Special Occasions Quotes

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Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid it’s like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
Bob Marley
[My mom's] funny that way, celebrating special occasions with blue food. I think it's her way of saying anything is possible. Percy can pass seventh grade. Waffles can be blue. Little miracles like that.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Waiting for a special occasion to kill me? Christmas is coming.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Don't save something for a special occasion. Every day of your life is a special occasion.
Thomas S. Monson
He hooks a thumb in one of his belt loops and says, “How are you, Beatrice?” “Did you just call me Beatrice?” “Thought I would give it a try.” He smiles. “Not good?” “Maybe on special occasions only. Initiation days, Choosing Days …
Veronica Roth (Insurgent (Divergent, #2))
Most people in Atlanta don't have an accent. It's pretty urban. A lot of people speak gangsta, though," I add jokingly. "Fo' shiz," he replies in his polite English accent. I spurt orangey-red soup across the table. St. Clair gives a surprised ha-HA kind of laugh, and I'm laughing too, the painful kind like abdominal crunches. He hands me a napkin to wipe my chin. "Fo'. Shiz." He repeats it solemnly. Cough cough. "Please don't ever stop saying that. It's too-" I gasp. "Much." "You oughtn't to have said that. Now I shall have to save it for special occasions." "My birthday is in February." Cough choke wheeze. "Please don't forget.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Don’t tempt me. Now, what are you wearing?” “A hoodie and drawstring pants too, I guess.”“Anything underneath?” “I don’t typically walk around without underwear.” “Typically?” “Only on special occasions.” “Christ. I meant under your hoodie
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
You dickweed! Are you always stupid, or is today a special occasion?
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
Says the girl dressed up in formal Goth mourning," Shane said. "Seriously, who buys a black lace veil? You keep that on hand for special occasions, like prom and kid's birthdays?
Rachel Caine (Last Breath (The Morganville Vampires, #11))
There are exactly as many special occasions in life as we choose to celebrate.
Robert Brault
Burn the candles, use the nice sheets, wear the fancy lingerie. Don't save it for a special occasion. Today is special.
Regina Brett
Vulgarity is like a fine wine: it should only be uncorked on a special occasion, and then only shared with the right group of people.
James Rozoff
Life had been a suit I'd only put on for special occasions. Most of the time I kept it in the back of my closet, forgetting it was there. We were meant to die when it was barely stitched anymore, when the elbows and knees were stained with grass and mud, shoulder pads uneven from people hugging you all the time, downpours and blistering sun, the fabric faded, buttons gone.
Marisha Pessl (Night Film)
What are my options?" "You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination." "Fine,"I said. "You take my hand and back up toward the bed." "Excellent choice. What then?" "You sit down, and pull me down with you." "Where are you?" he asked. "You pull me onto your lap." "Where are your legs?" "Around your waist." "Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"... "What do you usually wear to bed?" I asked. Noah said nothing. I opened my eyes to an arched brow and a devious grin. Oh my God. "Close. Your. Eyes," he said. I did. "Now, where were we?" "I was straddling you," I said. "Right. And I'm wearing..." "Drawstring pants." "Those are quite thin, you know." I'm aware. ... "Right," he said. "So what are you wearing?" "I don't know. A space suit. Who cares?" "I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you." "What did you have in mind?" "Don't tempt me. Now, what are you wearing?" "A hoodie and drawstring pants too, I guess." "Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie." "A tank top, I guess." "What color?" "White tank. Black hoodie. Gray pants. I'm ready to move on now." I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?" Yes. "Over me," he said. Fuck. "The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
     ‘The onboard computer just wants to say a few words before we leave.’      The speakers in the cabin crackled into life. ‘Ladies and gentlemen, I would like to welcome you on-board the presidential shuttle for tonight’s illicit flight, Alfa Bravo Charlie. I would just like to say it’s a pleasure to meet you all and thank you so much for coming here tonight to steal me. To be honest I don’t get out much these days so this is something of a special occasion.’      ‘It will be for us too if we get caught,’ Semilla said sardonically.
A.R. Merrydew (Our Blue Orange)
She turned to Skulduggery and held out her arms. “Come here, you.” He tilted his head. “My hugs are for special occasions only.” “Hug me.” “I prefer the old tradition.” “Hug.” “Would a handshake do?” “Hug.” “A pat on the back?” She stepped forward and wrapped her arms round him. “Hug,” she said. He sighed, and his hands settled on her shoulders. The others were warm and their embraces strong – with Skulduggery the hug was cold, and there were areas on his jacket that gave way beneath her fingers, and she could feel the emptiness within. She didn’t mind.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
Most animals show themselves sparingly. The grizzly bear is six to eight hundred pounds of smugness. It has no need to hide. If it were a person, it would laugh loudly in quiet restaurants, boastfully wear the wrong clothes for special occasions, and probably play hockey.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
Don't ever save anything for a special occasion. Being alive is the special occasion.
Mary Engelbreit
If I had a necklace made out of tiny suns, I’d only wear it at night when you could really see it. Sadly, I don’t have a necklace like that. The closest thing I have is a necklace made out of those glow in the dark stars you stick to bedroom ceilings. But I only wear that on special occasions, like bedtime. 

Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
My mom's funny that way, celebrating special occasions with blue food. I think it's her way of saying anything is possible. Percy can pass seventh grade. Waffles can be blue. Little miracles like that.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Get out of my computer immediately. I’m willing to move past the fact that you hacked me, but it ends now.” “No more backdoor?” “No more backdoor.” He appeared crestfallen. “Ever?” “Never,” Kate said firmly. “Not even on my birthday or like a special occasion?” “Are we still talking about my computer?” she asked. “You probably are.
Tracey Garvis Graves (Heart-Shaped Hack (Kate and Ian, #1))
Most killers have pretty average lifestyles. Steady jobs too. Sometimes they're even living the family life-white picket fence and a four-door sedan. That's what makes them so scary. They act human and they slot into society and since a young age they've known how to hide the crazy; they put it up on a shelf and only bring it out on special occasions.
Paul Cleave (The Killing Hour)
Erase from your vocabulary the word “someday.” Do not save things for “special occasions.” Take into account the fact that every day is special. Every day is a gift that we must appreciate and be thankful for. Wear your attractive clothes, wear your nice perfume, use your fine silverware and dishes, and drink from your expensive crystal glasses … just because. Live every day to the fullest and savor every minute of it.
Rodolfo Costa (Advice My Parents Gave Me: and Other Lessons I Learned from My Mistakes)
Me? I like wearing a condom. It means I'm having sex. I already spend most of my time NOT wearing one. It's like a tuxedo - I enjoy putting one on for special occasions.
David Mazzucchelli (Asterios Polyp)
Always keep a bottle of Champagne in the fridge for special occasions. Sometimes, the special occasion is that you’ve got a bottle of Champagne in the fridge.
