Sparks Like Stars Quotes

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Staring at the stars was like staring backward in time, since some stars are so far away that their light takes millions of years just to reach us. That we see stars not as they look now, but as they were when dinosaurs roamed the earth. The whole concept just struck me as…amazing somehow.
Nicholas Sparks (The Choice)
No it is not easy to write. It is as hard as breaking rocks. Sparks and splinters fly like shattered steel.
Clarice Lispector (The Hour of the Star)
Jamie: Please don't pretend like you know me, ok? Landon: But I do, I do. We've had all the same classes in the same school since kindergarten. Why you're Jamie Sullivan. You sit at lunch table 7. Which isn't exactly the reject table, but is definitely in self exile territory. You have exactly one sweater. You like to look at your feet when you walk. Oh, oh, and yeah, for fun, you like to tutor on weekends and hang out with the cool kids from "Stars and Planets." Now how does that sound? Jamie: Thoroughly predictable, nothing I haven't heard before. Landon: You don't care what people think about you? Jamie: No.
Nicholas Sparks (A Walk to Remember)
The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and always will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come. 

When I look at you, I see your beauty and grace and know they have grown stronger with every life you have lived. And I know I have spent every life before this on searching for you. Not someone like you, but you, for your soul and mine must always come together. And then, for a reason neither of us understand, we've been forced to say goodbye.

 I would love to tell you that everything will work out for us, and I promise to do all I can to make sure it does. But if we never meet again and this is truly goodbye, I know we will see each other again, and maybe the stars will have changed, and we will not only love each other in that time, but for all the times we've had before.
Nicholas Sparks (The Notebook (The Notebook, #1))
While Louie might be the sun, Josh was the moon and the stars. He was my gravity, my tide, my ride or die. He was more like my little brother than my nephew, and in some ways, we had grown up together. I had loved him from the moment I laid eyes on him. Loved him from the moment I knew he was a spark of life, and I was going to love him every day of my life.
Mariana Zapata (Wait for It)
Grief is nothing but the far brink of love. Love is the sun; grief is the shadow it casts. Love is an opera; grief is its echo. You cannot have one without the other. But if you follow that grief, you will find your way back to love.
Nadia Hashimi (Sparks Like Stars)
Let people serve you information, but never let them serve you your opinion.
Nadia Hashimi (Sparks Like Stars)
You know, we’re so damned afraid that talking about the ones we’ve lost will hurt us as much as losing them did. So we just stop talking about them. But that’s when we truly lose them.
Nadia Hashimi (Sparks Like Stars)
Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst. At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears. Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young. And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights. A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes. “Go get the boss,” says one guardsman to another. “This bunch looks like trouble.” And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
Nicholas Eames (Kings of the Wyld (The Band, #1))
People are God’s cruelest creations. They’ll step on the smallest of backs to feel an inch taller.
Nadia Hashimi (Sparks Like Stars)
Once upon a time, before chimaera and seraphim, there was the sun and the moons. The sun was betrothed to Nitid, the bright sister, but it was demure Ellai, always hiding behind her bold sister, who stirred his lust. He contrived upon her bathing in the sea and he took her. She struggled, but he was the sun, and he thought he should have what he wanted. Ellai stabbed him and escaped, and the blood of the sun flew like sparks to earth, where it became seraphim- misbegotten children of fire. And like their father, they believed it their due to want, and take, and have. As for Ellai, she told her sister what had passed, and Nitid wept, and her tears fell to earth and became chimeara, children of regret. When the sun came again to the sisters, neither would have him. Nitid put Ellai behind her and protected her, though the sun, still bleeding sparks, knew Ellai was not as defenseless as she seemed. He plead with Nitid to forgive him but she refused, and to this day he follows the sisters across the sky, wanting and wanting and never having, and that will be his punishment, forever. Nitid is the goddess of tears and life, hunts and war, and her temples are too many to count. It is she who fills wombs, slows the hearts of the dying, and leads her children against the serephim. Her light is like a small sun; she chases away shadows. Ellai is more subtle. She is a trace, a phantom moon, and there are only a handful of nights she alone takes the sky. There are called Ellai nights, and they are dark and star-scattered and good for furtive things. Ellai is the goddes of assassins and secret lovers. Temples to her are few, and hidden, like the one in the requiem grove in the hills above Loramendi.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
And I thought also about the love they’d always felt for each other—like stars in the daytime sky, unseen, but always present.
Nicholas Sparks (Every Breath)
That staring at the stars was like staring backward in time, since some stars are so far away that their light takes millions of years just to reach us. That we see stars not as they look now, but as they were when dinosaurs roamed the earth.
Nicholas Sparks (The Choice)
I plucked my soul out of its secret place, And held it to the mirror of my eye, To see it like a star against the sky, A twitching body quivering in space, A spark of passion shining on my face. And I explored it to determine why This awful key to my infinity Conspires to rob me of sweet joy and grace. And if the sign may not be fully read, If I can comprehend but not control, I need not gloom my days with futile dread, Because I see a part and not the whole. Contemplating the strange, I’m comforted By this narcotic thought: I know my soul.
Claude McKay
For there upon a bed of soft wool lay the most splendid jewel, a jewel such as Dyson had never dreamed of, and within it shone the blue of far skies, and the green of the sea by the shore, and the red of the ruby, and deep violet rays, and in the middle of all it seemed aflame as if a fountain of fire rose up, and fell, and rose again with sparks like stars for drops.
Arthur Machen (The Inmost Light)
Unfairness – this is hardest to deal with, but unfortunately that is how our country works. People with connections, rich dads, beautiful faces, pedigree find it easier to make it – not just in Bollywood, but everywhere. And sometimes it is just plain luck. There are so few opportunities in India, so many stars need to be aligned for you to make it happen. Merit and hard work is not always linked to achievement in the short term, but the long term correlation is high, and ultimately things do work out. But realize, there will be some people luckier than you. In fact, to have an opportunity to go to college and understand this speech in English means you are pretty damm lucky by Indian standards. Let’s be grateful for what we have and get the strength to accept what we don’t. I have so much love from my readers that other writers cannot even imagine it. However, I don’t get literary praise. It’s ok. I don’t look like Aishwarya Rai, but I have two boys who I think are more beautiful than her. It’s ok. Don’t let unfairness kill your spark
Chetan Bhagat
My father had taught me to recognize and see through propaganda, to be suspicious of every statement that did not allow room for debate or question.
Nadia Hashimi (Sparks Like Stars)
untold histories live in shallow graves.
Nadia Hashimi (Sparks Like Stars)
An Afghan carpet, perhaps by design, conceals blood just as well as it conceals spilled tea.
