Spell Book Quotes

Lissa and I had been friends ever since kindergarten, when our teacher had paired us up together for writing lessons. Forcing five-year-olds to spell Vasilisa Dragomir and Rosemarie Hathaway was beyond cruel, and we’d—or rather, I’d—responded appropriately. I’d chucked my book at out teacher and called her a fascist bastard. I hadn’t known what those words meant, but I’d known how to hit a moving target. Lissa and I had been inseparable ever since.

She was fascinated with words. To her, words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells.

So, you're the man who can't spell 'fuck.'" Dorothy Parker to Norman Mailer after publishers had convinced Mailer to replace the word with a euphemism, 'fug,' in his 1948 book, "The Naked and the Dead.

Be hole, be dust, be dream, be wind/Be night, be dark, be wish, be mind,/Now slip, now slide, now move unseen,/Above, beneath, betwixt, between.

Right now, we're living in an ugly chapter of our lives, but books always get better!

People flock in, nevertheless, in search of answers to those questions only librarians are considered to be able to answer, such as "Is this the laundry?" "How do you spell surreptitious?" and, on a regular basis, "Do you have a book I remember reading once? It had a red cover and it turned out they were twins.

Doughboy," I said. "What is this scroll?" "A spell lost in time!" he pronounced. "Ancient words of tremendous power!" "Well?" I demanded. "Does it tell how to defeat Set?" "Better! The title reads: The Book of Summoning Fruit Bats!

One day she's throwing a book at me. The next, we're making out behind the library.

It has made me better loving you... it has made me wiser, and easier, and brighter. I used to want a great many things before, and to be angry that I did not have them. Theoretically, I was satisfied. I flattered myself that I had limited my wants. But I was subject to irritation; I used to have morbid sterile hateful fits of hunger, of desire. Now I really am satisfied, because I can’t think of anything better. It’s just as when one has been trying to spell out a book in the twilight, and suddenly the lamp comes in. I had been putting out my eyes over the book of life, and finding nothing to reward me for my pains; but now that I can read it properly I see that it’s a delightful story.

Oh, are you doing magic? Let’s see it, then.” She sat down. Ron looked taken aback. “Er — all right.” He cleared his throat. “Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.” He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep. “Are you sure that’s a real spell?” said the girl. “Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. I’ve learned all our course books by heart, of course.

A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.

It [the book] was spinning a magic spell around her heart, sticky as a spider's web and enchantingly beautiful..

Haven’t I?” Magnus said, and then smiled at him. “Will, you treat me as a human being, a person like yourself; rare is the Shadowhunter who treats a warlock like that. I am not so heartless that I would call in a favor from a brokenhearted boy. One who I think, by the way, will be a very good man someday. So I will tell you this. I will stay here when you go, and I will watch over your Jem for you, and if he wakes, I will tell him where you went, and that it was for him. And I will do what I can to preserve his life: I do not have yin fen, but I do have magic, and perhaps there is something in an old spell book I might find that can help him.

Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and—” Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.

I’ll steal the letter X, and replace it with treasure. So sex would then be spelled setreasure, but it’d still be just as pleasurable.

With knot of one, the spell's begun. With knot of two, the spell be true. With knot of three, the spell is free. With knot of four, the power is stored. With knot of five, this spell will thrive. With knot of six, this spell I fix. With knot of seven, the spell will waken. With knot of eight, the spell will wait. With knot of nine, the spell is mine. With knot of ten, it begins again.

Spelling Bees are useless and unnecessary competitions. Before Microsoft Word and Google, Spelling Bees had value, but now they are all superflewus.

Think books aren't scary? Well, think about this: You can't spell "Book" without "Boo!

A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?

Books are a form of magic—” the doctor lifted the volume he had just laid on the stack, “—because they span time and distance more surely than any spell or charm.

It might have been brief, but so much of a kiss - a first kiss especially - is the moment before your lips touch, and before your eyes close, when you're filled with the sight of each other, and with the compulsion, the pull, and it's like...it's like...finding a book inside another book. A small treasure of a book hidden inside a big common one - like...spells printed on dragonfly wings, discovered tucked inside a cookery book, right between the recipes for cabbages and corn. That's what a kiss is like, he thought, no matter how brief: It's a tiny, magical story, and a miraculous interruption of the mundane.

Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?

With that, I hurled the slipper at him, not caring if I caused his decapitation. (I did not.) Marshaling what little dignity I yet possessed, I stomped down the corridor - challenging indeed with one shoe - and around the corner. I lay awake for hours. The prince had no right, not one, to indict me so, and if I had held the slightest hope of the book's assistance, I would have climbed at once to my wizard room for a spell with which to punish him. Death, perhaps, or humiliation. A croaking frog would be nice, particularly a frog that retained Florian's dark eyes. I should keep it in a box and poke it occasionally with a stick; that would be satisfying indeed.