Hester Browne
Each day offers us the gift of being a special occasion if we can simply learn that as well as giving, it is blessed to receive with grace and a grateful heart.
Sarah Ban Breathnach
If you’re waiting for a special occasion to make your next trip happen, then consider this: The day you get off the couch and head for the airport, that’s the special occasion.
Patricia Schultz (1,000 Places to See Before You Die)
Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Offence is so easily given. And where the 'minority' issue is involved, the rules seem to shift about: most of the time a person who is female/black/disabled/gay wants this not to be their defining characteristic; you are supposed to be blind to it. But then, on other occasions, you are supposed to observe special sensitivity, or show special respect.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
I don't know what sort of occasion I was waiting for...because everyday was a special occasion with your father.
Donna VanLiere (The Christmas Shoes (Christmas Hope, #1))
Now, I've been known to be attractive on special occasions, and I do my best to project as much beauty as I can muster from deep inside, though I often fail.
Terry McMillan (Getting to Happy (Waiting to Exhale, #2))
If you love a person, you should show it in adundance, not reserve it for special occasions like fine china.
Bryan Cohen (The Post-College Guide to Happiness)
Beauty is in the skin! Take care of it, oil it, clean it, scrub it, perfume it, and put on your best clothes, even if there is no special occasion, and you'll feel like a queen. If society is hard on you, fight back by pampering your skin. Skin is political. Otherwise why would the imams order us to hide it?
Fatema Mernissi
Start living now. Stop saving the good china for that special occasion. Stop withholding your love until that special person materializes. Every day you are alive is a special occasion
Mary Manin Morrissey
For the most part, Ranger had a consistent personality. He wasn't a guy who wasted a lot of unnecessary energy and effort. He moved and he spoke with an efficient ease that was more animal than human. And he didn't telegraph his emotions. Unless Ranger had his tongue in my mouth it was usually impossible to tell what he was thinking. But every now and then, Ranger would step out of the box, and like a little treat that was doled out on special occasions, Ranger would make an entirely outrageous sexual statement. At least it would be outrageous coming from an ordinary guy... from Ranger it seemed on the mark.
Janet Evanovich (Eleven on Top (Stephanie Plum, #11))
I have learned that the kindness of a teacher, a coach, a policeman, a neighbor, the parent of a friend, is never wasted. These moments are likely to pass with neither the child nor the adult fully knowing the significance of the contribution. No ceremony attaches to the moment that a child sees his own worth reflected in the eyes of an encouraging adult. Though nothing apparent marks the occasion, inside that child a new view of self might take hold. He is not just a person deserving of neglect or violence, not just a person who is a burden to the sad adults in his life, not just a child who fails to solve his family’s problems, who fails to rescue them from pain or madness or addiction or poverty or unhappiness. No, this child might be someone else, someone whose appearance before this one adult revealed specialness or lovability, or value.
Gavin de Becker (The Gift of Fear: Survival Signals That Protect Us from Violence)
You need a lesson on the birds and the bees?” Paul asks. “You put tab A into slot B.” He makes a crude gesture with his fingers. “Or tab A into slot C.” He grins. “Or Tab A into slot D. But some girls don’t like that, so don’t start there. You might even save that for a birthday or special occasion. Yours. Not hers.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
My great-grandfather, Dad often told us, saved his best wines for special occasions. He was killed when the Nazis invaded Paris. The Nazis ended up drinking his wine. Lesson: you never wait. When I was growing up, we used only the good plates. We used the best linens. We drank out of Waterford crystal. When my father died, his wine cellar was nearly empty.
Harlan Coben (Don't Let Go)
When we got back home, Gramps dropped me off and enveloped me in a hug. Normally, he was a handshaker, maybe a back-patter on really special occasions. His hug was strong and tight, and I knew it was his way of telling me that he'd had a wonderful time. “Me, too, Gramps,” I whispered.
Gayle Forman (If I Stay (If I Stay, #1))
Do all wizards," he said, "get the kiddie crowns and war them around? Or is that only for special occasions?" "Do all werewolves," I shot back, snatching the crown from my head, "wear glasses and too much Old Spice? Or is taht only for full moons?
Jim Butcher (Fool Moon (The Dresden Files, #2))
Erwin especially relished that last phrase. ‘Like we was morons.’ He only trotted it out on special occasions.
Scott Hawkins (The Library at Mount Char)
Life is short. I need to stop waiting for special occasions in order to treat myself.
Jasmine Guillory (Royal Holiday (The Wedding Date, #4))
It’s rebellious, in a way, to choose joy, to dance, to love your life. It’s much easier and much more common to be miserable. We could just live our normal, day-to-day lives, saving all the good living up for someday, but I think it’s our job to live each day like it’s a special occasion, because we’ve been given a gift.
Shauna Niequist (Savor: Living Abundantly Where You Are, As You Are (A 365-Day Devotional))
Depressed people tended to end things on special occasions and party goers drank too much and then got behind the wheels of vehicles. But Valentine’s Day wasn’t too bad as far as suicides and car wrecks were concerned.
Abbi Glines (Predestined (Existence, #2))
Well, in a world where so few of us are obliged to cook at all anymore, to choose to do so is to lodge a protest against specialization—against the total rationalization of life. Against the infiltration of commercial interests into every last cranny of our lives. To cook for the pleasure of it, to devote a portion of our leisure to it, is to declare our independence from the corporations seeking to organize our every waking moment into yet another occasion for consumption. (Come to think of it, our nonwaking moments as well: Ambien, anyone?) It is to reject the debilitating notion that, at least while we’re at home, production is work best done by someone else, and the only legitimate form of leisure is consumption. This dependence marketers call “freedom.
Michael Pollan (Cooked: A Natural History of Transformation)
So I would die in here. I’d leave my little life. I’d barely worn it out. Life had been a suit I’d only put on for special occasions. Most of the time I kept it in the back of my closest, forgetting it was there. We were meant to die when it was barely stitched anymore, when the elbows and knees were stained with grass and mud, shoulder pads uneven from people hugging you all the time, downpours and blistering sun, the fabric faded, buttons gone.
Marisha Pessl (Night Film)
Never save bath bombs for later. Never wait for a special occasion to light candles. Don’t wait to book a massage. Treat yourself to a spa day. Get yourself a colonic immediately. Now is the time. Your body is a temple. Serve it and it will serve you well.
RuPaul (GuRu)
The nice cutlery set, tea, wine, clothes, open, quilt that you have been saving for a special occasion— use them whenever you get the chance. Special moments are not separate from our everyday lives. When you make use of something special, it makes the moment special
Haemin Sunim (Love for Imperfect Things: How to Accept Yourself in a World Striving for Perfection)
Life gets busy, with so many things that aren’t actually important but feel important. And there are plenty of weekend days where I could decide to forget my to-do list, spend a few hours at the beach instead, but I’ve only ever done that if there’s a special occasion.
