Spacing For Block Quotes

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

A statue isn't built from the ground up -- it's chiseled out of a block of marble -- and I often wonder if we aren't likewise shaped by the qualities we lack, outlined by the empty space where the marble used to be. I'll be sitting on a train. I'll be lying awake in bed. I'll be watching a movie; I'll be laughing. And then, all of a sudden, I'll be struck with the paralyzing truth: It's not what we do that makes us who are. It's what we don't do that defines us.

Through living in a space that we do not understand, everything may become meaningless, incoherent, and forcefully scary. If fear rules our lives, we lose the core of our being, since 'fear' disrupts the schedule of our existence and blocks the soothing waves of the sound vibrations. (“Because the world has corona”)

I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.” “So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.

Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don't catch anything. Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't. Sometimes they catch you.

Through my blue fingers, pink grains are falling, haphazard, random, a disorganized stream of silicone that seems pregnant with the possibility of every conceivable shape… But this is illusion. Things have their shape in time, not space alone. Some marble blocks have statues within them, embedded in their future.

A world without dialogue is a universe of darkness. If people don't get together and share views and exchange ideas, they remain unaware, ignorant, and unconscious. As they live in a space that they don't understand, everything becomes meaningless, incoherent, and forcefully scary. If fear rules our lives, we lose the core of our being, since 'fear' is disrupting the schedule of our existence, and blocks the waves of the good vibrations. ("Beware of the neighbor")

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.

Everything I want to say and everything I've wished to say begins to take shape, falling to the floor and scrambling upright. Paragraphs and paragraphs begin building walls around me, blocking and justifying as they find ways to fit together, linking and weaving and leaving no room for escape. And every single space between every unspoken word clambers up and into my open mouth, down my throat and into my chest, filling me with so much emptiness I think I might just float away.

For all the woman who have done, or are doing the work to love yourself from the inside out. You’re allowed to take up space.

I met a girl in a U-Haul. A beautiful girl And I fell for her. I fell hard. Unfortunately, sometimes life gets in the way. Life definitely got in my way. It got all up in my damn way, Life blocked the door with a stack of wooden 2x4's nailed together and attached to a fifteen inch concrete wall behind a row of solid steel bars, bolted to a titanium frame that no matter how hard I shoved against it- It wouldn't budge. Sometimes life doesn't budge. It just gets all up in your damn way. It blocked my plans, my dreams, my desires, my wishes, my wants, my needs. It blocked out that beautiful girl That I fell so hard for. Life tries to tell you what's best for you What should be most important to you What should come in first Or second Or third. I tried so hard to keep it all organized, alphabetized, stacked in chronological order, everything in its perfect space, its perfect place. I thought that's what life wanted me to do. This is what life needed for me to do. Right? Keep it all in sequence? Sometimes, life gets in your way. It gets all up in your damn way. But it doesn't get all up in your damn way because it wants you to just give up and let it take control. Life doesn't get all up in your damn way because it just wants you to hand it all over and be carried along. Life wants you to fight it. It wants you to grab an axe and hack through the wood. It wants you to get a sledgehammer and break through the concrete. It wants you to grab a torch and burn through the metal and steel until you can reach through and grab it. Life wants you to grab all the organized, the alphabetized, the chronological, the sequenced. It wants you to mix it all together, stir it up, blend it. Life doesn't want you to let it tell you that your little brother should be the only thing that comes first. Life doesn't want you to let it tell you that your career and your education should be the only thing that comes in second. And life definitely doesn't want me To just let it tell me that the girl I met, The beautiful, strong, amazing, resilient girl That I fell so hard for Should only come in third. Life knows. Life is trying to tell me That the girl I love, The girl I fell So hard for? There's room for her in first. I'm putting her first.

When your stomach turns somersaults every time you see your love interest, when you can go without eating for half a day because you can't think of anything else, and when the sound of her voice blocks out every possible distraction each time you hear it...then logic's role becomes a very minor one.

They all occupied the same space but did not occupy it together. Imagine a thousand leaves of tracing paper, each with one person lightly pencilled on it, all stacked atop a scene of a frozen city block. A thousand discreet and solitary realities that appear to be occurring in the same location.

The stars drew light across the night sky in that little mountain village, and the silence and the cold made the darkness vanish away. It was - I don't know how to explain it - as if everything solid melted away into the ether, eliminating all individualtiy and absorbing us, rigid, into the immense darkness. Not a single cloud to lend perspective to the space blocked any portion of the starry sky.

I am convinced that poets are toddlers in a cathedral, slobbering on wooden blocks and piling them up in the light of the stained glass. We can hardly make anything beautiful that wasn’t beautiful in the first place. We aren’t writers, but gleeful rearrangers of words whose meanings we can’t begin to know. When we manage to make something pretty, it’s only so because we are ourselves a flourish on a greater canvas. That means there’s no end to the discovery. We may crawl around the cathedral floor for ages before we grow up enough to reach the doorknob and walk outside into a garden of delights. Beyond that, the city, then the rolling hills, then the sea. And when the world of every cell has been limned and painted and sung, we lie back on the grass, satisfied that our work is done. Then, of course, the sun sets and we see above us the dark dome of glittering stars. On and on it goes, all the way to the lightless borderlands of time and space, which we come to discover in some future age are but the beginnings or endings of a single word spoken from the mouth of God. Some nights, while I traipse down the hill, I imagine that word isn’t a word at all, but a burst of laughter.

Send him some love and light every time you think about him, and then drop it. You're just afraid to let go of the last bits of David because then you'll really be alone. But here's what you gotta understand, Groceries. If you clear out all that space in your mind that you're using right now to obsess about this guy, you'll have a vacuum there, an open spot - a doorway. And guess what the universe will do with that doorway? It will rush in - God will rush in - and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.

I see the awakening of consciousness as a series of spaced flashes, with the intervals between them gradually diminishing until bright blocks of perception are formed, affording memory and a slippery hold.

Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. Yachts run before an unfelt gust with bagnecked pelicans riding above them, the city their twitching backdrop, all blocks and points of mirror light down to the water's edge.

Too many things in too small a space cut off flow, block creativity, and bury beauty, much like a bad cold can make it hard to breathe. Remove things from this space today.

We have more space and less time. And the love we had for our whole neighborhood now only fits into this wood-frame house in the middle of a quiet block. We don't know the people who live across the street or on either side of us.

Things have their shape in time, not space alone. Some marble blocks have statues within them, embedded in their future.

Brother Cavil: In all your travels, have you ever seen a star go supernova? ... I have. I saw a star explode and send out the building blocks of the Universe. Other stars, other planets and eventually other life. A supernova! Creation itself! I was there. I wanted to see it and be part of the moment. And you know how I perceived one of the most glorious events in the universe? With these ridiculous gelatinous orbs in my skull! With eyes designed to perceive only a tiny fraction of the EM spectrum. With ears designed only to hear vibrations in the air. ... I don't want to be human! I want to see gamma rays! I want to hear X-rays! And I want to - I want to smell dark matter! Do you see the absurdity of what I am? I can't even express these things properly because I have to - I have to conceptualize complex ideas in this stupid limiting spoken language! But I know I want to reach out with something other than these prehensile paws! And feel the wind of a supernova flowing over me! I'm a machine! And I can know much more! I can experience so much more. But I'm trapped in this absurd body! And why? Because my five creators thought that God wanted it that way!

Take up space, Beatrix. Don’t apologize, and don’t let the world shame you for being you.

Offering sanctuary is a revolutionary act; it expresses love, when others offer scorn or hate. It recognizes humanity, when others deny and seek to debase it. Sanctuary says 'we' rather than 'I'. It is belonging—the building block of community.

A statue isn’t built from the ground up—it’s chiseled out of a block of marble—and I often wonder if we aren’t likewise shaped by the qualities we lack, outlined by the empty space where the marble used to be.

Far from being accidental details, the properties of nature's basic building blocks are deeply entwined with the fabric of space and time.

Men often do that, spreading out their legs on the Tube as though they have an innate need to fill any space that isn't filled, walking down the middle of the narrow pavement and being almost surprised when they career into you, nudging too close in a coffee shop queue as though you'll give way. They don't even notice what they're doing. They are important, their needs are important. You are not as important. You are not important at all. Unless you're attractive to them. Then your space will be occupied in other ways. Men will stand in front of you and block your path to get your attention. They will slow their car down so that you feel uncomfortable as you walk down the street. They will hover over you in bars, touching your arm, grabbing your hand. If you're lucky, it'll just be your hand.

You fight with dreams as with formless and meaningless life, seeking a pattern, a route that must surely be there, as when you begin to read a book and you don't yet know in which direction it will carry you. What you would like is the opening of an abstract and absolute space and time in which you could move, following an exact, taut trajectory; but when you seem to be succeeding, you realize you are motionless, blocked, forced to repeat everything from the beginning.

After school I drove to Patch’s. I did the safety conscious thing and circled the block a few times before parking in the freshly paved lot with extra wide parking spaces. I didn’t like feeling like I constantly had to watch my back, but I liked surprise visits from unfriendly Nephilim and devious archangels even less. And as far as the outside world knew, Patch and I were Splitsville. Using my key, I let myself inside.

They were posted to a country neither knew much about beyond the space it occupied on the map of East Africa between Kenya and Rwanda. After four years working in the remote Usambara Mountains, they moved to Moshi, which means “smoke” in Swahili, where the family was billeted by their Lutheran missionary society in a Greek gun dealer’s sprawling cinder-block home, which had been seized by the authorities. And with the sort of serendipity that so often rewards impetuousness, the entire family fell fiercely in love with the country that would be renamed Tanzania after independence in 1961. “The older I get, the more I appreciate my childhood. It was paradise,” Mortenson says

Spun sugar clouds and extraterrestrial crystal vintage T-birds flying through space, morning-glory girls swinging from star-hung vines in cosmic gardens.

A romantic painting shows a heap of icy debris in a polar light; no man, no object inhabits this desolate space; but for this very reason, provided I am suffering an amorous sadness, this void requires that I fling myself into it; I project myself as a tiny figure, seated on a block of ice, abandoned forever. "I'm cold," the lover says, "Iet's go back"; but there is no road, no way, the boat is wrecked. There is a coldness particular to the lover, the chilliness of the child (or of any young animal) that needs maternal warmth.

Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares.

A great option for the night owls among us is to use the late-night hours for solitude and distraction-free space. If you work best at night, you can find solitude by scheduling a block of time to work alone after dark.

When everything is blocked off,' I was told by a dear friend who lives in Erfurt, "one must try to live in the interstices.' Apparently, the Christians of the Apocalypse, though they did not bear the sign of the beast, had discovered or created such spaces. From islands like these, true culture, Christian culture, may spread across the earth. Many people are athirst for it.

As the brother put the carving knife aside, he said, "Stuffing?" "Am I breathing?" Phury shoved a spoon into the bird and piled high. "Mashed?" "Do you have gravy?" "Am I breathing?" V cracked a smile. "Roger that. And affirmative on the gravy." When a plate was put in front of him, he glanced up. "No veggies? Not that I'm looking a gift horse in the mouth." "Vegetable matter is a waste of porcelain space." Phury pushed a knife and fork across the butcher block. "Ask yourself, would I sacrifice the surface area of mashed or stuffing for peas?" "I love you.

[Asteroids are] the vermin of the skies. [Asteroids can block objects of interest on astronomical photographs.]

Whoever built this maze is exceptionally cruel,” said Alex, “only leaving one block of space between the cactus walls. It’s downright horrific.

We change the world when we create the time and space for heartfelt, unique conversations that discuss values and affirm doubts, feelings, and intuition.

You fling the book on the floor, you would hurl it out of the window, even out of the closed window, through the slats of the Venetian blinds; let them shred its incongruous quires, let sentences, words, morphemes, phonemes gush forth, beyond recomposition into discourse; through the panes, and if they are of unbreakable glass so much the better, hurl the book and reduce it to photons, undulatory vibrations, polarized spectra; through the wall, let the book crumble into molecules and atoms passing between atom and atom of the reinforced concrete, breaking up into electrons, neutrons, neutrinos, elementary particles more and more minute; through the telephone wires, let it be reduced to electronic impulses, into flow of information, shaken by redundancies and noises, and let it be degraded into a swirling entropy. You would like to throw it out of the house, out of the block, beyond the neighborhood, beyond the city limits, beyond the state confines, beyond the regional administration, beyond the national community, beyond the Common Market, beyond Western culture, beyond the continental shelf, beyond the atmosphere, the biosphere, the stratosphere, the field of gravity, the solar system, the galaxy, the cumulus of galaxies, to succeed in hurling it beyond the point the galaxies have reached in their expansion, where space-time has not yet arrived, where it would be received by nonbeing, or, rather, the not-being which has never been and will never be, to be lost in the most absolutely guaranteed undeniable negativity.

Some questions are shaped like slow elevators, and they deserve words that fill spaces like notes from a brass saxophone. Sometimes the silence of body language is music for my eyes.

That small word “Force,” they make a barber's block, Ready to put on Meanings most strange and various, fit to shock Pupils of Newton.... The phrases of last century in this Linger to play tricks— Vis viva and Vis Mortua and Vis Acceleratrix:— Those long-nebbed words that to our text books still Cling by their titles, And from them creep, as entozoa will, Into our vitals. But see! Tait writes in lucid symbols clear One small equation; And Force becomes of Energy a mere Space-variation.

And when I am in a new place, because I see everything, it is like when a computer is doing too many things at the same time and the central processor unit is blocked up and there isn't any space left to think about other things. And when I am in a new place and there are lots of people there it is even harder because people are not like cows and flowers and grass and they can talk to you and do things that you don't expect, so you have to notice everything that is in the place, and also you have to notice things that might happen as well. And sometimes when I am in a new place and there are lots of people there it is like a computer crashing and I have to close my eyes and put my hands over my ears and groan, which is like pressing CTRL + ALT + DEL and shutting down programs and turning the computer off and rebooting so that I can remember what I am doing and where I am meant to be going.

He did not seem to be a man occupying space, but rather a block of impenetrable space in the forum of a man. The world bounced off him, shattered against him, at times adhered to him - but it never got through.

There were some that were of so rare a beauty that my pleasure on catching sight of them was enhanced by surprise. By what privilege, on one morning rather than another, did the window on being uncurtained disclose to my wondering eyes the nymph Glauconome, whose lazy beauty, gently breathing, had the transparence of a vaporous emerald beneath whose surface I could see teeming the ponderable elements that coloured it? She made the sun join in her play, with a smile rendered languorous by an invisible haze which was nought but a space kept vacant about her translucent surface, which, thus curtailed, became more appealing, like those goddesses whom the sculptor carves in relief upon a block of marble, the rest of which he leaves unchiselled. So, in her matchless colour, she invited us out over those rough terrestrial roads, from which, seated beside Mme. de Villeparisis in her barouche, we should see, all day long and without ever reaching it, the coolness of her gentle palpitation.

We speak of the sun’s light as “pouring down on us,” as “pouring over us” in all directions. Yet it’s never poured out. Because it doesn’t really pour; it extends. Its beams (aktai) get their name from their extension (ekteinesthai). To see the nature of a sunbeam, look at light as it falls through a narrow opening into a dark room. It extends in a straight line, striking any solid object that stands in its way and blocks the space beyond it. There it remains—not vanishing, or falling away. That’s what the outpouring—the diffusion—of thought should be like: not emptied out, but extended. And not striking at obstacles with fury and violence, or falling away before them, but holding its ground and illuminating what receives it. What doesn’t transmit light creates its own darkness.

The root system changes the acidity level in the soil so that nothing much will grow here except for the trees and a little bit of grass. In a sense you could say the tree poisons the area it inhabits to make sure that nothing else will survive in its space and take the nutrients out of the soil or grow taller and block out the sunlight.

The fact that Cincinnati thought I resembled him in any way sickened me. It made me want to run and hide. When I was a child in Detroit and terrors chased me, I would run to my hiding spot, a crawl space under the front porch of the boardinghouse we lived in. I’d wedge my small body into the cool brown earth and lie there, escaping the ugliness that was inevitably going on above me. I’d plug my ears with my fingers and hum to block out the remnants of Mother’s toxic tongue or sharp backhand. It became a habit, humming, and a decade later, I was still doing it. Life had turned cold again, the safety of the cocoon under the porch was gone, and lying in the dirt had become a metaphor for my life.

