safe, and grounded and special Like even if it was just for this one, precarious moment she found herself in, she knew who she was and where she belonged. Julie Molina. Rose Molina’s daughter. Luke’s girl. “You’re not wrong,” She blurted, quickly turning to the keyboard in order to avoid looking at him.
ICanSpellConfusionWithAK (We Found Wonderland)
When subject appears dim, feed her pizza and she will regain her sparkle.
Jenna Evans Welch (Spells for Lost Things)
It’s Willow, but like a fairy-tale version of Willow. She’s barefoot and wearing a coral-pink dress that somehow makes everything about her more her. More freckles, more pinkish tones to her skin, even her eyes are bigger. I know absolutely nothing about dresses, but I know this one is special—it has a heart-shaped neckline and a full skirt that looks like it comes from another era. But the thing that stops me dead in my tracks is her hair. It’s the first time I’ve seen Willow’s hair down, and looking at it makes me feel like the air has been sucked out of me. It’s long and shiny and it cascades down in chaotic waves that somehow seem to encapsulate her entire personality while also stealing every coherent thought I’ve ever had.
Jenna Evans Welch (Spells for Lost Things)
Whoever had built this machine knew how deadly a Tritium core could be, so having it secured had been a top priority. Letting the wrong person get their hands on an energy source like this would spell disaster. It was a good thing, then, that the Union had never found a way to replicate Lex’s tattoos. If they had, the galaxy would never have been the same. Instead, I’d given that power to a senile old man I’d found in a cave.
J.N. Chaney (Renegade Lost (Renegade Star, #4))
ALL RIGHTS RESERVED. No part of this book may be used or reproduced in any matter whatsoever without the written and signed permission of the author. All trademarked names are the property of their owner and are acknowledged by the proper use of capitalization throughout. OTHER ‘Game on Boys’ BOOKS Available on Amazon as eBooks or print books Game on Boys 4 can be read separately or part of a series FREE ebook Game on Boys 1:The PlayStation Playoffs(8-12) Game on Boys 2 : Minecraft Madness (8-12) Game on Boys 3 : NO Girls Allowed Game on Boys 5 : House of Horrors Game on Boys 6 : Galactic Zombie Other books by Kate Cullen FREE Diary Of a Wickedly Cool Witch : Bullies and Baddies(8-13) Boyfriend Stealer : Diary of a Wickedly Cool Witch 2 (8-13) Diary of a Wickedly Cool Witch 3 : Perfect Ten (8-13) Diary of a Wickedly Cool Witch 4 : Witch School for Misfits Lucy goes to the Halloween Party (Early readers) Lucy the Easter Dog (Early readers) Lucy's Merry Christmas Sammy McGann and the Secret Soup People (5-10) Follow KATE on TWITTER at Kate Cullen @ katekate5555 Or email gameonboysseries@gmail.com to receive email updates. (Copy and paste) Or visit her website for new books and giveaways Kate Cullen author website Contents 1. Wow 2. BYODD 3. Secrets 4. News 5. Brats 6. Santa 7. Wishing 8. Blocky 9. Monsters 10. Wolverine 11. Creepy. 12. Arachnophobia 13. Fartblaster 14. Superhero 15. Enderman 16. Teleporting 17. Lost 18. Potions 19. Scared 20. Spells 21. Fireworks 22. Homecoming 1. WOW You know how awesome Christmas is, and birthdays are sick as, Easter is just a big fat chocolate splurge, and even Thanksgiving is like pig-out insanity. Weekends are kinda cool too, but holidays are totally far out man. And when a new PS game comes out and they have a midnight release extravaganza at the game store, it’s like crazy time, coolness overload. All these things are the main reason I exist on this earth. Without all this stuff, life would just SUCK big time. But nothing, I repeat NOTHING comes close to the Christmas I just had. WOW! I repeat WOW! Where do I even start? This Christmas was a like a dream come true. Actually it was sort of like a nightmare too, if that makes any sense. A dream and a nightmare mixed up into one. Totally far out man. Totally gobsmacking, totally awesome, but totally freaking scary. So you’re probably thinking like I won a million bucks or something and then got mugged, or the owner of Sony PlayStation company sent me 1000 free PS games, and then the house got robbed at gunpoint. Or even better, the owner made me the new boss of the Sony PlayStation company. Yeah right! Like that will ever happen! In my dreams!! Although, after what happened, I’m thinking that absolutely anything is possible. 2. BYODD The last day at school before Christmas break was awesome. We had a BYOD day in the afternoon. The first part of the day we had to do all the boring Christmassy stuff like making soppy cards for our families, coloring pictures of Santa and doing boring word searches looking for words like (DER) ‘Santa, Christmas, present, jingle, stocking’. Like BORING. Capital ‘B’ Boring. Why can’t Christmas word finds have proper Christmas words like, console, iPhone 6, PlayStation games, Star wars, BMX, Nerf Modulous Blaster, Thunderblast, Star Wars darth vader vehicle, lego Star Wars Death star?