Jasmine Guillory (Royal Holiday (The Wedding Date, #4))
She appears sunny, a quality that Mirabelle can call upon only for special occasions.
Steve Martin (Shopgirl)
God meant for the Bible to be bread for our daily use, not just cake for special occasions.
Suzanne Woods Fisher (Amish Proverbs: Words of Wisdom from the Simple Life)
It was said by Epicurus, and he was probably right, that all philosophy takes its origin from philosophical wonder. The man who has never at any time felt consciously struck by the extreme strangeness and oddity of the situation in which we are involved, we know not how, is a man with no affinity for philosophy - and has, by the way, little cause to worry. The unphilosophical and philosophical attitudes can be very sharply distinguished (with scarcely any intermediate forms) by the fact that the first accepts everything that happens as regards its general form, and finds occasion for surprise only in that special content by which something that happens here today differs from what happened there yesterday; whereas for the second, it is precisely the common features of all experience, such as characterise everything we encounter, which are the primary and most profound occasion for astonishment; indeed, one might almost say that it is the fact that anything is experienced and encounter at all.
Erwin Schrödinger (My View of the World)
But the silent stranger could hardly have understood what was passing: she was a German who had not long been in Russia and knew not a word of Russian, and she seemed to be as stupid as she was handsome. She was a novelty and it had become a fashion to invite her to certain parties, sumptuously attired, with her hair dressed as though for a show, and to seat her in the drawing-room as a charming decoration, just as people sometimes borrow from their friends for a special occasion a picture, a statue, a vase, or a fire-screen.
Fyodor Dostoevsky (The Idiot)
Mom has the Touch. She knows what flowers go with what occasions, what hors d'oeuvres work with what people. She believes passionately in the power of food to heal, restore, and stimulate relationships, and she has built a following of loyal customers who really hope she's right. If she's wrong, says Sonia, no one wants to know.
Joan Bauer (Thwonk)
But, even without kings, a confederation of merchants have always self-assembled. These Gogs have always peacocked, dressed up for special occasions, put on a bit of bling to elicit envy, all within the warm bubble of wealth—albeit outside of Abrahamic-thinking. (Re 21:15) Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 5
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
because I woke up today and could take a breath with my own lungs. That’s more than what many people on this planet could do. Today, I took a breath this morning while some took their last. Every moment in life is a special occasion. Being alive. Being surrounded by those who appreciate you is a blessed occasion and it’s worth a celebration.
Melody Anne (Hot, Sexy & Bad: A Holiday Novella Collection)
No toys or phones at the table. Allowances must be earned by doing chores around the house. We will have movie night once a week. Sugar will be limited to fruit, not fruit juice, and special occasions. All food will be organic, as money allows. Physical activity and exercise are encouraged. No, they’re mandatory. Homework must be done before TV or video games.
Samantha Downing (My Lovely Wife)
The Lover Reconsiders Wait... You. Come hither come closer come here, shrug and wriggle your way out of those clothes, shed them like baby teeth, like snakeskin, like feathers from the molt of a phoenix come here let me hold you let my arms draw you closer come hither let me be suffused with your scent come here now. I want to kiss you, I want to kiss you, I want to kiss my way down your body and back up again give me your guided tour, teach me of your landmarks those hips of yours are strangers to my touch but I mean to make their acquaintance so yes there here I want to kiss you I want to learn what you whisper when you kiss with your heart’s shutters open I want to nip at your lower lip I want the rush of blood to make that mouth tingle I want to talk in quiet tones to all of you come hither come closer come here Now, bolt the door, now, unplug the phone, now warn the neighbors to ignore the racket I do not want fifteen minutes of your time I want the whole fucking night. Now let me see the smile you save for special occasions Now don’t pick a favorite position pick five Now I want to bathe myself in you Now now now like the Ganges, like the Red Sea, like the Amazon I want to follow you down to your ocean Now I want to savor you, lover, come to me make time and I will make you breakfast I want to become overfamiliar with your tastes come hither come closer come here come now you.
Patrick Honovich (Thirst)
Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It’s time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning
Jeanette LeBlanc
I wasn’t born an early bird. It took three different alarms clocks blasting in my ear every morning to wake me up. And on special occasions when I’d sleep through the bird caws, beeping, and extreme drum solos, Stella would have the privilege of yanking me from my bed.
Joddie Zeng (The Popularity Project)
He never once repeated himself and he never used either profanity or obscenity. (I learned later that he saved those for very special occasions, which this wasn’t.) But he described our shortcomings, physical, mental, moral, and genetic, in great and insulting detail. But somehow I was not insulted; I became greatly interested in studying his command of language. I wished that we had had him on our debate team.
Robert A. Heinlein (Starship Troopers)
Another way in which religion betrays itself, and attempts to escape mere reliance on faith and instead offer “evidence” in the sense normally understood, is by the argument from revelation. On certain very special occasions, it is asserted, the divine will was made known by direct contact with randomly selected human beings, who were supposedly vouchsafed unalterable laws that could then be passed on to those less favored.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
She (Emily Dickinson) loved simplicity, and perhaps withdrrew into seclusion because it was the simplest way of doing what she wanted to do; express her ideas and thoughts in poetry which no one whom she knew would understand. This was as natural to her as breathing, but the pretense of the people around her seemed unnatural.
Tasha Tudor (The New England Butt'ry Shelf Cookbook: Receipts for Very Special Occasions)
I saved five meal packs for special occasions. I wrote their names on each one. I get to eat 'Departure' the day I leave for Schiaparelli. I'll eat 'Halfway' when I reach the 1600-kilometer mark, and 'Arrival' when I get there. The fourth one is “Survived Something That Should Have Killed Me” because some fucking thing will happen, I just know it. I don’t know what it’ll be, but it’ll happen. The rover will break down, or I’ll come down with fatal hemorrhoids, or I’ll run into hostile Martians, or some shit. When I do (if I live), I get to eat that meal pack. The fifth one is reserved for the day I launch. It’s labeled “Last Meal.” Maybe that’s not such a good name.
Andy Weir (The Martian)
Uh, hi," she said, lifting a hand in greeting. "Hi yourself," Liam said, feeling remarkably calm, under the circumstances. "Did you just walk out of that closet?" He looked her over, taking in her unusual attire, jewels, sword, and all. She looked exotic, stunningly beautiful, and in some intangible way, more herself than he'd ever seen her. "Nice outfit. Special occasion?" He was fairly certain she hadn't just come from a costume ball. Unless it was one that involved some kind of giant pumpkin and a fairy godmother.
Deborah Blake (Wickedly Dangerous (Baba Yaga, #1))
Soon the flaming autumn reds and brilliant golds of the deciduous trees, mingled with the dark greens of the conifers, will weave a tapestry across the hills.
