“
into the woman you are today, someone with such incredible poise, someone spectacularly kind; you have a way of making every single person feel like the most important person in the world.
”
”
Josie Silver (One Day in December)
“
Cat-woman was a good way to describe her. The ears on the dark helmet, the oversized lenses, the claws that she’d just retracted after that spectacular jump… Even her steps toward him oozed feline grace.
”
”
Sarah J. Maas (Catwoman: Soulstealer (DC Icons, #3))
“
His mouth was truly one of his most spectacular accomplishments. It had the gentle fullness of passion, as though he’d just made love. As though he’d just satisfied some fortuitous woman’s deepest desires.
”
”
Darynda Jones (The Dirt on Ninth Grave (Charley Davidson, #9))
“
No woman is really humble; she is merely politic. No woman, with a free choice before her, chooses self-immolation; the most she genuinely desires in that direction is a spectacular martyrdom. No woman delights in poverty. No woman yields when she can prevail. No woman is honestly meek.
”
”
H.L. Mencken (In Defense of Women)
“
Behind every great man is a great woman' but in front of every great man should be a spectacular woman
”
”
Josh Stern
“
She had aged with style and beauty. In soft romantic lighting, I could still see the magnificent girl from Mexico who had saved me with her love. When the lighting was less sentimental and somewhat more revealing, she was perhaps even more magnificent. The years had added a velvety richness to her physical beauty, a resonance to her inner loveliness that made her even more spectacular. She was a woman in every sense of the word, yet so much of the young girl remained in those dark and lovely eyes it made you feel young again too.
”
”
Bobby Underwood (Just Beyond Love (Matt Ransom))
“
There were a million heavenly things to see and a million spectacular ways to die.
”
”
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
“
Words are powerful instruments. Handle them and your understanding level of new information will grow in a spectacular way.
”
”
Kim Kiyosaki (Rich Woman: A Book on Investing for Women, Take Charge Of Your Money, Take Charge Of Your Life)
“
Over the last year, I have thrown myself and every other available woman at that man. But he turned this”—she waved at her spectacular figure—“down. Repeatedly. Pickiest guy ever. Yet now he can’t take his eyes off his new ‘date’. You’ve beaten out millions. Tell me, was it as simple as swallowing?” I snapped my gaze to her. “I met him fifteen minutes ago.” Jessica nodded. “In those fifteen minutes, did you happen to swallow?
”
”
Kresley Cole (The Player (The Game Maker, #3))
“
I do understand why women started to reject the word “feminism.” It ended up being invoked in so many bafflingly inappropriate contexts that—if you weren’t actually aware of the core aims of feminism and were trying to work it out simply from the surrounding conversation—you’d presume it was some spectacularly unappealing combination of misandry, misery, and hypocrisy, which stood for ugly clothes, constant anger, and, let’s face it, no fucking.
”
”
Caitlin Moran (How To Be A Woman)
“
Sorano returned a half-hearted nod and mumbled on, dreamily.
She seemed completely fascinated by a man in a rabbit costume who kept falling flat on his face whilst endlessly repeating the phrase “How dare they speak the word “motherboard” when the Neon God has no mother?” in a very affronted tone. He was accompanied by swarthy-faced dame, who aimlessly dragged a red piece of string after her.
‘Why are you dragging that string, hey?’ the rabbit-man asked the woman right before taking a spectacular nosedive, face-first into asphalt.
‘But I must drag it, I must!’ the woman replied panicky, ‘for if I try to push it, it bends.
”
”
Louise Blackwick (5 Stars)
“
Long ago, when I was in my insecure twenties, I met a clever, independent, creative, and powerful woman in her mid-seventies, who offered me a superb piece of life wisdom.
She said: “We all spend our twenties and thirties trying so hard to be perfect, because we’re so worried about what people will think of us. Then we get into our forties and fifties, and we finally start to be free, because we decide that we don’t give a damn what anyone thinks of us. But you won’t be completely free until you reach your sixties and seventies, when you finally realize this liberating truth—nobody was ever thinking about you, anyhow.”
They aren’t. They weren’t. They never were.
People are mostly just thinking about themselves. People don’t have time to worry about what you’re doing, or how well you’re doing it, because they’re all caught up in their own dramas. People’s attention may be drawn to you for a moment (if you succeed or fail spectacularly and publicly, for instance), but that attention will soon enough revert right back to where it’s always been—on themselves. While it may seem lonely and horrible at first to imagine that you aren’t anyone else’s first order of business, there is also a great release to be found in this idea. You are free, because everyone is too busy fussing over themselves to worry all that much about you.
Go be whomever you want to be, then.
Do whatever you want to do.
Pursue whatever fascinates you and brings you to life.
Create whatever you want to create—and let it be stupendously imperfect, because it’s exceedingly likely that nobody will even notice.
And that’s awesome.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Sebastian, the Duke of Kingston, radiated the cool confidence of a man who had been born to privilege. Unlike most British peers, who were disappointingly average, Kingston was dashing and ungodly handsome, with the taut, slim physique pf a man half his age. Known for his shrewd mind and caustic wit, he oversaw a labyrinthine financial empire that included, of all things, a gentlemen's gaming club. If his fellow noblemen expressed private distaste for the vulgarity of owning such an enterprise, none dared criticize him publicly. He was the holder of too many debts, the possessor of too many ruinous secrets. With a few words or strokes of a pen, Kingston could have reduced nearly any proud aristocratic scion to beggary.
Unexpectedly, rather sweetly, the duke seemed more than little enamored of his own wife. One of his hands lingered idly at the small of her back, his enjoyment in touching her covert but unmistakable. One could hardly blame him. Evangeline, the duchess, was a spectacularly voluptuous woman with apricot-red hair, and merry blue eyes set in a lightly freckled complexion. She looked warm and radiant, as if she'd been steeped in a long autumn sunset.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Tori is the woman in your neighborhood who stops by your garden, pauses, and gets you going for three hours on the topic of lilies that grow best in winter sun. Later, you'll walk by her pea patch and discover the most spectacular flower, not exactly what you planted, but something that shows the influence of the tips you shared.
”
”
Tori Amos (Tori Amos: Piece by Piece: A Memoir)
“
KERRYANNE: Well, if I’m so spectacular why did my husband leave me for her?”
KURT: (Poor baby.) Because he’s a weak *ssh*le, and you were way too much woman for him.
”
”
Jordan Silver (Broken)
“
I was a married woman! she said. Why does every generation believe it is the discoverer of pleasure? Your father was a spectacular lover. Even through the wall, I could hear the triumph in her voice.
”
”
Karen Essex (Dracula in Love)
“
Everything was white. The pale wood floor. The white velvet sofa. The long raw-silk curtains. The flawless walls. It was spectacularly impractical for a public vessel–deliberately so, I had to assume.
”
”
Ruth Ware (The Woman in Cabin 10)
“
It is a rare man or woman who is ever really changed by ascension to high office, or tempered by the solemnity of the oaths they have sworn or by the national duties they have shouldered. And Spiro Agnew was certainly not among that rare breed.
”
”
Rachel Maddow (Bag Man: The Wild Crimes, Audacious Cover-Up, and Spectacular Downfall of a Brazen Crook in the White House)
“
WHAT’S SO GREAT ABOUT WOMEN, ANYWAY? And, lower: HEY, EVERY WOMAN, PAL, IS A VOLUME OF STORIES A CATALOGUE OF MOVEMENTS A SPECTACULAR ARRAY OF IMAGES Then: PLUS THERE’S THE MYSTERY OF LEARNING ABOUT HER CHILDHOOD A fourth man had concluded: AND OF EVERYTHING
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
What was it about this woman? This plain, unassuming woman whom he had never before noticed? 'There is nothing about her that is plain or unassuming now.'
