Sparks Band Quotes

We've searched our database for all the quotes and captions related to Sparks Band. Here they are! All 24 of them:

Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst. At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears. Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young. And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights. A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes. “Go get the boss,” says one guardsman to another. “This bunch looks like trouble.” And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
Nicholas Eames (Kings of the Wyld (The Band, #1))
She knows now. She knows that the smiles, the romance, the sparkly boy band dream - it's all just fantasy. fantasy and lies.
Alice Oseman (I Was Born for This (I Was Born for This, #1))
The sky above them was an intense velvety black, changing to bands of Indian red on the horizon, where the great stars burned like street-lamps. From time to time a greenish wave of the Northern Lights would roll across the hollow of the high heavens, flick like a flag, and disappear; or a meteor would crackle from darkness to darkness, trailing a shower of sparks behind. Then they could see the ridged and furrowed surface of the floe tipped and laced with strange colours—red, copper, and bluish; but in the ordinary starlight everything turned to one frost-bitten gray.
Rudyard Kipling (The Jungle Books)
Paris has a child, and the forest has a bird; the bird is called the sparrow; the child is called the gamin. Couple these two ideas which contain, the one all the furnace, the other all the dawn; strike these two sparks together, Paris, childhood; there leaps out from them a little being. Homuncio, Plautus would say. This little being is joyous. He has not food every day, and he goes to the play every evening, if he sees good. He has no shirt on his body, no shoes on his feet, no roof over his head; he is like the flies of heaven, who have none of these things. He is from seven to thirteen years of age, he lives in bands, roams the streets, lodges in the open air, wears an old pair of trousers of his father's, which descend below his heels, an old hat of some other father, which descends below his ears, a single suspender of yellow listing; he runs, lies in wait, rummages about, wastes time, blackens pipes, swears like a convict, haunts the wine-shop, knows thieves, calls gay women thou, talks slang, sings obscene songs, and has no evil in his heart. This is because he has in his heart a pearl, innocence; and pearls are not to be dissolved in mud. So long as man is in his childhood, God wills that he shall be innocent. If one were to ask that enormous city: "What is this?" she would reply: "It is my little one.
Victor Hugo (Works of Victor Hugo. Les Miserables, Notre-Dame de Paris, Man Who Laughs, Toilers of the Sea, Poems & More)
The tangible and factual components of reality along with the intangible strands of memory and imagination constitute the framework that houses our vital life force. A person is likewise composed of contradictory and complementary forces of pain and pleasure, darkness and lightness, and clashing and harmonizing bands of thoughts and feelings. The web and root of all persons consists of both the expressible and the unsayable. Who has not held imaginary conversations with gods, devils, and spirits? Persons whom enthusiastically cultivate an inner life, ardently experience the quick of nature, and willingly immerse themselves in all aspects of everyday living will experience renewal. Analogous to the heat source of fire, we need the spark of desire to fuel our hearts and the spirit of the breeze to spread our heart songs.
Kilroy J. Oldster (Dead Toad Scrolls)
When LA band L7 were being hit with mud balls, I watched from sidestage as badass singer Donita Sparks pulled out her tampon onstage and threw it at the audience, one of the best responses to rowdy crowd behavior I’d ever seen.
Mark Lanegan (Sing Backwards and Weep: A Memoir)
Then Terry - fucking Terry, the Blind King, the pain in the ass, the boy who tapped on her basement window, the kid who asked her the question that started everything, that caused all this pain, that sparked a thousand shows, the boy who said, "You wanna start a band?" - he grabbed his mic and right on time, right on cue, he said the words that were coming but that Kris thought he would never sing: "And inside that hole!" Terry shouted, and the black ocean fell silent, its colossal sound held back for three seconds, its power coiling, building up, about to overflow. "And inside that hole!" Terry shouted again, "is Black Iron Mountain!
