Spanish Love Quotes

I’ll give you the world,” he said against my mouth. “The moon. The fucking stars. Anything you ask, it’s yours. I’m yours.

Because it was all you were willing to give me. And I’d rather have you hating me than not have you at all.

When I finally kiss you, there won’t be any doubt in your mind that it is real.

You feel complete in my arms. You feel like my home.

Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon fields; the sun the color of pressed grapes, slashed with burgandy red, the fields the color of love and Spanish mysteries.

If you get any more perfect, I’m going to believe you were made just for me.

How is it possible that it feels like you are breaking my heart, and I haven’t even had you yet?

Don't go far off, not even for a day, because I don't know how to say it - a day is long and I will be waiting for you, as in an empty station when the trains are parked off somewhere else, asleep. Don't leave me, even for an hour, because then the little drops of anguish will all run together, the smoke that roams looking for a home will drift into me, choking my lost heart. Oh, may your silhouette never dissolve on the beach, may your eyelids never flutter into the empty distance. Don't LEAVE me for a second, my dearest, because in that moment you'll have gone so far I'll wander mazily over all the earth, asking, will you come back? Will you leave me here, dying?

I don’t think I’d be able to deny you a single thing if you asked, Catalina.

But you are. You are worth all that trouble. You are worth walking through a fucking fire. Don’t you see that?

Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly. “No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.” My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified. “You want to play on your Xbox?” I ask. He laughs, loudly. “No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath. “You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.” “Just open the damn door, Christian.” He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in. And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition. Holy fuck.

Being your friend has always been the last thing on my mind.

Love is a clash of lightnings

I wasn’t pretending, Catalina. Not for a minute. It was all real for me. That’s why it meant so much.

I always have time for you.

He is not that good-looking. He’s just tall,

Do I have your attention?” “You don’t need to do any of that.” He lowered the large black-and-white-colored pages with a brisk motion. “You always have my undivided attention, Catalina.

You are not on your own anymore. It’s you and me now. We are in this together, and we’ve got this.

Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.

He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine.They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.

You are all that, Catalina. You are light. And passion. Your laughter alone can lift my mood and effortlessly turn my day around in a matter of seconds. Even when it's not aimed at me. You... can light up entire rooms, Catalina. You hold that kind of power. And it's because of all the different things that make you who you are. Each and every one of them, even the ones that drive me crazy in ways you can't imagine. You should never forget that.

- Me asustas (...). Quien es capaz de amar con esa intensidad, puede odiar de la misma manera.

We love and lose in China, we weep on England's moors, and laugh and moan in Guinea, and thrive on Spanish shores. We seek success in Finland, are born and die in Maine. In minor ways we differ, in major we're the same.

Ya no la quiero, es cierto, pero tal vez la quiero. Es tan corto el amor, y es tan largo el olvido.

Five tacos—Aaron had gotten me five and not four, like I had told him.

Neither of you is at fault, Aaron. We are not programmed to lose those we love; there’s no right or wrong way to grieve.

I doubt you’ve ever been forced to nonstop bang a woman hyped up on the undead voodoo version of Spanish fly, have you?” His chuckle was soft. “Can’t say that I have, Kitten.” “Yeah, well, consider me an original.” This time, when his lips brushed across my skin, it lasted more than a moment. “I always have.

God, Arthur.” He kisses me. “Te quiero. Estoy enamorado. You don’t even know.” And I don’t speak a word of Spanish, but when I look at his face, I get it.

Love is worth fighting for.

Un libro leído a medias es una aventura amorosa incompleta.

When there’s a rock on the way and you fall, I tumble down with you. We fight our way up together.

¡Los suspiros son aire y van al aire! ¡Las lágrimas son agua y van al mar! Dime, mujer, cuando el amor se olvida ¿sabes tú adónde va?

My eyelids eventually fluttered shut, but right before darkness engulfed me, I thought I heard Aaron whisper, “You feel complete in my arms. You feel like my home.

He slowly turned around. “What is love? In English.” I raised my brows. “Love, in English, is love?” “What is it in Spanish?” I was so enthralled by his hypnotic eyes, I could barely remember. “Amore?” He shook his head ever so slightly. “No. Love in Spanish is you.

