Sparring Quotes

But isn't this a dance? Isn't all of this a dance? Isn't that what we do with words? Isn't that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it's choreographed. Some of the steps have been done for ages. And the rest -- the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

Your heart is in your eyes, Your Highness," murmured Tamar, wiping the sweat from her brow. Tolya poled his twin in the arm with a sparring sword. "Tamar knows because that's the way she looks at her wife" "I am free to look at my wife any way I please." "But Zoya is not Nikolai's wife.

I’ll need a sparring partner.” “Karate?” Those completely human-seeming eyes brightened in interest. “Katana.” “Hot damn. Let’s do it.” Lucas coughed. “If you two have stopped flirting, we have business to discuss.” Indigo grinned but stayed silent. Mercy wasn’t so reticent. “So that’s what it takes to get into Dorian’s pants. I’ll let the sentinel-chasers know.” Her packmate’s growl only widened her smirk.

Love is Not All Love is not all: it is not meat nor drink Nor slumber nor a roof against the rain; Nor yet a floating spar to men that sink And rise and sink and rise and sink again; Love can not fill the thickened lung with breath, Nor clean the blood, nor set the fractured bone; Yet many a man is making friends with death Even as I speak, for lack of love alone. It well may be that in a difficult hour, Pinned down by pain and moaning for release, Or nagged by want past resolution’s power, I might be driven to sell your love for peace, Or trade the memory of this night for food. It well may be. I do not think I would.

You would be miserable if you had to go through life with a human doormat with 'Welcome' written on him. You want some one made of sterner stuff. You want, as it were, a sparring-partner, some one with whom you can quarrel happily with the certain knowledge that he will not curl up in a ball for you to kick, but will be there with the return wallop.

It was completely impossible to box with her. She had only one style, which we called Terminator Mode. She would try to nail her opponent, and it didn’t matter if it was just a warm-up of friendly sparring.

The stubborn fool is walking now, and even challenged Robin to a sparring match this afternoon. I stopped them, of course, though Robin was only too happy to fight him, the idiot.

The hallway led me to the stairway of a million steps. My leg screamed in protest. I sighed and started climbing. I just had to keep from limping. Limping showed weakness, and I didn’t need any enterprising, career-motivated shapeshifters trying to challenge me for dominance right about now. I had once mentioned my desire for an elevator, and His Majesty asked me if I would like a flock of doves to carry me up to my quarters so my feet wouldn’t have to touch the ground. We were sparring at the time and I kicked him in the kidney in retaliation.

Now Miss LaRoux’s getting my ass kicked on the sparring mats as well. Is there any part of my life that girl can’t mess with?

Of all the recruits in his cohort, he had learned the quickest. How to hold the spear, how to stand to spar. He’d done it almost without instruction. That had shocked Tukks. But why should it have? You were not shocked when a child knew how to breathe. You were not shocked when a skyeel took flight for the first time. You should not be shocked when you hand Kaladin Stormblessed a spear and he knows how to use it.

I needed to say something. Something romantic! Something to sweep her off her feet. "You’re like a potato!" I shouted after her. "In a minefield." She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?” “It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.” “A potato.” “Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?” “Plenty of people. Why can’t I be something sweet, like a cake?” “Because cake wouldn’t grow in a minefield. Obviously.” She stared down the hallway at me for a few moments, then sat on an overgrown set of roots. Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.

In spite of all the sparring that went on between us, I sort of liked Morelli. Good judgment told me to stand clear of him, but then I've never been a slave to good judgment.

And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.

Hi, Sam!" "Hi, Tiggy." "You okay?" "Yes, Tiggy." "Tiggy smash something for Sam?" "No, Tiggy." "Tiggy smash something for Sam." He smashed one of the wooden sparring dummies. "Thank you, Tiggy." "Tiggy smash!" he bellowed and then proceeded to smash three more.

He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.

Without turning, the pharmacist answered that he liked books like The Metamorphosis, Bartleby, A Simple Heart, A Christmas Carol. And then he said that he was reading Capote's Breakfast at Tiffany's. Leaving aside the fact that A Simple Heart and A Christmas Carol were stories, not books, there was something revelatory about the taste of this bookish young pharmacist, who ... clearly and inarguably preferred minor works to major ones. He chose The Metamorphosis over The Trial, he chose Bartleby over Moby Dick, he chose A Simple Heart over Bouvard and Pecouchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze a path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.

Four years of sparring when we could have had this: his awful singing voice, his hip bumping mine to encourage me to sing along, the scarlet on his cheeks when I attacked him with icing. While I was so focused on destroying him, I missed so much.

Tate’s kiss… There was no describing it. It didn’t start slow, it started hard and wet and so demanding I had no choice but to give back what I got. And I did. Our tongues sparred then our teeth bit at each other’s lips and our heads twisted this way and that, all of it a mindless, sexy dance that was all-consuming. There was nothing but his mouth and my mouth, what they were doing and what they were making me feel. Nothing. Not in the whole universe.

We’ll never be a normal boy and girl, will we?” she managed to say. “No,” he breathed, eyes blazing. “We won’t.” And then the music exploded around them, and Chaol took her with it, spinning her so that her cloak fanned out around her. Each step was flawless, lethal, like that first time they’d sparred together so many months ago. She knew his every move and he knew hers, as though they’d been dancing this waltz together all their lives. Faster, never faltering, never breaking her stare. The rest of the world quieted into nothing. In that moment, after ten long years, Celaena looked at Chaol and realized she was home.