And he hated himself for describing her as such.
No... Lady Calpurnia Hartwell was coming into her own in a spectacular way- entirely new and thoroughly different from every woman he had known before her. And it was her heady combination of innocent curiosity and feminine will that had lured him into behaving the way he did.
He wanted her. Viscerally. In a way he'd never wanted any woman before her.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
They hate me because I am the worst thing possible. I am the bad mother.
But here's a secret: in America there are no good mothers. They simply don't exist. Always, there are a thousand ways to fail at this singularly important job. There are failures of the body and failures of the heart. The woman who is unable to breastfeed is a failure. The woman who screams for the epidural is a failure. The woman who picks up her child late knows from the teacher's cutting glance that she is a failure. The woman who shares her bed with her baby has failed. The woman who steels herself and puts on noise-canceling earphones to erase the screaming of her child the next room has failed just as spectacularly. They must all hang their heads in guilt and shame because they haven't done it perfectly, and motherhood is, if anything, the assumption of perfection.
”
”
Nayomi Munaweera (What Lies Between Us)
“
WHAT’S SO GREAT ABOUT WOMEN, ANYWAY? And, lower: HEY, EVERY WOMAN, PAL, IS A VOLUME OF STORIES A CATALOGUE OF MOVEMENTS A SPECTACULAR ARRAY OF IMAGES Then: PLUS THERE’S THE MYSTERY OF LEARNING ABOUT HER CHILDHOOD A fourth man had concluded: AND OF EVERYTHING THAT’S CONCEALED UNDER HER CLOTHES
”
”
Michael Chabon (The Mysteries of Pittsburgh)
“
Many readers are familiar with the spirit and the letter of the definition of “prayer”, as given by Ambrose Bierce in his Devil’s Dictionary. It runs like this, and is extremely easy to comprehend: Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy.
Everybody can see the joke that is lodged within this entry: The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right. Half–buried in the contradiction is the distressing idea that nobody is in charge, or nobody with any moral authority. The call to prayer is self–cancelling. Those of us who don’t take part in it will justify our abstention on the grounds that we do not need, or care, to undergo the futile process of continuous reinforcement. Either our convictions are enough in themselves or they are not: At any rate they do require standing in a crowd and uttering constant and uniform incantations. This is ordered by one religion to take place five times a day, and by other monotheists for almost that number, while all of them set aside at least one whole day for the exclusive praise of the Lord, and Judaism seems to consist in its original constitution of a huge list of prohibitions that must be followed before all else. The tone of the prayers replicates the silliness of the mandate, in that god is enjoined or thanked to do what he was going to do anyway. Thus the Jewish male begins each day by thanking god for not making him into a woman (or a Gentile), while the Jewish woman contents herself with thanking the almighty for creating her “as she is.” Presumably the almighty is pleased to receive this tribute to his power and the approval of those he created. It’s just that, if he is truly almighty, the achievement would seem rather a slight one. Much the same applies to the idea that prayer, instead of making Christianity look foolish, makes it appear convincing. Now, it can be asserted with some confidence, first, that its deity is all–wise and all–powerful and, second, that its congregants stand in desperate need of that deity’s infinite wisdom and power. Just to give some elementary quotations, it is stated in the book of Philippians, 4:6, “Be careful for nothing; but in everything by prayer and supplication and thanksgiving, let your requests be known to God.” Deuteronomy 32:4 proclaims that “he is the rock, his work is perfect,” and Isaiah 64:8 tells us, “Now O Lord, thou art our father; we art clay and thou our potter; and we are all the work of thy hand.” Note, then, that Christianity insists on the absolute dependence of its flock, and then only on the offering of undiluted praise and thanks. A person using prayer time to ask for the world to be set to rights, or to beseech god to bestow a favor upon himself, would in effect be guilty of a profound blasphemy or, at the very least, a pathetic misunderstanding. It is not for the mere human to be presuming that he or she can advise the divine. And this, sad to say, opens religion to the additional charge of corruption. The leaders of the church know perfectly well that prayer is not intended to gratify the devout. So that, every time they accept a donation in return for some petition, they are accepting a gross negation of their faith: a faith that depends on the passive acceptance of the devout and not on their making demands for betterment. Eventually, and after a bitter and schismatic quarrel, practices like the notorious “sale of indulgences” were abandoned. But many a fine basilica or chantry would not be standing today if this awful violation had not turned such a spectacularly good profit. And today it is easy enough to see, at the revival meetings of Protestant fundamentalists, the counting of the checks and bills before the laying on of hands by the preacher has even been completed. Again, the spectacle is a shameless one.
”
”
Christopher Hitchens (Mortality)
“
The summer before, an estranged husband violated his wife’s restraining order against him, shooting her—and killing or wounding six other women—at her workplace in suburban Milwaukee, but since there were only four corpses the crime was largely overlooked in the media in a year with so many more spectacular mass murders in this country (and we still haven’t really talked about the fact that, of sixty-two mass shootings in the United States in three decades, only one was by a woman, because when you say lone gunman, everyone talks about loners and guns but not about men—and by the way, nearly two-thirds of all women killed by guns are killed by their partner or ex-partner).
”
”
Rebecca Solnit (Men Explain Things to Me)
“
I’ve had a lot of sex in my life. I’ve had mediocre sex with someone I loved. I’ve had some pretty spectacular sex with people I didn’t even know. I like to try new things, I like to push limits and I love to see a woman come undone. But in all my days, I have never had an experience that was so visually perfect. She is just absolute perfection.
”
”
Kerry Heavens (Spencer (Not your average British romance Book 1))
“
It should be illegal for a woman to look as good as you do.”
“Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.”
“I love it. I love you.” He dug in his pocket. “When I left today, it was for this.”
Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped.
“I wanted it to be a surprise.”
There were no words. Her eyes suddenly burned and her throat went tight.
Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right.
“Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.”
Sounding like a choked frog, Priss said, “All the things I never got to do growing up.”
“But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.”
“No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.”
Both still very attentive, Matt and Chris snickered. Trace just smiled at her.
Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.”
“Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.”
“You felt me up,” Priss reminded him. “But that was a first for me, too.”
“I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
He made love to her slowly, silently, her gasps of pleasure as he woke her body and mind the only sound in the room. He was ass over teakettle crazy for this woman. And it wasn’t the sex—although that was nothing short of spectacular—it was Libby and her intelligent eyes, her forthright manner, her passion for her work, her courage in her convictions, and, of course, her sexy underwear.
”
”
Rachel Grant (Grave Danger)
“
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then.
'I do,' she said.
'I do,' he said.
They did. They would.
Our children will be so fucking beautiful, he thought, looking at her.
Home, she thought, looking at him.
'You may kiss,' said the officiant.
They did, would.
Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness.
The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared.
Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard.
Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him.
These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
”
”
Lauren Groff (Fates and Furies)
“
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
She wanted to order him clapped in irons, as he so deserved. But she was stopped by what she saw in the faces of the watching men: disapproval, instinctive and involuntary, but disapproval, nonetheless. They were not comfortable when power was wielded by a woman, not at a man’s expense, a man who had just acquitted himself so spectacularly at Lincoln, winning their reluctant respect in a way she knew she never could.
”
”
Sharon Kay Penman (When Christ and His Saints Slept (Henry II & Eleanor of Aquitaine, #1))
“
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
”
”
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
“
He could no longer deny that for the rest of his life, he would measure every other woman against her, and find them all lacking. Her smile, her sharp tongue, her temper, her infectious laugh, her body and spirit, everything about her struck a pleasurable chord in him. She was independent, willful, stubborn… qualities that most men did not desire in a wife. The fact that he did was as undeniable as it was unexpected.
