Special Good Night Quotes

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We must strive to be like the moon.' An old man in Kabati repeated this sentence often... the adage served to remind people to always be on their best behavior and to be good to others. [S]he said that people complain when there is too much sun and it gets unbearably hot, and also when it rains too much or when it is cold. But, no one grumbles when the moon shines. Everyone becomes happy and appreciates the moon in their own special way. Children watch their shadows and play in its light, people gather at the square to tell stories and dance through the night. A lot of happy things happen when the moon shines. These are some of the reasons why we should want to be like the moon.
Ishmael Beah
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
Oh, Mia. You haven’t even begun to find out who you really are, and, believe me, other boys are going to fall in love with you. If a guy can’t see how special you are, he isn’t good enough for you.
Kristin Hannah (Night Road)
I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.
Philip Larkin (Collected Poems)
We were both quiet a long time and I was about to fall back asleep in the curve of his arm with his warm body at my back when he called my name. “Laurie?” “Yes,” I muttered, my voice sleepy. “I was pissed last night.” “I know.” “You look good.” “Sorry?” “No way you can look like all the rest.” My eyes shot open. His arm curled me deeper into his body and I felt his face burrow into my hair. “You’d always shine through,” he muttered and now he sounded sleepy but I was again wide awake. “Somethin’ special,” he finished.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
While I was backstage before presenting the Best New Artist award, I talked to George Strait for a while. He's so incredibly cool. So down-to-earth and funny. I think it should be known that George Strait has an awesome, dry, subtle sense of humor. Then I went back out into the crowd and watched the rest of the show. Keith Urban's new song KILLS ME, it's so good. And when Brad Paisley ran down into the front row and kissed Kimberley's stomach (she's pregnant) before accepting his award, Kellie, my mom, and I all started crying. That's probably the sweetest thing I've ever seen. I thought Kellie NAILED her performance of the song we wrote together "The Best Days of Your Life". I was so proud of her. I thought Darius Rucker's performance RULED, and his vocals were incredible. I'm a huge fan. I love it when I find out that the people who make the music I love are wonderful people. I love Faith Hill and how she always makes everyone in the room feel special. I love Keith Urban, and how he told me he knows every word to "Love Story" (That made my night). I love Nicole Kidman, and her sweet, warm personality. I love how Kenny Chesney always has something hilarious or thoughtful to say. But the real moment that brought on this wave of gratitude was when Shania Twain HERSELF walked up and introduced herself to me. Shania Twain, as in.. The reason I wanted to do this in the first place. Shania Twain, as in.. the most impressive and independent and confident and successful female artist to ever hit country music. She walked up to me and said she wanted to meet me and tell me I was doing a great job. She was so beautiful, guys. She really IS that beautiful. All the while, I was completely star struck. After she walked away, I realized I didn't have my camera. Then I cried. You know, last night made me feel really great about being a country music fan in general. Country music is the place to find reality in music, and reality in the stars who make that music. There's kindness and goodness and....honesty in the people I look up to, and knowing that makes me smile. I'm proud to sing country music, and that has never wavered. The reason for the being.. nights like last night.
Taylor Swift
But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
What are books good for?” “Hitting intruders?” Nick mumbled. He rubbed his eyes again. “Doorstops. Insomnia. Special interrogation techniques. Silencing bedmates in the middle of the night.
Abigail Roux (Cross & Crown (Sidewinder, #2))
You got any experience? (Carlos) I’m former army intelligence, Special Forces, on contract to the U.S. government now for national security. That good enough for you, amigo? (Stoner) It’ll do. (Carlos)
Sherrilyn Kenyon (Phantom in the Night (B.A.D. Agency, #2))
CHAPTER 2: INGLOURIOUS BASTERDS ALDO THE APACHE My name is Lt. Aldo Raine and I'm putting together a special team, and I need me 8 soldiers. 8 Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only... killin' Nazis. Now, I don't know about y'all, but I sure as hell didn't come down from the goddamn Smoky Mountains, cross 5,000 miles of water, fight my way through half of Sicily and jump out of a fuckin' air-o-plane to teach the Nazis lessons in humanity. Nazi ain't got no humanity. They're the foot soldiers of a Jew-hatin', mass murderin' maniac and they need to be destroyed. That's why any and every every son of a bitch we find wearin' a Nazi uniform, they're gonna die. Now, I'm the direct descendant of the mountain man Jim Bridger. That means I got a little Injun in me. And our battle plan will be that of an Apache resistance. We will be cruel to the Germans, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't not be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the German will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sooounds good?
Quentin Tarantino
Mor made no comment—and I knew that if had worn nothing but my undergarments, she would have told me to own every inch of it. I turned to her. “I’d like my sisters to meet you. Maybe not today. But if you ever feel like it …” She cocked her head. I rubbed the back of my bare neck. “I want them to hear your story. And know that there is a special strength … ” As I spoke I realized I needed to hear it, know it, too. “A special strength in enduring such dark trials and hardships … And still remaining warm, and kind. Still willing to trust—and reach out.” Mor’s mouth tightened and she blinked a few times. I went for the door, but paused with my hand on the knob. “I’m sorry if I was not as welcoming to you as you were to me when I arrived at the Night Court. I was … I’m trying to learn how to adjust.” A pathetic, inarticulate way of explaining how ruined I’d become. But Mor hopped off the bed, opened the door for me, and said, “There are good days and hard days for me—even now. Don’t let the hard days win.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
The traffic warden looked up. "This your car?" "It is," said Skulduggery. The traffic warden nodded. "Very nice, very nice. But you can't park here, day or night." "I wasn't aware of that." "There's a sign right over there." "I didn't think it applied to me." "Why wouldn't it have applied to you?" Skulduggery tilted his head. "Because I'm special." "Don't care how special you think you are, you're parked in a no parking area and as such you're---" "We're here on official police business." The traffic warden narrowed his eyes. "You're Garda? I'm going to need to see some identification." "We're undercover," said Skulduggery. "This is a very important undercover operation which you are endangering just by talking to us." He opened his jacket. "Look, I have a gun. I am Detective Inspector Me. This is my partner, Detective Her." The traffic warden frowned. "Her?" "Me," said Stephanie. "Him?" "Not me," said Skulduggery. "Her." "Me," said Stephanie. "You?" said the traffic warden. "Yes," said Stephanie. "I"m sorry, who are you?" Stephanie looked at him. "I'm Her, he's Me. Got it? Good. You better get out of here before you blow our cover. They've got snipers.
Derek Landy (The Dying of the Light (Skulduggery Pleasant, #9))
The Sam Vimes "Boots" Theory of Economic Injustice runs thus: At the time of Men at Arms, Samuel Vimes earned thirty-eight dollars a month as a Captain of the Watch, plus allowances. A really good pair of leather boots, the sort that would last years and years, cost fifty dollars. This was beyond his pocket and the most he could hope for was an affordable pair of boots costing ten dollars, which might with luck last a year or so before he would need to resort to makeshift cardboard insoles so as to prolong the moment of shelling out another ten dollars. Therefore over a period of ten years, he might have paid out a hundred dollars on boots, twice as much as the man who could afford fifty dollars up front ten years before. And he would still have wet feet. Without any special rancour, Vimes stretched this theory to explain why Sybil Ramkin lived twice as comfortably as he did by spending about half as much every month.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
She thought that it was interesting how just about everyone had a special talent or skill, something they were naturally drawn to and good at, and then they worked years to master it. Nobody knew how to do everything. It wasn’t possible. There wasn’t enough time in the night. But everyone knew something. And everyone was a little different. Some people did one thing. Others did another. It made her think that maybe God intended for them to all fit together, like a puzzle made whole.
Robert Beatty (Serafina and the Black Cloak (Serafina, #1))
My delightful, my love, my life, I don’t understand anything: how can you not be with me? I’m so infinitely used to you that I now feel myself lost and empty: without you, my soul. You turn my life into something light, amazing, rainbowed—you put a glint of happiness on everything—always different: sometimes you can be smoky-pink, downy, sometimes dark, winged—and I don’t know when I love your eyes more—when they are open or shut. It’s eleven p.m. now: I’m trying with all the force of my soul to see you through space; my thoughts plead for a heavenly visa to Berlin via air . . . My sweet excitement . . . Today I can’t write about anything except my longing for you. I’m gloomy and fearful: silly thoughts are swarming—that you’ll stumble as you jump out of a carriage in the underground, or that someone will bump into you in the street . . . I don’t know how I’ll survive the week. My tenderness, my happiness, what words can I write for you? How strange that although my life’s work is moving a pen over paper, I don’t know how to tell you how I love, how I desire you. Such agitation—and such divine peace: melting clouds immersed in sunshine—mounds of happiness. And I am floating with you, in you, aflame and melting—and a whole life with you is like the movement of clouds, their airy, quiet falls, their lightness and smoothness, and the heavenly variety of outline and tint—my inexplicable love. I cannot express these cirrus-cumulus sensations. When you and I were at the cemetery last time, I felt it so piercingly and clearly: you know it all, you know what will happen after death—you know it absolutely simply and calmly—as a bird knows that, fluttering from a branch, it will fly and not fall down . . . And that’s why I am so happy with you, my lovely, my little one. And here’s more: you and I are so special; the miracles we know, no one knows, and no one loves the way we love. What are you doing now? For some reason I think you’re in the study: you’ve got up, walked to the door, you are pulling the door wings together and pausing for a moment—waiting to see if they’ll move apart again. I’m tired, I’m terribly tired, good night, my joy. Tomorrow I’ll write you about all kinds of everyday things. My love.
Vladimir Nabokov (Letters to Vera)
The grey-eyed morn smiles on the frowning night, Chequering the eastern clouds with streaks of light, And flecked darkness like a drunkard reels From forth day's path and Titan's fiery wheels: Now, ere the sun advance his burning eye, The day to cheer and night's dank dew to dry, I must up-fill this osier cage of ours With baleful weeds and precious-juiced flowers. The earth that's nature's mother is her tomb; What is her burying grave that is her womb, And from her womb children of divers kind We sucking on her natural bosom find, Many for many virtues excellent, None but for some and yet all different. O, mickle is the powerful grace that lies In herbs, plants, stones, and their true qualities: For nought so vile that on the earth doth live But to the earth some special good doth give, Nor aught so good but strain'd from that fair use Revolts from true birth, stumbling on abuse: Virtue itself turns vice, being misapplied; And vice sometimes by action dignified. Within the infant rind of this small flower Poison hath residence and medicine power: For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. Two such opposed kings encamp them still In man as well as herbs, grace and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.
William Shakespeare (Romeo and Juliet)
They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.” One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun. “Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.” “For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.” Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.” Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.” Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.” Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake. As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps. Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
The room where they were dancing was very dark.... It was queer to be in his arms.... She had known better dancers.... He had looked ill.... Perhaps he was.... Oh, poor Valentine-Elisabeth.... What a funny position!.... The good gramophone played.... Destiny!.... You see, father! ... In his arms! Of course, dancing is not really.... But so near the real thing! So near!... 'Good luck to the special intention!...' She had almost kissed him on the lips ... All but!... Effleurer, the French call it.... But she was not as humble.... He had pressed her tighter.... All these months without.... My lord did me honour.... Good for Malbrouck s'en va-t-en guerre.... He knew she had almost kissed him on the lips.... And that his lips had almost responded.... The civilian, the novelist, had turned out the last light.... Tietjens said, 'Hadn't we better talk?...' She said: 'In my room, then! I'm dog-tired.... I haven't slept for six nights.... In spite of drugs...' He said: 'Yes. Of course! Where else?....
Ford Madox Ford (Parade's End)
I still remember one from when I was a child. It was about a bear trying to get into a jar of honey. He never gave up. I thought about that when I was trying to get clean. I had to just keep on trying to open that honey jar.” “I liked to read to my kids when they were young. My son much preferred my wife to do it, but when I got to do it, it felt really special. I liked the stories, too.” “Everyone has a good story to tell, Arthur. If you’d have told me last night that I’d have an adventurous old bloke kipping at my house for the night, I’d think I was going mad. But here you are. You’re all right, Arthur, for a posh pensioner,” he teased. “And so are you, for a bit of a scruffbag.
Phaedra Patrick (The Curious Charms of Arthur Pepper)
They have special laws for pretty girls twenty-one." "So you think I was pretty?" He nodded good-humoredly. "But how can you tell?" she asked. "When you meet a dragon that has eaten a swan, do you guess by the few feathers left around the mouth? That's what it is- a body like this is a dragon, all scales and folds. So the dragon ate the white swan. I haven't seen her for years. I can't even remember what she looks like. I feel her, though. She's safe inside, still alive; the essential swan hasn't changed a feather. Do you know, there are some mornings in spring or fall, when I wake and think, I'll run across the fields into the woods and pick wild strawberries! Or I'll swim in the lake, or I'll dance all night tonight until dawn! And then, in a rage, discover I'm in this old and ruined dragon. I'm the princess in the crumbled tower, no way out, waiting for her Prince Charming.