No matter our dire circumstances, no matter our shared upbringing, no matter the chill his smile sends over my body, he’s still him, and I’m still me, and yes, he needs to have a female heir someday, but with a proper lady, a duchess or a princess—not the girl who spars with him.

I heard a story," Aedion drawled to Rowan, "that you killed an enemy warlord using a table." "Please,"Aelin said. "Who the hell told you that?" "Quinn-your uncle's Captain of the Guard. He was an admirer of Prince Rowan's. He knew all the stories." Aelin slid her eyes to Rowan, who smirked, bracing his sparring stick on the floor. "You can't be serious," she said. "What-you squashed him to death like a pressed grape?

There is this, about being the sparring partner of the best swordsman in Caribastos. I always lost. But if ever I meet the third best swordsman in Caribastos, he’s going to be in very deep trouble.

A minute or two more and Orlant disengaged, and swore. 'Are you going to fight me or not?' You said we were sparring,' said Damen, neutrally. Orlant flung down his sword, took two steps off to one of the watching men, and pulled from its sheath thirty inches of polished steel straightsword, which without preamble he returned to swing with killing speed at Damen's neck.

Even from behind, I knew the seated man was Garth. I'd seen him in chair, saddle, and by a campfire. I'd known him running with his hounds, grooming his horses, leaning back to look at the stars from the branches of a pine tree, hunched with concentration whittling a doll, carrying Alice through a storm, and even sparring with a dragon. A woman will know a man from all sides after that.

Goody Two-shoes Evie Greene got herself pickled, for true. If I'd known you were such a juvenile delinquent, I might've asked for a new history podna." "Juvenile delinquent? Hmm. Aren't your initials J.D.? If the shoe fits...

Like two figures in the medieval Morality play, Pragmatism and Morality spar in the boxing ring of my brain.

You’ve helped me for years.” His brows pull hard. “Now it’s time I help you, and I’m not acting like you’re a leper because this guy tells me to. You may be fucking weird as hell when you and Rose start verbally sparring, but you’re my weirdo best friend. That’s not changing.

and I looked and looked at her, and knew as clearly as I know I am to die, that I loved her more than anything I had ever seen or imagined on earth, or hoped for anywhere else. She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds... but thank God it was not that echo alone that I worshipped. What I used to pamper among the tangled vines of my heart, mon grand pch radieux, had dwindled to its essence: sterile and selfish vice, all that I cancelled and cursed. You may jeer at me, and threaten to clear the court, but until I am gagged and halfthrottled, I will shout my poor truth. I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine; Changeons de vie, ma Carmen, allons vivre quelque, part o nous ne serons jamais spars; Ohio? The wilds of Massachusetts? No matter, even if those eyes of hers would fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torneven then I would go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita.

It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells Put out their tongues, for noon. It was not frost, for on my flesh I felt siroccos crawl, Nor fire, for just my marble feet Could keep a chancel cool. And yet it tasted like them all; The figures I have seen Set orderly, for burial, Reminded me of mine, As if my life were shaven And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,-- Or even a report of land To justify despair.

i am standing upon the seashore. a ship at my side spreads her white sails to the morning breeze and starts for the blue ocean. she is an object of beauty and strength. i stand and watch her until at length she hangs like a speck of white cloud just where the sea and sky come to mingle with each other. then someone at my side says: "there, she is gone!" "gone where?" gone from my sight. that is all. she is just as large in mast and hull and spar as she was when she left my side and she is just as able to bear the load of living freight to her destined port. her diminished size is in me, not in her. and just at the moment when someone at my side says: "there, she is gone!" there are other eyes watching her coming, and other voices ready to take up the glad shout: "here she comes!" and that is dying.

We are tutor and student. Roommates. Sparring partners. Friends. Anything you want us to be.

She delivered a vicious blow, penetrating his rib cage, and withdrew her hand — with the ninja's still-beating heart in it. As all but Lady Catherine turned away in disgust, Elizabeth took a bite, letting the blood run down her chin and onto her sparring gown. "Curious," said Elizabeth, still chewing. "I have tasted many a heart, but I dare say, I find the Japanese ones a bit tender." Her ladyship left the dojo without giving compliment to Elizabeth's skills.

just as a stool requires three legs to stand upright so the taekwondoist must cultivate basic skills, meaningful forms, and effective sparring in order to have both feet firmly planted in the art

Why? Do you want to spar? We can keep it friendly," Damen said. "No," said Laurent.

You'll never find a better sparring partner than adversity.

Before they could continue their sparring, Dr. Steele walked up to Vasile and asked to speak with him in private, so naturally the whole table got up and followed them.

Hand to hand, no swords or staffs?" "I figured that was the only fair way for us to fight." She crosses to the ladder and steps onto the top rung. "Seeing as I possess superior skill in armed combat." I snort and reach for my pants, suddenly more inspired about this sparring match. "In your dreams, runt." "In your nightmares," she says with a wink as she disappears down the ladder.

Are you going to kick somebody’s ass? I don’t know. Maybe. Well, I’m not going to worry. I’ve watched you spar with that martial arts dummy in the backyard lots of times, and you always win. Thanks, buddy. I’ll see you soon.

I was in danger of drowning, and nobody lost at sea worries about whether the spar they cling to is made of elm or oak.

I need a sparring partner,” Zhu had explained cheerfully. “You’re about my level, in that you know absolutely nothing.

Good try, chief, but you are sparring with a master in her craft, and didn't we just discuss not provoking the beast? Geeze, try to“save someone's life and they just throw it out the window.

