Spectacular Now Quotes

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Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Besides, it doesn't matter if it's real. It never does with dreams. They aren't anything anyway but lifesavers to cling to so you don't drown. Life is an ocean, and most everyone's hanging on to some kind of dream to keep afloat.
Tim Tharp (The Spectacular Now)
Life is spectacular. Forget the dark things. Take a drink and let time wash them away to where ever time washes away to.
Tim Tharp (The Spectacular Now)
Childhood was a fantastic country to live in.
Tim Tharp (The Spectacular Now)
Just remember this- weird's good. Embrace the weird, dude. Enjoy it because it's never going away.
Tim Tharp (The Spectacular Now)
Nothing lasts," she says, and there's a little crack in her voice. "You think it's going to. You think, 'Here's something I can hold on to,' but it always slips away.
Tim Tharp (The Spectacular Now)
To hell with tomorrow. To hell with all problems and barriers. Nothing matters but the Spectacular Now.
Tim Tharp (The Spectacular Now)
She's drenched and bedraggled, but I've never loved anyone as much as I love her right now. That's how I know I'll have to give her up.
Tim Tharp (The Spectacular Now)
Often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. The rest we make up for ourselves. Rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. And this is where the relationship fails. In time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognisable, you are now complete strangers in your own love. And what a terrible shame it is. My advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be.
Beau Taplin
See, I do have a future to give her after all, just not one that includes me.
Tim Tharp (The Spectacular Now)
It's superb to be out in the early, early morning before the sun comes up. There's this sense of being super-alive. You're in on a secret that all the dull, sleeping people don't know about. Unlike them, you're alert and aware of existing right here in this precise moment between what happened and what's going to happen.
Tim Tharp (The Spectacular Now)
Books seem a little old-fashioned, but hey, I can do old-fashioned if it's good.
Tim Tharp (The Spectacular Now)
You think, 'Here's something I can hold on to,' but it always slips away.
Tim Tharp (The Spectacular Now)
With a nod, Thorne started down the street. 'This way.' Five steps later, he paused, pondered, turned around. 'No, no, this way.' 'We're dead.' 'No, I've got it now. It's this way.' 'Don't you have an address?' 'A captain always knows where his ship is. It's like a psychic bond.' 'If only we had a captain here.' He ignored her, marching down the street with spectacular confidence.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
It's more like I was daydreaming when the Supreme Being told me what I should do with my life, and it's too late to ask what it was.
Tim Tharp (The Spectacular Now)
They've drummed the miraculous out of you, but you don't want it to be like that. You want the miraculous. You want everything to still be new.
Tim Tharp (The Spectacular Now)
I don't believe in that - the husband and wife having to be just alike. I think it's better if they kind of offset each other. Like if they have these different dimensions they can bring to each other.
Tim Tharp (The Spectacular Now)
You're nothing but a product. And what's this product called? Emptiness, dude, that's what it's called. And for the rest of your life, they sell you over and over, right to the end when they package you one last time and plant you in the ground.
Tim Tharp (The Spectacular Now)
Beauty’s all around me right here. It’s not in a textbook. It’s not in an equation. I mean, take the sunlight … The colors flow into your lungs, into your bloodstream. You are the colors.
Tim Tharp (The Spectacular Now)
Have you ever started to wave at someone and then realized they weren’t really waving at you, so you abort and go for a head scratch instead? That’s how I felt.
Tim Tharp (The Spectacular Now)
That type of dream just kind of wears out with time like a favorite old T-shirt. One day, it's nothing but tatters and all you can do is throw it over on the rag pile with the others.
Tim Tharp (The Spectacular Now)
She might be the only girl I've ever met who still hasn't learned to sacrifice bodily comfort for fashion's sake.
Tim Tharp (The Spectacular Now)
Finally, she's like, "I know it looks bad right now, but parents are just people. They don't always know what to do. That doesn't mean they don't love you.
Tim Tharp (The Spectacular Now)
it's fine to live in the now. but the best thing about now is that there's another one tomorrow. i'm going to start making them count.
Tim Tharp (The Spectacular Now)
Our whole society's a training ground for addicts.
Tim Tharp (The Spectacular Now)
She's different from the girls I'm used to dating. She doesn't get tired of my stories and jokes or expect me to start reading her mind. She doesn't want me to dress better or put highlights in my hair or serious up. I'm not a lifestyle accessory to her. I'm a necessity. I'm the guy that's going to crack open her cocoon. She doesn't need to change me - she needs me to change her. At least until her little butterfly wings get strong enough to fly away.
Tim Tharp (The Spectacular Now)
The fault lies with us, and only us. It’s not fate, not genetics, not bad luck, and it’s definitely not Mom and Dad. Ultimately it’s us and our choices. But, but’ – now her eyes shone and she almost vibrated with excitement – ‘the most powerful, spectacular thing is that the solution rests with us as well. We’re the only ones who can change our lives, turn them around. So all those years waiting for someone else to do it are wasted.