Mary Mason Campbell (The New England Butt'ry Shelf Cookbook: Receipts for Very Special Occasions)
Love (noun): a feeling of special affection for a particular member of the opposite sex that causes exhilaration and the desire to be alone with that person and share a sense of emotional intimacy, including, if possible, physical intimacy, so that one fluctuates between a state of despair when unfulfilled and, on rare occasions of fulfillment, one of delight.
Shion Miura (The Great Passage)
I’d barely worn it out. Life had been a suit I’d only put on for special occasions. Most of the time I kept it in the back of my closet, forgetting it was there. We were meant to die when it was barely stitched anymore, when the elbows and knees were stained with grass and mud, shoulder pads uneven from people hugging you all the time, downpours and blistering sun, the fabric faded, buttons gone.
Marisha Pessl (Night Film)
The truth is, Sidonie, I don’t fare well with women.” He spoke coolly, and without looking at her. “It is my own fault, of course. I…I neglect them. I forget where I’m supposed to be, and when I’m supposed to be there. I’m irresponsible. I drink to excess, gamble to excess, and sometimes I brawl. I never remember special occasions. And I very often go to sleep before they’ve…well, never mind that.” Devellyn fell silent for a moment. “And I cheat on them,” he quietly added. “Dreadfully. Did I mention that?” “You did not,” she answered. “But a full disclosure of one’s fidelity, or even one’s skill in the bedroom, is not, strictly speaking, necessary before having dinner with someone.” Devellyn smiled down at her a little wearily. “Ah, Sid, I have no charm at all, have I?” he said almost regretfully.
Liz Carlyle (The Devil to Pay (MacLachlan Family, #1))
Ridcully sat in horrified amazement. He’d always enjoyed Hogswatch, every bit of it. He’d enjoyed seeing ancient relatives, he’d enjoyed the food, he’d been good at games like Chase My Neighbor up the Passage and Hooray Jolly Tinker. He was always the first to don a paper hat. He felt that paper hats lent a special festive air to the occasion. And he always very carefully read the messages on Hogswatch cards and found time for a few kind thoughts about the sender. Listening to his wizards was like watching someone kick apart a doll’s house.
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
I think relationships are a lot like a champagne. This bottle here" - I lift it and por us each a little more - " it's crazy expensive. My dad got all of us Vooper kids a vintage from the year we were born for our twenty-first birthdays and told us to save it for the right time. We always interpreted that as save it for a special occasion. Engagements. Weddings. Celebrations. Baseball, if you're my brother." I hold the neck of the bottle, study the label. "But my dad didn't say save it for a special occasion. He said save it for the right time. It's a crucial differenc? Here? With me? he asks, his voice rough. "Apparently. And that's sort of my point." I set the bottle down and look at him. " I don't think you can plan for the right time. Or the right woman. As far as timing's concerned, maybe sometimes you've got to make it the right time and simply trust it's the right woman.
Lauren Layne (To Sir, with Love)
These special holidays give rise to various liturgical calendars that suggest we should mark our days not only with the cycles of the moon and seasons, but also with occasions to tell our children the stories of our faith community's past so that this past will have a future, and so that our ancient way and its practices will be rediscovered and renewed every year.
Brian D. McLaren (Finding Our Way Again: The Return of the Ancient Practices (The Ancient Practices ))
Kingsley could ‘do’ the sound of a brass band approaching on a foggy day. He could become the Metropolitan line train entering Edgware Road station. He could be four wrecked tramps coughing in a bus shelter (this was very demanding and once led to heart palpitations). To create the hiss and crackle of a wartime radio broadcast delivered by Franklin Delano Roosevelt was for him scant problem (a tape of it, indeed, was played at his memorial meeting, where I was hugely honored to be among the speakers). The pièce de résistance, an attempt by British soldiers to start up a frozen two-ton truck on a windy morning ‘somewhere in Germany,’ was for special occasions only. One held one's breath as Kingsley emitted the first screech of the busted starting-key. His only slightly lesser vocal achievement—of a motor-bike yelling in mechanical agony—once caused a man who had just parked his own machine in the street to turn back anxiously and take a look. The old boy's imitation of an angry dog barking the words 'fuck off' was note-perfect.
Christopher Hitchens (Hitch 22: A Memoir)
During the Bosnian war in the late 1990s, I spent several days traveling around the country with Susan Sontag and her son, my dear friend David Rieff. On one occasion, we made a special detour to the town of Zenica, where there was reported to be a serious infiltration of outside Muslim extremists: a charge that was often used to slander the Bosnian government of the time. We found very little evidence of that, but the community itself was much riven as between Muslim, Croat, and Serb. No faction was strong enough to predominate, each was strong enough to veto the other's candidate for the chairmanship of the city council. Eventually, and in a way that was characteristically Bosnian, all three parties called on one of the town's few Jews and asked him to assume the job. We called on him, and found that he was also the resident intellectual, with a natural gift for synthesizing matters. After we left him, Susan began to chortle in the car. 'What do you think?' she asked. 'Do you think that the only dentist and the only shrink in Zenica are Jewish also?' It would be dense to have pretended not to see her joke.
Christopher Hitchens (Hitch 22: A Memoir)
But that day never arrived. Danny was steady and unwavering in his affection for me. He called me on the phone just to see how I was doing and sent me flowers and gifts on special occasions. Unlike many of his counterparts, he loved my independent nature. And instead of being horrified by my interests, dreams, and aspirations, he found humor in my warding off my parents’ attempts at arranging a marriage. He thought all these qualities of mine were endearing. He was genuinely interested in me for who I was, and this feeling of acceptance was so new and refreshing for me.
Anita Moorjani (Dying To Be Me: My Journey from Cancer, to Near Death, to True Healing)
Yes, it was a "beautiful" sermon, tugging the emotions and conjuring up pictures of greatness and peace. But were they talking about the decent peppery ordinary old man he knew, or had the subject strayed to the story of some saint of the past? Or were there perhaps two men being buried under the same name? One perhaps had shown himself to Ross, while the other had been reserved for the view of men like William-Alfred. Ross tried to remember Charles before he was ill, Charles with his love of cockfighting and his hearty appetite, with his perpetual flatulence and passion for gin, with his occasional generosities and meannesses and faults and virtues, like most men. There was some mistake somewhere. Oh well, this was a special occasion...But Charles himself would surely have been amused. Or would he have shed a tear with the rest for the manner of man who had passed away?
Winston Graham (Ross Poldark (Poldark, #1))
Deep within us are special feelings for special people which goes beyond what mouth can explain, they are feelings of hope, joy, peace and love. No wonder the world cannot function well if any of these things is missing. I may not say it with my mouth, but I know that deep within me resides special feelings for a special person like you everyday of my life. On this occasion of valentine's day, I want you to know that these are my feelings towards you and nothing can erase them from my heart. This is just a way of saying happy valentine to you, you are loved, cherished and treasured always. Happy Valentine's day!
