Spear Shot Quotes

We've searched our database for all the quotes and captions related to Spear Shot. Here they are! All 55 of them:

I tugged on the hem of his shirt, and he rose onto his elbows, helping me remove his jacket, then the shirt beneath. A bruise marred his ribs, an angry splotch— “It’s fine,” he said before I could speak. “A lucky shot.” “With what?” Again, that half smile. “A spear?” My heart stopped. “A …
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
No up. No down. No sky. No ground. Just endless dark shot through with tiny spears of sunlight older than you and your entire species stacked end to end. You want to feel small? Spend sixty seconds in a Cyclone's cockpit, chum. Look out at the nothing and feel it looking back. Then you know exactly how much you add up to.
Jay Kristoff (Illuminae (The Illuminae Files, #1))
He slides one shot glass in front of me and raises his. “To us. We’ve officially outlasted at least one or two celebrity marriages. Britney Spears comes to mind.
Meghan March (Dirty Billionaire (The Dirty Billionaire Trilogy, #1))
My father shoved aside my bowl of receipts, setting up his things on the bar. “I just want to let you know,” he said, “I call the shots. You sit right there in that chair and I’ll tell you what goes on.” I looked at him with a growing sense of horror. “I’m Britney Spears now,” he said.
Britney Spears (The Woman in Me)
According to the Hindus, the Muslims were to blame. The fact is, both sides killed. Both shot and stabbed and speared and clubbed. Both tortured. Both raped.
Khushwant Singh (Train to Pakistan)
Puberty in the 2000s was Paris Hilton’s sex tape and Britney Spears’s crotch shots and Amy Winehouse drunk on Never Mind the Buzzcocks, and if any of that happened now we would have found a way to celebrate it, but then it was disgusting.
Caroline O'Donoghue (The Rachel Incident)
Are you at all sorry?" Neil asked. "You took his family away from him." If looks could kill, the one Aaron shot Neil should have flayed the skin from his bones. "That man was not his family." "Technically, he was only a couple signatures away from being Andrew's legal brother. I didn't mean him, anyway. I meant Drake's parents, Cass and Richard Spear," Neil said. "They were going to keep Andrew. Drake was an inconvenience Andrew was willing to live with in exchange." "An inconvenience," Aaron echoed as he surged to his feet. "You fucking—" "And now Drake is dead," Neil said. "Do you think Cass will ever forgive Andrew? It doesn't matter what Drake did to him. She won't be able to look at Andrew without knowing her son is dead because of him." "I don't care." Aaron gave a savage jerk of his hand. "I don't care if Andrew never speaks to me again. I don't care about Cass or Drake or anyone. What Drake did—no. If I could bring him back from the dead and kill him again I would." "Good," Neil said quietly. "So now you understand why Andrew killed your mother.
Nora Sakavic (The Raven King (All for the Game, #2))
This is my hall. And I do not--” She was cut off as a sharp spear of fire shot out of Arosh’s fingers. Livia pulled a guard in front of her, who immediately turned to ash. “Shut up, woman. I am speaking.
Elizabeth Hunter (A Fall of Water (Elemental Mysteries, #4))
HE WAS SITTING ON THE FLAT STONE THAT SERVED as a doorstep, waiting for his supper to cook. The late sun slanted in long yellow bars across the clearing. The forest beyond was already in shadow. Matt was feeling well pleased with his day. That morning he had shot a rabbit. He had skinned it carefully, stretching the fur against the cabin wall to dry.
Elizabeth George Speare (The Sign of the Beaver)
Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She was so nice to look at that Joe twice stabbed his left foot when he thought he was spearing a bit of litter, though neither wound was serious enough to require a tetanus shot.
Dean Koontz (Ricochet Joe)
New Rule: The White House doesn't have to release the dead Bin Laden photos, but don't pretend we can't take it. We've seen pictures of Britney Spears's vagina getting out of a car. Television has desensitizes us to violence, and porn has desensitized us to people getting shot in the eye.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
June sent Jean to Southeast Louisiana Hospital, a by-all-accounts horrible asylum in Mandeville, where she was put on lithium. In 1966, when she was thirty-one, my grandmother Jean shot herself with a shotgun on her infant son’s grave, just over eight years after his death. I can’t imagine the grief that she must have felt.
Britney Spears (The Woman in Me)
(On WWI:) A man of importance had been shot at a place I could not pronounce in Swahili or in English, and, because of this shooting, whole countries were at war. It seemed a laborious method of retribution, but that was the way it was being done. ... A messenger came to the farm with a story to tell. It was not a story that meant much as stories went in those days. It was about how the war progressed in German East Africa and about a tall young man who was killed in it. ... It was an ordinary story, but Kibii and I, who knew him well, thought there was no story like it, or one as sad, and we think so now. The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all. But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. ... He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight. He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant. But of course it meant something to Kibii and me, because the tall young man was Kibii's father and my most special friend. Arab Maina died on the field of action in the service of the King. But some said it was because he had forsaken his spear.