Kate Cullen (GAME ON BOYS : Minecraft Superhero (Game on Boys Series Book 4))
speak of this terrain as a primeval and unsettled wilderness—yet this continent had been continuously inhabited by human cultures for at least ten thousand years. That indigenous peoples can have gathered, hunted, fished, and settled these lands for such a tremendous span of time without severely degrading the continent’s wild integrity readily confounds the notion that humans are innately bound to ravage their earthly surroundings. In a few centuries of European settlement, however, much of the native abundance of this continent has been lost—its broad animal populations decimated, its many-voiced forests overcut and its prairies overgrazed, its rich soils depleted, its tumbling clear waters now undrinkable. European civilization’s neglect of the natural world and its needs has clearly been encouraged by a style of awareness that disparages sensorial reality, denigrating the visible and tangible order of things on behalf of some absolute source assumed to exist entirely beyond, or outside of, the bodily world. Some historians and philosophers have concluded that the Jewish and Christian traditions, with their otherworldly God, are primarily responsible for civilization’s negligent attitude toward the environing earth. They cite, as evidence, the Hebraic God’s injunction to humankind in Genesis: “Be fertile and increase, fill the earth and master it; and rule the fish of the sea, the birds of the sky, and all the living things that creep on earth.”1 Other thinkers, however, have turned toward the Greek origins of our philosophical tradition, in the Athens of Socrates and Plato, in their quest for the roots of our nature-disdain. A long line of recent philosophers, stretching from Friedrich Nietzsche down to the present, have attempted to demonstrate that Plato’s philosophical derogation of the sensible and changing forms of the world—his claim that these are mere simulacra of eternal and pure ideas existing in a nonsensorial realm beyond the apparent world—contributed profoundly to civilization’s distrust of bodily and sensorial
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
life,” was written in cuneiform with the pictorial sign for “arrow,” which in Sumerian is also called ti.7 An important step has been taken here. With the rebus, a pictorial sign is used to directly invoke a particular sound of the human voice, rather than the outward reference of that sound. The rebus, with its focus upon the sound of a name rather than the thing named, inaugurated the distant possibility of a phonetic script (from the Greek phonein: “to sound”), one that would directly transcribe the sound of the speaking voice rather than its outward intent or meaning.8 However, many factors impeded the generalization of the rebus principle, and thus prevented the development of a fully phonetic writing system. For example, a largely pictographic script can easily be utilized, for communicative purposes, by persons who speak very different dialects (and hence cannot understand one another’s speech). The same image or ideogram, readily understood, would simply invoke a different sound in each dialect. Thus a pictographic script allows for commerce between neighboring and even distant linguistic communities—an advance that would be lost if rebuslike signs alone were employed to transcribe the spoken sounds of one community. (This factor helps explain why China, a vast society comprised of a multitude of distinct dialects, has never developed a fully phonetic script.)9 Another factor inhibiting the development of a fully phonetic script was the often elite status of the scribes. Ideographic scripts must make use of a vast number of stylized glyphs or characters, since every term in the language must, at least in principle, have its own written character. (In 1716 a dictionary of Chinese—admittedly an extreme example—listed 40,545 written characters! Today a mere 8,000 characters are in use.)10 Complete knowledge of the pictographic system, therefore, could only be the province of a few highly trained individuals. Literacy, within such cultures, was in
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
I don’t tell my friends about her. There’s a precious quality in good things that is lost when you explain them at parties. I try not to. One because telling people what you love is like stapling them to a paper you read every day. I don’t want them on it. And two, if you do discuss it and they react without a care, you feel like they took something from you. But there is also the other reason I keep my mouth shut, which is that there is a sweetness to not knowing other folks’ reactions about what only you love. Secrecy is the only way you can know you love it. So I hide her with me, like a treasure chest in an ocean full of partying pirates: deep-down and with a spell.