Ray Bradbury (Dandelion Wine)
As a last resort, with the orange nearing my face and my back pressing hard against the sharp edge of my broadcast table, I grabbed my phone to tell Carlos that if I didn't make it home tonight, it wasn't because I didn't love him, or didn't want to watch a documentary on special scientific graphs, or was too obsessed with my job to relax and enjoy a good meal and some television. It was only because I was zapped out of existence by a lunatic Non-John Peters. And that, in fact, I do love Carlos, and I would want nothing more than to watch a documentary on scientific graphs over some homemade linguini, or go out to eat again, or whatever. But then, as I grabbed my phone, I thought: That's way too long to write for a text. So I just hit John Peters upside the head with it...
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick and red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf — nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco…
Jack Kerouac (On the Road)
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
In that moment, I wanted to tell this stranger, this Merle, this girl from the tiny island of Montserrat, that I had commensurate preferences too, but I couldn’t be a brave warrior like her. I wanted to tell her about Morris. I wanted to sing his name out into the night. His name is Morris. He is my Morris and he always been my Morris. He’s a good-hearted man, a special man, a sexy man, a history-loving man, a loyal man, a man who appreciates a good joke, a man of many moods, a drinking man, and a man with whom I can be myself completely. Yes, I was in the throes of a Malibu-and-Coke-soaked madness, a madness that could lead to the demise of my life as I’d hitherto known it. But I was on the verge.
Bernardine Evaristo (Mr Loverman)
Gigi’s happiness was pure, as was her excitement. She wasn’t naive, but that special kind of optimistic that sees the good no matter how dark the night. It was the kind of special that was so rare it had to be protected because the world never had enough of it.
India Amare (Queens and Monsters Awakening (The Blood Falls, #1))
We all hygger: gathered around a table for a shared meal or beside a fire on a dark night, when we sit in the corner of our local cafe or wrap ourselves in a blanket at the end of a day on the beach. Lying spoons, baking in a warm kitchen, bathing by candlelight, being alone in bed with a hot water bottle and a good book - these are all ways to hygge. Hygge draws meaning from the fabric of ordinary living. It'a a way of acknowledging the sacred in the secular, of giving something ordinary a special context, spirit and warmth and taking time to make it extraordinary.
Louisa Thomsen Brits (The Book of Hygge: The Danish Art of Living Well)
Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. It has only happened to me like that once. I have been alone while I was with many girls and that is the way that you can be most lonely. But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway
Julie and Mark, who are sister and brother, are traveling together in France. They are both on summer vacation from college. One night they are staying alone in a cabin near the beach. They decide that it would be interesting and fun if they tried making love. At the very least it would be a new experience for each of them. Julie is already taking birth control pills, but Mark uses a condom too, just to be safe. They both enjoy it, but they decide not to do it again. They keep that night as a special secret between them, which makes them feel even closer to each other. So what do you think about this? Was it wrong for them to have sex?
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
Speaking to a foreigner was the dream of every student, and my opportunity came at last. When I got back from my trip down the Yangtze, I learned that my year was being sent in October to a port in the south called Zhanjiang to practice our English with foreign sailors. I was thrilled. Zhanjiang was about 75 miles from Chengdu, a journey of two days and two nights by rail. It was the southernmost large port in China, and quite near the Vietnamese border. It felt like a foreign country, with turn-of-the-century colonial-style buildings, pastiche Romanesque arches, rose windows, and large verandas with colorful parasols. The local people spoke Cantonese, which was almost a foreign language. The air smelled of the unfamiliar sea, exotic tropical vegetation, and an altogether bigger world. But my excitement at being there was constantly doused by frustration. We were accompanied by a political supervisor and three lecturers, who decided that, although we were staying only a mile from the sea, we were not to be allowed anywhere near it. The harbor itself was closed to outsiders, for fear of 'sabotage' or defection. We were told that a student from Guangzhou had managed to stow away once in a cargo steamer, not realizing that the hold would be sealed for weeks, by which time he had perished. We had to restrict our movements to a clearly defined area of a few blocks around our residence. Regulations like these were part of our daily life, but they never failed to infuriate me. One day I was seized by an absolute compulsion to get out. I faked illness and got permission to go to a hospital in the middle of the city. I wandered the streets desperately trying to spot the sea, without success. The local people were unhelpful: they did not like non-Cantonese speakers, and refused to understand me. We stayed in the port for three weeks, and only once were we allowed, as a special treat, to go to an island to see the ocean. As the point of being there was to talk to the sailors, we were organized into small groups to take turns working in the two places they were allowed to frequent: the Friendship Store, which sold goods for hard currency, and the Sailors' Club, which had a bar, a restaurant, a billiards room, and a ping-pong room. There were strict rules about how we could talk to the sailors. We were not allowed to speak to them alone, except for brief exchanges over the counter of the Friendship Store. If we were asked our names and addresses, under no circumstances were we to give our real ones. We all prepared a false name and a nonexistent address. After every conversation, we had to write a detailed report of what had been said which was standard practice for anyone who had contact with foreigners. We were warned over and over again about the importance of observing 'discipline in foreign contacts' (she waifi-lu). Otherwise, we were told, not only would we get into serious trouble, other students would be banned from coming.
Jung Chang (Wild Swans: Three Daughters of China)
I lived through beautiful times, Busayna. It was a different age. Cairo was like Europe. It was clean and smart and the people were well mannered and respectable and everyone knew his place exactly. I was different too. I had my station in life, my money, all my friends were of a certain niveau, I had my special places where I would spend the evening—the Automobile Club, the Club Muhammad Ali, the Gezira Club. What times! Every night was filled with laughter and parties and drinking and singing. There were lots of foreigners in Cairo. Most of the people living downtown were foreigners, until Abd el Nasser threw them out in 1956.” “Why did he throw them out?” “He threw the Jews out first, then the rest of the foreigners got scared and left. By the way, what’s your opinion of Abd el Nasser?” “I was born after he died. I don’t know. Some people say he was a hero and others say he was a criminal.” “Abd el Nasser was the worst ruler in the whole history of Egypt. He ruined the country and brought us defeat and poverty. The damage he did to the Egyptian character will take years to repair. Abd el Nasser taught the Egyptians to be cowards, opportunists, and hypocrites.” “So why do people love him?” “Who says people love him?” “Lots of people that I know love him.” “Anyone who loves Abd el Nasser is either an ignoramus or did well out of him. The Free Officers were a bunch of kids from the dregs of society, destitutes and sons of destitutes. Nahhas Basha was a good man and he cared about the poor. He allowed them to join the Military College and the result was that they made the coup of 1952. They ruled Egypt and they robbed it and looted it and made millions. Of course they have to love Abd el Nasser; he was the boss of their gang.
Alaa Al Aswany (The Yacoubian Building)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.
Phil Klay (Redeployment)
I know about Trina. You bitch.” Shoulders hunched, Peabody carefully pinned up murder. “It’s a special night. You’ll look really good, and you won’t have to do it all yourself. We won’t want the NYPSD to fall short of the Hollywood crowd, right? Team pride!” “Rah fucking rah.” “Really, Dallas, it’ll be good, it’ll be chilly, and we’ll look abso-mag by the time . . .” She trailed off again, face lighting up. “We will look mag. And if we take down this killer at the premiere, with cams everywhere, it’ll be all over the screen like the flying baby. And we’ll look completely frosted.” “It’s so good you’ve got your priorities in place, Detective.” “Catching killers, that’s what we do. But if we get to do it at a big celeb event, there’s no downside to looking most totally excellent.
J.D. Robb
On a spring day in 1988…a Massachusetts man who collected books about local history was rummaging through a bin in a New Hampshire antiques barn when something caught his eye. Beneath texts on fertilizers and farm machines lay a slim, worn pamphlet with tea-colored paper covers, titled Tamerlane and Other Poems, by an unnamed author identified simply as “a Bostonian.” He was fairly certain he had found something exceptional, paid the $15 price, and headed home, where Tamerlane would spend only one night. The next day, he contacted Sotheby’s, and they confirmed his suspicion that he had just made one of the most exciting book discoveries in years. The pamphlet was a copy of Edgar Allan Poe’s first text, written when he was only fourteen years old, a find that fortune-seeking collectors have imagined happening upon probably more than they’d like to admit. The humble-looking, forty-page pamphlet was published in 1827 by Calvin F.S. Thomas, a relatively unknown Boston printer who specialized in apothecary labels, and its original price was about twelve cents. But this copy, looking good for its 161 years, most of which were probably spent languishing in one dusty attic box after another, would soon be auctioned for a staggering $198,000.
Allison Hoover Bartlett (The Man Who Loved Books Too Much: The True Story of a Thief, a Detective, and a World of Literary Obsession)
There were also those who had grown weary of it and the oft-repeated phrase that what made it special was the quality of its people. “Odessa has an unspeakable ability to bullshit itself,” said Warren Burnett, a loquacious, liberal-minded lawyer who after roughly thirty years had fled the place like a refugee for the coastal waters near Houston. “Nothing could be sillier than we got good people here. We got the same cross-section of assholes as anywhere.
H.G. Bissinger (Friday Night Lights: A Town, a Team, and a Dream)
These fireflies that you say you see are like the chick that hatched in our hands,” she explained. “Huh?” “I gave you a very special power the night you brought me the egg. I taught you to see things like I have to see them,” she said. She laid a wrinkly finger on my forehead. “Imagining them. And I see you’ve managed to make good use of that power.” I let out a sigh of wonder. “There’s no creature more amazing than one that can make its own light,” Grandma went on.
Paul Pen (The Light of the Fireflies)
One of them was a young fellow of about twenty-seven, not tall, with black curling hair, and small, grey, fiery eyes. His nose was broad and flat, and he had high cheek bones; his thin lips were constantly compressed into an impudent, ironical—it might almost be called a malicious—smile; but his forehead was high and well formed, and atoned for a good deal of the ugliness of the lower part of his face. A special feature of this physiognomy was its death-like pallor, which gave to the whole man an indescribably emaciated appearance in spite of his hard look, and at the same time a sort of passionate and suffering expression which did not harmonize with his impudent, sarcastic smile and keen, self-satisfied bearing. He wore a large fur—or rather astrachan—overcoat, which had kept him warm all night, while his neighbour had been obliged to bear the full severity of a Russian November night entirely unprepared. His wide sleeveless mantle with a large cape to it—the sort of cloak one sees upon travellers during the winter months in Switzerland or North Italy—was by no means adapted to the long cold journey through Russia, from Eydkuhnen to St. Petersburg.
Fyodor Dostoevsky (The Idiot)
In the window I smelled all the food of San Francisco. There were seafood places out there where the buns were hot, and the baskets were good enough to eat too; where the menus themselves were soft with foody esculence as though dipped in hot broths and roasted dry and good enough to eat too. Just show me the bluefish spangle on a seafood menu and I’d eat it; let me smell the drawn butter and lobster claws. There were places where they specialized in thick red roast beef au jus, or roast chicken basted in wine. There were places where hamburgs sizzled on grills and the coffee was only a nickel. And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman’s Wharf—nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that’s my ah-dream of San Francisco. Add fog, hunger-making raw fog, and the throb of neons in the soft night, the clack of high-heeled beauties, white doves in a Chinese grocery window . . .
Jack Kerouac (On the Road)
He spent two years in the extermination camp at Auschwitz. According to his own reluctant account, he came this close to going up a smokestack of a crematorium there: "I had just been assigned to the Sonderkommando," he said to me, "when the order came from Himmler to close the ovens down." Sonderkommando means special detail. At Auschwitz it meant a very special detail indeed--one composed of prisoners whose duties were to shepherd condemned persons into gas chambers, and then to lug their bodies out. When the job was done, the members of the Sonderkommando were themselves killed. The first duty of their successors was to dispose of their remains. Gutman told me that many men actually volunteered for the Sonderkommando. "Why?" I asked him. "If you would write a book about that," he said, "and give the answer to that question, that 'Why?'--you would have a very great book." "Do you know the answer?" I said. "No," he said, "That is why I would pay a great deal of money for a book with the answer in it." "Any guesses?" I said. "No," he said, looking me straight in the eye, "even though I was one of the ones who volunteered." He went away for a little while, after having confessed that. And he thought about Auschwitz, the thing he liked least to think about. And he came back, and he said to me: "There were loudspeakers all over the camp," he said, "and they were never silent for long. There was much music played through them. Those who were musical told me it was often good music--sometimes the best." "That's interesting," I said. "There was no music by Jews," he said. "That was forbidden." "Naturally," I said. "And the music was always stopping in the middle," he said, "and then there was an announcement. All day long, music and announcements." "Very modern," I said. He closed his eyes, remembered gropingly. "There was one announcement that was always crooned, like a nursery rhyme. Many times a day it came. It was the call for the Sonderkommando." "Oh?" I said. "Leichentärger zu Wache," he crooned, his eyes still closed. Translation: "Corpse-carriers to the guardhouse." In an institution in which the purpose was to kill human beings by the millions, it was an understandably common cry. "After two years of hearing that call over the loudspeakers, between the music," Gutman said to me, "the position of corpse-carrier suddenly sounded like a very good job.
