Sparrow Hawk Quotes

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In this world of ours, the sparrow must live like a hawk if he is to fly at all.
Hayao Miyazaki
The multiplicity of forms! The hummingbird, the fox, the raven, the sparrow hawk, the otter, the dragonfly, the water lily! And on and on. It must be a great disappointment to God if we are not dazzled at least ten times a day.
Mary Oliver
Ghost bird, do you love me?" he whispered once in the dark, before he left for hs expedition training, even though he was the ghost. "Ghost bird, do you need me?" I loved him, but I didn't need him, and I thought that was the way it was supposed to be. A ghost bird might be a hawk in one place, a crow in another, depending on the context. The sparrow that shot up into the blue sky one morning might transform mid-flight into an osprey the next. This was the way of things here. There were no reasons so mighty that they could override the desire to be in accord with the tides and the passage of seasons and the rhythms underlying everything around me.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
The multiplicity of forms! The hummingbird, the fox, the raven, the sparrow hawk, the otter, the dragonfly, the water lily! And on and on. It must be a great disappointment to God if we are not dazzled at least ten times a day.
Mary Oliver (Blue Horses: Poems)
Now, where were we?” he said. “Oh, yes. We were about to have some honest conversation. Roadkill, are you in love with Hawk?” Roadkill sighed and asked plaintively, “Can’t we just go back to prison?
Aggy Bird (Like a Sparrow Through the Heart (Like a Sparrow, #1))
Automn ill and adored You die when the hurricane blows in the roseries When it has snowed In the orchard trees Poor automn Dead in whiteness and riches Of snow and ripe fruits Deep in the sky The sparrow hawks cry Over the sprites with green hair dwarfs Who've never been loved Inthe far tree-lines The stags are groaning And how I love O season how I love your rumbling The falling fruits that no one gathers The wind in the forest that are tumbling All their tears in automn leaf by leaf The leaves You press A crowd That flows The life That goes
Guillaume Apollinaire
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
...in the woods, if you stopped, if you grew still, you'd hear a whole new set of sounds, wind rasping through silhouetted leaves and the cries and chatter of blue jays and brown thrashers and redbirds and sparrows, the calling of crows and hawks, squirrels barking, frogs burping, the far braying of dogs, armadillos snorkeling through dead leaves...
Tom Franklin (Crooked Letter, Crooked Letter)
And Talon did not understand – no, strike that, he didn‘t want to understand – why seeing Hawk and Roadkill together gave him a funny ache in the pit of his stomach. Every time he looked at Flit, the ache got worse. He needed to get laid.
Aggy Bird (Like a Sparrow Through the Heart (Like a Sparrow, #1))
What amazed and humbled me about bird-watching was the way it changed the granularity of my perception, which had been pretty “low-res.” At first, I just noticed birdsong more. Of course it had been there all along, but now that I was paying attention to it, I realized that it was almost everywhere, all day, all the time. And then, one by one, I started learning each song and associating it with a bird, so that now when I walk into the Rose Garden, I inadvertently acknowledge them in my head as though they were people: “Hi, raven, robin, song sparrow, chickadee, goldfinch, towhee, hawk, nuthatch…” and so on.
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
I’m not free, my lady,” he says slowly. “I can no more wander off and do as I will than you can.You think of having choices like people think of flying. They see a hawk soaring and hovering and they tell themselves how nice it would be to fly. But pigeons can fly, and sparrows too. No one imagines being a sparrow though. No one wants that.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Be kind to the hawk and harm the sparrow.
Idries Shah (Caravan of Dreams)
(There was an idea much beloved and written about by this country’s philosophers that magic had to do with negotiating the balance between earth and air and water; which is to say that things with legs or wings were out of balance with their earth element by walking around on feet or, worse, flying above the earth in the thin substance of air, obviously entirely unsuitable for the support of solid flesh. The momentum all this inappropriate motion set up in their liquid element unbalanced them further. Spirit, in this system, was equated with the fourth element, fire. All this was generally felt to be a load of rubbish among the people who had to work in the ordinary world for a living, unlike philosophers living in academies. But it was true that a favourite magical trick at fetes was for theatrically-minded fairies to throw bits of chaff or seed-pods or conkers in the air and turn them into things before they struck the ground, and that the trick worked better if the bits of chaff or seed-pods or conkers were wet.) Slower creatures were less susceptible to the whims of wild magic than faster creatures, and creatures that flew were the most susceptible of all. Every sparrow had a delicious memory of having once been a hawk, and while magic didn’t take much interest in caterpillars, butterflies spent so much time being magicked that it was a rare event to see ordinary butterflies without at least an extra set of wings or a few extra frills and iridescences, or bodies like tiny human beings dressed in flower petals. (Fish, which flew through that most dangerous element, water, were believed not to exist. Fishy-looking beings in pools and streams were either hallucinations or other things under some kind of spell, and interfering with, catching, or—most especially—eating fish was strictly forbidden. All swimming was considered magical. Animals seen doing it were assumed to be favourites of a local water-sprite or dangerously insane; humans never tried.)