Beryl Markham (West with the Night)
When the magazine came out, the photos were controversial because the cover shot of me in my underwear holding a Teletubby played up how young I was. My mother seemed concerned, but I knew that I wanted to work with David LaChapelle again.
Britney Spears (The Woman in Me)
This is not a man,” Cade said, his voice like a crypt door slamming. “In almost a hundred years, I have seen it shot, stabbed, drowned, burned, decapitated, dismembered and buried. And in almost a hundred years, there’s only been one thing that’s ever been able to kill it.” “What?” Latham asked, his voice squeaking. Cade’s eyes speared every agent in the room as he answered: “Me.
Christopher Farnsworth (Red, White, and Blood (Nathaniel Cade, #3))
She loved the way the wind whipped their kilts about. She caught a gorgeous shot of Grant's very toned, hot ass. That would teach him to go without any briefs on a windy day! Maybe he thought she would be so shocked to see him naked beneath the kilt that she'd run off. Not her.
Terry Spear (Hero of a Highland Wolf (Heart of the Wolf #14; Highland Wolf #4))
A humming vibration filled the bay before the ship shot forward, like the tip of a crystal spear hurtling through the black expanse.
Sasha Alsberg (Zenith (The Androma Saga, #1))
This Proto-Indo-European term ghosti (from which we get the words guest, host and ghost) referred to a kind of unspoken etiquette, a notion that on seeing strangers on the horizon, rather than choose to fell them with spears or sling-shots, instead we should take the risk of welcoming them across our threshold – on the chance that they might bring new notions, new goods, fresh blood with them. Over time this word-idea evolved into the Greek xenia – ritualised guest–host friendship, an understanding that stitched together the ancient Mediterranean and Near Eastern worlds.
Bettany Hughes (Istanbul: A Tale of Three Cities)
We pick up our shots and for the first time there's a total absence of sound in the room. From the ceiling, shy silver things blink and wait. Dennis doesn't sit, but hovers at the edge of the table, leaning in with a darkroom perfected slump. His hair hangs like its edges were dipped in lead. Thin spears pointing to the table. I'm looking at his face; we're both serious in a self-aware way, pretending not to notice. "It doesn't even feel like I left. God, you look fucking terrible. But it's a terrible face that drinks tequila well. Down. And cheers." We force a dull clash of cups and pour everything down at once. The hard tequila shudders that never happen in the movies. First your head feels light, then it starts receiving the distress signals from throat, lungs, belly. Your shoulders jerk to shake off the snake that wrapped around you and squeezed. It burns. The good burn.
Laurie Perez (Torpor: Though the Heart Is Warm)
Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.
Karen Marie Moning (Faefever (Fever, #3))
Then she said, "Thorfinn!" quickly, and moved to him; but had hardly got to his side before he loosed his fingers and thumbs and plunged them down to the mattress like spear-points. "No!Macbeth. Macbeth. Macbeth!" the name reached her like sling-shot. Groa said, "They are the same man. I should know. I married both.
Dorothy Dunnett (King Hereafter)
Aelin snarled, “You killed him.” The king approached, his footfalls thudding on the glass bridge. “My one regret,” the king said to her, “is that I did not get to take my time.” She backed up a step—just one. The king drew Nothung. “I’ll take my time with you, though.” Aelin lifted her sword in both hands. Then— “What did you say?” Dorian. The voice was hoarse, broken. The king and Aelin both turned toward the prince. But Dorian’s eyes were on his father, and they were burning like stars. “What did you say. About Chaol.” The king snapped. “Silence.” “Did you kill him.” Not a question. Aelin’s lips began trembling, and she tunneled down, down, down inside herself. “And if I did?” the king said, brows high. “Did you kill Chaol?” The light at Dorian’s hand burned and burned— But the collar remained around his neck. “You,” the king snapped—and Aelin realized he meant her just as a spear of darkness shot for her so fast, too fast— The darkness shattered against a wall of ice.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It won’t take long. And you know what you can do in the meantime? You can tell my friend here all about your doll.” “What?” Bellamy shot her a look. “I’m coming with you.” “No extraneous activity for you. Doctor’s orders.” Bellamy rolled his eyes, then sighed and turned to the little girl. “So…” she heard him say as she hurried off. “What’s your doll’s favorite way to hunt? Does she like spears or bows and arrows?” Clarke grinned to herself as she imagined the look of confusion on the little girl’s face, then took another flight of stairs down and turned in the direction she assumed led to the bedrooms, but the layout of this floor was different than the one above. She backtracked and tried going the other way but ended up even more turned around. The
Kass Morgan (Homecoming (The Hundred, #3))
Panic- and rage. That was all he knew as he shot down into the heart of the pit, spearing for that ancient darkness that had once shaken him to his very marrow. Nesta was there- and Feyre. It was the former her saw first, stumbling out of the dark, wide-eyed, her fear a tang that whetted his rage into something so sharp he could barely think, barely breathe- She let out a small, animal sound- like some wounded stag- as she saw him. As he landed so hard his knees popped. He said nothing as Nesta launched herself toward him, her dress filthy and dishevelled, her arms stretching for him. He opened his own for her, unable to stop his approach, his reaching- She gripped his leathers instead. 'Feyre,' she rasped, pointing behind her with a free hand, shaking him solidly with the other. Strength- such untapped strength in that slim, beautiful body. 'Hybern.' That was all he needed to hear. He drew his sword- then Rhys was arrowing for them, his power like a gods-damned volcanic eruption. Cassian charged ahead into the gloom, following the screaming-
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!