Bamigboye Olurotimi
modern Western culture, you’ve been brainwashed by what is called “the secular worldview.” In this view of the world, what’s real, or at least what’s important, is the physical here-and-now. When we’re brainwashed by this worldview, we experience the world as though God did not exist, for we habitually exclude him from our awareness. We may still believe in God, of course, but he’s not real to us most of the time. Because of this we go about our day-to-day lives as functional atheists. We may pray and worship God on occasion, but these are “special times,” isolated from our “normal,” secular day-to-day life. So thoroughly are we brainwashed by the secular mind-set that the very suggestion that we could routinely experience the world in a way that includes God strikes us as impossible.
Gregory A. Boyd (Present Perfect: Finding God in the Now)
Dresses you might wear for special occasions she wore every day. In this way she and Joseph were alike. They dressed to be seen, which is how it came to be that they built up a reputation for floor showing, as Uncle Joe calls it. “Yeah, we knew we looked good.” They danced wherever there was a floor—a bar or a ball. The sidewalk, sometimes. “We used to go in clubs and start dancing from the door. For a poor man I used to dress my can off,” he says. “That’s what used to get me in so much trouble and thing with the ladies.” He and his baby sister, Ivory, would swing it out, jitterbugging and carrying on. Ivory was always fun and always light on her feet. She was especially gifted at being led and men generally loved this quality in her.
Sarah M. Broom (The Yellow House)
5. The reading of the Scriptures with godly fear, the sound preaching, and conscionable hearing of the Word, in obedience unto God, with understanding, faith, and reverence; singing of psalms with grace in heart; as also the due administration and worthy receiving of the sacraments instituted by Christ, are all parts of the ordinary religious worship of God: besides religious oaths, vows solemn fastings, and thanksgivings upon special occasions, which are, in their several times and seasons, to be used in a holy and religious manner. Another element of true worship is the "signing of psalms with grace in the heart." It will be observed that the Confession does not acknowledge the legitimacy of the use of modern hymns in the worship of God, but rather only the psalms of the Old Testament. It is not generally realized today that Presbyterian (and many other Reformed) churches originally used only the inspired psalms, hymns and songs of the biblical Psalter in divine worship, but such is the case. The Westminster Assembly not only expressed the conviction that the psalms should be sung in divine worship, but implemented it by preparing a metrical version of the Psalter for use in the churches. This is not the place to attempt a consideration of this question. But we must record our conviction that the Confession is correct at this point. It is correct, we believe, because it has never been proved that God has commanded his Church to sing the uninspired compositions of men rather than or along with the inspired songs, hymns, and psalms of the Psalter in divine worship.
G.I. Williamson
and dozens of tips for theme decorating, table settings, background music, and more. Whatever the occasion, we have the plan. Choose from a Formal Dinner when you want to impress, or an Academy Awards Supper when you’re into fun and fantasy. Or how about a Romantic Dinner for Two with that special someone? Many of the menus can be prepared before the party. And although all the recipes featured in each menu are included, you can save time and effort by purchasing some precooked and ready-to-serve items. The main thing is to get as much done ahead of time as possible, so
Karen Lancaster (The Dinner Party Cookbook)
The falseness of the seventeenth century became a large measure of the truth by the nineteenth. Money made the man, or at least went a long way toward doing so; and death became the occasion for a final accounting, a stocktaking of worldly success. Of course, there were other metrics: virtue, martyrdom, political standing, fraternal ties. But it took money to publicize them. The funeral became more and more a standardized commodity whose cost could be matched with exquisite precision to the class and degree of 'respectability' of the deceased. When one bought a funeral, one bought a more or less splendid parade, each additional bauble, each horse, each feather or set of nails adding to the base price. Bit by bit, finery accumulated, and by looking at the account books of an undertaker who specialized in pauper funerals, we can begin to see the bounds of decency in death.
Thomas W. Laqueur (The Work of the Dead: A Cultural History of Mortal Remains)
Much of Chinese society still expected its women to hold themselves in a sedate manner, lower their eyelids in response to men's stares, and restrict their smile to a faint curve of the lips which did not expose their teeth. They were not meant to use hand gestures at all. If they contravened any of these canons of behavior they would be considered 'flirtatious." Under Mao, flirting with./bre/gners was an unspeakable crime. I was furious at the innuendo against me. It had been my Communist parents who had given me a liberal upbringing. They had regarded the restrictions on women as precisely the sort of thing a Communist revolution should put an end to. But now oppression of women joined hands with political repression, and served resentment and petty jealousy. One day, a Pakistani ship arrived. The Pakistani military attache came down from Peking. Long ordered us all to spring-clean the club from top to bottom, and laid on a banquet, for which he asked me to be his interpreter, which made some of the other students extremely envious. A few days later the Pakistanis gave a farewell dinner on their ship, and I was invited. The military attache had been to Sichuan, and they had prepared a special Sichuan dish for me. Long was delighted by the invitation, as was I. But despite a personal appeal from the captain and even a threat from Long to bar future students, my teachers said that no one was allowed on board a foreign ship. "Who would take the responsibility if someone sailed away on the ship?" they asked. I was told to say I was busy that evening. As far as I knew, I was turning down the only chance I would ever have of a trip out to sea, a foreign meal, a proper conversation in English, and an experience of the outside world. Even so, I could not silence the whispers. Ming asked pointedly, "Why do foreigners like her so much?" as though there was something suspicious in that. The report filed on me at the end of the trip said my behavior was 'politically dubious." In this lovely port, with its sunshine, sea breezes, and coconut trees, every occasion that should have been joyous was turned into misery. I had a good friend in the group who tried to cheer me up by putting my distress into perspective. Of course, what I encountered was no more than minor unpleasantness compared with what victims of jealousy suffered in the earlier years of the Cultural Revolution. But the thought that this was what my life at its best would be like depressed me even more. This friend was the son of a colleague of my father's. The other students from cities were also friendly to me. It was easy to distinguish them from the students of peasant backgrounds, who provided most of the student officials.