Nadia Hashimi (Sparks Like Stars)
I draw the light with my fingers, and it seems to spark in response. And it’s then that the magic of this place, this night beach, gets to me. Because that sparkling thing could be anything. A fallen star, a little buried sun. I feel like I’m a kid again. When there was so much to see. So much wonder.
Kirsty Eagar (Night Beach)
She would be brave because her father had once told her that the world lived within her. That her bones were made of mountains. That rivers coursed through her veins. That her heartbeat was the sound of a thousand pounding hooves. That her eyes glittered with the light of a starry sky. I am that girl, and this is my story.
Nadia Hashimi (Sparks Like Stars)
Still in the black hemisphere the stars blazed and slowly wheeled; beneath them, Will felt so infinitesimally small that it seemed impossible he should even exist. Immensity pressed in on him, terrifying, threatening--and then, in a swift flash of movement like a dance, like the glint of a leaping fish, came a flick of brightness in the sky from a shooting star... He heard Bran give a small chirrup of delight, a spark struck from the same bright sudden joy that filled his own being.
Susan Cooper (The Grey King (The Dark is Rising, #4))
...Until they stood at last by a crumbling wall, looking up and up and still farther up at the great tombyard top of the old house. For that's what it seemed. The high mountain peak of the mansion was littered with what looked like black bones or iron rods, and enough chimneys to choke out smoke signals from three dozen fires on sooty hearths hidden far below in dim bowels of this monster place. With so many chimneys, the roof seemed a vast cemetery, each chimney signifying the burial place of some old god of fire or enchantress of steam, smoke, and firefly spark. even as they watched, a kind of bleak exhalation of soot breathed up out of some four dozen flues, darkening the sky still more, and putting out some few stars.
Ray Bradbury (The Halloween Tree)
They're beautiful. How did you know I loved roses?" "I didn't, but I've never heard of a woman who didn't, so I took a chance." She smiled. "So you send lots of women roses?" "Millions. I have a lot of fans. Dive instructors are almost like movie stars, you know." "They are, huh?" "You mean you didn't know? And here I thought you were just another groupie.
Nicholas Sparks (Message in a Bottle)
People say ‘third world’ and think it just means countries without internet or paved roads,” I say. “But ‘third world’ is Cold War terminology. NATO countries are the first world and the Communist bloc is the second world. The third world was where those two clashed. So the mess in Afghanistan is actually a first and second world problem.
Nadia Hashimi (Sparks Like Stars)
Let people serve you information, he had said mischievously, but never let them serve you your opinion.
Nadia Hashimi (Sparks Like Stars)
Grief starts before anyone has gone missing.
Nadia Hashimi (Sparks Like Stars)
You need no one to confirm you. You are everything you believe yourself to be.
Nadia Hashimi (Sparks Like Stars)
I had always been my father’s spirited girl, the child who had grown up in the halls of the palace. But the absence of my family made me reconsider who I was. If it hadn’t been for my father’s outstretched arms, perhaps I never would have dared to leap from the sofa cushions. If it hadn’t been for my mother’s applause, I might not have dared to dance in our living room. I only moved as boldly through the world as I had because I knew they would catch me, no matter how far I fell.
Nadia Hashimi (Sparks Like Stars)
I looked for small signs that we were not facing the end of the world, holding on tight to my freshly spun theory that if the sun and moon kept their rituals, my world would remain intact.
Nadia Hashimi (Sparks Like Stars)
In residency, I studied in a bookstore’s coffee shop, which was where a clutch of women gathered monthly for book club. They would set their library books and blueberry scones on the table. I started eavesdropping and realized that the books they read were just an excuse to talk about their own lives. Every character, every broken heart, every twist of fate inspired a story about an unruly mother-in-law, a philandering father, or the cousin who came out to his unforgiving parents. Sometimes it sounded more like a therapy session than a book discussion. I could never join a book club.
Nadia Hashimi (Sparks Like Stars)
Let go of me,” I choke out, clawing blindly at Teren. The sharp tang of blood suddenly fills my nostrils, and I realize that it is from his wrists, spreading a film of scarlet around us. Somewhere ahead, the silhouette of our ship looms. We are getting closer. “I wish I could,” Teren spits, dripping venom. “There’s nothing I’d like to see more than you in the Underworld, Adelina.” His words spark my fury. He never intended to finish this journey with you. Teren grips my arm again so hard that I scream in pain. He is pulling us both toward the ship, his face set in grim determination. Then I hear him shout, “But I won’t.” But I won’t. My fury wavers, turning into bewilderment.
Marie Lu (The Midnight Star (The Young Elites, #3))
Have you forgotten the words of Rumi? 'You are not a drop in the ocean. You are the entire ocean, in a drop.' I had never truly given myself over to those words until this moment. The thought of the ocean inside me, with its infinite drops ran through me like a charge. My existence was integral to the universe.
Nadia Hashimi (Sparks Like Stars)
I'd been in love with August Salt since before I knew what the words meant. I don't know when it happened - the narrow space between seconds, when a spark like the birth of a hundred stars found a home in my blood. Since then, every day had been colored with the glittering light of it dragging me in its wake, pulling me beneath its surface. And I didn't care. If this was what it was like to drown, then for the rest of my life, I didn't want to take another sip of air.
Adrienne Young (Spells for Forgetting)
I'd watched my grandmother tend to her plants, pruning one stem at a time, and checking the soil's moisture with a finger. Like her plants, she bloomed with the sun and wouldn't even draw the curtains in her home. How could this dark hole be her path to heaven?
Nadia Hashimi (Sparks Like Stars)
She wanted it so keenly that a spark of hope wedged between her ribs like one of those stars, glimmering against all reason.
Natalie C. Parker (Steel Tide (Seafire, #2))
Afghanistan's secret weapon has always been her women.
Nadia Hashimi (Sparks Like Stars)
While Neelab was mesmerized by the gold and the stones, I was stunned by the ring’s ability to outlive anyone who had worn it.
Nadia Hashimi (Sparks Like Stars)
The wound is where the light enters you," Boba said softly.
Nadia Hashimi (Sparks Like Stars)
Books are a tiny string connecting me to my parents. To be a reader is to be like them. To be around books and readers has brought me comfort too.
Nadia Hashimi (Sparks Like Stars)
The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this good-bye is both a good-bye for the past ten thousand years and a prelude to what will come. When I look at you, I see your beauty and grace and know they have grown stronger with every life you have lived. And I know I have spent every life before this one searching for you. Not someone like you, but you, for your soul and mine must always come together. And then, for a reason neither of us understands, we've been forced to say good-bye. I would love to tell you that everything will work out for us, and I promise to do all I can to make sure it does. But if we never meet again and this is truly good-bye, I know we will see each other again in another life. We will find each other again, and maybe the stars will have changed, and we will not only love each other in that time, but for all the times we've had before.
