Spaced Mike Quotes

We've searched our database for all the quotes and captions related to Spaced Mike. Here they are! All 100 of them:

Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
Neutrality in the face of extremism only gives the extremists more space to breathe.
Mike Chen (Star Wars: Brotherhood)
It’s a planet,” I said. “It’s not what we thought it was back home. It’s not this safe cocoon, man. We’re out here spinning in all this chaos. The Earth is a planet. The Earth is a spaceship, and we’re all space travelers.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
You use the word "Infinity" very glibly.... Have you ever been there? Time and space are extensions of the mind, the will. Which means that infinity is a purely local phenomenon. You can turn over a stone and find it crawling there. Or you can make it yourself out of whatever materials are at hand.
Mike Carey (Lucifer, Vol. 3: A Dalliance With the Damned)
Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care. Bob Porter: Don't... don't care? Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now. Bob Slydell: I beg your pardon? Peter Gibbons: Eight bosses. Bob Slydell: Eight? Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired.
Mike Judge
As when astronaut Mike Mulhane was asked by a NASA psychiatrist what epitaph he'd like to have on his gravestone, Mulhane answered, "A loving husband and devoted father," though in reality, he jokes in "Riding Rockets," "I would have sold my wife and children into slavery for a ride into space.
Mary Roach (Packing for Mars: The Curious Science of Life in the Void)
We were like the Mount Everest climbers stepping over frozen corpses from prior climbing disasters in our quest for the summit. Like those climbers, we were motivated by a fear far greater than death—the fear of not reaching the top.
Mike Mullane (Riding Rockets)
Time and space is where we chase things we pretend we don't have.
Mike Dooley
her voice suddenly gone as if it had snagged on the mist and was carried off into the failing light, leaving the phone dead in my hand, a warm sliver with the screen fading like some luminous shard from outer space which had traveled across stellar distances at great speed to arrive here in my hand where its glow was now losing its heat, gone
Mike McCormack (Solar Bones)
If fascism ever comes to America", Ronald Reagan told Mike Wallace in 1975, "it will come in the name of liberalism". Indeed, ideological fascism has come in place of academic freedom, waiving the banners of trigger warnings, microaggressions, and safe spaces on college campuses across the land. You must submit. You must agree. You must comply with the fasces--the acceptable bundle of ideas--or you will be silenced and expelled.
Everett Piper (Not a Day Care: The Devastating Consequences of Abandoning Truth)
Space and time wouldn't let you be mine
Mike Posner
I asked myself in the aftermath of the Siege of Terra whether the so-called victory was worth the cost. Now I wonder if we won at all.
Mike Brooks (The Lion: Son of the Forest (Warhammer 40,000))
Musk has talked about having more kids, and it’s on this subject that he delivers some controversial philosophizing vis-à-vis the creator of Beavis and Butt-head. “There’s this point that Mike Judge makes in Idiocracy, which is like smart people, you know, should at least sustain their numbers,” Musk said. “Like, if it’s a negative Darwinian vector, then obviously that’s not a good thing. It should be at least neutral. But if each successive generation of smart people has fewer kids, that’s probably bad, too. I mean, Europe, Japan, Russia, China are all headed for demographic implosion. And the fact of the matter is that basically the wealthier—basically wealth, education, and being secular are all indicative of low birth rate. They all correlate with low birth rate. I’m not saying like only smart people should have kids. I’m just saying that smart people should have kids as well. They should at least maintain—at least be a replacement rate. And the fact of the matter is that I notice that a lot of really smart women have zero or one kid. You’re like, ‘Wow, that’s probably not good.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
Popping M&M’s in the air and going after them and chomping them like Pac-Man. I actually gained weight in space, which no one ever does. The doctors were confounded, but I just loved eating up there.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
Let’s order too much of something just to see where our limits are. Let’s take a chance precisely because it might fail. Let’s take the hard way out. Let’s go to the moon. Fuck it; let’s go to the moon again. Let’s quit our jobs. Let’s work at being better at what we do by fucking up faster, not less. Let’s fuck up really fast. Let’s wrestle sharks, fight monsters, and disagree with the board. Let’s borrow so much money it becomes someone else’s problem. Let’s start a 10-hour drive by announcing “I’m not into you anymore.” Let’s dump everything out of the garage onto the sidewalk and build something really cool in that space. Let’s start out to build a better mousetrap, and halfway there let’s decide to jump on the mice’s team.
Mike Monteiro
Elon Musk (of Tesla, SpaceX, and SolarCity), Jeff Bezos (of Amazon), and Reed Hastings (of Netflix) are other great shapers from the business world. In philanthropy, Muhammad Yunus (of Grameen), Geoffrey Canada (of Harlem Children’s Zone), and Wendy Kopp (of Teach for America) come to mind; and in government, Winston Churchill, Dr. Martin Luther King, Jr., Lee Kuan Yew, and Deng Xiaoping. Bill Gates has been a shaper in both business and philanthropy, as was Andrew Carnegie. Mike Bloomberg has been a shaper in business, philanthropy, and government. Einstein, Freud, Darwin, and Newton were giant shapers in the sciences. Christ, Muhammad, and the Buddha were religious shapers. They all had original visions and successfully built them out.
Ray Dalio (Principles: Life and Work)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
The trouble is, writing the damn thing is like unscrewing your skull and pouring the contents of your brain into an empty tank. The tank has a shape, more or less - has more or less defined edges, a bottom and sides. But what it mostly has is volume: a hungry space I've somehow got to fill.
Mike Carey (The Unwritten: Tommy Taylor and the Ship That Sank Twice)
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
There is nothing particularly special about that location of the centre of mass. If you were to find yourself at the precise spot that is the centre of mass of the earth-moon system, the only thing unusual that you would notice is that there would be one thousand miles of rock on top of your head. Pluto is only about twice the size of Charon, so if you put Pluto and Charon on the cosmic seesaw you would find that the balance point is a little bit outside Pluto, rather than inside it. Again, there is nothing particularly special going on there. If you were to find yourself at that precise spot, you would only notice that you were very, very cold and could no longer breathe.
Mike Brown (How I Killed Pluto and Why It Had It Coming)
These were the facts. Facts were important. They separated fiction from reality, the tawdry world of Mike Longshott from the concrete spaces of Joe's world.