GUY TIP #18: Just because you can urinate anywhere you want doesn't mean you should-even if your aim is so good you can spell out "Red Sox Rule" in capital letters with once taking a break.

I would like a cappuccino," says Linus politely. "Thank you." "Your name?" "I'll spell it for you," he says. "Z-W-P-A-E-N--" "What?" She stares at him, Sharpie in hand. "Wait, I haven't finished. Double F-hyphen-T-J-U-S. It's an unusual name, Linus adds gravely. "It's Dutch.

Ikept the book for the title, for how it was spelled. Beautyful. I had no idea why that spelling was chosen, but I liked it because it kept the beauty intact. It wasn’t swallowed, killed off with an i to make a whole new word. It was solid; it was still there, so much of it that it couldn’t fit into a new word, so much fullness. You got a better sense of exactly what was causing that fullness. Beauty. I wanted to be as whole as that word.

Her one salvation was the novels she read. On nights when she thought it might be better not to be alive without Levi in the world, she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell.

Our great mistake in education is, as it seems to me, the worship of book-learning–the confusion of instruction and education. We strain the memory instead of cultivating the mind. The children in our elementary schools are wearied by the mechanical act of writing, and the interminable intricacies of spelling; they are oppressed by columns of dates, by lists of kings and places, which convey no definite idea to their minds, and have no near relation to their daily wants and occupations; while in our public schools the same unfortunate results are produced by the weary monotony of Latin and Greek grammar. We ought to follow exactly the opposite course with children–to give them a wholesome variety of mental food, and endeavor to cultivate their tastes, rather than to fill their minds with dry facts. The important thing is not so much that every child should be taught, as that every child should be given the wish to learn. What does it matter if the pupil know a little more or a little less? A boy who leaves school knowing much, but hating his lessons, will soon have forgotten almost all he ever learned; while another who had acquired a thirst for knowledge, even if he had learned little, would soon teach himself more than the first ever knew.

The truth was a punch to the gut, and while you were falling, a knee to the face, then you could lie on the floor and bleed for a spell. Ed

Draco talked to Aurore more than he talked to anyone, even Hermione. He would monologue to her about anything, about the trees, and the furniture, all the shops where he’d bought books for Hermione, about what the weather might be, and what all the colours and hues of the analytic spells meant. Aurore would listen to him intently and fret when he got distracted or fell silent for too long.

Right then," Campbell began, his tone so civil it was offensive. "May I have your name for the record, Miss...?" "Eliza Braun," Eliza sneered. "Here, I'll spell it for you -- B-U-G-G-E-R-O-F-F.

... she opened a book and was therefore saved, discovering that a novel was as great an escape as any spell.

One piece of wisdom a writer quickly learns ~ typos keep you humble.

When she got back from taking Cassie to school Fancy knew that she ought to be working on her wilderness romance. She had promised thirty thousand words to her editor by tomorrow, and she had only written eleven. Specifically: His rhinoceros smelled like a poppadom: sweaty, salty, strange and strong. Her editor would cut that line.

Afterwards, in bed with a book, the spell of television feels remote compared to the journey into the page. To be in a book. To slip into the crease where two pages meet, to live in the place where your eyes alight upon the words to ignite a world of smoke and peril, colour and serene delight. That is a journey no one can end with the change of a channel. Enduring magic.

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer’s block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn’t the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: ‘This is where my story begins.’

Love was a magic fairy spell. Didn't the girls in my books hunt after love like it was a deer with a white tail? Didn't love wake the dead? Didn't that lady love the beast so hard he turned into a good-looking white fellow? That was what love did. It turned you into something else.

To paraphrase one of the greatest philosophers of our time-Winnie-the-Pooh-when asked how to spell a certain emotion, "You don't spell it, you feel it.

My brother played with spell-books, I played with swords. One gives you paper cuts, the other removes your fingers.

...a choice had to be made when your husband said something unkind. Specifically: be cruel, be strong, or sulk. 'Be cruel' by saying an unkind thing back. 'Be strong' by choosing not to mind. But to do this, you have to use up a piece of your love. You have to shave off enough of the love to forgive. After a while, the piece might grow back, but sometimes not. And if you shave off all the soft curves, you'll be left with a sharp-edged love. 'Sulk' by sulking. Sulking is simply delaying the choice to be cruel or strong.

Lissa and I had been best friends ever since kindergarden, when our teacher had paired us together for writing lessons. Forcing five-year-olds to spell "Vasilisa Dragomir" and "Rosemarie Hathaway" was beyond cruel and we'd -or rather, I'd- responded appropriately. I'd chucked my book at our teacher and called her a fascist bastard. I hadn't known what those words meant, but I'd known how to hit a moving target.

Your mind is the projection screen every writer steals; it is the firing of your neurones that makes every book come alive. You are the electricity that turns it on. A book cannot live until the touch of your hand on the first page brings it alive. A writer is essentially typing blank pages – shouting out spells in the dark – until the words are read by you, and the magic explodes into your head, and no one else's.