Kurt Vonnegut Jr. (Mother Night)
He Is Too Good To Be True!! When I first meet you we were suppose to be friends Who would of thought that I would love you in the end? We talked and talked for months and months Got to know each other in a way that no one would I didn't want to give you my heart I was so scared that You would tear it apart, but then I gradually let to commit the perfect crime Cause you stole my heart with no intentions of giving it back Now is the time for us to grow old together that is what you say But I just cannot wait for that special day. Every time that I'm with you I still get butterflies after all these months You are so cute the way that you smile Your eyes looking into mine makes me want to kiss you every time The way that you hold me at night makes me feel like I am floating in the air It all just feels so right to be next to every single second of the day Your love lights up my life and when I am down it lights up the stars in the night. I promise to love you in every way that I can and to be by your side in every way. You just make me feel like the luckiest girl in the world to have you as a boyfriend and my best friend. From now until forever I will always love you
Angela Gutiérrez
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
That night I make my special pasta carbonara. You fry fresh rosemary in olive oil, with a pinch of salt and insane amounts of finely chopped garlic. Add a little chopped pancetta, then make the sauce by adding a pint of whole milk and curdling it with a tablespoon of vinegar. Boil it down for ten minutes, and mix in a couple of beaten eggs right at the end. Sprinkle on some finely shaved fresh parmesan—never the pre-grated stuff—and coarsely ground black pepper. Good stuff. When I ask Dad the significance of Nineveh, he’s so excited that he can’t stop talking even with long thin worms of sauce-flecked spaghettini burrowing greedily into his mouth. “Ashurbanipal. Assyrian
Richard Farr (The Fire Seekers (The Babel Trilogy, #1))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
He caught my hand and drew me closer to his side. “Well, should I begin to list them one by one, and by name? If I did it would take several hours. If there had been someone special, all I would do is name one—and I can’t do that. I liked them all . . . but I didn’t like any well enough to love, if that’s what you want to know.” Yes, that was exactly what I wanted to know. “I’m sure you didn’t live a celibate life, even though you didn’t fall in love . . . ?” “That’s none of your business,” he said lightly. “I think it is. It would give me peace to know you had a girl you loved.” “I do have a girl I love,” he answered. “I’ve known her all my life. When I go to sleep at night, I dream of her, dancing overhead, calling my name, kissing my cheek, screaming when she has nightmares, and I wake up to take the tar from her hair. There are times when I wake up to ache all over, as she aches all over, and I dream I kiss the marks the whip made . . . and I dream of a certain night when she and I went out on the cold slate roof and stared up at the sky, and she said the moon was the eye of God looking down and condemning us for what we were. So there, Cathy, is the girl who haunts me and rules me, and fills me with frustrations, and darkens all the hours I spend with other girls who just can’t live up to the standards she set. And I hope to God you’re satisfied.” I turned to move as in a dream, and in that dream I put my arms about him and stared up into his face, his beautiful face that haunted me too. “Don’t love me, Chris. Forget about me. Do as I do, take whomever knocks first on your door, and let her in.” He smiled ironically and put me quickly from him. “I did exactly what you did, Catherine Doll, the first who knocked on my door was let in—and now I can’t drive her out. But that’s my problem—not yours.” “I don’t deserve to be there. I’m not an angel, not a saint . . . you should know that.” “Angel, saint, Devil’s spawn, good or evil, you’ve got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won’t be long before I follow.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
But we were never lone and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except it was an even better time. If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
Ernest Hemingway (A Farewell to Arms)
Guess what?” she said to us. “Someone chopped down a tree in Mrs. Spencer’s garden last night.” I stared at her incredulously for a moment. Not a much-loved family member, then, not a nuclear power plant. My eyes went to Florence’s face, which was wet with tears. Was she really crying over Mr. Snuggles? Unobtrusively, I slipped past Lottie and over to the coffee machine, put the biggest cup I could find under it, and pressed the cappuccino button. Twice. “A tree? But why?” asked Mia with a perfectly judged mixture of curiosity and mild surprise. “No one knows,” said Lottie. “But Mrs. Spencer has already called in Scotland Yard. It was a very valuable tree.” I almost laughed out loud. Yes, sure. I bet they had a special gardening squad to investigate such cases. Scotland Front Yard. Good day, my name is Inspector Griffin and I’m looking into the murder of Mr. Snuggles.
Kerstin Gier
You called?" Sounding casual is difficult when it feels like you're heart's river-dancing in your rib cage. "Yes. I just wondered where you were. You didn't answer your cell. Is everything okay?" She sighs, but I can't tell if it's in relief or parental aggravation. "Everything's fine. My battery is dead, but Galen bought me a charger to keep over here, so it's charging." "How sweet of him," she says, knowing good and well she instructed him to do so. "Well, just wanted to check in. Should I wait up for you? I don't appreciate you missing curfew the last few nights. Technically, staying over there until four in the morning is a coed sleepover, which I don't allow, or had you forgotten? Your trip to Florida with Galen's family was a special circumstance." "I stayed the night at Chloe's all the time with JJ there." JJ is Chloe's eight-year-old brother. Not a great comeback, but it will have to do.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Oh don't be pompous and gloomy,darling," chided Amalfi. "There are thousands of places just as lovely as this. And as peaceful." "That's where you are wrong," said Tyson,leaning his elbows on the warm stone. "I've seen a lot of the world, A hell of a lot of it!But there's something special about this island Something that I haven't met anywhere else Do you know what is the most familiar sound in Zanzibar?-laughter! Walk through the streets of the little city almost any time of day or night, and you'll hear it. People laughing. There is a gaiety and good humour about them that is strangely warming to even such a corrugated, corroded and eroded heart as mine and this is the only place that I have hit upon where black and white and every shade in between 'em appear to able to live in complete friendliness and harmony, with no colour bar. It's living proof and a practical demonstration that it can be done.
M.M. Kaye (Death in Zanzibar)
I begin this chapter with President Ronald Reagan’s Farewell Speech on January 11, 1989. President Reagan encouraged the rising generation to “let ’em know and nail ’em on it”—that is, to push back against teachers, professors, journalists, politicians, and others in the governing generation who manipulate and deceive them: An informed patriotism is what we want. And are we doing a good enough job teaching our children what America is and what she represents in the long history of the world? Those of us who are over 35 or so years of age grew up in a different America. We were taught, very directly, what it means to be an American. And we absorbed, almost in the air, a love of country and an appreciation of its institutions. If you didn’t get these things from your family, you got them from the neighborhood, from the father down the street who fought in Korea or the family who lost someone at Anzio. Or you could get a sense of patriotism from school. And if all else failed, you could get a sense of patriotism from the popular culture. The movies celebrated democratic values and implicitly reinforced the idea that America was special. TV was like that, too, through the mid-sixties. But now, we’re about to enter the nineties, and some things have changed. Younger parents aren’t sure that an unambivalent appreciation of America is the right thing to teach modern children. And as for those who create the popular culture, well-grounded patriotism is no longer the style. Our spirit is back, but we haven’t reinstitutionalized it. We’ve got to do a better job of getting across that America is freedom—freedom of speech, freedom of religion, freedom of enterprise. And freedom is special and rare. It’s fragile; it needs [protection]. So, we’ve got to teach history based not on what’s in fashion but what’s important—why the Pilgrims came here, who Jimmy Doolittle was, and what those 30 seconds over Tokyo meant. You know, 4 years ago on the 40th anniversary of D-Day, I read a letter from a young woman writing to her late father, who’d fought on Omaha Beach. Her name was Lisa Zanatta Henn, and she said, “We will always remember, we will never forget what the boys of Normandy did.” Well, let’s help her keep her word. If we forget what we did, we won’t know who we are. I’m warning of an eradication of the American memory that could result, ultimately, in an erosion of the American spirit. Let’s start with some basics: more attention to American history and a greater emphasis on civic ritual. And let me offer lesson number one about America: All great change in America begins at the dinner table. So, tomorrow night in the kitchen, I hope the talking begins. And children, if your parents haven’t been teaching you what it means to be an American, let ’em know and nail ’em on it. That would be a very American thing to do.1
Mark R. Levin (Plunder and Deceit: Big Government's Exploitation of Young People and the Future)
That’s when she saw him. Standing there on the edge of the cliff in his rain-slicked duster and weathered Stetson. She stared, numb inside. Partly from being back in this spot again, but mostly from seeing him here, now. The certainty of her decision began to sway inside her, but looking at him, loving him the way she did, she determined to follow through. James walked toward her. Handsome hardly began to describe him, especially with that half grin slowly edging up one side of his mouth. “Beg your pardon, ma’am. But do you need some help getting your luggage down?” “What are you doing here? How did you—” He pulled an envelope from his pocket. She recognized her handwriting. It was the envelope she’d mailed last night. Or thought she’d mailed. Ben Mullins . . . “I got a special delivery around midnight.” He stepped closer, the blue of his eyes turning more so in the sunlight. “Ben had a pretty good tussle with his conscience, but he finally decided this was something I might need to see before Monday.” He gave her a scolding look. “He was right.
Tamera Alexander (Beyond This Moment (Timber Ridge Reflections Book #2))
I guess everyone likes praise for what they do, but that night I enjoyed cooking for the Olekseis more than I ever had before. Everything about the ingredients, the smells, the textures, everything delighted me. Maybe I should specialize in Russian food. I sliced the garlic and dropped it into the pan. It started to sizzle, and I turned the heat down and began slicing the onion. It was very fresh, very pungent. My eyes watered, and I got sniffly. Then I smelled a hint of burn on the garlic and hurried back to the stove and shook the pan. Just in time. The slices were brown but not too brown. I was getting good at this. I could detect the smell of burning just before it happened. That had to be some sort of superpower. As I put the rest of the dish together- dicing deep, ruby beets; slicing carrots and Yukon gold potatoes, sizzling spicy sausage in the pan; spicing and tasting, and mixing, and finally pureeing the whole thing into a savory maroon liquid- I continued to marvel at the perfect ripeness and freshness of every ingredient I'd picked out.
Beth Harbison (When in Doubt, Add Butter)
A Feegle Glossary, adjusted for those of a delicate disposition Bigjobs: Human beings. Blethers: Rubbish, nonsense. Carlin: Old woman. Cludgie: The privy. Crivens!: A general exclamation that can mean anything from “My goodness!” to “I’ve just lost my temper and there is going to be trouble.” Dree your/my/his/her weird: Face the fate that is in store for you/me/him/her. Geas: A very important obligation, backed up by tradition and magic. Not a bird. Eldritch: Weird, strange. Sometimes means oblong, too, for some reason. Hag: A witch of any age. Hagging/Haggling: Anything a witch does. Hiddlins: Secrets. Mudlin: Useless person. Pished: I am assured that this means “tired.” Scunner: A generally unpleasant person. Scuggan: A really unpleasant person. Ships: Wooly things that eat grass and go baa. Easily confused with the other kind. Spavie: See Mudlin. Special Sheep Liniment: Probably moonshine whisky, I am very sorry to say. No one knows what it’d do to sheep, but it is said that a drop of it is good for shepherds on a cold winter’s night and for Feegles at any time at all. Do not try to make this at home. Waily: A general cry of despair.
Terry Pratchett (A Hat Full of Sky (Discworld, #32))
The next night was New Year’s Eve, and I made a secret plan with Shara to meet her outside the back door on the stroke of midnight. “Let’s take a walk,” I suggested. “Sure. It’s midnight, minus five degrees, and pitch black, but hey, let’s walk.” She paused. “But not up Loyal,” she added, smiling. And so we walked together along a moonlit track. Twenty yards and then I will make the move to kiss her, I told myself. But plucking up the courage with a girl this special was harder than I had thought. Twenty yards became two hundred yards. Then two thousand. Forty-five minutes later, she suggested that maybe we should turn around and head back to the house. “Yes. Good idea.” I replied. Do it, Bear, you old woman. Do it now! And so I did. A quick kiss on the lips, then a longer lingering one, and then I had to stop. It was sensory overload. Wow. That was worth the walk, I thought, smiling from ear to ear. “Let’s head back,” I confirmed, still smiling. I am not sure Shara was quite as impressed by the effort-to-reward ratio--long cold walk to short, hot kiss--but as far as I was concerned the sky and clouds had parted, and nothing would ever be the same again.
Bear Grylls (Mud, Sweat and Tears)
THE MAGIC OF LOVE The magic of personal love works miracles as this true story testifies: Even one person’s intimate love can deeply heal another. For example,Tom, a simple person without training in psychotherapy, worked as an orderly in a mental hospital. One of the sickest patients in the hospital, a deeply psychotic woman, had been there for eighteen years. She never spoke to anyone, or even looked in another’s eyes. She sat alone all day in a rocking chair, rocking back and forth. One day during his dinner break, Tom found another rocking chair, pulled it over, and rocked along beside her as he ate his dinner. He returned the next day, and the next. Tom worked only five days per week, but he asked for special permission to come in on his days off so he could rock with the psychotic woman. Tom did this every day for six months. Then one evening as he got up to leave, the woman said, “Good night.” It was the first time she had spoken in eighteen years. After that, she began to get well. Tom still came to rock with her every day, and eventually she was healed of her psychosis.* *Healing the Eight Stages of Life. M. Linn, S. Fabricant, D. Linn. Paulist Press. 1988.