Lavie Tidhar (Osama)
This is God’s trajectory within time and space: eternal expansion.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Dot 1: Time and space (and therefore matter) are illusionary.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Dot 2: There is a realm where neither time nor space exists.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
It is both the greatest power and potentially the greatest weakness of the hero to love and care and strive beyond reason. The hero is the one who turns back and waits for their injured friend knowing the hordes of the enemy are close on their heals, the one who stands alone on the bridge barring the progress of an overwhelming foe in order to allow their companions time to escape, the one who refuses to take one innocent life as a means to saving thousands. The hero is the one who returns to an alien infested space ship, set to self-destruct in minutes, to save the cat.
Mike Alsford (Heroes and Villains)
Jobs described Mike Markkula's maxim that a good company must "impute"- it must convey its values and importance in everything it does, from packaging to marketing. Johnson loved it. It definitely applied to a company's stores. " The store will become the most powerful physical expression of the brand," he predicted. He said that when he was young he had gone to the wood-paneled, art-filled mansion-like store that Ralph Lauren had created at Seventy-second and Madison in Manhattan. " Whenever I buy a polo shirt, I think of that mansion, which was a physical expression of Ralph's ideals," Johnson said. " Mickey Drexler did that with the Gap. You couldn't think of a Gap product without thinking of the Great Gap store with the clean space and wood floors and white walls and folded merchandise.
Walter Isaacson (Steve Jobs)
You see, whenever something unexpected or unthought of falls onto our path, it’s always a stepping stone in a journey to a “place” that we have been thinking about, because in time and space, as you well know, there are no accidents
Mike Dooley (Infinite Possibilities (10th Anniversary): The Art of Living Your Dreams)
We want to be transparent and yet not to be touched. We do and don’t want our private space. What prompts the Glass Delusion? – a tension between embracing the world and fleeing from it, from wanting to be part of it and wanting to be separated from it.
Mike Hockney (The War of the Ghosts and Machines (The God Series Book 28))
Because when it comes time to choose a new class of astronauts, for the most part the astronauts do the choosing. No politician in Washington has any say in who gets to fly in space. Astronauts make up the majority of the votes on the selection committee, and
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Euler’s Formula encapsulates the whole of existence. It contains 0, the number of the monad (ontological zero); the number e that determines exponentiation; the number i that determines the imaginary domain (time); the number 1 that determines the domain of counting numbers (and with 0 creates the binary system of computing), and real numbers (space); -1, the number of the negative domain (antimatter); and the number π that determines the world of the circle and geometry. Euler’s Formula is the unquestionable God Equation.
Mike Hockney (The God Equation)
A tremendous rush ran through her body, as if every cell were electrified at once. She could taste his saliva and, as their tongues touched, she knew they loved each other as much as they ever had, a wonderful love, beyond space and time, impossible and unbearable.
Mike Hockney (Prohibition A)
The new definition of success is not about the most revenue, employees, and office space but the most profit, generated through the fewest employees and with the least expensive office space. Make the game of winning based upon efficiency, frugality, and innovation, not on size, flair, and looks.
Mike Michalowicz (Profit First: Transform Your Business from a Cash-Eating Monster to a Money-Making Machine)
The first sign of danger is Fitzgerald all fucking over him, though that might be an exaggeration. It's knees knudging, arms brushing, nothing huge, probably just a malfunctioning sense of personal space, the way Fitzgerald sits with plenty of others. No big deal, except Mike lets him. That's the fucking problem.
Taylor Fitzpatrick (Thrown Off the Ice)
She leaned forward, pressing her lips against his, sensations he burned for during all those hours on cruisers and shuttles, when the hum of a lightsaber and the chatter of clone commanders stole his attention. He leaned in to her, their hands releasing to roam elsewhere, leaving them in a timeless space where only they existed.
Mike Chen (Star Wars: Brotherhood)
That night Newman and I prepped for our space walk. One of the things you do is put anti-fog on your visor. It’s Joy soap, actually, the kind you buy at the supermarket; it just happens to work well as an anti-fog solution in space suits. Joy stopped making this particular kind, so NASA bought up a lifetime supply, basically every bottle available in the world. You
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
My favorite lecturer was Alan Bean, who flew on Apollo 12 and is one of the twelve guys who walked on the moon. After retiring from NASA, he became a painter. Alan's lecture was called "The Art of Space Exploration." He talked about the mistakes he'd made and how he learned to fix them. One lesson that took him a while to learn was that at a place like NASA you can only have an effect on certain things. You can't control who likes you. You can't control who gets assigned to flights or what NASA's budget is going to be next year. If you get caught up worrying about things you can't control, you'll drive yourself nuts. It's better to focus on the things right in front of you. Identify the places where you can have a positive impact. Concentrate there and let the rest take care of itself. The last thing Alan said to us was 'What most people want in life is to do something great. That doesn't happen often. Don't take it for granted. Don't be blasé about it. And don't blow it. A lot of times, believe it or not, people blow it.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
What are you thinking about?” Jay asked as he plopped down next to her. She blinked, wondering if she was wearing her frustration on her face. “Nothing,” she lied, pushing her salad around her plate. She wasn’t sure why she didn’t just tell him. “Doesn’t look like nothing,” Jules interrupted from across the table. Violet cast a quick glare at her friend for inconveniently pointing out the obvious. “What?” Jay asked, nudging Violet with his shoulder. “Tell me.” Violet hesitated, suddenly embarrassed over her new insecurity. Yet, inside her head, she bitterly referred to Mike as “Jay’s boyfriend.” Ironically, though, it was Mike who saved Violet from having to confess those very thoughts, when he slid into an open space on the other side of the table. “What’d I miss?” His lazy smile reached all the way into his tawny-colored eyes, and even the dimples on his cheek made a fleeting appearance. Violet could see the draw for Chelsea; he was sort of stunning to look at. So then what was Jay’s excuse? She jokingly hoped it wasn’t the adorable dimple too.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
This was the tedious process by which I found great writers, like Greg Daniels (creator of The Office) and Bill Oakley and Josh Weinstein, who three years later had my job running the show. In both cases, they had written pitch-perfect Seinfeld scripts. Greg’s was set entirely in a single parking space and was so good that Seinfeld actually produced it. Bill and Josh’s script had George Costanza accidentally swallowing a jagged piece of glass at a party; all the guests stay for hours, waiting to see if George “passes” the glass safely. It was cringe comedy at its very best.