Robin McKinley (Spindle's End)
Inside the temple Richard found a life waiting for him, all ready to be worn and lived, and inside that life, another. Each life he tried on, he slipped into and it pulled him farther in, farther away from the world he came from; one by one, existence following existence, rivers of dreams and fields of stars, a hawk with a sparrow clutched in its talons flies low above the grass, and here are tiny intricate people waiting for him to fill their heads with life, and thousands of years pass and he is engaged in strange work of great importance and sharp beauty, and he is loved, and he is honored, and then a pull, a sharp tug, and it’s…
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
Bad people aren't happy. . . Wickedness often wears fancy clothes, dines on rich food, has money, controls armies, rules nations. . . but it never seems to know joy. Peace, laughter, trust, ease: these things flee from wickedness like sparrows from the shadow of a hawk.
Sonya Hartnett (The Children of the King)
The cardinal directions are north, west, south, and east. The cardinal temperatures are 35º Fahrenheit, 67º Fahrenheit, 3º Celsius, and 10º Kelvin. The cardinal locations are a cave, a long-abandoned cabin, the bottom of an oceanic trench, and City Hall. The cardinal emotions are wild abandon, guarded affection, directionless jealousy, and irritation. The cardinal birds are hawk, sparrow, finch, and owl. The cardinal names are Jeremy, Kim, Trigger, and Jamie. And, finally, the cardinal sounds are a door slamming, slight movement in still water, popcorn popping, and a standard guitar G string being snipped with wire cutters. This has been the Children’s Fun Fact Science Corner.
Joseph Fink (The Great Glowing Coils of the Universe (Welcome to Night Vale Episodes, #2))
I want to hear a million robins making a frightful racket. I sort of like birds." "All women are birds," he ventured. "What kind am I?"—quick and eager. "A swallow, I think, and sometimes a bird of paradise. Most girls are sparrows, of course—see that row of nurse-maids over there? They're sparrows—or are they magpies? And of course you've met canary girls—and robin girls." "And swan girls and parrot girls. All grown women are hawks, I think, or owls." "What am I—a buzzard?" She laughed and shook her head. "Oh, no, you're not a bird at all, do you think? You're a Russian wolfhound." Anthony remembered that they were white and always looked unnaturally hungry. But then they were usually photographed with dukes and princesses, so he was properly flattered. "Dick's
F. Scott Fitzgerald (The Beautiful and Damned)
The first sparrow of spring! The year beginning with younger hope than ever! The faint silvery warblings heard over the partially bare and moist fields from the bluebird, the song sparrow, and the red-wing, as if the last flakes of winter tinkled as they fell! What at such a time are histories, chronologies, traditions, and all written revelations? The brooks sing carols and glees to the spring. The marsh hawk, sailing low over the meadow, is already seeking the first slimy life that awakes. The sinking sound of melting snow is heard in all dells, and the ice dissolves apace in the ponds.
Henry David Thoreau (Walden)
Have you ever seen a hawk catch a bird in your back garden? I’ve not, but I know it’s happened. I’ve found evidence. Out on the patio flagstones, sometimes, tiny fragments: a little, insect-like songbird leg, with a foot clenched tight where the sinews have pulled it; or – even more gruesomely – a disarticulated beak, a house-sparrow beak top, or bottom, a little conical bead of blushed gunmetal, slightly translucent, with a few faint maxillary feathers adhering to it. But maybe you have: maybe you’ve glanced out of the window and seen there, on the lawn, a bloody great hawk murdering a pigeon, or a blackbird, or a magpie, and it looks the hugest, most impressive piece of wildness you’ve ever seen, like someone’s tipped a snow leopard into your kitchen and you find it eating the cat.