But isn’t this a dance? Isn’t all of this a dance? Isn’t that what we do with words? Isn’t that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it’s choreographed. Some of the steps have been done for ages. And the rest—the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

Was that hard-hearted? Well, so what if it was. She'd been through enough to harden anyone. It was none of her choosing; all she'd done was clung on to her life like a spar from a shipwreck. Better to be hardened than crushed to nothing.

Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?

One of the very striking life lessons from Game of Thrones. When Arya was blind; hopeless and helpless. The Waif lured her into multiple stick fights and the Waif would promptly beat Arya in every sparring match. But through those stick fight, Arya learned to cope with her blindness and how to fight “in the dark.” After Arya had regained her sight and Jaqen had granted the Waif’s wish to kill Arya. Arya confronted the Waif in a hideout and put out the only light in the room. Arya best the Waif due to her proficiency in fighting without sight (which, ironically, was trained by the Waif). Arya killed her adversary. ONE THING ABOUT CHALLENGES IN LIFE IS: THROUGH THEM, WE LEARN HOW TO OVERCOME THEM. Always Pay Attention!

Our ultimate goal is the preservation of all Roshar," Dalinar said softly. "We've seen the cost of division in our ranks. Because of it, we failed to stop the Everstorm. But that was just the trial run, the sparring before the real fight. To face the Desolation, I will find a way to do what my ancestor the Sunmaker failed to do through conquest. I will unify Roshar.

They all know the truth, that there are only three subjects worth talking about. At least here in these parts," he says, "The weather, which, as they're farmers, affects everything else. Dying and birthing, of both people and animals. And what we eat - this last item comprising what we ate the day before and what we're planning to eat tomorrow. And all three of these major subjects encompass, in one way or another, philosophy, psychology, sociology, anthropology, the physical sciences, history, art, literature, and religion. We get around to sparring about all that counts in life but we usually do it while we're talking about food, it being a subject inseparable from every other subject. It's the table and the bed that count in life. And everything else we do, we do so we can get back to the table, back to the bed.

This was not the Threadwitch who had cornered Aeduan beside a bear trap. Nor the Threadwitch who’d sparred with him that very morning. This was a woman changed. Aeduan knew because he’d been there before himself. Soon she would learn—just as he had—that there was no outrunning the demons of one’s own creation.

Why did you throw your shield up yesterday when we sparred?' She smiled. He was genuinely curious. 'Well, you didn't even flinch when I elbowed you in the stomach the other day, and to be quite honest, it hurt my arm. So you can understand why having a boulder thrown at me would cause self-preservation to kick in.

I know why you said you don't see a future for us.' My heart races like it's trying to take flight as I blurt out the words. 'Do you?' Of course he isn't going to make this easy. I'm not sure the man even knows what easy is. 'You want me,' I say, looking him in the eyes. 'And no, I'm not just talking about in bed. You. Want. Me, Xaden Riorson. You might not say it, but you do one better and show it. You show it every time you choose to trust me, every time your eyes linger on mine. You show it with every sparring lesson you don't have time for and every flight lesson that pulls you away from your own studies. You show it when you refuse to touch me because you're worried I don't really want you, then show it again when you take the time to hunt down violets before a leadership meeting so I don't wake up feeling alone. You show it in a million different ways. Please don't deny it.' His jaw flexes, but he doesn't deny it. 'You think we don't have a future because you're scared that I won't like who you really are behind all those walls you keep. And I@m scared, too. I can admit it. You're graduating. I'm not. You'll be gone in a matter of weeks, and we're probably setting ourselves up for heartbreak. But if we let fear kill whatever this is between us, then we don't deserve it.' I lift one hand to the back of his neck. 'I told you that I was the one who would decide when I'm ready to risk my heart, and I'm saying it.' The way he looks at me, with the same mix of hope and apprehension currently flooding my system, gives me absolute life. 'You don't mean that,' he says, shaking his head. And there he goes, sucking the life right out again. 'I mean it.

You can see in the dark, move incredibly fast, you don’t spar—” “Are you listing traits of fictional vamires?” he asked, amused, smirk still plastered on his face. I almost felt embarrassed, but why should I? I didn't know about his vampiric traits, or until a few weeks ago, that he even existed.

You can start training yourself in this Stoic practice of objective representation right now by writing down a description of an upsetting or problematic event in plain language. Phrase things as accurately as possible and view them from a more philosophical perspective, with studied indifference. Once you’ve mastered this art, take it a step further by following the example of Paconius Agrippinus and look for positive opportunities. Write how you could exercise strength of character and cope wisely with the situation. Ask yourself how someone you admire might cope with the same situation or what that person might advise you to do. Treat the event like a sparring partner in the gym, giving you an opportunity to strengthen your emotional resilience and coping skills. You might want to read your script aloud and review it several times or compose several versions until you’re satisfied it’s helped you change how you feel about events.

His reading suggested a man swimming in the sea among the wreckage of his ship, and trying to save his life by greedily clutching first at one spar and then at another.

Have you come to verbally spar tonight, or have you changed your mind about the blood bond?' 'Neither. I've come to interrogate you about witch hunters.

But he would see clearer, breathe freer in her presence: she was at once the dead weight at his breast and the spar which should float them to safety.

We made quite a crew, all talking at once, contradicting and sparring, a cacophony of affectionate arguing.