Louise Penny (Still Life (Chief Inspector Armand Gamache #1))
Who am I? And how I wonder, will this story end? . . . My life? It is'nt easy to explain. It has not been the rip-roaring spectacular I fancied it woulf be, but neither have I burrowed around with the gophers. i suppose it has most resembled a bluechip stock: fairly stable, more ups and downs, and gradually tending over time. A good buy, a lucky buy, and I've learned that not everyone can say this about his life. But do not be misled. I am nothing special; of this I am sure. I am common man with common thought and I've led a common life. There are no monuments dedicated to me, and my name will soon be forgotten, but I've loved another with all my heart and soul, and to me, this has always been enough. The romantics would call this a love story, the cynics would call it a tragedy. In my mind, it's a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that involves a great deal of my life and the path I've chosen to follow. I have no complaints about the places it has taken me, enough complaints to fill a circus tent about other thins, maybe, but the path I've chosen has always been the right one, and I would'nt have had it any other way. Time, unfortunatley, does'nt make it easy to stay on course. The path is straight as ever, but now it is strewn with the rocks and gravel that accumulated over a lifetime . . . There is always a moment right before I begin to read the story when my mind churns, and I wonder, will it happen today? I don't know, for I never know beforehand, and deep down it really doesn't matter. It's the possibility that keeps me going, not the guarantee, a sort of wager on my part. And though you may call me a dreamer or a fool or any other thing, I believe that anything is possible. I realize that odds, and science, are againts me. But science is not the answer; this I know, this I have learned in my lifetime. And that leaves me with the belief that miracles, no matter how inexplicable or unbelievable, are real and can occur without regard to the natural order of things. So once again, just as I do ecery day, I begin to read the notebook aloud, so that she can hear it, in the hope that the miracle, that has come to dominate my life will once again prevail. And maybe, just maybe, it will.
Nicholas Sparks (The Notebook (The Notebook, #1))
We’re not the Faster-than-the-Speed-of-Light Generation anymore. We’re not even the Next-New-Thing Generation. We’re the Soon-to-Be-Obsolete Kids, and we’ve crowded in here to hide from the future and the past. We know what’s up – the future looms straight ahead like a black wrought-iron gate and the past is charging after us like a badass Doberman, only this one doesn’t have any letup in him.
Tim Tharp (The Spectacular Now)
We’re toasting the chlorophyll rising in our bodies, catching the energy from the universe. Nobody’s ever been young like we are right at this moment.
Tim Tharp (The Spectacular Now)
Sometimes my tact takes a vacation. Tonight it must've gone to Kuwait or somewhere.
Tim Tharp (The Spectacular Now)
Maybe Marcus was wrong. Maybe a single person can save the world. I'll bet I could. I could save the whole world - for a night.
Tim Tharp (The Spectacular Now)
He saw now the ways in which they tried to be careful with each other, afraid of hitting those raw places where they might hurt each other almost without trying. But sparing another person is a tricky thing. It’s easy to think you’re succeeding when you’re failing spectacularly.
Holly Black (The Darkest Part of the Forest)
There's more kinds of pain than just physical pain, you know.
Tim Tharp (The Spectacular Now)
Don't worry about who has the power in the relationship all the time. If you make her happy, then that's the biggest power you can have.
Tim Tharp (The Spectacular Now)
I like you so much," she says between kisses. And I can tell she wants to say love instead of like, not because she really does love me but because she just wants to say it. Of course, she can't, though. Not when I haven't said it first.
Tim Tharp (The Spectacular Now)
The thought does cross my mind that I could slip and end up cracking my head on the pavement just short of the pool, but if you're always going to worry about minor drawbacks, then you'll never accomplish anything.
Tim Tharp (The Spectacular Now)
Yes, life is weird, but I embrace the weird. Let everyone else go marching off into their great shining futures if they want. Me, I've always been more than content to tip my whisky bottle and take a ride straight into the heart of the spectacular now.
Tim Tharp (The Spectacular Now)
They've made the mistake of thinking that power over others and leadership are the same thing.
Tim Tharp
The real world is coming, chugging straight at me like a bulldozer into the rain forest.
Tim Tharp (The Spectacular Now)
But weren't done, not by a long shot. his great hands lifted me under my ass and my thighs, urging me to get on the table and lie on my side. His arm hooked under my leg right under the kneecap, and now everyone had a spectacular view of my dripping for him.
Lisa Lawrence (Strip Poker: A Novel)
This stage in the life of the buzz is truly fabulous. It's not even a buzz anymore. It's a roar. The world opens up and everything's yours right here, right now. You've probably heard the expression -- All good things must come to an end. Well, this stage in the life of the buzz never heard anything close to that. This stage says, 'I will never end, I am indestructible. I will last fabulously forever.' And, of course, you believe it. To hell with tomorrow. To hell with all problems and barriers. Nothing matters but the Spectacular Now.