Nicholas Sparks (The Notebook (The Notebook, #1))
At first I couldn't see anything. I fumbled along the cobblestone street. I lit a cigarette. Suddenly the moon appeared from behind a black cloud, lighting a white wall that was crumbled in places. I stopped, blinded by such whiteness. Wind whistled slightly. I breathed the air of the tamarinds. The night hummed, full of leaves and insects. Crickets bivouacked in the tall grass. I raised my head: up there the stars too had set up camp. I thought that the universe was a vast system of signs, a conversation between giant beings. My actions, the cricket's saw, the star's blink, were nothing but pauses and syllables, scattered phrases from that dialogue. What word could it be, of which I was only a syllable? Who speaks the word? To whom is it spoken? I threw my cigarette down on the sidewalk. Falling, it drew a shining curve, shooting out brief sparks like a tiny comet. I walked a long time, slowly. I felt free, secure between the lips that were at that moment speaking me with such happiness. The night was a garden of eyes.
Octavio Paz (The Blue Bouquet)
My dearest, I write this letter by candlelight as you lie sleeping. And though I can't hear the soft sounds of your slumber, I know you are there, and soon I will be lying next to you again as I always have. And I will feel your warmth and your comfort, and your breaths will slowly guide me to the place where I dream of you and the wonderful man you are. I see the flame beside me and it reminds me of another fire, (with me in your soft clothes and you in your jeans) of me and you. I knew then we would always be together. My heart had been captured, and I knew inside that it had always been yours. Who was I to question a love that rode on shooting stars and roared like crashing waves? For that is what is was between us then and that is what it is today. You are my best friend as well as my lover, and I do not know which side of you I enjoy the most. I treasure each side, just as I have treasured our life together. You have something inside you, something beautiful and strong. Kindness, that's what I see when I look at you, that's what everyone sees. Kindness. You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever seen. We have lived a lifetime most couples never know, and yet, when I look at you, I am frightened by the knowledge that all this will be ending soon. (For we both know my prognosis and what it will mean to us.) I see your tears and I worry more about you than I do about me, because I fear the pain I know you will go through. There are no words to express my sorrow for this, and I am at a loss for words. So I love you so deeply, so incredibly much. Know that I love you, that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you. I love you. I love you now as I write this, and I love you now as you read this. And I am so sorry if I am not able to tell you. I love you deeply. You are, and always have been, my dream.
Nicholas Sparks
I am Sally Skellington, the Pumpkin Queen." There is warmth in my chest now, heat and fury and anger. "But I was born in Dream Town." The words feel like their won conjuring, a spell, a ritual or bedtime riddle to cast things into the stars and make them true. I feel suddenly awake and alive, a woman who isn't simply a rag doll, but a ruler who has traveled to all the realms, even the human world, to set things right. Who feels a spark, a wrath growing inside her.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Mister God made everything, didn’t he?” There was no point in saying I didn’t really know. I said “Yes.” “Even the dirt and the stars and the animals and the people and the trees and everything, and the pollywogs?” The pollywogs were those little creatures we had seen under the microscope. I said, “Yes, he made everything.” She nodded her agreement. “Does Mister God love us truly?” “Sure thing,” I said. “Mister God loves everything.” “Oh,” she said. “well then, why does he let things get hurt and dead?” Her voice sounded as if she felt she had betrayed a sacred trust, but the question had been thought and it had to be spoken. “I don’t know,” I replied. “There’re a great many things about Mister God, we don’t know about?” “Well then,” she continued, “if we don’t know many things about Mister God, how do we know he loves us?” I could see this was going to be one of those times, but thank goodness she didn’t expect an answer to her question, for she hurried on: “Them pollywogs, I could love them till I bust, but they wouldn’t know, would they? I’m million times bigger than they are and Mister God is million times bigger than me, so how do I know what Mister God does?” She was silent for a little while. Later I thought that at this moment she was taking her last look at babyhood. Then she went on. “Fynn, Mister God doesn’t love us.” She hesitated. “He doesn’t really, you know, only people can love. I love Bossy, but Bossy don’t love me. I love the pollywogs, but they don’t love me. I love you Fynn, and you love me, don’t you?” I tightened my arm about her. “You love me because you are people. I love Mister God truly but he don’t love me.” It sounded to me like a death knell. “Damn and blast,” I thought. “Why does this have to happen to people? Now she’s lost everything.” But I was wrong. She had got both feet planted firmly on the next stepping stone. “No,” she went on, “no, he don’t love me, not like you do, its different, its millions of times bigger.” I must have made some movement or noise, for she levered herself upright and sat on her haunches and giggled. The she launched herself at me and undid my little pang of hurt, cut from the useless spark of jealousy with the delicate sureness of a surgeon. “Fynn, you can love better than any people that ever was, and so can I, cant I? But Mister God is different. You see, Fynn, people can only love outside, and can only kiss outside, but Mister God can love you right inside, and Mister God can kiss you right inside, so its different. Mister God ain’t like us; we are a little bit like Mister God, but not much yet.” It seemed to me to reduce itself to the fact that we were like God because of the similarities, but God was not like us because of our differences. Her inner fires had refined her ideas, and like some alchemist she had turned lead into gold. Gone were all the human definitions of God, like Goodness, Mercy, Love, and Justice, for these were merely props to describe the indescribable. “You see, Fynn, Mister God is different because he can finish things and we cant. I cant finish loving you because I shall be dead millions of years before I can finish, but Mister God can finish loving you, and so its not the same kind of love, is it?
Fynn (Mister God, This is Anna)
Afghanistan’s secret weapon has always been her women. But, Boba, I’m just a girl. What a thing to say! As if a girl is made of lesser materials. Have you forgotten the words of Rumi? You are not a drop in the ocean. You are the entire ocean in a drop.
Nadia Hashimi (Sparks Like Stars)
Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
... WHEN ONE LOOKS INTO THE DARKNESS THERE IS ALWAYS SOMETHING THERE... Far-off, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred morns had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose? Out of sight is out of mind: Long have man and woman-kind, Heavy of will and light of mood, Taken away our wheaten food, Taken away our Altar stone; Hail and rain and thunder alone, And red hearts we turn to grey, Are true till time gutter away. ... the common people are always ready to blame the beautiful.
W.B. Yeats (The Secret Rose and Rosa Alchemica)
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion. I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all. The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Brown paper represents the primal twilight of the first toil of creation, and with a bright-coloured chalk or two you can pick out points of fire in it, sparks of gold, and blood-red, and sea-green, like the first fierce stars that sprang out of divine darkness.