I am aware that what the body does for love is sometimes not. I celebrate reversals. I watch a funeral somewhere at sea.

My cooking spoon, My magic wand, Of this dish, You will be fond.

To be a Witch, you must be brave enough to face everything inside of you, and have the courage to change the things you do not like. Being a Witch has nothing to do with spells, rituals, and unusual clothing—they are the fun stuff. To be a Witch is to desire personal transformation.

If anything could be a book, there was no telling what you could learn, if you knew what to look for. Smooth river stones spelled out across a mossy floor. Lines drawn in the sand. Or inscribed on the side of a fallen log, half-obscured by twigs and mulch: This is a book.

Just to let you know I don't post my books and things on the net in hopes of being rich. The reason is. "I am a person with Bipolar Disorder" and they're are a lot of great minds on the "Famous Bipolar" list that died penniless. If I do the same it's no big deal but having a form of mental Illness I would love to get my name on the Bipolar list also one day. Preferably while I'm still living so I can make sure they spelled it right

He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart.

lines and angles, flat and bland, raise these volumes and make them stand.

I looked back at Eric. I hated that his eyes were closed. Like Josephine wasn't really paying attention to me. But she had so many other eyes. Rat eyes. Fox eyes. Crow eyes. "Josephine. Tell me why you want the spell book. Why does any of that matter if all we ever need is blood?" "You want to talk philosophy, Silla? Right now?" Eric's eyes snapped open and his fingers twitched.

Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and its all worked for me. Nobody in my family’s magic at all. It was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’ She said all this very fast. Harry looked at Ron, and was relieved to see by his stunned face that he hadn’t learned all the course books by heart either. ‘I’m Ron Weasley,’ Ron muttered. ‘Harry Potter,’ said Harry. ‘Are you really?’ said Hermione. ‘I know all about you, of course – I got a few extra books for background reading, and you’re in Modern Magical History and The Rise and Fall of the Dark Arts and Great Wizarding Events of the Twentieth Century.’ ‘Am I?’ said Harry, feeling dazed. ‘Goodness, didn’t you know, I’d have found out everything I could if it was me,’ said Hermione.

In the sixteenth century in England, dictionaries such as we would recognize today simply did not exist. If the language that so inspired Shakespeare had limits, if its words had definable origins, spellings, pronunciations, meanings—then no single book existed that established them, defined them, and set them down.

The universe breathes in ragged breaths. The body dies. The fungus grows. The loam spreads. The tree roots. The forest burns. The cloud bursts. The flood drowns. The alluvium feeds the fields. In, out. In, out. There is no stasis, no stillness. The source of all misery lies in our insistence that tomorrow be like today. But if it were, if it ever were, it would spell the end of everything.

Of all the places I have walked into, libraries must be the most magical. Have you ever opened the cover of a book and wondered what you would find inside? Where you would go? Whom you would meet? A story has the power to send you back in time or into the future, to transport you to other lands and kingdoms. I’ve met ogres, talking rabbits, and some of my best friends in the pages of books. Librarians might just have the best jobs ever. With each library card they hand out, they offer a ticket to strange and marvelous worlds. Open a book and, like Reading Beauty, you might fall under a spell—the magic of a deep read. But chances are, unlike the Sleeping Beauty of the original fairy tale, you will never want the spell to be broken.

It’s a stereotype,” he hissed. “It’s a damn stereotype and it’s harmful. If this catches on, we’ll have all sorts of sorcerers running around, waving wands and chanting spells. Do you know how ridiculous we’d look?” Tanith shrugged. “I liked Harry Potter.” “This ain’t about Harry Potter!” “You liked Harry Potter as well.” “They’re good books,” he snapped, “but I do not agree with this wand business. All those guys down there, criminals and mobsters and gangsters, and who are they taking orders from? A wizard with a wand. How can they take him seriously? How are they going to take us seriously when we attack?

We all received invitations, made by hand from construction paper, with balloons containing our names in Magic Marker. Our amazement at being formally invited to a house we had only visited in our bathroom fantasies was so great that we had to compare one another's invitations before we believed it. It was thrilling to know that the Lisbon girls knew our names, that their delicate vocal cords had pronounced their syllables, and that they meant something in their lives. They had had to labor over proper spellings and to check our addresses in the phone book or by the metal numbers nailed to the trees.

What do you want ?" It was a hard question, especially if I had to bat en down the sarcasm. I mean, there was the beauty pageant answer of world peace, although I’d probably have to render it in the beauty pageant spelling of world peas.