Tim Tharp (The Spectacular Now)
By the time I rose and started walking again, I didn’t begrudge my mother a thing. The truth was, in spite of all that, she’d been a spectacular mom. I knew it as I was growing up. I knew it in the days that she was dying. I knew it now. And I knew that was something. That it was a lot. I had plenty of friends who had moms who—no matter how long they lived—would never give them the all-encompassing love that my mother had given me. My mother considered that love her greatest achievement.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
He only wishes there were something that would heal the scars in his mind, which he can still feel. He sees his mind now as an archipelago of islands that he labors to build bridges between - and while he's had great success engineering the most spectacular of bridges, he suspects there are some islands that he'll never reach.
Neal Shusterman (UnWholly (Unwind, #2))
Often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. The rest we make up for ourselves. Rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. And this is where the relationship fails. In time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognizable, you are now complete strangers in your own love. And what a terrible shame it is. My advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be.
Beau Taplin
Life is an ocean, and most everyone's hanging on to some kind of dream to keep afloat.
Tim Tharp (The Spectacular Now)
Talk about enchantment. Forget about working for something just to have it fall apart on you. Let the magic come. That’s what I say. Let the magic come and fill in every inch of that little black crack behind your breastbone.
Tim Tharp (The Spectacular Now)
I knew it. You’re an alien,” said her former best friend, the pale, bespectacled creature with the spectacular cleavage. “Yes, I’m an alien and I still made cheerleader. And now I’m going to steal your boyfriend to prove girls can’t really be friends.” “I sat back timidly when you torched my house, killed my parents, and ate my dog. But now you’re stealing my boyfriend? That’s a step too far!
Libba Bray (Beauty Queens)
Besides, I’m not looking to get saved. I’m only going with her because it’s what you do when you’re in a relationship. You know? You slide into the third pew from the front and sit there thinking about how desperate all these people are to feel like something loves them. They’ll believe all kinds of hocus-pocus. But your girlfriend likes it, and you like her, so you do it. It’s called compromise. The only way you’re going to get something to last in this world is to work at it.
Tim Tharp (The Spectacular Now)
That's all right,' she says, and I have to wonder how many times she's said that to the people in her life who screwed her over somehow
Tim Tharp (The Spectacular Now)
This looks interesting," I say, but what I'm really thinking is, Wow, Aimee, science fiction? Really, could you try any harder to brand yourself with the mark of the nerd herd? What's next, anime?
Tim Tharp (The Spectacular Now)
Life is made out of Thursday afternoons. You just keep having them one after the other and let everything else take care of itself.
Tim Tharp (The Spectacular Now)
This idea comes to me that we're all grass blades on the same lawn. We've grown up together, shoulder to shoulder, under the same sun, drinking the same rain. But you know what happens to grass blades-somebody cuts them down just when they reach their prime.
Tim Tharp (The Spectacular Now)
who cares about all the problems and barriers, nothing matters but the Spectacular Now.
Tim Tharp (The Spectacular Now)
She’s still smiling her little smile, and it strikes me that, actually, she is drunk, not on alcohol, but on her St. Louis hopes and dreams. I wouldn’t sober her up for anything, but she doesn’t need me anymore. She can hang on to her dreams by herself now.
Tim Tharp (The Spectacular Now)
You just go around acting like you’re saving other people so you don’t have to deal with your own problems.
Tim Tharp (The Spectacular Now)
Boredom is only for boring people with no imagination.
Tim Tharp (The Spectacular Now)
I'm going to grab hold of this night and crack it open, eat the fruit right out of the middle, and throw away the rind.
Tim Tharp (The Spectacular Now)
Sometimes I have trouble sleeping. It’s weird—I can feel exhausted but still, I just lie there wide awake, staring up into the dark with all sorts of ideas bombarding me like dead pelicans
Tim Tharp (The Spectacular Now)
When you’re with a girl, it’s always best to act like you’re an old hand at everything—not to impress her, but just to make sure she feels safe.
Tim Tharp (The Spectacular Now)
Her voice would remain cool and soft like a pillow to lay your head on after a hard day
Tim Tharp (The Spectacular Now)
I see now that we were at cross-purposes. For him, I was a blot on a spectacular ascent, as our story did not fit with the narrative of greatness and virtue he might have wanted for himself. My existence ruined his streak. For me, it was the opposite: the closer I was to him, the less I would feel ashamed; he was part of the world, and he would accelerate me into the light.
Lisa Brennan-Jobs (Small Fry: A Memoir)
See, this is the other side of the coin. This is a girl's downfall. The guy goes soft in the head and starts talking to her like a moron and she wants to take care of him. He's just cuddly fool who can't make it without her.
Tim Tharp (The Spectacular Now)
We all want something that sticks
Tim Tharp (The Spectacular Now)
Jessie?” “Hmmm?” “I’m glad we’re dating now.” Cue her arguments in 3…2…1… “We’re…not dating.” I grin at the ceiling. “Sure we are. We did it on my bed.” I shrug. “That means we’re dating.” “That’s not how it works!” she protests, raking a hand through her golden hair. “You don’t date people. Everyone says so. I mean, you’re just going there now because we had spectacular sex and you want more of it. It’s just the dopamine talking. I read up on this for my pharmacology exam.” I snort. “You’re saying I’m driving under the influence of orgasms?