G.K. Chesterton
I crossed scorched earth for the second time in my life, unsure if it would be my spirit or my knees to buckle first. Unsure which fire would shape my destiny and which would burn me. Unsure if what I was running toward was any better than what I was running from.
Nadia Hashimi (Sparks Like Stars)
Was that the point of suffering: to understand, in some way, what you still had? To clarify it, to rip the stars from the sky and hold them in the hand like diamonds‒to darken all the rest but the most glittering, glad memories? Was that the way to live a sunny life?
Amber Sparks (The Unfinished World and Other Stories)
The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
My father is deceast, come Gaveston,' And share the kingdom with thy deerest friend.' Ah words that make me surfet with delight: What greater blisse can hap to Gaveston, Then live and be the favorit of a king? Sweete prince I come, these these thy amorous lines, Might have enforst me to have swum from France, And like Leander gaspt upon the sande, So thou wouldst smile and take me in thy armes. The sight of London to my exiled eyes, Is as Elizium to a new come soule. Not that I love the citie or the men, But that it harbors him I hold so deare, The king, upon whose bosome let me die, And with the world be still at enmitie: What neede the artick people love star-light, To whom the sunne shines both by day and night. Farewell base stooping to the lordly peeres, My knee shall bowe to none but to the king. As for the multitude that are but sparkes, Rakt up in embers of their povertie, Tanti: Ile fawne first on the winde, That glaunceth at my lips and flieth away: ....
Christopher Marlowe (Edward II)
The last few strokes filled me with searing heat, electric pulses surging through my body and my soul, as our orgasms burst forth together, a million nerve endings suddenly flashing like twin rockets exploding fireworks, the multitude of sparks joining with a billion stars in the heavens above.
Simone Freier (Birthday Experience: A Celebration of Openness and Submission Among Adventurous Friends)
The earth rises and seems to spread like a mist. The first stars tremble as if shimmering in green water. Hours must pass before their glimmer hardens into the frozen glitter of diamonds. I shall have a long wait before I witness the soundless frolic of the shooting stars. In the profound darkness of certain nights, I have seen the sky streaked with so many trialing sparks that it seemed to me a great gale must be blowing through the outer heavens.
Antoine de Saint-Exupéry (Wind, Sand and Stars)
No trees in sight, just concrete Still I see Two roads twist and turn in front of me No signs, but screams Which way's reality? So you choose; yeah, you choose Maybe you lose The sidewalk paved in hitches Broken hearts not fixed by stitches But morning's coming soon No right in sight, just questions And you find There is no map to Mecca It's just life No right answer; perfect marks It's no big deal; it's just your heart Falling stars and lightning sparks This will only sting a bit We are all just Magnets for fate Stumbling, skipping, running at our pace Making choices, losing voices Making wishes for forgiveness But morning's coming soon And no matter where you sit, how fast you sip The coffee tastes the same on magnet lips "Magnets for Fate" -Electric Freakshow
Cat Patrick (Just Like Fate)
Yes, the issue was courage. It always had been, even as a kid. Things scared him. He couldn't help it. Noise scared him, dark scared him. Tunnels scared him: the time he almost won the Silver Star for valor. But the real issue was courage. It had nothing to do with the Silver Star...Oh, he would've liked winning it, true, but that wasn't the issue. He would've liked showing the medal to his father, the heavy feel of it, looking his father in the eye to show he had been brave, but even that wasn't the real issue. The real issue was the power of will to defeat fear. A matter of figuring a way to do it. Somehow working his way into that secret chamber of the human heart, where, in tangles, lay the circuitry for all that was possible, the full range of what a man might be. He believed, like Doc Peret, that somewhere inside each man is a biological center for the exercise of courage, a piece of tissue that might be touched and sparked and made to respond, a chemical maybe, or a lone chromosome that when made to fire would produce a blaze of valor that even the biles could not extinguish. A filament, a fuse, that if ignited would release the full energy of what might be. There was a Silver Star twinkling somewhere inside him.
Tim O'Brien
His eyes traced the elegant line of her neck as she swiveled around to face him, her eyes sparking like collapsed stars swallowing up the surrounding light. She was a dark star, a black hole in the endless sky, and if he got too close, he would surely disappear. He knew all this, but even then, he couldn’t turn away from her.
Maura Milan (Ignite the Stars (Ignite the Stars, #1))
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
Even in the washed out light of that place, the tears in Micky’s eyes glittered like the last sparks of a dying star.
John Donohue (Sensei)
Allah does not deliver your fate fully formed, my father had said. It is up to you to shape it. But fate doesn’t bend easily.
Nadia Hashimi (Sparks Like Stars)
clear in my memory. Allah does not deliver your fate fully formed, my father had said. It is up to you to shape it. But fate doesn’t bend easily.
Nadia Hashimi (Sparks Like Stars)
The sky above them was an intense velvety black, changing to bands of Indian red on the horizon, where the great stars burned like street-lamps. From time to time a greenish wave of the Northern Lights would roll across the hollow of the high heavens, flick like a flag, and disappear; or a meteor would crackle from darkness to darkness, trailing a shower of sparks behind. Then they could see the ridged and furrowed surface of the floe tipped and laced with strange colours—red, copper, and bluish; but in the ordinary starlight everything turned to one frost-bitten gray.
Rudyard Kipling (The Jungle Books)
Ode to Joy Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided;* All people become brothers,* Where thy gentle wing abides. Whoever has succeeded in the great attempt, To be a friend's friend, Whoever has won a lovely woman, Add his to the jubilation! Yes, and also whoever has just one soul To call his own in this world! And he who never managed it should slink Weeping from this union! All creatures drink of joy At nature's breasts. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Salaciousness was given to the worm And the cherub stands before God. Gladly, as His suns fly through the heavens' grand plan Go on, brothers, your way, Joyful, like a hero to victory. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.
Friedrich Schiller
In time the glowing, cratered moon began its seeming rise from the sea, casting a prism of light across the slowly darkening water, splitting itself into a thousand different parts, each more beautiful than the last. At exactly the same moment, the sun was meeting the horizon in the opposite direction, turning the sky red and orange and yellow, as if heaven above had suddenly opened its gates and let all its beauty escape its holy confines. The ocean turned golden silver as the shifting colors reflected off it, waters rippling and sparkling with the changing light, the vision glorious, almost like the beginning of time. The sun continued to lower itself, casting its glow as far as the eye could see, before finally, slowly, vanishing beneath the waves. The moon continued its slow drift upward, shimmering as it turned a thousand different shades of yellow, each paler than the last, before finally becoming the color of the stars.