Herman Melville (Moby Dick)
If you’re going to shoot me, do it. Do you think I’m afraid of you?” Camille asked. No bullet could hurt worse than the thought of her father drowning, or the sight of Oscar gurgling for air as he lay in a pool of his own blood. She stared into the barrel of the rifle. “You’re a coward. Heartless and cruel, and the devil won’t even want you.” A single shot and she’d be back with her father and Oscar. She’d have them both. Perhaps that was why Umandu hadn’t worked; her heart hadn’t been able to decide. McGreenery pressed the cold steel against her throat. He bared his teeth, losing every ounce of composure and calculated grace. Camille threw a glance toward Ira, who finally jammed his knife into the ribs of his opponent. He pulled the blade free in time to see her at the end of McGreenery’s rifle. But instead of running toward her, he stopped and stared. What was he doing? McGreenery reeled forward. The rifle and stone clattered to the floor. His lips parted. “What-?” he rasped. Camille stared at him, equally bewildered. A sharp metal spike protruded from his chest and glinted in the single band of sunlight streaming from the dome’s entrance. McGreenery collapsed to his knees and revealed his assailant to her. Oscar placed a foot on McGreenery’s back and kicked him forward, sliding him off the very spear McGreenery had used to kill him. “Let’s see how you like it,” Oscar said and tossed the spear aside.
Angie Frazier (Everlasting (Everlasting, #1))
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you get nailed by this poison?” The bushmen smiled broadly. “We die,” they said. John filmed every step of the way as the skin of Steve’s arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene. Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we’d be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside. The Africa trip had taken Steve away from us for three weeks, and Bindi had changed so much while he was away. We agreed that we would never be apart from Bindi and that at least one of us would always be with her. I just felt bad for Steve that I had been the lucky one for the past three weeks. He missed her so much. The next documentary would be different.
Terri Irwin (Steve & Me)
The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths.
Herman Melville (Moby Dick or The Whale)
It is said that, as he wandered the streets of the City, an ancient jackbird cycled three times above him, then came to rest upon Sam's shoulder, saying: "Are you not Maitreya, Lord of Light, for whom the world has waited, lo, these many years–he whose coming I prophesyed long ago in a poem?" "No, my name is Sam," he replied, "and I am about to depart the world, not enter into it Who are you?" "I am a bird who was once a poet. All morning have I flown, since the yawp of Garuda opened the day. I was flying about the ways of Heaven looking for Lord Rudra, hoping to befoul him with my droppings, when I felt the power of a weird come over the land. I have flown far, and I have seen many things, Lord of Light." "What things have you seen, bird who was a poet?" "I have seen an unlit pyre set at the end of the world, with fogs stirring all about it. I have seen the gods who come late hurrying across the snows and rushing through the upper airs, circling outside the dome. I have seen the players upon the ranga and the nepathya, rehearsing the Masque of Blood, for the wedding of Death and Destruction. I have seen the Lord Vayu raise up his hand and stop the winds that circle through Heaven. I have seen all-colored Mara atop the spire of the highest tower, and I have felt the power of the weird he lays–for I have seen the phantom cats troubled within the wood, then hurrying in this direction. I have seen the tears of a man and of a woman. I have heard the laughter of a goddess. I have seen a bright spear uplifted against the morning, and I have heard an oath spoken. I have seen the Lord of Light at last, of whom I wrote, long ago: Always dying, never dead; Ever ending, never ended; Loathed in darkness, Clothed in light, He comes, to end a world, As morning ends the night. These lines were writ By Morgan, free, Who shall, the day he dies, See this prophecy." The bird ruffled his feathers then and was still. "I am pleased, bird, that you have had a chance to see many things," said Sam, "and that within the fiction of your metaphor you have achieved a certain satisfaction. Unfortunately, poetic truth differs considerably from that which surrounds most of the business of life." "Hail, Lord of Light!" said the bird, and sprang into the air. As he rose, he was pierced through by an arrow shot from a nearby window by one who hated jackbirds. Sam hurried on.