Sarina Bowen (Good Boy (WAGs, #1))
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Her voice is so soft. If it were a food item, it’d be a marshmallow.
Tim Tharp (The Spectacular Now)
That’s what the prom is—St. Patrick’s Day for the young.
Tim Tharp (The Spectacular Now)
I got a demerit, professor." There was a kind of naughty amusement in her eyes that I found myself really liking. I smiled slowly. "Why did you do, Miss Dearly?" "She henpecked Elpinoy in a most spectacular fashion," Renfield offered. "I think at one point she was actually hanging on his back." Nora made a sound of annoyance. "Alas, I was looking at a computer screen with Dr. Samedi at the time, and thus I'm afraid that neither of us can vouch for this with certainty." The laughter bubbled out of me before I could hold it back. "Were you?" I asked her. "Define 'hanging.'" "Bra,." Elpinoy appeared in one of the lab doorways. He gestured to the exterior doors. "Take her out. Now. Never in my life have I encountered such a little-" "Lady?" I asked, trying to keep a straight face. "Out." "'Phone call,'" Nora said, affecting his tone of voice and looking right at him. "'Let-ter.'" "Not until Wolfe orders it!" Elpinoy marched into his lab again and slammed the door behind him. Nora stood up, her skirt bouncing a bit atop its puffy petticoat. "That man is an infuriating ponce." "And you're an excellent judge of character.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
I wouldn't call Musashi ordinary. But he is. That's what's extraordinary about him. He's not content with relying on whatever natural gifts he may have. Knowing he's ordinary, he's always trying to improve himself. No one appreciates the agonizing effort he's had to make. Now that his year's of training have yielded such spectacular results, everybody's talking about his 'god-given talent.' That's how men who don't try very hard comfort themselves.
Eiji Yoshikawa (Musashi (Italian Edition))
I shook my head, smiling in spite of myself, and gave him a kiss on the cheek. Adrian. My husband. If anyone had told me a year ago that I'd be married, I would've said they were joking. If they'd told me I'd be married to a vampire, I would've said they were delusional. Looking at Adrian now, I felt a surge of love well up within me, despite our earlier tension. I could no longer imagine a life without him in it. It was impossible. Could I imagine a life with him that didn't involve us being trapped in a suite of rooms with his mother while both our people reviled us and made plans against us? Definitely. There were any number of futures I'd love to have for us, but his was our current path until something spectacular happened. Outside, the Court's gates, my people wanted to imprison me. Inside them, his people wanted to assault him. At least in this suite, we were safe. Most importantly, we were together.
Richelle Mead (The Ruby Circle (Bloodlines, #6))
Gingee, Gingee, it's meeeeeeeeeeee!!!' I could hear her panting up the stairs to my room. She kicked open my bedroom door and ran from the door and leapt onto the bed, covering me with kisses. 'I LOBE you, my big big sister.' I couldn't get her off me. 'Libby, just let me...' 'Kissy kissy kiss, snoggy snog.' 'That's enough, now let me...' 'Mmmmmm, groovy baby.' What is she talking about? She is supposed to be in kindergarten to learn how to grow up, not turn into an even madder person. Then she stood up on the bed and starting thrusting her hips out and singing her favorite: 'Sex bum sex bum I am a sex bum.' Quite spectacularly mad.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
And that’s it—he goes his way, and I go mine. Used to, we would’ve broken down that whole story about my dad until we found the very truth of the truth of it, but now it’s just, “So long, I’ll see you later.
Tim Tharp (The Spectacular Now)
The only way you’re going to get something to last in this world is to work at it
Tim Tharp (The Spectacular Now)
Here in the realm of books she’s self-assured. She has some of the control she doesn’t have anywhere else.
Tim Tharp
Cassidy brings something beautiful to me from the outside. Aimee brings something beautiful up from the depths of my insides. "I can't dance like Cassidy," she says. "Yeah, but you dance like Aimee. And that's perfect.
Tim Tharp (The Spectacular Now)
The sunset was a splendid display. I wondered if it was showing off for my benefit or if it was often that spectacular. Rarely had I seen such a gorgeous scene; the riotous colors flamed out over the sky in shades that I had no words to describe. Birds sang their last songs of the day before tucking in for the night, and still the darkness hung back. Now, I thought, I understand the word "twilight." It was created for just this time - in this land.
Janette Oke (When Calls the Heart (Canadian West, #1))
I'm not a dream crusher. The real world already does enough of that without me getting into the business
Tim Tharp (The Spectacular Now)
There’s no room inside for feeling any worse
Tim Tharp (The Spectacular Now)
Just wait. Someone’s going to come along, someone you never expected, someone who needs you because you’re you.
Tim Tharp (The Spectacular Now)
Together they crawled through the attic space, looking for the source of a roof leak they’d discovered in the last bathroom. Jax was out in front, braving the spiderwebs. Maddie was behind him, working really hard at not looking at his butt. And failing spectacularly. So when he unexpectedly twisted around, holding out his hand for the clipboard she was now holding, he caught her staring at him. “I, um—You have a streak of dirt,” she said. “A streak of dirt.” Yes.” She pointed to his left perfectly muscled butt cheek. “There.” He was quiet for a single, stunned beat. She couldn’t blame him, given that they were both covered in dirt from the filthy attic. “Thanks,” he finally said. “It’s important to know where the dirt streaks are.” “It is,” she agreed, nodding like a bobble head. “Probably you should stain-stick it right away. I have some in my purse.” “Are you offering to rub it on my ass?