Anger and tears create the space for the work of the Spirit. They are the groaning of the Spirit for renewal or creation and an expression of compassion thus revealing a deep spiritual well. To fear our tears or to suppress our anger is to block the power of the spirit springing forth from within our spiritual wells to resist death and to sustain and renew life.

It shouldn't have surprised me. I serve a God who experienced and expressed anger. One of the most meaningful passages of Scripture for me is found in the New Testament, where Jesus leads a one-man protest inside the Temple walls. Jesus leads a one-man protest inside the Temple walls. Jesus shouts at the corrupt Temple officials, overturns furniture, sets animals free, blocks the doorways with his body, and carries a weapon - a whip - through the place. Jesus throws folks out the building, and in so doing creates space for the most marginalized to come in: the poor, the wounded, the children. I imagine the next day's newspapers called Jesus's anger destructive. But I think those without power would've said that his anger led to freedom - the freedom of belonging, the freedom healing, and the freedom of participating as full members in God's house.

Twenty million people live and work in Tokyo. It’s so big that nobody really knows where it stops. It’s long since filled up the plain, and now it’s creeping up the mountains to the west and reclaiming land from the bay in the east. The city never stops rewriting itself. In the time one street guide is produced, it’s already become out of date. It’s a tall city, and a deep one, as well as a spread-out one. Things are always moving below you, and above your head. All these people, flyovers, cars, walkways, subways, offices, tower blocks, power cables, pipes, apartments, it all adds up to a lot of weight. You have to do something to stop yourself caving in, or you just become a piece of flotsam or an ant in a tunnel. In smaller cities people can use the space around them to insulate themselves, to remind themselves of who they are. Not in Tokyo. You just don’t have the space, not unless you’re a company president, a gangster, a politician or the Emperor. You’re pressed against people body to body in the trains, several hands gripping each strap on the metro trains. Apartment windows have no view but other apartment windows.

If you’re insecure about something and somebody mentions it, you will give an extreme reaction like, “I don’t care what you think about me.” You may block that person out of your life but their words stay with you and deepen your insecurity and ultimately paralyze you. Maya (Time-Space) also taunts your soul when you’re stuck in a difficult situation and unable to exercise your freewill. More you try to run away from it, more it will stick to your soul and paralyze you further. Accept your present. Pretend that you are in this situation out of your own freewill. Then Maya’s taunts won’t paralyze you and you can move to a better tomorrow.

But sometimes, you can’t get enough distance however hard you try. All the things you care about in your life, even the things that hurt, they have a gravitational pull. If you do manage to break free, it’s over. You’re floating in space. You’ll never get back.

Modularity is a clunky word for the elegant idea of big things made from small things. A block of Lego is a small thing, but by assembling more than nine thousand of them, you can build one of the biggest sets Lego makes, a scale model of the Colosseum in Rome. That’s modularity.

Bib Block was sure that in any part of the country at all, whenever the name of this road was mentioned, people's hearts pivoted like Moslems to the east and flopped over. Sooner of later, he believed, at one stage of the journey or another, all roads led to the New Jersey Turnpike.

The art of the great historic civilizations never impress us as much as an Eskimo harpoon or a mask from the South Pacific. The contact is physical, and the feeling we experience is very much like acute anxiety. Inner or outer space, the world below or beyond, becomes a great weight pressing down upon us. Each work is a solid block of time, time standing still, time more massive than a mountain, despite the fact that it is as intangible as air or thought. The handiwork of primitive peoples reveals the time before time.

Dissent is the cousin of diversity; the respect for a wide range of beliefs. This begins by allowing people the space to say “no.” If we cannot say “no” then “yes” has no meaning

The building blocks of Life are made up of shapes and spaces.

If You want to put me in Space I Mean take me somewhere rather than just driving around the block

Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them.

They've walked for nearly a block when he stops short and looks at her. They are in the middle of the sidewalk, face to face, between a tobacco shop and a trash can. Everything they've never said flows into the narrow space between them. Isabel feels the passing of time acutely, like a flood coming and only so much time to gather up the most important things.

WHAT HAPPENS WHEN we pray? Have you ever really thought about that? When you bow your knee and fold your hands or walk the floor with your eyes closed, opening your heart to heaven, what exactly happens? There are very few references in the Bible about the proper procedures for how to pray, and I believe that is because prayer is more about the heart’s attitude and focus than it is about whether we stand, sit, close our eyes, or any other practice we normally associate with prayer. The truth be told, if we are supposed to pray without ceasing, we should also be able to work on an engine, write an e-mail, give a presentation, change a diaper, write a report, have coffee with a friend, encourage a coworker, pay our bills, and any of the other myriad of things we do in a day while still keeping the communication lines open with heaven. I believe that every day we need focused times of prayer, but at all other times we should be in an attitude of prayer with our spiritual ears open to the thoughts of heaven. There should be seasons of intense, concentrated prayer and fasting with specified hours set aside for intercession, and there should be times when prayer is simply a regular part of our daily routine. A great interest has arisen in the last decade around 24-7 prayer rooms where different church members pray in hour-long blocks so that unbroken intercession is raised up for their city and our world. Other churches dedicate evenings solely to prayer and worship and gather believers to lift their voices in song and petition to the Lord. While all of these are wonderful things to do, at its essence prayer is simply conversation with God. Because we have changed passports from the kingdom of this world to the kingdom of heaven, we are members of God’s family and therefore have the right to talk with our Father anytime we want because He is not limited by time and space. Yet while it isn’t difficult to speak to Him, even as a babe in faith, it does take some maturity to discern His voice from the voice of our own thoughts, dreams, and desires. This is why, when I speak about prayer, I get more questions about hearing the voice of God than anything else.

I coast through the abyss on the colder side of Neptune's orbit. Most of the time I exist only as an absence, to any observer on the visible spectrum: a moving, asymmetrical silhouette blocking the stars. But occasionally, during my slow endless spin, I glint with dim hints of reflected starlight. If you catch me in those moments you might infer something of my true nature: a segmented creature with foil skin, bristling with joints and dishes and spindly antennae. Here and there a whisper of accumulated frost clings to a joint or seam, some frozen wisp of gas encountered in Jupiter space perhaps. Elsewhere I carry the microscopic corpses of Earthly bacteria who thrived with carefree abandon on the skins of space stations or the benign lunar surface—but who had gone to crystal at only half my present distance from the sun. Now, a breath away from Absolute Zero, they might shatter at a photon's touch.

You have to let go of memories that are holding on to you in order to make space for the ones that are waiting to enter your life. You are blocking your future by sticking to the past in your present.

I see the awakening of consciousness as a series of spaced flashes, with the intervals between them gradually diminishing until bright blocks of perception are formed, affording memory a slippery hold.

All at once I implore my mind to imagine nothing but walls. Walls. White walls. Blocks of concrete. Empty rooms. Open space. I build walls until they begin to crumble, and then I force another set to take their place. I build and build and remain unmoving until my mind is clear, uncontaminated, containing nothing but a small white room. A single light hanging from the ceiling. Clean. Pristine. Undisturbed.

There’s a cellular automaton called TVC. After Turing, von Neumann and Chiang. Chiang’s version was N-dimensional. That leaves plenty of room for data within easy reach. In two dimensions, the original von Neumann machine had to reach further and further - and wait longer and longer - for each successive bit of data. In a six-dimensional TVC automaton, you can have a three-dimensional grid of computers, which keeps on growing indefinitely - each with its own three-dimensional memory, which can also grow without bound. And when the simulated TVC universe being run on the physical computer is suddenly shut down, the best explanation for what I’ve witnessed will be a continuation of that universe - an extension made out of dust. Maria could almost see it: a vast lattice of computers, a seed of order in a sea of random noise, extending itself from moment to moment by sheer force of internal logic, “accreting” the necessary building blocks from the chaos of non-space-time by the very act of defining space and time.

Organize your life, get a calendar, and make lists. Block out time for relaxation, for fun, for productivity. There are always spaces in time that you can work on yourself. I have my days scheduled down to the minute.

With plastic siding that was cracked and fading, the trailer squatted on stacked cinder blocks, a temporary foundation that had somehow become permanent over time. It had a single bedroom and bath, a cramped living area, and a kitchen with barely enough room to house a mini refrigerator. Insulation was almost nonexistent, and humidity had warped the floors over the years, making it seem as if he were always walking on a slant. The linoleum in the kitchen was cracking in the corners, the minimal carpet was threadbare, and he’d furnished the narrow space with items he’d picked up over the years at thrift stores. Not a single photograph adorned the walls.

The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.

Closed-minded people block others from speaking. If it seems like someone isn’t leaving space for the other person in a conversation, it’s possible they are blocking. To get around blocking, enforce the “two-minute rule” I mentioned earlier.

He went to the light switch by the door and flicked it off. When he turned, she glowed in the golden light from the space heater, and the shadow over her shoulders on the wall seemed a looming, black-cloaked figure. An ancient, mythical harbinger of doom and destruction. He blinked. It turned into a pattern of blocked light again. Jesus, what the hell was that about? He was rattled, jittery, scared half to death. But he could no more say no to this girl than he could stop breathing.

There used to be a pretty roomy secret passageway behind that big mirror on the fourth floor, you might have enough space to practise jinxes in there.’ ‘Fred and George told me it’s blocked,’ said Harry, shaking his head. ‘Caved in or something.

Grief does not want to be held, blocked, or braced against. Grief does not want to be quarantined, scrutinized, or shamed into disappearing. Just like every other emotion, grief wants to be able to move through you, free from judgment, criticism, or camouflage.

I was able to locate a possible cave extension to the southeast…” “Uh huh.” “And then I met a flying horse and saved it from a space dragon by beating it in a baking contest…” “Huh?” I said, finally turning away from the symbol. “You weren’t paying attention to me.

But gradually, as he tried to inhabit the room presented on the canvas (Van Gogh - The Bedroom), he began to experience it as a prison, an impossible space, an image, not so much of a place to live, but of the mind that has been forced to live there. Observe carefully. The bed blocks one door, a chair blocks the other door, the shutters are closed: you can't get in, and once you are in, you can't get out. Stifled among the furniture and everyday objects of the room, you begin to hear a cry of suffering in this painting, and once you hear it, it does not stop. 'I cried by reason of mine affliction...' But there is no answer to this cry. The man in this painting (and this is a self-portrait, no different from a picture of a man's face, with eyes, nose, lips, and jaw) has been alone too much, has struggled too much in the depthts of solitude. The world ends at that barricaded door. For the room is not a representation of solitude, it is the substance of solitude itself. And it is a thing so heavy, so unbreatheable, that it cannot be shown in any terms other than what it is.

Can you do it again tonight?" "The Catamounts were a wretched team," Andrew said. "They brought that ridicule on themselves." "Can you or can't you?" "I don't see why I should." Neil heard the click of a lock coming undone and knew the referees were opening the door. Andrew wasn't moving yet, but Neil still put an arm in his path to keep him where he was. He pressed his gloved hand to the wall and leaned in as close to Andrew as he could with all of his bulky gear on. "I'm asking you to help us," Neil said. "Will you?" Andrew considered it a moment. "Not for free." "Anything," Neil promised, and stepped back to take his place in line again. Neil didn't know what he'd gotten himself into, but he honestly didn't care, because Andrew delivered exactly what Neil wanted him to. Andrew closed the goal like his life depended on it and smashed away every shot. The Bearcat strikers took that challenge head-on. They feinted and swerved and threw every trick shot they had at Andrew. More than once Andrew used his glove or body to block a ball he couldn't get his racquet to in time. That might have been enough, except Andrew didn't stop there. For the first time ever he started talking to the defense line. Neil only understood him in snatches, since there was too much space and movement between them, but what he caught was enough. Andrew was chewing out the backliners for letting the strikers past them so many times and ordering them to pick up the pace. Neil worried for a moment what they'd do with Andrew's rude brand of teamwork at their backs, but the next time he got a good look at Matt, Matt was grinning like this was the most fun he'd had in years.

Paranormal phenomena do not always adhere to the known laws of physics, which may be the crux of the matter— we need to reengineer our understanding of physics and the ways of the universe. It’s very possible that we’re trying to understand forces that aren’t bound by gravity, space, or time, and may in fact exist in a different plane or dimension. That hypothesis requires a paradigm shift in our understanding of physics and presents a fundamental problem—how do we measure and test the paranormal when the building blocks of the universe are in question?

There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.

White backlash politics gave certain white populations the sensation of winning, particularly by upending the gains of minorities and liberals; yet the victories came at a steep cost. When white backlash policies became laws, as in cutting away health care programs and infrastructure spending, blocking expansion of health care delivery systems, defunding opiate-addiction centers, spewing toxins into the air, or enabling guns in public spaces, the result was—and I say this with the support of statistics detailed in the chapters that follow—increasing rates of death.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

Jack was behind it,waiting, with the corner of his lip pulled up in not quite a smile. "What?" he demanded. "What what?" I asked. He held my note up in front of my face. "What do you remember?" Everything. But I couldn't tell him that. I shrugged and said, "Things." Then I made a move to leave,but Jack's strong arm blocked my way,his hand pressing against the locker behind my back. "No you don't.You can't leave a note like this"-he waved the paper-"and then say 'things.' I want to know what, exactly, you remember." People in the hallway stared and I could feel my face going red. Jack noticed, and put his other arm up against the lockers,blocking me in. My pulse went nuts.It had to be visible on my wrists. Jack's face was inches from mine. His breath was minty, and I could smell the rustic scent of his aftershave,and whatever strong emotion he was feeling, it tasted sweet. I breathed it in, and the inhalation was embarrassingly loud. His eyes searched mine. "This is the first opening you've given me, and I'm not letting you get out of it." He paused. "What do you remember?" I looked behind him, at the curious spectators, and squinted my eyes shut, unable to bear the scrutiny anymore. "Say something,Becks. Say anything." "You," I said. "I remember you." I kept my eyes shut,and felt his hands drop. He didn't move back. "What do you remember about me?" There was strong emotion behind his voice. Something he fought to control. With my eyes closed,I could easily picture the other side of the century. "I remember the way your hand could cover my entire shoulder. The way your lower lip stuck out when you were working out a problem in your head. And how you flick you ring finger with your thumb when you get impatient." I opened my eyes,and the words no longer got stuck in my throat on their way out. They flowed. "And when something surprises you and you don't know what to say,you get a tiny wrinkle in between your eyebrows." I reached up to touch the divot,then hesitated and lowered my hand. "It showed on the day the coach told you you'd made first-string quarterback.And it's showing now." For a moment the space between us held no tension,no questions, no accusations. Finally he leaned back, a stunned expression on his face. "Where do we go from here?" "Nowhere,really," I whispered. "It doesn't change anything." Eyebrows still drawn together, he said, "We'll see." Then he turned and left. I tucked this moment away. In the dark,dank world of the Tunnels, I would call upon this memory. And there would be a flicker of candlelight. If only for a moment. I closed my eyes,as if my eyelids were the levers of a printing press,etching the fibers into my mind.Memories were outside Cole's reach.As long as I held them,memories were mine and mine alone.

I sometimes went with Svetlana to Pilates—even though the logistics of mat placement was deeply stressful, in a way that made me feel like I understood the primal conflicts for land that formed the basis of modern history. The room had a maximum occupancy of thirty, which might have been OK if everyone was just sitting there, but not if the idea was to make your body as long as possible and do sweeping motions with your limbs. Svetlana always made us get there early, to secure an advantageous position. Then the people who came later would try to crowd us out, inserting themselves between us, or directly in front of us, blocking our view—not apologetically, but with a self-righteous attitude. If you didn’t defend your space like Svetlana did, sitting up extra straight and doing elaborate stretches, you got hemmed in and couldn’t do the movements. People kept hitting you (or were you hitting them?) and giving you dirty looks.

When a plate was put in front of him, he glanced up. “No veggies? Not that I’m looking a gift horse in the mouth.” “Vegetable matter is a waste of porcelain space.” Phury pushed a knife and fork across the butcher block. “Ask yourself, would I sacrifice the surface area of mashed or stuffing for peas?” “I love you.