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)
My childhood dream came true, but now I have a new one. I dream that some of these young people, while they're out there clicking around, maybe they'll find out about this book and find a way to get their hands on it - and when they do, they'll know that even if you're a skinny kid from Long Island who's scared of heights, if you dream of walking among the stars you can do it. They'll know that finding a purpose, being dedicated to the service of others and to a calling higher than yourself, that is what's truly important in life. They'll be able to close their eyes and imagine what it's like in space, and when they open them again, they'll look up at the sun and the moon and the Milky Way and see them with the sense of awe and wonder that they deserve. And those young boys and girls, whatever their space dream is, they'll go for it. Whatever hurdles are in their way, they'll get past them. When they fall down, they'll get back up. They'll keep going and going, working harder and harder and running faster and faster until one day, before they know it, they'll find themselves flying through the air. The hand of a giant science fiction monster will reach down and grab them by the chest and hurl them up and up and up, out to the furthest limits of the human imagination, where they'll take the next giant leap of the greatest adventure mankind has ever known.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
Megan Meade’s Guide to the McGowan Boys Entry One Observation #1: When they’re beautiful, they know they’re beautiful. Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.) Observation #2: They like skin. Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband. Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed. Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it. Observation #4: They gossip. Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked. Observation #5: The older ones are so cute with the younger ones. They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.** Observation #6: They’re cliquey. I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out. Observation #7: They have no sense of personal space. I need a lock on my door. STAT. Observation #8: Boys are icky. Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously. Observation #9: They have really freaky things going on down there. Yeah, I don’t think I’m ready to elaborate on that one yet. Observation #10: They know how to make enemies. Big time.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
An amusing, if somewhat apocryphal, example of this comes from comic books: in an attempt to give Superman fans what they wanted, a focus group of comics consumers (10- to 12-year-old boys) was asked what kinds of figures they admired. Their replies were interpreted literally, and for a while in the 1960s, Superman did whatever the focus groups decided, leading to a string of surreal stories of the Man of Steel working as a police chief, dressing up as an Indian, or meeting George Washington (and to Jimmy Olsen, a meek supporting character, turning into a giant space turtle). It led to a kind of creative bankruptcy and an impossibly convoluted storyline that had to be eventually scrapped entirely, the comic starting over as if none of those stories had happened.
Mike Kuniavsky (Observing the User Experience: A Practitioner's Guide to User Research)
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
Robyn Carr (Whispering Rock (Virgin River, #3))
Johnny Rotten slouches at the front of the stage, propped up on the mike stand. He's leaning so far forward he looks as if he might topple into the empty space in front of the audience. · His face is pale and his body is twisted into such an awkward ugly shape he looks deformed. He looks ordinary, about the same age as us, the kind of boy I was at comprehensive school with. He's not a flashy star like Marc Bolan or David Bowie, all dressed up in exotic costumes, he's not a virtuoso musician like Eric Clapton or Peter Green, he's not even a macho rock-and-roll pub-band singer – he's just a bloke from Finsbury Park, London, England, who’s pissed off. Johnny sneers at us in his ordinary North London accent, his voice isn't trained and tuneful, it's a whiny cynical drawl, every song delivered unemotionally. There's no fake American twang either. All the things I'm so embarrassed about, John's made into virtues. He's unapologetic about who he is and where he comes from. Proud of it even. He's not taking the world's lack of interest as confirmation that he’s wrong or worthless. I look up at him twisting and yowling and realise it's everyone else who's wrong, not him. How did he make that mental leap from musically untrained, state-school-educated, council estate boy, to standing on stage in front of a band? I think he's brave. A revolutionary. He's sending a very powerful message, the most powerful message anyone can ever transmit. Be yourself.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
In my introduction to Warriors, the first of our crossgenre anthologies, I talked about growing up in Bayonne, New Jersey, in the 1950s, a city without a single bookstore. I bought all my reading material at newsstands and the corner “candy shops,” from wire spinner racks. The paperbacks on those spinner racks were not segregated by genre. Everything was jammed in together, a copy of this, two copies of that. You might find The Brothers Karamazov sandwiched between a nurse novel and the latest Mike Hammer yarn from Mickey Spillane. Dorothy Parker and Dorothy Sayers shared rack space with Ralph Ellison and J. D. Salinger. Max Brand rubbed up against Barbara Cartland. A. E. van Vogt, P. G. Wodehouse, and H. P. Lovecraft were crammed in with F. Scott Fitzgerald. Mysteries, Westerns, gothics, ghost stories, classics of English literature, the latest contemporary “literary” novels, and, of course, SF and fantasy and horror—you could find it all on that spinner rack, and ten thousand others like it. I liked it that way. I still do. But in the decades since (too many decades, I fear), publishing has changed, chain bookstores have multiplied, the genre barriers have hardened. I think that’s a pity. Books should broaden us, take us to places we have never been and show us things we’ve never seen, expand our horizons and our way of looking at the world. Limiting your reading to a single genre defeats that. It limits us, makes us smaller. It seemed to me, then as now, that there were good stories and bad stories, and that was the only distinction that truly mattered.