Their lips clashed like a well choreographed sparring match as each fought to control the man that was just as fiercely kissing back. (WIP - New Beginnings, The Sapphire Tower)

I must be getting back to my rooms,” Silence said and stood. Mick frowned with displeasure. “Why?” “Because of Mary Darling.” He shrugged. “One o’ the maids is watchin’ her.” “But if Mary wakes she’ll want me.” “Why?” he asked again, biting into a sweetmeat. This discussion wasn’t to his fancy, but sparring with her was. “Because,” she said slowly, looking at him as if he were lack-witted, “she’s only a baby and she loves me.” “Babies,” Mick pronounced, “are a great trouble.” She shook her head, not bothering to reply this time, and started marching to the door.

Sit down, Lanie, and eat. It’s getting cold.” I took two steps into the room, stopped and said quietly but firmly, “I don’t have the energy to spar with you tonight. I’ve been working for five hours and although not physically taxing, it’s been mentally draining. I just want a quiet night.” I shook my head and amended, “No, I need a quiet night.” “Then it’s good we’re just gonna watch TV. And when I fuck you later, you’re golden. I’ll do all the work.

What a sad paradox, though Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze the path into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.

I thought: But isn’t this a dance? Isn’t all of this a dance? Isn’t that what we do with words? Isn’t that what we do when we talk, when we spar, when we make plans or leave it to chance? Some of it’s choreographed. Some of the steps have been done for ages. And the rest—the rest is spontaneous. The rest has to be decided on the floor, in the moment, before the music ends.

This level reach of blue is not my sea; Here are sweet waters, pretty in the sun, Whose quiet ripples meet obediently A marked and measured line, one after one. This is no sea of mine. that humbly laves Untroubled sands, spread glittering and warm. I have a need of wilder, crueler waves; They sicken of the calm, who knew the storm. So let a love beat over me again, Loosing its million desperate breakers wide; Sudden and terrible to rise and wane; Roaring the heavens apart; a reckless tide That casts upon the heart, as it recedes, Splinters and spars and dripping, salty weeds.

I would spar with the boys at school. This guy I had a crush on, we called him Spitfire -- I gave him a bloody nose and lip, so needless to say the romance did not work out!

What is dying? I am standing on the seashore. A ship sails to the morning breeze and starts for the ocean. She is an object and I stand watching her Till at last she fades from the horizon, And someone at my side says, “She is gone!” Gone where? Gone from my sight, that is all; She is just as large in the masts, hull and spars as she was when I saw her, And just as able to bear her load of living freight to its destination. The diminished size and total loss of sight is in me, not in her; And just at the moment when someone at my side says, “She is gone”, There are others who are watching her coming, And other voices take up a glad shout, “There she comes” – and that is dying.

Neel cuts in: "Where'd you grow up?" "Palo Alto," she says. From there to Stanford to Google: for a girl obsessed with the outer limits of human potential, Kat has stayed pretty close to home. Neel nods knowingly. "The suburban mind cannot comprehend the emergent complexity of a New York sidewalk." "I don't know about that," Kat says, narrowing her eyes. "I'm pretty good with complexity." "See, I know what you're thinking," Neel says, shaking his head. "You're thinking it's just an agent-based simulation, and everybody out here follows a pretty simple set of rules"-- Kat is nodding--"and if you can figure out those rules, you can model it. You can simulate the street, then the neighborhood, then the whole city. Right?" "Exactly. I mean, sure, I don't know what the rules are yet, but I could experiment and figure them out, and then it would be trivial--" "Wrong," Neel says, honking like a game-show buzzer. "You can't do it. Even if you know the rules-- and by the way, there are no rules--but even if there were, you can't model it. You know why?" My best friend and my girlfriend are sparring over simulations. I can only sit back and listen. Kat frowns. "Why?" "You don't have enough memory." "Oh, come on--" "Nope. You could never hold it all in memory. No computer's big enough. Not even your what's-it-called--" "The Big Box." "That's the one. It's not big enough. This box--" Neel stretches out his hands, encompasses the sidewalk, the park, the streets beyond--"is bigger." The snaking crowd surges forward.

I roamed L.A. by night. I got repeatedly rousted by LAPD. I sensed that a cop-street fool compact existed. I behaved accordingly. I denied all criminal intent. I acted respectfully. My height-to-weight ratio and unhygienic appearance caused some cops to taunt me. I sparred back. Street schtick often ensued. I mimicked jailhouse jigs like some WASP Richard Pryor. Rousts turned into streetside yukfests. They played like Jack Webb unhinged. I started to dig the LAPD. I started to grok cop humor. I couldn't quite peg it as performance art. I hadn't read Joseph Wambaugh yet.

There was of course a considerable concussion as the vessel drove up on the sand heap. Every spar, rope, and stay was strained, and some of the `top-hammer' came crashing down. But, strangest of all, the very instant the shore was touched, an immense dog sprang up on deck from below, as if shot up by the concussion, and running forward, jumped from the bow on the sand.

Your heart is in your eyes, Your Highness,” murmured Tamar, wiping the sweat from her brow. Tolya poked his twin in the arm with a sparring sword. “Tamar knows because that’s the way she looks at her wife.” “I am free to look at my wife any which way I please.” “But Zoya is not Nikolai’s wife.” “I’m standing right here,” said Nikolai. “And there is nothing in my eyes except the never-ending dust you two kick up.” He was glad to see his general. There was nothing out of the ordinary about that. Her presence brought a perfectly understandable relief, a feeling of calm that came with knowing that whatever the problem was, they would best it, that if one of them faltered, the other would be there to drag them along. That comfort was not something he could afford to get used to or rely on, but he would enjoy it while he might. If only she weren’t wearing that damned blue ribbon again.