Most car dealers make the majority of their profits from servicing cars. They treat vehicles like a subscription service, expecting people to visit their service centers multiple times a year for many years. This is the main reason dealerships have fought to block Tesla from selling its cars directly to consumers.fn15

In 'Why Loiter?: Women and Risk on Mumbai Streets,' Shilpa Phadke, Sameera Khan, and Shilpa Ranade write about how a woman's right to loiter is a crucial building block for an equitable city. Another useful word--loitering. So close to littering and its suggestion of something that shouldn't be there. Loitering also brings to mind the lottery and the gamble of waiting for something to happen. The authors describe loitering as an act of pleasure-seeking that holds multiple delicious possibilities: expanding women's access to public space; transforming women's relationship with the city; reenvisioning citizenship in more inclusive terms.

The technology has proven so valuable that SpaceX’s competitors have started to copy it and have tried to poach some of the company’s experts in the field. Blue Origin, Jeff Bezos’s secretive rocket company, has been particularly aggressive, hiring away Ray Miryekta, one of the world’s foremost friction stir welding experts and igniting a major rift with Musk. “Blue Origin does these surgical strikes on specialized talent* offering like double their salaries. I think it’s unnecessary and a bit rude,” Musk said. Within SpaceX, Blue Origin is mockingly referred to as BO and at one point the company created an e-mail filter to detect messages with “blue” and “origin” to block the poaching. The relationship between Musk and Bezos has soured, and they no longer chat about their shared ambition of getting to Mars. “I do think Bezos has an insatiable desire to be King Bezos,” Musk said. “He has a relentless work ethic and wants to kill everything in e-commerce. But he’s not the most fun guy, honestly.

The passenger liner Ossifar Distana was one of the most luxurious of its kind in space anywhere. It ferried the cream of society across the void in opulence and style. Only the wealthiest could afford an apartment on this ship for a trip of any duration, even a short one around the proverbial block. Even the crew was obliged to pay rent.

She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.

My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of--the pure baptismal goal of it. Whoosh and you can start all over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end?

Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, "It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne.

I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.

What is the value of sensitives? Look around: we live in a ugly and stupid world which could have been prevented if sensitives had been present, and had the power to influence things. That block-shaped, pressed concrete, ugly shopping mall? The princess would opine that no one could have any peace of mind with such hideous backgrounds, and demand something like a traditional building, with ornate spires and comfortable human spaces instead. Grating, two-note music ranting about copulation and projected sexual desire? No princess would want this crass gibberish around her, nor would she recognize music which neglected the finer parts of composition, melody, harmony, rhythm, and narrative. She would hire Schubert instead. Schools that treat students like livestock, jobs that are jails, marriages that are suicide pacts, and boring tract housing? Similarly, a princess would have no use for those, and perceive that these would be abusive to her so must be to others as well. As children, we made fun of the sensitivity of the princess. A pea, under twenty mattresses, really? The point — in the visual-metaphorical language of fable, religion, literature, and conspiracy theory — tells us that sensitivity is in fact needed, and it needs power to save the rest of us from what we do not yet perceive. In this story, the princess is simply a finer instrument. After twenty years, we might notice that we woke up tired in the mornings, and eventually investigate and find the pea, but she knew right away, intuitively and by the nature of her character. This is part of what makes an aristocrat.

Kate?” Anthony yelled again. He couldn’t see anyone; a dislodged bench was blocking the opening. “Can you hear me?” Still no response. “Try the other side,” came Edwina’s frantic voice. “The opening isn’t as crushed.” Anthony jumped to his feet and ran around the back of the carriage to the other side. The door had already come off its hinges, leaving a hole just large enough for him to stuff his upper body into. “Kate?” he called out, trying not to notice the sharp sound of panic in his voice. Every breath from his lips seemed overloud, reverberating in the tight space, reminding him that he wasn’t hearing the same sounds from Kate. And then, as he carefully moved a seat cushion that had turned sideways, he saw her. She was terrifyingly still, but her head didn’t appear to be stuck in an unnatural position, and he didn’t see any blood. That had to be a good sign. He didn’t know much of medicine, but he held on to that thought like a miracle. “You can’t die, Kate,” he said as his terrified fingers yanked away at the wreckage, desperate to open the hole until it was wide enough to pull her through. “Do you hear me? You can’t die!” A jagged piece of wood sliced open the back of his hand, but Anthony didn’t notice the blood running over his skin as he pulled on another broken beam. “You had better be breathing,” he warned, his voice shaking and precariously close to a sob. “This wasn’t supposed to be you. It was never supposed to be you. It isn’t your time. Do you understand me?” He tore away another broken piece of wood and reached through the newly widened hole to grasp her hand. His fingers found her pulse, which seemed steady enough to him, but it was still impossible to tell if she was bleeding, or had broken her back, or had hit her head, or had . . . His heart shuddered. There were so many ways to die. If a bee could bring down a man in his prime, surely a carriage accident could steal the life of one small woman. Anthony grabbed the last piece of wood that stood in his way and heaved, but it didn’t budge. “Don’t do this to me,” he muttered. “Not now. It isn’t her time. Do you hear me? It isn’t her time!” He felt something wet on his cheeks and dimly realized that it was tears. “It was supposed to be me,” he said, choking on the words. “It was always supposed to be me.” And then, just as he was preparing to give that last piece of wood another desperate yank, Kate’s fingers tightened like a claw around his wrist. His eyes flew to her face, just in time to see her eyes open wide and clear, with nary a blink. “What the devil,” she asked, sounding quite lucid and utterly awake, “are you talking about?” Relief flooded his chest so quickly it was almost painful. “Are you all right?” he asked, his voice wobbling on every syllable. She grimaced, then said, “I’ll be fine.” Anthony paused for the barest of seconds as he considered her choice of words. “But are you fine right now?” She let out a little cough, and he fancied he could hear her wince with pain. “I did something to my leg,” she admitted. “But I don’t think I’m bleeding.” “Are you faint? Dizzy? Weak?” She shook her head. “Just in pain. What are you doing here?” He smiled through his tears. “I came to find you.” “You did?” she whispered. He nodded. “I came to— That is to say, I realized . . .” He swallowed convulsively. He’d never dreamed that the day would come when he’d say these words to a woman, and they’d grown so big in his heart he could barely squeeze them out. “I love you, Kate,” he said chokingly. “It took me a while to figure it out, but I do, and I had to tell you. Today.” Her lips wobbled into a shaky smile as she motioned to the rest of her body with her chin. “You’ve bloody good timing.

Brought up with an idea of God, a Christian, my whole life filled with the spiritual blessings Christianity has given me, full of them, and living on those blessings, like the children I did not understand them, and destroy, that is try to destroy, what I live by. And as soon as an important moment of life comes, like the children when they are cold and hungry, I turn to Him, and even less than the children when their mother scolds them for their childish mischief, do I feel that my childish efforts at wanton madness are reckoned against me. "Yes, what I know, I know not by reason, but it has been given to me, revealed to me, and I know it with my heart, by faith in the chief thing taught by the church. "The church! the church!" Levin repeated to himself. He turned over on the other side, and leaning on his elbow, fell to gazing into the distance at a herd of cattle crossing over to the river. "But can I believe in all the church teaches?" he thought, trying himself, and thinking of everything that could destroy his present peace of mind. Itentionally he recalled all those doctrines of the church which had always seemed most strange and had always been a stumbling block to him. "The Creation? But how did I explain existence? By existence? By nothing? The devil and sin. But how do I explain evil?... The atonement?... "But I know nothing, nothing, and I can know nothing but what has been told to me and all men." And it seemed to him that there was not a single article of faith of the church which could destroy the chief thing--faith in God, in goodness, as the one goal of man's destiny. Under every article of faith of the church could be put the faith in the service of truth instead of one's desires. And each doctrine did not simply leave that faith unshaken, each doctrine seemed essential to complete that great miracle, continually manifest upon earth, that made it possible for each man and millions of different sorts of men, wise men and imbeciles, old men and children--all men, peasants, Lvov, Kitty, beggars and kings to understand perfectly the same one thing, and to build up thereby that life of the soul which alone is worth living, and which alone is precious to us. Lying on his back, he gazed up now into the high, cloudless sky. "Do I not know that that is infinite space, and that it is not a round arch? But, however I screw up my eyes and strain my sight, I cannot see it not round and not bounded, and in spite of my knowing about infinite space, I am incontestably right when I see a solid blue dome, and more right than when I strain my eyes to see beyond it." Levin ceased thinking, and only, as it were, listened to mysterious voices that seemed talking joyfully and earnestly within him. "Can this be faith?" he thought, afraid to believe in his happiness. "My God, I thank Thee!" he said, gulping down his sobs, and with both hands brushing away the tears that filled his eyes.

The mind is at every stage a theater of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, how so ever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply removing portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! Your world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttlefish, or crab!

This question about the reason we do not observe any quantum mechanical uncertainty in the appearance of flies or stars was never tackled by the inventors of quantum mechanics. Given that we are convinced that the basic laws of quantum mechanics are at the bottom of all mechanical laws, and that the beginning of our world can be understood exclusively in quantum mechanical terms, we have to ask ourselves: Why are there any observable systems at all on the classical side of the demarcation line between classical mechanics and quantum mechanics? Why are there these stumbling blocks, these flies, these stars? The demarcation line proper, between quantum physics and classical physics, was clearly stated by the fathers of quantum mechanics: Classical laws govern large and heavy classical systems. But they failed to tell us how and why the world became that way.

Matter is not what it appears to be. Its most obvious property-variously called resistance to motion, inertia, or mass- can be understood more deeply in completely different terms. The mass of ordinary matter is the embodied energy of more basic building blocks, themselves lacking mass. Nor is space what it appears to be. What appears to our eyes as empty space is revealed to our minds as a complex medium full of spontaneous activity.

That week—the week of the rain—was one of my dad’s bad times. So I went out to the site a lot. One day, I was just picking around one of the foundations. It was all cinder block and pits; hardly any of the building had actually gotten done. And then I saw this little box. A shoe box.” She sucks in a breath, and even in the dark I see her tense. The rest of her story comes out in a rush: “Someone must have left it there, wedged in the space underneath a part of the foundation. Except the rain was so bad it had caused a miniature mudslide. The box had rolled out into the open. I don’t know why I decided to look inside. It was filthy. I thought I might find a pair of shoes, maybe some jewelry.” I know, now, where the story is going. I am walking toward the muddy box alongside her; I am lifting the water-warped cover. The horror and disgust is a mud too: It is rising, black and choking, inside of me. Raven’s voice drops to a whisper. “She was wrapped in a blanket. A blue blanket with yellow lambs on it. She wasn’t breathing. I—I thought she was dead. She was … she was blue. Her skin, her nails, her lips, her fingers. Her fingers were so small.” The mud is in my throat. I can’t breathe. “I don’t know what made me try to revive her. I think I must have gone a little crazy. I was working as a junior lifeguard that summer, so I’d been certified in CPR. I’d never had to do it, though. And she was so tiny—probably a week, maybe two weeks old. But it worked. I’ll never forget how I felt when she took a breath, and all that color came rushing into her skin. It was like the whole world had split open. And everything I’d felt was missing—all that feeling and color—all of it came to me with her first breath. I called her Blue so I would always remember that moment, and so I would never regret.

Most people don't realize it until they're facedown on the pavement somewhere, gasping for their last breath. Only then do they realize that life is a flickering candle we all carry around. A gust of wind, a meaningless accident, a microsecond of carelessness, and it's out. Forever. And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls. Scientists talk about matter, the invisible, mysterious substance that occupied the space between stars. Dark matter makes up 99.99 percent of the universe, and they don't know what it is. Well I know. It's apathy. That's the truth of it; pile together everything we know and care about in the universe and it will still be nothing more than a tiny speck in the middle of a vast black ocean of Who Gives A Fuck.

Get off the Expressway, and go south a mile or so, or half a mile north toward the Zoo; drive in and out through streets whose names are posted at the soul’s intersections — Fox, Kelly, Longwood, Honeywell, Southern Boulevard — and you will find blocks that feel so much like blocks you left long ago, blocks you thought had vanished forever, that you will wonder if you are seeing ghosts or if you yourself are a ghost haunting these solid streets with the phantoms of your inner city.

The Sinsar Dubh popped up on my radar, and it was moving straight toward us. At an extremely high rate of speed. I whipped the Viper around, tires smoking on the pavement. There was nothing else I could do. Barrons looked at me sharply. “What? Do you sense it?” Oh, how ironic, he thought I’d turned us toward it. “No,” I lied, “I just realized I forgot my spear tonight. I left it back at the bookstore. Can you believe it? I never forget my spear. I can’t imagine what I was thinking. I guess I wasn’t. I was talking to my dad while I was getting dressed and I totally spaced it.” I worked the pedals, ripping through the gears. He didn’t even try to pat me down. He just said, “Liar.” I sped up, pasting a blushing, uncomfortable look on my face. “All right, Barrons. You got me. But I do need to go back to the bookstore. It’s . . . well . . . it’s personal.” The bloody, stupid Sinsar Dubh was gaining on me. I was being chased by the thing I was supposed to be chasing. There was something very wrong with that. “It’s . . . a woman thing . . . you know.” “No, I don’t know, Ms. Lane. Why don’t you enlighten me?” A stream of pubs whizzed by. I was grateful it was too cold for much pedestrian traffic. If I had to slow down, the Book would gain on me, and I already had a headache the size of Texas that was threatening to absorb New Mexico and Oklahoma. “It’s that time. You know. Of the month.” I swallowed a moan of pain. “That time?” he echoed softly. “You mean time to stop at one of the multiple convenience stores we just whizzed past so you can buy tampons? Is that what you’re telling me?” I was going to throw up. It was too close. Saliva was pooling in my mouth. How far behind me was it? Two blocks? Less? “Yes,” I cried. “That’s it! But I use a special kind and they don’t carry it.” “I can smell you, Ms. Lane,” he said, even more softly. “The only blood on you is from your veins, not your womb.” My head whipped to the left and I stared at him. Okay, that was one of the more disturbing things he’d ever said to me. “Ahhh!” I cried, letting go of both the wheel and the gearshift to clutch my head. The Viper ran up on the sidewalk and took out two newspaper stands and a streetlamp before crashing to a stop against a fire hydrant. And the blasted, idiotic Book was still coming. I began foaming at the mouth, wondering what would happen if it passed within a few feet of me. Would I die? Would my head really explode?

Space is an arena where the rowdy particles that are the building blocks of life perform their antics. All spring, things fall; the general law of increasing disorder is on the rise. What is it to be a cause without an effect, an effect without a cause, to abandon time-bound thinking, the use of tenses, the temporally related emotions of impatience, expectation, hope, and fear? But I can’t. At the edge of the lake I watch ducks. Like them, my thinking rises and falls on the same water.

The late-afternoon sky, in Paul's peripheral vision, panoramic and mostly unobstructed, appeared rural or suburban, more indicative of forests and fields and lakes—of nature's vast connections, through the air and the soil, to more of itself—than of outer space, which was mostly what Paul thought of when beneath an urban sky, even in daytime, especially in Manhattan, between certain buildings, framing sunless zones of upper atmosphere, as if inviting space down to deoxygenate a city block.

Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.

For better or worse, defensive designs limit the range of activities people can engage in. They can also create real problems for the elderly or disabled. Some of the goals of unpleasant designs can seem noble, but they follow a potentially dangerous logic with respect to public spaces. When supposed solutions address symptoms of a problem rather than the root causes, that problem is not solved but only pushed down the street to the next block or neighborhood. Spikes beget spikes, and targeted individuals are just moved around without addressing the underlying issues.

Jesus, Ban,” he says softly but with intensity. “I call and text every day and you ignore me, so I give you space. I lie back as long as I can stand it so you can sort this shit out with Zo, and you assume I don’t want you? What the hell?” Welcome to the female mind. Hope you enjoy your stay. He crosses over to the recliner where I’m seated and takes my hand. “Do you know why I came here tonight?” he asks, stroking the lifeline of my palm with the pad of his thumb. “No,” I whisper and look up to find an emotion so naked on Jared’s face I almost don’t recognize him. “Why’d you come?” “To make sure he didn’t forgive you.