Anthony M. Coniaris (God and You: Person to Person (Developing a Daily Personal Relationship with Jesus))
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Look, you and I are in the same boat,” he said softly. “We’re loners in the crew. Unlike Bailey, we don’t want to hook-up for good. We just want to let off some steam. We could be friends with benefits.” “Fuck buddies, huh?” “I like your term better,” Vaughn said, giving a flash of anger at the men still eyeing us. “I might need to leave you, so I can kick their asses.” “I think I can manage without you.” “Was that a masturbation hint?” “No, but you bring up a very good point. I could blow off steam on my own.” Vaughn finished his beer then smiled. “I’ll give you oral. No vibrator in the world can say the same.” Holding his gaze, I was silent until finishing my beer. Finally, I gave Vaughn a smile and nodded. “One night of empty awesome sex. Tomorrow, we act like acquaintances, not even friends. I want to be someone you barely remember exists.” “No problem, gingersnap. Do you like Harleys? Mine really likes snuggling between a hot girl’s thighs.” “Stop while you’re ahead.” Standing up, Vaughn held out a hand. I ignored his gesture and stood up on my own. When I noticed the two guys still watching us, I flipped them off before taking Vaughn’s arm. “Like they ever had a chance,” I muttered and Vaughn’s smile grew. “Takes a special man to talk a girl out of abstinence.” “Whatever you need to tell yourself.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
She had cut his thumb off in the morning and that night she swept gaily into the room where he sat in a stupid daze of drugs and pain with his wrapped left hand held against his chest and she had a cake and she was bellowing 'Happy Birthday to You' in her on-key but tuneless voice although it was not his birthday and there were candles all over the cake and sitting in the exact center pushed into the frosting like an extra big candle had been his thumb his gray dead thumb the nail slightly ragged because he sometimes chewed it when he was stuck for a word and she told him If you promise to be good Paul you can have a piece of birthday cake but you won't have to eat any of the special candle so he promised to be good because he didn't want to be forced to eat any of the special candle but also because mostly because surely because Annie was great Annie was good let us thank her for our food including that we don't have to eat girls just wanna have fun but something wicked this way comes please don't make me eat my thumb Annie the mom Annie the goddess when Annie's around you better stay honest she knows when you’ve been sleeping she knows when you're awake she knows if you've been bad or good so be good for goddess' sake you better not cry you better not pout but most of all you better not scream don't scream don't scream don't scream don't He hadn't.
Stephen King (Misery)
I take a cue from the list I made on my first night here alone and make soup. I chop vegetables and boil pasta, pour a carton of chicken stock into a pot. Once I’ve combined all the ingredients and it’s time to wait while they cook, I turn to the second essay in the solitude book, but my mind is too full of different versions of the last summer’s story. There’s one where I fail him. Where I stop coming home so he stops making dinner, and I’m not around to see how much he needs me. And then there’s one where he fails me. Where I feel it—that he doesn’t want me there, that I’m in the way. So I stay away, for him and for me. So that I never face his rejection. So that I get to pretend I’m the most important thing to him, the way he is to me. Because if we have any sense of self-preservation, we do the best with what we’re given. I was given cakes and cookies and rides to school. I was given songs and dinners at a table with brass candlesticks. I was given a man with a sensitive heart and a devious sense of humor and enough skill at cards to win me a year of private college—tuition and room and board—and I took all of those good things and told myself they made us special. Told myself they meant we were a family the way Mabel and Ana and Javier were, told myself that we weren’t missing anything. We were masters of collusion, Gramps and I. In that, at least, we were together.
Nina LaCour (We Are Okay)
Matthias was in the dark. And it wasn’t the kind of dark that came with a room that didn’t have any lights on or when you were walking around at night in the country. This was not even the kind you got when you shut your eyes and wrapped your head in a blanket. This was the one that seeped in through your skin and filled the spaces between your molecules, the one that polluted your flesh into a permanent state of rotting, the one that wiped clean your past and your future, suspending you in a choking, adhesive solution of sorrow and despair. He was not alone in this horrible prison. As he writhed in the weightless void, others did the same, their voices mixing with his own as pleas escaped from cracked lips and the endless begging for mercy rose and fell like the breathing of a great beast. From time to time, he was chosen for special attention, clawed monsters with fanged maws latching on, yanking and pulling. The wounds they imparted always healed as quickly as they were wrought, providing an ever-fresh canvas for their masticating artwork. Time had no meaning; nor did age. And he knew he was never getting out. This was his due. This was his eternal payment for the way he had lived his life: He had earned this place in Hell through his sins upon the earth, and yet still, he argued the unfairness to the others he was trapped with. Tough debate, though. There was little on the good side to support his bid for freedom; more to the point, nobody was listening.
J.R. Ward (Rapture (Fallen Angels, #4))
Oh,Ella. I wish you'd had a better time at the ball." "Fuhgeddaboudit," I muttered. Greaseball. Freddy. Freak. "It's not like she and I were ever going to be BFFs." "I wasn't just referring to Amanda." Of course he wasn't. "I'll try," I moaned into the crook of my elbow. "Oh, Lord.I'll try to carry on." "That sounds rather dramatic, even for you." "It's Styx," I told him. "After your time, before mine. I don't know all the words,but those work for the moment. And for the record, I'm being ironic, not dramatic." "If you say so." I ignored him. "I have had my last flutter over Alex Bainbridge. I mean it. Frankie was right.How many signs do I need that we are never, ever going to have...anything...before I get it? Obviously, it doesn't matter that we realte to the same schizo seventies songs. Or that we can discuss antique Japanese woodblock prints. Or that when he sits next to me, he kinda takes my breath away. You would think that would count for a lot,wouldn't you?" Edward gets the concept of rhetorical questions, so I went on. "I wouldn't even want to hazard a guess about what makes Amanda's pulse go all skittery, but I would bet anything it's not Alex. And he's still with her. He doesn't belong with her, but apparently he feels he belongs to her. Explain that,please." "Oh,Ella.We men are not always the best at looking beyond the...er..." "Boobs,Edward. You can say it. Amanda Alstead has boobs and blonda hair. Beyond that, I can't see a single thing that's special about her." "Because there isn't a single thing. Beyond the...er, obvious. You,on the other hand,are a creature of infinite charms. Shall I list them alphabetically or from the top down?" I scowled up at him. "Y'know, you are beginning to sound a little too much like Frankie and Sadie,my deluded Greek chorus." "yes,well,I rather thought that's what friends are for." "You're not supposed to be my friend," I muttered. "You're supposed to be my Prince Charming." "Ahem." Edward's sculpted lips compressed into a grim line. "Have you looked at me lately? I am supposed to be startling and even a bit scary." "Nope.Neither." I rested my chin on my forearm. "To me,you are perfect. You are loyal and reliable and completely lacking in surprises." "That is a good thing?" "Absolutely," I said. "It's an excellent thing.I don't want any more surprises, over." "Hardly an admirable goal,that." "Maybe not," I agreed, "but pleasant. Among all the other bizarreness tonight, I found something new to be afraid of. Evil girlfriends." "Now,Ella. You can't go on being afraid forever." "Oh,yes,I can. As far as Amanda Alstead is concerned, I can." Edward tilted his head and studied me for a moment. He looked annoyed. "Why do you insist on having these conversations with me when you ignore everything I have to say?" It was a pretty good question. "Fine." I sat up straight and folded my hands in my lap. Home Truth time. "Go ahead. On this night when we celebrate the mysteries of life and death..Say something profound, something startling." There was a long silence. Then, "Boo," Edward said. "Thank you,Mr. Willing." "Don't mention it, Miss Marino. I am yours to command.
Melissa Jensen (The Fine Art of Truth or Dare)
For me, the biggest conflict with the surgery date was that it fell on the same day as Cole’s junior/senior formal at school. The formal had been a big night for Reed two years earlier, with the highlight being a special ring ceremony. Juniors receive their senior rings and ask two special people in their lives to turn the ring on their finger. Reed has asked me to be one of those two people for him, which was a special honor for me. If Cole wants me there, I will reschedule Mia’s surgery. “Cole, who are you planning on having turn your ring?” I asked. “I didn’t get a ring, Mom. I really don’t want one,” Cole replied. Seriously? I thought. Boy, are you your father’s son or what? “All I really care about is getting some really good pictures.” I knew Cole was telling me the truth. He is not about fanfare or rituals. But he did want to remember the night. “Absolutely! I’ll make sure we have plenty of pictures of you,” I exclaimed. As it turned out, I think he was the most photographed student that night. Since I could not be there in person, people texted, e-mailed, and tagged me on Facebook with pictures of him. Again, my friends and Cole’s friends’ parents did what they could to help us through this difficult time. Something as simple as taking pictures was priceless to me. Yes, Cole was completely fine with my not being at the formal, but he was also sad that he could not be at the hospital for Mia. I assured him that there’s never a good time for surgery, and he shouldn’t feel guilty about attending his event--all of us wanted him to go and have a great time.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
5. Move toward resistance and pain A. Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery)
In February, after not getting to see the boys for weeks and weeks, completely beside myself with grief, I went to plead to see them. Kevin wouldn't let me in. I begged him. Jayden James was five months old and Sean Preston was seventeen months old. I imagined their not knowing where their mother was, wondering why she didn't want to be with them. I wanted to get a battering ram to get to them. I didn't know what to do. The paparazzi watched it all happen. I can't describe the humiliation I felt. I was concerned. I was out being chased, like always, by these men waiting for me to do something they could photograph. And so that night I gave them some material. I went into a hair salon, and I took the clippers, and I shaved off all my hair. Everyone thought it was hilarious. Look how crazy she is! Even my parents acted embarrassed by me. But nobody seemed to understand that I was simply out of my mind with grief. My children had been taken away from me. With my head shaved, everyone was scared of me, even my mom. No one would talk to me anymore because I was too ugly. My long hair was a big part of what people liked-I knew that. I knew a lot of guys thought long hair was hot. Shaving my head was a way of saying to the world: Fuck you. You want me to be pretty for you? Fuck you. You want me to be good for you? Fuck you. You want me to be your dream girl? Fuck you. I'd been the good girl for years. I'd smiled politely while TV show hosts leered at my breasts, while American parents said I was destroying their children by wearing a crop top, while executives patted my hand condescendingly and second-guessed my career choices even though I'd sold millions of records, while my family acted like I was evil. And I was tired of it. At the end of the day, I didn't care. All I wanted to do was see my boys. It made me sick thinking about the hours, the days, the weeks I missed with them. My most special moments in life were taking naps with my children, That's the closest I've ever felt to God-taking naps with me precious babies, smelling their hair, holding their tiny hands.
Britney Spears (The Woman in Me)
6 Eight days before he died, after a spectacular orgy of food, François Mitterrand, the French president, ordered a final course of ortolan, a tiny yellow-throated songbird no bigger than his thumb. The delicacy represented to him the soul of France. Mitterrand’s staff supervised the capture of the wild birds in a village in the south. The local police were paid off, the hunting was arranged, and the birds were captured, at sunrise, in special finely threaded nets along the edge of the forest. The ortolans were crated and driven in a darkened van to Mitterrand’s country house in Latche where he had spent his childhood summers. The sous-chef emerged and carried the cages indoors. The birds were fed for two weeks until they were plump enough to burst, then held by their feet over a vat of pure Armagnac, dipped headfirst and drowned alive. The head chef then plucked them, salted them, peppered them, and cooked them for seven minutes in their own fat before placing them in a freshly heated white cassole. When the dish was served, the wood-paneled room—with Mitterrand’s family, his wife, his children, his mistress, his friends—fell silent. He sat up in his chair, pushed aside the blankets from his knees, took a sip from a bottle of vintage Château Haut-Marbuzet. —The only interesting thing is to live, said Mitterrand. He shrouded his head with a white napkin to inhale the aroma of the birds and, as tradition dictated, to hide the act from the eyes of God. He picked up the songbirds and ate them whole: the succulent flesh, the fat, the bitter entrails, the wings, the tendons, the liver, the kidney, the warm heart, the feet, the tiny headbones crunching in his teeth. It took him several minutes to finish, his face hidden all the time under the white serviette. His family could hear the sounds of the bones snapping. Mitterrand dabbed the napkin at his mouth, pushed aside the earthenware cassole, lifted his head, smiled, bid good night and rose to go to bed. He fasted for the next eight and a half days until he died. 7 In Israel, the birds are tracked by sophisticated radar set up along the migratory routes all over the country—Eilat, Jerusalem, Latrun—with links to military installations and to the air traffic control offices at Ben Gurion airport.