Yet, Malice never was his Aim; He lash'd the Vice but spar'd the Name. No individual could resent, Where thousands equally were meant. His Satry points at no Defect, But what all Mortals may correct... Verses on the death of Dr Swift

Did you know that if you rub a cat's fur the wrong way with a piece of silk, you can make sparks? Little flickers of electricity conjured from your bare fingertips. it is the nearest thing to being a god. That is how I feel when I spar with you.

What?” Adolin asked. “You don’t get women coming to watch while you spar, bridgeboy? Little darkeyed ladies, missing seven teeth and afraid of bathing . . .

She settled into a crouch, wings pinned tightly to her back. “Come on then, angel boy.” She kept her eyes on the muscles in his shoulders, saw the instant one tensed. A split second later, they were moving in a wicked, dangerous dance of steel and bodies. She’d never really had a chance to spar with Raphael like this, and damn if it wasn’t the most fun she’d ever had.

Every day is an opportunity to stand in awe when witnessing the overpowering presence of nature, an apt time to pay reverence for the inestimable beauty of life. I must remain mindful to live in an ethical manner by paying attention to the threat of injustice towards other people and resist capitulating to the absurdity of being a finite body born into infinite space and time. I am part of the world, a spar in a sacred composition, a body of energy suspended in the cosmos. I seek to create a poetic personal testament to life. When I pivot and turn away from fixating upon the cruel artifices of my encysted orbit to face and outwardly embrace the cleansing swirl of heaven’s windmill, I feel gusting in the shank of my marrow the thump of onrushing primordial truths, the electric flush of those ineffable couplets of life that one may not utter.

For the first time since we began our sparring match, I was suddenly aware of him—all of him. Aware of the soft black curls tumbling across his forehead; aware of the firm muscles on his chest and stomach; aware of the intense heat in his silver eyes. Most of all, I was aware of the strong current coursing through my body, luring me toward him. Without further hesitation, he laced his fingers through my hair and pulled me deeper into him. His lips collided against mine, drawing me out of the darkness toward a warm, safe light. With a simple kiss, he had managed to dispel so much of my pain.

Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.

He is not a challenge, he is not a conquest. You were once that for him, back when he used to call you a little beast and defeated you handily, time and again. You got the feeling over time and then again that he didn’t want to win, when he sparred with you. That was the motivation you needed. The opportunity presented itself; his weakness presented itself. You took it, you beat him, you got better, you stayed neck and neck. Just stay strong, was the first directive. Get stronger, was the next. Don’t die, was the final, and that is where you remain. Daunting, to excel at a game that you must eventually lose. Unless you really are an angel. Unless he really is already a ghost.

There was a man here, lashed himself to a spar as his ship went down, and for seven days and seven nights he was on the sea, and what kept him alive while others drowned was telling himself stories like a madman, so that as one ended another began. On the seventh day he had told all the stories he knew and that was when he began to tell himself as if he were a story, from the earliest beginnings to his green and deep misfortune. The story he told was of a man lost and found, not once, but many times, as he choked his way out of the waves. And the night fell, he saw the Cape Wrath light, only lit a week it was, but it was, and he knew that if he became the story of the light, he might be saved. With his last strength he began to paddle towards it, arms on either side of the spar, and in his mind the light became a shining rope, pulling him in. He took hold of it, tied it round his waist, and at that moment, the keeper saw him, and ran for the rescue boat.

You really hate me, don't you?' he asks, his smile growing. 'Almost as much as you hate me,' I say, thinking of the page with my name scratched on it. Thinking of the way he looked at me when he was drunk in the hedge maze. The way he's looking at me now. He lets go of my hand. 'Until we spar again,' he says, making a bow that I cannot help feel is nothing but mockery.

What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.

Sail, sail thy best, ship of democracy, Of value is thy freight, 'tis not the present only, The past is also stored in thee, Thou holdest not the venture of thyself alone, not of the western continent alone, Earth's resume entire floats upon thy keel, O ship, is steadied by thy spars, With thee Time voyages in trust, the antecedent nations sink or swim with thee, With all their ancient struggles , martyrs, heroes, epics, wars, thou bear'st the other continents, Theirs, theirs as much as thine, the destination-port triumphant..

Sometimes I dream of revolution, a bloody coup d’etat by the second rank—troupes of actors slaughtered by their understudies, magicians sawn in half by indefatigably smiling glamour girls, cricket teams wiped out by marauding bands of twelfth men—I dream of champions chopped down by rabbit-punching sparring partners while eternal bridesmaids turn and rape the bridegrooms over the sausage rolls and parliamentary private secretaries plant bombs in the Minister’s Humber—comedians die on provincial stages, robbed of their feeds by mutely triumphant stooges— —and—march— —an army of assistants and deputies, the seconds-in-command, the runners-up, the right-handmen—storming the palace gates wherein the second son has already mounted the throne having committed regicide with a croquet-mallet—stand-ins of the world stand up!—

Too often we sit back and speak platitudes of the nitty-gritty bits of writing; the editing, the story structure, the verbal sparring vs. banter, the character development, the world-building become more important to us than the tune rhythm of the tale. And when you lose the music of the story, all the footwork in the world is not going to make up for the loss of continuity and heart. We need to take a step back in our souls and conjure the image of what this story is: the notes and beats and things woven into it's fullness. See, that's what is so easy to lose sight of as we write. We forget that, in a way, this story is a full story in itself. We tend to try to build the story piece by piece, line upon line, precept upon precept, but that--as any true writer knows--is not entirely practical. A story does have its own identity. To some extent, the story exists in your mind as a whole. Its own being. To chance sounding sappy: Your story is a full piece of music waiting for you to dance it into existence. Don't make the mistake of leaving out all the music. It is tempting to want to have everything arranged to perfection so that little editing will be done. But if you are keeping in mind the way your story needs to run--feeling it and dwelling in the beauty of its passion and color and vibe--the footwork will take care of itself. Certainly it will require practice and your technicalities will need a little work--everyone's does. But you will have captured the essence and blood of the tale, and really that's the prettiest part of a dance.

