Species Of Spaces And Other Pieces Quotes

Question your tea spoons.

To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.

Vivir es pasar de un espacio a otro sin golpearse

This is how space begins, with words only, signs traced on the blank page. To describe space: to name it, to trace it, like those portolano-makers who saturated the coastlines with the names of harbours, the names of capes, the names of inlets, until in the end the land was only separated from the sea by a continuous ribbon of text. Is the aleph, that place in Borges from which the entire world is visible simultaneously, anything other than an alphabet?

It seems we only sleep well in our own bed.

Like the librarians of Babel in Borges’s story, who are looking for the book that will provide them with the key to all the others, we oscillate between the illusion of perfection and the vertigo of the unattainable. In the name of completeness, we would like to believe that a unique order exists that would enable us to accede in knowledge all in one go; in the name of the unattainable, we would like to think that order and disorder are in fact the same word, denoting pure chance. It’s possible also that both are decoys, illusions intended to disguise the erosion of both books and systems. It is no bad thing in any case that between the two our bookshelves should serve from time to time as joggers of the memory, as cat-rests and as lumber-rooms.

What speaks to us, seemingly, is always the big event, the untoward, the extra-ordinary: the front-page splash, the banner headlines....Behind the event there is a scandal, a fissure, a danger, as if life reveals itself only by way of the spectacular, as if what speaks, what is significant, is always abnormal. [But] how should we take account of, question, describe what happens everyday and recurs everyday: the banal, the quotidian, the obvious, the common, the ordinary, the infra-ordinary, the background noise, the habitual? (209-210)

Since the dawn of time, several billion human (or humanlike) beings have lived, each contributing a little genetic variability to the total human stock. Out of this vast number, the whole of our understanding of human prehistory is based on the remains, often exceedingly fragmentary, of perhaps five thousand individuals. You could fit it all into the back of a pickup truck if you didn't mind how much you jumbled everything up, Ian Tattersall, the bearded and friendly curator of anthropology at the American Museum of Natural History in New York, replied when I asked him the size of the total world archive of hominid and early human bones. The shortage wouldn't be so bad if the bones were distributed evenly through time and space, but of course they are not. They appear randomly, often in the most tantalizing fashion. Homo erectus walked the Earth for well over a million years and inhabited territory from the Atlantic edge of Europe to the Pacific side of China, yet if you brought back to life every Homo erectus individual whose existence we can vouch for, they wouldn't fill a school bus. Homo habilis consists of even less: just two partial skeletons and a number of isolated limb bones. Something as short-lived as our own civilization would almost certainly not be known from the fossil record at all. In Europe, Tattersall offers by way of illustration, you've got hominid skulls in Georgia dated to about 1.7 million years ago, but then you have a gap of almost a million years before the next remains turn up in Spain, right on the other side of the continent, and then you've got another 300,000-year gap before you get a Homo heidelbergensis in Germany and none of them looks terribly much like any of the others. He smiled. It's from these kinds of fragmentary pieces that you're trying to work out the histories of entire species. It's quite a tall order. We really have very little idea of the relationships between many ancient species which led to us and which were evolutionary dead ends. Some probably don't deserve to be regarded as separate species at all.

I would like there to exist spaces that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthpalce, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories . . . Such places don't exist, and it's because they do'nt exist that space becomes a question, ceases to be self-evident, ceases to be incorporated, ceases to be appropriated. Space is a doubt: I have constantly to mark it, to designate it, It is never mine, never given to me, I have to conquer it. My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer reseble waht was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them. The words 'Phone directory available within' or 'Snacks served at any hour' will no longer be written up in a semi-circle in white porcelain letter on the window of the little café in the Rue Coquillière. Space melts like sand running through one's fingers. Time bears it away and leaves me only Shapeless shreds: To write: to try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs. Paris 1973-1974

أحب أن أظل مستلقيا على سريري وأحدق في السقف بنظرة وديعة. كنت سأكرس لذلك معظم وقتي (صباحاتي على الخصوص) لو لم تعقني عن ذلك في الأغلب مشاغل تعتبر أشد استعجالا. أحب السقوف، أحب زخارفها الناتئة ونجمياتها: إنها غالبا ما تنوب عن ربات الإلهام وتُحيلني احتباك التزاويق دون عناء نحو تلك المتاهات الأخرى التي تنسجها الاستيهامات، والأفكار والكلمات. لكن ما عاد أحدٌ يهتم بالسقوف، إنها تُصنع مستوية تبعث على القنوط، أو أدهى من ذلك، تكسى بزي غريب من العوارض المزعوم أنها ناتئة.