Colum McCann (Apeirogon)
Those minutes were the beginning of his abandoning himself to a very strange kind of devotion, such a reeling, intoxicated sensation that the proud and portentous word ‘love’ is not quite right for it. It was that faithful, dog-like devotion without desire that those in mid-life seldom feel, and is known only to the very young and the very old. A love devoid of any deliberation, not thinking but only dreaming. He entirely forgot the unjust yet ineradicable disdain that even the clever and considerate show to those who wear a waiter’s tailcoat, he did not look for opportunities and chance meetings, but nurtured this strange affection in his blood until its secret fervour was beyond all mockery and criticism. His love was not a matter of secret winks and lurking glances, the sudden boldness of audacious gestures, the senseless ardour of salivating lips and trembling hands; it was quiet toil, the performance of those small services that are all the more sacred and sublime in their humility because they are intended to go unnoticed. After the evening meal he smoothed out the crumpled folds of the tablecloth where she had been sitting with tender, caressing fingers, as one would stroke a beloved woman’s soft hands at rest; he adjusted everything close to her with devout symmetry, as if he were preparing it for a special occasion. He carefully carried the glasses that her lips had touched up to his own small, musty attic bedroom, and watched them sparkle like precious jewellery by night when the moonlight streamed in. He was always to be found in some corner, secretly attentive to her as she strolled and walked about. He drank in what she said as you might relish a sweet, fragrantly intoxicating wine on the tongue, and responded to every one of her words and orders as eagerly as children run to catch a ball flying through the air. So his intoxicated soul brought an ever-changing , rich glow into his dull, ordinary life. The wise folly of clothing the whole experience in the cold, destructive words of reality was an idea that never entered his mind: the poor waiter François was in love with an exotic Baroness who would be for ever unattainable. For he did not think of her as reality, but as something very distant, very high above him, sufficient in its mere reflection of life. He loved the imperious pride of her orders, the commanding arch of her black eyebrows that almost touched one another, the wilful lines around her small mouth, the confident grace of her bearing. Subservience seemed to him quite natural, and he felt the humiliating intimacy of menial labour as good fortune, because it enabled him to step so often into the magic circle that surrounded her.
Stefan Zweig
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
I no longer require your services." With her head held high, she strode for the door. Hell and blazes, he wouldn't let her do this! Now when he knew what was at stake. "You don't want to hear my report?" he called out after her. She paused near the door. "I don't believe you even have a report." "I certainly do, a very thorough one. I've only been waiting for my aunt to transcribe my scrawl into something decipherable. Give me a day, and I can offer you names and addresses and dates, whatever you require." "A day? Just another excuse to put me off so you can wreak more havoc." She stepped into the doorway, and he hurried to catch her by the arm and drag her around to face him. He ignored the withering glance she cast him. "The viscount is twenty-two years your senior," he said baldly. Her eyes went wide. "You're making that up." "He's aged very well, I'll grant you, but he's still almost twice your age. Like many vain Continental gentlemen, he dyes his hair and beard-which is why he appears younger than you think." That seemed to shake her momentarily. Then she stiffened. "All right, so he's an older man. That doesn't mean he wouldn't make a good husband." "He's an aging roué, with an invalid sister. The advantages in a match are all his. You'd surely end up taking care of them both. That's probably why he wants to marry you." "You can't be sure of that." "No? He's already choosing not to stay here for the house party at night because of his sister. That tells me that he needs help he can't get from servants." Her eyes met his, hot with resentment. "Because it's hard to find ones who speak Portuguese." He snorted. "I found out this information from his Portuguese servants. They also told me that his lavish spending is a façade. He's running low on funds. Why do you think his servants gossip about him? They haven't been paid recently. So he’s definitely got his eye on your fortune.” “Perhaps he does,” she conceded sullenly. “But not the others. Don’t try to claim that of them.” “I wouldn’t. They’re in good financial shape. But Devonmont is estranged from his mother, and no one knows why. I need more time to determine it, though perhaps your sister-in-law could tell you, if you bothered to ask.” “Plenty of people don’t get along with their families,” she said stoutly. “He has a long-established mistress, too.” A troubled expression crossed her face. “Unmarried men often have mistresses. It doesn’t mean he wouldn’t give her up when he marries.” He cast her a hard stare. “Are you saying you have no problem with a man paying court to you while he keeps a mistress?” The sigh that escaped her was all the answer he needed. “I don’t think he’s interested in marriage, anyway.” She tipped up her chin. “That still leaves the duke.” “With his mad family.” “He’s already told me about his father, whom I knew about anyway.” “Ah, but did you know about his great-uncle? He ended his life in an asylum in Belgium, while there to receive some special treatment for his delirium.” Her lower lip trembled. “The duke didn’t mention that, no. But then our conversation was brief. I’m sure he’ll tell me if I ask. He was very forthright on the subject of his family’s madness when he offered-“ As she stopped short, Jackson’s heart dropped into his stomach. “Offered what?” She hesitated, then squared her shoulders. “Marriage, if you must know.” Damn it all. Jackson had no right to resent it, but the thought of her in Lyons’s arms made him want to smash something. “And of course, you accepted his offer,” he said bitterly. “You couldn’t resist the appeal of being a great duchess.” Her eyes glittered at him. “You’re the only person who doesn’t see the advantage in such a match.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Here we introduce the nation's first great communications monopolist, whose reign provides history's first lesson in the power and peril of concentrated control over the flow of information. Western Union's man was one Rutherford B. Hates, an obscure Ohio politician described by a contemporary journalist as "a third rate nonentity." But the firm and its partner newswire, the Associated Press, wanted Hayes in office, for several reasons. Hayes was a close friend of William Henry Smith, a former politician who was now the key political operator at the Associated Press. More generally, since the Civil War, the Republican Party and the telegraph industry had enjoyed a special relationship, in part because much of what were eventually Western Union's lines were built by the Union Army. So making Hayes president was the goal, but how was the telegram in Reid's hand key to achieving it? The media and communications industries are regularly accused of trying to influence politics, but what went on in the 1870s was of a wholly different order from anything we could imagine today. At the time, Western Union was the exclusive owner of the nationwide telegraph network, and the sizable Associated Press was the unique source for "instant" national or European news. (It's later competitor, the United Press, which would be founded on the U.S. Post Office's new telegraph lines, did not yet exist.) The Associated Press took advantage of its economies of scale to produce millions of lines of copy a year and, apart from local news, its product was the mainstay of many American newspapers. With the common law notion of "common carriage" deemed inapplicable, and the latter day concept of "net neutrality" not yet imagined, Western Union carried Associated Press reports exclusively. Working closely with the Republican Party and avowedly Republican papers like The New York Times (the ideal of an unbiased press would not be established for some time, and the minting of the Time's liberal bona fides would take longer still), they did what they could to throw the election to Hayes. It was easy: the AP ran story after story about what an honest man Hayes was, what a good governor he had been, or just whatever he happened to be doing that day. It omitted any scandals related to Hayes, and it declined to run positive stories about his rivals (James Blaine in the primary, Samuel Tilden in the general). But beyond routine favoritism, late that Election Day Western Union offered the Hayes campaign a secret weapon that would come to light only much later. Hayes, far from being the front-runner, had gained the Republican nomination only on the seventh ballot. But as the polls closed his persistence appeared a waste of time, for Tilden, the Democrat, held a clear advantage in the popular vote (by a margin of over 250,000) and seemed headed for victory according to most early returns; by some accounts Hayes privately conceded defeat. But late that night, Reid, the New York Times editor, alerted the Republican Party that the Democrats, despite extensive intimidation of Republican supporters, remained unsure of their victory in the South. The GOP sent some telegrams of its own to the Republican governors in the South with special instructions for manipulating state electoral commissions. As a result the Hayes campaign abruptly claimed victory, resulting in an electoral dispute that would make Bush v. Gore seem a garden party. After a few brutal months, the Democrats relented, allowing Hayes the presidency — in exchange, most historians believe, for the removal of federal troops from the South, effectively ending Reconstruction. The full history of the 1876 election is complex, and the power of th
Tim Wu
A man can survive ten years--but twenty-five, who can get through alive? Shukhov rather enjoyed having everybody poke a finger at him as if to say: Look at him, his term's nearly up. But he had his doubts about it. Those zeks who finished their time during the war had all been "retained pending special instructions" and had been released only in '46. Even those serving three-year sentences were kept for another five. The law can be stood on its head. When your ten years are up they can say, "Here's another ten for you." Or exile you. Yet there were times when you thought about it and you almost choked with excitement. Yes, your term really _is_ coming to an end; the spool is unwinding. . . . Good God! To step out to freedom, just walk out on your own two feet. But it wasn't right for an old-timer to talk about it aloud, and Shukhov said to Kilgas: "Don't you worry about those twenty-five years of yours. It's not a fact you'll be in all that time. But that I've been in eight full years--now that is a fact." Yes, you live with your feet in the mud and there's no time to be thinking about how you got in or how you're going to get out. According to his dossier, Ivan Denisovich Shukhov had been sentenced for high treason. He had testified to it himself. Yes, he'd surrendered to the Germans with the intention of betraying his country and he'd returned from captivity to carry out a mission for German intelligence. What sort of mission neither Shukhov nor the interrogator could say. So it had been left at that- -a mission. Shukhov had figured it all out. If he didn't sign he'd be shot If he signed he'd still get a chance to live. So he signed. But what really happened was this. In February 1942 their whole army was surrounded on the northwest front No food was parachuted to them. There were no planes. Things got so bad that they were scraping the hooves of dead horses--the horn could be soaked In water and eaten. Their ammunition was gone. So the Germans rounded them up in the forest, a few at a time. Shukhov was In one of these groups, and remained in German captivity for a day or two. Then five of them managed to escape. They stole through the forest and marshes again, and, by a miracle, reached their own lines. A machine gunner shot two of them on the spot, a third died of his wounds, but two got through. Had they been wiser they'd have said they'd been wandering in the forest, and then nothing would have happened. But they told the truth: they said they were escaped POW's. POW's, you fuckers! If all five of them had got through, their statements could have been found to tally and they might have been believed. But with two it was hopeless. You've put your damned heads together and cooked up that escape story, they were told. Deaf though he was, Senka caught on that they were talking about escaping from the Germans, and said in a loud voice: "Three times I escaped, and three times they caught me." Senka, who had suffered so much, was usually silent: he didn't hear what people said and didn't mix in their conversation. Little was known about him--only that he'd been in Buchenwald, where he'd worked with the underground and smuggled in arms for the mutiny; and how the Germans had punished him by tying his wrists behind his back, hanging him up by them, and whipping him. "You've been In for eight years, Vanya," Kilgas argued. "But what camps? Not 'specials.' You bad breads to sleep with. You didn't wear numbers. But try and spend eight years in a 'special'--doing hard labor. No one's come out of a 'special' alive." "Broads! Boards you mean, not broads." Shukhov stared at the coals in the stove and remeinbered his seven years in the North. And how he worked for three years hauling logs--for packing cases and railroad ties. The flames in the campfires had danced up there, too--at timber-felling during the night. Their chief made it a rule that any squad that had failed to meet its quota had to stay In the forest after dark.
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
Andrea lifted a black firearm, holding it as if it were covered with slime. “This is a Witness 45. It has a molding flaw on the grip right here, see? If you fire it, it will blister your hand.” She picked up another gun. “This is a Raven 25. They haven’t made them since the early nineties. I didn’t even know they were still around. It’s a cheap junk gun. They used to call them Saturday Night Specials. You can’t put twenty rounds through it without it jamming, and the way this one looks, I wouldn’t even risk loading it. It might blow up in my hand. And this? This is a Hi-Point, otherwise known as Beemiller.” “Is that supposed to tell me something?” She stared at me. “It’s like the crappiest gun out there. Normal guns cost upward of half a grand. This costs like a hundred bucks. The slide is made out of zinc with aluminum.” I looked at her. “Look, I can bend it with my hand.” I’d also seen her bend a steel rod with her hand, but now didn’t seem the best time to mention it. Andrea put the Hi-Point on the desk. “Where did you get these again?” “They’re surplus guns from the Pack. Confiscated, from what I understand.” “Confiscated during violent altercations?” “Yes.” Andrea sagged into her chair. Her blue-tipped hair drooped in defeat. “Kate, if someone used a gun against the shapeshifters and now the shapeshifters have said gun, it wasn’t a very good gun, was it?” “I’m not arguing with you. I didn’t have a choice. That’s what was here when I moved in.” Andrea extracted a fierce-looking silver handgun from the box. Her eyes widened. She looked at it for a moment and tapped it on the corner of her desk. The gun responded with a dry pop. She looked at me with an expression of abject despair. “It’s plastic.” I spread my arms at her. Andrea tossed the plastic gun to Grendel. “Here, chew on this.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
From the long walk, distancing away from the coastal wave of sea, to be dissolved in the wide angle landscape of a misty mountain, to keep my ear open for the bird chirping, crows taunting, the breeze silent whisper which was welcoming and just making me feel very special. It was the change I saw in my space where peace was welcoming and passion was disowning me. When I saw the farmers cutting the new crop, the river falling through the hills. Everything looked so perfect and my escape to wander was the right one. Nature is my mother and travel is my father. Every village I passed by pictured them as most ancient yet distant chateau. The moving car, dining seat, singing and shaking gently in the dark, haunting past and welcoming future, took commitment with all nature associations outside of itself seem vaguely unreal. Hence they welcomed me at their table, for them I was one of them, a traveler, a vagabond, not one of those wraiths through whose night-lit cities I passed. Our destinations become a heart of who has the hunger to explore it. Good morning
Karan M. Pai
It was THAT day the Master of the Land said my mama was goin to go for to be his son’s night-mate too, smilin down at her like he was doin her some special kinda good favor.