If you ask me, houses shouldn't have been built down here. These little block-long streets cease abruptly at the open space that remains on the side of the hill, and the hill is angry that development has crept so close. It whips these pathetic homes with a battering, constant wind. It sends soggy clouds to sit damply atop the roofs, trickling stagnant moisture, birthing deep green molds. It sends its monsters, the horrifying Jerusalem crickets, up from the soil to invade basement apartments, looking like greasy, translucent alien insects. They drive me crying into the bathroom to strategize their eviction from my home.

From my cell block, I could see the children walking to the gas chambers. I remember one little girl clinging to her doll. She looked lost, staring into space. Behind her were probably months of terror and being hunted. They’d just separated her from her parents, soon they’d tear off her clothes. She already looked like her limp, lifeless doll. I watched her. I knew what chaos and anguish runs through a little girl’s mind, knew how determined she was, clutching her doll in her hand. Not long before, a few years earlier, I too had left with a suitcase that had a baby doll inside it, and a little box to keep fishing flies in.

Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets—pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don’t catch anything.

I believe that our ability to worship God, to reaffirm our covenants and receive the healing power of the Holy Ghost, to receive the instruction we need in order to make personal progress - all of these things are greatly affected by how secure and safe we feel in our Church environment during the three-hour block of time on Sundays. If we have to spend our energy dealing with feelings that we are not accepted, being concerned about our appearance, or worrying that what we do or say will be judged harshly, in other words that the fellowship of our ward members is anything but "fixed, immovable, and unchangeable", we certainly won't be able to make the kind of progress we could make otherwise.

Dissent, as a form of refusal, becomes authentic when it is a choice for its own sake. When it is an act of accountability. Authentic dissent is recognizable by the absence of blame, the absence of resignation. Blame, denial, rebellion, and resignation have no power to create. A simple no begins a larger conversation, or at least creates the space for one. This is most clearly embodied when we realize there is nothing to argue about. Once again, when faced with a no, or doubts, or authentic refusal, we move forward when we get interested and curious. The ultimate expression of useful power is a leader’s saying, “I must warn you that if you argue with me, I will likely be forced to take your side.

Even he knew he had more in common with Asian Henry Young, with Malcolm, with Willem, or even with Jude, than he had with them. Just look at him: at Court Square he disembarked and walked the three blocks to the former bottle factory where he now shared studio space with three other people. Did real Haitians have studio space? Would it even occur to real Haitians to leave their large rent-free apartment, where they could have theoretically carved out their own corner to paint and doodle, only to get on a subway and travel half an hour (think how much work could be accomplished in those thirty minutes!) to a sunny dirty space? No, of course not. To conceive of such a luxury, you needed an American mind.

So -- where do you want to go now, pateesa?" "Forward, Syn. Only way we can go. My father always said 'We take what is given.' Felt like all the galaxy ever handed me was darkness and grief. Like Krayt, I took what was given and gave into my anger... wrapped the anger around me so close, it blocked out the light. Suffocated myself in death and darkness until I forgot how to live. Tried to cut myself off from the Force so I didn't have to feel anything. Tried to make my heart a void... But nothing's a void -- not even in space. I've seen the way all things connect. Energy flows through the galaxy. Creating life, healing it. As long as the galaxy exists, life will find a way. There is no Death -- There is only the Force

Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad

And one cold Tuesday in December, when Marie-Laure has been blind for over a year, her father walks her up rue Cuvier to the edge of the Jardin des Plantes. "Here, ma chérie, is the path we take every morning. Through the cedars up ahead is the Grand Gallery." "I know, Papa." He picks her up and spins her around three times. "Now," he says, "you're going to take us home." Her mouth drops open. "I want you to think of the model, Marie." "But I can't possibly!" "I'm one step behind you. I won't let anything happen. You have your cane. You know where you are." "I do not!" "You do." Exasperation. She cannot even say if the gardens are ahead or behind. "Calm yourself, Marie. One centimeter at a time." "I'm far, Papa. Six blocks, at least." "Six blocks is exactly right. Use logic. Which way should we go first?" The world pivots and rumbles. Crows shout, brakes hiss, someone to her left bangs something metal with what might be a hammer. She shuffles forward until the tip of her cane floats in space. The edge of a curb? A pond, a staircase, a cliff? She turns ninety degrees. Three steps forward. Now her cane finds the base of a wall. "Papa?" "I'm here." Six paces seven paces eight. A roar of noise - an exterminator just leaving a house, pump bellowing - overtakes them. Twelve paces farther on, the bell tied around the handle of a shop door rings, and two women came out, jostling her as they pass. Marie-Laure drops her cane; she begins to cry. Her father lifts her, holds her to his narrow chest. "It's so big," she whispers. "You can do this, Marie." She cannot.

Men often do that, spreading out their legs on the Tube as though they have an innate need to fill any space that isn’t filled, walking down the middle of a narrow pavement and being almost surprised when they career into you, nudging too close in a coffee shop queue as though you’ll give way. They don’t even notice what they’re doing. They are important, their needs are important. You are not as important. You are not important at all. Unless you’re attractive to them. Then your space will be occupied in other ways. Men will stand in front of you and block your path to get your attention. They will slow their car down so that you feel uncomfortable as you walk down the street. They will hover over you in bars, touching your arm, grabbing your hand. If you’re lucky, it’ll just be your hand.

Pulling back, he gave her a little space and grinned as she found her balance again. “Do you think that will ever get old?” Harper asked with an embarrassed blush. “Christ, I hope not. Just remember how you feel right now because you might be really mad at me in about one minute.” “Uh-oh. I don’t think I like the sound of that.” Harper raised an eyebrow at him. He took her hand and led her toward the studio before pulling her in front of him, her back to his chest. It was the safest position to avoid a kick in the nuts and the best position to block a fast escape. He felt Harper’s quick intake of breath as she turned to face him with a hand over her mouth. “What did you do?” she said through her fingers. “Happy birthday, sweetheart.” He pushed her through the door as everyone inside shouted, “Surprise!

We can assume that by now the Rasu have captured and analyzed zettabytes of government data from Namino. There’s zero chance they don’t possess the locations of every Dominion world. Why haven’t they attacked us somewhere else yet?” An uneasy silence answered Maris. Nika was reluctant to break it, but hiding from the truth did them no good. “Because the Rasu don’t fear us.” Dashiel frowned at her. “But we destroyed their entire presence in this galaxy.” “We did. And by now, they realize that we accomplished it using smoke and mirrors and are unlikely to be able to replicate the feat anytime soon. They don’t fear us, which means they can afford to take their time, methodically dismantling our civilization block by block, then planet by planet.” Lance arched an eyebrow. “Then we need to make them fear us again.

Walking their usual routes, they would invariably notice the changes. The old Croatian lady’s Spätkauf was now a “cake boutique” with a teal-blue shop sign and an Instagram handle written on a blackboard. The cultural center where the old Greeks used to play cards was now the flagship store of a Japanese trainer brand. Immense shop windows revealed row after row of indistinguishable offices with a faintly hip feel—design or architecture studios, coworking spaces, start-ups, all with Modulor tables and minimalist Helvetica Neue stencils. Walking past the Art Nouveau apartment blocks off Mehringdamm or the futuristic sixties high-rise tower blocks around Kottbusser Tor, Anna and Tom would note the growing number of windows with the lights off at night, a likely sign that they were short-term rentals, which meant more speculation.

If you have ever come upon a grove that is thick with ancient trees rising far above their usual height and blocking the view of the sky with their cover of intertwining branches, the loftiness of the forest, the seclusion of the spot, and your wonder at the unbroken shade in the midst of open space will create in you a sense of the divine (numen). Or, if a cave made by the deep erosion of rocks supports a mountain with its arch, a place not made by hands but hollowed out by natural causes into spaciousness, then your mind will be aroused by a feeling of religious awe (religio). We venerate the sources of mighty rivers, we build an altar where a great stream suddenly bursts forth from a hidden source, we worship hot springs, and we deem lakes sacred because of their darkness or immeasurable depth. (Seneca the Younger, Letters 41.3)

Lise was lying in bed, in her room, in her flat, in a block of tenement flats six floors up, behind windows that looked out on to the walls of other tenements. Above and below her people were going on with lives. They scraped kitchen stools across floors, opened and shut front doors, turned televisions and radios off and on and shouted messages through the walls of rooms to loved ones or people they lived with. Outside, in the world, people still walked about and did things. For example, they went shopping. They could walk into a shop and not feel faint or dizzy or physically strange just because of the number of people buying things and the number of things available to them to buy all crammed inside the one roofed space with the noise of cash registers rattling out receipts for the bought things and the colours of all the products it was possible to buy swirling

Rice paddies climb the hillsides in wet, verdant staircases, dense woodlands trade space with geometric farmscapes, tiny Shinto shrines sprout like mushrooms in Noto forests. Villages seem to materialize from nowhere- wedged into valleys, perched atop hills, finessed into coastal corners. Pull over, climb out of your car, breathe deep for a taste of the finest air that will ever enter your lungs: green as a high mountain, salty and sweet, with just a whisper of decay in the finish. Noto gained its reputation as the Kingdom of Fermentation because of this air. For most of its history, Noto was cut off from the rest of Japan, forced into a subsistence model that in many ways endures today. That was possible not only because of the bounty of Noto's fertile environment of trees, grasslands, fresh water, and sea, but because the air is rich with humidity that encourages the growth of healthy bacteria, the building blocks of fermentation.

Fourth, within the session, the learning should be spaced out. It is well known that massed training is much less effective than spaced training in creating enduring memories,74 including implicit memories of extinction.75 The explanation at the molecular level involves CREB, the transcription factor that initiates gene expression and protein synthesis in the conversion of short-term to long-term memory.76 Massed training depletes CREB, and once used up about sixty minutes of recovery is needed to replenish the supply, so additional training within that period only interferes with the resupply process.77 It has been shown that CREB-dependent protein synthesis in the PFCVM78 and amygdala79 is required for the long-term retention of extinction. So if one is going to do twenty-five exposures, they should be done in blocks of five, with breaks between, rather than all twenty-five at once. Temporal spacing, in short, could make the effects of extinction and exposure more persistent.

The biggest stumbling block that has traditionally plagued all the unification endeavors has been the simple fact that on the face of it, general relativity and quantum mechanics really appear to be incomprehensible. Recall that the key concept of quantum theory is the uncertainty principle. When you try to probe positions with an ever-increasing magnification power, the momenta (or speeds) start oscillating violently. Below a certain minuscule length known as the Planck length, the entire tenet of a smooth spacetime is lost. This length (equal to 0.000...4 of an inch, where the 4 is at the thirty-fourth decimal place) determines the scale at which gravity has to be treated quantum mechanically. For smaller scales, space turns into an ever-fluctuating "quantum foam." But the very basic premise of general relativity has been the existence of a gently curved spacetime. In other words, the central ideas of general relativity and quantum mechanics clash irreconcilably when it comes to extremely small scales.

Paley’s book Boys and Girls is about the year she spent trying to get her pupils to behave in a more unisex way. And it is a chronicle of spectacular and amusing failure. None of Paley’s tricks or bribes or clever manipulations worked. For instance, she tried forcing the boys to play in the doll corner and the girls to play in the block corner. The boys proceeded to turn the doll corner into the cockpit of a starship, and the girls built a house out of blocks and resumed their domestic fantasies. Paley’s experiment culminated in her declaration of surrender to the deep structures of gender. She decided to let the girls be girls. She admits, with real self-reproach, that this wasn’t that hard for her: Paley always approved more of the girls’ relatively calm and prosocial play. It was harder to let the boys be boys, but she did. “Let the boys be robbers,” Paley concluded, “or tough guys in space. It is the natural, universal, and essential play of little boys.” I’ve been arguing that children’s pretend play is relentlessly focused on trouble. And it is. But as Melvin Konner demonstrates in his monumental book The Evolution of Childhood, there are reliable sex differences in how boys and girls play that have been found around the world. Dozens of studies across five decades and a multitude of cultures have found essentially what Paley found in her midwestern classroom: boys and girls spontaneously segregate themselves by sex; boys engage in much more rough-and-tumble play; fantasy play is more frequent in girls, more sophisticated, and more focused on pretend parenting; boys are generally more aggressive and less nurturing than girls, with the differences being present and measurable by the seventeenth month of life. The psychologists Dorothy and Jerome Singer sum up this research: “Most of the time we see clear-cut differences in the way children play. Generally, boys are more vigorous in their activities, choosing games of adventure, daring, and conflict, while girls tend to choose games that foster nurturance and affiliation.

Let the center be your home: To be centered is considered desirable; when they feel distracted or scattered, people often say, “I lost my center.” But if there is no person inside your head, if the ego’s sense of I, me, mine is illusory, where’s the center? Paradoxically, the center is everywhere. It is the open space that has no boundaries. Instead of thinking of your center as a defined spot—the way people point to their hearts as the seat of the soul—be at the center of experience. Experience isn’t a place; it’s a focus of attention. You can live there, at the still point around which everything revolves. To be off center is to lose focus, to look away from experience or block it out. To be centered is like saying “I want to find my home in creation.” You relax into the rhythm of your own life, which sets the stage for meeting yourself at a deeper level. You can’t summon the silent witness, but you can place yourself close to it by refusing to get lost in your own creation. When I find myself being overshadowed by anything, I can fall back on a few simple steps: • I say to myself, “This situation may be shaking me, but I am more than any situation.” • I take a deep breath and focus my attention on whatever my body is feeling. • I step back and see myself as another person would see me (preferably the person whom I am resisting or reacting to). • I realize that my emotions are not reliable guides to what is permanent and real. They are momentary reactions, and most likely they are born of habit. • If I am about to burst out with uncontrollable reactions, I walk away. As you can see, I don’t try to feel better, to be more positive, to come from love, or to change the state I’m in. We are all framed by personalities and driven by egos. Ego personalities are trained by habit and by the past; they run along like self-propelled engines. If you can observe the mechanism at work without getting wrapped up in it, you will find that you possess a second perspective, one that is always calm, alert, detached, tuned in but not overshadowed. That second place is your center. It isn’t a place at all but a close encounter with the silent witness.

THE SUMMER was coming to an end. The Jewish year was almost over. On the eve of Rosh Hashanah, the last day of that cursed year, the entire camp was agitated and every one of us felt the tension. After all, this was a day unlike all others. The last day of the year. The word “last” had an odd ring to it. What if it really were the last day? The evening meal was distributed, an especially thick soup, but nobody touched it. We wanted to wait until after prayer. On the Appelplatz, surrounded by electrified barbed wire, thousands of Jews, anguish on their faces, gathered in silence. Night was falling rapidly. And more and more prisoners kept coming, from every block, suddenly able to overcome time and space, to will both into submission. What are You, my God? I thought angrily. How do You compare to this stricken mass gathered to affirm to You their faith, their anger, their defiance? What does Your grandeur mean, Master of the Universe, in the face of all this cowardice, this decay, and this misery? Why do you go on troubling these poor people’s wounded minds, their ailing bodies?     SOME

a forest has grown between us in the first silences, little leaves and shoots grew, still so small that we could crush them if we chose, but we stayed silent, never walking the space between us, never crunching underfoot the buds and the grass that were growing there with every month that passed, our untravelled distance became thorny with the beginnings of a tree that blocked my way, and i didn’t have the courage to travel that space between us. i felt tired thinking of scratching knees on tall thickets when the seasons changed and changed and changed and the hedges and brambles thickened, to walk to you would be to take a chainsaw and fight my way through what time had done to the space between us until one day, the space between us, so solid with life in the middle, so thick with wide trunks and leaves, so green and dense and dark, had closed into a wall and i could no longer see you on the other side to travel that distance between us now would be to risk my life and what if i cleared a path, fought my way through that forest only to find on the other side that you’re not there? m x

When social and economic relationships are recast along an imaginary axis of center and periphery, geographical space can also become freighted with moral significance. The periferia designates not just a geographic locale but also an associated nexus of social, economic and moral conditions. Anyone who has spent significant time in Brazil inevitably will have been warned of the periferia, a term that identifies not only the perimeter of urban space but also the marginal conditions believed to prevail there. In its most narrow usage, periferia refers to the shantytowns and blocks of low income housing that have sprouted along the edges of Rio de Janeiro and other urban centers in Brazil. More broadly periferia denotes a boundary zone, frontier, or hinterland, but like all liminal terminology it lends itself to a web of referents expanding its meaning beyond the purely spatial to encompass both the moral and social connotations of life on the edge: marginality, lawlessness, immorality and chaos. It is often used as synonym for favela, although not all favelas are located on the periphery.