You’ve never needed anyone to fight your battles, Catalina. That’s one of the things I respect the most about you.

Y recordé que el mundo no sólo se componía de cosas feas y desastrosas sino también de las partes como éstas: pequeños momentos que hacían que, cualquier riesgo que conllevaba enamorarse, valiera la pena ser vivido.

Set your goal free into the universe. Visualize it.

Yo supe en el momento en que te conocí que había algo en ti que yo necesitaba. Resultó que no era algo de ti. Eras sólo tú.

- El amor debe ser algo que te haga perder la razón -susurró-. Algo que te ate para siempre a unos ojos, que no te deje respirar cuando no puedas mirarte en ellos... -¿De verdad crees que existe un amor así? -preguntó, aturdida por sus palabras. -Estoy seguro.

Anything that bothers you matters to me, and I want to hear about it,” he said from his position behind me. “Nothing about you is boring or doesn’t interest me—ever. Understand?

What they had was the real stuff. Honest, devoted, palpable love. The one that transcended distance, differences, and obstacles. The kind that was meant to be written about in books. Thinking of it filled my chest with warmth and longing for something I didn’t know I’d ever be able to find.

Mi corazón se quedó allí, con él, mientras su imagen se borraba empañada por mis lágrimas.

Pero si la elección que tengo que tomar, se reduce a elegir entre tú o yo, te escojo a ti. Siempre te he escogido.

In art intentions are not sufficient and, as we say in Spanish, love must be proved by deeds and not by reasons. What one does is what counts and not what one had the intention of doing.

¡No! ¡No pienso dejarte aquí e irme sin saber cómo va a terminar todo esto! —¡No puedes hacer nada aquí! ¡Solo pondrías tú vida en peligro! —¿Y la tuya? ¿Acaso no importa? —Eso es lo que estoy haciendo, poner mi vida a salvo. —Le miré con todo el amor que sentía. Su vida era yo.

I never thought I'd get to see Rome," Hazel said. "When I was alive, I mean for the first time, Mussolini was in charge. We were at war." "Mussolini?" Leo frowned. "Wasn't he like BFF's with Hitler?" Hazel stared at him like he was an alien. "BFF's?" "Never mind." "I'd love to see the Trevi Fountain," she said. "There's a fountain on every block," Leo grumbled. "Or the Spanish Steps," Hazel said. "Why would you come to Italy to see Spanosh steps?" Leo asked. "That's like going to China for Mexican food, isn't it?" "You're hopeless," Hazel complained. "So I've been told.

Cultivo una rosa blanca, En julio como en enero, Para el amigo sincero Que me da su mano franca. Y para el cruel que me arranca El corazon con que vivo, Cardo ni oruga cultivo Cultivo una rosa blanca. I have a white rose to tend In July as in January; I give it to the true friend Who offers his frank hand to me. And to the cruel one whose blows Break the heart by which I live, Thistle nor thorn do I give: For him, too, I have a white rose.

Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you.

I know, baby. Everything will always be okay, no matter what. You know why?” “Why?” “Because it’s you and me.

I want your heart, Catalina.” Both of his hands rose to my shoulders, trailing up my neck and cupping my face. “I want it for myself, just how I have given you mine.” It’s yours, you beautiful and blind man, I wanted to tell him. Take it. I don’t want it anymore, I wanted to scream at him and anyone that would listen.

I talked her into believing that she needed me. Then, I showed her-proved to her-that she did.

Every time I look at her.” He didn’t even blink as he talked, looking straight into my eyes. And I didn’t think I did either. I didn’t think I was even breathing. “All the time I wasted so foolishly. All the time I could have had with her.

Te deseo a alguien que no te diga lo guapa que eres, sino que te lo enseñe, para que te lo aprendes sin necesidad de repetírtelo.

You have to say something, baby. You are very quiet, and that’s starting to freak me out.” Baby. That baby did things to me. I liked it. Far too much.

When someone mistreats you and I have the power to do something about it, I’m going to speak up. I’m not going to wait on the sidelines and watch you take the hit of it on your own.