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
Over the last year, I have thrown myself and every other available woman at that man. But he turned this”—she waved at her spectacular figure—“down. Repeatedly. Pickiest guy ever. Yet now he can’t take his eyes off his new ‘date’. You’ve beaten out millions. Tell me, was it as simple as swallowing?” I snapped my gaze to her. “I met him fifteen minutes ago.” Jessica nodded. “In those fifteen minutes, did you happen to swallow?
Kresley Cole (The Player (The Game Maker, #3))
What should I call you? A friend, a stranger, or a lover? I remember the day you laid your eyes on me the first time. There was just something unwavering about that moment. It wasn’t peaceful or absolute. It was definite. Something that was bound to happen. It was like as if our souls were waiting for us to collide. And oh we did! We collided like meteors, giving this universe a spectacular view. From my 2 am thought that used to keep me up at night, you soon became my 2 am call. From an almost stranger to my skin, you became a part of me. But just like every collision, ours also had to end in destruction. The 2 am call soon became a 2 am thought. The thought still keeps me up at night, but not for the same reasons. From strangers to lovers and lovers to strangers again, our journey hasn’t been ordinary. Someone asked me about you today and for a moment, I didn’t know what to call you. Who are you to me now? A friend – no. Definitely not a lover. I guess, you and I – we are just strangers with memories.
Bhavya Kaushik
The more time that passes, what begins to seem uncanny to Ben is the fact that all the days ahead are such a darkness, that all of us move through our hours as if blindfolded, never knowing what will happen next. How can he send his daughter out into a world like that? But even an infant’s brain can predict the rough path of a falling object in flight. And so, maybe, in a way, Ben can see what’s coming: His girl will love and be loved. She will suffer, and she will cause suffering. She will be known and unknown. She will be content and discontented. She will sometimes be lonely and sometimes less so. She will dream and be dreamed of. She will grieve and be grieved for. She will struggle and triumph and fail. There will be days of spectacular beauty, sublime and unearned. There will be moments of rapture. She will sometimes feel afraid. The sun will warm her face. The earth will ground her body. And her heart—now thrumming strong and steady, against her father’s chest, as he rocks her to sleep on a porch swing one evening in early summer, at the very start of a life—that heart: it will beat, and it will someday cease to beat. And so much of this life will remain always beyond her understanding, as obscure as the landscapes of someone else’s dreams.
Karen Thompson Walker (The Dreamers)
Were not faster-than-the-speed-of-light generation. Were not even the Next-New-thing-Generation. Were the Soon-To-Be-Obselete kids, and we've crowded in here to hide from the future and the past. We know what's up-- the future looms ahead like a black-wrought iron gate and the past is charging after us like a badass Doberman, only this one doesn't have any let-up in him.
Tim Tharp (The Spectacular Now)
We are in one galaxy called the Milky Way. When you look at the Milky Way’s next-door neighbour, the Andromeda galaxy, your telescope is a time machine taking you back two and a half million years. There’s a cluster of five galaxies called Stephan’s Quintet, which we see through the Hubble telescope spectacularly colliding with each other. But we see them colliding 280 million years ago. If there are aliens in one of those colliding galaxies with a telescope powerful enough to see us, what they are seeing on Earth, at this very moment, here and now, is the early ancestors of the dinosaurs. Are
Richard Dawkins (The Magic of Reality)
Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
Laurie Lee (Cider with Rosie)
The breakdown of the European party system occurred in a spectacular way with Hitler's rise to power. It is now often conveniently forgotten that at the moment of the outbreak of the second World War, the majority of European countries has already adopted some form of dictatorship and discarded the party system, and that this revolutionary change in government has been effected in most countries without revolutionary upheaval. Revolutionary action more often than not was a theatrical concession to the desires of violently discontented masses rather than an actual battle for power. After all, it did not make much difference if a few thousand almost unarmed people staged a march on Rome and took over the government of Italy, or whether in Poland (in 1934) a so-called "partyless bloc," with a program of support for a semifascist government and a membership drawn from the nobility and the poorest peasantry, workers and businessmen, Catholics and orthodox Jews, legally won two-thirds of the seats in Parliament.