Je suis ce que je suis.” – Death “Is that a spell?” – Nick “It’s French, Nick. Means ‘I am what I am.’ Sheez, kid. Get educated. Read a book. I promise you it’s not painful.” – Death “I would definitely argue that. Have you seen my summer reading list? It’s nothing but girl books about them getting body parts and girl things I don’t want to discuss in class with my female English teacher. Maybe in the boys’ locker room and maybe with a coach, but not with a woman teacher in front of other girls who already won’t go out with me. Or worse, they’re about how bad all of us men reek and how we need to be taken out and shot ‘cause we’re an affront to all social and natural orders. Again – thanks, Teach. Give the girls even more reason to kick us down when we talk to one. Not like it’s not hard enough to get up the nerve to ask one out. Can you say inappropriate content? And then they tell me my manga’s bad. Riiight…Is it too much to ask that we have one book, just one, on the required reading list that says, ‘Hey, girls. Guys are fun and we’re okay. Really. We’re not all mean psycho-killing, bloodsucking animals. Most of us are pretty darn decent, and if you’ll just give us a chance, you’ll find out we’re not so bad.’” – Nick

She stood up and took the book from him, and as he smiled over his shoulder at some other kids, she threw it away and kicked him as hard as she could in the vicinity of the groin. Well, as you might imagine, Ludwig Schmeikl certainly buckled, and on the way down, he was punched in the ear. When he landed, he was set upon. When he was set upon, he was slapped and clawed and obliterated by a girl who was utterly consumed with rage. His skin was so warm and soft. Her knuckles and fingernails were so frighteningly tough, despite their smallness. You Saukerl." Her voice, too, was able to scratch him. "You Arschloch. Can you spell Arschloch for me?

A body is a body." Viscarro shrugged his bony shoulders. "Dead, alive, alive, dead. I fail to see the importance of the distinction." Yeah? So you'd just as soon fuck a living person as a dead one? What's the point of the distinction? Oh, right-one's normal, and one's called necrophilia." Viscarro sighed. "Touche, I suppose.

A writer must be hard to live with: when not working he is miserable, and when he is working he is obsessed. Or so it is with me. Thus my writing life consists of spells of languor alternating with fits and spasms of mad typing. At all times, though, I keep a journal, a record book, and most everything begins in the form of notes scribbled down on the pages of that journal.

When we set children against one another in contests—from spelling bees to awards assemblies to science “fairs” (that are really contests), from dodge ball to honor rolls to prizes for the best painting or the most books read—we teach them to confuse excellence with winning, as if the only way to do something well is to outdo others.

Mr. Norrell did not know a great deal about war, but he suspected that soldiers are not generally your great respecters of books. They might put their dirty fingers on them. They might tear them! They might- horror of horrors!- read them and try the spells!

What I’m praying is that you will choose those beautiful possibilities over any self-annihilating alternatives. My whole life on earth has been the weaving of a single powerful spell. The best part of all my magic was loving you.” (as spoken by the character Valerie Hyerman)

These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books.

We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking

A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that?

They spell-caught the sounds of cat paws, the breath of fish, the spittle of birds, the hairs of a woman's beard, and the roots of a mountain, and spun them around the sinews of a bear. That made a bond that looked as fine as a ribbon of silk, but, since it was made of things not in this world, it was so strong nothing in the world could break it.

In my mind, she was Lebkuchen Spice—ironic, Germanic, sexy, and off beat. And, mein Gott, the girl could bake a damn fine cookie … to the point that I wanted to answer her What do you want for Christmas? with a simple More cookies, please! But no. She warned me not to be a smart-ass, and while that answer was totally sincere, I was afraid she would think I was joking or, worse, kissing up. It was a hard question, especially if I had to batten down the sarcasm. I mean, there was the beauty pageant answer of world peace, although I’d probably have to render it in the beauty pageant spelling of world peas. I could play the boo-hoo orphan card and wish for my whole family to be together, but that was the last thing I wanted, especially at this late date.

There is no “makes sense” in the universal sense – that is to say, criticizing a time travel story because its rules do not line up with rules in the real world is akin to dismissing the Harry Potter books because the conductive properties of wood could never sustain the energy required for spell casting.

Then she wondered, not for the first time, about the differences between wizards and witches. The main difference, she thought, was that wizards used books and staffs to create spells, big spells about big stuff, and they were men. While witches - always women - dealt with everyday stuff. Big stuff too, she reminded herself firmly. What could be bigger than births and deaths? but why shouldn't this boy want to be a witch? She had chosen to be a witch, so why couldn't he make the same choice? With a start, she realized it was her choice that counted here too. If she was going to be a sort of head witch, she should be able to decide this. She didn't have to ask any other witches. It could be her decision. Her responsibility. Perhaps a first step toward doing things differently?

The best thing you can do for your kids is to encourage reading for pleasure--it makes required school reading so much easier and deeper and hones grammar, spelling, writing, comprehension, knowledge and imagination ...be it comic books or classics, fiction or non, Lord of the Rings or Lord of the Flies, let them read what they truly like...:)

They were waiting for me in the books and in stories, after all, hiding inside the twenty six characters and a handful of punctuation marks. These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books.