George R.R. Martin (Rogues)
What the hell are you doing here?” Brad glared meanly. “Nice to see you, too, Jack,” he said. “You don’t belong here,” Jack said too loudly. “You left her. You’re done with her.” “Hey,” he said, bristling. “I never stopped caring about Brie. Never will. I’m going to see her.” “I don’t think so,” Jack said. “She’s in no shape to have to deal with you right now.” “You’re not in charge of the guest list, Jack. That’s up to Brie.” “Come on,” Mike said sternly. “Let’s not do this here.” “Ask him if he wants to take it outside,” Jack snapped back. “Yeah, I’ll—” “Whoa,” Mike said yet again, widening the space between the two men. “This isn’t happening here!” Brad moved closer, pushing up against Mike, but lowered his voice cautiously. “I know you’re angry, Jack. In general and at me. I don’t blame you. But if you get tough with me, it’s going to be worse for Brie. And this officer is just going to hook you up.” Jack ground his teeth, pushing up against the other side of Mike. Mike was having some trouble holding them apart. “I really want to hit someone,” Jack said through clenched teeth. “Right now, you’d do as well as anyone. You walked out on your marriage. You left her while she was building a case against that son of a bitch. Do you have any idea what you did to her?” Oh, boy, Mike thought. It was going to happen between these two any second, right in the hospital hallway. Mike was a good six feet and pretty strong, but Brad and Jack were both taller, broader, angrier and not a shoulder injury between them. Mike was going to get hammered when they lost it and started pummeling each other. “Yeah,” Brad said. “Yeah, I do! And I want her to know that I still care about what happens to her. We’re divorced, but we have history. A lot of it good history. If I can do anything now…” “Hey!” Mike said to the cop. “Hey! Come on!” The police officer finally got in it, putting himself between Brad and Jack along with Mike. “All right, gentlemen,” the cop said. “I have my orders. No scuffling outside Ms. Sheridan’s door. If you want to talk this over calmly, I’d like you to move down the hall.” Oh, that was not a good suggestion, Mike thought. If they moved down the hall, they wouldn’t be talking. Mike cautiously backed Jack up a few steps. “Take a breath,” he said quietly. “You don’t want to do this.” Jack glowered at Mike. “You sure about that?” “Back
Robyn Carr (Whispering Rock (Virgin River, #3))
Learn About The High Rise Apartment Benefits Deciding places to reside typically be a concern and it is truly advisable to search into high rise apartment benefits prior to making a decision. Although surviving in a normal condominium in the city most likely be lurking in small space, it ought sure the benefits of some people. Keep in mind that bigger houses can be found in contain higher overhead expenses. Short-time period stay should involve minimal bills to purchase furniture and decorations for your home. If you happen to lived in a bigger home in the outskirts of city, you will have to buy a lot of thing to refill your place. After you have to move, dropping all of your possessions often are tedious and tiresome. Staying in 1 rental will require you in order to get fundamental furnishings only. Another benefit of staying in a city constructing is the convenience of commuting to work. Sometimes, your office could be downtown where additionally, you will discover many tall residential condominiums. You can walk to operate or take a short bus ride within your office. Going to see the suburbs would require that enable you to personal method to commute specifically for your office every day. The city lifestyle additionally has given to you more luxury and comfort. Good eating locations and pubs must be close by. You'll search for a good shops and goods within the city. It will be convenient to are now living in a high-rise apartment intrinsic of town that provides you easy access to good shops to operate your errands. In the suburbs, you'll likely have to have a automobile as a way to easy chores. If you could have to go to operate with at hours away, you would spend a lot for gasoline. Your car may also wear down quickly the santorini condo price since you'll be driving it usually permanently distances. Making a home in a high-rise residence can remove these extra burdens such as gas costs and time travel. You can spend extra quality time with your partner or youngsters by dwelling near your place of work. Suburban households are inclined to hire babysitters to observe their youngsters though they work miles away. Vacationing as a condominium ear your office will let you being more involved with of affairs since you is certainly not spending couple of days commuting each day. It is right to are now living in urban cities if you're single or live as a general couple. You'll be able to take advantage of high rise apartment benefits if you find yourself in a functional location close to your workplace. Staying in a very very condominium can supply you with higher security.
Mike Kelly
Seek not to fix or change others, especially when they’ve hurt you. Neither should you find excuses for their behavior or “learn to love them”—however good a sound bite the latter makes. What will serve you most is to create as much space as possible within which to heal, be distracted, and fill your life with new friends, ideas, and adventures.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Insiders are at the heart of God's pursuit of the nations. They are essential to what he wants to do. Yet, in many churches and missions efforts they face resistance and disapproval rather than support. They are made to feel they are somehow disloyal because of the time and space they give their unbelieving friends. What they need instead is affirmation, equipping, and resourcing-and lots of it.
Mike Shamy (The Insider: Bringing the Kingdom of God into Your Everyday World (Living the Questions))
The next morning, after Debbie and the kids had left the house, Mike turned on the light and descended the stairs to check on the cat’s progress. On the left side of the enormous space in front of the stack of boxes, he saw a bloody pile of orange fur. The feline’s underbelly had been torn out, and both eyes were hollow sockets.
Billy Wells (In Your Face Horror- Volume 1)
The next morning, after Debbie and the kids had left the house, Mike turned on the light and descended the stairs to check on the cat’s progress. On the left side of the enormous space in front of the stack of boxes, he saw a bloody pile of orange fur. The feline’s underbelly had been torn out, and both eyes were hollow sockets. Mike stood aghast in disbelief, dumbfounded by the grisly sight before him. What on earth had attacked George’s cat with such ferocity? It must have been a monster rat or some other larger animal. The mangled, half eaten remains, and particularly the black, empty eye sockets, filled his senses with fear and horror so severe, he bounded up the stairs two at a time. Reaching the landing, he quickly slammed the door and struggled to catch his breath. Moments later, he ran to the bathroom and vomited up everything he’d eaten for breakfast.
Billy Wells (Something in the Dark and Other Nightmares)
wouldn't a loving gather, I reasoned, have more compassion than to seek revenge on His comparatively feeble children who are temporarily blinded by the illusions of time and space?
Mike Dooley
The first video game based on a movie or television series is probably Mike Mayfield’s 1971 text-only game Star Trek, a strategy game about commanding the USS Enterprise against the Klingons. But Mayfield created the game as a hobbyist on a Sigma 7 minicomputer, a device that required as much space as several refrigerators. It hardly seemed to be at risk of becoming a commercial product.
Nick Montfort (Racing the Beam: The Atari Video Computer System (Platform Studies))
That was life, in small - her own life, or anyone's. You spent it grubbing desperately for the physical things that would prolong it. For food mainly, and then if you were lucky enough to be fed, for shelter. And all the time in between you spent dreaming of places you couldn't go and things you could never have. You used it up trying to fit yourself into the spaces that would work, instead of unfolding yourself into the space that was yours and then seeing where that took you.
Mike Carey (The House of War and Witness)
Finding something spherical in space indicates that you have found a place where gravity has taken over.
Mike Brown
When Mike got home he felt comforted that he was back on home ground – alone, where he didn’t have to worry about being violated by the woman he loved and feeling like a fool.  There was some comfort to be had in living alone surrounded by your own space and Mike wondered if some people were never meant to be in relationships.  He knew he was one of them.