J. California Cooper (Family)
I asked him if each of the two spots had a special name. He said that the good one was called the sitio and the bad one the enemy; he said these two places were the key to a man's wellbeing, especially for a man who was pursuing knowledge. The sheer act of sitting on one's spot created superior strength; on the other hand, the enemy weakened a man and could even cause his death. He said I had replenished my energy, which I had spent lavishly the night before, by taking a nap on my spot.
Carlos Castaneda (The Teachings of Don Juan: A Yaqui Way of Knowledge)
Last night felt good.” He chuckled. “Not watching you jerk off, though that was fucking hot, but before that, when you were sleeping between me and Boris. I liked that.” A knot formed in Hans’s chest, making it difficult to speak. “So did Boris,” Thomas insisted. “I know he did. Then he started worrying about you getting between me and him. He did what he did because he needed to prove I still belonged to him.” “I already fucking know that!” Hans snapped. He lowered his voice. “I know you have your special things I can’t be a part of, like speaking to each other in Russian, and kissing and hugging, and all the things I wish I could do with you….” He stopped himself. He was overstepping again. “I shouldn’t have said that. I’ve only known you guys for like two months. But I like being here. I’m lucky you haven’t fired me for what I did last night, considering how much it upset Boris.” He tried to turn pull away, embarrassed, but Thomas wouldn’t let go. “Boris and I have things that tie us together—things that do make me his—but despite all that, I think we both want to build something with you too.” Hans huffed out a breath. “I’m not sure how I feel about him now.” “Like I said, there will be bad days. He can’t help it, other than to keep taking his meds and going to therapy. He’s so much better than he was, when I met him in Russia. You have no idea!” Hans settled into the embrace, reveling in the feel of Thomas’s warm, soft skin. Knowing he shouldn’t, he said, “I really wish….” “What?” “I’m sorry. I know you can’t. I just wish we could kiss.” Thomas turned him around and brought their mouths together
Jamie Fessenden (The Rules)
There will always be wars and rumors of wars... a military career is a good bet. Wars will be different but also the same - only getting more brutal with time and technology
William H. Hamilton Jr. (Night Fighter: An Insider's Story of Special Ops from Korea to SEAL Team 6)
THE MAGIC OF LOVE The magic of personal love works miracles as this true story testifies: Even one person’s intimate love can deeply heal another. For example,Tom, a simple person without training in psychotherapy, worked as an orderly in a mental hospital. One of the sickest patients in the hospital, a deeply psychotic woman, had been there for eighteen years. She never spoke to anyone, or even looked in another’s eyes. She sat alone all day in a rocking chair, rocking back and forth. One day during his dinner break, Tom found another rocking chair, pulled it over, and rocked along beside her as he ate his dinner. He returned the next day, and the next. Tom worked only five days per week, but he asked for special permission to come in on his days off so he could rock with the psychotic woman. Tom did this every day for six months. Then one evening as he got up to leave, the woman said, “Good night.” It was the first time she had spoken in eighteen years. After that, she began to get well. Tom still came to rock with her every day, and eventually she was healed of her psychosis.* *Healing the Eight Stages of Life. M. Linn, S. Fabricant, D. Linn. Paulist Press. 1988.
Gary Chapman (Love as a Way of Life: Seven Keys to Transforming Every Aspect of Your Life)
Laurie?” “Yes,” I muttered, my voice sleepy. “I was pissed last night.” “I know.” “You look good.” “Sorry?” “No way you can look like all the rest.” My eyes shot open. His arm curled me deeper into his body and I felt his face burrow into my hair. “You’d always shine through,” he muttered and now he sounded sleepy but I was again wide awake. “Somethin’ special,” he finished.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
So…I…I heard you guys talking about me last night,” Megan said, looking down at her hands. Finn’s brush hand dropped and he glanced at her, clearly embarrassed. “Oh. Okay. You…Good.” “Good?” Megan asked. Finn flushed. “Yeah, I do that sometimes. I was gonna say, ‘You did?’ but I was also gonna say, ‘Not good,’” he said, putting his brush and palette down on a cluttered shelf. “I kind of have my own special language.” Megan smiled. She knew the feeling. “So…you heard us,” Finn said, pushing his hands into the front pockets of his jeans. “Yeah, so…you all want me gone?” Megan asked. “We were just…We’re just kind of used to the way things were.” “I get that. I do,” Megan said. “But don’t you guys think that this is hard for me too? I’ve never had to live with this many people and my parents are gone and, well, in case you hadn’t noticed, you guys are kind of…” “Overwhelming?” Finn asked. “Good word,” she said. “Look, everyone just needs an adjustment period,” Finn said with a shrug. “Try not to let them get to you.” Megan looked up into Finn’s gray-blue eyes and smiled slightly. “So…you’re not one of them?” Finn smiled in return. Like Miller, his whole face lit up and his eyes crinkled in the corners. “Having you here is…Let’s just say it’s different,” he replied. “But don’t worry about me. I think I can handle it.” Megan lifted her eyebrows. “Oh, you do?” “Yeah,” Finn said matter-of-factly, looking her straight in the eyes. “I do.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
Plant transplants outside according to the spacing the fully grown plants will need. Pay attention to the depth of the hole, and ensure that you don’t bury the stem in the soil (except in special cases—see Growing Tip on the following page). Take the temperature of the soil to make sure it is warm enough. (The soil should be at least 60 to 65 degrees F for planting warm-weather vegetables such as tomatoes or peppers.) Before planting any transplants outside, prepare them by hardening them off. GROWING TIP Tomato plants should be planted deep. Strip off all but the top four sets of leaves. Plant the entire rest of the plant below the soil line. Tomato plants will grow roots from the stem, making them stronger and healthier. Hardening off before Planting out Vegetable transplants grown inside a greenhouse (or your house) need to be hardened off (acclimated to the change in temperature and light) before they’re planted outside. Even if you buy plants that were sitting outside at a garden center, it’s a good idea to harden them off before planting. For all you know, the plants were taken from the greenhouse, loaded on a truck, and brought to the garden center on the same day you saw them sitting outside. How to Harden Off Transplants 1. Place plants in a sheltered location such as a porch or patio for the day, and bring them in at night. Do this for three or four days. 2. Next, leave them outside all day in the protected location. Do this for about a week. Don’t forget to water while you’re doing this! 3. Finally, move the plants from the sheltered location (the porch or patio) to a more exposed location (the front sidewalk or driveway). Leave them there for three or four days. 4. Wait for a cloudy day (if possible) and plant your plants in the garden. Planting out on a cloudy day will lower the stress that the plants experience.
Katie Elzer-Peters (Carolinas Fruit & Vegetable Gardening: How to Plant, Grow, and Harvest the Best Edibles)
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
Paul’s passion was to proclaim Him who had done so much for him. Katangellō (proclaim) means to publicly declare a completed truth or happening. It is a general term and is not restricted to formal preaching. Paul’s proclamation included two aspects, one negative, one positive. Admonishing is from noutheteō. It speaks of encouraging counsel in view of sin and coming punishment. It is the responsibility of church leaders. In Acts 20:31, Paul described his ministry at Ephesus: “Night and day for a period of three years I did not cease to admonish each one with tears.” But it is also the responsibility of every believer. Paul wrote to the Thessalonians, “If anyone does not obey our instruction in this letter, take special note of that man and do not associate with him, so that he may be put to shame. And yet do not regard him as an enemy, but admonish him as a brother” (2 Thess. 3:14-15). Colossians 3:16 commands, “Let the word of Christ richly dwell within you, with all wisdom teaching and admonishing one another.” Paul expressed his confidence that the Romans were “full of goodness, filled with all knowledge, and able also to admonish one another” (Rom. 15:14). If there is sin in the life of a believer, other believers have the responsibility to lovingly, gently admonish them to forsake that sin. Teaching refers to imparting positive truth. It, too, is the responsibility of every believer (Col. 3:16), and is part of the Great Commission (Matt. 28:20). It is especially the responsibility of church leaders. “An overseer, then, must be … able to teach” (1 Tim. 3:2). Admonishing and teaching must be done with all wisdom. This is the larger context. As discussed in chapter 2, wisdom refers to practical discernment—understanding the biblical principles for holy conduct. The consistent pattern of Paul’s ministry was to link teaching and admonishment and bring them together in the context of the general doctrinal truths of the Word. Doctrinal teaching was invariably followed by practical admonitions. That must also be the pattern for all ministries.
John F. MacArthur Jr. (Colossians and Philemon MacArthur New Testament Commentary (MacArthur New Testament Commentary Series Book 22))
Dewey was wrong when he said that being noble enough is all we can ask for in this world, because we can ask for much more than that. We can ask for a second helping of pound cake even though someone has made it quite clear that we will not get any. We can ask for a new watercolor set, even though it will be pointed out that we never used the old one, and that all of the paints dried into a crumbly mess. We can ask for Japanese fighting fish, to keep us company in our bedroom, and we can ask for a special camera that will allow us to take photographs even in the dark, for obvious reasons, and we can ask for an extra sugar cube in our coffees in the morning and an extra pillow in our beds at night. We can ask for justice, and we can ask for a handkerchief and we can ask for cupcakes, and we can ask for all the soldiers in the world to lay down their weapons and join us in a rousing chorus of ‘Cry Me a River,’ if that happens to be our favorite song. But we can also ask for something we are much more likely to get, and that is to find a person or two, somewhere in our travels, who will tell us that we are noble enough, whether it is true or not. We can ask for someone who will say, ‘You are noble enough,’ and remind us of our good qualities when we have forgotten them, or cast them into doubt.
Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
At the end of the scene, when Kathy kisses Don, Cosmo objects, thereby provoking Kathy to kiss him as well, to which he responds with girlish abashment (the exchange replays the part of “Good Mornin’” when Kathy sits first on Don’s knee, then on Cosmo’s). 2.5 2.6 2.7 Yet Don and Kathy do not yet engage fully as romantic partners, which becomes clear during the following number, Kelly’s famous solo rendition of the title song, “Singin’ in the Rain,” introduced by his deliberately isolating himself (kissing Kathy good night and then waving off the cab driver). Alone on the rain-drenched sound stage (assuming we have learned to recognize it as such from “You Were Meant for Me”), he clarifies the MERM-related function of such effects, which seem in themselves to demand that he sing. The coordination of MERM and Hollywood-style special effects is particularly close in this number, as he soon leaves the song behind, first to explore the sets and props conveniently at his disposal, and then to match the music’s crescendo with an expansive embrace of the larger space. Here, the camera cranes outward, and Kelly breaks through into a moment of “dancing-sublime,” when his dancing seems either to revert or to come full circle, returning to the primitive urge that gave it birth (thus his stomping and jumping in the puddle like an adolescent boy).34 But the number, through its supreme narcissism, actually does more to inhibit than to advance the plot.
Raymond Knapp (The American Musical and the Performance of Personal Identity)
What we fail to teach our children and what the community fails to see is that we need inclusion and acceptance, not superficial chesed. I’m not looking for someone to come and sit with my child, call her cute and feel like they’ve done something good. No, I need people to come alongside us during the hard times as well. You don’t just get to host my child for a meal or a night and check a box that you’ve done integration. True acceptance is completely integrating my child in all aspects of society.
Jodi Samuels (Chutzpah, Wisdom and Wine: The Journey of an Unstoppable Woman)
We don’t recommend letting a new pup sleep on the bed. He will not be housetrained and also a puppy needs to learn his place in the household and have his own special place. It’s up to you whether to let him on the bed or not when he’s older, but my advice is: if you value a good night’s sleep, don’t!
Linda Whitwam (The German Shepherd Handbook: The Essential Guide For New & Prospective German Shepherd Owners (Canine Handbooks))
Mom laid her head on his shoulder. “I love you too, dear. Now then, let’s get inside. Tomorrow is Christmas Eve!” “So today is Christmas Adam?” Jack asked. Dad cocked his head at his son. Then he burst out laughing. “Because Adam came before Eve! Hahaha! Good one, Jack!
Pixel Ate (The Accidental Minecraft Family: A Not So Silent Night (Christmas Special): AMF Holiday Special Series (The Accidental Minecraft Family: Holiday Specials))
September 23, 2274 year. Yes, I was alone again. I wanted to leave this place since my birth. Everything here made me hate every fucking day. However, this day was special. I was watching him. I didn't care what kind of person he became now. He would pay for all the good and bad things that happened between us. Why was I on the roof at night? Perhaps you are pondering this question now. Well... It was not that simple. Revenge. Here was my shortest answer.