Hannah Arendt (The Origins of Totalitarianism)
We have examined the universe in space and seen that we live on a mote of dust circling a humdrum star in the remotest corner of an obscure galaxy. And if we are a speck in the immensity of space, we also occupy an instant in the expanse of ages. We now know that our universe or at least its most recent incarnation - is some fifteen or twenty billion years old. This is the time since a remarkable explosive event called the Big Bang. At the beginning of this universe, there were no galaxies, stars or planets, no life or civilizations, merely a uniform, radiant fireball filling all of space. The passage from the Chaos of the Big Bang to the Cosmos that we are beginning to know is the most awesome transformation of matter and energy that we have been privileged to glimpse. And until we find more intelligent beings elsewhere, we are ourselves the most spectacular of all the transformations - the remote descendants of the Big Bang, dedicated to understanding and further transforming the Cosmos from which we spring
Carl Sagan (Cosmos)
No, you listen to me,” I interrupted her. “All my life, or as long as I can remember, I thought something special was going to happen to me. I just had this feeling, deep in my bones. I didn’t know what it was but it was going to be beautiful, spectacular, huge.” I leaned in further. “All… my… life.” I shook my head again and put my hand on the bar. “It didn’t. I waited and it didn’t happen. I waited more and it didn’t happen. I waited more and it still didn’t happen. I tried to make it happen and it still didn’t happen. Now I know it isn’t going to. It’s never going to happen because there isn’t anything special out there to happen.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Just bring some roses, then. Tell her you were wrong. But don't go into all sorts of promises about how you'll never do it again. Instead, tell her you've been thinking about how she must have felt when she saw that other girl hugging you. That way you can start her talking about her feelings. Then you've got to listen, hard. Let her know that her feelings are important to you. That's all she wanted from you in the first place.
Tim Tharp (The Spectacular Now)
But for power truly to feel itself menaced, it must somehow sense itself in the presence of another power—or, more accurately, an energy—which it has not known how to define and therefore does not really know how to control. For a very long time, for example, America prospered—or seemed to prosper: this prosperity cost millions of people their lives. Now, not even the people who are the most spectacular recipients of the benefits of this prosperity are able to endure these benefits: they can neither understand them nor do without them, nor can they go beyond them. Above all, they cannot, or dare not, assess or imagine the price paid by their victims, or subjects, for this way of life, and so they cannot afford to know why the victims are revolting. They are forced, then, to the conclusion that the victims—the barbarians—are revolting against all established civilized values—which is both true and not true—and, in order to preserve these values, however stifling and joyless these values have caused their lives to be, the bulk of the people desperately seek out representatives who are prepared to make up in cruelty what both they and the people lack in conviction. This is a formula for a nation’s or a kingdom’s decline, for no kingdom can maintain itself by force alone.
James Baldwin (No Name in the Street)
Like Oz, life is full of beauty and horror. Whether you’re in the magical realm or the so-called civilized one, you can look at the world around you and see both things at almost any time. But what being in Oz taught me is that no matter how horrific a situation may be, no matter how devastating or scary or chaotic, there is still always beauty in the colors of it all, even in the grays. As I look back on the last four years of my life, on everything that led me to the place where my life changed forever for a second time, I might think I wasted too many crucial years perceiving my world through a lens that leeched the color from everything I set my eyes on, but now I can forgive myself for my mistakes and maybe even be grateful for the trials I’ve faced. After all, a rainbow only comes out when it rains. The most spectacular rainbows are set against a backdrop of a half dark sky where gray clouds hover and rain batters the surface of the earth, but the horizon is clear and bright—a pure, radiant blue surrounding a shining golden sun. When I’m in Oz, that rainbow is who I am—a vivid, radiant spectrum of colors with a clear bright landscape ahead only made more rich-hued and vibrant by the darkness that lies behind it.
Garten Gevedon (Dorothy in the Land of Monsters (Oz ReVamped, #1))
It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...
Lauren Groff (Fates and Furies)