Gomi. Thirty-five percent of the landmass of Tokyo was built on gomi, on level tracts reclaimed from the Bay through a century's systematic dumping. Gomi, there, was a resource to be managed, to be collected, carefully plowed under. London's relationship to gomi was more subtle, more oblique. To Kumiko's eyes, the bulk of the city consisted of gomi, of structures the Japanese economy would long ago have devoured in its relentless hunger for space in which to build. Yet these structures revealed, even to Kumiko, the fabric of time, each wall patched by generation of hands in an ongoing task of restoration. The English valued their gomi in its own right, in a way she had only begun to understand; they inhabited it. Gomi in the Sprawl was something else: a rich humus, a decay that sprouted prodigies in steel and polymer. The apparent lack of planning alone was enough to dizzy her, running so entirely opposite the value her own culture placed on efficient land use. Her tax ride from the airport had already shown her decay, whole blocks in ruins, unglazed windows gaping above sidewalks heaped with trash. And faces staring as the armoed hover made its way through the streets.

And frankly the people who seem to best understand that we are creatures of love and desire, not thoughts, are the current giant tech companies of the world. Think about how Apple exists with a temple-like space (tell me their retail stores don't feel so "set apart" from the ordinary retail design that it doesn't immediately conjure up sacred feelings) where you go to sacrifice (enormously large portions of your money) to obtain that which you are looking for - connection, meaning and depth. People stand in line all night, some even camping out on the sidewalk, for the latest device that offers those implicitly understood benefits. This phone can, and will, be more than a phone. I think it's even fair to say that Apple is a religion with Steve Jobs as a priest (who has become a venerated secular saint after his death), mediating between man and God to give us what we want. Connection. Power. God-like knowledge of good and evil. And we take the phone, and we crouch and bend over. Usually with heads bowed. Laser focused on something. Blocking out all around us. We are silent and solemn. Tending not to speak. And then we perform a certain behaviour over and over and over again. Sound familiar? Swipe.

Our difficulty or inability to perceive the experience of others…is all the more pronounced the more distant these experiences are from ours in time, space, or quality,” wrote the Auschwitz survivor Primo Levi. We can be moved by the tragedy of mass starvation on a far continent; after all, we have all known physical hunger, if only temporarily. But it takes a greater effort of emotional imagination to empathize with the addict. We readily feel for a suffering child, but cannot see the child in the adult who, his soul fragmented and isolated, hustles for survival a few blocks away from where we shop or work. Levi quotes Jean Améry, a Jewish-Austrian philosopher and resistance fighter who fell into the grasp of the Gestapo. “Anyone who was tortured remains tortured… Anyone who has suffered torture never again will be able to be at ease in the world…Faith in humanity, already cracked by the first slap in the face, then demolished by torture, is never acquired again.” Améry was a full-grown adult when he was traumatized, an accomplished intellectual captured by the foe in the course of a war of liberation. We may then imagine the shock, loss of faith and unfathomable despair of the child who is traumatized not by hated enemies but by loved ones.

All matter is made of atoms. There are more than 100 types of atoms, corresponding to the same number of elements. Examples of elements are iron, oxygen, calcium, chlorine, carbon, sodium and hydrogen. Most matter consists not of pure elements but of compounds: two or more atoms of various elements bonded together, as in calcium carbonate, sodium chloride, carbon monoxide. The binding of atoms into compounds is mediated by electrons, which are tiny particles orbiting (a metaphor to help us understand their real behaviour, which is much stranger) the central nucleus of each atom. A nucleus is huge compared to an electron but tiny compared to an electron’s orbit. Your hand, consisting mostly of empty space, meets hard resistance when it strikes a block of iron, also consisting mostly of empty space, because forces associated with the atoms in the two solids interact in such a way as to prevent them passing through each other. Consequently iron and stone seem solid to us because our brains most usefully serve us by constructing an illusion of solidity. It has long been understood that a compound can be separated into its component parts, and recombined to make the same or a different compound with the emission or consumption of energy. Such easy-come easy-go interactions between atoms constitute chemistry. But, until the

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

Outside the rooms, Sam pointed to a small opening in a wall beneath a set of stairs with CELLULE DES RECALCITRANTS written over the top of it. This is where they kept the slaves who resisted, Momar translated for me. It was too dark to tell what it looked like. I turned on my phone's flashlight, bent down, and scooted inside. The stone seemed to almost absorb the light, so it still felt dark inside the shallow cavern. I waited for my eyes to adjust to the darkness. They did not. I hugged my knees close to my chest as I sat inside. The joints in my knees and ankles cracked. Dirt fell from the wall where I touched it. It was impossible to feel as if the walls weren't closing in on me. I thought of people being held here, how they might barely have been able to see their hands in front of their faces. How they would have been able to taste the salt water that hung in the air without seeing any of the ocean. I thought of all the times I had heard, 'But why didn't they fight back?' when slavery was discussed in my classes. I thought of the bell at plantations like the Whitney, which had been rung to tell the enslaved people to gather round and watch one of their loved ones being lashed until the bled. I thought of the rooms at Angola's Red Hat cell block, how the smallness of those spaces had closed in on me. The cramped cavern might have been where the lessons on first resistance had taken place in a person's earliest days of enslavement. Where spirits and bodies had been broken.

from the upcoming novel, Agent White: A figure dressed all in black ran across the rooftops in the rain. A black cloak fluttered behind him as he ran two and sometimes three stories above the sidewalk where Ezra Beckitt stood. Long silver hair tied back in a ponytail flew out behind him, exposing ears that came to sharp points. His left ear was pierced with a silver ring, high up in the cartilage. Like the old man, this black figure wore a sword; but this weapon was long and thin, slightly curved. The blade stuck out behind him for three and a half feet, almost seeming to glow against the grey backdrop of the rain-soaked cityscape. Suddenly, the figure in black looked down into the street and saw Ezra there. More, he saw Ezra seeing him. Startled, he lost his sure footing and slid down the steep incline of an older building’s metal roof, the busy street below waiting to catch him in an asphalt embrace. The figure in black got his feet under himself and pushed, flying out into space above the street. For an eternity Ezra watched him, suspended in the air and the rain with his cloak spread in midnight ripples around him, and then the figure in black flipped neatly and landed on the sidewalk half a block away. The pavement cracked, pushing up in twisted humps around the figure in black’s tall leather boots. Before the sound of this impact even reached Ezra the figure was up and gone, dashing through the morning throngs waiting for buses or headed to the ‘tram station. Ezra saw a girl’s hair blow back in the wind created by his passing, but she never noticed him. A young techie blinked his 20-20’s (Ezra’s own enhanced senses picked up the augmented eyes because of a strange, silvery glow in the pupils) and turned halfway around, almost seeing him. And then the figure in black darted into an alley, gone. Ezra drew his service weapon and ran after, pushing his way through the sidewalk traffic. Turning into the alley he skidded to a stop, stunned; the figure in black was still there. The alley was just wide enough to accommodate Ezra’s shoulders- he couldn’t have held his arms out at his sides. Dumpsters spilled their trash out onto the wet pavement. The alley ended in a fire door, the back exit of a store on the next street over. Even if it was locked, Ezra didn’t think it would pose a real problem for the figure in black. No, he was waiting for him. Ezra advanced with his gun out in front of him, and his eyes locked with the figure in black’s. His were completely black- no pupils, no corneas, only solid black that held no light. The figure in black smiled, exposing teeth that looked very sharp, and laid his hand on the hilt of his sword. He wore leather gloves with the fingers cut off. His fingers were very long and very white. “Don’t even think about it,” Ezra said, clicking the safety off his weapon. “I am a Hatis City Guard, an if you move I will put you down.” This only seemed to amuse the figure in black, whose smiled widened as he drew his sword. Ezra opened fire.

This is the fact the world desperately hides from us from birth. Long after you find out the truth about sex and Santa Claus, this other myth endures, this one about how you’ll always get rescued at the last second and if not, your death will at least mean something and there’ll be somebody there to hold your hand and cry over you. All of society is built to prop up that lie, the whole world a big, noisy puppet show meant to distract us from the fact that at the end, you’ll die, and you’ll probably be alone. I was lucky. I learned this a long time ago, in a tiny, stifling room behind my high school gym. Most people don’t realize it until they’re laying facedown on the pavement somewhere, gasping for their last breath. Only then do they realize that life is a flickering candle we all carry around. A gust of wind, a meaningless accident, a microsecond of carelessness, and it’s out. Forever. And no one cares. You kick and scream and cry out into the darkness, and no answer comes. You rage against the unfathomable injustice and two blocks away some guy watches a baseball game and scratches his balls. Scientists talk about dark matter, the invisible, mysterious substance that occupies the space between stars. Dark matter makes up 99.99 percent of the universe, and they don’t know what it is. Well I know. It’s apathy. That’s the truth of it; pile together everything we know and care about in the universe and it will still be nothing more than a tiny speck in the middle of a vast black ocean of Who Gives A Fuck.

Evidently Biddy had taught Joe to write. As I lay in bed looking at him, it made me, in my weak state, cry again with pleasure to see the pride with which he set about his letter. My bedstead, divested of its curtains, had been removed, with me upon it, into the sitting room, as the airiest and largest, and the carpet had been taken away, and the room kept always fresh and wholesome night and day. At my own writing-table, pushed into a corner and cumbered with little bottles, Joe now sat down to his great work, first choosing a pen from the pen-tray as if it were a chest of large tools, and tucking up his sleeves as if he were going to wield a crowbar or sledge-hammer. It was necessary for Joe to hold on heavily to the table with his left elbow, and to get his right leg well out behind him, before he could begin, and when he did begin he made every down-stroke so slowly that it might have been six feet long, while at every up-stroke I could hear his pen spluttering extensively. He had a curious idea that the inkstand was on the side of him where it was not and constantly dipped his pen into space, and seemed quite satisfied with the result. Occasionally, he was tripped up by some orthographical stumbling-block, but on the whole he got on very well indeed, and when he had signed his name, and had removed a finishing blot from the paper to the crown of his head with his two forefingers, he got up and hovered about the table, trying the effect of his performance from various points of view as it lay there, with unbounded satisfaction.

There was little the mainstream auto industry could do to slow Tesla down. But that didn’t stop executives from trying to be difficult whenever possible. Tesla, for example, wanted to call its third-generation car the Model E, so that its lineup of vehicles would be the Model S, E, and X—another playful Musk gag. But Ford’s then CEO, Alan Mulally, blocked Tesla from using Model E, with the threat of a lawsuit. “So I call up Mulally and I was like, ‘Alan, are you just fucking with us or are you really going to do a Model E?’” Musk said. “And I’m not sure which is worse. You know? Like it would actually make more sense if they’re just fucking with us because if they actually come out with a Model E at this point, and we’ve got the Model S and the X and Ford comes out with the Model E, it’s going to look ridiculous. So even though Ford did the Model T a hundred years ago, nobody thinks of ‘Model’ as being a Ford thing anymore. So it would just feel like they stole it. Like why did you go steal Tesla’s E? Like you’re some sort of fascist army marching across the alphabet, some sort of Sesame Street robber. And he was like, ‘No, no, we’re definitely going to use it.’ And I was like, ‘Oh, I don’t think that’s such a good idea because people are going to be confused because it’s not going to make sense. People aren’t used to Ford having Model something these days. It’s usually called like the Ford Fusion.’ And he was like, no, his guys really want to use that. That’s terrible.” After that, Tesla registered the trademark for Model Y as another joke. “In fact, Ford called us up deadpan and said, ‘We see you’ve registered Model Y. Is that what you’re going to use instead of the Model E?’” Musk said. “I’m like, ‘No, it’s a joke. S-E-X-Y. What does that spell?’ But trademark law is a dry profession it turns out.

There was little the mainstream auto industry could do to slow Tesla down. But that didn't stop executives from trying to be difficult whenever possible. Tesla, for example, wanted to call its third-generation car the Model E, so that its lineup of vehicles would be the Model S, E and X - another playful Musk gag. But Ford's then CEO, Alan Mulally, blocked Tesla from using Model E, with the threat of a lawsuit. "So I call up Mulally and I was like, 'Alan, are you just fucking with us or are you really going to do a Model E?'" Musk said. "And I'm not sure which is worse. You know? Like it would actually make more sense if they're just fucking with us because if they actually come out with a Model E at this point, and we've got the Model S and the X and Ford comes out with a Model E, it's going to look ridiculous. So even though Ford did the Model T a hundred years ago, nobody thinks of 'Model' as being a Ford thing anymore. So it would just feel like they stole it. Like why did you going stealing Tesla's E? Like you're some sort of fascist army marching across the alphabet, some sort of Sesame Street robber. And he was like, 'No, no, we're definitely going to use it.' And I was like, 'Oh, I don't think that's such a good idea because people are going to be confused because it's not gong to make sense. People aren't used to Ford having Model something these days. It's usually called like the Ford Fusion.' And he was like, no, his guys really want to use that. That's terrible." After that, Tesla registered the trademark for Model Y as another joke. "In fact, Ford called us up deadpan and said, 'We see you've registered Model Y. Is that what you're gong to use instead of the Model E?'" Musk said. "I'm like, 'No, it's a joke. S-E-X-Y. What does that spell?' But trademark law is a dry profession it turns out.

The perplexing thing was that Elon seemed to drift off into a trance at times. People spoke to him, but nothing got through when he had a certain, distant look in his eyes. This happened so often that Elon’s parents and doctors thought he might be deaf. “Sometimes, he just didn’t hear you,” said Maye. Doctors ran a series of tests on Elon, and elected to remove his adenoid glands, which can improve hearing in children. “Well, it didn’t change,” said Maye. Elon’s condition had far more to do with the wiring of his mind than how his auditory system functioned. “He goes into his brain, and then you just see he is in another world,” Maye said. “He still does that. Now I just leave him be because I know he is designing a new rocket or something.” Other children did not respond well to these dreamlike states. You could do jumping jacks right beside Musk or yell at him, and he would not even notice. He kept right on thinking, and those around him judged that he was either rude or really weird. “I do think Elon was always a little different but in a nerdy way,” Maye said. “It didn’t endear him to his peers.” For Musk, these pensive moments were wonderful. At five and six, he had found a way to block out the world and dedicate all of his concentration to a single task. Part of this ability stemmed from the very visual way in which Musk’s mind worked. He could see images in his mind’s eye with a clarity and detail that we might associate today with an engineering drawing produced by computer software. “It seems as though the part of the brain that’s usually reserved for visual processing—the part that is used to process images coming in from my eyes—gets taken over by internal thought processes,” Musk said. “I can’t do this as much now because there are so many things demanding my attention but, as a kid, it happened a lot.