- ¿Recuerdas lo que significa este punto del centro? (...) Soy yo: tu eje, tu principio y tu fin, tu amor, tu vida (...). Y lo seré siempre. Está escrito aquí, y en los posos de café, y seguramente está escrito en todos los sitios imaginables. Eres mía y nadie nos separará jamás.

Spanish rain, A maiden’s dress, Apothecary pills And ancient thrills; Melancholy kills A girl’s caress.

To those chasing dreams, never give up on them. We are not quitters, you hear me?

You hugged me because you thought I wasn’t coming.” His gaze was searching. As if he couldn’t believe or understand what had just happened. “You’ve never hugged me before.

When Aaron finally spoke, his voice had a breathless texture, “You pinched my ass, Catalina.” I had. And I was sorry. Sort of. Which didn’t excuse the shameless, outright joyful grin that broke out on my face.

Life is full of hard choices. I chose you.

Good girl. Keep them closed.” He brushed another openmouthed kiss as a reward. “We’ll play this game a little longer.

The sun goes down long and red. All the magic names of the valley unrolled - Manteca, Madera, all the rest. Soon it got dusk, a grapy dusk, a purple dusk over tangerine groves and long melon field; the sun the color of pressed grapes, slashed with burgundy red, the fields the color of love and Spanish mysteries. I stuck my head out the window and took deep breaths of the fragant air. It was the most beautiful of all moments.

yo te amo para comenzar a amarte, para recomenzar el infinito y para no dejar de amarte nunca: por eso no te amo todavía.

Ooh. Maybe he’ll fuck you in Spanish. Can you call me while it’s happening? God, I want to hear that.

My dear young lady, when you are in love, and jealous, and have been flogged by the Inquisition, there's no knowing what you may do.

Because life wasn’t ideal. It turned and bent. It spun you out for a minute and swung you right back in the next.

There is bound to be someone driven mad by love who will give you the chance to study the effects of gold cyanide on a cadaver. And when you do find one, observe with care, they almost always have crystals in their heart

What a name! Was it love or praise? Speech half-asleep or song half-awake? I must learn Spanish, one of these days, Only for that slow sweet name's sake.

Spanish rain, A maiden’s dress, Apothecary pills And ancient thrills; Melancholy kills A girl’s caress. (—Roman Payne; Valencia, Spain, November 2nd 2012)

There was something lodged right in between my ribs that felt a lot like a ticking bomb.

That’s not an answer, baby.” His fingers increased their pace, making me light-headed. “Do you want me to get you off and hold you until you fall asleep?” His other hand rose to my breast, teasing my nipple. “Or do you want me to claim it with my cock?” So commanding and yet so fucking thoughtful. Cherishing me, ravishing me. He was everything I needed. Everything my body craved and my heart had been missing.

My life-altering moment would never be a measurement of time. It would never be as simple as marking a few points in the timeline of my life that I could identify as transcendent. It was him. Aaron. He was my moment. And for as long as I had him, my life would constantly be changing, be altered. I’d be challenged, cherished, loved. With him, I’d live.

It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.

It’s like you want me to beg. Is that something you’d enjoy? Me begging?” His voice sounded so … intimate. Hushed. But it was his next words that scattered my thoughts all over the place. “Is that what this is? You like bringing me to my knees?

Cristianno Gabbana jamás pedía disculpas y, sin embargo, allí estaba, haciéndolo. En aquel momento parecía tan débil, tan perdido, que mis ojos le miraron con ternura. Me sentía una privilegiada porque me dejase ver aquella parte de él.

But you are so … werewolfish.” True to my accusations, those blue eyes glinted with a hungry edge. “Am I?” “Yes. First off, you are big and hot and—” “Oh, I’m already loving this.” One of his arms curled around me, tugging me to his side. “Please continue.

I understand we all have our differences. But while learning about history I've read about white people coming together, Jews coming together, Spanish coming together, different cultures and religions understanding and coming together despite their differences. Slavery was never something that shocked me. What shocks me is how black people have not yet overcome the odds and we're such strong smart people. Why we can't just stand together?