Jung Chang (Wild Swans: Three Daughters of China)
I've thought of myself a girl on several occasions because I like to polish shoes and find household tasks amusing. There was once even a time when I insisted on mending a torn suit with my own hands. And in winter I always light the heating stoves myself, as though this were the natural course of things. But of course I'm not a real girl. Please give me a moment to consider all this would entail. The first thing that comes to mind is the question of whether I might possibly be a girl has never, never, not for a single moment, troubled me, rattled my bourgeois composure or made me unhappy. An absolutely by no means unhappy person stands before you, I'd like to put quite special emphasis on this, for I have never experienced sexual torment or distress, for I was never at a loss for quite simple methods of freeing myself from pressures. A rather curious, that is to say, important discovery for me was that it filled me with the most delightful gaiety to imagine myself someone's servant.... My nature, then, merely inclines me to treat people well, to be helpful and so forth. Not long ago I carried with flabbergasting zeal a shopping bag full of new potatoes for a petit bourgeoise. She's have been perfectly able to tote it herself. Now my situation is this: my particular nature also sometimes seeks, I've discovered, a mother, a teacher, that is, to express myself better, an unapproachable entity, a sort of goddess. At times I find the goddess in an instant, whereas at others it takes time before I'm able to imagine her, that is, find her bright, bountiful figure and sense her power. And to achieve a moment of human happiness, I must always first think up a story containing an encounter between myself and another person, whereby I am always the subordinate, obedient, sacrificing, scrutinized, and chaperoned party. There's more to it, of course, quite a lot, but this still sheds light on a few things. Many conclude it must be terribly easy to carry out a course of treatment, as it were, upon my person, but they're all gravely mistaken. For, the moment anyone seems ready to start lording and lecturing it over me, something within me begins to laugh, to jeer, and then, of course, respect is out of the question, and within the apparently worthless individual arises a superior one whom I never expel when he appears in me....
Robert Walser (The Robber)
It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper. They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.
Ian McEwan (The Daydreamer)
I have underlined words and sentences in one of the Bibles that has always been my study Bible, but when I look at those words and sentences now, I can’t remember why they were underlined. One day I was rereading a short story by Joanne Greenberg, and I came across a long passage that I had marked off, but as I looked at it, I couldn't remember why. Perhaps I had meant to ask her about it the next time we talked on the phone, but now I have no idea what it could be that I wanted to ask her. My Revised Standard version of the Bible is filled with markings, for I have gone through it word for word with study groups at least four times, and of course, I have used it on various occasions to begin speeches. I know that the underlined passages served some purpose, but here and there are verses that have no special meaning to me. It is almost as if a friend had secretly opened the book and made some markings just to tease me. What was the spirit trying to say to me then that I no longer need to hear? Or, what was I listening for then that I no longer care about?
Charles M. Schulz (You Don't Look 35, Charlie Brown!)
My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?” “Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever. I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.” “Ha! If not for us, you’d’ve slept right through the feast,” Castor countered. “I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.” “Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death. “Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?” “He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!” “Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I’ve done enough movies in the last twenty-five years to know that this is always a difficult moment for an actor. Actors nearly always want to appear courageous and committed, willing to do anything for the team. So while it is perfectly acceptable to opt out of a stunt and let the professionals handle it, there is some pressure, mostly internal, to push yourself beyond your normal comfort zone. Typically, the director will follow up after the consultation with the stunt coordinator and special effects experts and the actors, just to make sure everyone is at ease with their respective roles when it comes to the stunt. Certainly that was the case on this occasion, as Rob consulted with both Robin and me about our willingness to do the stunt. But more so with her, seeing as she was the one who was actually going to be set on fire.
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
Since no one can know everything, and most people know almost nothing, rationality consists of outsourcing knowledge to institutions that specialize in creating and sharing it, primarily academia, public and private research units, and the press. That trust is a precious resource which should not be squandered. Though confidence in science has remained steady for decades, confidence in universities is sinking. A major reason for the mistrust is the universities’ suffocating left-wing monoculture, with its punishment of students and professors who question dogmas on gender, race, culture, genetics, colonialism, and sexual identity and orientation. Universities have turned themselves into laughingstocks for their assaults on common sense (as when a professor was recently suspended for mentioning the Chinese pause word ne ga because it reminded some students of the racial slur). On several occasions correspondents have asked me why they should trust the scientific consensus on climate change, since it comes out of institutions that brook no dissent. That is why universities have a responsibility to secure the credibility of science and scholarship by committing themselves to viewpoint diversity, free inquiry, critical thinking, and active open-mindedness.
Steven Pinker (Rationality)
Christopher Lasch in The Culture of Narcissism describes how despair Of the future leads people to fixate on youth. The Rites teach women to fear our own futures, our own wants. To live in fear of one’s body and one’s life is not to live at all. The resulting life-fearing neuroses are everywhere. They are in the woman who will take a lover, go to Nepal, learn to skydive, swim naked, demand a raise, “when she loses this weight”—but in the eternal meantime maintains her vow of chastity or self-denial. They are in the woman who can never enjoy a meal, who never feels thin enough, or that the occasion is special enough, to drop her guard and become one with the moment. They are in the woman whose horror of wrinkles is so great that the lines around her eyes shine with sacred oil, whether at a party or while making love. Women must await forever the arrival of the angel of use, the bridegroom who will dignify the effort and redeem the cost; whose presence will allow us to inhabit and use our “protected” faces and bodies. The expense is too high to let us fire the wick, to burn our own fuel to the last drop and live by our own light in our own time. Where the Rites of Beauty have instilled these life-fearing neuroses in modern women, they paralyze in us the implications of our new freedoms, since it profits women little if we gain the whole world only to fear ourselves.
Naomi Wolf (The Beauty Myth)
This consideration takes us very close to what it is that makes Greek tragedy “tragic.” A play about an unambiguously heroic young woman, someone’s mother or sister or daughter, squaring off against an unambiguously villainous general or king, a man greedy for military renown or for power, would not be morally interesting. What gives Antigone and Agamemnon and other plays their special and unforgettable force is that they present the irresistible spectacle of two worldviews, each with its own force, harrowingly locked in irreducible conflict. And yet while the characters in these plays are unable to countenance, let alone accept, their opponents’ viewpoints, the audience is being invited to do just that—to weigh and compare the principles the characters adhere to, to reflect on the necessity of seeing the whole and on the difficulties of keeping the parts in equilibrium. Or, at least, to appreciate the costs of sacrificing some values for others, when the occasion demands.