There were only two ways to manage the situation. He could either continue trying to avoid her, which had been a spectacular failure so far, or he could simply give in. Give in… knowing that she would never be the placid, proper wife he had always envisioned having. In marrying her, he would defy a fate that had been scripted for him before he had even been born.
He would never be entirely certain what to expect from Lillian. She would behave in ways that he would not always understand, and she would bite back like a half-tamed creature whenever he tried to control her. She was a creature possessed of strong emotions and an even stronger will. They would quarrel. She would never allow him to become too comfortable, too settled.
Dear God, was that truly the future he wanted?
Yes. Yes. Yes.
-Marcus' thoughts
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
So this book, your biography . . . you’re ready to come out as a gay woman?” Evelyn closes her eyes for a moment, and at first I think she is processing the weight of what I’ve said, but once she opens her eyes again, I realize she is trying to process my stupidity. “Haven’t you been listening to a single thing I’ve told you? I loved Celia, but I also, before her, loved Don. In fact, I’m positive that if Don hadn’t turned out to be a spectacular asshole, I probably never would have been capable of falling in love with someone else at all. I’m bisexual. Don’t ignore half of me so you can fit me into a box, Monique. Don’t do that.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
For queer people, there's something special about finding another queer person. And we do--we find each other, don't we? "Gaydar" feels like a term invented by a straight woman for the sole purpose of outing closeted men, but there's an underlying and universal purpose to the concept of gaydar. It's finding your pack; it's survival. Queer people have never, ever-even now, when so much about the world is objectively better than it used to be-been able to live our lives as freely and openly and spectacularly as straight people have. We've always had to find each other, in dark corners of gay bars, in back alleys, in niche Tumblr fandoms, to survive.
”
”
Jill Gutowitz (Girls Can Kiss Now: Essays)
“
That I didn’t see the end of me and Maddie coming seems impossible to me now. But at the time I had this notion that even though my own feelings for my girlfriend had begun to cool not long after the spectacular prize of her was attained, to part ways on this basis would be as much an act of infidelity toward myself. It unsettled me that the Amar of a year ago could be so inconsistent with the Amar of today, and I suppose that in my determination to pretend, at least, that nothing had changed—that I was not so fickle and vain as to want a woman only until she had been won—I did not sufficiently entertain the possibility that Maddie herself was capable of changing, too.
”
”
Lisa Halliday (Asymmetry)
“
Pilgrimage was a centrally important part of Christian life in the early twelfth century, and had been for nearly one thousand years. People traveled incredible distances to visit saints' shrines and the sites of famous Christian deeds. did it for the good of their souls: sometimes to seek divine relief from illness, sometimes as penance to atone for their sins. Some thought that praying at a certain shrine would ensure the protection of that saint in their passage through the afterlife. All believed that God looked kindly on pilgrims and that a man or woman who ventured humbly and faithfully to the center of the world would improve his or her standing in the eyes of God.
”
”
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
“
RUNNING THE RACE The marathon is one of the most strenuous athletic events in sport. The Boston Marathon attracts the best runners in the world. The winner is automatically placed among the great athletes of our time. In the spring of 1980, Rosie Ruiz was the first woman to cross the finish line. She had the laurel wreath placed on her head in a blaze of lights and cheering. She was completely unknown in the world of running. An incredible feat! Her first race a victory in the prestigious Boston Marathon! Then someone noticed her legs—loose flesh, cellulite. Questions were asked. No one had seen her along the 26.2-mile course. The truth came out: she had jumped into the race during the last mile. There was immediate and widespread interest in Rosie. Why would she do that when it was certain that she would be found out? Athletic performance cannot be faked. But she never admitted her fraud. She repeatedly said that she would run another marathon to validate her ability. Somehow she never did. People interviewed her, searching for a clue to her personality. One interviewer concluded that she really believed that she had run the complete Boston Marathon and won. She was analyzed as a sociopath. She lied convincingly and naturally with no sense of conscience, no sense of reality in terms of right and wrong, acceptable and unacceptable behavior. She appeared bright, normal and intelligent. But there was no moral sense to give coherence to her social actions. In reading about Rosie I thought of all the people I know who want to get in on the finish but who cleverly arrange not to run the race. They appear in church on Sunday wreathed in smiles, entering into the celebration, but there is no personal life that leads up to it or out from it. Occasionally they engage in spectacular acts of love and compassion in public. We are impressed, but surprised, for they were never known to do that before.
”
”
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
“
We need to reclaim the word 'feminism'. We need the word 'feminism' back real bad. When statistics come in saying that only 29% of American women would describe themselves as feminist - and only 42% of British women - I used to think, What do you think feminism IS, ladies? What part of 'liberation for women' is not for you? Is it freedom to vote? The right not to be owned by the man you marry? The campaign for equal pay? 'Vogue' by Madonna? Jeans? Did all that good shit GET ON YOUR NERVES? Or were you just DRUNK AT THE TIME OF THE SURVEY? These days, however, I am much calmer-since I realized that it's technically impossible for a woman to argue against feminism. Without feminism, you wouldn't be allowed to have a debate on a woman's place in society. You'd be too busy giving birth on the kitchen floor-biting down on a wooden spoon so as not to disturb the men's card game-before going back to hoeing the rutabaga field. This is why those female columnists in the Daily Mail-giving daily wail against feminism-amuse me. They paid you 1,600 pounds for that, dear, I think. And I bet it' going into your bank account and not your husband's. The more women argue, loudly, against feminism, the more they both prove it exists and that they enjoy its hard-won privileges. Because for all that people have tried to abuse it and disown it, "feminism" is still the word we need...We need the only word we have ever had to describe "making the world equal for men and women". Women's reluctance to use it sends out a really bad signal. Imagine if, in the 1960's, it had become fashionable for black people to say they "weren't into" civil rights. "No, I'm not into Civil Rights! That Martin Luther King is too shouty. He just needs to chill out, to be honest." But then, I do understand why women started to reject the word feminism. It ended up being invoked in so many baffling inappropriate contexts that you'd presume it was some spectacularly unappealing combination of misandry, misery, and hypocrisy, which stood for ugly clothes, constant anger, and, let's face it, no fucking...Feminism has had exactly the same problem that "political correctness" has had: people keep using the phrase without really knowing what it means.
”
”
Caitlin Moran
“
You mentioned that Palermo, the part of Buenos Aires where you were brought up, had been a violent place full of bohemians and bandits. There they had two names for the knife, ‘the blade’ and ‘the slicer’. The two names described the same object, but ‘the blade’ was the thing itself, and ‘the slicer’ described its function. ‘The blade’ could fit in the hand even of a sickly child shut up in his father’s library, ‘the blade’ could be any of the superannuated daggers and swords belonging to his warrior grandfather or great-grandfather and displayed on the walls of his house, but ‘the slicer’, the knife in the hand slicing back and forth, in and out, existed only in his imagination, in a fascinating world of rapid settlings of accounts and duels over honor, an insult or a woman, in dark street where you never went, where no writer went, except in the literature he wrote.
‘I’ve always felt that in order to be a great writer, one should have the experience of life at sea, which is why Conrad and Melville and, in a way, Stevenson, who ended his days in the South Seas, were better than all of us, Vogelstein. At sea, a writer flees from the minor demons and faces only the definitive ones. A character in Conrad says that he has a horror of ports because, in port, ships rot and men go to the devil. He meant the devils of domesticity and incoherence, the small devils of terra firma. But I think that having experience of “the slicer” would give a writer the same sensation as going to sea, of spectacularly breaking the bounds of his own passivity and of his remoteness from the fundamental matters of the world.’
‘You mean that if the writer were to stab someone three times, he could allege that he was merely doing so in order to improve his style.’
‘Something like that. Soaking up experience and atmosphere.’