Good luck," Kassian said amiably, watching her walk away. When she was gone, he cast another look at Sin. "I hope they skip the sparring this time around." "Afraid I'll beat up your girlfriend?" Sin asked dryly, hunching forward with a wince as he put his head in his hands. "Don't worry, I have no desire to kill a bunch of pathetic little trainees if that's what you're thinking." Boyd raised an eyebrow. "You'd better not be including me in that statement." Sin peeked at him through his fingers. "Oh. I forgot about you." "I'm that easy to forget, am I?" Boyd asked dryly. "Especially when I've been right in front of you for the last hour? I'm flattered.

I know there’s this ongoing Portland/Brooklyn spar for über hipdom (and I have to be careful here, because my agent lives in Brooklyn), but Portland is the least derivative place I’ve ever been. The folks here do what they do in defiance of norm or trend. The spirit of authenticity in Portland is as contagious as a February flu.

How We Approach the New Testament We Christians have been taught to approach the Bible in one of eight ways: • You look for verses that inspire you. Upon finding such verses, you either highlight, memorize, meditate upon, or put them on your refrigerator door. • You look for verses that tell you what God has promised so that you can confess it in faith and thereby obligate the Lord to do what you want. • You look for verses that tell you what God commands you to do. • You look for verses that you can quote to scare the devil out of his wits or resist him in the hour of temptation. • You look for verses that will prove your particular doctrine so that you can slice-and-dice your theological sparring partner into biblical ribbons. (Because of the proof-texting method, a vast wasteland of Christianity behaves as if the mere citation of some random, decontextualized verse of Scripture ends all discussion on virtually any subject.) • You look for verses in the Bible to control and/or correct others. • You look for verses that “preach” well and make good sermon material. (This is an ongoing addiction for many who preach and teach.) • You sometimes close your eyes, flip open the Bible randomly, stick your finger on a page, read what the text says, and then take what you have read as a personal “word” from the Lord. Now look at this list again. Which of these approaches have you used? Look again: Notice how each is highly individualistic. All of them put you, the individual Christian, at the center. Each approach ignores the fact that most of the New Testament was written to corporate bodies of people (churches), not to individuals.

He saw tears rimming her blue eyes, tears that washed away Drizzt's anger, that told him that what had happened between himself and Catti-brie had apparently not been so deeply buried. The last time they had met, on this very spot, they had hidden the questions they both wanted to ask behind the energy of a sparring match. Catti-brie's concentration had to be complete on that occasion, and in the days before it, as she had fought to master her sword, but now that task was completed. Now, like Drizzt, she had time to think, and in that time, Catti-brie had remembered. "Ye're knowing it was the sword?" she asked, almost pleaded. Drizzt smiled, trying to comfort her. Of course it had been the sentient sword that had inspired her to throw herself at him. Fully the sword, only the sword. But a large part of Drizzt - and possibly of Catti-brie, he thought in looking at her - wished differently. There had been an undeniable tension between them for some time, a complicated situation, and even more so now, after the possession incident with Khazid'hea.

Would you like to hold my sword?" He asked the question with a gleam in his eyes. Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley." Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?" She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree." Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger.

She swung her fist at Nicolae’s head. He raised an arm to block the blow, and she delivered a killing stab with her wooden dagger. Nicolae laughed, staggering dramatically to the ground. “Dead, again, at the hands of the ugliest girl in creation.” He stuck out his tongue, face contorted in a grimace. Lada kicked him in the stomach. “I am no girl. Who is next?” The other Janissaries, gathered in a loose circle around Lada and Nicolae, shuffled their feet and avoided eye contact. Nicolae pushed himself up on an elbow. “Really? Cowards!” “I still have bruises from the last time.” “I cannot sit without pain.” “She fights dirty.” Ivan did not even respond, having never forgiven Lada for besting him when they were introduced. He refused to fight her and rarely acknowledged her presence. Lada laughed, showing all her sharp teeth. “Because when you are on the battlefield, honor will mean so much. You will die with a blade between your ribs, secure in the knowledge that you fought with manners.” She picked up her dull practice sword, abandoned on the edge of the circle, and swung it through the air, sweeping it across the line of the Janissaries’ collective throats.