We have good news and bad news. The good news is that the dismal vision of human sexuality reflected in the standard narrative is mistaken. Men have not evolved to be deceitful cads, nor have millions of years shaped women into lying, two-timing gold-diggers. But the bad news is that the amoral agencies of evolution have created in us a species with a secret it just can’t keep. Homo sapiens evolved to be shamelessly, undeniably, inescapably sexual. Lusty libertines. Rakes, rogues, and roués. Tomcats and sex kittens. Horndogs. Bitches in heat.1 True, some of us manage to rise above this aspect of our nature (or to sink below it). But these preconscious impulses remain our biological baseline, our reference point, the zero in our own personal number system. Our evolved tendencies are considered “normal” by the body each of us occupies. Willpower fortified with plenty of guilt, fear, shame, and mutilation of body and soul may provide some control over these urges and impulses. Sometimes. Occasionally. Once in a blue moon. But even when controlled, they refuse to be ignored. As German philosopher Arthur Schopenhauer pointed out, Mensch kann tun was er will; er kann aber nicht wollen was er will. (One can choose what to do, but not what to want.) Acknowledged or not, these evolved yearnings persist and clamor for our attention. And there are costs involved in denying one’s evolved sexual nature, costs paid by individuals, couples, families, and societies every day and every night. They are paid in what E. O. Wilson called “the less tangible currency of human happiness that must be spent to circumvent our natural predispositions.”2 Whether or not our society’s investment in sexual repression is a net gain or loss is a question for another time. For now, we’ll just suggest that trying to rise above nature is always a risky, exhausting endeavor, often resulting in spectacular collapse. Any attempt to understand who we are, how we got to be this way, and what to do about it must begin by facing up to our evolved human sexual predispositions. Why do so many forces resist our sustained fulfillment? Why is conventional marriage so much damned work? How has the incessant, grinding campaign of socio-scientific insistence upon the naturalness of sexual monogamy combined with a couple thousand years of fire and brimstone failed to rid even the priests, preachers, politicians, and professors of their prohibited desires? To see ourselves as we are, we must begin by acknowledging that of all Earth’s creatures, none is as urgently, creatively, and constantly sexual as Homo sapiens.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Many readers are familiar with the spirit and the letter of the definition of “prayer”, as given by Ambrose Bierce in his Devil’s Dictionary. It runs like this, and is extremely easy to comprehend: Prayer: A petition that the laws of nature be suspended in favor of the petitioner; himself confessedly unworthy. Everybody can see the joke that is lodged within this entry: The man who prays is the one who thinks that god has arranged matters all wrong, but who also thinks that he can instruct god how to put them right. Half–buried in the contradiction is the distressing idea that nobody is in charge, or nobody with any moral authority. The call to prayer is self–cancelling. Those of us who don’t take part in it will justify our abstention on the grounds that we do not need, or care, to undergo the futile process of continuous reinforcement. Either our convictions are enough in themselves or they are not: At any rate they do require standing in a crowd and uttering constant and uniform incantations. This is ordered by one religion to take place five times a day, and by other monotheists for almost that number, while all of them set aside at least one whole day for the exclusive praise of the Lord, and Judaism seems to consist in its original constitution of a huge list of prohibitions that must be followed before all else. The tone of the prayers replicates the silliness of the mandate, in that god is enjoined or thanked to do what he was going to do anyway. Thus the Jewish male begins each day by thanking god for not making him into a woman (or a Gentile), while the Jewish woman contents herself with thanking the almighty for creating her “as she is.” Presumably the almighty is pleased to receive this tribute to his power and the approval of those he created. It’s just that, if he is truly almighty, the achievement would seem rather a slight one. Much the same applies to the idea that prayer, instead of making Christianity look foolish, makes it appear convincing. Now, it can be asserted with some confidence, first, that its deity is all–wise and all–powerful and, second, that its congregants stand in desperate need of that deity’s infinite wisdom and power. Just to give some elementary quotations, it is stated in the book of Philippians, 4:6, “Be careful for nothing; but in everything by prayer and supplication and thanksgiving, let your requests be known to God.” Deuteronomy 32:4 proclaims that “he is the rock, his work is perfect,” and Isaiah 64:8 tells us, “Now O Lord, thou art our father; we art clay and thou our potter; and we are all the work of thy hand.” Note, then, that Christianity insists on the absolute dependence of its flock, and then only on the offering of undiluted praise and thanks. A person using prayer time to ask for the world to be set to rights, or to beseech god to bestow a favor upon himself, would in effect be guilty of a profound blasphemy or, at the very least, a pathetic misunderstanding. It is not for the mere human to be presuming that he or she can advise the divine. And this, sad to say, opens religion to the additional charge of corruption. The leaders of the church know perfectly well that prayer is not intended to gratify the devout. So that, every time they accept a donation in return for some petition, they are accepting a gross negation of their faith: a faith that depends on the passive acceptance of the devout and not on their making demands for betterment. Eventually, and after a bitter and schismatic quarrel, practices like the notorious “sale of indulgences” were abandoned. But many a fine basilica or chantry would not be standing today if this awful violation had not turned such a spectacularly good profit. And today it is easy enough to see, at the revival meetings of Protestant fundamentalists, the counting of the checks and bills before the laying on of hands by the preacher has even been completed. Again, the spectacle is a shameless one.