‘It’s said that the artist Turner used to have himself lashed to the ship’s mast during storms at sea so that he could make sure he was getting the colours and details of his painted vortices right.’
‘And it worked. But neither you nor I will ever experience “the slicer”, Vogelstein. We are condemned to “the blade”, to the knife purely as theory. Even if we used “the slicer” against someone, we would still be ourselves, watching, analyzing the scene, and, therefore, inevitably, holding “the blade” in our hand. I don’t think I could kill anyone, apart from my own characters. And I don’t think I would feel comfortable at sea either. There aren’t any libraries at sea. The sea replaces the library.
”
”
Luis Fernando Verissimo (Borges and the Eternal Orangutans)
“
Most of my friends put their preferred pronoun in their Instagram bios—he/she, him/her, they/their—but I respond to any and all of them. I like to think of it as collecting pronouns: the more I get, the more fun I’m having. To get the obvious out of the way, because that’s apparently important to people, I think of myself as post-gender. I was trying to figure out how to explain that because sometimes it’s a paragraph and sometimes it’s a term paper depending on who I’m talking to, and I have no idea who will be reading this in the aftermath. Then I noticed that one of my fellow passengers has a cat with him, and that’s perfect.
When you visit a friend and find they have a cat, you just see it as a cat in all its pure catness, it doesn’t require further definition. You’ll probably get a name, and if you ask, whether it was born male or female, but even after you have that information you still don’t think of it any differently. It’s not a He-Cat or a She-Cat or a They-Cat. It’s just a cat. And unless the cat’s name has any gender-specific connotations you’ll probably forget pretty fast which gender it was born into.
My name is Theo, and by that logic, I am a cat.
What I was or was not born into has nothing to do with how I see myself. It’s not about going from one gender to another, or suggesting that they don’t exist. Some of my friends say that the moment you talk about gender you invalidate the conversation because you’re accepting the limits of outmoded paradigms, but I’m not sure I agree with that. I just think gender shouldn’t matter.
If you’re a man, aren’t there moments when you feel more female, like when you’re listening to music, or your cheek is being gently stroked, or you see a spectacularly handsome man walk into the room? If you’re a woman, aren’t there moments when you feel more male, when you have to be strong in the face of conflict, or stand behind your opinion, or when a spectacularly beautiful woman walks into the room? Well, in those moments, you are all of those things, so why deny that part of yourself?
For me, it’s not about being binary or non-binary. It’s about moving the needle to the center of the dial and accepting all definitions as equally true while remaining free to shift in emphasis from moment to moment. It’s about being a Person, not a She-Person or a He-Person or a They-Person.
(...) When you go into a clothing store, you don’t just go to the “one size fits all” rack. You look for clothes that fit your waist, hips, legs, chest, and neck, clothes that complement your form and shape, and reflect not just how you see yourself but how you want to be seen by others. If it’s still not quite right, and you can afford it, you get the clothes tailored to fit exactly who you are.
That’s what I’m doing. Post-gender is one term for it. Another might be tailored gender. Maybe bespoke gender. But definitely not one-size-fits-all. The world doesn’t get to decide what best fits who I am and how I choose to be seen. I do.
”
”
J. Michael Straczynski (Together We Will Go)
“
Is that an orchid?" I asked, pointing to a particularly unattractive small brown plant.
"Maxillaria tenuifolia," said Sonali. "One of my favorites. This little brown orchid is a species. Not as spectacular as a hybrid, but very satisfying nonetheless. Its charms are quite powerful. Come closer and smell it."
I leaned over the ugly brown plant.
"Coconut pie! How is that possible?"
"Wonderful, isn't it? She doesn't need bright, flashy colors or spectacular sprays of flowers. Her pollinators, the moths, come out at night. She uses her coconut scent to guide and entice the little moth in much the way we use perfume to entice men in nightclubs and cafés."
Sonali winked at me.
"You can learn much about how an orchid is pollinated by the way it looks. White, pink, and pale-green flowers usually get pollinated at night, since those colors are easily seen under moonlight. The little moth sneaks up on the flower in the middle of the night like a lover. He lands on her, pollinates her, and then leaves. We've all had that experience, yes?"
"Yes," I said, thinking of Exley.
"Brightly colored orchids, on the other hand, are pollinated by butterflies and birds. Butterflies prefer red and orange. Bees love orange and yellow all the way through to ultraviolet."
"Just like certain men like certain color clothing," I said.
"Yes, colored petals are the clothing of flowers. The insect must find a way through those petals to get what he wants, like a man brushing his hand through the layers of a woman's skirt.
”
”
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
“
Besides, it’s not as big a deal as people make it out to be. You just have to be prepared to answer any question on any of the four hundred books you’ve read so far in graduate school. And if you get it wrong, they kick you out,” she said. He fixed her with a look of barely contained awe while she stirred the salad around her plate with the tines of her fork. She smiled at him. Part of learning to be a professor was learning to behave in a professorial way. Thomas could not be permitted to see how afraid she was. The oral qualifying exam is usually a turning point—a moment when the professoriate welcomes you as a colleague rather than as an apprentice. More infamously, the exam can also be the scene of spectacular intellectual carnage, as the unprepared student—conscious but powerless—witnesses her own professional vivisection. Either way, she will be forced to face her inadequacies. Connie was a careful, precise young woman, not given to leaving anything to chance. As she pushed the half-eaten salad across the table away from the worshipful Thomas, she told herself that she was as prepared as it was possible to be. In her mind ranged whole shelvesful of books, annotated and bookmarked, and as she set aside her luncheon fork she roamed through the shelves of her acquired knowledge, quizzing herself. Where are the economics books? Here. And the books on costume and material culture? One shelf over, on the left. A shadow of doubt crossed her face. But what if she was not prepared enough? The first wave of nausea contorted her stomach, and her face grew paler. Every year, it happened to someone. For years she had heard the whispers about students who had cracked, run sobbing from the examination room, their academic careers over before they had even begun. There were really only two ways that this could go. Her performance today could, in theory, raise her significantly in departmental regard. Today, if she handled herself correctly, she would be one step closer to becoming a professor. Or she would look in the shelves
”
”
Katherine Howe (The Physick Book of Deliverance Dane)
“
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms.
And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes.
She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat.
Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another.
He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that.
Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria…
He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her?
No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted.
And suddenly he’d desired nothing more than to make Maria feel wanted.
Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Life within a Templar house was designed where possible to resemble that of a Cistercian monastery. Meals were communal and to be eaten in near silence, while a reading was given from the Bible. The rule accepted that the elaborate sign language monks used to ask for necessities while eating might not be known to Templar recruits, in which case "quietly and privately you should ask for what you need at table, with all humility and submission." Equal rations of food and wine were to be given to each brother and leftovers would be distributed to the poor. The numerous fast days of the Church calendar were to be observed, but allowances would be made for the needs of fighting men: meat was to be served three times a week, on Tuesdays, Thursdays and Saturdays. Should the schedule of annual fast days interrupt this rhythm, rations would be increased to make up for lost sustenance as soon as the fasting period was over.
It was recognized that the Templars were killers. "This armed company of knights may kill the enemies of the cross without stated the rule, neatly summing up the conclusion of centuries of experimental Christian philosophy, which had concluded that slaying humans who happened to be "unbelieving pagans" and "the enemies of the son of the Virgin Mary" was an act worthy of divine praise and not damnation. Otherwise, the Templars were expected to live in pious self-denial.