Helen Macdonald (H is for Hawk)
I'm not free, my lady," he says slowly. "I can no more wander off and do as I will than you can. You think of having choices like people think of flying. They see a hawk soaring and hovering and they tell themselves how nice it would be to fly. But pigeons can fly, and sparrows, too. No one imagines being a sparrow, though. No one wants that.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
The breeze was cool and warm at the same time, the leaves on the cottonwoods turning gold and flickering in the sunlight, the shadows of sparrow hawks gliding across the pasture. I wondered if Eden had been like this. I also wondered if the founders of our country had this very scene in mind when they envisioned the agrarian republic. And I wondered if they regretted staining it, just as Eden had been stained, when they placed a portion of the human family in shackles and chains and murdered unknown numbers of indigenous people.
James Lee Burke (Another Kind of Eden (Holland Family Saga, #3))
I thought of one of these moments as I sat there waiting for the hawk to eat from my hand. It was a black-and-white photograph my father had taken many years ago of an elderly street-cleaner with a white goatee beard, wrinkled socks and down-at-heel shoes. Crumpled work trousers, work gloves, a woollen beret. The camera is low, on the pavement: Dad must have crouched in the road to take it. The man is bending down, his besom of birch twigs propped against his side. He has taken off one of his gloves, and between the thumb and first finger of his bare right hand he is offering a crumb of bread to a sparrow on the kerbstone. The sparrow is caught mid-hop at exactly the moment it takes the crumb from his fingers. And the expression on the man’s face is suffused with joy. He is wearing the face of an angel.
Helen Macdonald (H is for Hawk)
If sparrows were meant to fly, and hawks to hunt, and greyhounds to run, then a boy such as Diamond was meant to search for his mother. If he didn't go, if he forgot or thought of himself first, then he wouldn't be Diamond.
Alice Hoffman (Green Angel (Green Angel, #1))
Whatever. There is a natural order to things, a hierarchy. And no less so in man. For man may be the master of nature, but he is also part of it. Every living thing, from the greatest of all men to the lowliest earthworm has its place. It is very important that the groundhog not think he is tiger, nor a sparrow believe he is a hawk. A frog would not make a very good shark, would it? One must know their place in the world" ~ Baroness von Berge, Greta Greaves of Austria
Austin Scott Collins (Crass Casualty (The Victoria da Vinci novels) (Volume 2))
All this impressive physiology produces more than mere flight. The hawk dances on air. In just ten seconds, she stopped a rapid dive, rose vertically while turning, swept in a new direction, flapped upward, and curved into a rising arc, ending with a stall that parked her feet directly over a maple branch. The precision and beauty of bird flight is so familiar that our wonder is jaded. We should be frozen in amazement at the cardinal landing on the feeder or the sparrow banking around cars in a parking lot. Instead, we walk by as if an animal pirouetting on air were unremarkable, even mundane. The hawk's dramatic rise over the mandala's center jolts me out of dullness, pulling away the blinding layers of familiarity.
David George Haskell (The Forest Unseen: A Year’s Watch in Nature)
Inside the temple, Richard found a life waiting for him, all ready to be worn and lived, and inside that life, another. Each life he tried on, he slipped into, and it pulled him further in, further away from the world he came from; one by one, existence following existence, rivers of dreams and fields of stars, a hawk with a sparrow clutched in its talons flies low above the grass, and here are tiny intricate people waiting for him to fill their heads with life, and thousands of years pass and he is engaged in strange work of great importance and sharp beauty, and he is loved, and he is honoured, and then a pull, a sharp tug and it’s…
Michael Moorcock (Elric of Melniboné (The Elric Saga #1))
My wariness deepens. It’s not that I can’t see the little girl in her anymore. It’s that the little girl in her is gone.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I want to know everything he does, the horrible and the intensely pleasurable. He pushes himself right up against life, absorbs it into his skin. He must feel right to the marrow of his bones.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
There is nothing right about touching a girl over two decades younger than me.” I clench my jaw, “Excuse me, but I’m not just any girl.” “I know” … “That makes it even worse.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
The urge to touch her is overwhelming, suffocating. I fist my hands, I can’t grasp the growing comprehension that despite all our differences, at some deep, primal level, Nell and I are the same.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