Mel Straw (The Reality of One Man)
It’s odd to say, but everything that humanity says about reality is conditioned by its different psychological types. Sensing types cannot conceive of things not existing solidly in space and time, i.e. they are obsessed with dimensionality and tangibility. For a sensing type, everything must be capable of being sensed, or it can play no part in their schema of reality. The whole of scientific materialism/empiricism is predicated on the belief that we live in an exclusively sensory world. Scientists don’t have any evidence or proof for this. They don’t have any logical or rational arguments to defend it. It’s sheer, blind prejudice, literally based on the way their brains are wired. They are victims of their own physicality.
Mike Hockney (The Forbidden History of Science (The God Series Book 26))
A tremendous rush ran through her body, as if every cell were electrified at once. She could taste his saliva and, as their tongues touched, she knew they loved each other as much as they ever had, a wonderful love, beyond space and time, impossible and unbearable.
Mike Hockney (Prohibition A)
There is much more said in silence and in space than can ever be spoken.
Michael Stagnitta
In space we find our self, and lose our self, because we come to find that we are what defines the space in form and in thought.
Michael Stagnitta
To use space and not allow it to use you, you must first accept your authoring of it, just as you are the author of your influence on the world around you. So then we must understand first that we are the architect’s of our life, and the author’s of our story. The same is true for space. To enjoy it we must accept it for what it is. We must define the purpose of space, yet seek less purpose in it in order to extract greater purpose from it.
Michael Stagnitta
That energy of each person is carried into the next space, and the next, the collective result of perceptions, thoughts and emotions create the experience of the world we live in. So if you want to change the world for the better, change yourself first, or better yet, lose yourself. You must lose the desire to control everything and instead find the love in everything. Oftentimes we need a push to get here. This “push” can be in the form of a healthy environment. One that stimulates innovation, encourages growth and embraces connectedness.
Michael Stagnitta
The stars were mirrored in the sea like thousands of diamonds, as though I floated through deep space.
Mike Bond (Saving Paradise (Pono Hawkins Thriller Book 1))
Meanwhile the biggest industry in Los Angeles County was bleeding tens of thousands of entry-level semiskilled jobs. Blue-collar workers everywhere felt the tremors of the so-called Eisenhower Recession of 1958, but in Southern California the primary reason for layoffs was the advent of the Space Age. (Set the Night on Fire)
Mike Davis, John Wiener
There’s nothing mysterious about souls. They are simply mathematical singularities outside space and time. They are autonomous Fourier frequency domains. They are Leibnizian monads and Cartesian minds. They are the quintessence of ontological mathematics and the basis of everything. We can even write a precise equation for souls = singularities = minds = monads, namely, the God Equation, which is just the generalised Euler Formula, the centrepiece of mathematical analysis and fundamental to physics.
Mike Hockney (Black Holes Are Souls (The God Series Book 23))
There’s nothing mysterious about souls. They are simply mathematical singularities outside space and time. They are autonomous Fourier frequency domains. They are Leibnizian monads and Cartesian minds. They are the quintessence of ontological mathematics and the basis of everything. We can even write a precise equation for souls = singularities = minds = monads, namely, the God Equation, which is just the generalised Euler Formula, the centrepiece of mathematical analysis and fundamental to physics.
Mike Hockney (Black Holes Are Souls (The God Series Book 23))
Do we need protest? After decades of asking politely and getting nowhere, we have a full-scale emergency on our hands. We have to have change. And it must be now. If the right kind of protest is what it takes, then that’s what we must have. I do not write this as someone who feels instinctive joy at the thought of taking to the streets, but these are serious times. There is compelling evidence that the right kind of protest clearly works. When, in 2019, the UK tightened its carbon targets to ‘net zero by 2050’, it wasn’t far enough, but it was a big step in the right direction. And it looks pretty clear that the political space to make that possible was opened up in no small part by protesters; by Greta Thunberg, by armies of school kids, and by Extinction Rebellion (XR). My work with tech giants, investment bankers, energy companies, an airline and many other corporations tells me that these straight-talking, non-violent direct actions made possible conversations in boardrooms that seemed unthinkable just 18 months before.
Mike Berners-Lee (There Is No Planet B: A Handbook for the Make or Break Years – Updated Edition)
We live in a wave universe, cycling forward for all eternity, and ruled by wave mathematics: Fourier mathematics. Fourier mathematics is the basis of music theory, light theory, wave theory, quantum mechanics, and holography. It uniquely explains mind, and solves the problem of Cartesian mind-matter interaction. Einstein’s relativity theory is a spacetime misinterpretation of Fourier mathematics, deriving from Einstein’s inability to conceive of a Singularity outside space and time as the mysterious “ether” that provides the absolute framework for spacetime reality. If humanity turned its entire attention to holography, and Fourier mathematics, we would be Gods living in paradise in just one generation. What are we waiting for?
Mike Hockney (The Holographic Soul (The God Series Book 30))
Light is massless, unextended, dimensionless, indestructible and outside space and time (i.e. eternal). If light = life = mind, then they have exactly the same properties: they are immortal and indestructible. They have always existed.
Mike Hockney (Science's War On Reason (The God Series Book 31))
The soul is pure light. It’s massless, unextended, dimensionless, and outside space and time. A soul comprises an autonomous, complete and consistent set of photons. You have your own unique set of photons that provide your free will, qualia, experiences, thoughts and feelings, and make you exactly who you are (and not someone else). There is no escaping from your eternal photons. You are the light forever... literally. Photons (sine and cosines orthogonal pairs) are the basic units of mathematics, mind and life. They are the arche, the eternal basis of existence. Only when humanity comprehends this can humanity embark on its divine trajectory to the Light. Math will set us free. Math will make us Gods, and deliver us all to paradise.
Mike Hockney (Ontological Mathematics: How to Create the Universe (The God Series Book 32))
nothing can be perfect; nobody has perfect luck and skills, nor could they have studied and worked every day of their lives. In the business world, this truly leaves a field open for competition in almost any market space, and leaves you with years of time to study, practice and build. This can make up for any luck or genetic advantage that you may think you are missing. As long as you choose to build your self-confidence proactively, you can compete in business and in life irrespective of the past.
Mike Mann (Make Millions and Make Change!)