When I go to sea, I go as a simple sailor, right before the mast, plumb down into the forecastle, aloft there to the royal mast-head. True, they rather order me about some, and make me jump from spar to spar, like a grasshopper in a May meadow. And at first, this sort of thing is unpleasant enough. It touches one's sense of honor, particularly if you come of an old established family in the land, the van Rensselaers, or Randolphs, or Hardicanutes. And more than all, if just previous to putting your hand into the tar-pot, you have been lording it as a country schoolmaster, making the tallest boys stand in awe of you. The transition is a keen one, I assure you, from the schoolmaster to a sailor, and requires a strong decoction of Seneca and the Stoics to enable you to grin and bear it. But even this wears off in time. What of it, if some old hunks of a sea-captain orders me to get a broom and sweep down the decks? What does that indignity amount to, weighed, I mean, in the scales of the New Testament? Do you think the archangel Gabriel thinks anything the less of me, because I promptly and respectfully obey that old hunks in that particular instance? Who ain't a slave? Tell me that. Well, then, however the old sea-captains may order me about—however they may thump and punch me about, I have the satisfaction of knowing that it is all right; that everybody else is one way or other served in much the same way—either in a physical or metaphysical point of view, that is; and so the universal thump is passed round, and all hands should rub each other's shoulder-blades, and be content.

He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pécuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.

The first submarine ever credited with sinking an enemy ship was the Confederate navy’s H. L. Hunley, which, during the American Civil War, sank the Union navy’s frigate, the Housatonic. The Hunley, propelled by a crew of eight using hand cranks to turn its propeller, approached the Housatonic after dark, carrying a large cache of explosives at the end of a thirty-foot spar jutting from its bow. The explosion destroyed the frigate; it also sank the Hunley, which disappeared with all hands.

But in a gale, the silent machinery of a sailing-ship would catch not only the power, but the wild and exulting voice of the world’s soul. Whether she ran with her tall spars swinging, or breasted it with her tall spars lying over, there was always that wild song, deep like a chant, for a bass to the shrill pipe of the wind played on the sea-tops, with a punctuating crash, now and then, of a breaking wave. At times the weird effects of that invisible orchestra would get upon a man’s nerves till he wished himself deaf.

ULTIMATE BETRAYALS: [OH GOODY—ANOTHER SECTION ON MOMMY DEAREST. WE GET IT. SHE’S CREEPY. I DIDN’T FIGURE IT OUT FAST ENOUGH, AND SHE USED ME FOR A WHILE. BUT THAT’S ALL DONE NOW, AND IT’S ONLY A MATTER OF TIME BEFORE I TAKE HER DOWN. LET’S MOVE ON, SHALL WE?] A FOOLISHLY DANGEROUS PLAN: [I SHOULD PROBABLY BE OFFENDED BY THAT TITLE. BUT… RUNNING OFF TO JOIN THE NEVERSEEN DEFINITELY WASN’T MY SMARTEST MOVE. I THOUGHT I COULD TAKE THEM DOWN FROM THE INSIDE. AND YEAH, IT PRETTY MUCH BACKFIRED.] [I DID LEARN SOME STUFF, THOUGH!] [SORT OF…] [I’M STILL PIECING IT ALL TOGETHER. I MEAN, I WOULDN’T DO IT AGAIN OR RECOMMEND IT TO ANYONE ELSE OR ANYTHING (HEAR THAT, BANGS BOY???), BUT IT WASN’T A TOTAL WASTE.] [OKAY, MAYBE IT WAS.] A WAY WITH ALICORNS: [IT’S TRUE. GLITTER BUTT LOVES ME.] [SAY IT WITH ME: KEEFE! KEEFE! KEEFE!] EMOTIONAL SUPPORT STUFFED ANIMAL: [YOU GUYS MADE AN OFFICIAL RECORD ABOUT MRS. STINKBOTTOM???? I CAN’T DECIDE IF THAT’S AWESOME, OR REALLY, REALLY SAD.…] [SAD FOR YOU GUYS—NOT ME. SLEEPING WITH A STUFFED ANIMAL IS THE BEST. YOU SHOULD TRY IT SOMETIME!] [ALSO: DOES THIS MEAN FITZY HAS A SECTION ON HIS SPARKLY RED DRAGON SNUGGLE BUDDY????????] A MERCADIR—WITH THE SCARS TO PROVE IT: [EESH—THANK GOODNESS I CAN REDACT THIS. I REALLY DON’T NEED ANYONE REMINDING FOSTER HOW MAD SHE WAS AT ME. THE POINT IS: I BEAT THE OGRE KING IN A SPARRING MATCH. I DOUBT EVEN GIGANTOR COULD DO THAT!] FINAL NOTE: [WHY IS THERE NOT A SECTION ON MY AMAZING HAIR????] [HERE, LET ME FIX THAT FOR YOU!] [IT’S DIFFICULT TO DESCRIBE THE ABSOLUTE PERFECTION OF KEEFE’S TRADEMARK HAIRSTYLE. COUNTLESS OTHERS HAVE TRIED TO EMULATE IT, BUT THEY’VE ALL FAILED. THERE CAN ONLY BE ONE LORD HUNKYHAIR. IT’S A RESPONSIBILITY THAT MUST BE TAKEN SERIOUSLY!] [HUNKYHAIR → OUT]

In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps. Breathless,she came to a sudden halt in front of him. At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool." "You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way." "There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war." "You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together." She gave a deep sigh. "You mean it?" "I do." "Oh,Wyatt.I was so afraid I'd driven you away forever." He continued studying her. "Does this mean you're suffering another change of heart?" "My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle." A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man." He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure. Her tears started again,but this time they were tears of joy. Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man. Loved. Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now. After a moment he caught her hand. "Where are we going?" "Your place.It's closer than the ranch, and we've wasted too much time already." "i can't leave the ambulance..." "All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?" At her little laugh he added, "I'm desperate for some time alone with you." Alone. She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her. She was laughing through her tears as she turned the key in the ignition. The key that had saved his life. "Wyatt McCord,I can't think of anything I'd rather be than alone with you.