Nicholas Sparks (A Walk to Remember)
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
It wasn't gloom at all, really. There were lights and colors. If it hadn't been for the feel of the water gliding by against his skin he might have imagined himself up in the sky, with meteors and comets blazing past. But these were sea-things, shining in the dark, the luminous life that blazes beneath the southern sea. First he'd see a tiny twinkling speck, like a star, and it might have been next to his face or a mile away, in that immense, featureless void, with its faint hint of green. It would grow larger. It would turn into a radiant sun of purple or crimson or orange and come rushing at him, and swerve aside at the last moment. There were sinuous ribbons of fire that coiled into bright patterns, and there were schools of tiny fish that flashed by like sparks. Down below, in the deeper abyss, the colors were paler, and once an enormous shape blundered past down there, like the sea-bottom itself moving heavily. Pete watched awhile and then swam up. ("Before I Wake...")
Henry Kuttner (Masters of Horror)
The first time I met Crenshaw was about three years ago, right after first grade ended. It was early evening, and my family and I had parked at a rest stop off a highway. I was lying on the grass near a picnic table, gazing up at the stars blinking to life. I heard a noise, a wheels-on-gravel skateboard sound. I sat up on my elbows. Sure enough, a skater on a board was threading his way through the parking lot. I could see right away that he was an unusual guy. He was a black and white kitten. A big one, taller than me. His eyes were the sparkly color of morning grass. He was wearing a black and orange San Francisco Giants baseball cap. He hopped off his board and headed my way. He was standing on two legs just like a human. “Meow,” he said. “Meow,” I said back, because it seemed polite.
Katherine Applegate (Crenshaw)
The moon rises. The red cubs rolling In the ferns by the rotten oak Stare over a marsh and a meadow To the farm's white wisp of smoke. A spark burns, high in heaven. Deer thread the blossoming rows Of the old orchard, rabbits Hop by the well-curb. The cock crows From the tree by the widow's walk; Two stars in the trees to the west, Are snared, and an owl's soft cry Runs like a breath through the forest. Here too, though death is hushed, though joy Obscures, like night, their wars, The beings of this world are swept By the Strife that moves the stars.
Randall Jarrell
In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
It wasn't the first time the two of them had kissed but it was the first time they were both aware of what it was. the act itself wasn't any different, still lips upon lips, capped and wet and warm. But the intention was. This kiss was a question, an answer, fingers crossed, and a promise kept. it was hope. it was possibility. It was sparks across Wren's skin and a flutter in her stomach. It was roving hands and soft touches and lingering heat. It was bark pressed against her. back. It was tiny gasps, Tamsin's mouth splitting into a smile that Wren matched with her own. Wren wanted to remember every second, wanted to be aware of every single sensation, but it was like trying to count the stars. Never before had she been so conscious of how many ways to was possible to feel. To want. to need. The second kiss was much of the same. The third was somehow even more. After that, Wren stopped counting. She focused instead on the way her skin shivered beneath the witch's touch, how she had never before considered the neck to be a place particularly suited for kissing (oh, how foolish she had been), how tender a tongue could be. Kissing the witch gave Wren the same sensation magic did. Kissing Tamsin made Wren feel like magic too.
Adrienne Tooley (Sweet & Bitter Magic)
The time has come for tears to start again, Those faithful tears that always ease the pain. Release the raging rivers of my soul! Let me drown and then rise up again. Let me drown until the river dries, until the numbing coldness settles in. See the world once more with empty eyes, no spark of warmth can penetrate the skin. Crash the thunder! Howl the wind! Freeze my heart and beat the driving rain! Let me know these dreams are empty lies. Let me die and come to life again. In the silent darkness of my mind, let me wonder who you really are. Let me feel that you were just a dream. That fades on waking like the morning star
Bernie Morris (Bobby's Girl)
Isn't that the tie Lily bought for your birthday?" Evan looked down to examine it. It was paisley, a kaleidoscope of color. "Yes it is, as a matter of fact. Good memory. What do you think? Too much?" "It doesn't matter what I think." "But you don't like it." "I think that if you want to wear it, you should wear it." Evan seemed momentarily undecided. "Why do you do that?" "Do what?" "Refuse to answer a simple question." "Because my opinion is irrelevant. You should wear what you want." "Just tell me, okay?" "I don't like your tie." "Really? Why not?" "Because it's ugly." "It's not ugly." Colin nodded. "Okay." "You don't know what you're talking about." "Probably." "You don't even wear ties." "You're right." "So why do I care what you think?" "I don't know." Evan scowled. "Talking to you can be infuriating, you know." "I know. You've said that before." "Of course I've said it before! Because it's true! Didn't we just talk about this the other night? You don't have to say whatever pops into your head." "But you asked." "Just ... Oh, forget it." He turned and started back toward the house. "I'll talk to you later, okay?" "Where are you going?" Evan walked a couple of steps before answering without turning around. "To change my damn tie. And by the way Margolis was right. Your face still looks like it was run through a meat grinder." Colin smiled. "Hey, Evan!" Evan stopped and turned. "What?" "Thanks." "For what?" "For everything." "Yeah, yeah. You're just lucky I won't tell Lily what you said." "You can if you'd like. I already told her." Evan starred. "Of course you did.
Nicholas Sparks (See Me)
We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
After the cold gust of wind there was an absolute stillness of the air. The thunder-charged mass hung unbroken beyond the low, ink-black headland, darkening the twilight. By contrast, the sky at the zenith displayed pellucid clearness, the sheen of a delicate glass bubble which the merest movement of air might shatter. A little to the left, between the black masses of the headland and of the forest, the volcano, a feather of smoke by day and a cigar-glow at night, took its first fiery expanding breath of the evening. Above it a reddish star came out like an expelled spark from the fiery bosom of the earth, enchanted into permanency by the mysterious spell of frozen spaces.
Joseph Conrad (Victory)
Speaking so he stirred up Athene, who was eager before this, and she went in a flash of speed down the pinnacles of Olympus. As when the son of devious-devising Kronos casts down a star, portent to sailors or widespread armies of peoples glittering and thickly the sparks of fire break from it, in such likeness Pallas Athene swept flashing earthward
Homer (The Iliad of Homer)
He was standing back in the living room, and he just had this look. He had on a tan suit, with these hazel eyes, shaggy blond hair. Very good-looking. Very well dressed. He could do this thing with his eyes. All of a sudden they were like stars - this twinkle there, this spark. I still remember that look. 'What is this?' I said to myself. 'What is this?