When I first came here, I thought you were a stranger.” Nell folds her arms around her chest, like she’s hugging herself. “I didn’t recognize you anymore. I didn’t know all the ways you’d changed from the Uncle Darius I once knew and loved. I also thought you probably didn’t recognize me either. But now…” She pauses, her gaze steady on me. “I feel like I recognize you more than I’ve ever recognized anyone in my life. I know you more than I’ll ever know anyone.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I’m more fucked up than you can imagine. So whatever little fantasy you have going on in your head, get rid of it right now. A sane man doesn’t touch a girl half his age and pretend like it didn’t matter. A good man would never do all the ugly, depraved things I’m starting to think about you. A man with any shred of decency would have more self-control than I do. Protect yourself, Nell. Stay the hell away before I do something horrible to you.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
When you’ve seen the worst of humanity, taken the brunt of evil, and only lived another day, another minute, because your captor allowed it…you crave purity and goodness. You want to get as close as possible to generosity, compassion, and courage, even when all those things come wrapped up in a girl who is far too young and innocent for the likes of you.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I’m a lot older than you. Not to mention I’ve known you your whole life. The power dynamic is on me. I’m the one who needs to be in control. And when I lose control, you’re not safe.” “That’s bullshit.” I gulp back a lingering sob. “I have spent my entire life feeling unsafe.” … “The only times in my life I’ve ever felt completely and unequivocally safe are the times when I’ve been with you.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
You’re going to be the death of me.” “I think … you’re going to be the life of me.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I don’t want you to think this is the way it should be for you.” He drags a hand through his hair. “I know you don’t want to hear it, but it’s the truth. I’ve done too much, seen more than anyone should. I’ve been in hell. It will always be the darkest, most sordid part of me. You don’t need any of that, any of me. I’m a fucked-up old pervert who should be arrested just for the way I think about you.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
Every time you talk about yourself like that or tell me I shouldn’t want you, you’re belittling my feelings. As if my wanting you is shameful and wrong, when honestly it’s one of the few things that has ever felt right.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I’m his. I’m the woman who loves everything about him, from his most excruciating pain to his greatest pleasures. I fault him nothing.
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
What would life be if we had no courage to attempt anything? —Vincent van Gogh
Nina Lane (Sparrow & Hawke (Birdsong Trilogy #1))
I thought of one of these moments as I sat there waiting for the hawk to eat from my hand. It was a black-and-white photograph my father had taken many years ago of an elderly street-cleaner with a white goatee beard, wrinkled socks and down-at-heel shoes. Crumpled work trousers, work gloves, a woollen beret. The camera is low, on the pavement: Dad must have crouched in the road to take it. The man is bending down, his besom of birch twigs propped against his side. He has taken off one of his gloves, and between the thumb and first finger of his bare right hand he is offering a crumb of bread to a sparrow on the kerbstone. The sparrow is caught midhop exactly at the moment it takes the crumb from his fingers. And the expression on the man’s face is suffused with joy. He is wearing the face of an angel.
Helen Macdonald (H is for Hawk)
She whirls around and around in her red English stockings and white moccasins, her cloak of wampum and feathers flying out around her like the wings of a great hawk.
Amy Belding Brown (Flight of the Sparrow)
We’ll do a bit of reconnaissance. If it’s safe, I’ll make a call like a sparrow hawk.’ ‘Like a sparrow hawk?’ said Munro Bruys, anxiously moving his chin. ‘Since when did you know anything about mimicking bird calls, Zoltan?’ ‘That’s the whole point. If you hear a strange, unrecognisable sound, you’ll know it’s me.
Andrzej Sapkowski (Baptism of Fire (The Witcher, #3))
two young ginger-and-white she-cats sharing a thrush a tail-length away. “They’re Flurry and Sparrow. Hawk’s their mother.
Erin Hunter (Squirrelflight's Hope)
I thought of one of these moments as I sat there waiting for the hawk to eat from my hand. It was a black-and-white photograph my father had taken many years ago of an elderly street-cleaner with a white goatee beard, wrinkled socks and down-at-heel shoes. Crumpled work trousers, work gloves, a woollen beret. The camera is low, on the pavement: Dad must have crouched in the road to take it. The man is bending down, his besom of birch twigs propped against his side. He has taken off one of his gloves, and between the thumb and first finger of his bare right hand he is offering a crumb of bread to a sparrow on the kerbstone. The sparrow is caught midhop at exactly at the moment it takes the crumb from his fingers. And the expression on the man’s face is suffused with joy. He is wearing the face of an angel.
Helen Macdonald (H is for Hawk)
A ghost bird might be a hawk in one place, a crow in another, depending on the context. The sparrow that shot up into the blue sky one morning might transform mid-flight into an osprey the next. This was the way of things here. There were no reasons so mighty that they could override the desire to be in accord with the tides and the passage of seasons and the rhythms underlying everything around me.
Jeff VanderMeer