I’ll give you the world,” he said against my mouth. “The moon. The fucking stars. Anything you ask, it’s yours. I’m yours.” And then my world exploded. Aaron’s mouth was against mine, nothing soft about the branding contact. He parted my lips, his tongue plunging inside, while his hands slowly trailed up my back.

Catalina.” There it was again. Not Lina. Catalina. “I’m glad I didn’t kiss you.” Something halted in my chest. “Why?” The word was nothing more than a shaky whisper. “Because when I finally take those lips in mine, it will be the furthest thing from pretending. I will not be showing you what it would be like if you were mine. I’ll show you what it is. And I sure as hell won’t be showing how good I could make you feel if you called me yours. You’ll already know that I am.” He paused, and I swore I could see the restraint in his posture. As if he was stopping himself from pouncing and returning us to our former position, right against the hard surface of the wardrobe door. “When I finally kiss you, there won’t be any doubt in your mind that it is real.

Mamá had taught me better than to leave things hanging over my head. Ignoring and waiting for them to go away on their own wasn’t the smart thing to do. Because they didn’t. Sooner or later—and just when you least expected them to—they’d fall off right on top of you, and chances were, they’d take you down with them if you let them.

Frank knew the correct term was sword rapier and that it was a reproduction of the kind of weapon used by armies in seventeenth-century Europe. Made of high carbon steel, the blade was as long as a yardstick and gained another six or seven inches in its scabbard. The cup hilt indicated its Spanish roots. Less than three pounds in all, he had to admit it was easy to carry, fitting close to his body. Then why the aversion, the dread? Was it some pacifist leanings? Or the distaste for a weapon that might end a life?

Any other Disney movies?” I was tempting my luck here. Aaron’s expression remained serious. “All of them.” Shit. “Even Frozen? Tangled? The Princess Frog?” I asked, and he nodded. “I love animated movies. They take my mind off things.” He dipped his hands in the pockets of his jeans. “Disney, Pixar … I’m a big fan.” This was too much. First, he’d opened up about his childhood earlier today, and now, this. I wanted to ask how and why, but there was a more pressing issue. “What’s your favorite?” Please don’t say the one that will send my heart into cardiac arrest. Please don’t say it. “Up.” Fuck. He had said it. My heart struggled there for a moment. And that little spot that had been softening throughout the night got a little bigger.

Ya no la quiero, es cierto, pero tal vez la quiero. Es tan corto el amor y es tan largo el olvido. Porque en noches como ésta la tuve entre mis brazos, mi alma no se contenta con haberla perdido. Aunque éste sea el último dolor que ella me causa, y éstos sean los últimos versos que yo le escribo.

Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh

Aaron dipped his head, his voice dropping too. “Are you trying to impress me with sports lingo, Catalina?” The way he had said my name was new. I couldn’t explain how, but it had been different from any other time he had voiced those four syllables. And it sent a shiver dancing down my arms. “It’s sexy, but don’t ever feel like you need to impress me. I already am.” My lips parted. I thought my breath had hitched too.

Was that too much?” I turned my face into his chest and placed my lips above his heart. “No, never.” And I meant it. “I …” I trailed off, my voice turning into a whisper. “I liked how you lost control. I liked it a lot.” “Careful.” I felt his hand on my hair, his palm brushing down the tousled locks. “If you get any more perfect, I’m going to believe you were made just for me.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny -- Philemon Holland's -- and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon -- the unimaginable universe. I felt infinite wonder, infinite pity.

Personality is composed of two fundamentally different types of traits: those of 'character;' and those of 'temperament.' Your character traits stem from your experiences. Your childhood games; your family's interests and values; how people in your community express love and hate; what relatives and friends regard as courteous or perilous; how those around you worship; what they sing; when they laugh; how they make a living and relax: innumerable cultural forces build your unique set of character traits. The balance of your personality is your temperament, all the biologically based tendencies that contribute to your consistent patterns of feeling, thinking and behaving. As Spanish philosopher, Jose Ortega y Gasset, put it, 'I am, plus my circumstances.' Temperament is the 'I am,' the foundation of who you are.