These boozy and licentious variety halls thrived on the patronage of civil War soldiers on furlough, prompting moralists to persuade the city to require in 1862 that all theatrical and musical performing spaces be licensed and that the sale of liquor and employment of “waitresses” be banned wherever a curtain separated performers from customers. Entrepreneurs of leisure promptly dove through this loophole by inaugurating nightspots that featured a raised platform in the rear, a piano, and an open dance floor surrounded by tables and chairs.
Mike Wallace (Gotham: A History of New York City to 1898)
We chat for another five minutes about nothing in particular, and then I leave the cell. The deputy has moved to the other end of the hall. I should have let James use my phone; I'm thinking. But she quickly walks the length of the hallway and speaks into her shoulder mike. We then retrace our steps back to the entrance of the ward. The door buzzes and I am out. It is a cool April evening, and a light breeze is moving clouds overhead. A few patters of raindrops can be felt in the spaces between the overhanging trees along the sidewalk. I hunch my shoulders and pick
John Ellsworth (Michael Gresham (Michael Gresham #1))
Reformers believed moral and political relationships were learned in play. Given street-afforded license, kids would grow up bad. “If we let the gutter set its stamp upon their early days,” Jacob Riis warned in 1904, “we shall have the gutter reproduced in our politics.” The antidote to the street was the supervised playground. Settlement houses had opened rudimentary play spaces in the 1890s. In 1898 the Outdoor Recreation League (ORL), founded by Lillian Wald and Charles B. Stover and housed in the College Settlement, opened the city’s first outdoor playground in Hudsonbank Park (at West 53rd Street), whose sand gardens, running track, and equipment were supervised by Hartley House’s headworker. Playground proponents insisted the city take over and expand these programs. An 1898 University Settlement report argued: “Waterloo was won in part on the playing fields of Eton said Wellington; good government for New York may partially be won on the playgrounds of the East Side.” In 1902 the city assumed responsibility for the nine ORL playgrounds created to date. And in 1903 Seward Park became the first municipal park in the country to be equipped as a playground.
Mike Wallace (Greater Gotham: A History of New York City from 1898 to 1919 (The History of NYC Series Book 2))
But as we all began to move, we heard that throaty rumble come surging up the mountain. Suddenly, the blizzard detonated all around us. It crescendoed into a deafening roar. A thick wall of clouds boiled across the South Col, wrapping us in white, blotting out every discernible feature until the only visible objects were our headlamps, which seemed to float in the maelstrom. Neal Beidleman later said it was like being lost in a bottle of milk. It quickly became incredibly cold. I grabbed Mike’s sleeve. He was my eyes. I dared not lose contact with him. We instinctively herded together; nobody wanted to get separated from the others as we groped along, trying to get the feel of the South Col’s slope, hoping for some sign of camp. We turned one way, and that wasn’t it. We turned again, and that wasn’t it. In the space of a few minutes, we lost all sense of direction; we had no idea where we were facing in the swirling wind and noise and cold and blowing ice. We continued to move as a group, until suddenly the hair stood up on the back of Neal’s neck. Experience and intuition told Beidleman that mortal danger lurked nearby. “Something is wrong here,” he shouted above the din. “We’re stopping.” It was a good decision. We were not twenty-five feet from the seven-thousand-foot vertical plunge off the Kangshung Face. From where we stopped the ice sloped away at a steep angle. A few more paces and the whole group would have just skidded off the mountain. When we stopped something else stopped, too—that internal furnace that keeps you alive. The only way to stay warm in those conditions is through constant activity. To stand still is to freeze to death, which already was happening to me.
Beck Weathers (Left for Dead: My Journey Home from Everest)
A few years ago, Kobe [Bryant, duh] fractured the fourth metacarpal bone in his right hand. He missed the first fifteen games of the season; he used the opportunity to learn to shoot jump shots with his left, which he has been known to do in games. While it was healing, the ring finger, the one adjacent to the break, spend a lot of time taped to his pinkie. In the end, Kobe discovered, his four fingers were no longer evenly spaced; now they were separated, two and two. As a result, his touch on the ball was different, his shooting percentage went down. Studying the film he noticed that his shots were rotating slightly to the right. To correct the flaw, Kobe went to the gym over the summer and made one hundred thousand shots. that's one hundred thousand made, not taken. He doesn't practice taking shots, he explains. He practices making them. If you're clear on the difference between the two ideas, you can start drawing a bead on Kobe Bryant who may well be one of the most misunderstood figures in sports today. Scito Hoc Super Omnia by Mike Sager for Esquire Magazine Nov 2007
William Nack (The Best American Sports Writing 2008)
Legs only seemed to get in the way in space, thought Jasmine. On Earth, legs were vital for motion. In space, they were largely redundant, dragging behind the body. Hands were far more useful, she decided, and she could see how they allowed Mike to move with a fine degree of precision. Watching him, her concern faded. Mike seemed entirely normal.
Peter Cawdron (My Sweet Satan)
Of course the logistics are incomprehensible to the tiny human brain. To perform such choreography means that all planetary events and circumstances must be orchestrated behind the curtains of time and space, in the unseen, considering all of the thoughts, objectives, and desires held by more than 7 billion people, which will then be funneled onto a presumed single time line where each person gets the closest equivalent to what they’ve been feeling, made “real,” and the numbers are crunched anew as each second of every day is revealed.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
There’s an abrupt disconnect, of course, that comes from leaving behind all things time and space and learning to maneuver in the unseen. The nature of this transition depends entirely on the beliefs of the dearly departed at the time of transition, because their beliefs and thoughts carry over to their new environs. Even there, thoughts become things, only they become things bigger and faster, arranged to match the expectations of new arrivals, often in the twinkling of an eye.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
She and Mike had been dating since December, having met in Huntsville, Alabama at Space Camp the previous year where he was working as an instructor. They
Peter Cawdron (My Sweet Satan)
Hire the right people. “We will continue to focus on hiring and retaining versatile and talented employees,” he wrote in an early shareholder letter. Compensation, especially early on, was heavily weighted to stock options rather than cash. “We know our success will be largely affected by our ability to attract and retain a motivated employee base, each of whom must think like, and therefore must actually be, an owner.” There are three criteria he instructs managers to consider when they are hiring: Will you admire this person? Will this person raise the average level of effectiveness of the group he or she is entering? Along what dimension might this person be a superstar? It’s never been easy to work at Amazon. When Bezos interviews people, he warns them, “You can work long, hard, or smart, but at Amazon.com you can’t choose two out of three.” Bezos makes no apologies. “We are working to build something important, something that matters to our customers, something that we can all tell our grandchildren about,” he says. “Such things aren’t meant to be easy. We are incredibly fortunate to have this group of dedicated employees whose sacrifices and passion build Amazon.com.” These lessons remind me of the way Steve Jobs operated. Sometimes such a style can be crushing, and to some people it may feel tough or even cruel. But it also can lead to the creation of grand, new innovations and companies that change the way we live. Bezos has done all of this. But he still has many chapters to write in his story. He has always been public spirited, but I suspect in the coming years he will do more with philanthropy. Just as Bill Gates’s parents led him into such endeavors, Jackie and Mike Bezos have been models for Bezos as he focuses on missions such as providing great early-childhood education to all kids. I am also confident that he has at least one more major leap to make. I suspect that he will be—and is, indeed, eager to be—one of the first private citizens to blast himself into space. As he told his high school graduating class back in 1982, “Space, the final frontier, meet me there!