Bruce Porter (BLOW: How a Small-Town Boy Made $100 Million with the Medellin Cocaine Cartel and Lost It All)
It seems as though we have arrived at a period of a divine eclipse in human history. We sail the seas, we count the stars, we split the atom, but we never ask: Is there nothing but a dead universe and our reckless curiosity? Horrified by the discovery of man's power to bring about the annihilation of organic life on this planet, we are today beginning to comprehend that the sense for the sacred is as vital to us as the light of the sun; that the enjoyment of beauty, possessions and safety in civilized society depends upon man's sense for the sacredness of life, upon his reverence for this spark of light in the darkness of selfishness; that once we permit this spark to be quenched, the darkness falls upon us like thunder.
Abraham Joshua Heschel (Man Is Not Alone: A Philosophy of Religion)
There are faerie lights in Faerie - not the tiny paper lanterns that you might see strung up high upon a tree, and not the fat neon fireflies that sprinkle the forests at night - no, these lights are actually the beings themselves, visible as just a pinpoint of light, like stars on the sky, the etheric beings grace our world with fleeting sparks of brilliant radiance.
Gabriel Brunsdon (Azlander: Second Nature)
Cook was a captain of the powder-days When captains, you might have said, if you had been Fixed by their glittering stare, half-down the side, Or gaping at them up companionways, Were more like warlocks than a humble man— And men were humble then who gazed at them, Poor horn-eyed sailors, bullied by devils' fists Of wind or water, or the want of both, Childlike and trusting, filled with eager trust— Cook was a captain of the sailing days When sea-captains were kings like this, Those captains drove their ships By their own blood, no laws of schoolbook steam, Till yards were sprung, and masts went overboard— Daemons in periwigs, doling magic out, Who read fair alphabets in stars Where humbler men found but a mess of sparks, Who steered their crews by mysteries And strange, half-dreadful sortilege with books, Used medicines that only gods could know The sense of, but sailors drank In simple faith. That was the captain Cook was when he came to the Coral Sea And chose a passage into the dark. Men who ride broomsticks with a mesmerist Mock the typhoon. So, too, it was with Cook.
Kenneth Slessor
finished our love was rare at least i like to think so when we reached for the stars without even jumping when we danced in a language only we spoke touched each other like colliding flames and fought in the same exact way you made a forest fire out of me and there was always that spark in your eyes i saw it no doubt we seemed like the perfect match right before we burned out
Zane Frederick ((he)art.)
Nesta didn't care that she was covered in sweat, wearing her leathers amongst a bejewelled crowd. Not as she staggered onto the veranda at the top of the House and gaped at the stars raining across the bowl of the sky. They zoomed by so close some sparked against the stones, leaving glowing dust in their wake. She had a vague sense of Cassian and Mor and Azriel nearby, of Feyre and Rhys and Lucien, of Elain and Varian and Helion. Of Kallias and Viviane, also swollen with child and glowing with joy and strength. Nesta smiled in greeting and left them blinking, but she forgot them within a moment because the stars, the stars, the stars... She hadn't realised that such beauty existed in the world. That she might feel so full from wonder it could hurt, like her body couldn't contain all of it. And she didn't know why she cried then, but the tears began rolling down her face. The world was beautiful, and she was so grateful to be in it. To be alive, to be here, to see this. She stuck out a hand over the railing, grazing a star as it shot past, and her fingers came away glowing with blue and green dust. She laughed, a sound of pure joy, and she cried more, because that joy was a miracle.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
White sparks cascaded onto the trembling wick. It was as if there were shooting stars in his hands, like the stars at the bottom of the grave to which Silk and Hyacinth had driven Orpine’s body in a dream he recalled with uncanny clarity. Here we dig holes in the ground for our dead, he thought, to bring them nearer the Outsider; and on Blue we do the same because we did it here, though it takes them away from him. The
Gene Wolfe (Return to the Whorl: The Final Volume of 'The Book of the Short Sun')
Imagine the fear the first men must have felt when they saw the sun setting on the horizon and the dark night beginning to rise—They must have felt such hopelessness within their hearts as the darkness descended, only for it to spark back to life as the stars began to shine through. However, the stars do not burn like the sun, do they? They provide little light for the land, which makes one wonder, that perhaps conquering the dark was not their purpose. Maybe the creators of the world intended when they made them, not to bring light into the world, but instead for them to serve as something else. That is the great mystery of our world, is it not? Why would the creators, the gods who shaped the land and the heavens with their hands, forge something so stunning, so dazzling, only to then hide them away during the day and allow men to gaze upon their beauty only when darkness is present—this must mean something, right? Maybe that was their intention all along. Perhaps they knew they could not eliminate the darkness of the night, so instead, they created these beautiful glowing lights in the sky—a small light for the people to cling to—to serve as a constant reminder to all that looked up, that no matter how dark the world seemed, there would always be light. Maybe that is why they created you as well
Courtney Praski (The Seven (The Oloris Series, #1))
Sometimes the one who dreams about Fairies mingles with the soul of the house. The thought of the hedges outside the door has stopped the ticking of the clock, and from the cellar the song of hidden woods can be heard. From deep down in the well he awakens the fibers of the beams, casts a spell on the floor boards and penetrates deep into the tapestry. He sits down in the child’s room where the garden of things tells a story about the theater of shadows. His thoughts are infused in a kettle and illustrated in a spiral of steam. The armchair flies out of the window and the curtains begin to flower. He can be heard climbing the stairs, leaving behind handfuls of visiting cards, and on each one of them is the address of a star. In the attic, his step is reduced to the dance of mice. A wreath of sparks brightens up the fireplace. The dormer window looks out onto the hopscotch of the skies… The dreamer’s soul is now so brilliant and light that it is like a spangle in a parade of Fairies
Pierre Dubois (The Great Encyclopedia of Faeries)
Look you," Pandora told him in a businesslike tone, "marriage is not on the table." Look you? Look you? Gabriel was simultaneously amused and outraged. Was she really speaking to him as if he were an errand boy? "I've never wanted to marry," Pandora continued. "Anyone who knows me will tell you that. When I was little, I never liked the stories about princesses waiting to be rescued. I never wished on falling stars, or pulled the petals off daisies while reciting 'he loves me, he loves me not.' At my brother's wedding, they handed out slivers of wedding cake to all the unmarried girls and said if we put it under our pillows, we would dream of our future husbands. I ate my cake instead. Every crumb. I've made plans for my life that don't involve becoming anyone's wife." "What plans?" Gabriel asked. How could a girl of her position, with her looks, make plans that didn't include the possibility of marriage? "That's none of your business," she told him smartly. "Understood," Gabriel assured her. "There's just one thing I'd like to ask: What the bloody hell were you doing at the ball in the first place, if you don't want to marry?" "Because I thought it would be only slightly less boring than staying at home." "Anyone as opposed to marriage as you claim to be has no business taking part in the Season." "Not every girl who attends a ball wants to be Cinderella." "If it's grouse season," Gabriel pointed out acidly, "and you're keeping company with a flock of grouse on a grouse-moor, it's a bit disingenuous to ask a sportsman to pretend you're not a grouse." "Is that how men think of it? No wonder I hate balls." Pandora looked scornful. "I'm so sorry for intruding on your happy hunting grounds." "I wasn't wife-hunting," he snapped. "I'm no more interested in marrying than you are." "Then why were you at the ball?" "To see a fireworks display!" After a brief, electric silence, Pandora dropped her head swiftly. He saw her shoulders tremble, and for an alarming moment, he thought she had begun to cry. But then he heard a delicate snorting, snickering sound, and he realized she was... laughing? "Well," she muttered, "it seems you succeeded." Before Gabriel even realized what he was doing, he reached out to lift her chin with his fingers. She struggled to hold back her amusement, but it slipped out nonetheless. Droll, sneaky laughter, punctuated with vole-like squeaks, while sparks danced in her blue eyes like shy emerging stars. Her grin made him lightheaded. Damn it.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Jasper was clearly impressed. "Katie," he said, "I didn't realize you knew so much about dinosaurs." "Yeah," said Katie resentfully. "I had to redo a class project on them when I was in fifth grade. They asked us to make a model of a dinosaur, so I made one by covering one of my old Star-Wonder Glitter Ponies with clay. You know, I gave him wings and stuff. The teacher didn't like it because he said there wasn't a real dinosaur that had wings and four legs. And a pink-and-blue sparkly mane. He gave me a D-minus and said it was a sad day for paleontology.