Dari A. Malaunt (Horns of Revenge (Horns Unveiled Book 1))
Going to Moscow was a dream for us,' Ilich said years later. He and his younger brother started the course within weeks of Soviet tanks rolling into Czechoslovakia to crush the heady 'Prague Spring'. But they soon found that discipline at the cosmopolitan university, whose 6000 students were all selected through the Communist Party of their country of origin, was as stifling as its modernist architecture. Drab grey concrete blocks squatted around a charmless artificial pond. The only dash of colour was a map of the world painted on to the façade of one block in a valiant attempt to symbolise the ideals of the university: from an open book, symbol of learning, a torch emerges, issuing multicoloured flames that spread like waves across the planisphere. Perhaps Ilich drew some comfort from glancing up at the mural as, huddled against the rigours of the Russian winter and wearing a black beret in tribute to Che Guevara who had died riddled by bullets in October of the previous year, he trudged across the bleak square on his way to lectures. Coincidentally, the base of the flame is very close to Venezuela. Rules and regulations governed virtually every aspect of Ilich's life from the moment he started the first year's induction course, which was designed to flesh out his knowledge of the Russian language and introduce him to the delights of Marxist society before he launched into his chosen subjects, languages and chemistry. Like father, like son. Ilich rebelled against the rules, preferring to spend his time chasing girls. He would often crawl back to his room drunk. His professors at the university, some of them children of Spanish Civil War veterans who had sought refuge in Moscow, were unimpressed by his academic performance. 'His name alone, Ilich Ramírez Sánchez, was so strange that people were curious about him,' relates Kirill Privalov, a journalist on the newspaper Druzhba (Friendship) which was printed at the small university press, and an acquaintance of Ilich. The Venezuelan's escapades, wildly excessive by the standards of the university, only fanned people's interest. 'llich was not at all the typical student sent by his country's Communist Party, nothing to do with the good little soldier of Mao who laboured in the fields every summer. He was a handsome young man although his cheeks looked swollen, and he was a great bon viveur. Flush with cash sent by his parents, Ilich could afford to spend lavishly on whisky and champagne in the special stores that only accepted payment in hard currencies and which were off-limits to most people. More Russian than the Russians, the privileged student and his friends would throw over their shoulders not only empty glasses but bottles as well. The university authorities, frustrated in their attempts to impose discipline on Ilich, reasoned that his freedom of action would be drastically limited if the allowance that his father sent him were reduced. But when they asked Ramírez Navas to be less generous, the father, piqued, retorted that his son had never wanted for anything. 'The university had a sort of vice squad, and at night students were supposed either to study or sleep,' recounts Privalov. "One night the patrol entered Ilich's room and saw empty bottles of alcohol and glasses on the table, but he was apparently alone. The squad opened the cupboard door and a girl who was completely drunk fell out. She was naked and was clutching her clothes in her hands. They asked her what she was doing there and she answered: 'I feel pity for the oppressed.' She was obviously a prostitute. Another time, and with another girl, Ilich didn't bother to hide her in the cupboard. He threw her out of the window. This one was fully dressed and landed in two metres of snow a foor or two below. She got up unhurt and shouted abuse at him.
John Follain (Jackal: The Complete Story of the Legendary Terrorist, Carlos the Jackal)
Some examples from the American experience in Iraq help illustrate the contradiction between the physical and moral levels: The U. S. Army conducted many raids on civilian homes in areas it occupied. In these raids, the troops physically dominated the civilians. Mentally, they terrified them. But at the moral level, breaking into private homes in the middle of the night, terrifying women and children, and sometimes treating detainees in ways that publicly humiliated them (like stepping on their heads) worked powerfully against the Americans. An enraged population responded by providing the Iraqi resistance with more support at each level of war, physical, mental, and moral. At Baghdad’s Abu Ghraib prison, MPs and interrogators dominated prisoners physically and mentally – as too many photographs attest. But when that domination was publicly exposed, the United States suffered an enormous defeat at the moral level. Some American commanders recognized this when they referred to the soldiers responsible for the abuse as, “the jerks who lost us the war.” In Iraq and elsewhere, American troops (other than Special Forces) quickly establish base camps that mirror American conditions: air conditioning, good medical care, plenty of food and pure water. The local people are not allowed into the bases except in service roles. Physically, the American superiority over the lives the locals lead is overwhelming. Mentally, it projects the power and success of American society. But morally, the constant message of “we are better than you” works against the Americans. Traditional cultures tend to put high values on pride and honor, and when foreigners seem to sneer at local ways, the locals may respond by defending their honor in a traditional manner – by fighting. After many, if not most, American military interventions, Fourth Generation war has tended to intensify and spread rather than contract.
William S. Lind (4th Generation Warfare Handbook)
Bill Bradley (b. 1943) fell in love with the sport of basketball somewhere around the age of ten. He had one advantage over his peers—he was tall for his age. But beyond that, he had no real natural gift for the game. He was slow and gawky, and could not jump very high. None of the aspects of the game came easily to him. He would have to compensate for all of his inadequacies through sheer practice. And so he proceeded to devise one of the most rigorous and efficient training routines in the history of sports. Managing to get his hands on the keys to the high school gym, he created for himself a schedule—three and a half hours of practice after school and on Sundays, eight hours every Saturday, and three hours a day during the summer. Over the years, he would keep rigidly to this schedule. In the gym, he would put ten-pound weights in his shoes to strengthen his legs and give him more spring to his jump. His greatest weaknesses, he decided, were his dribbling and his overall slowness. He would have to work on these and also transform himself into a superior passer to make up for his lack of speed. For this purpose, he devised various exercises. He wore eyeglass frames with pieces of cardboard taped to the bottom, so he could not see the basketball while he practiced dribbling. This would train him to always look around him rather than at the ball—a key skill in passing. He set up chairs on the court to act as opponents. He would dribble around them, back and forth, for hours, until he could glide past them, quickly changing direction. He spent hours at both of these exercises, well past any feelings of boredom or pain. Walking down the main street of his hometown in Missouri, he would keep his eyes focused straight ahead and try to notice the goods in the store windows, on either side, without turning his head. He worked on this endlessly, developing his peripheral vision so he could see more of the court. In his room at home, he practiced pivot moves and fakes well into the night—such skills that would also help him compensate for his lack of speed. Bradley put all of his creative energy into coming up with novel and effective ways of practicing. One time his family traveled to Europe via transatlantic ship. Finally, they thought, he would give his training regimen a break—there was really no place to practice on board. But below deck and running the length of the ship were two corridors, 900 feet long and quite narrow—just enough room for two passengers. This was the perfect location to practice dribbling at top speed while maintaining perfect ball control. To make it even harder, he decided to wear special eyeglasses that narrowed his vision. For hours every day he dribbled up one side and down the other, until the voyage was done. Working this way over the years, Bradley slowly transformed himself into one of the biggest stars in basketball—first as an All-American at Princeton University and then as a professional with the New York Knicks. Fans were in awe of his ability to make the most astounding passes, as if he had eyes on the back and sides of his head—not to mention his dribbling prowess, his incredible arsenal of fakes and pivots, and his complete gracefulness on the court. Little did they know that such apparent ease was the result of so many hours of intense practice over so many years.
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
Worst Comes To Worst" (feat. Guru) [Babu mixing] "Worst come to worst my peoples come first" "Worst...come.....to worst" "Worst come to worst my peoples come first" "Worst come...to...worst" "Worst come to worst my peoples come first" [Evidence talking] Yeah It's goin down y'all That's Babu Yo, some people got good friends, at night I live my life right Intense, on the edge On the wild, I'm from the group where friction leads to fire Stack your bricks, the time is take your pick Do or don't, the track - Alchemist My life is good, I got my peeps in the mix, so... "Worst come to worst my people come first" [Iriscience] I got worldwide family all over the earth And I worry 'bout 'em all for whatever it's worth From the birth to the hearse, the streets, the guns burst Words I disperse are here to free minds And if mine are needy I need to feed mine "When worst come to worst..." [Evidence] Set up shop and write a verse Actually (what?), that's best come to best My lyrics take care of me, they therapy Get shit off my chest Extra stress, three-four over the score Different patterns of rhymin prepare me for war So next time you see us we'll be deadly on tour [Babu mixing] "Oh, when you need me" "Worst come to worst my peoples come first" [Guru talking] Word up, if worst comes to worst, I make whole crews disperse You know it's family first Gifted Unlimited with Dilated Peoples Babu, Evidence, Iriscience And a shout out to my man Alchemist on the trizzack "Oh, when you need me" "Worst come to worst my peoples come first" [Iriscience] I'm a glutton for the truth, even though truth hurts I've studied with my peoples on streets and in church We make it hard when we go on first Long road, honor of the samurai code These California streets ain't paved with gold Worst comes to worst "Worst come to worst my people come first" [Evidence] Uh, I got them back, at the end of the day We could go our seperate ways but the songs remains, it won't change Got my target locked at range I might switch gears but first I switch lanes Without my people I got nothin to gain That's why... "Worst come to worst my people come first" [Iriscience] Special victims unit, catalyst for movement Creates to devastate, since '84 show improvement Definitely Dilated Peoples comes first Cross-trainin spar, we raise the bar And we put it in your ear no matter who you are [Babu mixing] "Oh, when you need me" "Worst come to worst my peoples come first" "Worst....come...worst my peoples come first" "Worst...worst....worst....come to worst my peoples come first" "...my..my...my peoples come first "Oh, when you need me
Dilated Peoples
Beads of sweat were popping up on Day’s forehead and his body shook with pain or nerves, God wasn’t sure. God lifted his head from against Day’s neck and rose slightly to look into those beautiful eyes. Day’s eyes were tightly shut and his brow deeply creased. “Look at me, Leo.” God kissed both of Day’s eyelids. God watched moist lashes part and Day’s eyes focus on him. “I love you. Show me how much you love me too. Take all of me.” God leaned in and parted Day’s lips with his tongue and moaned into that pretty mouth. Day tasted so fucking good, he could kiss him all night, buried only halfway in him. He tongued Days mouth, licking the roof while using the hand not holding Day’s wrists to caress his nipples. He felt him relax and go pliant, and God used that small window to push all the way in. Day practically came up off the bed. “Cash!” “Shhh, it’s all right.” God didn’t pause; he pulled back a couple inches and slid back in again. Keeping the movements measured and slow, he brushed over Day’s prostate with each stroke. “That’s it. Take all of it, it belongs to you now, take it.” He licked Day’s open mouth. God
A.E. Via (Nothing Special)
Judge tossed the condom to the side and grabbed the lube, coating his cock good. When he added more inside Michaels’ hot channel, his eyes fluttered with excitement. No barrier this time. This was his man, his partner, his lover. Judge dropped down on Michaels’ chest, again putting his full weight on him. He went in for a kiss, coaxed Michaels’ wine-flavored tongue inside his mouth, moved slowly at first, until it soon spun out of control. With their mouths still connected, Judge lined his cock up with Michaels’ waiting hole and gently thrust forward. Michaels’ mouth opened wider as he gasped. Judge made sure every part of them was touching and their eyes were locked when he pushed all way in on one long drive. Michaels cried a beautiful sound into his face and Judge had to fight the feeling burning at his spine. “Fuckin’ love it when you cry for me like that.” His man tremored beneath him; writhed and squirmed with Judge’s cock deep inside him. “Yes. That’s it. More.” Michaels brought his long legs up and placed his feet flat on the bed and pushed up, urging Judge to move. Regardless, he couldn’t hold back any longer. Judge slid out halfway and slammed back in, the pleasure stealing his sanity. It was so goddamn hot inside his lover, a heat he’d never get tired of. A heat that sparked the fire to a full-on blaze. Judge hooked the backs of both of Michaels’ legs, his palms flat on the bed. Michaels was splayed open for him, ready for the taking. Judge lost his mind. Powered into his man like a fool in love. Fucked him hard, fucked him until it became brutal. Michaels yelled his appreciation into the night. The truest mating call. 