Kristian Ventura (The Goodbye Song)
Best #spell caster Sister Yvette# No.1 lost love spell caster +27722099385 Traditional healing, voodoo spells ,black magic powers court cases, For whatever reason your lover is not with you, this spell plants the seeds of their return. Is it just a dream that your lost love will walk through the door? Is it false hope that you visualize the two of you walking hand in hand, together at last, making plans for an incredible future? Have you ever noticed that with some people the sheer force of their will power can make things happen? And they almost always seem to get what they want. With the assistance of a gifted psychic, your will power could be increased tenfold, making it possible for you to make something happen? Specifically, the return of your love! Request this spell if: • You know in your heart the two of you belong together. • You know the relationship will work if only it is given a chance. • You know once the two of you are together the bond will never be broken. • You know that bad luck and bad timing has worked against you. But now things have changed. • You know if given a second chance the same mistakes won't be repeated. • You know once your lover keeps an open mind, their return is imminent. • You know this relationship is meant to be. With a powerful psychic in your corner, it is only a matter of time before you are united with your true love. NB: UNFINISHED ALL UNFINISHED JOBS FROM OTHER DOCTORS .FOR MORE INFORMATION VISIT Tel: +27722099385
SISTER YVETTE
I HAVE ASKED FOR HELP FROM ALMOST ALL THE SO CALLED PEOPLE PARADING THEMSELVES TO BE SPELL CASTERS, AT THE END I WAS RIPPED OFF OF MY HARD EARNED MONEY WITHOUT ANY RESULT. TO THE EXTENT THAT I SAW SOME OF THEM REWRITING WHAT I WROTE ON ONLINE TO THANK AKPE OSILAMA.MOST OF THESE PEOPLE TELLING YOU FAKE TESTIMONIES AND FOR YOU TO BEWARE AND BE-WISE TO AVOID BEEN RIPPED OFF, YOU HAVE TO MAKE THE RIGHT CHOICE AT ONCE TO CONTACT THE ONLY REAL AND APPROVED SPELL CASTER IN THE WORLD CALLED AKPE OSILAMA. AS HE IS THE ONLY MAN YOU CAN ACTUALLY TRUST ON SPELLS I WOULD HAVE BROUGHT HIM RIGHT HERE IN THE STATES IF POSSIBLE. HE DID A WHOLE LOT OF THINGS WHICH I WON’T REALLY MENTION HERE BUT THE MOST OF WHAT HE DID FOR ME WAS HELP ME CURED OF MY CANCER,HELPED ME RESTORE BACK MY JOB AND MY LOST MARRIAGE.OH HE IS GREAT AND I MET HIM IN REAL TIMES IN HIS TEMPLE THAT WAS DIRECTED TO ME BY A CHINESE FRIEND OF MINE THAT FOLLOWED ME FOR A CONFERENCE MEETING IN AFRICA. I’M STILL VERY MUCH INDEBTED TO AKPE OSILAMA FOR SAVING MY LIFE AND MY MARRIAGE. I WANT TO LET YOU ALL KNOW THAT YOU DON’T HAVE TO TRY ANYBODY ELSE EXCEPT THIS GREAT SPELL CASTER CALLED AKPE OSILAMA.HIS EMAIL CONTACT IS: CHIEFPRIESTAKPEOSILAMASPELLCAST@YAHOO.COM TO GET ANY DIFFICULTY YOU MIGHT FACING IN LIFE SOLVED.