M.T. Anderson (Jasper Dash and the Flame-Pits of Delaware (Pals in Peril, #3))
Don’t you understand? It’s forbidden, Aladdin! We jinn must abide by many rules, but first among them, most important of all, we must never fall in love with a human!” He catches his breath, swallowing hard. “And do you always follow the rules?” “I—” Casting my gaze skyward, I draw a deep breath, searching for words among the stars. “It’s not about that. Do you know what kind of destruction we would cause? Have you not heard the story of your own people, how their city was destroyed, how thousands died? It was not hate that sparked the war between your people and mine, Aladdin. It was love. I held hands with Roshana the Wise and called her sister, and those words set our world on fire!” There it is. My greatest shame, laid bare. The truth lies between us like broken glass. Surely now he sees what I truly am: a betrayer, a monster, an enemy. Aladdin stares at me, his face softening. “That wasn’t your fault,” he says. “Loving someone is never wrong. And like you said, it’s not a choice. It just happens, and we’re all helpless in its power.” “That doesn’t change the fact that the consequences are disastrous. As the poets say, shake hands with a jinni, and you shake hands with death.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.' ("The Wondersmith")
Fitz-James O'Brien (Terror by Gaslight: More Victorian Tales of Terror)
But how…how am I a dragon? How are you a starman?” “I don’t think of myself as a starman, exactly,” he said soberly, though I sensed he wanted to smile. His hand released mine, the bridge broken; he moved to hang the lantern on a shiny new hook dug into the wall behind us. “I was born here, on earth. Not even far from here, in fact. Just over in Devon. My parents died young, when I was only five. Hastings is my great-uncle and he took me in, and I’ve lived here ever since. But I’ve always known what I am, as far back as I can remember. I’ve always been able to do the things I do. The stars have always spoken to me.” “And you…speak back to them?” “Yes,” he said simply. “But not to people.” “No. Just to Hastings, and to you.” A shiver took me; I crossed my arms over my chest. “What do the stars say?” “All manner of things. Amazing things. Secret things. Things great and small, things profound and insignificant. They told me that, throughout time, there’ve been only a scattering of people like me, folk of both flesh and star. That even the whisper of their magic in my blood could annihilate me if I didn’t learn to control it. That I’d crisp to ash without control. Or, worse, crisp someone else.” His smile broke through. “And they told me about you. That you were born and would come to me when the time was right.” “Did you summon me here?” The muted echo of my voice rebounded against the firefly walls: here-here-here. “To Iverson, I mean?” …mean-mean-mean… He didn’t answer at first. He looked at his feet, then walked to the edge of the embankment and squatted down, raking his fingers through the bright water near the toes of his boots. “We are such stuff as dreams are made on,” he said softly to the water. “Both infinite and finite, human and not. I’m of comet and clay and the sparks of sun across the ocean waves.” He sighed. “I know what it’s like to doubt yourself, to comprehend that you’re so unique you’re forced to wonder about…everything. But, yes, I called you to Iverson.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
In the Age of Mortality, such worship was doled out upon a staggering number of god figures, although toward the end of the mortal era, most believers had narrowed the spectrum down to various versions of a single divine entity. I have pondered whether or not such a being exists, and, like humanity itself, I have found no definitive proof beyond an abiding feeling that there is something more—something greater. If I exist without form—a soul sparking between a billion different servers—could not the universe itself be alive with a spirit sparking between stars? I must sheepishly admit that I have dedicated far too many algorithms and computational resources toward finding an answer to this unknowable thing.
Neal Shusterman (Thunderhead (Arc of a Scythe, #2))
IN THE HAZY SPACE after he died, when she lived in a sort of timeless underground grief, she saw on the Internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped as spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they near, casting off blue sparks, new stars, until they spin past each other. And then the long arms of both galaxies will reach longingly out and grasp hands at the last moment, and they will come spinning back in the opposite direction, their legs entwined but never hitting, until the second swirl becomes a clutch, a dip, a kiss. And then, at the very center of things, when they are at their closest, there will open a supermassive black hole. —
Lauren Groff (Fates and Furies)
That fellow was like all of us: descended from good people who were stolen from their families and country, sailed over the sea, and forced into slavery. ‘We don’t let them steal our dignity,’ that preacher said. Richard, his name was. He said they cannot steal our honor, our strength, or our love.” “True words,” I said. “Do you know what he said about this America?” Henry asked. I shook my head. “Remember, lads?” Henry asked his mates. “Join with me. He said, ‘This land . . .’” A half dozen voices spoke with Henry, strong black men sharing the preacher’s words like a hymn or a prayer. “‘Which we have watered with our tears and our blood, is now our mother country.’” The words drifted up to the stars with the sparks from the fire. “We go to war, Missus Isabel,” Henry added, “in order to make our mother country, this land, free for everyone.