HISTORICAL NOTE There are no nuclear power stations in Belarus. Of the functioning stations in the territory of the former USSR, the ones closest to Belarus are of the old Soviet-designed RBMK type. To the north, the Ignalinsk station, to the east, the Smolensk station, and to the south, Chernobyl. On April 26, 1986, at 1:23:58, a series of explosions destroyed the reactor in the building that housed Energy Block #4 of the Chernobyl Nuclear Power Station. The catastrophe at Chernobyl became the largest technological disaster of the twentieth century. For tiny Belarus (population: 10 million), it was a national disaster. During the Second World War, the Nazis destroyed 619 Belarussian villages along with their inhabitants. As a result of Chernobyl, the country lost 485 villages and settlements. Of these, 70 have been forever buried underground. During the war, one out of every four Belarussians was killed; today, one out of every five Belarussians lives on contaminated land. This amounts to 2.1 million people, of whom 700,000 are children. Among the demographic factors responsible for the depopulation of Belarus, radiation is number one. In the Gomel and Mogilev regions, which suffered the most from Chernobyl, mortality rates exceed birth rates by 20%. As a result of the accident, 50 million Ci of radionuclides were released into the atmosphere. Seventy percent of these descended on Belarus; fully 23% of its territory is contaminated by cesium-137 radionuclides with a density of over 1 Ci/km2. Ukraine on the other hand has 4.8% of its territory contaminated, and Russia, 0.5%. The area of arable land with a density of more than 1 Ci/km2 is over 18 million hectares; 2.4 thousand hectares have been taken out of the agricultural economy. Belarus is a land of forests. But 26% of all forests and a large part of all marshes near the rivers Pripyat, Dniepr, and Sozh are considered part of the radioactive zone. As a result of the perpetual presence of small doses of radiation, the number of people with cancer, mental retardation, neurological disorders, and genetic mutations increases with each year. —“Chernobyl.” Belaruskaya entsiklopedia On April 29, 1986, instruments recorded high levels of radiation in Poland, Germany, Austria, and Romania. On April 30, in Switzerland and northern Italy. On May 1 and 2, in France, Belgium, the Netherlands, Great Britain, and northern Greece. On May 3, in Israel, Kuwait, and Turkey. . . . Gaseous airborne particles traveled around the globe: on May 2 they were registered in Japan, on May 5 in India, on May 5 and 6 in the U.S. and Canada. It took less than a week for Chernobyl to become a problem for the entire world. —“The Consequences of the Chernobyl Accident in Belarus.” Minsk, Sakharov International College on Radioecology The fourth reactor, now known as the Cover, still holds about twenty tons of nuclear fuel in its lead-and-metal core. No one knows what is happening with it. The sarcophagus was well made, uniquely constructed, and the design engineers from St. Petersburg should probably be proud. But it was constructed in absentia, the plates were put together with the aid of robots and helicopters, and as a result there are fissures. According to some figures, there are now over 200 square meters of spaces and cracks, and radioactive particles continue to escape through them . . . Might the sarcophagus collapse? No one can answer that question, since it’s still impossible to reach many of the connections and constructions in order to see if they’re sturdy. But everyone knows that if the Cover were to collapse, the consequences would be even more dire than they were in 1986. —Ogonyok magazine, No. 17, April 1996

Our political discourse has degenerated into anxieties about whether giving benefits to those people over there will take money out of the pockets of my kind of people over here, even when the changes are those from which we would all benefit." "The church is one of the few remaining institutions in the American scene that normalizes the effects of slavery, with most Christians preserving these segregated spaces in the interests of cultural comfort. Racially separate churches violate the interdependence that should characterize authentic Christian communities. Further, this individualism blocks churches from the blessings of gifts preserved in separate traditions. For example, segregated white churches celebrate the confessions and the rich legacies of the intellectual giants of the faith, but too often preach a weak and disembodied gospel that reduces spirituality to symbolism, and that separates material concerns from moral choices and the pursuit of righteousness." "Indeed, we have reached a sad state of affairs when we are all unwilling to be challenged when we go to church." "We should not move too quickly to a cheap reconciliation that forgets the past rather than honoring it as a clay vessel that contains a refined treasure bearing witness to the presence of Jesus at the margins. We need to make space for the histories of ethnic pain to be shared and revered among whites and all peoples of color, and to be instructed by them. That is, we need to understand how our past impinges on the present before we can move forward together toward our future. We cannot be who we are called to be unless we can gain access to the treasures of the gospel that have been preserved in the separate traditions of now segregated ethnic churches. We will not testify to the glory of God and the manifold riches of his mercy to the nations until we do.

IN JANUARY 1959 Police Chief Herbert Jenkins found a poem tacked to a bulletin board at his departmental headquarters. Tellingly, the anonymous author had titled it “The Plan of Improvement,” in sarcastic tribute to Mayor Hartsfield’s 1952 program for the city’s expansion and economic progress. The poem looked back over a decade of racial change and spoke volumes about the rising tide of white resentment. It began with a brief review of the origins of residential transition and quickly linked the desegregation of working-class neighborhoods to the desegregation of the public spaces surrounding them: Look my children and you shall see, The Plan of Improvement by William B. On a great civic venture we’re about to embark And we’ll start this one off at old Mozeley Park. White folks won’t mind losing homes they hold dear; (If it doesn’t take place on an election year) Before they have time to get over the shock, We’ll have that whole section—every square block. I’ll try something different for plan number two This time the city’s golf courses will do. They’ll mix in the Club House and then on the green I might get a write up in Life Magazine. And now comes the schools for plan number three To mix them in classrooms just fills me with glee; For I have a Grandson who someday I pray Will thank me for sending this culture his way. And for my finale, to do it up right, The buses, theatres and night spots so bright; Pools and restaurants will be mixed up at last And my Plan of Improvement will be going full blast. The sarcasm in the poem is unmistakable, of course, but so are the ways in which the author—either a policeman himself or a friend of one—clearly linked the city’s pursuit of “progress” with a litany of white losses. In the mind of the author, and countless other white Atlantans like him, the politics of progress was a zero-sum game in which every advance for civil rights meant an equal loss for whites.

Broadway lit up just as crazy as ever, and the crowd thick as molasses. Just fling yourself into it like an ant and let yourself get pushed along. Everybody doing it, some for a good reason, and some for no reason at all. All this push and movement representing action, success, get ahead. Stop and look at shoes, or fancy shirts. The new fall overcoat, wedding rings at 98 cents a piece. Every other joint a food emporium. Everytime I hit that runway toward dinner hour, a fever of expectancy seized me. It's only a stretch of a few blocks from Time Square to 50th street, and when one says 'Broadway', that's all that's really meant. And it's really nothing, just a chicken run, and a lousy one at that. But at 7 in the evening, when everybody's rushing for a table, there is a sort of electrical crackle in the air. And your hair stands on end like antennae, and if you're receptive, you not only get every flash and flicker, but you get the statistical itch. The quid pro quo of the interactive, interstitial, ectoplasmatic quantum of bodies jostling in space like the stars which compose the Milky Way. Only, this is the gay white way. The top of the world with no roof above and not even a crack or a hole under your feet to fall through and say it's a lie. The absolute impersonality of it brings you to a pitch of warm human delirium, which makes you run forward like a blind nag, and wag your delirious ears. Everyone is so utterly, confoundedly not himself, that you become automatically the personification of the whole human race. Shaking hands with a thousand human hands, cackling with a thousand different human tongues, cursing, applauding, whistling, crooning, soliloquizing, orating, gesticulating, urinating, fecundating, wheedling, cajoling, whimpering, bartering, pimping, caterwauling, and so on and so forth. You are all the men who ever lived up until Moses, and beyond that, you are a woman buying a bird cage, or just a mouse trap.

Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more. Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends. The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life’s wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season. Let him say, “It is quite right: it ought to be so, since so it is.” And, perhaps, one day his snow-sepulchre will open, spring’s softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds, and singing of liberated streams, will call him to kindly resurrection.

As Wheeler explained at the time, “Nature at the quantum level is not a machine that goes its inexorable way. Instead what answer we get depends on the question we put, the experiment we arrange, the registering device we choose. We are inescapably involved in bringing about that which appears to be happening.” Posing an example, he set up a fascinating mind-experiment. Utilizing the fact that a strong mass or gravity warps space-time, he imagined a small, distant light source like a quasar, whose bits of light must traverse the vicinity of a foreground massive galaxy en route to our eyes. If the geometry is correct—if the distant quasar, the intermediate massive galaxy, and our Earth are all on a perfectly straight line—each photon’s path will be warped to pass either above or below that galaxy. (The photon cannot go straight through the foreground galaxy because the galaxy’s mass has altered the actual geometry of space-time so that the shortest “highway” from the quasar to Earth is no longer a seemingly straight line. In any case, the material in the foreground galaxy would block the quasar’s light from penetrating it, even if it tried to travel that way.) Then it will continue for billions of more years before reaching our telescopes here on Earth (see Figure 8-4). If they really had a 50/50 chance of taking either route, which path did each photon traverse? Wheeler’s conclusion: The event, billions of years ago, didn’t really happen until we observe it today. Only now will a particular photon pass above or below the foreground galaxy billions of years ago. In other words, the past isn’t something that has already irrevocably occurred. Rather, long-ago events depend on the present observer. Until they’re observed at this moment, the events didn’t really unfold, but lurked in a blurry probabilistic state, all ready to become an actual “past” occurrence only upon our current observation. This astonishing possibility is called retrocausality.

The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodyguards and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us. How did Garbo brush her teeth, shave her armpits, probe a worry-line? The most intimate details of their lives seem to lie beyond an already open bathroom door that our imaginations can easily push aside. Caught in the glare of our relentless fascination, they can do nothing to stop us exploring every blocked pore and hesitant glance, imagining ourselves their lovers and confidantes. In our minds we can assign them any roles we choose, submit them to any passion or humiliation. And as they age, we can remodel their features to sustain our deathless dream of them. In a TV interview a few years ago, the wife of a famous Beverly Hills plastic surgeon revealed that throughout their marriage her husband had continually re-styled her face and body, pointing a breast here, tucking in a nostril there. She seemed supremely confident of her attractions. But as she said: ‘He will never leave me, because he can always change me.’ Something of the same anatomizing fascination can be seen in the present pieces, which also show, I hope, the reductive drive of the scientific text as it moves on its collision course with the most obsessive pornography. What seems so strange is that these neutral accounts of operating procedures taken from a textbook of plastic surgery can be radically transformed by the simple substitution of the anonymous ‘patient’ with the name of a public figure, as if the literature and conduct of science constitute a vast dormant pornography waiting to be woken by the magic of fame.

Will she be all right?” Gary asked fearfully. In spite of himself, he had checked her pulse several times. “She must be all right,” Gregori said very softly. The voice was like velvet, but there was something in it that sent a shiver of apprehension through Gary. If anything happened to Savannah, Gary realized that no one, nothing in the world, would ever be safe again from the Carpathian. He hadn’t considered that before, and he had no idea where the knowledge came from, but he knew it absolutely. He crawled from the cramped space and picked his way a small distance from the cave. The night noises bothered him, were strange and a bit daunting. Gregori gathered Savannah tenderly into his arms. Come to me, my life and breath. Wake and be with me. He gave the command, and even as he felt her heart flutter, he pressed her mouth to his throat. Feed, ma petite. Feed and replenish what you selflessly gave to me. Savannah turned her head, her first breath a sigh of warmth against his throat. She nuzzled closer, drowsy and weak from lack of blood. Her tongue tasted his skin, caressed his pulse. Gregori’s body tightened alarmingly as her teeth sent white-hot pleasure slicing through him. Slowly her skin warmed, went from ashen to a healthy glow. Her arms slipped around his neck, and she held him close, her body fitting into his, a restless ache of need and hunger. Savannah closed the pinpricks on her lifemate’s neck, feathered kisses up his throat to his jaw, then found the corner of his mouth. Gregori caught her head and held her still, his mouth dominating, taking hers with a need as elemental as the wind. “I thought I lost you,” she whispered into his heart, his soul. “I thought I lost you.” “Are you always going to be pulling me out of trouble?” he asked, some strong, unnamed emotion choking him, blocking his throat. A small smile tugged at her soft mouth. “Back you up, you mean.” He groaned at her terminology. “Je t’ àime, Savannah. More than I can ever express in words of any language.” His arms held her tight, sheltering her against his heart. She was his world, would always be his world. She was his laughter, his light. She showed him how to slip easily between both worlds. She gave him faith in humans that had never been there before.

I want to move my hands, but they’re fused to his rib cage. I feel his lung span, his heartbeat, his very life force wrapped in these flimsy bars of bone. So fragile yet so solid. Like a brick wall with wet mortar. A juxtaposition of hard and soft. He inhales again. “Jayme,” he says my name with a mix of sigh and inquiry. I open my eyes and peer into his flushed face. Roses have bloomed on his ruddy cheeks and he looks as though he’s raced the wind. “Mm?” I reply. My mind is full of babble, I’m so high. “Jayme,” he’s insistent, almost pleading. “What are you?” Instantaneous is the cold alarm that douses the flames still dancing in my heart. I feel the nervousness that whispers through me like a cool breeze in the leaves. “What do you mean?” I ask, the disquiet wringing the strength from my voice. “It doesn’t hurt anymore,” he explains, inhaling deeply. I feel the line of a frown between my brows. Gingerly, I lift the hem of his shirt. And as sure as I am that the world is round and that the sky is, indeed, blue the bruises and welts on his torso have faded to nothingness, the golden tan of his skin is sun-kissed perfection. Panic has me frozen as I stare. “I don’t understand,” I whisper. He looks down at his exposed abdomen. “I think you healed me.” He says it so simply, but my mind takes his words and scatters them like ashes. I feel like I’m waking from a coma and I have amnesia and everyone speaks Chinese. I can’t speak. If I had the strength to, I wouldn’t have the words. I feel the panic flood into me and fear spiked adrenaline courses through me, I shove him. Hard. Eyes wide with shock, he stumbles back a few steps. A few steps is all I need. Fight or flight instinct taking root, I fight to flee. The space between us gives me enough room to slide out from between him and the car. He shouts my name. It’s too late. I’m running a fast as my lithe legs will carry me. My Converse pound the sidewalk and I hear the roar of his engine. It’s still too late. I grew up here and I’m ten blocks from home. No newbie could track me in my own neighborhood. In my town. Not with my determination to put as much distance as I can between me and the boy who scares the shit out of me. Not when I’ve scared the shit out of myself. I run. I run and I don’t stop.

The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he’d head to Rigsby’s and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I’ve tried has worked. “Michael!” At the sound of his wife’s voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn’t think of one. He nodded good-bye to Hong and was stepping away when--- “Michael, I want to talk to you!” Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger. Hong ducked into his tent. Out of sight, maybe, but not out of earshot. The Guans’ should stuff cotton in their ears to block out the worst of Prudence’s screeches. “I need a drink,” he said, beginning to turn away. “Oh, dear Lord. Don’t tell me you’re a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?” He swung back. She was inches away, arms flung wide. “You omitted telling me I’d be marrying a shrew,” he said. “You should have written the word at the top of your fancy stationary in big block letters.” He sketched the word in the air and stated each letter. “S-H-R-E-W.” “Why…why I never!” Her mouth opened and closed as if she sought just the right words to hurl at him. “As for being a drunkard. Up until today, I only occasionally sought refuge in the bottle. But I think being married to you, my dear wife, will make me a frequent patron of Rigsbys Saloon. In fact, I might as well take up residence in the place.” Stepping forward, she brought up her hand to slap him. He leaped out of the way. Prudence missed, and her hand sailed past, making her off balance. Sure she was going to try again, Michael moved away, putting more space between them. Prudence slipped on a slimy rock and lost her balance, rotating and stepping sideways only to catch her heel in the hem of her skirt. She teetered backward toward the pigpen. Her legs hit the low fence, catching her at knee-height. Oh, no! Michael leaped to catch her. With a horrified expression, Prudence windmilled her arms in an effort to right herself. Michael missed, grabbing only a fold of her skirt. He yanked back, hoping to pull her upright, but instead, with a ripping sound, the fabric tore. The momentum toppled Prudence backwards into the pigpen, where she landed on her rump in the mire. “Grrrrrr!” She scooped up two handfuls of mud and flung them at him. Shocked, Michael didn’t dodge until the last minute, and the stinking mud went splat against his chest and face.

We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.

Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.

Feeling each move carefully, Len climbed, hilt of the sword held in one hand blade hanging point down. A wet and dripping Rose King hovered above him. Being dripped on wasn't nearly as distracting as the constant sight of his watch on his left wrist. He wanted to look and see how much of the allotted hour he had left. He resisted the urge. He didn't want to risk having this knowledge affect his judgment. They had no time for speed born mistakes. The shaft they climbed down amplified the slightest sound sending it reverberating up and down its length. The slight clank of the sword against the iron rungs of the ladder became enormous. The click of Rose King's chattering teeth reverberated like castanets. Len stepped on a rung. The next second he found himself grappling for security as the rung moved then broke loose. The racket as the metal bar fell rang up and down the narrow oblong space like a pair of dropped cymbals. He looked down. They were approximately ten feet up from the bottom of the well. If he had fallen he would not have been hurt badly if at all. Discovery, however, had a danger all its own. Frozen in place, both he and Rose listened. Something large was down there. It was something large that dragged as it walked. As if investigating the source of the clatter, this something stopped by the grate at the bottom, blocking off the light. Twice there was a rushing of sound as if some huge bellows was blowing air into the grate then pulling it out. The thing seemed to move away from the grate. When he was sure it was well away from the opening Len began again to climb down. The nearer the grate the more he and Rose began to hear something beyond the ominous sounds of large animal. Len thought he knew what it was, but kept silent. He was about to jump the last three feet when a pain wracked cry echoed through the space on the other side of this new grate and up the stone well. Len jumped to the ground. A second later Rose was behind him. Wishing desperately they had more than one weapon between them, Len pushed hard at the grate, rushing through the space as fast as the cramped size of the opening would allow. They were in a large round open torch lit space with a high domed brick ceiling. To their left was an exit to a dark hallway blocked by a barred door; to their right, a curved cave like opening with what looked like a barred gate that could be raised or lowered. On the other side of the room was a barred wall with a door closing off the cell where Tyrone lay. Between them and their goal was a large, reptilian creature. "What the hell is that?" Rose gasped softly. Len swallowed hard and licked his dry lips. It was mad and at the same time made complete sense. "It’s just what it looks like, Major," he whispered. "It's a dragon.

Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]

The Highlander was typical of Fred’s buildings, having a grand entrance to distract from the substandard rental units. The lobby had a large sunken space with a formal sitting area blocked off by velvet ropes and stanchions on one side and on the other a huge display of oversized tropical plants. Between them, large floor-to-ceiling plate-glass windows looked out onto a wide expanse of flagstones and brick steps on either side curving up to the sidewalk.

Jamie considered herself outside that, but there was a definite feeling of distrust that underpinned every conversation, and a palpable sense of contempt that beat in the background.  She put it out of her mind and pressed on, hoping to hell that they weren’t going to find Grace dead with a needle in her arm.  That would turn a shit-clap into a shit-pie.  Her dad had practically been a poet.  But she wasn’t hungry. A two-lane road swept across a bridge headed north out of the city. Below it, an old line ran perpendicular, the rails buried in stone chips grown over with brambles. It hadn’t been used in years, and provided a sheltered area stretching across its width.  The banks on either side were fenced off and let down around twenty feet onto the flat at the bottom, and the space beneath the bridge was filled with tents and tarps, all huddled together out of the worst of the weather.  A section of fence had been pushed down, one of the posts dug out and shoved over. It had been trampled flat and an old blanket had been laid over the crushed barbed wire at the top so that the denizens could make the traverse without getting nicked.  They’d walked the last stretch up a pretty much deserted street that had been blocked off at the bottom when the line had been put out of commission. Jamie and Roper moved between the bollards and up the cracked pavement towards the gap in the fence in silence.  Three homeless people were sitting on the street — two by the makeshift entrance to the old line and one opposite.  He was wearing a bright green wind-cheater and had his arms folded under his armpits.

He steered us across the ballroom and through a door that led into a low-lit room which I could only describe as a smoking room. Do people really still have those? Apparently they did because a bunch of cigar stubs sat in a golden ashtray on the nearest table and the thick scent of tobacco hung in the air. Blood red armchairs sat around the space and to the right of them stood Darius beside a large oak writing desk. A row of shots were laid out across it in front of a bottle of vodka and my heart pumped harder as Max released me, his gifts fizzling out of my system. Darius picked up a shot and knocked it back, releasing a satisfied ah after he swallowed it. He grabbed two more, holding them out for Tory and I but neither of us moved. “I think I'll get my drinks from a less shady room thanks,” I said, shaking my head. “Yeah, I'm gonna decline the date rape.” Tory smiled hollowly and Darius scoffed. “As if I'd need to drug you to get you in my bed,” Darius smirked. “Keep dreaming, Dragon boy.” She planted a hand on her hip and I grinned. We turned to leave and found Seth and Caleb stepping into the room. My heart juddered as they prowled forward, blocking our way out. “Evening,” Caleb said, skirting around us, his eyes lingering on Tory. Seth scratched behind his ear and I bit my lip to stop myself from laughing. “Gimme one of those.” He moved around us, scratching more vigorously as he grabbed a shot from the desk. He swallowed one then another before pawing at the back of his shirt and scratching his head again. “What's up with you, man?” Max frowned as Seth started raking under his arm. “Nothing,” he spat, then let out a whine as he scratched himself too hard. I almost lost it when Tory hiccoughed a laugh. “Almost seems like you've got fleas,” Darius said with a teasing smirk and Seth growled deeply. “I do not have fleas,” he snarled and I couldn't help the laugh that finally tore free from my throat. He turned, eyes sharpening to slits, but he said nothing. (Darcy)

It was the space in between that was perilous, the walk to her car, the four blocks, the few days of adjustment—as if my parents (who had similar values, diets, and mystical beliefs) were not only separate people but operated on contrasting principles. The houses were close but their atmospheres so starkly different it reminded me of something I’d read about the surface of the moon, how if you put your hand on the line where the light meets shadow, one side will freeze and the other will burn.

A Tidy and Organized Home… Makes you feel calm. You can relax and unwind in a tidy home. There is space to do things, and you know where everything is. When you walk into a hotel room, you immediately feel a sense of peace because the environment is tidy and organized. Makes you feel healthy. Dust and mold accumulate in messes. Are you always coughing and sneezing? Do you suffer from allergies? It’s probably because you are breathing in all the dirt in your home. Give your home a spring clean and your health issues will improve. Makes you feel in control. How does it feel when you know where everything is? Clutter prevents positive energy from flowing through your home. Remember, energy attaches itself to objects, and negative energy is attracted to mess, which creates exhaustion, stagnation, and exasperation. What does it feel like when negative energy is stuck in your body? You want to lie in bed and shut the world away because everything becomes more difficult and you can’t explain why. Here is how decluttering your house will unlock blocked streams of positive energy: You will become more vibrant. Once you create harmony and order in your home, you will feel more radiant and present. Like acupuncture, which removes imbalances and blockages from the body to create more wellness and dynamism, clearing clutter removes imbalances and blockages from your personal space. When you venture through spaces that have been set ablaze with fresh energy, you are captured by inspiration, and the most attractive parts of your personality come to life. You will get rid of bad habits and introduce good ones. All bad habits have triggers. Do you lie on your bed to watch TV instead of sitting on the couch because you can’t be bothered to fold the laundry that has piled up over the past six months? Or because the bed represents sleep, and when you come home from work and get into bed, you are going to fall asleep instead of doing those important tasks on your to-do list. Once you tidy the couch, coming home from work will allow you to sit on it to watch your favorite TV program but get up once it’s finished and do what you need to do. You will improve your problem-solving skills. When your home has been opened up with a clear space, it’s easier to focus, which provides you with a fresh perspective on your problems. You will sleep better. Are you always tired no matter how much sleep you get? That’s because negative energy is stuck under your bed amongst all that junk you’ve stuffed under there. Once you tidy up your bedroom, you will find that positive energy can flow freely around your room making it easier for you to have a deep and restful sleep. You will have more time. Mess delays you. An untidy house means you are always losing things. You can’t find a shoe, a sock, or your keys, so you waste time searching for them, which makes you late for work or social gatherings. When you declutter your home, you could save about an hour a day because you will no longer need to dig through a stack of items to find things. Your intuition will be stronger. A clear space creates a sense of certainty and clarity. You know where everything is, so you have peace of mind. When you have peace of mind, you can focus on being in the present moment. When you need to make important decisions, you will find it easier to do so. It might take some time to give your home a deep clean, but you won’t be sorry for it once it’s done. Chapter 5: How To Become an Assertive Empath The word assertive means “having or showing a confident and forceful personality.

Ah, fuck.” Chiara’s queen slid diagonally across the board, into a space that left his king wide open and unprotected. None of his other pieces could block her next, fatal move. She smiled sweetly. “Checkmate.” “Another round,” he growled, determined to redeem himself.

positive energy is a free, uninhibited connection with the universe, while negative energy is a blocked, stifled, or broken connection with the universe.

A statue isn’t built from the ground up—it’s chiseled out of a block of marble—and I often wonder if we aren’t likewise shaped by the qualities we lack, outlined by the empty space where the marble used to be. I’ll be sitting on a train. I’ll be lying awake in bed. I’ll be watching a movie; I’ll be laughing. And then, all of a sudden, I’ll be struck by the paralyzing truth: It’s not what we do that makes us who we are. It’s what we don’t do that defines us.

15 million years ago ice sheets began forming over Greenland, and by the beginning of the Quaternary the cooling had passed the threshold for the North Pole’s ice cap to begin expanding. We entered the current phase of pulsing ice ages.23 It seems the Earth has been committed to a concerted effort towards cooling down. What grand-scale planetary processes have been conspiring to drive this global chilling? Gases like carbon dioxide and methane, as well as water vapour, in the atmosphere act like the panes of glass in a greenhouse: they allow the short-wavelength visible sunlight to shine right through and heat the Earth, but block the longer-wavelength infrared light given off by the warm planet surface. The effect of these greenhouse gases is to trap heat energy from escaping back into space, and so insulate the planet, leading to higher temperatures. Any mechanism that reduces the amount of these greenhouse gases in the air will therefore drive a global cooling.

Can you run down whatever’s blocked Sally’s awareness of the event? I… what are the odds that that’s evidence of… that worm, or something that’s still messing with her functionality?” “Working on it.” Loese waved me out of the cubby and sealed the hatch. “Really, really working on it. Now go do your job.

Shelves were jam-packed with orange and brown packaged treats: chocolate-covered Cheerios, chocolate-covered cornflakes, chocolate-covered raisins and pretzels and espresso beans. Chocolate malt balls, chocolate almonds, and giant 2.2-pound "Big Daddy" chocolate blocks. There was caramel corn, peanut brittle, mudslide cookie mixes, and tins of chocolate shavings so you could try replicating Jacques's über-rich hot chocolate at home- anything the choco-obsessed could dream was crammed in the small space. An L-shaped counter had all manner of fresh, handcrafted temptations: a spread of individual bonbons with cheeky names like Wicked Fun (chocolate ganache with ancho and chipotle chilies), Love Bug (key lime ganache enveloped in white chocolate), and Ménage à Trois (a mystery blend of three ingredients). Platters of double chocolate chip cookies and fudge brownies. And there were his buttery croissants and pain au chocolat, which duked it out in popularity with the French bakery across the street, Almondine.

Once a plane is in the air, you can't even leave it! I've tried! They won't let you! You have to wait until 'they land'. This shadowy, depersonalised, frankly militaristic 'they' (why should I call the pilot 'captain' - I didn't join his army) is what makes commercial air travel so Orwellian. Say you want to take a nap, what do you ordinarily do? Take off your trousers, clear a space on the floor and maybe set an alarm on your phone. Sometimes I've lain down on the pavement for a week, and no one has bothered me. People on my street know me, and they'll either hop over or take a brief detour into the road. On a plane it's all, 'Sir, you're blocking the trolley.' Don't call me 'sir' and then tell me what to do!

Prestige Great Acres is a private improvement adventure by Prestige Group based on Sarjapur Road, one of Bangalore's quickest developing regions. Built on an enormous land reason of 108 sections of land, Prestige City ace arranged with raised lodging blocks containing flawlessly made loft units and upscale offices and conveniences. Glory development's blended improvement will have lofts, manors, plots, and retail space.

when you create a vacuum, something new will come along to fill it. This is law. You can only create something new with space.

Soen-sa said, “In the past, you have sown certain seeds that now result in your encountering Buddhism. Not only that—some people come here only once, while others stay and practice very earnestly. When you practice Zen earnestly, you are burning up the karma that binds you to ignorance. In Japanese the word for ‘earnest’ means ‘to heat up the heart.’ If you heat up your heart, this karma, which is like a block of ice, melts and becomes liquid. And if you keep on heating it, it becomes steam and evaporates into space. Those people who practice come to melt their hindrances and attachments. Why do they practice? Because it is their karma to practice, just as it is other people's karma not to practice. Man's discriminating thoughts build up a great thought-mass in his mind, and this is what he mistakenly regards as his real self. In fact, it is a mental construction based on ignorance. The purpose of Zen meditation is to dissolve this thought-mass. What is finally left is the real self. You enter into the world of the selfless. And if you don't stop there, if you don't think about this realm or cling to it, you will continue in your practice until you become one with the Absolute.” The first student said, “What do you mean by the Absolute?” Soen-sa said, “Where does that question come from?” The student was silent. Soen-sa said, “That is the Absolute.” “I don't understand.” “No matter how much I talk about it, you won't understand. The Absolute is precisely something you can't understand.

Il n'y a qu'une chose qui puisse arrêter le cheminement d'un peintre et c'est le succès. Van Gogh a vu cela bien avant moi. La peinture est un cheminement dans l'espace - et non dans le temps. Le peintre cherche en permanence la couleur et le style. S'il rencontre le succès, il bloque son style, il le fige. Pourquoi ? Simplement parce que l'acheteur - le marchand - demande uniquement le style qui se vend, le style qui a du succès. Voyez Pablo Picasso, Salvador Dali ou Bernard Buffet...etc, etc. L'artiste connu et reconnu est condamné, à vie, à se copier lui-même ; à copier un moment de son cheminement. Alphonse Daudet disait que le succès (la gloire), c'était la même chose que de fumer un cigare par l'autre bout. Le bout de la braise; donc. Et il avait raison. Mais comme personne n'a le choix - s'agissant du destin - on se situe ici par-delà le bien et le mal et tout jugement moral n'a ici aucune portée *** There is only one thing that can stop the pathway of an artist and this thing is called : success. Van Gogh wrote it long before me. Painting is a pathway through space - and not through time. The painter is constantly looking for new color and new style. If he meets success, he blocks his style, he freezes it. Why ? Simply because the buyer - the merchant - asks only for the style that can be sold, the style that is successful. See Pablo Picasso, Salvador Dali, Bernard Buffet ... etc, etc. The successful artist is therefore condemned, for life, to copy himself; to copy a moment of his pathway. Alphonse Daudet said that success (glory) was the same as smoking a cigar on the other side. The side of the embers. And he was right. But since no one has the choice - when it comes about fate - we are here beyond good and evil and any moral judgment has no value.

Next time you are running late for an event, rather than worrying about not arriving on time and constantly checking the clock for assurance, validate yourself internally and then do not check the clock. Instead, imagine a block of time or space opening up for you, allowing you to get to your destination with the right amount of time to spare. Be open to the magic that wants to set you free from all impossibilities, and you may just surprise yourself!

So DCI Hudson explained the legal niceties to me, and warned that he would be forced to arrest anyone who blocked the diggers. I said that I was sure he wouldn’t actually arrest anyone, and he agreed that this was true. So there we were, back to square one. Ron then asked DCI Hudson if he was proud of himself, and DCI Hudson replied that he was an overweight fifty-one-year-old divorcé, and so, by and large, no, he wasn’t. This made Donna smile. She likes him—not like that, but she likes him. I do too. I was going to say to him that he wasn’t overweight, but he actually is a bit, and as a nurse, it’s best to never sugarcoat things, even when your instinct is to be protective. Instead I told him he should never eat after six p.m.—that’s the key if you don’t want diabetes—and he thanked me. That’s when Ibrahim joined us and suggested that DCI Hudson might try Pilates, and Donna said that was something she would pay to see. Ian Ventham didn’t want to join in the fun, and told Donna and DCI Hudson that he paid their wages. Donna said in that case could she ask him about a pay rise, and that’s when Ventham started shouting the odds about this, that, and the other. People without a sense of humor will never forgive you for being funny. But that’s an aside. Anyway, Ibrahim, who is very good with this sort of thing—conflict and inadequate men and stalemates and so on—stepped in and offered to “thin the crowd out” to give everyone a bit of breathing space.

Inspired by Newton, I took a similar, if perhaps less extreme, approach to writing this book. I blocked off eight hours a day to write: from 5:00 A.M. to 1:00 P.M., five days a week. The basic rule was no e-mail, no calls, no appointments, and no interruptions until after 1:00 P.M. I didn’t always achieve it, but the discipline made a big difference. I set my e-mail bounceback to explain that I was in “monk mode” until after the book was complete. It is difficult to overstate how much freedom I found in this approach. By creating space to explore, think, and write, I not only got my book done faster but gained control over how I spent the rest of my time.

Our Baal's flame sends messages out into the infinity of space, but it also sends messages beyond our land and spreads some of the darkness that rests over it and blocks all vision.