Rosla Loveu
2014 Andy’s Email   My dearest Young,               How are you, kid? Thanks for the password to Turpitude. It brought smiles to my face when I saw the photos you posted with each chapter. We were so young. I barely recognize myself. I remember the hippie commune and a couple of key events from our week at this out-of-nowhere place.               To be honest, I was thrilled to spend a couple of nights at that charming Barcelona hotel (I can’t remember its name) after Lorenzo loaned us his car. As much as I love the beauty of Andorra, I’m not one for communal living. I prefer my privacy when on vacation.               As much as I enjoyed the company of the residents in the commune, I didn’t care for a couple of the guys, especially the Swede. He kept writhing into your pants the entire time. I loathed his arrogance and the way he lusted after you. I knew he was up to no good the first time we met.               The highlight of our holiday was the Vivaldi concert at the Basilica and Expiatory Church of the Holy Family. That afternoon, when you had a bout of your external detachment, I was in a state of panic. During those early years, I couldn’t understand your ‘out-of-body’ experiences. I wasn’t sure if you feigned your fainting spells or if you actually lost consciousness. The only thing I was sure of was that I needed to be there for you when you awoke. There were times I thought you would never wake, and I would never be able to forgive myself. That, Young, was how enamored I was with you. Boy oh boy, you were a handful. Need I say more…?☺ Love, Andy.
Young (Turpitude (A Harem Boy's Saga Book 4))
An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now. “You don’t have the faintest idea what I’m talking about, do you?” he said at last. I laughed before I quite realized what I’d done. “Not a clue,” I said, turning to give him my full attention for the very first time, an action I could tell right away spelled trouble. You just had to do it, didn’t you? I thought. He was even better looking when I took a better look. He flashed me a smile, and I felt my pulse kick up several notches. My brain knew perfectly well that that smile had not been invented just for me. My suddenly-beating-way-too-fast heart wasn’t paying all that much attention to my brain, though. “You must be new, then,” he commented. “I’d remember you if we’d met before.” All of a sudden, his face went totally blank. “I cannot believe I just said that,” he said. “That is easily the world’s oldest line.” “If it isn’t, it’s the cheesiest,” I said. He winced. “I’d ask you to let me make it up to you, but I’m thinking that would make things even worse.” “You’d be thinking right.” This time he was the one who laughed, the sound open and easy, as if he was genuinely enjoying the joke on himself. In retrospect I think it was that laugh that did it. That finished the job his smile had started. You just didn’t find all that many guys, all that many people, who were truly willing to laugh at themselves. “I’m Alex Crawford,” he said. “Jo,” I said. “Jo O’Connor.” At this Alex actually stuck out his hand. His eyes, which I probably don’t need to tell you were this pretty much impossible shade of blue, focused directly on my face. “Pleased to meet you, Jo O’Connor.” I watched my hand move forward to meet his, as if it belonged to a stranger and was moving in slow motion. At that exact moment, an image of the robot from the movie Lost in Space flashed through my mind. Arms waving frantically in the air, screaming, “Danger! Danger!” at the top of its inhuman lungs. My hand kept moving anyhow. Our fingers connected. I felt the way Alex’s wrapped around mine, then tightened. Felt the way that simple action caused a flush to spread across my cheeks and a tingle to start in the palm of my hand and slowly begin to work its way up my arm. To this day, I’d swear I heard him suck in a breath, saw his impossibly blue eyes widen. As if, at the exact same moment I looked up at him, he’d discovered something as completely unexpected as I had, gazing down. He released me. I stuck my hand behind my back. “Pleased to meet you, Jo O’Connor,” he said again. Not quite the way he had the first time.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
Earlier, Susanne’s husband had detected a certain ticking in her, a bomb. He’d packed their children into the car and set out for a night of pizza and a double feature at the second-run movie theatre, leaving her alone to explode, splattering the house with a combination of things she’d ingested as a teen-ager, certain films and punk-rock records that confirmed what she’d guessed: one dies alone. Best to have her family out of the way. Best to have them hidden in a dark cinema when the desire to chop her hair roughly and live on cigarettes surged. These bursts of freedom, while infrequent, were dangerous. Their self-indulgence could tear holes in evenings, marriages, families. She’d been lost in the roar of the vacuum—a device that had the power to put her under a spell, into a trancelike state from which she could most easily contemplate the nature of the universe, the purpose of love, the purpose of death, and a fantasy she sometimes had of being bound nude to a parking meter in the city.