Three horses were permitted to each knight, along with one squire whom "the brother shall not beat." Hunting with hawks—a favorite pastime of warriors throughout Christendom—was forbidden, as was hunting with dogs. only beasts Templars were permitted to kill were the mountain lions of the Holy Land. They were forbidden even to be in the company of hunting men, for the reason that "it is fitting for every religious man to go simply and humbly without laughing or talking too much." Banned, too, was the company of women, which the rule scorned as "a dangerous thing, for by it the old devil has led man from the straight path to paradise the flower of chastity is always [to be] maintained among you.... For this reason none Of you may presume to kiss a woman' be it widow, young girl, mother, sister, aunt or any other.... The Knighthood of Christ should avoid at all costs the embraces of women, by which men have perished many times." Although married men were permitted to join the order, they were not allowed to wear the white cloak and wives were not supposed to join their husbands in Templar houses.
”
”
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
“
That, boy, is the real story of the Tetlin Witch. Not as spectacular as the others you've no doubt heard over cups in the lodge. And, of course, the story didn't end there because the Tetlin Witch wasn't the only woman with a mind, with knowledge and skills. Women who refused to fit in, who didn't act the way others thought they should, who embarrassed those in power with their wisdom or knowledge, they, too, were declared to be the Tetlin Witch. And we all know that the Tetlin Witch is evil. In some cases, these unfortunate women were merely driven away, but some - like that original wise woman from a little village named Tetlin - were killed. A lot of woman have suffered -still suffer- for the crime of knowing what others don't, or doing what others can't. Turns out the Tetlin Witch is everywhere, and she -in all her forms - is the real plague.
”
”
Michael J. Sullivan
“
Stop doing that.” “What?” “Talking about yourself like you aren’t the most handsome, exciting man a woman could dream about going out with. This is my dream date, and I pick you to take me,” she said haughtily. “It wouldn’t be this exciting if I wasn’t with you. You are my Prince Charming for the night. This date is already spectacular because I’m on it with you.
”
”
J.S. Scott (The Billionaire's Secrets (The Sinclairs #6))
“
The Bible presents a grace-soaked, spectacular vision for female beauty. It insists that the King is enthralled—ENTHRALLED!—with the beauty of every woman who puts her faith in Him. We
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Mary A. Kassian (True Woman 201: Interior Design - Ten Elements of Biblical Womanhood (True Woman))
“
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die.
So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right).
Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce?
Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins.
Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall.
He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it.
That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
”
”
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
“
Fashion models today are so different from the women buying the clothes. That has not always been the case. If you look at issues of ‘Vogue’ or other fashion magazines from the 1950s, you’ll see models in possession of womanly (albeit spectacular) bodies and expressive, mature faces. Star models typically were over thirty, and they had curves. They just looked like extraglamorous versions of the women buying the dresses.
It almost seems shocking now, when models are all in their teens and look as though they’re playing dress up. In 2011 there was a cover of French ‘Vogue’ featuring a ten-year-old model. Ten years old! Did she look ten? No, she looked twenty-five! What does that say to young people? I worry about the pressure this puts on teenagers and tweens.
”
”
Tim Gunn (Tim Gunn's Fashion Bible)
“
The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted. I used to love talking about this with Timmer. Now there was a bright woman. I miss her.’ Myrna threw herself back in her chair. ‘The vast majority of troubled people don’t get it. The fault is here, but so is the solution. That’s the grace.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
That is the game Margo and Graham like to play. They invite a bootstrapper to live in their guesthouse. Someone who has climbed the ranks, someone self-made, woman or man. Then they conspire to make them lose everything, but spectacularly: a sex scandal, criminal charges, fraud.
”
”
Eliza Jane Brazier (Good Rich People)
“
So this book, your biography . . . you’re ready to come out as a gay woman?”
Evelyn closes her eyes for a moment, and at first I think she is processing the weight of what I’ve said, but once she opens her eyes again, I realize she is trying to process my stupidity.
“Haven’t you been listening to a single thing I’ve told you? I loved Celia, but I also, before her, loved Don. In fact, I’m positive that if Don hadn’t turned out to be a spectacular asshole, I probably never would have been capable of falling in love with someone else at all. I’m bisexual. Don’t ignore half of me so you can fit me into a box, Monique. Don’t do that.
”
”
Taylor Jenkins Reid
“
engineered consent”—a spectacular feat of public relations or propaganda that tricks us into believing our behaviors, tastes, and preferences are chosen not by the machinations of men in boardrooms, but of our own volition.
”
”
Holly Whitaker (Quit Like a Woman: The Radical Choice to Not Drink in a Culture Obsessed with Alcohol)
“
In fact we were told to keep well out of the way. And I told you—I was outside taking pictures when they arrived, then I sneaked up with the rest of the press photographers and made myself inconspicuous at the very back of the room.” Now the inspector looked interested. “So let me ask you this—did you happen to see anyone creeping around during the show? Going up to another guest? Handing her something?” Arnie frowned. “I can’t say that I did. Apart from Georgie, and you already knew that.” “Georgie?” “Lady Georgiana here. I saw her come out at one stage and go up to the lady and then come back to ask for help in carrying her to this room.” “And what did this Georgie do when she got to the woman?” Arnie shrugged. “I can’t say I noticed too much. There was a spectacular dress on the runway. All gold. I wanted to get a good picture of it. But I did see she was carrying a program, I believe.” “You see,” I said to the inspector. “I took her a program. As simple as that.” The curtains parted and Chanel came in. She looked flustered, not her usually poised self. “How much longer is this to continue, Chief Inspector?” she asked. “My clients are becoming increasingly angry. I can’t afford to offend these women. They are my bread and butter.” “I understand, madame,” he said. “It seems, from my investigation, that we may be looking for an assassin who came with the party of Germans.” “Germans?” Then the light dawned. “Oh. I see. You are suggesting that this unfortunate woman
”
”
Rhys Bowen (Peril in Paris (Her Royal Spyness Mystery #16))
“
Ahh, God,” she cried out, but I didn’t stop. My hand tangled in her hair and pulled her head up, making her watch. Someone should get the visual pleasure here, and since I couldn’t admit to what I was fucking doing, it may as well be her. I was more than happy to study the creamy curves of her voluptuous body but then I heard her softly say, “Watch us.” Who am I to ignore such a plea? My eyes caught hers in the mirror, and I pushed deeper inside her. With each forward motion, her eyes stayed locked with mine and blazed—like she couldn’t get enough. Her breasts swung every time our hips connected, and when her shiny lips opened and she told me, harder, I almost came. I wrapped an arm around her waist and pulled her back until I was kneeling so she could sink down over my cock. “Christ,” I cursed as I pushed her hair over her shoulder and ran the back of my hand down her side to where we were joined. As I watched the two people in the mirror, it was hard to imagine them as anyone other than a man and woman enjoying each other—and that was exactly what I was doing. Enjoying the fuck out of her. “Look at you,” I encouraged, now beyond any delusions. This woman I was with—this gorgeous, sensual woman whose body was made to take mine—was spectacular. As her hands caressed her breasts and she watched us together, nothing could have convinced me that this was wrong. My fingers found her clit and rubbed it gently, causing her hips to buck and a cry to leave her. “Look at you sitting here with your legs spread and my cock so fucking deep I don’t think I’ll ever leave. Jesus, Addison. I thought you were perfect before. Now I fucking know it.” I watched her shake her head in denial as she rocked on me. “Not perfect, never perfect. Again, do it again.” I held her hip and plunged up into her as she continued murmuring, “Not perfect, never perfect.
”
”
Ella Frank (Veiled Innocence)
“
Shocking," said one of a pair of fashionable young ladies seated upon a bench. She lifted her newspaper closer to her nose, scanning the print by the waning light.
The spectacular loss of the Monfield gemsones was included in all five evening editions of the London papers.
"Indeed," agreed the other, smoothing the pleats of her petticoat. "They didn't even mention the bracelet. And it is particularly fine."