Grady Hendrix (We Sold Our Souls)
I asked once before, do you always court trouble, Miss Click, or does it just seem tae follow you where’er you go?” She flushed. So word of her run-in with Hero McClary had reached the doctor as well. Her face grew pinker, not from his mention of the feud but from his intense scrutiny. She managed as calmly as she could, “As I told Colonel Barr, the matter is settled.” His eyes sparked. “Nae, no’ settled. Nothing is ever settled with a clan like the McClarys. It matters no’ that you’re a woman. It matters greatly that you live alone.” She swallowed, not taking her eyes from his, and saw the warning and concern in their blueness. Wearily, elbows on the table, she rested her face in her hands. Gently but firmly his fingers encircled her wrists like iron bands and brought them back down. “Look at me, Lael, and say that you’ll come tae the fort, just for the winter.” Lael. Lay-elle. In his Highland brogue, it sounded like no name she had ever heard, yet she bristled at his familiarity. Her resistance to the notion of forting up doubled. “Nay,” was all she said as she looked away. Releasing her, he looked down at the bowl of food Ma Horn had set before him. Did he find turnips and greens disagreeable fare? Or was he regretting saying her given name? In a few days’ time, “Miss Click” had changed to “Lael.” “I’d best be going,” she said but made no move to do so. “Nae . . . stay.
Laura Frantz (The Frontiersman's Daughter)
In the wake of my broken dreams In the dirt and the dust and the days that felt like weeks. I found the person that I’m meant to be ‘Cause when I felt like giving up When death was closing in I shut my eyes And black out the darkness with light from inside I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become Facing my fears in the dark But if I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark This is the fallout Yeah it’s the end of the world We’ll spread the noise to everyone and let them all know you heard A system meltdown It’s time we expose The 'cause of chaos is our own I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become Facing my fears in the dark But if I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark Never let life kill your spark Never let life kill your spark Facing my fears in the dark I’ve given more Than what I’ve got I’ve given all Of what I’m not I’ve watched this war consume all that we could become If I die Before it’s done Please take these words My final thoughts The only way to shine your light is in the dark. Never let life kill your spark..
Crown The Empire
The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.
Meg Keene (A Practical Wedding: Creative Ideas for Planning a Beautiful, Affordable, and Meaningful Celebration)
Girls who chase boys, who twirl their hair and walk through clouds of chain-store perfume, learning their allure. Girls who like books, who revel in their solitude, and lonely girls who don't; girls who eat, and girls who don't. Girls with piercings, tattoos, scars. Angry girls, who bare their teeth and scratch at their arms. Unironic boy-band, pink-clad girls, who scream and wail and live in every breath. Girls who read Vogue and spend their Saturdays with jealous hands on clothes their allowances won't afford. Girls who long to be mothers, and their own mothers who long for their youth. Art girls. Science girls. Girls who'll make it out alive. Girls who won't. And then, there are invisible girls: the ones nobody thinks to be afraid of. The girls who hide in plain sight, flirting and giggling; girls for whom sugar and spice is a mask. Girls who spark matches and spill battery acid on skin. Girls for whom rules do not apply.
Katie Lowe (The Furies)
The rain began the next morning and showed no signs of letting up. Mud sucked at Arin’s boots as he helped Kestrel ready her horse. The rain intensified, dropping down like little stones. Arin squinted up at it. “Terrible day to ride.” He hated to see her go. She wiped water from her face, glancing over at Risha, whose head was tipped back under the rain, eyes closed. “Not for everyone,” Kestrel said, “and the rain will make it less likely a Valorian scout will notice that a small band is riding from camp.” True. The middle distance was a gray fog. Arin raked dripping hair off his brow. He tried to be all right. His nerves sparked the way a blade does against the grinder. Kestrel touched his cheek. “The rain is good for us.” “Come here.” She tasted like the rain: cool and fresh and sweet. Her mouth warmed as he kissed her. He felt the way her clothes stuck to her skin. He forgot himself. She murmured, “I have something for you.” “You needn’t give me anything.” “It’s not a gift. It’s for you to keep safe until I return.” She placed a speckled yellow feather on his palm. The rain fell in a veil behind her.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Summer days and junior year, you are my sunshine that brightens up my full moon; we are going to soar together, we will not need to wish upon a star because our dreams will, at last, become true. There may be dark clouds overhead, and times of rain. This may be there showering upon us, but love still grows, we will not care, we will be there looking at that view that goes on for miles. Sometimes we will have to cope with the rainfall that wants to keep us apart. Sometimes I think that I am going to lose my way to you. While the gray storms end up taking our joyful colors away once more. Upon the clear, we stand together at last… arm in arm, and hand and hand, we are laced, and we embrace one another. The colors of red, blue, and pink are the sky once more. Plus, all along you were there, this time we share. The colors begin setting the mood and light ones more. All the vivid gold sights with the feelings of being united and that will be us as a pair. The many stars shine bright because we are going to be there all night, holding on to what we had that night. I used to bite my lips, thinking about that gold band, and the sparkly rock on top. You can make me feel like royalty; yes, I will be your queen ruler. Maybe someday all this will not be a fantasy and the dreams will come true when we look at a different view, just me and you.