Samantha Hunt (The Dark Dark)
Malygris turned to the viper and spoke in a tone of melancholy reproof: “Why did you not warn me?” “Would the warning have availed?” was the counter-question. “All knowledge was yours, Malygris, excepting this one thing; and in no other way could you have learned it.” “What thing?” queried the magician. “I have learned nothing except the vanity of wisdom, the impotence of magic, the nullity of love, and the delusiveness of memory… Tell me, why could I not recall to life the same Nylissa whom I knew, or thought I knew?” “It was indeed Nylissa whom you summoned and saw,” replied the viper. “Your necromancy was potent up to this point; but no necromantic spell could recall for you your own lost youth or the fervent and guileless heart that loved Nylissa, or the ardent eyes that beheld her then. This, my master, was the thing that you had to learn.
Clark Ashton Smith (The End Of The Story)
He had just witnessed the transformation of a girl into a mermaid. Back into a mermaid, he corrected himself. Despite the terrible things they had endured- and probably more before it was all over- despite the years he had lost in a haze to Vanessa's spell, he felt like a delirious little kid who had seen his first firefly, or bioluminescent jellyfish, or shooting star. Everything was beautiful and anything was possible: the world was an amazing place just waiting to be explored.
Liz Braswell (Part of Your World)
The rain-filled potholes, set in naked rock are usually devoid of visible plant life but not of animal life. In addition to the inevitable microscopic creatures there may be certain amphibians like the spadefoot toad. This little animal lives through dry spells in a state of estivation under the dried-up sediment in the bottom of a hole. When the rain comes, if it comes, he emerges from the mud singing madly in his fashion, mates with the handiest female and fills the pool with a swarm of tadpoles, most of them doomed to a most ephemeral existence. But a few survive, mature, become real toads, and when the pool dries up they dig into the sediment as their parents did before, making burrows which they seal with mucus in order to preserve that moisture necessary to life. There they wait, day after day, week after week, in patient spadefoot torpor, perhaps listening - we can imagine - for the sounds of raindrops pattering at last on the earthen crust above their heads. If it comes in time the glorious cycle is repeated; if not, this particular colony of Bufonidae is reduced eventually to dust, a burden on the wind. Rain and puddles bring out other amphibia, even in the desert. It's a strange, stirring, but not uncommon thing to come on a pool at night, after an evening of thunder and lightning and a bit of rainfall, and see the frogs clinging to the edge of their impermanent pond, bodies immersed in water but heads out, all croaking away in tricky counterpoint. They are windbags: with each croak the pouch under the frog's chin swells like a bubble, then collapses. Why do they sing? What do they have to sing about? Somewhat apart from one another, separated by roughly equal distances, facing outward from the water, they clank and croak all through the night with tireless perseverance. To human ears their music has a bleak, dismal, tragic quality, dirgelike rather than jubilant. It may nevertheless be the case that these small beings are singing not only to claim their stake in the pond, not only to attract a mate, but also out of spontaneous love and joy, a contrapuntal choral celebration of the coolness and wetness after weeks of desert fire, for love of their own existence, however brief it may be, and for the joy in the common life. Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless. Therefore the frogs, the toads, keep on singing even though we know, if they don't that the sound of their uproar must surely be luring all the snakes and ringtail cats and kitfoxes and coyotes and great horned owls toward the scene of their happiness. What then? A few of the little amphibians will continue their metamorphosis by way of the nerves and tissues of one of the higher animals, in which process the joy of one becomes the contentment of the second. Nothing is lost except an individual consciousness here and there, a trivial perhaps even illusory phenomenon. The rest survive, mate, multiply, burrow, estivate, dream, and rise again. The rains will come, the potholes shall be filled. Again. And again. And again.