A.E. Via (Don't Judge (Nothing Special, #4))
Judge stood tall and gestured for Michaels to walk ahead of him. “You didn’t get a good enough view of my ass last night?” he whispered on his way by. Judge grabbed his arm and pulled him back into his chest. “No. But I will.” They
A.E. Via (Don't Judge (Nothing Special, #4))
I mean, he asked for the keys to the truck last night and brought them back earlier this morning.  Truck’s fixed.  I checked myself.  So, I’m wondering what you said to him.” My mouth popped open.  I couldn’t believe he’d actually listened to me.  A silly smile tugged at my mouth.  Did this really mean he’d let me go?  My barely formed smile faded.  Or would I just wake up back in this apartment tomorrow morning if I tried to leave? Sam continued to remake the bed with the clean sheets from the hidden compartment in the matching sofa ottoman. There had to be a catch.  Sam had told me a tied pair didn’t part until completing the Claim.  When Clay had scented me, and I’d recognized him openly, the Elders saw us as a pair.  They, in turn, announced it to everyone over their mental link.  Every werewolf, whether in a pack or Forlorn, recognized our tie.  If my words truly changed Clay’s mind, great—but Sam’s question caused me to begin to doubt that possibility, and I struggled to come up with what I’d overlooked. “The truth,” I said answering Sam’s question.  “Let’s say he is my Mate.  He’s an uneducated man from the backwoods.  How are we going to live?  I can’t turn on the fur like you guys can and live as a wolf like he’s done for most of his life.  Where does that leave us?  I just pointed out that I had to go to school to get the education I needed to land a good job to support myself because he can’t.” Sam had stopped remaking the bed and looked at me in disbelief. “Well, I said it nicer than that.” He gave me a disappointed look. “You don’t know anything about him, Gabby.  He may have lived most of his life in his fur, but it doesn’t mean he isn’t intelligent or that he’s more wolf than man.  You may have caused yourself more trouble than you intended.” I shifted against the door.  “Hold on, I didn’t say either of those things to him.”  Granted, I did tell him he needed to bathe.  “And what do you mean ‘more trouble’?” “He said that you suggested he live with you so you could get to know each other better.” I froze in disbelief.  That is not what I said. “Wait.  Did he actually talk to you?” “Well, I had to put on my fur to understand him since he was in his, but yes.” Sam’s kind communicated in several ways when in their fur—typically, through body language or howls.  Claimed and Mated pairs shared a special bond using an intuitive, mental link.  Once establishing a Claim, the pair could sense strong emotions as well as each other’s location.  Mated pairs had the same ability to communicate with each other as the Elders had with everyone in the pack. I closed my eyes and thought back to my exact wording. “I didn’t say we should live together, but that he should come back with me to get an education.”  Fine, I hadn’t worded it well, but how did he get “hey, we should live together” out of that? “Like I said, you’ve got trouble.”  He gave me another disappointed look, folded the bed back into the sofa, then picked up his bag from the floor.  He strode to the bathroom and closed the door on any further conversation. Crap.  I needed to talk to Clay again and find out what he intended.  I’d been counting on his feral upbringing and his need for freedom to cause him to reject my suggestion—a suggestion that hadn’t included him living with me.  I’d meant he should find a place nearby so we could go through the motions of human dating, which was the extent of my willingness to compromise.  I hadn’t thought he’d take any of it seriously but that, instead, he would just let me go. I
Melissa Haag (Hope(less) (Judgement of the Six #1))
THE CHARM OF THE STONES CONSECRATED TO DIANA To find a stone with a hole in it is a special sign of the favour of Diana, He who does so shall take it in his hand and repeat the following, having observed the ceremony as enjoined: — Scongiurazione della pietra bucata. Una pietra bucata U ho trovato; Ne ringrazio il destin, E k) spirito che su questa via Mi ha portata, Che passa essere il mio bene, E la mia buona fortuna! Mi alzo la mattina al alba, E a passegio me ne vo Nelle valli, monti e campi, La fortuna cercarvo Della ruta e la verbena, Quello so porta fortuna Me lo tengo in senno chiuso £ saperlo nessuno no le deve, £ cosi cio che commendo, " La verbena far ben per me ! Benedica quella strege! Quella fata che mi segna!" Diana fu quella Che mi venne la notte in sogno E mi disse : " Se tu voir tener Le cattive persone da te lontano, Devi tenere sempre ruta con te, Sempre ruta con te e verbena!" Diana, tu che siei la regina Del cielo e della terra e dell* inferno, E siei la prottetrice degli infelici, Dei ladri, degli assassini, e anche Di donne di mali afifari se hai conosciuto, Che non sia stato V indole cattivo Delle persone, tu Diana, Diana li hai fatti tutti felici! Una altra volta ti scongiuro Che tu non abbia ne pace ne bene, Tu possa essere sempre in mezzo alle pene^ Fino che la grazia che io ti chiedo Non mi farai! THE CHARM OF THE STONES Invocation to the Holy-Stone} I have found A holy-stone upon the ground. O Fate! I thank thee for the happy find, Also the spirit who upon this road Hath given it to me; And may it prove to be for my true good And my good fortune I I rise in the morning by the earliest dawn, And I go forth to walk through (pleasant) vales. All in the mountains or the meadows fair, Seeking for luck while onward still I roam, Seeking for rue and vervain scented sweet, Because they bring good fortune unto all. I keep them safely guarded in my bosom, That none may know it—'tis a secret thing. And sacred too, and thus I speak the spell: " O vervain ! ever be a benefit, And may thy blessing be upon the witch Or on the fairy who did give thee to me ! " It was Diana who did come to me, All in the night in a dream, and said to me: " If thou would'st keep all evil folk afar, Then ever keep the vervain and the rue Safely beside thee I" I hole ii . But such a slone is IS really a claim to the ARADIA Great Diana I thou Who art the queen of heaven and of earth, And of the inferna! lands—yea, thou who art Protectress of all men unfortunate, Of thieves and murderers, and c Who lead an evil life, and yet hast known That their nature was not evil, thou, Diana, Hast still conferred on them some joy in life.' Or I may truly at another time So conjure thee that thou shalt have no peace Or happiness, for thou shalt ever be In suffering until thou grantest that Which 1 require in strictest faith from thee! [Here
Charles Godfrey Leland (Aradia, Gospel of the Witches)
Tim Graham Tim Graham has specialized in photographing the Royal Family for more than thirty years and is foremost in his chosen field. Recognition of his work over the years has led to invitations for private sessions with almost all the members of the British Royal Family, including, of course, Diana, Princess of Wales, and her children. Diana had none of the remoteness of some members of royal families. Along with several of my press colleagues, I felt I came to know her quite well. She was a superstar, she was royal, but she was also very approachable. I have had various sessions with members of the Royal Family over the years, but those with her were more informal. I remember photographing Prince William at Kensington Palace when he was a baby. I was lying on the floor of the drawing room in front of the infant prince, trying to get his attention. Not surprisingly, he didn’t show much interest, so, without prompting, Diana lay down on the floor close to me and, using one of those little bottles of bubbles, starting blowing bubbles at him. Perfect. As he gazed in fascination at his mother, I was able to get the picture I wanted. I can’t think of many members of the Royal Family who would abandon protocol and lie on the carpet with you in a photo session! Funnily enough, it wasn’t the only time it happened. She did the same again years when she was about to send her dresses to auction for charity and we were sifting through prints of my photographs that she had asked to use in the catalog. She suggested that we sit on the floor and spread the photographs all around us on the carpet, so, of course, we did. I donated the use of my pictures of her in the various dresses to the charity, and as a thank-you, Diana invited me to be the exclusive photographer at both parties held for the dresses auction--one in London and the other in the United States. The party in New York was held on preview night, and many of the movers and shakers of New York were there, including her good friend Henry Kissinger. It was a big room, but everyone in it gravitated to the end where the Princess was meeting people. She literally couldn’t move and was totally hemmed in. I was pushed so close to her I could hardly take a picture. Seeing the crush, her bodyguard spotted an exit route through the kitchen and managed to get the Princess and me out of the enthusiastic “scrum.” As the kitchen door closed behind the throng, she leaned against the wall, kicked off her stiletto-heeled shoes, and gasped, “Gordon Bennett, that’s a crush!” I would have loved to have taken a picture of her then, but I knew she wouldn’t expect that to be part of the deal. You should have seen the kitchen staff--they were thrilled to have an impromptu sight of her but amazed that someone of her status could be so normal. She took a short breather, said hi to those who had, of course, stopped work to stare at her, and then glided back into the room through another door to take up where she had left off. That’s style!
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Tim Graham Tim Graham has specialized in photographing the Royal Family for more than thirty years and is foremost in his chosen field. Recognition of his work over the years has led to invitations for private sessions with almost all the members of the British Royal Family, including, of course, Diana, Princess of Wales, and her children. I donated the use of my pictures of her in the various dresses to the charity, and as a thank-you, Diana invited me to be the exclusive photographer at both parties held for the dresses auction--one in London and the other in the United States. The party in New York was held on preview night, and many of the movers and shakers of New York were there, including her good friend Henry Kissinger. It was a big room, but everyone in it gravitated to the end where the Princess was meeting people. She literally couldn’t move and was totally hemmed in. I was pushed so close to her I could hardly take a picture. Seeing the crush, her bodyguard spotted an exit route through the kitchen and managed to get the Princess and me out of the enthusiastic “scrum.” As the kitchen door closed behind the throng, she leaned against the wall, kicked off her stiletto-heeled shoes, and gasped, “Gordon Bennett, that’s a crush!” I would have loved to have taken a picture of her then, but I knew she wouldn’t expect that to be part of the deal. You should have seen the kitchen staff--they were thrilled to have an impromptu sight of her but amazed that someone of her status could be so normal. She took a short breather, said hi to those who had, of course, stopped work to stare at her, and then glided back into the room through another door to take up where she had left off. That’s style!
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
He can go fuck himself,” I say. “I’m sleeping on the couch.” “Shit, man, what did you do?” Matt asks. Logan signs something quickly. “Damn. You should make Paul sleep on the couch.” He chuckles. “Seems like he deserves it.” Logan stalks back into his room, and Matt looks at me, grinning. “You’re turning him inside out,” he says. Apparently not. He didn’t even look at me when I was naked. “What are your intentions with Logan?” he asks. His voice is quiet. He’s not threatening me. I think he’s genuinely curious. “I don’t have any intentions. He tossed me over his shoulder both times I’ve been here. It’s not like I had much choice in the matter.” “You could have said no,” Matt clarifies. He holds up a hand to stop me when I open my mouth to talk. “Paul was just trying to protect him. He’s never brought a girl home before. Not one he really likes.” “I’m the first one he won’t sleep with, I guess,” I murmur, more to myself than to him. Matt nods. “Yes, you are. That means you’re special.” He tweaks my nose as he walks by, and I make a face at him. He has cancer. I can’t be mad at him. Particularly not when he’s being so sweet. He turns back to face me. “He’s never wanted something real with a girl. Give him time to explore it before you start expecting more from him.” “That’s just it,” I argue. “I don’t expect anything.” “Yes, you do.” He looks sorry for me, and it pisses me off. “Apparently, I’m the only girl in the city of New York that he won’t sleep with.” I harrumph like a two-year-old who just dropped her ice cream. “I can’t believe I’m discussing my brother’s lack of sexual appetite with his girlfriend,” Matt mutters. “I’m not his girlfriend.” “Oh, honey,” he says, shaking his head. “You’re his first girlfriend.” I turn to look toward Logan’s room. I don’t know what to do. “Don’t fuck with him,” Matt warns. He’s suddenly very direct, and the intensity in his face is almost scary. “And don’t break his heart.” “He’d have to love me for that to be an issue.” Matt snorts. “You’re clueless, aren’t you?” he asks. “Apparently,” I say. Matt wraps my head in his arm and squeezes me against him, rubbing my head playfully with his knuckles. He stops and sniffs me. “You smell good,” he says. He laughs. “We don’t have much around here that smells good.” “Thank you,” I grumble. He pops me on the rear and points me toward Logan’s room. “Go talk to him,” he says. I yelp and look back at him over my shoulder. I can’t believe he just did that. “That was a ‘get your ass in the game’ smack. Not an ‘I want to see you naked’ smack,” he warns. I didn’t doubt what he meant. “I don’t mess with Logan’s women,” he says. He told me that the first night. “It’s a brother thing,” we both say at the same time. Matt grins. “Exactly,” he says.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Marcie felt something on her hair and woke to look into Ian’s rich brown eyes. Dawn was barely lighting the cabin and he was running his big hand over her curls. “Morning,” she said sleepily. He didn’t say anything. He just lowered his lips to hers and touched them gently, sweetly. She felt the brush of his beard, the soft flesh of his lips and let her eyes drop closed. He moved over her mouth for a moment. She moaned and slipped an arm around his neck, holding him there. He pulled back just a little and whispered, “We’re snowed in, honey.” “Good.” “I was jealous of Bobby, you know,” Ian said, petting her hair back along her temple, moving it over her ear. “Be careful, Ian—you’re talking about ‘it.’” “I’m ready to tell you anything you want to know. We were all a little jealous of Bobby. He had something real special with you. You sent him panties.” Her cheeks warmed in spite of herself. Her eyes got very round. “He showed you?” Ian chuckled. “He showed everyone. Very skimpy panties. I think they were lime-green with black lace or something.” “I cannot believe he showed you!” “He was proud of them. He kept them tucked in his inside pocket like a good-luck charm.” “They were perfectly clean, I’ll have you know.” “Aw, that almost comes as a disappointment,” Ian said, chuckling. “They should have had your scent on them.” “They had Tide and Downy on them!” “And you sent him that picture—on the motorcycle.” She put her hands over her face. In muffled tones she muttered, “I’m mortified.” He pulled her hands away and lightly kissed her again. “So the night I almost froze to death was actually the second time you’ve seen me in my underwear.” “Technically, I’ve seen your underwear a ton of times. I came home a couple of times to see your cute little rump sticking out of the covers, not to mention all that underwear on my tub, drying out,” he said. “And I’d trade my life to see you in your underwear again.” Her eyes got round for a minute, but then she smiled slightly and a little laugh escaped her. “I’ve heard some interesting come-ons in my limited experience, but that’s a new one. Tell me, do I have to shoot you after you peek?” “What if I told you, you might have to shoot me to stop me? Would that scare you?” “You don’t scare me, Ian. I know you’d protect me from anything. Even yourself.” He
Robyn Carr (A Virgin River Christmas (Virgin River #4))