Roger Zelazny (Lord of Light)
I turn my body from the sun. What ho, Tashtego! Let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow, - death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! Thus, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the groove; - ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched; - at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Through the breach, they heard the waters pour, as mountain torrents down a flume. "The ship! The hearse!--the second hearse!" cried Ahab from the boat; "its wood could only be American!" Diving beneath the settling ship, the whale ran quivering along its keel; but turning under water, swiftly shot to the surface again, far off the other bow, but within a few yards of Ahab's boat, where, for a time, he lay quiescent. "I turn my body from the sun. What ho, Tashtego! let me hear thy hammer. Oh! ye three unsurrendered spires of mine; thou uncracked keel; and only god-bullied hull; thou firm deck, and haughty helm, and Pole-pointed prow,--death-glorious ship! must ye then perish, and without me? Am I cut off from the last fond pride of meanest shipwrecked captains? Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmost grief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my whole foregone life, and top this one piled comber of my death! Towards thee I roll, thou all-destroying but unconquering whale; to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee. Sink all coffins and all hearses to one common pool! and since neither can be mine, let me then tow to pieces, while still chasing thee, though tied to thee, thou damned whale! THUS, I give up the spear!" The harpoon was darted; the stricken whale flew forward; with igniting velocity the line ran through the grooves;--ran foul. Ahab stooped to clear it; he did clear it; but the flying turn caught him round the neck, and voicelessly as Turkish mutes bowstring their victim, he was shot out of the boat, ere the crew knew he was gone. Next instant, the heavy eye-splice in the rope's final end flew out of the stark-empty tub, knocked down an oarsman, and smiting the sea, disappeared in its depths. For an instant, the tranced boat's crew stood still; then turned. "The ship? Great God, where is the ship?" Soon they through dim, bewildering mediums saw her sidelong fading phantom, as in the gaseous Fata Morgana; only the uppermost masts out of water; while fixed by infatuation, or fidelity, or fate, to their once lofty perches, the pagan harpooneers still maintained their sinking lookouts on the sea. And now, concentric circles seized the lone boat itself, and all its crew, and each floating oar, and every lance-pole, and spinning, animate and inanimate, all round and round in one vortex, carried the smallest chip of the Pequod out of sight. But as the last whelmings intermixingly poured themselves over the sunken head of the Indian at the mainmast, leaving a few inches of the erect spar yet visible, together with long streaming yards of the flag, which calmly undulated, with ironical coincidings, over the destroying billows they almost touched;--at that instant, a red arm and a hammer hovered backwardly uplifted in the open air, in the act of nailing the flag faster and yet faster to the subsiding spar. A sky-hawk that tauntingly had followed the main-truck downwards from its natural home among the stars, pecking at the flag, and incommoding Tashtego there; this bird now chanced to intercept its broad fluttering wing between the hammer and the wood; and simultaneously feeling that etherial thrill, the submerged savage beneath, in his death-gasp, kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks, and his imperial beak thrust upwards, and his whole captive form folded in the flag of Ahab, went down with his ship, which, like Satan, would not sink to hell till she had dragged a living part of heaven along with her, and helmeted herself with it. Now small fowls flew screaming over the yet yawning gulf; a sullen white surf beat against its steep sides; then all collapsed, and the great shroud of the sea rolled on as it rolled five thousand years ago.
Herman Melville
Before she could talk to Vaughn about her parents’ plans, he said, “I didn’t figure that you telling your dad that you shot me would go over too well. I’m surprised he didn’t ask if it was by accident or on purpose.” “He knew it would be on purpose. I’d never shoot anyone accidentally.
Terry Spear (SEAL Wolf Undercover (Heart of the Wolf #22; SEAL Wolf #5))
That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you get nailed by this poison?” The bushmen smiled broadly. “We die,” they said.
Terri Irwin (Steve & Me)
That night Bindi, Steve, and I all curled up in bed together. “As long as we’re together,” Steve said, “everything will be just fine.” It was spooky, and I didn’t want to think about it, but it did indeed seem that Steve got into trouble more when he was off on his own. Around that time, on a shoot in Africa with the bushmen of the Kalahari Desert, Steve slipped as he rushed to get a shot of a lizard. He put his hand out to catch himself, and placed it down right in the middle of a euphorbia plant. The bush broke into pieces, and the splinters sank deep into Steve’s hand. Kalahari bushmen use the resin of the euphorbia plant to poison-tip their spears. Steve’s arm swelled and turned black. He became feverish and debated whether to go home or to the hospital. He sought the advice of the bushmen who worked with the poisonous resin regularly. “What do you do if you net nailed by this poison?” The bushmen smiled broadly. “We die,” they said. John filmed every step of the way as the skin of Steve’s arm continued to blacken and he rode out the fever. He worried about the residual effects of gangrene. Ultimately, Steve survived, but he felt the effects for weeks afterward. Once again, Steve and I discussed how uneasy we felt when we were apart. Every time we were together on a trip, we knew we’d be okay. When we were apart, though, we shared a disconcerting feeling that was hard to put into words. It made me feel hollow inside. The Africa trip had taken Steve away from us for three weeks, and Bindi had changed so much while he was away. We agreed that we would never be apart from Bindi and that at least one of us would always be with her. I just felt bad for Steve that I had been the lucky one for the past three weeks. He missed her so much. The next documentary would be different.