Edward Abbey (Desert Solitaire)
The one big thing that Barfield knew was what he called ‘the evolution of consciousness’, which he saw as ‘the concept of man’s self-consciousness as a process in time’.12 And he had come to know this through a study of language. Like imagination and consciousness, language seems to be one of those things that Whitehead said were ‘incapable of analysis in terms of factors more far-reaching than themselves’. We may think we know how language ‘works’. We must know, we believe, because we use it all the time. But when we try to spell this out explicitly, we quickly find ourselves confronting a mystery. Barfield expressed something of this difficulty when he said that ‘asking about the origin of language is like asking about the origin of origin’.13 In order to talk about imagination we must use imagination and in order to talk about language we must use language. We can’t get behind them or stand apart from them, as detached observers, as we can with something in the physical world, but must understand them from ‘inside’.
Gary Lachman (Lost Knowledge of the Imagination)
For all the monsters who are still waiting to be loved. Of course, my faith was tested. Isn't that always the way? The trouble with people is that unlike gods or bodhisattvas, we are only mortals, and so destined to disappoint and even harm one another. It wasn't just my world that was falling apart. It was everyone's. So I wrote. I wrote as though I might be casting a spell or chanting a religious litany. I wrote as though poetry and prayer might mean the same thing, as if words might reconnect me with what I once considered my unshakable relationship with the human divine. I wrote to summon the language that might help me fall back in love with being human. I wrote my way through the question: What happens when we imagine loving the people-and the parts of ourselves-that we do not believe are worthy of love? What emerged was a series of love letters to unexpected people and places, to the parts of the world and my own self that I thought were beyond saving. Yes, dear reader. This is a book of love letters- to dead people, to exes, to prostitutes and johns. Love letters to weirdos and monsters, to transphobes and racists, to everyone and everything I have ever had trouble holding in my heart. I needed to know that I could love them, because that meant I could still love myself- as hopeless and lost as I had become. From the depths of my rage and despair, I needed to find my way back to love. This book is my act of prayer in a collapsing world. My devotion to the belief that we are all intrinsically sacred. My bridge back to hope.
Kai Cheng Thom (Falling Back in Love with Being Human: Letters to Lost Souls)
Panic struck when we reached the car and I tried to open the door. It was locked. He'd locked the keys in the car! Then I realized that Dad simply hadn't unlocked it yet. He pressed the button on the remote, and the car unlocked. But in that instant of absentminded panic it occurred to me that for the past fourteen plus hours I'd been gone from reality, I'd been totally lost in the spell of ultrarunning, I'd been so totally immersed in the experience that nothing else seemed material- not the car remote, not the bills that needed paying, not the politicians in the White House, not the emails that needed sending; all of those things had melted away and vaporized. It was a cleansing of the soul, a physical and emotional reincarnation. After fourteen hours of running I was now someone new. p61.
Dean Karnazes (A Runner's High: My Life in Motion)
Plus, our girl’s still rocking the ‘adorably oblivious’ thing—which, I gotta say, gets less adorable by the day.” Her eyes narrowed at Sophie. “I’d be happy to spell it all out for you if you want. We could make a pros and cons list together!” “Pros and cons of what?” Sophie asked. Ro sighed dramatically, glancing at Keefe as she said, “See what I mean?
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))