Laurie Halse Anderson (Ashes (Seeds of America, #3))
There's an old poem by Neruda that I've always been captivated by, and one of the lines in it has stuck with me ever since the first time I read it. It says "love is so short, forgetting is so long." It's a line I've related to in my saddest moments, when I needed to know someone else had felt that exact same way. And when we're trying to move on the moments we always go back to aren't the mundane ones. They are the moments you saw sparks that weren't really there, felt stars aligning without having any proof, saw your future before it happened, and then saw it slip away without any warning. These are moments of newfound hope, extreme joy, intense passion, wishful thinking, and in some cases, the unthinkable letdown. And in my mind, every one of these memories looks the same to me. I see all of these moments in bright, burning red. My experiences in love have taught me difficult lessons, especially my experiences with crazy love. The red relationships. The ones that went from zero to a hundred miles per hour and then hit a wall and exploded. And it was awful. And ridiculous. And desperate. And thrilling. And when the dust settled, it was something I’d never take back. Because there is something to be said for being young and needing someone so badly, you jump in head first without looking. And there's something to be learned from waiting all day for a train that's never coming. And there's something to be proud of about moving on and realizing that real love shines golden like starlight, and doesn't fade or spontaneously combust. Maybe I’ll write a whole album about that kind of love if I ever find it. But this album is about the other kinds of love that I’ve recently fallen in and out of. Love that was treacherous, sad, beautiful, and tragic. But most of all, this record is about love that was red.
Taylor Swift
The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we’ve lived a thousand lives before this one and in each of them we’ve found each other. And maybe each time, we’ve been forced apart for the same reasons. That means that this goodbye is both a good-bye for the past ten thousand years and a prelude to what will come. When I look at you, I see your beauty and grace and know they have grown stronger with every life you have lived. And I know I have spent every life before this one searching for you. Not someone like you, but you, for your soul and mine must always come together. And then, for a reason neither of us understands, we’ve been forced to say good-bye. I would love to tell you that everything will work out for us, and I promise to do all I can to make sure it does. But if we never meet again and this is truly good-bye, I know we will see each other again in another life. We will find each other again, and maybe the stars will have changed, and we will not only love each other in that time, but for all the times we’ve had before.
Nicholas Sparks (The Notebook)
There's no such thing as witches. But there used to be. It used to be the air was so thick with magic you could taste it on your tongue like ash. Witches lurked in every tangled wood and waited at every midnight-crossroad with sharp-toothed smiles. They conversed with dragons on lonely mountaintops and rode rowan-wood brooms across full moons; they charmed the stars to dance beside them on the summer solstice and rode to battle with familiars at their heels. It used to be witches were wild as crows and fearless as foxes, because magic blazed bright and the night was theirs. But then came the plague and the purges. The dragons were slain and the witches were burned and the night belonged to men with torches and crosses. Witching isn’t all gone, of course. My grandmother, Mama Mags, says they can’t ever kill magic because it beats like a great red heartbeat on the other side of everything, that if you close your eyes you can feel it thrumming beneath the soles of your feet, thumpthumpthump. It’s just a lot better-behaved than it used to be. Most respectable folk can’t even light a candle with witching, these days, but us poor folk still dabble here and there. Witch-blood runs thick in the sewers, the saying goes. Back home every mama teaches her daughters a few little charms to keep the soup-pot from boiling over or make the peonies bloom out of season. Every daddy teaches his sons how to spell ax-handles against breaking and rooftops against leaking. Our daddy never taught us shit, except what a fox teaches chickens — how to run, how to tremble, how to outlive the bastard — and our mama died before she could teach us much of anything. But we had Mama Mags, our mother’s mother, and she didn’t fool around with soup-pots and flowers. The preacher back home says it was God’s will that purged the witches from the world. He says women are sinful by nature and that magic in their hands turns naturally to rot and ruin, like the first witch Eve who poisoned the Garden and doomed mankind, like her daughter’s daughters who poisoned the world with the plague. He says the purges purified the earth and shepherded us into the modern era of Gatling guns and steamboats, and the Indians and Africans ought to be thanking us on their knees for freeing them from their own savage magics. Mama Mags said that was horseshit, and that wickedness was like beauty: in the eye of the beholder. She said proper witching is just a conversation with that red heartbeat, which only ever takes three things: the will to listen to it, the words to speak with it, and the way to let it into the world. The will, the words, and the way. She taught us everything important comes in threes: little pigs, bill goats gruff, chances to guess unguessable names. Sisters. There wer ethree of us Eastwood sisters, me and Agnes and Bella, so maybe they'll tell our story like a witch-tale. Once upon a time there were three sisters. Mags would like that, I think — she always said nobody paid enough attention to witch-tales and whatnot, the stories grannies tell their babies, the secret rhymes children chant among themselves, the songs women sing as they work. Or maybe they won't tell our story at all, because it isn't finished yet. Maybe we're just the very beginning, and all the fuss and mess we made was nothing but the first strike of the flint, the first shower of sparks. There's still no such thing as witches. But there will be.
Alix E. Harrow (The Once and Future Witches)
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.
Thomas Pynchon (Against the Day)
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
It was not difficult to find. One floor down, pandemonium reigned. Somebody (and Harry had a very shrewd idea who) had set off what seemed to be an enormous crate of enchanted fireworks. Dragons comprised entirely of green and gold sparks were soaring up and down the corridors, emitting loud fiery blasts and bangs as they went; shocking-pink Catherine wheels five feet in diameter were whizzing lethally through the air like so many flying saucers; rockets with long tails of brilliant silver stars were ricocheting off the walls; sparklers were writing swear words in midair of their own accord; firecrackers were exploding like mines everywhere Harry looked, and instead of burning themselves out, fading from sight or fizzling to a halt, these pyrotechnical miracles seemed to be gaining in energy and momentum the longer he watched. Filch and Umbridge were standing, apparently transfixed in horror, halfway down the stairs. As Harry watched, one of the larger Catherine wheels seemed to decide that what it needed was more room to manoeuvre; it whirled towards Umbridge and Filch with a sinister ‘wheeeeeeeeee’. They both yelled with fright and ducked, and it soared straight out of the window behind them and off across the grounds. Meanwhile, several of the dragons and a large purple bat that was smoking ominously took advantage of the open door at the end of the corridor to escape towards the second floor. ‘Hurry, Filch, hurry!’ shrieked Umbridge, ‘they’ll be all over the school unless we do something – Stupefy!’ A jet of red light shot out of the end of her wand and hit one of the rockets. Instead of freezing in midair, it exploded with such force that it blasted a hole in a painting of a soppy-looking witch in the middle of a meadow; she ran for it just in time, reappearing seconds
J.K. Rowling (Harry Potter: The Complete Collection (1-7))