Terri Irwin (Steve & Me)
Later on, Orpheus stood beside the hearth fire in the center of the hall and sang about the day’s adventure. On his lips, the northern raiders were transformed from swift, deadly riders to winged and taloned monsters, part hawk, part woman. Because they could fly so high that spears and arrows couldn’t reach them, only men with the blood of the gods in their veins could end the havoc they caused. Luckily, a ship of heroes came ashore to rid the land of the hideous creatures. Zetes and Kalais, the sons of Boreas, had inherited the North Wind’s ability to fly and soon defeated the Harpies. They would trouble good Lord Phineas no more. Orpheus finished his song, and the men cheered and banged their fists on the tables so loudly that it seemed like they’d bring the roof down in pieces. As for me, I kept my mouth shut and my arms folded. Orpheus noticed my frosty look when he sat back down. “You didn’t like it,” he murmured. “They deserved better,” I replied stiffly. “They were brave fighters.” “I thought I made that clear. Just look at Zetes over there, grinning ear to ear in spite of a nasty arrow wound that probably still burns like Hephaestus’s own forge-fires. It might leave him half lame for life, but he won’t mind, because in my song, he owns the sky.” “You didn’t see the way he fought today,” I shot back. “He’s not worthy to own a mud puddle. They fought well, those women. They were as skilled and courageous as any man, so you turned them into monsters!” Orpheus was silent for a little while. Then he took a sip of wine and said, “They attacked without warning, they destroyed good ships for the sake of destruction, they violated the sanctity of a sacrifice to the gods, and they would have cut down a blind old man, king or not, if we hadn’t come ashore when we did. I won’t argue with you about their valor or their mastery of weapons and horses, but see them for what they are, lad. You say I’ve made them monsters, yet you’d make them gods. They’re women, human women, as praiseworthy and as flawed as any fighting men I’ve ever known, but plain truth makes a poor song.
Esther M. Friesner (Nobody's Prize (Nobody's Princess, #2))
Magnus pondered the twelve people taking up residence at the Hawk and Spear Inn, realizing that nearly half of them wanted him dead. “And you’re definitely one of them,” he muttered as Nic trudged through the meeting hall, glaring as he passed the prince. Magnus was sitting alone at a table in front of a sketchbook he’d found in a drawer in his room. “Cassian, look,” he called. “I drew a picture of you.” Magnus raised the sketchbook. His fingers smeared with charcoal, he held up a page on which he’d drawn an image of a skinny boy hanging from a noose, his tongue dangling from his mouth, two morbid Xs where the eyes should have been. Nic, allegedly a very friendly fellow to everyone else in the world, shot Magnus a look of sheer hatred. “You think that’s funny?” “What? You don’t like it? Well, they do say art is subjective.
Morgan Rhodes
Muslims said the Hindus had planned and started the killing. According to the Hindus, the Muslims were to blame. The fact is, both sides killed. Both shot and stabbed and speared and clubbed. Both tortured. Both raped.