Chapter 8: a deeper look within (from pages 175-176) Permanence might sound somehow grand and strange—we know in the back of our minds that somehow things aren't actually endless. Yet we forget our bodies are constantly changing, our minds are constantly changing, our mood is changing. Everything is in flow, in transition. The basic building blocks of mind and matter are constantly arising and ceasing, appearing and vanishing, being born and passing away. Reality is more like a sparkling river than a collection of dead objects sitting in space. Emotionally, when we forget about this constant flux, our moods for instance, when things don't go our way, we can feel like our world is ending. But by staying in touch with flux we can have perspective, we can remember, This too shall pass. By internalizing the realization of constant change, we can stay grounded with the ups and downs.

Trade and commerce and common sense and common decency prevailed, and men and women availed themselves of all opportunities. New roads were laid; office blocks shot up. And luxury flats stood on crumbling slums like shining false teeth on rotten gums. At the top of the building, whose ground floor is occupied by the restaurant, there is a secret garden. It was planted by the two women who share the garret, where the ceilings are slanted and dormer windows jut out. Outside the windows is a ledge, where the roof meets the exterior wall. The windows are large enough to climb through and it is possible to stand on the ledge. The woman called Tabitha discovered this. She is an intermittent smoker and the other woman, Precious, won’t allow her to smoke inside. Tabitha found that, along the ledge, there are steps and, if you climb the short flight, you come to a flat terrace, sheltered by the adjacent slanting roofs but exposed enough to trap the midday sun. Precious and Tabitha have filled the space with life. It began with a cheap chilli plant Precious picked up from the supermarket. The chillies did better than expected and Precious bought others, then the generic herbs of a kitchen garden: parsley, rosemary, chives. She bought a rose and ornamental grasses.

recognize and acknowledge how the other person is feeling, but then block it from jumping into my space.

Dr. Faustus himself could barely contain his disgust. “What kind of a monster did this to you?” “A cat-man from outer space.” “What?!?” “An alien who looks like a cat.” “What?!?

When we direct our eyes looking forward from the corner of the temple in its normal field of vision, the frontal brain is working with analysis (vitarka). But when we spread our ocular awareness from the back corner of the temple, near the ear, the back brain is brought into play and works with synthesis (vicara). The front brain can dismantle because of its powerful penetration. The back brain is holistic and reassembles. If you find this difficult to imagine, just think what happens when you first walk into a great medieval cathedral. Your eyes may appear to focus on what is before them, the altar for example, but your real awareness takes in the whole immense volume of the space surrounding you, its grandeur and the hum of its ancient silence. This is holistic meditative vision. While working in asana, if the action is “done” solely from the front brain, it blocks the reflective action of the back brain. The form of each asana needs to be reflected to the wisdom body (vijnanamaya kosa) for readjustment and realignment. Whenever asana is done mechanically from the front brain, the action is felt only on the peripheral body, and there is no inner sensation, there is no luminous inner light. If the asana is done with continual reference to the back of the brain, there is a reaction to each action, and there is sensitivity. Then life is not only dynamic, but it is also electrified with life force.

In taking 'anarchy' for our ideal of political organization we are only giving expression to another marked tendency of human progress. Whenever European societies have developed up to a certain point, they have shaken off the yoke of authority and substituted a system founded more or less on the principles of individual liberty. And history shows us that these periods of partial or general revolution, when the old governments were overthrown, were also periods of sudden progress in both the economic and the intellectual field. So it was after the enfranchisement of the communes, whose monuments, produced by the free labour of the guilds, have never been surpassed; so it was after the great peasant uprising which brought about the Reformation and imperilled the papacy; and so it was again with the society, free for a brief space, which was created on the other side of the Atlantic by the malcontents from the Old World. And, if we observe the present development of civilized nations, we see, most unmistakably, a movement ever more and more marked tending to limit the sphere of action of the government, and to allow more and more liberty to the individual. This evolution is going on before our eyes, though cumbered by the ruins and rubbish of old institutions and old superstitions. Like all evolutions, it only awaits a revolution to overthrow the old obstacles which block the way, that it may find free scope in a regenerated society.

Scientists and engineers tend to divide their work into two large categories, sometimes described as basic research and directed research. Some of the most crucial inventions and discoveries of the modern world have come about through basic research—that is, work that was not directed toward any particular use. Albert Einstein’s picture of the universe, Alexander Fleming’s discovery of penicillin, Niels Bohr’s blueprint of the atomic nucleus, the Watson-Crick “double helix” model of DNA—all these have had enormous practical implications, but they all came out of basic research. There are just as many basic tools of modern life—the electric light, the telephone, vitamin pills, the Internet—that resulted from a clearly focused effort to solve a particular problem. In a sense, this distinction between basic and directed research encompasses the difference between science and engineering. Scientists, on the whole, are driven by the thirst for knowledge; their motivation, as the Nobel laureate Richard Feynman put it, is “the joy of finding things out.” Engineers, in contrast, are solution-driven. Their joy is making things work. The monolithic idea was an engineering solution. It worked around the tyranny of numbers by reducing the numbers to one: a complete circuit would consist of just one part—a single (“monolithic”) block of semiconductor material containing all the components and all the interconnections of the most complex circuit designs. The tangible product of that idea, known to engineers as the monolithic integrated circuit and to the world at large as the semiconductor chip, has changed the world as fundamentally as did the telephone, the light bulb, and the horseless carriage. The integrated circuit is the heart of clocks, computers, cameras, and calculators, of pacemakers and Palm Pilots, of deep-space probes and deep-sea sensors, of toasters, typewriters, cell phones, and Internet servers. The National Academy of Sciences declared the integrated circuit the progenitor of the “Second Industrial Revolution.” The first Industrial Revolution enhanced man’s physical prowess and freed people from the drudgery of backbreaking manual labor; the revolution spawned by the chip enhances our intellectual prowess and frees people from the drudgery of mind-numbing computational labor. A British physicist, Sir Ieuan Madlock, Her Majesty’s Chief Science Advisor, called the integrated circuit “the most remarkable technology ever to hit mankind.” A California businessman, Jerry Sanders, founder of Advanced Micro Devices, Inc., offered a more pointed assessment: “Integrated circuits are the crude oil of the eighties.” All

My anger didn’t destroy me. It did not leave me alone and desolate. On the contrary, my anger undergirded my calling, my vocation. It gave me the courage to say hard things and to write like Black lives are on the line. It shouldn’t have surprised me. I serve a God who experienced and expressed anger. One of the most meaningful passages of Scripture for me is found in the New Testament, where Jesus leads a one-man protest inside the Temple walls. Jesus shouts at the corrupt Temple officials, overturns furniture, sets animals free, blocks the doorways with his body, and carries a weapon—a whip—through the place. Jesus throws folks out the building, and in so doing creates space for the most marginalized to come in: the poor, the wounded, the children. I imagine the next day’s newspapers called Jesus’s anger destructive. But I think those without power would’ve said that his anger led to freedom—the freedom of belonging, the freedom of healing, and the freedom of participating as full members in God’s house.

Through their training, they had all learned that winning depended on being able to forget everything but what you were doing at that moment. You could hold all your ships in your mind at once — but only if any ship that no longer matters could be blocked out completely. Thinking about dead men, about torn bodies having the air sucked out of their lungs by the cold vacuum of space, who could still play the game knowing that this was what it really meant?

You fling the book on the floor, you would hurl it out of the window, even out of the closed window, through the slats of the Venetian blinds; let them shred its incongruous quires, let sentences, words, morphemes, phonemes gush forth, beyond recomposition into discourse; through the panes, and if they are of unbreakable glass so much the better, hurl the book and reduce it to photons, undulatory vibrations, polarized spectra; through the wall, let the book crumble into molecules and atoms passing between atom and atom of the reinforced concrete, breaking up into electrons, neutrons, neutrinos, elementary particles more and more minute; through the telephone wires, let it be reduced to electronic impulses, into flow of information, shaken by redundancies and noises, and let it be degraded into a swirling entropy. You would like to throw it out of the house, out of the block, beyond the neighborhood, beyond the city limits, beyond the state confines, beyond the regional administration, beyond the national community, beyond the Common Market, beyond Western culture, beyond the continental shelf, beyond the atmosphere, the biosphere, the stratosphere, the field of gravity, the solar system, the galaxy, the cumulus of galaxies, to succeed in hurling it beyond the point the galaxies have reached in their expansion, where space-time has not yet arrived, where it would be received by nonbeing, or, rather, the not-being which has never been and will never be, to be lost in the most absolutely guaranteed undeniable negativity. Merely what it deserves, no more nor less.

You spend a restless night, your sleep is an intermittent, jammed flow, like the reading of the novel, with dreams that seem to you like the repetition of one dream always the same. You fight with dreams as with formless and meaningless life, seeking a pattern, a route that must surely be there, as when you begin to read a book and you don't yet know in which direction it will carry you. What you would like is the opening of an abstract and absolute space and time in which you could move, following an exact, taut trajectory; but when you seem to be succeeding, you realize you are motionless, blocked, forced to repeat everything from the beginning.

Where the baobab tree was the soul of the village, the palace was its heart, the inner machinations of what we were. Anarchic, mystical, complete. It was a hut the size of three houses and just as spacious inside. There were sleeping and cooking and bathing spaces, all separated by piles of strategically grouped books. It was the chaos of Nimm organized into one large space. You could walk through the open entranceway and see across the huge palace. My way was blocked by a great stack of vertically organized books.

New York’s attack, dubbed “The Gang That Couldn’t Shoot Straight” by Sports Illustrated’s Jack McCallum, was the NBA’s most predictable. “Windshield wipers offer more variety than the Knicks’ offense,” mused New York magazine writer Chris Smith. For many years, their possessions often went something like this: a guard would dribble down to the wing and dump an entry pass into Ewing on the block. The center, forced to deal with the spacing of a crowded Twister mat, would turn and face the basket, deciding instantly whether he had enough time to get off a shot before a second and third defender could swarm. If he didn’t have a good look, he would kick the ball out to reset the offense, or, in what was often a victory for the defense, set up a wide-open perimeter try for a shooting-deficient teammate. “If this were football, every time [his teammates] shoot, they’d be accused of intentional grounding,” New York Post columnist Peter Vecsey wrote. Every now and then, there was a pick-and-roll mixed in, or a cross screen to shake things up. When the universe allowed, a Ewing kick-out would lead to a made jumper by one of the guards. But even when players misfired, Ewing was often there to corral the miss, then gracefully put it back for a score. If his teammates were leaving messes, the 7-footer was the Bounty paper towel cleaning up after them.

The way we perceive our life's circumstances will determine how we respond to them. If we see our difficulties with lack, judgement, and fear, then we'll respond with lack, judgement, and fear, in effect blocking all guidance from the Universe. But when we choose to see the same issues with love, we create space for miracles.

Flower of life: A figure composed of evenly-spaced, overlapping circles creating a flower-like pattern. Images of the Platonic solids and other sacred geometrical figures can be discerned within its pattern. FIGURE 3.14 FLOWER OF LIFE The Platonic solids: Five three-dimensional solid shapes, each containing all congruent angles and sides. If circumscribed with a sphere, all vertices would touch the edge of that sphere. Linked by Plato to the four primary elements and heaven. FIGURE 3.15 PENTACHORON The applications of these shapes to music are important to sound healing theory. The ancients have always professed a belief in the “music of the spheres,” a vibrational ordering to the universe. Pythagorus is famous for interconnecting geometry and math to music. He determined that stopping a string halfway along its length created an octave; a ratio of three to two resulted in a fifth; and a ratio of four to three produced a fourth. These ratios were seen as forming harmonics that could restore a disharmonic body—or heal. Hans Jenny furthered this work through the study of cymatics, discussed later in this chapter, and the contemporary sound healer and author Jonathan Goldman considers the proportions of the body to relate to the golden mean, with ratios in relation to the major sixth (3:5) and the minor sixth (5:8).100 Geometry also seems to serve as an “interdimensional glue,” according to a relatively new theory called causal dynamical triangulation (CDT), which portrays the walls of time—and of the different dimensions—as triangulated. According to CDT, time-space is divided into tiny triangulated pieces, with the building block being a pentachoron. A pentachoron is made of five tetrahedral cells and a triangle combined with a tetrahedron. Each simple, triangulated piece is geometrically flat, but they are “glued together” to create curved time-spaces. This theory allows the transfer of energy from one dimension to another, but unlike many other time-space theories, this one makes certain that a cause precedes an event and also showcases the geometric nature of reality.101 The creation of geometry figures at macro- and microlevels can perhaps be explained by the notion called spin, first introduced in Chapter 1. Everything spins, the term spin describing the rotation of an object or particle around its own axis. Orbital spin references the spinning of an object around another object, such as the moon around the earth. Both types of spin are measured by angular momentum, a combination of mass, the distance from the center of travel, and speed. Spinning particles create forms where they “touch” in space.

For all the women who have done, or are doing the work to love yourself from the inside out. You’re allowed to take up space.

his classic 1927 book on precognitive dreaming, An Experiment with Time.6 Just a few years after Dunne began noticing dreams that seemed to predict future events, Einstein’s discoveries provided the beginnings of a possible explanation for this impossible-seeming phenomenon. According to the theory of relativity, time is a dimension like the three dimensions of space. Einstein’s teacher Hermann Minkowski realized that his student’s theories led to the conclusion that there is a singular continuum, space-time—or what is often called a block universe.7 In such a universe, future events already exist, as it were, and past events still exist. Although we can’t directly perceive it, objects including our own bodies are really cross sections of four-dimensional wormlike entities winding and twisting through the block universe from birth to death. (The particles our bodies are made from, like atoms, may last much longer.) The four-dimensional path of a particle or a body through the block is called its world line. Grasping that we are really four-dimensional beings opens various possibilities for how we—or at least our brains (what Dunne called our brain line8)—might send messages to ourselves back from our future. Effectively, through the particles making up our bodies and nervous systems, we are already connected to that future, like wires to and from our fate.

When we enter the deep space of empathetic pain and sit in it for longer than a minute, we are invited to enter a sacred realm akin to a Holy of Holies – a place where we can tangibly sense the presence of God. Here, our hearts connect with His, and His Spirit intertwines with ours. IN THIS SPACE OF ENTANGLEMENT our deepest cries mix with our purest form of love for another person, and we find ourselves able to live in the space between heaven and earth, where the paradox of sadness and peace can coexist.

To summarize, we do not have to try to "think positive" to experience love, joy, bliss, and any positive emotions we want because it is our natural state to feel those emotions. The only times we don't naturally feel these emotions is when we begin to think about the thoughts we're having, thus blocking the direct connection to Infinite Intelligence and we feel stressed, anxious, depressed, and fearful. It is not about the content of our thinking, but that we're thinking, which is the root cause of our suffering. The intensity of the negative emotions is directly correlated to the amount of thinking we have going on in the present. The less thinking we have, the more space we create for positive emotions to naturally surface.

No one, I want to say. No one wants to think about what we’re up against. And with love, with standing up and trying to love anyone, we are up against ourselves too. We are up against our heartbreak and our pasts and our ideas about how things should be. We are up against our most primal pain, like a living-breathing barricade, blocking the space between where we’ve gotten stuck and where we most want to go.

Plato's theory of the elements was drawn from the Pythagoreans. In Timaeus, Plato describes the four elements in terms of the five regular geometric solids that now bear his name, the Platonic Solids. The triangle is the fundamental building block of these solids, which are: the Tetrahedron— Fire, built of three triangles; the Octahedron—Air, made of eight triangles; the Icosahedron—Water, made of twenty triangles; the Cube— Earth, made of twelve triangles or twenty-four triangles; and the Dodecahedron— Space or the Quintessence, made of sixty triangles.

When Apollo 9 lunar module pilot Russell “Rusty” Schweickart saw Earth from space, he said, “From the moon, the Earth is so small and so fragile and such a precious little spot in that universe that you can block it out with your thumb. Then you realize that on that spot, that little blue and white thing, is everything that means anything to you—all of history and music and poetry and art and death and birth and love, tears, joy, games, all of it right there on that little spot that you can cover with your thumb. And you realize from that perspective that you’ve changed forever, that there is something new there, that the relationship is no longer what it was.

If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot—a doorway. And guess what the universe will do with that doorway? It will rush in—God will rush in—and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.” “But I wish me and David could—” He cuts me off. “See, now that’s your problem. You’re wishin’ too much, baby. You gotta stop wearing your wishbone where your backbone oughtta be.

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