The inward man is faced with a new and often dramatic task: He must come to terms with the inner tremendum. Since the God 'out there' or 'up there' is more or less dissolved in the many secular structures, the God within asks attention as never before. And just as the God outside could be experienced not only as a loving father but also as a horrible demon, the God within can be not only the source of a new creative life but also the cause of a chaotic confusion. The greatest complaint of the Spanish mystics St. Teresa of Avila and St. John of the Cross was that they lacked a spiritual guide to lead them along the right paths and enable them to distinguish between creative and destructive spirits. We hardly need emphasize how dangerous the experimentation with the interior life can be. Drugs as well as different concentration practices and withdrawal into the self often do more harm than good. On the other hand it also is becoming obvious that those who avoid the painful encounter with the unseen are doomed to live a supercilious, boring and superficial life.

Aaron attempted to place me on the black-and-white tiled floor. “Nuh-uh.” I shook my head, holding on to his neck a little closer and keeping my legs around his waist. “I like it up here.” “Yeah?” His voice was coated with humor but also with something thick and glossy. I tightened my grip on him. “That much?” “Yep,” I admitted into his neck. “I think you can carry me everywhere from now on. Walking on my own is not going to cut it anymore.” His palms rearranged me around him, shifting me to his side. He dropped a kiss on my temple. “And I think I could get used to that very quickly.

Fifteen Ways to Stay Alive 1. Offer the wolves your arm only from the elbow down. Leave tourniquet space. Do not offer them your calves. Do not offer them your side. Do not let them near your femoral artery, your jugular. Give them only your arm. 2. Wear chapstick when kissing the bomb. 3. Pretend you don’t know English. 4. Pretend you never met her. 5. Offer the bomb to the wolves. Offer the wolves to the zombies. 6. Only insert a clean knife into your chest. Rusty ones will cause tetanus. Or infection. 7. Don’t inhale. 8. Realize that this love was not your trainwreck, was not the truck that flattened you, was not your Waterloo, did not cause massive haemorrhaging from a rusty knife. That love is still to come. 9. Use a rusty knife to cut through most of the noose in a strategic place so that it breaks when your weight is on it. 10. Practice desperate pleas for attention, louder calls for help. Learn them in English, French, Spanish: May Day, Aidez-Moi, Ayúdame. 11. Don’t kiss trainwrecks. Don’t kiss knives. Don’t kiss. 12. Pretend you made up the zombies, and only superheroes exist. 13. Pretend there is no kryptonite. 14. Pretend there was no love so sweet that you would have died for it, pretend that it does not belong to someone else now, pretend like your heart depends on it because it does. Pretend there is no wreck — you watched the train go by and felt the air brush your face and that was it. Another train passing. You do not need trains. You can fly. You are a superhero. And there is no kryptonite. 15. Forget her name.

What pet name would you like me to call you?” “Whatever makes you the happiest. Just pick one.” In that moment, the effect of the baby came back with a vengeance. “I don’t know,” I said, kicking that one out of my head. “I guess one in Spanish makes sense. Bollito? Cuchi cuchi? Pocholito?” “Bollito?” “It’s little bun.” I smiled. “Like those bread buns that are spongey and shiny and so cute that—" “Okay, no.” He frowned. “I think it’s better if we stick to our names,” he said, taking both drinks from the attendant who had just reappeared and placing mine in front of me. “I don’t think I can trust you to pick one in Spanish without knowing what it means.” “I’m very trustworthy—you should know that by now.” I brought a finger to my chin, tapping it a few times. “How about conejito? That’s little bunny.” With a long sigh, Aaron let his massive body fall deeper into the seat. “You are right; you are not a bunny.” I paused. “Osito?” I made a show of looking him up and down, as if I were testing the name on him. “Yeah, that one is way more fitting. You are more of a bear.