I would like there to exist places that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthplace, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories… My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer resemble what was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them… Space melts like sand running through one’s fingers. Time bears it away and leaves me only shapeless shreds: To write: To try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs.

So, Cameron," Steph continued, "auditions for the school play are next week. You should come. We need more males of the species to try out." "Not my thing," Cameron said. "okay, so you don't want to be onstage. You could be backstage." "With Jenna," Gil said helpfully. "She's the stage manager-" Ethan talked over Gil. "But if it's not our thing," he said, "it's not your thing. You don't even have to have a thing if you don't want." "Right," Katy said, "no thing required." Cameron didn't respond, didn't even act like anyone was waiting for him to say anything. He just ate his lunch, scooping spaghetti onto a piece of bread and folding the bread over into a sort of sandwich before putting it in his mouth. I was fascinated by the most mundane little details of him-how he held his paper napkin in his left hand while he ate with his right, the space he took up when both his elbows were on the table. I was suddenly aware that I'd been staring at him, and everyone else at the table was staring at me. They were all done with their lunches. I wondered how much time had passed. "Um," Katy said to me, "are you all right?" Steph caught my eye and smiled slowly. "Oh,yeah." I concentrated on my half sandwich trying to think of something witty to say, but I was in total Jennifer Harris territory now, spacing out and forgetting how to make simple conversation. Cameron picked up his empty tray. "Nice to meet you all. See you later." He lifted a finger toward me. "Bye, Jennifer." We watched him leave, then Gil said, "How come he calls you Jennifer?" I crumpled up my lunch bag. "because that used to be my name." "Really?" Ethan said. "I didn't know that." "I changed it a long time ago." "He's shy," Steph said, still watching the spot where Cameron had been sitting. Katy smirked. "Not with Jenna." Ethan surprised me by coming to Cameron's defense. "That's because they've known each other forever. I'd be nervous, too, if I were meeting all you retards for the first time." "Good point," Junior Dave said.

As the new century began, AIDS researchers pondered this roster of different viral lineages: seven groups of HIV-2 and three groups of HIV-1. The seven groups of HIV-2, distinct as they were from one another, all resembled SIVsm, the virus endemic in sooty mangabeys. (So did the later addition, group H.) The three kinds of HIV-1 all resembled SIVcpz, from chimps. (The eventual fourth kind, group P, is most closely related to SIV from gorillas.) Now here’s the part that, as it percolates into your brain, should cause a shudder: Scientists think that each of those twelve groups (eight of HIV-2, four of HIV-1) reflects an independent instance of cross-species transmission. Twelve spillovers. In other words, HIV hasn’t happened to humanity just once. It has happened at least a dozen times—a dozen that we know of, and probably many more times in earlier history. Therefore it wasn’t a highly improbable event. It wasn’t a singular piece of vastly unlikely bad luck, striking humankind with devastating results—like a comet come knuckleballing across the infinitude of space to smack planet Earth and extinguish the dinosaurs. No. The arrival of HIV in human bloodstreams was, on the contrary, part of a small trend. Due to the nature of our interactions with African primates, it seems to occur pretty often.

Why Do the Silent Winds Howl? by Maisie Aletha Smikle Winds gallop In velocity Velocity you can detect Velocity which other than the object being moved by the force of the air You cannot see neither can you touch Knots faster than the speed of light Churn in unified force To push everything except Mountains and lands out of sight The silent air of the wind moves Forcing and gushing through holes and crevices And hastens to vacuum plateaus Plains valleys meadows and sandy deserts Taking chattels fossils Structures and trees Anything its forces can carry Upon the wind arrival and contact with land and objects Nature sends off a howl or whistle Bringing all species to full attention As the silent wind moves With forces stronger than a million battalion No force can withstand such a force Neither air force space force Land force sea force or nuclear force All forces flee from the forces of this force Nature whistles Nature howls Nature pleads Stay away species stay away Else you'll be carried like fossils and pieces of species by the silent wind That says neither hello nor goodbye

The space of our lives is neither continuous, nor infinite, nor homogeneous or isotropic. But do we know exactly where it breaks off, where it curves, where it disconnects and comes together? We confusedly experience cracks, gaps and points of friction, sometimes vaguely aware that something is stuck, that it breaks loose or collides. Though we seldom seek to learn more about it and more often than not, wander from one spot to another, from one space to another, without measuring, without taking into account or considering the course of space. The issue is not to invent space and certainly not to re-invent it (too many well-intentioned individuals are already there to reflect upon our environment...), the problem is rather to question space, or more exactly, to read space; for what we call everydayness is not the obvious, but opacity: a kind of blindness, or deafness, a sort of anesthesia.