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
Books In addition to podcasts, several books have significantly shaped my worldview and perspective as an investor. These are the ones I found most influential and deserving of attention in the real estate and entrepreneurship spaces. Real Estate, Investing, Sales, and Negotiation: • Rich Dad Poor Dad: What the Rich Teach Their Kids About Money That the Poor and Middle Class Do Not!, by Robert T. Kiyosaki • Mastering the Market Cycle: Getting the Odds on Your Side, by Howard Marks • The Due Diligence Handbook For Commercial Real Estate: A Proven System To Save Time, Money, Headaches And Create Value When Buying Commercial Real Estate, by Brian Hennessey • Principles: Life and Work, by Ray Dalio • Pitch Anything: An Innovative Method for Presenting, Persuading, and Winning the Deal, by Oren Klaff • Never Split the Difference: Negotiating as if Your Life Depended on It, by Chris Voss Non-Real Estate: • Double Double: How to Double Your Revenue and Profit in 3 Years or Less, by Cameron Herold • Clockwork: Design Your Business to Run Itself, by Mike Michalowicz • How an Economy Grows and Why It Crashes, by Peter Schiff • Economics in One Lesson: The Smartest and Surest Way to Understand Basic Economics, by Henry Hazlitt • What Has Government Done to Our Money, by Murray M. Rothbard • Own the Day, Own Your Life: Optimized Practices for Waking, Working, Learning, Eating, Training, Playing, Sleeping, and Sex, by Aubrey Marcus • The Charisma Myth: How Anyone Can Master the Art and Science of Personal Magnetism, by Olivia Fox Cabane • Deep Work: Rules for Focused Success in A Distracted World, by Cal Newport
Hunter Thompson (Raising Capital for Real Estate: How to Attract Investors, Establish Credibility, and Fund Deals)
When astronaut Mike Massimino was a graduate student at MIT, he took a small robotics class. Of the ten people in the class, four became astronauts. If your goal was to make it into space, then that room was about the best culture you could ask for. Similarly, one study found that the higher your best friend’s IQ at age eleven or twelve, the higher your IQ would be at age fifteen, even after controlling for natural levels of intelligence. We soak up the qualities and practices of those around us.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
Team Musk would grow to include Mike Griffin, and meet with the Russians three times over a period of four months.* The group set up a few meetings with companies like NPO Lavochkin, which had made probes intended for Mars and Venus for the Russian Federal Space Agency, and Kosmotras, a commercial rocket launcher. The appointments all seemed to go the same way, following Russian decorum. The Russians, who often skip breakfast, would ask to meet around 11 A.M. at their offices for an early lunch. Then there would be small talk for an hour or more as the meeting attendees picked over a spread of sandwiches, sausages, and, of course, vodka. At some point during this process, Griffin usually started to lose his patience. “He suffers fools very poorly,” Cantrell said.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
I’ve been accused of having a problem with authority, but that really isn’t quite true. I have a problem accepting orders from people I don’t respect, people who seem to be making decisions based purely on promoting their own agendas. That is not what teaching is all about.
Mike Kersjes (A Smile as Big as the Moon: A Special Education Teacher, His Class, and Their Inspiring Journey Through U.S. Space Camp)
It’s no great secret that teaching is demanding and often rewarding work, but teaching special education is uniquely challenging. If you care about what you’re doing, the kids have a way of getting inside you, becoming a part of your life in ways you never imagined. You end up being much more than their teacher—you become a psychologist, social worker, doctor, foster parent, and friend. With twenty to twenty-five kids in your caseload, representing a broad spectrum of learning disabilities and social and emotional deficiencies, you learn very quickly that it’s not possible to save them all. You try, of course, but some things are out of your control, and, to be honest, some kids want no part of you or your rescue attempts. Some kids turn out well, some go bad, and that’s just the way it is. You accept it, but you don’t stop caring. When you stop caring, well . . . then it’s time to move on.