There is some confusion as to what magic actually is. I think this can be cleared up if you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as “the art”. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness. The very language about magic seems to be talking as much about writing or art as it is about supernatural events. A grimmoir for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell, is simply to spell, to manipulate words, to change people's consciousness. And I believe that this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a Shaman. I believe that all culture must have arisen from cult. Originally, all of the faucets of our culture, whether they be in the arts or sciences were the province of the Shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation, is, I think a tragedy. At the moment the people who are using Shamanism and magic to shape our culture are advertisers. Rather than try to wake people up, their Shamanism is used as an opiate to tranquilize people, to make people more manipulable. Their magic box of television, and by their magic words, their jingles can cause everyone in the country to be thinking the same words and have the same banal thoughts all at exactly the same moment. In all of magic there is an incredibly large linguistic component. The Bardic tradition of magic would place a bard as being much higher and more fearsome than a magician. A magician might curse you. That might make your hands lay funny or you might have a child born with a club foot. If a Bard were to place not a curse upon you, but a satire, then that could destroy you. If it was a clever satire, it might not just destroy you in the eyes of your associates; it would destroy you in the eyes of your family. It would destroy you in your own eyes. And if it was a finely worded and clever satire that might survive and be remembered for decades, even centuries. Then years after you were dead people still might be reading it and laughing at you and your wretchedness and your absurdity. Writers and people who had command of words were respected and feared as people who manipulated magic. In latter times I think that artists and writers have allowed themselves to be sold down the river. They have accepted the prevailing belief that art and writing are merely forms of entertainment. They’re not seen as transformative forces that can change a human being; that can change a society. They are seen as simple entertainment; things with which we can fill 20 minutes, half an hour, while we’re waiting to die. It’s not the job of the artist to give the audience what the audience wants. If the audience knew what they needed, then they wouldn’t be the audience. They would be the artists. It is the job of artists to give the audience what they need.

I cannot count the pebbles in the brook. Well hath He spoken: "Swear not by thy head. Thou knowest not the hairs," though He, we read, writes that wild number in His own strange book. I cannot count the sands or search the seas, death cometh, and I leave so much untrod. Grant my immortal aureole, O my God, and I will name the leaves upon the trees, In heaven I shall stand on gold and glass, still brooding earth's arithmetic to spell; or see the fading of the fires of hell ere I have thanked my God for all the grass.

Lissa and I had been best friends ever since kindergarten, when our teacher had paired us together for writing lessons. Forcing five-year-olds to spell Vasilisa Dragomir and Rosemarie Hathaway was beyond cruel, and we'd—or rather, I'd—responded appropriately. I'd chucked my book at our teacher and called her a fascist bastard. I hadn't known what those words meant, but I'd known how to hit a moving target. Lissa and I had been inseparable ever since. " - Rose Hathaway

In 1963, when I assigned the name "quark" to the fundamental constituents of the nucleon, I had the sound first, without the spelling, which could have been "kwork." Then, in one of my occasional perusals of Finnegans Wake, by James Joyce, I came across the word "quark" in the phrase "Three quarks for Muster Mark." Since "quark" (meaning, for one thing, the cry of a gull) was clearly intended to rhyme with "Mark," as well as "bark" and other such words, I had to find an excuse to pronounce it as "kwork." But the book represents the dreams of a publican named Humphrey Chimpden Earwicker. Words in the text are typically drawn from several sources at once, like the "portmanteau words" in Through the Looking Glass. From time to time, phrases occur in the book that are partially determined by calls for drinks at the bar. I argued, therefore, that perhaps one of the multiple sources of the cry "Three quarks for Muster Mark" might be "Three quarts for Mister Mark," in which case the pronunciation "kwork" would not be totally unjustified. In any case, the number three fitted perfectly the way quarks occur in nature.

Nita stood still, listening to Joanne's footsteps hurrying away, a little faster every second- and slowly began to realize that she'd gotten what she asked for too- the ability to break the cycle of anger and loneliness, not necessarily for others, but at least for herself. It wouldn't even take the Speech; plain words would do it, and the magic of reaching out. It would take a long time, much longer then something simple like breaking the walls of the worlds, and it would cost more effort than even reading the Book of Night with Moon. But it would be worth it- and eventually it would work. A spell always works. Nita went home.

I don’t think meaning is something that can be explained. You have to understand hopeful and selectively blind as the next guy, but because I don’t think meaning is something that can be explained. You have to understand it on your own. It’s like when you’re starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the “cat” is connected to an actual cat, and that “dog” is connected to an actual dog. It’s that leap, that understanding, that leads to meaning. And a lot of the time in life, we’re still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that’s only spelling.