Christopher Hitchens (Mortality)
It should be illegal for a woman to look as good as you do.” “Really?” She peered down at herself again, but saw nothing all that spectacular. “I’m glad you like it.” “I love it. I love you.” He dug in his pocket. “When I left today, it was for this.” Speechless, Priss watched as he opened a now-wet jeweler’s box. Inside, securely nestled in velvet, was a beautiful diamond engagement ring. Her heart nearly stopped. “I wanted it to be a surprise.” There were no words. Her eyes suddenly burned and her throat went tight. Trace took her hand and slipped the ring on her finger. The fit was perfect, but then, anything Trace did, he did right. “Priss?” Using the edge of his fist, he lifted her chin. “We’ve been to movies and plays, to small diners and fancy restaurants. I’ve taken you dancing and hiking, to the amusement park and the zoo.” Sounding like a choked frog, Priss said, “All the things I never got to do growing up.” “But there’s so much more, honey.” He moved wet tendrils of hair away from her face and over her shoulder. “I was trying to give you time to enjoy it all.” “No!” Priss did not want him second-guessing his intent. “I don’t need any more time. Really I don’t.” Both still very attentive, Matt and Chris snickered. Trace just smiled at her. Closing her hand into a fist, she held the ring tight. “All I need, all I want, is you.” “Glad to hear it, because I’m not an overly patient guy. Hell, I think I knew you were the one the day you showed up in Murray’s office.” He kissed the tip of her nose, her lips, her chin. “You were so damned outrageous, and so pushy, that you scared me half to death.” “You felt me up,” Priss reminded him. “But that was a first for me, too.” “I remember it well.” He treated her to a deeper kiss, and ended it with a groan. “Every day since then, I’ve wanted you more. Even when you worried me, or lied to me, or made me insane, I admired you for it.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
In the modern era, teachers and scholarship have traditionally laid strenuous emphasis on the fact that Briseis, the woman taken from Achilles in Book One, was his géras, his war prize, the implication being that her loss for Achilles meant only loss of honor, an emphasis that may be a legacy of the homoerotic culture in which the classics and the Iliad were so strenuously taught—namely, the British public-school system: handsome and glamorous Achilles didn’t really like women, he was only upset because he’d lost his prize! Homer’s Achilles, however, above all else, is spectacularly adept at articulating his own feelings, and in the Embassy he says, “‘Are the sons of Atreus alone among mortal men the ones / who love their wives? Since any who is a good man, and careful, / loves her who is his own and cares for her, even as I now / loved this one from my heart, though it was my spear that won her’ ” (9.340ff.). The Iliad ’s depiction of both Achilles and Patroklos is nonchalantly heterosexual. At the conclusion of the Embassy, when Agamemnon’s ambassadors have departed, “Achilles slept in the inward corner of the strong-built shelter, / and a woman lay beside him, one he had taken from Lesbos, / Phorbas’ daughter, Diomede of the fair colouring. / In the other corner Patroklos went to bed; with him also / was a girl, Iphis the fair-girdled, whom brilliant Achilles / gave him, when he took sheer Skyros” (9.663ff.). The nature of the relationship between Achilles and Patroklos played an unlikely role in a lawsuit of the mid-fourth century B.C., brought by the orator Aeschines against one Timarchus, a prominent politician in Athens who had charged him with treason. Hoping to discredit Timarchus prior to the treason trial, Aeschines attacked Timarchus’ morality, charging him with pederasty. Since the same charge could have been brought against Aeschines, the orator takes pains to differentiate between his impulses and those of the plaintiff: “The distinction which I draw is this—to be in love with those who are beautiful and chaste is the experience of a kind-hearted and generous soul”; Aeschines, Contra Timarchus 137, in C. D. Adams, trans., The Speeches of Aeschines (Cambridge, MA, 1958), 111. For proof of such love, Aeschines cited the relationship between Achilles and Patroklos; his citation is of great interest for representing the longest extant quotation of Homer by an ancient author. 32
Caroline Alexander (The War That Killed Achilles: The True Story of Homer's Iliad and the Trojan War)
They will eat him alive. On his current course, Henry will fail spectacularly.” My chest constricts so tight it feels like my bones may crack. Because she’s right. “He won’t.” “You don’t know that,” she swipes back. “I damn well do! I never would have abdicated otherwise.” “What?” “Don’t mistake me—I wouldn’t have married anyone but Olivia, and I would’ve waited a lifetime if I had to, until the laws were changed. But I didn’t because I knew in my heart and soul that Henry will not just be a good king, he will be better than I ever could’ve been.” For a moment I don’t breathe. I can’t. The shock of my brother’s words has knocked the air right out of my lungs. Granny’s too, if her whisper is any indication. “You truly believe that?” “Absolutely. And, frankly, I’m disheartened that you don’t.” “Henry has never been one to rise to the occasion,” she states plainly. “He’s never needed to,” my brother insists. “He’s never been asked—not once in his whole life. Until now. And he will not only rise to the occasion . . . he will soar beyond it.” The Queen’s voice is hushed, like she’s in prayer. “I want to believe that. More than I can say. Lend me a bit of your faith, Nicholas. Why are you so certain?” Nicholas’s voice is rough, tight with emotion. “Because . . . he’s just like Mum.” My eyes close when the words reach my ears. Burning and wet. There’s no greater compliment—not to me—not ever. But, Christ, look at me . . . it’s not even close to true. “He’s exactly like her. That way she had of knowing just what a person needed—whether it was strength or guidance, kindness or comfort or joy—and effortlessly giving it to them. The way people used to gravitate to her . . . at parties, the whole room would shift when she walked in . . . because everyone wanted to be nearer to her. She had a light, a talent, a gift—it doesn’t matter what it’s called—all that matters is that Henry has it too. He doesn’t see it in himself, but I do. I always have.” There’s a moment of quiet and I imagine Nicholas leaning in closer to the Queen. “The people would have followed me or Dad for the same reason they follow you—because we are dependable, solid. They trust our judgment; they know we would never let them down. But they will follow Henry because they love him. They’ll see in him their son, brother, best friend, and even if he mucks it up now, they will stick with him because they will want him to succeed. I would have been respected and admired, but Grandmother . . . he will be beloved. And if I have learned anything since the day Olivia came into my life, it’s that more than reasoning or duty, honor or tradition . . . love is stronger.
Emma Chase (Royally Matched (Royally, #2))