Marcel Ray Duriez (Nevaeh The Lusting Sapphire Blue Eyes)
Muriah approached him with a new pair of khakis and a couple of T-shirts. “I guessed at the size so you might want to go try these on first.” He took the clothes and slid his arm around her waist, maneuvering her toward the fitting room. “Hey, I didn’t sign on to be your dresser.” She grumbled, but didn’t struggle. He pulled the door closed and turned to meet her eyes. “It’s light in here and full of people. Apep will not be able to surprise us, and his serpents cannot spy. We need to talk.” *** He stripped off the wet shirt, exposing his chiseled torso. She did her best not to choke on her tongue. His tanned skin and taut muscles tempted her, luring her to touch him. Turning around to give him privacy seemed like the right thing to do, but there wasn’t a hint of modesty in this Mayan god, and if he could handle getting this personal, then she could, too. When he unzipped the wet pants, she held her breath. Would an ancient guy wear underwear? She was about to find out. He bent over to lower the wet slacks. When he straightened up, she realized he’d been talking, but she didn’t have a clue what he had said. Instead, all her attention was focused on a fine trail of dark hair leading from just below his navel and disappearing under the low-slung elastic band of his boxer briefs. “Muriah?” Her gaze snapped up to meet his. Thank the universe he couldn’t read her thoughts. “Yeah?” “Did you hear my question?” He stood two feet from her in only his underwear, and he thought she was listening? He was either completely unaware of his sex appeal, or he was way too accustomed to being obeyed. Probably both. She cleared her throat. “I must’ve missed it.” A spark lit his eyes that told her he might have more than a clue to his sex appeal. He picked up the T-shirt and pulled it on. “I asked if you knew of another hotel closer to the airport so we can get out of New York as soon as the sun sets tomorrow.” “I’m sure I can find one.” She pulled out her phone, grateful to have something to pretend to focus on besides him tucking his package into the new khakis she pulled off the rack for him. “I probably should’ve grabbed some dry underwear, too.” “They are nearly dry now. I will be fine.” He popped the tags off, and she glanced up from her hotel search. “They’re not going to like you taking the tags off before you pay.” The corner of his mouth curved up. “They will be honored to take my money.” She groaned and rolled her eyes. “Do you ever not get your way?” He stepped closer to her, his chest an inch from hers until her back pressed against the modular wall of the fitting room. “Rarely.” His dark gaze held hers, and the deep rumble of his voice sent heat through her body. “But some things are worth the extra effort.
Lisa Kessler (Night Child (Night, #3))
He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
The bookcase held only books and CDs that he loved, and a shelf, now virtually empty, held a pottery ornament my younger sister had made in high school and figurines of a jazz band that he had bought by mail order.
Marie Kondō (Spark Joy: An Illustrated Master Class on the Art of Organizing and Tidying Up (The Life Changing Magic of Tidying Up))
Most’s eclectic background also provided the spark behind the invention of what would become known as the ETF. During his travels around the Pacific, he had appreciated the efficiency of how traders would buy and sell warehouse receipts of commodities, rather than the more cumbersome physical vats of coconut oil, barrels of crude, or ingots of gold. This opened up a panoply of opportunities for creative financial engineers. “You store a commodity and you get a warehouse receipt and you can finance on that warehouse receipt. You can sell it, do a lot of things with it. Because you don’t want to be moving the merchandise back and forth all the time, so you keep it in place and you simply transfer the warehouse receipt,” he later recalled.19 Most’s ingenious idea was to, after a fashion, mimic this basic structure. The Amex could create a kind of legal warehouse where it could place the S&P 500 stocks, and then create and list shares in the warehouse itself for people to trade. The new warehouse-cum-fund would take advantage of the growth and electronic evolution in portfolio trading—the simultaneous buying and selling of big baskets of stocks first pioneered by Wells Fargo two decades earlier—and a little-known aspect of mutual funds: They can do “in kind” transactions, exchanging shares in a fund for a proportional amount of the stocks it contains, rather than cash. Or an investor can gather the correct proportion of the underlying stocks and exchange them for shares in the fund. Stock exchange “specialists”—the trading firms on the floor of the exchange that match buyers and sellers—would be authorized to be able to create or redeem these shares according to demand. They could take advantage of any differences that might open up between the price of the “warehouse” and the stock it contained, an arbitrage opportunity that should help keep it trading in line with its assets. This elegant creation/redemption process would also get around the logistical challenges of money coming in and out continuously throughout the day—one of Bogle’s main practical concerns. In basic terms, investors can either trade shares of the warehouse between themselves, or go to the warehouse and exchange their shares in it for a slice of the stocks it holds. Or they can turn up at the warehouse with a suitable bundle of stocks and exchange them for shares in the warehouse. Moreover, because no money changes hands when shares in the warehouse are created or redeemed, capital gains tax can be delayed until the investor actually sells their shares—a side effect that has proven vital to the growth of ETFs in the United States. Only when an ETF is actually sold will investors have to pay any capital gains taxes due.