She was with me the day I went to the paint store to pick out the color. I had a nice tan color in mind, but May latched on to this sample called Caribbean Pink. She said it made her feel like dancing a Spanish flamenco. I thought, "Well, this is the tackiest color I've ever seen, and we'll have half the town talking about us, but if it can lift May's heart like that, I guess she ought to live inside it." "All this time I just figured you liked pink," I said. She laughed again. "You know, some things don't matter that much, Lily.. Like the color of a house. How big is that in the over-all scheme of life? But lifting a person's heart-now, that matters. The whole problem with people is-" "They don't know what matters and what doesn't," I said, filling in her sentence and feeling proud of myself for doing so. "I was gonna say, The problem is they know what matters, but they don't choose it. You know how hard that is, Lily? I love May, but it was still so hard to choose Caribbean Pink. The hardest thing on earth is choosing what matters.

The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return. To express that fundamental notion most Europeans can utilize a word derived from the Greek (nostalgia, nostalgie) as well as other words with roots in their national languages: añoranza, say the Spaniards; saudade, say the Portuguese. In each language these words have a different semantic nuance. Often they mean only the sadness caused by the impossibility of returning to one's country: a longing for country, for home. What in English is called "homesickness." Or in German: Heimweh. In Dutch: heimwee. But this reduces that great notion to just its spatial element. One of the oldest European languages, Icelandic (like English) makes a distinction between two terms: söknuour: nostalgia in its general sense; and heimprá: longing for the homeland. Czechs have the Greek-derived nostalgie as well as their own noun, stesk, and their own verb; the most moving, Czech expression of love: styska se mi po tobe ("I yearn for you," "I'm nostalgic for you"; "I cannot bear the pain of your absence"). In Spanish añoranza comes from the verb añorar (to feel nostalgia), which comes from the Catalan enyorar, itself derived from the Latin word ignorare (to be unaware of, not know, not experience; to lack or miss), In that etymological light nostalgia seems something like the pain of ignorance, of not knowing. You are far away, and I don't know what has become of you. My country is far away, and I don't know what is happening there. Certain languages have problems with nostalgia: the French can only express it by the noun from the Greek root, and have no verb for it; they can say Je m'ennuie de toi (I miss you), but the word s'ennuyer is weak, cold -- anyhow too light for so grave a feeling. The Germans rarely use the Greek-derived term Nostalgie, and tend to say Sehnsucht in speaking of the desire for an absent thing. But Sehnsucht can refer both to something that has existed and to something that has never existed (a new adventure), and therefore it does not necessarily imply the nostos idea; to include in Sehnsucht the obsession with returning would require adding a complementary phrase: Sehnsucht nach der Vergangenheit, nach der verlorenen Kindheit, nach der ersten Liebe (longing for the past, for lost childhood, for a first love).

Then, he angled his large body toward me, eating a big chunk of the distance that had been separating us. The motion had been unexpected, and my breath hitched with surprise. Hyperaware of how close he had come, I stuttered. Suddenly not knowing what to say or if I was expected to say anything at all. Aaron’s arm reached out, the backs of his fingers gracing my temple. My lips parted, tingles spreading down my skin. It was him who lowered his voice then. “Always fighting me.” I looked up at his handsome and stern face, his assessing blue eyes surveying my reaction. “Resisting me.” My heart tripped, making my chest feel like I had just sprinted a mile or two. Aaron’s head dipped, his mouth coming close to where his fingers had been a few seconds ago. Almost as close as it had been when we danced. “It’s like you want me to beg. Is that something you’d enjoy? Me begging?” His voice sounded so … intimate. Hushed. But it was his next words that scattered my thoughts all over the place. “Is that what this is? You like bringing me to my knees?” Whoa.

They walked him into the cane and then turned him around. He tried to stand bravely... They looked at Oscar and he looked at them and then he started to speak. The words coming out like they belonged to someone else, his Spanish good for once. He told them that what they were doing was wrong, that they were going to take a great love out of the world. Love was a rare thing, easily confused with a million other things, and if anybody knew this to be true it was him. He told them about Ybón and the way he loved her and how much they had risked and that they'd started to dream the same dreams and say the same words. He told them that it was only because of her love that he'd been able to do the thing that he had done, the thing they could no longer stop, told them if they killed him they would probably feel nothing and their children would probably feel nothing either, not until they were old and weak or about to be struck by a car and then they would sense him waiting for them on the other side and over there he wouldn't b no fatboy or dork or kid no girl had ever loved; over there he'd be a hero, an avenger. Because anything you can dream (he put his hand up) you can be. They waited respectfully for him to finish and then they said, their faces slowly disappearing in the gloom, Listen, we'll let you go if you tell us what "fuego" means in English. Fire, he blurted out, unable to help himself. Oscar—