Khushwant Singh (Train to Pakistan)
his attention to jerk up in a quick second. He stopped and searched around trying to spot the source. There, beyond a patch of Elderberry, something fat and filthy waddled down a muddy path. His heart pounded and jumped at the sight. This was it. Tensing his muscles, he bent low, stalking after the animal. He glanced at Mara, and sent her a victorious grin. It was a big, burly boar. He followed after the tromping creative until it reached the stream and grunted at a wallow surrounded by a circle of mossy rocks, finally settling into the mud. This was his first chance at hunting a boar. But when he really got a good look at the fat beast a jolt of fear shot through him. Those are some massive tusks, he thought. But by now Mara had already nocked an arrow. Their plan all along had been to weaken the boar at range and switch to spears and daggers to stop its advance. Seemed like a bloody stupid plan now staring at the powerful creature. Part of the plan always included dragging the boar back to Mother’s kitchen for a fine roast. And seeing Father’s proud eyes as he said, “You’re a fine hunter, son.” An unlikely dream. At Mara’s questioning look he quickly nocked an arrow and nodded at her. She turned back to face the boar, but her eyes remained wary and fearful. This would be a tricky shot. He leaned to the side and felt the tension strain his arms as he pulled the string back, aimed, and released the arrow straight at the boar. It was a good shot, but the arrow caught a thicket's branch and droned off past the creature. Damned! How could he miss? The boar jerked its head up and glared at Talis. He barely had a second to think before the beast sloshed in the stream, bounding towards him. He ducked as Mara’s arrow flew past him and slammed into the boar's chest. Why was he just stupidly standing instead of
John Forrester (Fire Mage (Blacklight Chronicles, #1))
followed after the tromping creative until it reached the stream and grunted at a wallow surrounded by a circle of mossy rocks, finally settling into the mud. This was his first chance at hunting a boar. But when he really got a good look at the fat beast a jolt of fear shot through him. Those are some massive tusks, he thought. But by now Mara had already nocked an arrow. Their plan all along had been to weaken the boar at range and switch to spears and daggers to stop its advance. Seemed like a bloody stupid plan now staring at the powerful creature. Part of the plan always included dragging the boar back to Mother’s kitchen for a fine roast. And seeing Father’s proud eyes as he said, “You’re a fine hunter, son.” An unlikely dream. At Mara’s questioning look he quickly
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Barrons’ hand shot out and closed around V’lane’s throat. “You lying fuck.” V’lane grabbed Barrons’ arm with one hand, his throat with the other. I stared, fascinated. I was so discombobulated by recent developments that I hadn’t even realized Barrons and V’lane were standing face-to-face on a crowded dance floor for what was probably the first time in all eternity—close enough to kill each other. Well, close enough for Barrons to kill V’lane. Barrons was staring at the Fae prince as if he’d finally caught a fire ant that had been torturing him for centuries while he’d lay spread-eagled on the desert, coated in honey. V’lane was glaring at Barrons as if he couldn’t believe he’d be so stupid. “We have larger concerns than your personal grievances,” V’lane said with icy disdain. “If you cannot remove your head from your ass and see that, you deserve what will happen to your world.” “Maybe I don’t care what happens to the world.” V’lane’s head swiveled my way, cool appraisal in his gaze. “I have permitted you to retain your spear, MacKayla. You will not let him harm me. Kill him—” Barrons squeezed. “I said shut up.” “He has the fourth stone,” I reminded Barrons. “We need him.” “Keltars!” V’lane said, staring up at the foyer. He hissed through his teeth. “I know. Big fucking party tonight,” said Barrons. “Where? Is that who just came in?” I said. Barrons leaned closer to V’lane and sniffed him. His nostrils flared, as if he found the scent both repulsive and perfect for a fine, bloody filet. “Where is she?” a man roared. The accent was Scottish, like Christian’s but thicker. V’lane ordered, “Shut him up before his next question is, ‘Where is the queen,’ and every Unseelie in this place discovers she is here.” Barrons moved too fast for me to see. One second, V’lane was his usual gorgeous self, then his nose was crushed and gushing blood. Barrons said, “Next time, fairy,” and was gone. “I said, where the bloody hell is the—” I heard a grunt, then the sounds of fists and more grunts, and all hell broke loose at Chester’s.
Karen Marie Moning (Shadowfever (Fever, #5))
She wobbled, steadying herself against the pale blue walls. “You’ve been going out alone?” “Yes.” He reached out for her arm, but she tore it away from him. “Beth—” She yanked open the door. “Don’t touch me.” The thing clapped shut behind her. Rage at himself had Wrath spinning toward his desk, and the instant he saw all the papers, all the requests, all the complaints, all the problems, it was like someone hooked jumper cables up to his shoulder blades and hit him with a charge. He shot forward, swept his arms across the top, and sent the shit flying everywhere. As papers fluttered down like snow, he took off his sunglasses and rubbed his eyes, a headache spearing into his frontal lobe. Robbed of breath, he stumbled around, finding his chair by feel and collapsing into the damn thing. With a ragged grunt, he let his head fall back. These stress headaches were becoming a daily occurrence lately, wiping him out and lingering like a flu that refused to be cured. Beth. His Beth… When he heard a knock, he gave the f-word a workout. The knock came again. “What,” he barked. Rhage put his head around the jamb, then froze. “Ah…” “What.” “Yeah, well…Ah, going by the door slamming—and, wow, the stiff wind that clearly just blew by your desk—do you still want to meet with us?” -Beth, Wrath, & Rhage
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Drake's whip hand spun Diana like a top. She cried out. That sound, her cry, pierced Caine like an arrow. Diana staggered and almost righted herself, but Drake was too quick, too ready. His second strike yanked her through the air. She flew and then fell. “Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow. Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin. Caine froze. The fuel rod, forgotten, fell from the air with a shattering crash. It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship. It bent, cracked, rolled off the boulder, and crashed heavily in the dirt. Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!” The radiation meter in his pocket was counting clicks so fast, it became a scream. Drake piled into Jack, and the two of them went tumbling. Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke. “No!” Caine cried. “No!” Drake was up, disentangling himself with an angry curse from Jack. “Diana,” Caine sobbed. Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM. Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone. Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat. Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!” Sam wobbled atop the rise. Quinn caught him as he staggered. Now Caine snapped back to the present, seeing his brother, seeing the killing light. “No,” Caine said. “No, Sam: He’s mine.” He raised a hand, and Sam went flying backward along with Quinn. “The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!” Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough. Caine raised his hand, and the fuel rod seemed to jump off the ground. A javelin. A spear. He held it poised. Pointed straight at Drake. Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized. Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…” Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear. Caine threw the fuel rod. Tons of steel and lead and uranium. Straight at Drake.