I spin in the trail to face Kat, who raises her own walking stick to meet mine. ‘A duel to the death?’ Kat says, giggling. I laugh, too, and we spar for a moment playfully until Kat gently presses the tip of her stick into my chest. ‘On your knees and beg for mercy.’ Oh, god. This feels silly and dangerous at the same time. I kneel. I look up at Kat, beautiful and fierce standing there with the setting sun in her hair and her face so stern. Only her eyes are full of mirth. I stare. ‘Close your eyes, prisoner.’ I giggle stupidly, my heart leaping at the point of her stick. ‘Close your eyes. And stop laughing.’ I try to obey, shaking a little. Katy moves her makeshift lance to my neck, pressing gently. ‘Close em.’ I close my eyes, serious at last. There is a long silence, and I feel genuinely vulnerable for a moment, as though Kat really does have a sword to my neck. Then I feel the stick come down gently and touch each of my shoulders. ‘I… dub… thee… mine,’ says Kat softly. ‘Sealed with a kiss.’ The stick falls to the forest floor behind her. She kneels down in front of me and touches my face with both hands. It’s all I can do to stay here, to be here, to hold still.

Now when he closes his eyes he can really look at himself. He no longer sees a mask. He sees without seeing, to be exact. Vision without sight, a fluid grasp of intangibles: the merging of sight and sound: the heart of the web. Here stream the different personalities which evade the crude contact of the senses; here the overtones of recognition discreetly lap against one another in bright, vibrant harmonies. There is no language employed, no outlines delineated. When a ship founders, it settles slowly; the spars, the masts, the rigging float away. On the ocean floor of death the bleeding hull bedecks itself with jewels; remorselessly the anatomic life begins. What was ship becomes the nameless indestructible. Like ships, men founder time and again. Only memory saves them from complete dispersion. Poets drop their stitches in the loom, straws for drowning men to grasp as they sink into extinction. Ghosts climb back on watery stairs, make imaginary ascents, vertiginous drops, memorize numbers, dates, events, in passing from gas to liquid and back again. There is no brain capable of registering the changing changes. Nothing happens in the brain, except the gradual rust and detrition of the cells. But in the minds, worlds unclassified, undenominated, unassimilated, form, break, unite, dissolve and harmonize ceaselessly. In the mind-world ideas are the indestructible elements which form the jewelled constellations of the interior life. We move within their orbits, freely if we follow their intricate patterns, enslaved or possessed if we try to subjugate them.

....One dark night, my Tudor Ford climbed the hill's skull; I watched for love-cars. Lights turned down, they lay together, hull to hull, where the graveyard shelves on the town. . . . My mind's not right. A car radio bleats, "Love, O careless Love. . . ." I hear my ill-spirit sob in each blood cell, as if my hand were at its throat. . . . I myself am hell; nobody's here-- only skunks, that search in the moonlight for a bite to eat. They march on their soles up Main Street: white stripes, moonstruck eyes' red fire under the chalk-dry and spar spire of the Trinitarian Church. I stand on top of our back steps and breathe the rich air-- a mother skunk with her column of kittens swills the garbage pail. She jabs her wedge-head in a cup of sour cream, drops her ostrich tail, and will not scare.

I told, you he doesn’t feel anything.” She was a warrior. Good at the game. I had no doubt she’d been the one who taught Hudson to be so good at his own games. “For anyone,” she added. “That’s a lie.” I had no chance against her. She drew the reaction she desired. But if I had to spar, I’d put my best fight into it. “I’ve seen proof to the contrary.” “Because of how he seems to love you? He’s a good actor.” I spun to face her. “No, because of how he seems to love you.” I spit the words like venom. “When there’s no reason he should. When you’ve alienated him and betrayed him and destroyed him and made him the confused man he is by your lack of affection and support and faith. If he can continue to care about a piece of shit like you, after all you’ve done to him, then I have no doubt of his capability of love.” You fucking bitch.

The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.

I shall describe one example of this kind of world, the greatest planet of a mighty sun. Situated, if I remember rightly, near the congested heart of the galaxy, this star was born late in galactic history, and it gave birth to planets when already many of the older stars were encrusted with smouldering lava. Owing to the violence of solar radiation its nearer planets had (or will have) stormy climates. On one of them a mollusc-like creature, living in the coastal shallows, acquired a propensity to drift in its boatlike shell on the sea’s surface, thus keeping in touch with its drifting vegetable food. As the ages passed, its shell became better adapted to navigation. Mere drifting was supplemented by means of a crude sail, a membrane extending from the creature’s back. In time this nautiloid type proliferated into a host of species. Some of these remained minute, but some found size advantageous, and developed into living ships. One of these became the intelligent master of this great world. The hull was a rigid, stream-lined vessel, shaped much as the nineteenth-century clipper in her prime, and larger than our largest whale. At the rear a tentacle or fin developed into a rudder, which was sometimes used also as a propeller, like a fish’s tail. But though all these species could navigate under their own power to some extent, their normal means of long-distance locomotion was their great spread of sail. The simple membranes of the ancestral type had become a system of parchment-like sails and bony masts and spars, under voluntary muscular control. Similarity to a ship was increased by the downward-looking eyes, one on each side of the prow. The mainmast-head also bore eyes, for searching the horizon. An organ of magnetic sensitivity in the brain afforded a reliable means of orientation. At the fore end of the vessel were two long manipulatory tentacles, which during locomotion were folded snugly to the flanks. In use they formed a very serviceable pair of arms.