Understanding sank in as I realized I was hanging off someone. Particularly off someone’s shoulder—Aaron’s shoulder to be one hundred percent exact. What in the— Everybody seemed to be on board, if the clapping and cheering around us were any indication. Ignoring the little commotion behind us, Aaron rearranged me on his broad shoulder, gripping my waist gently but firmly. A complaint rose and died in my throat as he shot off, running. “Aaron,” I screeched with urgency. He was running with me hanging off him like a goddamn human-sized potato sack. With every stride, the symmetric and strained strings of muscle on his back moved. His backside too. Distracting me. Dammit, Lina, no. Focus. “Aaron,” I repeated, being ignored again. “What. Are. You. Doing?” My speech was interrupted with each bounce of his body. With each stomp of his long legs, guiding the ball in my sister’s direction. “Aaron Blackford!” He chuckled. Then, he patted the back of my thigh. “I couldn’t let my girlfriend fall to the floor now, could I?” the bastard said calmly, not sounding one bit out of breath.

But on another, more potent level, the work of horror really is a dance—a moving, rhythmic search. And what it’s looking for is the place where you, the viewer or the reader, live at your most primitive level. The work of horror is not interested in the civilized furniture of our lives. Such a work dances through these rooms which we have fitted out one piece at a time, each piece expressing—we hope!—our socially acceptable and pleasantly enlightened character. It is in search of another place, a room which may sometimes resemble the secret den of a Victorian gentleman, sometimes the torture chamber of the Spanish Inquisition . . . but perhaps most frequently and most successfully, the simple and brutally plain hole of a Stone Age cave-dweller. Is horror art? On this second level, the work of horror can be nothing else; it achieves the level of art simply because it is looking for something beyond art, something that predates art: it is looking for what I would call phobic pressure points. The good horror tale will dance its way to the center of your life and find the secret door to the room you believed no one but you knew of—as both Albert Camus and Billy Joel have pointed out. The Stranger makes us nervous . . . but we love to try on his face in secret.

Language as a Prison The Philippines did have a written language before the Spanish colonists arrived, contrary to what many of those colonists subsequently claimed. However, it was a language that some theorists believe was mainly used as a mnemonic device for epic poems. There was simply no need for a European-style written language in a decentralized land of small seaside fishing villages that were largely self-sufficient. One theory regarding language is that it is primarily a useful tool born out of a need for control. In this theory written language was needed once top-down administration of small towns and villages came into being. Once there were bosses there arose a need for written language. The rise of the great metropolises of Ur and Babylon made a common written language an absolute necessity—but it was only a tool for the administrators. Administrators and rulers needed to keep records and know names— who had rented which plot of land, how many crops did they sell, how many fish did they catch, how many children do they have, how many water buffalo? More important, how much then do they owe me? In this account of the rise of written language, naming and accounting seem to be language's primary "civilizing" function. Language and number are also handy for keeping track of the movement of heavenly bodies, crop yields, and flood cycles. Naturally, a version of local oral languages was eventually translated into symbols as well, and nonadministrative words, the words of epic oral poets, sort of went along for the ride, according to this version. What's amazing to me is that if we accept this idea, then what may have begun as an instrument of social and economic control has now been internalized by us as a mark of being civilized. As if being controlled were, by inference, seen as a good thing, and to proudly wear the badge of this agent of control—to be able to read and write—makes us better, superior, more advanced. We have turned an object of our own oppression into something we now think of as virtuous. Perfect! We accept written language as something so essential to how we live and get along in the world that we feel and recognize its presence as an exclusively positive thing, a sign of enlightenment. We've come to love the chains that bind us, that control us, for we believe that they are us (161-2).