Michael Grant (Hunger (Gone, #2))
We are going to fuck now. And you can try to prove to me whatever the hell you want,” Prophet growled before putting his mouth on Tommy’s. Because enough talking. It was time for the goddamned kissing, hard and fast and smooth and slow and any and every way in between, until Tommy was humping his thigh. He allowed it, wondering if he should just keep kissing Tommy and let him get off like this, because fuck, that would be hot. But he was too far gone for that. Instead, he pulled back and turned Tom around, pushed him down, chest first, against the table. Kicked Tom’s thighs apart and sank to his knees because he hadn’t been kidding about using his tongue. Breached Tom, who nearly shot off the table, but then stilled. Tom’s entire body shuddered, and Prophet buried his tongue deep, speared it in and out, opening the man so he could ride him hard. Tom began to hump the table, but Prophet held him steady so he couldn’t. Tom was cursing. Begging. Prophet
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
Crack! Crack! The sniper. More swearing and more shooting. After some minutes two M-1 tanks arrived, clanking and smoking. They leveled their terrible guns. Ka-boom. Ka-boom. Ten shots. The shock waves bounced off our ears. Someone pointed and yelled. “Look!” shouted Corporal Christopher Spears. “He’s on a bike!” A man pedaled away from the building, away from the marines, in an alley. There was no shot to take; the angle was oblique. “He’s in the road, he’s in the road!” Eckert yelled. “Shoot him!” Evening approached. The sun sagged. Six hours had passed since the sniper first fired. The ruins belched smoke and fire. Omohundro sent a squad across the street. They put out clouds of green smoke to cover their advance. No one fired. The marines entered the building, what was left of it. There was no one inside.   I
Dexter Filkins (The Forever War)
...Lindsay Lohan is a textbook persecuted gothic heroine. In the space of about two months just after Christmas 2006, Lindsay Lohan entered rehab; Anna Nicole Smith was found dead in her suite at the Seminole Hard Rock Hotel and Casino, surrounded by prescription-pill bottles, nicotine gum, and empty cans of SlimFast; and Britney Spears, trailed by paparazzi, walked into a Sherman Oaks tattoo parlor and shaved her head. Each time women like these made headlines, the headlines shot to the top of the most-read lists. The hunger for Britney's pantyless crotch shots dominated even as troops surges, systematic layoffs, and a rise in global warming and global terrorism took place, and as global credit and asset bubbles headed for a pop. It was as though the tabloids were not just distracting us from the scary stuff but enacting our fears and honing our outrage to bite-size pieces. (What were suspect sites and credit-default swaps, anyway?) More virgins were sacrificed to the god of war. Because that's who got it the worst by far: the former child stars and erstwhile Mouseketeers who had the temerity to grow up.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
You can’t be a normal bartender and just get beer and a shot?” she said. “Mezcal on the rocks, maybe? Where’s your bar-hardened disdain for sugar, Vince?” “Excuse me for liking things that actually taste good,” I said, poking my toothpick-speared strawberry garnish at her. “I haven’t managed to develop a taste yet for the liquid form of a burned tire.