The first woman lowered her paper. "You know that wasn't what I meant, Rue."
"Wasn't it? Oh. I suppose then you were referring to the midnight duel in which the valiant duke fought off the thief before being overcome by the fellow's kick to his nether regions. That is rather shocking, I concur. I can't imagine how anyone could reach past that royal belly for a good kick."
"Rue," said the other woman, but her gray eyes were narrowed with mirth.
"Plus, it was well after midnight. My legs were beginning to cramp in that miniscule closet."
"Rue."
"Yes?"
"A lady does not gloat."
-Mim & Rue
”
”
Shana Abe (The Smoke Thief (Drakon, #1))
“
I stayed in the car and watched while he carried the meat up a set of decrepit, broken-down stairs and into an older woman’s house. But something unusual happened when he came out—he tripped on the way back down the stairs and started a spectacular flying leap that ended in a face-plant at the bottom of the stairs. He wasn’t hurt, but I’ll never forget the look on the old woman’s face as she watched Jep’s acrobatics.
“Well, look at you, boy,” she said as he fell.
How could you not fall in love with a guy who would sacrifice his body to deliver food to the poor?
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
actually wanted to fuck each other. Had to fuck each other. Imagine watching two people screwing at that early, white-hot stage of attraction when your pupils dilate just looking at each other, and you want to melt each other’s bones so bad you’re practically eating each other’s clothes off the minute the door closes. I can’t be the only one who’s occasionally had a fuck so spectacular, all-encompassing, cinematic and intense that, at the end of it, I’ve lain back – ears still ringing – and thought, CNN wanna get a hold of that. Now that REALLY needed a tickertape running underneath it. In a world where you can get a spare kidney, a black-market Picasso or a ticket to ride into space, why can’t I see some actual sex? Some actual fucking
”
”
Caitlin Moran (How to Be a Woman)
“
I can only thank the good Lord above,” she began after she turned back to him and Mr. Hodges assumed his usual stoic demeanor, “that your father and brother are away on business at the moment, because, well, I’m sure they’d have quite a bit to say regarding your current circumstance.” She released the tiniest of sighs. “Honestly, Edgar, one would have thought, considering you failed so spectacularly to win Wilhelmina’s hand the first time you proposed to her, that you would have tried a little more diligently to pull off a romantic moment the second time around.” “And one would have thought, considering how put out you’ve been at Wilhelmina over her rejecting my proposal all those years ago, that you would be trying to figure out a way to get me out of marrying her rather than marrying her.” “I’ve always adored Wilhelmina,” Nora said with a rattle of the paper she was still holding. “And while I’m sure I did lend the impression of being put out with her, that was mostly for your benefit, dear.” Edgar’s mouth dropped open. “Do not tell me that you’ve been holding out hope all these years for something like this to happen.” “I must admit that I have, and . . . now it would seem as if that hope was not misplaced if a wedding does indeed occur between the two of you in the foreseeable future.” Reaching for his tea again, Edgar drained the cup and set it aside. “I’m hesitantly optimistic that a wedding may soon take place, especially since I have come to realize that I still love Wilhelmina. I find her to be a most enchanting creature, and I would be a lucky gentleman indeed if she would truly agree to become my wife.” Nora frowned. “I’m afraid I don’t understand why you’re only hesitantly optimistic about marrying Wilhelmina. You’ve mentioned a time or two now that you told Mrs. Travers you were to be married, and while I know you’ve been away from society for quite some time, surely you haven’t forgotten that, as a gentleman, you have no choice but to go through with the wedding. And, as a lady, Wilhelmina can’t refute your declaration, not if she wants to keep her reputation, and . . . she can forget about continuing on as a social secretary if she doesn’t go through with the marriage because she’ll be looked at forevermore as a woman of loose moral values.” She rattled the paper again. “Add in the article Miss Quill published, and I can say with all certainty that there will be a wedding to plan, whether Wilhelmina has doubts or not.” Turning
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Jen Turano (At Your Request (Apart from the Crowd, #0.5))
“
Her grandma Hilda was my grandma. I loved her dearly. After being married for 58 years, her husband died, and we all watched as she suffered. For ten years, Hilda cried herself to sleep at night. She was living on her own, proud and independent, but heart-achingly lonely, missing her life partner. We didn’t have the heart to put her in a home, yet with Hilda’s dementia worsening, Bonnie Pearl’s mom, Sharon, was determined to find her a home with the best possible care. We had heard that some retirement communities were pretty spectacular, and after weeks of looking, Sharon finally found a community that gave the Four Seasons a run for its money—this place is amazing. I always said I’d stay there, and I don’t say that about many places. So guess what happened to Grandmom after moving into her new digs? Forget that she traded up to a beautiful new apartment with modern amenities and 24-hour care. That was just the tip of the iceberg. More amazing than that, she began a second life! At 88 years old, she transformed into a new woman and fell in love again. A 92-year-old Italian captured her heart. (“I don’t let him under my shirt yet, but he tries all the time,” she said with a grin.) They had four beautiful years together before he passed away, and I kid you not, at his funeral, she met her next beau. Her last decade was filled with a quality of life she never could have envisioned. She found happiness, joy, love, and friendship again. It was an unexpected last chapter of her life and a reminder that love is the ultimate wealth. It can show up unexpected anytime, anywhere—and it is never too late.
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Anthony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom (Tony Robbins Financial Freedom))
“
Sitting closest to the captain was a man who was clearly Alpha Dog of the group. He was about thirty-five and wore what looked like a very expensive suit, and Matthews had inclined his head toward the man in a way that went beyond deferential and nearly approached reverence. The man looked up at me as I entered, scanned me as if he was memorizing a row of numbers, and then turned impatiently back to Matthews. Sitting next to this charming individual was a woman so startlingly beautiful that for a half moment I forgot I was walking, and I paused in midstep, my right foot dangling in the air, as I gaped at her like a twelve-year-old boy. I simply stared, and I could not have said why. The woman’s hair was the color of old gold, and her features were pleasant and regular, true enough. And her eyes were a startling violet, a color so unlikely and yet so compelling that I felt an urgent need to move near and study her eyes at close range. But there was something beyond the mere arrangement of her features, something unseen and only felt, that made her seem far more attractive than she actually was—a Bright Passenger? Whatever it was, it grabbed my attention and held me helpless. The woman watched me goggle at her with distant amusement, raising an eyebrow and giving me a small smile that said, Of course, but so what? And then she turned back to face the captain, leaving me free to finish my interrupted step and stumble toward the table once more. In a morning of surprises, my reaction to mere Female Pulchritude was a rather large one. I could not remember ever behaving in such an absurdly human way: Dexter does not Drool, not at mere womanly beauty. My tastes are somewhat more refined, generally involving a carefully chosen playmate and a roll of duct tape. But something about this woman had absolutely frozen me, and I could not stop myself from continuing to stare as I lurched into a chair next to my sister. Debs greeted me with a sharp elbow to the ribs and a whisper: “You’re drooling,” she hissed. I wasn’t, of course, but I straightened myself anyway and summoned the shards of my shattered dignity, looking around me with an attempt at regaining my usual composure. There was one last person at the table whom I had not registered yet. He had put a vacant seat between himself and the Irresistible Siren, and he leaned away from her as if afraid he might catch something from her, his head propped up on one elbow, which was planted casually on the table. He wore aviator sunglasses, which did not disguise the fact that he was a ruggedly handsome man of about forty-five, with a perfectly trimmed mustache and a spectacular haircut. It wasn’t possible to be sure with the sunglasses clamped to his face, but it certainly seemed like he hadn’t even glanced at me as I’d come clown-footing into the room and into my chair. Somehow I managed to conceal my crushing disappointment at his negligence, and I turned my steely gaze to the head of the table, where Captain Matthews was once again clearing his throat.