Robin Wigglesworth (Trillions: How a Band of Wall Street Renegades Invented the Index Fund and Changed Finance Forever)
Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Marasi found it invigorating to work by candlelight. Perhaps it was the primordial danger of it. Electric lights felt safe, contained, harnessed—but an open flame, well, that was something raw. Alive. A little spark of fury which, if released, could destroy her and everything she worked on.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Two golden rings lay there. “I don’t know the Fae customs,” she said. The thicker ring held an elegantly cut ruby within the band itself, while the smaller one bore a sparkling rectangular emerald mounted atop, the stone as large as her fingernail. “But when humans wed, rings are exchanged.” “I assume the sparkly emerald is for me,” Rowan said with a half smile. She huffed a laugh. The soft, whispered sound was as priceless as the ring she’d found for them in this hoard. She took his hand, and he tried not to shudder in relief, tried not to fall to his knees as she slid the ruby ring onto his finger. It fit him perfectly, the ring no doubt forged for the king lying in this barrow. Silently, Rowan grasped her own hand and eased on the emerald ring. “To whatever end,” he whispered. Silver lined her eyes. “To whatever end.” A reminder—and a vow, more sacred than the wedding oaths they’d sworn on that ship. To walk this path together, back from the darkness of the iron coffin. To face what waited in Terrasen, ancient promises to the gods be damned.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
the migrating bands in these times preserved hot coals in hardened mooseskin sacks or birchbark containers filled with ash in which the embers pulsated, ready to spark the next campfire.
Velma Wallis (Two Old Women, [Anniversary Edition]: An Alaska Legend of Betrayal, Courage and Survival)
For my mother, the experience was emotional. When my music was evolving, I hadn’t allowed her to hear it. For years up on Cloverdale, I had always locked myself in my room, not letting anybody hear what I was doing. Then, after I moved out, I never invited her to hear me working in the studios. So, when Let Love Rule was released, she was completely shocked. She could hear how everything that I had experienced on my journey came alive in that album: Tchaikovsky; the Jackson 5; James Brown; the Harlem School of the Arts; Stevie Wonder; Gladys Knight and the Pips; Earth, Wind & Fire; Miles Davis; Jimi Hendrix; Led Zeppelin; KISS; the California Boys’ Choir; Prince; David Bowie; Miss Beasley’s orchestra; the Beverly Hills High jazz band; the magical spark between me and Lisa; the spirit of our daughter. More than anyone, Mom knew that I had poured every aspect of my life into this effort. That was enough to make her proud. But what blindsided her—and me as well—was the sight of thousands of fans singing lyrics that I had written—and most of those fans didn’t even speak English.
Lenny Kravitz (Let Love Rule)
When I answer, a piercing electronic shriek crashes out of the speakers. Warped digital feedback: the kind of thing Aphex Twin used to put on his records (Eleanor: I know you’ll ask me to update this reference and make it a more current band. Sorry, but it sounded like Aphex Twin. Not my fault you’re too young to remember him.)
Jason Arnopp (The Last Days of Jack Sparks)
To fame, fortune, and women with big tits. To rock and roll music and mosh pits. To my brothers by birth and my brother by band, here’s to us. Fuck yeah, life is grand.” The shot is downed, and the laughter begins.
S.L. Scott (Spark (The Crow Brothers, #1))