Daniel Mendelsohn
And he was right. Because Carlos De Vil’s brain, by way of comparison, was almost as big as Cruella De Vil’s fur-coat closet. That’s what Carlos tried to tell himself, anyway, especially when people were making him run the tombs. His first class today was Weird Science, one he always looked forward to. It was where he’d originally gotten the idea to put his machine together, from the lesson on radio waves. Carlos was not the only top student in the class—he was tied, in fact, with the closest thing he had to a rival in the whole school: the scrawny, bespectacled Reza. Reza was the son of the former Royal Astronomer of Agrabah, who had consulted with Jafar to make sure the stars aligned on more than one nefarious occasion, which was how his family had found their way to the Isle of the Lost with everyone else. Weird Science was the class where Carlos always worked the hardest. The presence of Reza, who was every bit as competitive in science lab as he was, only made Carlos work that much harder. And as annoying as everyone found Reza to be—he always had to use the very biggest words for everything, whether they were used correctly and whether he was inserting a few extra syllables where they might or might not belong—he was still smart. Very smart. Which meant Carlos enjoyed besting him. Just the other week they had been working on a special elixir, and Reza had been annoyed that Carlos had figured out the secret ingredient first. Yeah, Reza was almost as smart as he was irritating. Even now he was raising his hand, waving it wildly back and forth. Their professor, the powerful sorcerer Yen Sid,
Melissa de la Cruz (The Isle of the Lost (Descendants, #1))
Looking into each other's eyes and speaking together in low tones, it becomes apparent that she hopes you will walk her through her troubles and show her that male-female relations can be lovely even in loveless union. She is looking for lust fulfilled but she searches also for respect, and in this she is out of luck because you do not know her or like her very much and you do not respect yourself and so the most you can offer this girl is time out of her life and an unsatisfactory meeting of bodies and, if the fates are generous, a couple of laughs and good feelings. At any rate there will unquestionably be a divot in your hearts before dawn and Peg seems to pick up on this after thirty minutes of groping and pawing (the car interior is damp with dew) she breaks away and with great exasperation says, "What do you think you're doing?" You are smiling, because it is an utterly stupid and boring question, and you say to her, "I am sitting in an American car, trying to make out in America," a piece of poetry that arouses something in her, and you both climb into the back seat for a meeting even less satisfactory than you feared it might be. Now she is crying and you are shivering and it is time to go home and if you had a watch you would snap your wrist to look meaningfully at it but she dabs at her face and says she wants you to come upstairs and share a special-occasion bottle of very old and expensive wine and as there is no way not to do this you follow her through the dusty lobby and into the lurching, diamond-gated elevator and into her cluttered apartment to scrutinize her furnishings and unread or improperly read paperbacks, and you wonder if there is anything more depressing than the habitats of young people, young and rudderless women in particular.
Patrick deWitt (Ablutions)
Wine talks; ask anyone. The oracle at the street corner; the uninvited guest at the wedding feast; the holy fool. It ventriloquizes. It has a million voices. It unleashes the tongue, teasing out secrets you never meant to tell, secrets you never knew. It shouts, rants, whispers. It speaks of great plans, tragic loves and terrible betrayals. It screams with laughter. It chuckles softly to itself. It weeps in front of its own reflection. It revives summers long past and memories best forgotten. Every bottle a whiff of other times, other places, every one- from the commonest Liebfraumilch to the imperious Vueve Clicquot- a humble miracle. Everyday magic, Joe had called it. The transformation of base matter into the stuff of dreams. Layman's alchemy. Take these six in Jay's cellar, for instance. The Specials. Not wines really meant for keeping, but he kept them all the same. For nostalgia's sake. For a special, yet-to-be-imagined occasion. Six bottles, each with its own small handwritten label and sealed with candle wax. Each had a cord of a different color knotted around its neck; raspberry red, elderflower green, blackberry blue, rose hip yellow, damson black. The last bottle was tied with a brown cord. Specials '75, said the label, the familiar writing faded to the color of old tea.
Joanne Harris (Blackberry Wine)
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
Henry James (The Beast in the Jungle)
The day we were all allowed to bring our pets into the classroom was going to be special. It was a nice sunny morning and Batty my black mouse had been spruced up for the occasion. He was in his new second-hand plastic cage, it was mustard coloured, had the mandatory wheel and sleeping chamber but had previously been a torture chamber for my cousin's late hamster. Despite my best efforts to revitalise it the wire remained rusty in places but at least it was more secure than the wooden enclosure my father had made... and Batty had instantly, and repeatedly, chewed his way out of. Sadly the species list for the class was a meagre four: rabbit, hamster, guinea pig and... one domesticated house mouse, Batty. They all ignored him, they cooed over the 'bunnies' and those chubby-fat tailless things whose eyes bulged when you squeezed them a bit, and queued to offer carrot and cabbage to those cow-licked multicoloured freaks with scratchy claws, but not one of the kids wanted to see, let alone hold, my mouse. By mid-afternoon the teacher finally caught sight of the lonely boy whispering into his mouse cage in the corner and gingerly agreed to let the rodent walk onto her hand in front of the class. Batty promptly pissed and then pooed three perfect wet little pellets, the classroom erupted with a huge collective 'urrgh' and then a frenzy of giggling, she practically threw him back in his cage and then made a big deal about washing her hands. With soap. Then we were all meant to wash our hands, with soap, but I didn't and no one noticed.
Chris Packham (Fingers in the Sparkle Jar: A Memoir)
According to Shaivism, anupaya may also be reached by entering into the infinite blissfulness of the Self through the powerful experiences of sensual pleasures. This practice is designed to help the practitioner reach the highest levels by accelerating their progress through the sakta and sambhava upayas. These carefully guarded doctrines of Tantric sadhana are the basis for certain practices, like the use of the five makaras (hrdaya) mentioned earlier. The experience of a powerful sensual pleasure quickly removes a person’s dullness or indifference. It awakens in them the hidden nature and source of blissfulness and starts its inner vibration. Abhinavagupta says that only those people who are awakened to their own inner vitality can truly be said to have a heart (hrdaya). They are known as sahrdaya (connoisseurs). Those uninfluenced by this type of experiences are said to be heartless. In his words: “It is explained thus—The heart of a person, shedding of its attitude of indifference while listening to the sweet sounds of a song or while feeling the delightful touch of something like sandalpaste, immediately starts a wonderful vibratory movement. (This) is called ananda-sakti and because of its presence the person concerned is considered to have a heart (in their body) (Tantraloka, III.209-10). People who do not become one (with such blissful experiences), and who do not feel their physical body being merged into it, are said to be heartless because their consciousness itself remains immersed (in the gross body) (ibid., III.24).” The philosopher Jayaratha addresses this topic as well when he quotes a verse from a work by an author named Parasastabhutipada: “The worship to be performed by advanced aspirants consists of strengthening their position in the basic state of (infinite and blissful pure consciousness), on the occasions of the experiences of all such delightful objects which are to be seen here as having sweet and beautiful forms (Tantraloka, II.219).” These authors are pointing out that if people participate in pleasurable experiences with that special sharp alertness known as avadhana, they will become oblivious to the limitations of their usual body-consciousness and their pure consciousness will be fully illumined. According to Vijnanabhairava: “A Shiva yogin, having directed his attention to the inner bliss which arises on the occasion of some immense joy, or on seeing a close relative after a long time, should immerse his mind in that bliss and become one with it (Vijnanabhairava, 71). A yogin should fix his mind on each phenomenon which brings satisfaction (because) his own state of infinite bliss arises therein (ibid., 74).” In summary, Kashmir Shaivism is a philosophy that embraces life in its totality. Unlike puritanical systems it does not shy away from the pleasant and aesthetically pleasing aspects of life as somehow being unspiritual or contaminated. On the contrary, great importance has been placed on the aesthetic quality of spiritual practice in Kashmir Shaivism. In fact, recognizing and celebrating the aesthetic aspect of the Absolute is one of the central principles of this philosophy. — B. N. Pandit, Specific Principles of Kashmir Shaivism (3rd ed., 2008), p. 124–125.