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
Dexter, of course, is made of sterner stuff than any mere mortal, and imploring looks from a beautiful woman have never had any power over Our Wicked Warrior. And it was an absurd idea, something far too strange even to contemplate—me, a bodyguard? It was out of the question. And yet somehow, when the workday ended that evening and all good wage slaves trotted dutifully away to hearth and home, I found myself on the balcony of a suite at the Grove Isle Hotel, sipping a mojito and watching as a spectacular sunset blew up the sky behind us, reflecting orange and red and pink onto the water of Biscayne Bay. There was a tray of cheese and fresh fruit on the table beside me, and the Glock was an uncomfortable lump in my side, and I was filled with wonder at the unavoidable notion that Life makes no sense at all, especially when things have taken a sudden and extravagant turn into surreal and unearned luxury. Terror, pain, and nausea I can understand, but this? I could only assume I was being set up for something even worse. Still, the mojito was very good, and one of the cheeses had a very nice bite to it. I wondered if anyone ever really got used to living like this. It didn’t seem possible; weren’t we all made to sweat and suffer and endure painful hardship as we toiled endlessly in the vile cesspit of life on earth? How did sharp cheese, fresh strawberries, and utter luxury fit in with that?
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Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
“
we read a little farther in James, we find that the tongue cannot be tamed (James 3:7 – 8). Every creature, reptile, bird, or animal can be tamed, but not the tongue. Imagine a colossal circus full of every kind of creature: dancing bears, prancing horses — even a ferocious looking feline or two performing tricks or jumping through hoops when their trainers give the signal. But way off in one corner stands a booth with a closed curtain and a sign that reads: “The Utterly Untamable.” Then, at a very strategic time during the spectacular show the ringmaster hushes the audience in order to display this beast that will not bend. When he throws open the concealing curtain, sitting behind it is a woman
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Karen Ehman (Keep It Shut: What to Say, How to Say It, and When to Say Nothing at All)
“
I’d read through the whole thing twice, and I used to go on and on: Marcel, the spectacular writer, my idol, and so forth. I used to blather endlessly about why I adored him, how he, the desperate socialite and party hopper, the inveterate pleaser, was actually the outsider par excellence, how he could be amid all the people he’d always dreamed of befriending yet remain alone in the universe, the loneliest speck of all.
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Rabih Alameddine (An Unnecessary Woman)
“
up the pathway to the front door. She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there. Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here. Had it really been only two days ago? It seemed like a lot longer. Did he still have those stockings? Surely he’d tossed them out by now. And no, she hadn’t dared to purchase another pair. Not after the last debacle. When the door opened, she was bracing herself to face Hunter once again. Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible. Just as she would all of her other clients. They were all trying to unpack, overwhelmed with the process but excited about their new purchase. She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway. All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior. “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way. If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside. Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process. Kara stared at the closed door for several long moments, wondering how that had just happened. Her plan had been simple. Just hand over the bottle and documents, convey her congratulations and head back. What had just happened? Kara turned around. It felt strange to be standing here, alone, in Hunter’s house. She’d been here two days ago, but the house hadn’t been his. The man now owned the house, all the furniture, and the acres of land and waterfront. It felt much more intimate now for some reason. Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas. Everything felt and looked clean and comfortable, exactly as she would have decorated this area. The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture. With a sigh, she turned away from the alluring great room décor and searched out the man of the moment. As she stepped past the sofas, she saw him. In the pool. Without any clothes on! Oh goodness, she thought with a strangled breath. It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him! Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought. He was spectacular! Never in her wildest imaginings had she pictured him that buff, but there
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Elizabeth Lennox (His Indecent Proposal (The Jamison Sisters Book 3))
“
What did you do to him that he might not want to speak to you?' he asked.
'I cried in front of him,' Georgie said.
'Oh, well, that’s not a dealbreaker. It might have freaked him out for a few hours, but I guarantee you he’s over it. Heck, he might even have liked it. Sometimes it’s like, ‘Let me put my big strong arms around you, and hold you while you cling to me.’ It’s kind of weirdly hot in a way,' said Luke.
'Is it?' Georgie asked incredulously.
'Sometimes. I mean, I don’t know if it is for him, but it is for me sometimes. It’s some weird caveman shit where you’re like, ‘Must protect my woman!’ Plus also, a crying woman does not want to stay crying. She wants to be cheered up. And the quickest way to do that is through some seriously spectacular sex.
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Chessela Helm (Chasing the Angel (Runaround #2))
“
The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted. I used to love talking about this with Timmer. Now there was a bright woman. I miss her.’ Myrna threw herself back in her chair. ‘The vast majority of troubled people don’t get it. The fault is here,
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Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
Know Your Worth
My child, you are favoured
In Jesus’ precious Name
Your blessings are abundant
So, embrace your essence
Wherever you are
Keep moving forward
Yes, you must rise
While there is still time
Make sure you shine
Feel the sunshine
Put on a big smile
Avoid what makes you cry
Never ever worry
You carry God’s glory
As you go through life’s journey
Be spectacular
Straighten your crown
And know your worth
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Gift Gugu Mona (From My Mother's Classroom: A Badge of Honour for a Remarkable Woman)
“
When they ran out of credible Sasquatch sightings, they turned to the greatest reality show of all time, Naked and Afraid. A man and a woman were dropped naked into the middle of the wilderness, and immediately two things happened. The woman started weaving palm fronds, and the man began to go insane from lack of meat. (This generally led to him eating some kind of dubious trout and having diarrhea in what the woman considered to be “their front yard.”) The whole thing would make a spectacular gender-reveal party, come to think of it. The mom and dad could appear stripped and mud-smeared before their guests in lushest suburbia, and if the baby was a girl? Palm fronds. If it was a boy? The dad could shit himself and weep.
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Patricia Lockwood (No One Is Talking About This)
“
A middle-aged woman’s midlife crisis does, I know, pose a dramaturgical problem. In my observation—and as many experts I’ve spoken with have affirmed—women’s crises tend to be quieter than men’s. Sometimes a woman will try something spectacular—a big affair, a new career, a “she shed” in the backyard—but more often she sneaks her suffering in around the edges of caretaking and work.
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Ada Calhoun (Why We Can’t Sleep: Generation X Women’s New Midlife Crisis)
“
Men, bonding together, invented culture as a defense against female nature. Sky-cult was the most sophisticated step in this process, for its switch of the creative locus from earth to sky is a shift from belly-magic to head-magic. And from this defensive head-magic has come the spectacular glory of male civilization, which has lifted woman with it. The very language and logic modern woman uses to assail patriarchal culture were the invention of men.
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Camille Paglia (Sexual Personae)
“
I think many people love their problems. Gives them all sorts of excuses for not growing up and getting on with life.’ Myrna leaned back again in her chair and took a long breath. ‘Life is change. If you aren’t growing and evolving you’re standing still, and the rest of the world is surging ahead. Most of these people are very immature. They lead “still” lives, waiting.’ ‘Waiting for what?’ ‘Waiting for someone to save them. Expecting someone to save them or at least protect them from the big, bad world. The thing is no one else can save them because the problem is theirs and so is the solution. Only they can get out of it.’ ‘“The fault, dear Brutus, lies not in our stars, but in ourselves that we are underlings.”’ Myrna leaned forward, animated, ‘That’s it. The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted. I used to love talking about this with Timmer. Now there was a bright woman. I miss her.’ Myrna threw herself
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Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
Originality is merely a minor, secondary bonus to the pleasure of thought. Individuality, too, is a secondary aspect of the will and desire. The will is never mine; desire is never mine. For them to be will and desire, they have to circulate and be exchanged as symbolic material. For want of this symbolic devolution, we operate a technical transfer of all these functions on to machines — a transference of the human on to the inhuman. Now, if some human being thinks for me, nothing is lost. He is not lost, neither am I. Whereas if a machine thinks in my stead, we are both lost. In fact, this stage of the transference on to the machine is past. Today, it is machines which transfer their functions on to man. Man's fetishization of the machine has been succeeded by the fetishization of man by the machine.