How do you know they're magic and not some mechanical device of the dwarves?" Tanis asked, sensing that Tas was hiding something. Tas gulped. He had been hoping Tanis wouldn't ask him that question. "Uh," Tas stammered, "I---I guess I did sort of happened to, uh, mention them to Raistilin one night when you were all busy doing something else. He told me they might be magic. To find out, he said one of those weird spells of his and they--uh--began to glow. That meant they were enchanted. He asked me what they did and I demonstated and he said they were 'glasses of true seeing.' The dwarven magic-users of old made them to read books written in other languages and--" Tas stopped. "And?" Tanis pursued. "And--uh--magic spellbooks." Tas's voice was a whisper. "And what else did Raistlin say?" "That if I touched his spellbooks or even looked at them sideways, he'd turn me into a cricket and s-swallow m-me whole," Tasselhoff stammered. He looked up at Tanis with his wide eyed. "I belived him, too." Tanis shook his head. Trust Raistlin to come up with a threat awful enough to quensh the curiosity of a kender.

An ancient-looking card table sat in the middle of the room, covered in maps and books. Man, give the Brannicks any space, and they’ll turn it into a War Room. Aislinn took her customary position on one side of the table. “Okay,” she said. “Tell us everything that’s happened.” Cal, Archer, Jenna, and I managed to achieve something truly impressive: the four-way glance. “It’s really complicated,” Jenna said at last. “We used a sixteenth-century warlock trapped in a mirror to tell you where we were,” Dad said dryly. “I think it’s safe to say we’re well-versed in ‘complicated’ by this point.” Archer gave a little laugh. “I like your dad,” he whispered in my ear. “You would,” I muttered back.

All the terms used in the science books, 'law,' 'necessity,' 'order,' 'tendency,' and so on, are really unintellectual .... The only words that ever satisfied me as describing Nature are the terms used in the fairy books, 'charm,' 'spell,' 'enchantment.' They express the arbitrariness of the fact and its mystery. A tree grows fruit because it is a magic tree. Water runs downhill because it is bewitched. The sun shines because it is bewitched. I deny altogether that this is fantastic or even mystical. We may have some mysticism later on; but this fairy-tale language about things is simply rational and agnostic.

Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But, one day, she looked at a page and the word "mouse" had instantaneous meaning. She looked at the word, and a picture of a gray mouse scampered through her mind. She looked further and when she saw "horse," she heard him pawing the ground and saw the sun glint on his glossy coat. The word "running" hit her suddenly and she breathed hard as though running herself. The barrier between he individual sound of each letter and the whole meaning of the word was removed and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came to adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived.

I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life. Originally published in The Washington Post Book World

It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!)

What fascinates me—and what serves as a central theme of this book—is why we make the choices we do. What separates us from the world we have and the kind of ethical universe envisioned by someone like Havel? What prompts one person to act boldly in a moment of crisis and a second to seek shelter in the crowd? Why do some people become stronger in the face of adversity while others quickly lose heart? What separates the bully from the protector? Is it education, spiritual belief, our parents, our friends, the circumstances of our birth, traumatic events, or more likely some combination that spells the difference? More succinctly, do our hopes for the future hinge on a desirable unfolding of external events or some mysterious process within?

KEYS TO WARFARE The world is full of people looking for a secret formula for success and power. They do not want to think on their own; they just want a recipe to follow. They are attracted to the idea of strategy for that very reason. In their minds strategy is a series of steps to be followed toward a goal. They want these steps spelled out for them by an expert or a guru. Believing in the power of imitation, they want to know exactly what some great person has done before. Their maneuvers in life are as mechanical as their thinking. To separate yourself from such a crowd, you need to get rid of a common misconception: the essence of strategy is not to carry out a brilliant plan that proceeds in steps; it is to put yourself in situations where you have more options than the enemy does. Instead of grasping at Option A as the single right answer, true strategy is positioning yourself to be able to do A, B, or C depending on the circumstances. That is strategic depth of thinking, as opposed to formulaic thinking.

The answer to all questions of life and death, "the absolute solution" was written all over the world he had known: it was like a traveller realising that the wild country he surveys is not an accidental assembly of natural phenomena, but the page in a book where these mountains and forests, and fields, and rivers are disposed in such a way as to form a coherent sentence; the vowel of a lake fusing with the consonant of a sibilant slope; the windings of a road writing its message in a round hand, as clear as that of one's father; trees conversing in dumb-show, making sense to one who has learnt the gestures of their language... Thus the traveller spells the landscape and its sense is disclosed, and likewise, the intricate pattern of human life turns out to be monogrammatic, now quite clear to the inner eye disentangling the interwoven letters. And the word, the meaning which appears is astounding in its simplicity: the greatest surprise being perhaps that in the course of one's earthly existence, with one's brain encompassed by an iron ring, by the close-fitting dream of one's own personality - one had not made by chance that simple mental jerk, which would have set free imprisoned thought and granted it the great understanding.