Balajinnatha Pandita (Specific Principles of Kashmir Saivism [Hardcover] [Apr 01, 1998] Paṇḍita, BalajinnaÌ"tha)
MY FIRST ASSIGNMENT AFTER BEING ORDAINED as a pastor almost finished me. I was called to be the assistant pastor in a large and affluent suburban church. I was glad to be part of such an obviously winning organization. After I had been there a short time, a few people came to me and asked that I lead them in a Bible study. “Of course,” I said, “there is nothing I would rather do.” We met on Monday evenings. There weren’t many—eight or nine men and women—but even so that was triple the two or three that Jesus defined as a quorum. They were eager and attentive; I was full of enthusiasm. After a few weeks the senior pastor, my boss, asked me what I was doing on Monday evenings. I told him. He asked me how many people were there. I told him. He told me that I would have to stop. “Why?” I asked. “It is not cost-effective. That is too few people to spend your time on.” I was told then how I should spend my time. I was introduced to the principles of successful church administration: crowds are important, individuals are expendable; the positive must always be accented, the negative must be suppressed. Don’t expect too much of people—your job is to make them feel good about themselves and about the church. Don’t talk too much about abstractions like God and sin—deal with practical issues. We had an elaborate music program, expensively and brilliantly executed. The sermons were seven minutes long and of the sort that Father Taylor (the sailor-preacher in Boston who was the model for Father Mapple in Melville’s Moby Dick) complained of in the transcendentalists of the last century: that a person could no more be converted listening to sermons like that than get intoxicated drinking skim milk.[2] It was soon apparent that I didn’t fit. I had supposed that I was there to be a pastor: to proclaim and interpret Scripture, to guide people into a life of prayer, to encourage faith, to represent the mercy and forgiveness of Christ at special times of need, to train people to live as disciples in their families, in their communities and in their work. In fact I had been hired to help run a church and do it as efficiently as possible: to be a cheerleader to this dynamic organization, to recruit members, to lend the dignity of my office to certain ceremonial occasions, to promote the image of a prestigious religious institution. I got out of there as quickly as I could decently manage it. At the time I thought I had just been unlucky. Later I came to realize that what I experienced was not at all uncommon.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
In one of our early conversations, Bob said to me, "I like Einstein as a character, because everybody knows who he is." In a sense, we didn't need to tell an Einstein story because everybody who eventually saw our Einstein brought their own story with them. In the four months that we toured Einstein in Europe we had many occasions to meet with our audiences, and people occasionally would ask us what it "meant." But far more often people told us what it meant to them, sometimes even giving us plot elucidation and complete scenario. The point about Einstein was clearly not what it "meant" but that it was meaningful as generally experienced by the people who saw it. From the viewpoint of the creators, of course, that is exactly the way it was constructed to work. Though we made no attempt at all to tell a story, we did use dramaturgical devices to create a clearly paced overall dramatic shape. For instance, a "finale" is a dramaturgical device; an "epilogue" is another. Using contrasting sections, like a slow trial scene followed by a fast dance scene, is a dramaturgical device, and we used such devices freely. I am sure that the absence of direct connotative "meaning" made it all the easier for the spectator to personalize the experience by supplying his own special "meaning" out of his own experience, while the work itself remained resolutely abstract. As to the use of three visual schemes, or images, Bob often mentioned that he envisioned them in three distinct ways: (1) a landscape seen at a distance (the Field/Spaceship scenes); (2) still lifes seen at a middle distance (the Trial scenes); and (3) portraits seen as in a closeup (the Knee Plays). As these three perspectives rotated through the four acts of the work, they created the sequence of images in an ordered scale. Furthermore, the recurrence of the images implied a kind of quasi-development. For example, the sequence of Train scenes from the Act I, scene 1 Train, to the "night train" of Act II and finally the building which resembled in perspective the departing night train, presented that sequence of images in a reductive order (each one became less "train-like") and at the same time more focused and energized. The same process applies to the sequence of Trial scenes (ending with a bar of light representing the bed) as well as the Field/Spaceship, with the final scene in the interior of the spaceship serving as a kind of apocalyptic grand finale of the whole work. Each time an image reappeared, it was altered to become more abstract and, oddly enough, more powerful. The way these three sequences were intercut with each other, as well as with the portrait-scale Knee Plays, served to heighten the dramatic effect.
Philip Glass (Opera on the Beach: On His New World of Music)
From *the form of time and of the single dimension* of the series of representations, on account of which the intellect, in order to take up one thing, must drop everything else, there follows not only the intellect’s distraction, but also its *forgetfulness*. Most of what it has dropped it never takes up again, especially as the taking up again is bound to the principle of sufficient reason, and thus requires an occasion which the association of ideas and motivation have first to provide. Yet this occasion may be the remoter and the smaller, the more our susceptibility to it is enhanced by interest in the subject. But, as I have already shown in the essay *On the Principle of Sufficient Reason*, memory is not a receptacle, but a mere faculty, acquired by practice, of bringing forth any representations at random, so that these have always to be kept in practice by repetition, otherwise they are gradually lost. Accordingly, the knowledge even of the scholarly head exists only *virtualiter* as an acquired practice in producing certain representations. *Actualiter*, on the other hand, it is restricted to one particular representation, and for the moment is conscious of this one alone. Hence there results a strange contrast between what a man knows *potentia* and what he knows *actu*, in other words, between his knowledge and his thinking at any moment. The former is an immense and always somewhat chaotic mass, the latter a single, distinct thought. The relation is like that between the innumerable stars of the heavens and the telescope’s narrow field of vision; it stands out remarkably when, on some occasion, a man wishes to bring to distinct recollection some isolated fact from his knowledge, and time and trouble are required to look for it and pick it out of that chaos. Rapidity in doing this is a special gift, but depends very much on the day and the hour; therefore sometimes memory refuses its service, even in things which, at another time, it has ready at hand. This consideration requires us in our studies to strive after the attainment of correct insight rather than an increase of learning, and to take to heart the fact that the *quality* of knowledge is more important than its quantity. Quantity gives books only thickness; quality imparts thoroughness as well as style; for it is an *intensive* dimension, whereas the other is merely extensive. It consists in the distinctness and completeness of the concepts, together with the purity and accuracy of the knowledge of perception that forms their foundation. Therefore the whole of knowledge in all its parts is permeated by it, and is valuable or troubling accordingly. With a small quantity but good quality of knowledge we achieve more than with a very great quantity but bad quality." —from_The World as Will and Representation_. Translated from the German by E. F. J. Payne in two volumes: volume II, pp. 139-141
Arthur Schopenhauer