Today, it is man who has become the object of the perverse desire of the machine, of its desire to function at all costs.
The machine is no longer an excrescence or a protruberance of man – it is man who is now merely the sex organ of the machine (Burroughs). And this is still quite a large claim, for what sex is the machine? Man has, rather, become the inflatable prosthesis of a sexless machine – the phantom limb of a useless function. The infinite degree, the degree zero, degree Xerox of the libido. Among those devices whose virtual libido man stokes up, there is of course the computer, of which man is the unconscious masturbator and his brain a hyper-object of concupiscence, but there is also the spectacularized body of woman, become a bachelor machine, a promotional and pornographic hypostasis, of which man is merely the sexless operator, the slavish voyeur, the auto-decoder.
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Jean Baudrillard (Fragments)
“
A smaller and shrinking underclass should be a goal for all Americans, especially for black Americans. The misbehavior and outright evil of some underclass blacks is so spectacular that all blacks risk being implicated. This is unfair, but little can be done about it. Increasing numbers of whites are being mugged, raped, murdered, or even just insulted by underclass blacks. This is why practically every middle-class black man has a wry story to tell about the white woman who gasped and clutched her purse when he stopped to ask her the time.
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Jared Taylor (Paved With Good Intentions: The Failure of Race Relations in Contemporary America)
“
Well, everyone made assumptions, didn't they? Everyone thought they knew her when they knew nothing at all. She had wanted a bigger life, something spectacular, and now here she was in London, much to her parents' dismay up in Reading. She was a small-town girl who desperately wanted a big-city life. That's the story of a mouse, her father had told her. Not of a bright, talented woman who should be in university.
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Alice Hoffman (The Third Angel)
“
Some people did stand out in her memory, one of them being Sir Grant Morgan's wife, Lady Victoria. Having long been curious about what kind of woman would wed the intimidating giant, Sophia was surprised to discover that his wife was quite small of stature. Lady Victoria was also one of the most spectacularly beautiful women Sophia had ever seen, with a voluptuous figure, a profusion of vivid red hair, and a vivacious smile.
"Lady Sophia," the petite red-haired woman said warmly, "no words can express how thrilled we are that Sir Ross has finally married. Only a remarkable woman could have enticed him away from widowerhood."
Sophia returned her smile. "The advantage of the match is entirely mine, I assure you."
Sir Grant interceded, his green eyes twinkling warmly. He seemed far different from when he was at Bow Street, and Sophia observed that he basked in the presence of his wife as a cat would in sunshine. "I beg to disagree, my lady," he told Sophia. "The match holds many advantages for Sir Ross- which is obvious to all who know him."
"Indeed," Lady Victoria added thoughtfully, her gaze finding Ross's dark form as he stood in a separate receiving line. "I've never seen him look so well. In fact, this may be the first time I've ever seen him smile."
"And his face didn't even crack," Morgan commented.
"Grant," his wife scolded beneath her breath. Sophia laughed. Morgan winked at her and drew his wife away.
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Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
“
Sofonisba, so that you can protect yourself and your reputation. First, never contradict your betters. Avoid possessing any unflattering information about them unless you can utilize it. And don’t explain yourself to your inferiors. When your image is secure, your freedom will be too.” In addition to the hospitality and the duchess’ advice on court behavior, Sofonisba devoured the court’s spectacular art collection. With Master Clovio she toured the palace collection, which contained works by the best artists of the era. She stopped in front of a portrait of
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Donna DiGiuseppe (Lady in Ermine — The Story of A Woman Who Painted the Renaissance: A Biographical Novel of Sofonisba Anguissola)
“
The mufti and his terrorists had achieved their goal: a spectacular capitulation from the British.
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Ruth Gruber (Raquela: A Woman of Israel)
“
Another woman working for British intelligence was perhaps the most spectacular Polish spy of all during the war. Known as Christine Granville, she was actually Countess Krystyna Gizycka (née Skarbek), the young and beautiful scion of a Polish aristocratic family.
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Lynne Olson (A Question of Honor: The Kosciuszko Squadron: Forgotten Heroes of World War II)
“
Woman was an idol of belly-magic. She seemed to swell and give birth by her own law... Man honored but feared her. She was the black maw that had spat him forth and would devour him anew. Men, bonding together, invented culture as a defense against female nature... from this ... has come the spectacular glory of male civilization, which has lifted woman with it. The very language and logic modern woman uses to assail patriarchal culture were the invention of men.
Hence, the sexes are caught in a comedy of historical indebtedness. Man, repelled by his debt to a physical mother, created an alternate reality, a heterocosm to give him the illusion of freedom. Woman, at first content to accept man's protections but now inflamed with desire for her own illusory freedom, invades man's systems and suppresses her indebtedness to him as she steals them.
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Camille Paglia (Free Women, Free Men: Sex, Gender, Feminism)
“
phone, twisted it out of her hand, and slammed it on the hook. “I cry good, don’t I?” she asked with a grin, and she was out the door. “Davenport, Davenport,” Daniel moaned. He gripped handfuls of hair on the side of his head as he watched Jennifer finish the broadcast. “ . . . called by some the smartest man in the department, told me personally that he did not believe that Smithe is guilty of the spectacular murders and that he fears the premature arrest could destroy Smithe’s burgeoning career with the welfare department . . .” “Burgeoning career? TV people shouldn’t be allowed to use big words,” Lucas muttered. “So now what?” Daniel asked angrily. “How in the hell could you do this?” “I didn’t know I was,” Lucas said mildly. “I thought we were having a personal conversation.” “I told you that your dick was going to get you in trouble with that woman,” Daniel said. “What the hell am I going to tell Lester? He’s been out there in front of the cameras making his case and you’re talking to this puss behind his back. You cut his legs out from under him. He’ll be after your head.” “Tell him you’re suspending me. What’s bad? Two weeks? Then I’ll appeal to the civil-service board. Even if the board okays the suspension, it’ll be months from now. We should be able to put it off until this thing is settled, one way or another.” “Okay. That might do it.” Daniel nodded and then laughed unpleasantly, shaking his head. “Christ, I’m glad that wasn’t me getting grilled. You better get out of here before Lester arrives or we’ll be busting him for assault.” At two o’clock in the morning the telephone rang. Lucas looked up from the drawing table where he was working on Everwhen, reached over, and picked it up. “Hello?” “Still mad?” Jennifer asked. “ You bitch. Daniel’s suspending me. I’m giving interviews to everybody except you guys, you can go suck—” “Nasty, nasty—” He slammed the receiver back on the hook. A moment later the phone rang again. He watched it like a cobra, then picked it up, unable to resist. “I’m coming over,” she said, and hung up. Lucas reached for it, to call her, to tell her not to come, but stopped with his hand on the receiver. Jennifer wore a black leather jacket, jeans, black boots, and driving
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John Sandford (Rules Of Prey (Lucas Davenport, #1))
“
At the beach hut they’d been human, a woman, a man, a wife and mother and daughter and a husband and father and son, and they’d crossed themselves, tapped their nails and bitten their lips in unconscious angst. But when they’d got to the launch pad they were Hollywood and sci-fi, Space Odyssey and Disney, imagineered, branded and ready. The rocket peaked in a cap of gleaming newness, absolute and spectacular whiteness and newness, and the sky was a glorious and conquerable blue.
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Samantha Harvey (Orbital)