I live in gratitude to my parents for initiating me--and as early as I begged for it, without keeping me waiting--into knowledge of the word, into reading and spelling, by way of the alphabet. They taught it to me at home in time for me to begin to read before starting school. My love for the alphabet, which endures, grew out of reciting it but, before that, out of seeing the letters on the page. In my own story books, before I could read them for myself I fell in love with various winding, enchanted-looking initials drawn by Walter Crane at the head of fairy tales. In "Once upon a time," an "o" had a rabbit running it as a treadmill, his feet upon flowers. When the day came years later for me to see the Book of Kells, all the wizardry of letter, initial, and word swept over me a thousand times, and the illumination, the gold, seemed a part of the world's beauty and holiness that had been there from the start.

In fantasy stories we learn to understand the differences of others, we learn compassion for those things we cannot fathom, we learn the importance of keeping our sense of wonder. The strange worlds that exist in the pages of fantastic literature teach us a tolerance of other people and places and engender an openness toward new experience. Fantasy puts the world into perspective in a way that 'realistic' literature rarely does. It is not so much an escape from the here-and-now as an expansion of each reader's horizons." "A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?

As the patriots of seventy-six did to the support of the Declaration of Independence, so to the support of the Constitution and Laws, let every American pledge his life, his property, and his sacred honor; – let every man remember that to violate the law, is to trample on the blood of his father, and to tear the character of his own, and his children's liberty. Let reverence for the laws, be breathed by every American mother, to the lisping babe, that prattles on her lap – let it be taught in schools, in seminaries, and in colleges; – let it be written in Primmers, spelling books, and in Almanacs; – let it be preached from the pulpit, proclaimed in legislative halls, and enforced in courts of justice. And, in short, let it become the political religion of the nation; and let the old and the young, the rich and the poor, the grave and the gay, of all sexes and tongues, and colors and conditions, sacrifice unceasingly upon its altars. While ever a state of feeling, such as this, shall universally, or even, very generally prevail throughout the nation, vain will be every effort, and fruitless every attempt, to subvert our national freedom.

Perhaps we should explore some other options before swanning off to Ireland,” Dad said, pushing his glasses up. “After all, Sophie, you’ve been through quite the ordeal.” “I’ll nap on the plane. Look, we are dealing with the possibility of an army of demons. I don’t know about you guys, but those words are right up there with ‘root canal’ and ‘school on Saturdays’ in terms of things that terrify me. Were already three weeks behind. We don’t have time to just sit here and explore options or read more books or listen to more half-assed prophecies from this jerk,” I said, pointing to Torin. He made a gesture that I think was the old-timey version of flipping me off. “So, yeah,” I continued. “Maybe this is a totally stupid idea. But if there’s even a chance one of us can get into the underworld, then we have to take it.” “Okay, I do like you,” Finley said, flashing me a grin.

The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence. Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it.

This is a book, and a book is a world, and words are the seeds in which meanings are curled. Pages of oceans and margins of land are civilizations you hold in the palm or your hand. But look at your world and your life seems to shrink, to cities of paper and seas made of ink. Do you know who you are, or have you been misled? Are you the reader, or are you the read? This is a word, and a word is a spell - a promise to keep or a secret to tell. Controlling the word means the power to frame how the ages of history remember you name. Are you hero or villain? A savior or spy? Some titles are lovely. Some titles are lies. You can claim who you are, now that you've found your voice. But those who are chosen will not have a choice. This is a story as vast as the sea, but on its waters, you'll never be free. No matter your course, your future is set, and destiny laughs as she tightens the net. Words to Kelannans are breath on a glass, but if it is written, it will come to pass. Is your sight growing clearer, the closer you look? The Book is a world, for the world is a book.

Jenna, you have Vix, and Archer, you have…Actually, what do you have?” “You,” he said firmly. “And a whole bunch of holy knights who want to kill me.” “Vix can visit,” Jenna said. “And the school will be a good place now, so it’s not like one more year will be torture. Although,” she said, frowning, “I will admit the place is pretty awful to look at. I don’t know how we’re going to fix that.” Facing the pond, staring at that green, green grass, I gave a shuddery laugh. “I don’t think we have to worry about the island,” I said, wiping stray tears with the back of my hand. “It’s being healed.” “Well, there you have it, then,” Archer said. “Vix can come for a visit, the island will eventually be a heck of a lot less depressing, and I’m not leaving you ever again.” “Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and-“ Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.” “And an angsty vampire who will walk into hell with you. Actually, who has walked into hell with you,” Jenna added, coming around to my other side. “And parents who love you, and who are probably making out back at the car,” Archer said, and I laughed. “So, really,” Jenna said, and looped her arm through mine, “what more do you need?” I looked back and forth between them, these two people I loved so much. The breeze ruffled the tall grass around the pond, and I thought I could hear Elodie’s laugh. “Nothing,” I told them, squeezing both their hands. “Nothing.

Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending.” “Snap ending.” Mildred nodded. “Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. I exaggerate, of course. The dictionaries were for reference. But many were those whose sole knowledge of Hamlet (you know the title certainly, Montag; it is probably only a faint rumor of a title to you, Mrs. Montag), whose sole knowledge, as I say, of Hamlet was a one-page digest in a book that claimed: now at last you can read all the classics; keep up with your neighbors. Do you see? Out of the nursery into the college and back to the nursery; there’s your intellectual pattern for the past five centuries or more.” Mildred arose and began to move around the room, picking things up and putting them down. Beatty ignored her and continued: “Speed up the film, Montag, quick. Click, Pic, Look, Eye, Now, Flick, Here, There, Swift, Pace, Up, Down, In, Out, Why, How, Who, What, Where, Eh? Uh! Bang! Smack! Wallop, Bing, Bong, Boom! Digest-digests, digest-digest-digests. Politics? One column, two sentences, a headline! Then, in mid-air, all vanishes! Whirl man’s mind around about so fast under the pumping hands of publishers, exploiters, broadcasters that the centrifuge flings off all unnecessary, time-wasting thought!” Mildred smoothed the bedclothes. Montag felt his heart jump and jump again as she patted his pillow. Right now she was pulling at his shoulder to try to get him to move so she could take the pillow out and fix it nicely and put it back. And perhaps cry out and stare or simply reach down her hand and say, “What’s this?” and hold up the hidden book with touching innocence. “School is shortened, discipline relaxed, philosophies, histories, languages dropped, English and spelling gradually gradually neglected, finally almost completely ignored. Life is immediate, the job counts, pleasure lies all about after work. Why learn anything save pressing buttons, pulling switches, fitting nuts and bolts?

Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

The spell is at its strongest in the center of the room,” I added. “So whatever you want to hold, you wanna put it as close to dead center as you can.” “You must’ve been awesome at Memory as a kid,” Archer mused. I shrugged. “When you’re perusing a book full of the most powerful dark magic ever, you pay attention.” Our gazes fell to the center of the room, where there was nothing but one of the cellar’s bazillion shelves. And under that shelf, drag marks in the dirt. We both moved to either end of the shelf. It took a minute (and a couple of impolite words from both of us), but we managed to move it several feet over. Then we stood there, breathing hard and sweating a little, and stared at the trap door in the floor. “Whatever’s down there,” Archer said after a moment, “it’s hard core enough that Casnoff went to all this trouble to hold it. Are you sure you want to do this, Mercer?” “Of course I don’t,” I said, grabbing the iron ring affixed to the trap door. “But I’m gonna.” I yanked at the ring, and the door came up easily. Cool air, smelling faintly of dirt and decay, wafted up. A metal ladder was bolted to the side of the opening, and I counted ten rungs before it disappeared into the blackness below. Archer made a move to stop into the hole, but I stopped him. “I’ll go down first. You’ll just look up my skirt if I go after you.” “Sophie-“ But it was too late. Trying to shake the feeling that I was stepping into a grave, I grabbed the ladder and started to climb down.

Valentine’s concept of introversion includes traits that contemporary psychology would classify as openness to experience (“thinker, dreamer”), conscientiousness (“idealist”), and neuroticism (“shy individual”). A long line of poets, scientists, and philosophers have also tended to group these traits together. All the way back in Genesis, the earliest book of the Bible, we had cerebral Jacob (a “quiet man dwelling in tents” who later becomes “Israel,” meaning one who wrestles inwardly with God) squaring off in sibling rivalry with his brother, the swashbuckling Esau (a “skillful hunter” and “man of the field”). In classical antiquity, the physicians Hippocrates and Galen famously proposed that our temperaments—and destinies—were a function of our bodily fluids, with extra blood and “yellow bile” making us sanguine or choleric (stable or neurotic extroversion), and an excess of phlegm and “black bile” making us calm or melancholic (stable or neurotic introversion). Aristotle noted that the melancholic temperament was associated with eminence in philosophy, poetry, and the arts (today we might classify this as opennessto experience). The seventeenth-century English poet John Milton wrote Il Penseroso (“The Thinker”) and L’Allegro (“The Merry One”), comparing “the happy person” who frolics in the countryside and revels in the city with “the thoughtful person” who walks meditatively through the nighttime woods and studies in a “lonely Towr.” (Again, today the description of Il Penseroso would apply not only to introversion but also to openness to experience and neuroticism.) The nineteenth-century German philosopher Schopenhauer contrasted “good-spirited” people (energetic, active, and easily bored) with his preferred type, “intelligent people” (sensitive, imaginative, and melancholic). “Mark this well, ye proud men of action!” declared his countryman Heinrich Heine. “Ye are, after all, nothing but unconscious instruments of the men of thought.” Because of this definitional complexity, I originally planned to invent my own terms for these constellations of traits. I decided against this, again for cultural reasons: the words introvert and extrovert have the advantage of being well known and highly evocative. Every time I uttered them at a dinner party or to a seatmate on an airplane, they elicited a torrent of confessions and reflections. For similar reasons, I’ve used the layperson’s spelling of extrovert rather than the extravert one finds throughout the research literature.