Harley Laroux (Losers: Part II (Losers, #2))
Trenton’s disgusted look answered that question even as Wilhelm shook his head and said, “They’ll be almost as useless as the sword. With something that big, it probably won’t even notice unless we hit an eye.”   Which most likely still wouldn’t kill it.   The same with any attacks on the body. At most, they’d be a minor nuisance.   “That leaves one option,” Shea said in a resigned voice.   “You have a plan, then?” Witt asked, keeping an eye on their surroundings.   “Yup, but I don’t think any of you are going to like it.” Shea’s expression turned sour. If she was being honest, she didn’t like her plan either.   Trenton stared at her for several beats before he shook his head. “No, that’s crazy.”   “It’s the best option we’ve got ,” Fallon agreed, his mind already following where hers had gone.   Surprise and understanding dawned on Wilhelm and Witt’s faces as they realized what she was thinking.   “I feel like your plans get worse and worse the longer I know you—like gone ‘round the bend crazy worse,” Trenton said. To Fallon, he said, “At least tell me we’re not letting her do the honors.”   Fallon’s eyes were dark as he stared at Shea. It was obvious he wanted to order her to abandon their group and head to the Keep by herself, even at the expense of his own safety. It was just as obvious she would refuse.   “No, we’re not,” he agreed with Trenton. “One of us will do it.”   “I didn’t expect anything else.” Shea gave Fallon a half smile. “I could never make that throw. That’s why Wilhelm will do it.”   Wilhelm lifted an eyebrow. “I will?”   “Wait a minute. Why not me?” Trenton asked in outrage.   Shea ignored him to answer Wilhelm’s question. “I’m not skilled enough with a spear. Same for Witt, and the doubter over there is still recovering from cracked ribs and internal bleeding. And if we let Fallon do it, I’m pretty sure Caden would murder us all once he found out about it. That leaves you.”   “Hey!” Trenton protested.   Fallon looked like he wanted to argue, but he must have seen her point. Of the five of them, Wilhelm was the one with the best marksmanship. Beyond all of the other reasons, that was the one that counted the most and Fallon knew it.   Wilhelm stared off into the mist with a considering expression before looking sideways at Shea, his face serious and intent. “We’ll only get one chance at this.”   “Guess you’d better make the shot count, then,” she told him.   “Incoming,” Witt murmured.
T.A. White (Wayfarer's Keep (The Broken Lands, #3))
But I felt it then. The tap against my mind. Saw their plan, clear and simple: rile us, distract us, while the two quiet royals slid into our minds. Mine was shielded. But Lucien’s—Tamlin’s— I reached out with my night-kissed power, casting it like a net. And found two oily tendrils spearing for Lucien’s and Tamlin’s minds, as if they were indeed javelins thrown across the table. I struck. Dagdan and Brannagh jolted back in their seats as if I’d landed a physical blow, while their powers slammed into a barrier of black adamant around Lucien’s and Tamlin’s minds. They shot their dark eyes toward me. I held each of their gazes.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Once magic is free, who is to stop the monsters from coming out again? Who is to stop you?” A spear of ice shot through her heart. Monster.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
A fire-breathing dragon chased a mermaid across the forest on his abdomen, while cherubs shot arrows from above his ribs. Some speared coy fish, while others pierced clouds that bled yellow dandelions and peach flower petals. Some of the petals dripped toward his legs, which were covered in detailed circus scenes.
Stephanie Garber (Caraval (Caraval, #1))
And then Nesta began screaming. Not in pain. But a name. Over and over. 'CASSIAN.' Amren reached for her, but Nesta roared, 'CASSIAN!' She scrambled to her feet as if she'd leap into the skies. Her body lurched, and she went down, heaving again. A figure shot from the Illyrian ranks, spearing for us, flapping hard, red Siphons blazing-
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I WAS THE CATCHER for the Lake Luzerne Dodgers, a catcher with meager talent, a catcher in awe of Danny and Teddy. Danny was the first baseman and Teddy, the coach's son, was the left fielder. They were natural athletes: they could hit fastballs (a small miracle of hand-eye coordination that I never mastered), and they glided around the base paths with the grace of gazelles. They were, to a ten-year-old who was batting .111, the embodiment of beauty and summer and health. As I drifted to sleep at night, it was often with the image of Danny, horizontal and three feet off the ground, spearing a line drive, or of Teddy stretching a single into a double by slipping under the tag. In the early hours of a chilly, August, upstate New York morning, my father woke me. "Danny's got polio," he said. A week later Teddy got it too. My parents kept me indoors, away from other kids. Little League was suspended, the season unfinished. The next time I saw Danny, his throwing arm was withered and he couldn't move his right leg. I never saw Teddy again. He died in the early fall. But the next summer, the summer of 1954, there was the Salk vaccine. All the kids got shots. Little League resumed. The Lake Luzerne Dodgers lost the opening game to the Hadley Giants. The fear that kept us housebound melted away and the community resumed its social life. The epidemic was over. No one else I knew ever got polio.
Martin E.P. Seligman (The Optimistic Child)
The young man tied his shuka on his shoulder one day and took his shield and his spear and went to war. He thought war was made of spears and shields and courage, and he brought them all. But they gave him a gun, so he left the spear and the shield behind him and took the courage, and went where they sent him because they said this was his duty and he believed in duty. He believed in duty and in the kind of justice that he knew, and in all the things that were of the earth — like the voice of the forest, the right of a lion to kill a buck, the right of a buck to eat grass, and the right of a man to fight. He believed in many wives, young as he was, and in the telling of stories by the shade of the singiri. He took the gun and held it the way they had told him to hold it, and walked where they told him to walk, smiling a little and looking for another man to fight. He was shot and killed by the other man, who also believed in duty, and he was buried where he fell. It was so simple and so unimportant.
Beryl Markham (West with the Night)