Mike Kersjes (A Smile as Big as the Moon: A Special Education Teacher, His Class, and Their Inspiring Journey Through U.S. Space Camp)
We were watching videos at night on her Samsung tablet or my company iPad. She showed me the Silvano Agosti 1983 Italian interview with a little Italian boy called “D'Amore si vive, We Live of Love.” The boy was so cute, and his thoughts seemed similar to mine and Martina's. I was so deeply in love with her. The boy on the interview was just like what our own child would be, and we agreed and laughed. “We Live of Love.” What a coincidence! Living. By: Love. I knew the interview from before and she was surprised at how I knew about it. I showed her on my Instagram a picture of the boy I had recently taken a screenshot of and posted. With the subtitle at the right moment under his face: “Descubrir a la vida.” To discover life. Together. With his one and only girlfriend, as the boy explains. I told her multiple times that I was still unsure if she was real, or if it was all a dream; if I had only dreamed of her one night in the dark; if Pinto and I had invented her in my mind. She was a big fan of space, but I thought she liked the mystery behind the endless space with all its questions and secrets for us humans. I thought she liked the sky and space because she recently flew from Argentina to land in my arms. Martina and I were obsessed with Chris Rock and Eddie Murphy; we both knew all their stand-up comedies by heart. We kept replaying the best moments or faces that Chris or Eddie made. We had so much fun watching the same videos over and over that I couldn't believe it. Nobody else ever found the same moments or the same stand-ups as funny as Martina and I did. Nobody before or after found it so amusing. If I showed it to someone, they didn't understand why I was so excited about it or why racist jokes were so funny for an hour from one black comedian to the next. We were obsessed the way Eddie spoke about the „Zebra-Bitch of his dreams, his dream-wife who doesn’t know the concept of money”, saying “she should have an afro, like Angela Davis goes 'God damn it.'“ We were laughing so much. Sometimes I tickled her flat belly or her ribs and she was laughing so sweetly and so much that she couldn't stop. She was begging me to stop tickling her when I barely touched her. She said “No, no, no, no” so many times so quickly and cutely that I had to stop and kiss her; I couldn't resist her lips or her person, I had to kiss and hug her. We laughed so much at particular parts of Chris Rock's stand-up comedies that we could barely stop, almost as if we were tickling each other. We were laughing when Chris Rock was mocking Bone-Thugs-n-Harmony for singing ‘Welfare chariots’ such as „The First of the Month” or when he explained that the government hates rappers, but „only the good rappers get gunned down. They could find Saddam Hussein in a cave in Iraq but couldn't arrest anyone related to Tupac Shakur’s assassination, which didn't happen in a cave in Iraq but in Las Vegas, on the Strip, not one of those side streets, but in front of Circus Circus, after a Mike Tyson fight. Now how many witnesses do you need, to arrest somebody?” We were fascinated with Eddie Murphy, Charlie Murphy, and Chris Rock, but when I showed her Richard Prior, Doug Stanhope, Aries Spears, or George Carlin, she was no longer so impressed for some reason. Her favorite part perhaps was when Chris Rock talked about love and relationships. He said that „you never really been in love unless you have contemplated murder; unless you have practiced your alibi in front of the mirror, staring at a can of rat poison for 45 minutes straight, you haven't been in love. And the only thing preventing you from killing your significant other was an episode of CSI.” He said that relationships are hard and that in order for them to work, both people need to have the same focus, which is all about: her.
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
You’re not here, in these hallowed jungles of time and space, by accident.
Mike Dooley (Playing the Matrix: A Program for Living Deliberately and Creating Consciously)
We were watching videos at night on her Samsung tablet or my company iPad. She showed me the Silvano Agosti 1983 Italian interview with a little Italian boy called “D'Amore si vive, We Live of Love.” The boy was so cute, and his thoughts seemed similar to mine and Martina's. I was so deeply in love with her. The boy on the interview was just like what our own child would be, and we agreed and laughed. “We Live of Love.” What a coincidence! Living. By: Love. I knew the interview from before and she was surprised at how I knew about it. I showed her on my Instagram a picture of the boy I had recently taken a screenshot of and posted. With the subtitle at the right moment under his face: “Descubrir a la vida.” To discover life. Together. With his one and only girlfriend, as the boy explains. I told her multiple times that I was still unsure if she was real, or if it was all a dream; if I had only dreamed of her one night in the dark; if Pinto and I had invented her in my mind. She was a big fan of space, but I thought she liked the mystery behind the endless space with all its questions and secrets for us humans. I thought she liked the sky and space because she recently flew from Argentina to land in my arms. Martina and I were obsessed with Chris Rock and Eddie Murphy; we both knew all their stand-up comedies by heart. We kept replaying the best moments or faces that Chris or Eddie made. We had so much fun watching the same videos over and over that I couldn't believe it. Nobody else ever found the same moments or the same stand-ups as funny as Martina and I did. Nobody before or after found it so amusing. If I showed it to someone, they didn't understand why I was so excited about it or why racist jokes were so funny for an hour from one black comedian to the next. We were obsessed the way Eddie spoke about the „Zebra-Bitch of her dreams, her dream-wife who doesn’t know the concept of money”, saying “she should have an afro, like Angela Davis goes 'God damn it.'“ We were laughing so much. Sometimes I tickled her flat belly or her ribs and she was laughing so sweetly and so much that she couldn't stop. She was begging me to stop tickling her when I barely touched her. She said “No, no, no, no” so many times so quickly and cutely that I had to stop and kiss her; I couldn't resist her lips or her person, I had to kiss and hug her. We laughed so much at particular parts of Chris Rock's stand-up comedies that we could barely stop, almost as if we were tickling each other. We were laughing when Chris Rock was mocking Bone-Thugs-n-Harmony for singing ‘Welfare chariots’ such as „The First of the Month” or when he explained that the government hates rappers, but „only the good rappers get gunned down. They could find Saddam Hussein in a cave in Iraq but couldn't arrest anyone related to Tupac Shakur’s assassination, which didn't happen in a cave in Iraq but in Las Vegas, on the Strip, not one of those side streets, but in front of Circus Circus, after a Mike Tyson fight. Now how many witnesses do you need, to arrest somebody?” We were fascinated with Eddie Murphy, Charlie Murphy, and Chris Rock, but when I showed her Richard Prior, Doug Stanhope, Aries Spears, or George Carlin, she was no longer so impressed for some reason. Her favorite part perhaps was when Chris Rock talked about love and relationships. He said that „you never really been in love unless you have contemplated murder; unless you have practiced your alibi in front of the mirror, staring at a can of rat poison for 45 minutes straight, you haven't been in love. And the only thing preventing you from killing your significant other was an episode of CSI.” He said that relationships are hard and that in order for them to work, both people need to have the same focus, which is all about: her.
Tomas Adam Nyapi
There are no evil people, just lost people who do evil things. There are also sick people. Warped people. Deranged people. Lots of different people, yet all of them once set out just like you did, a “God Particle,” to find their way through the jungles of time and space. Every single one of them of good intent yet some so fundamentally confused or new to time and space that they behave horrifically. The difference between you and them might boil down to you having lived thousands or tens of thousands more lifetimes, whereas they may be true babes, utterly terrified, with no defense mechanisms developed yet but hatred, anger, contempt, manipulation, coercion, and violence. It’s not as if in life, between two people, all other things remain equal. Nothing else is ever equal. More than everyone else, even, those who are lost need love. Help. Guidance. Patience. Yet very likely, if they’ve strayed too far from truth, this lifetime will not nearly be long enough for them to find balance and clarity. They won’t be safe, either for themselves or for others who similarly believe the world is an evil place. They’ll need rehabilitation, ideally in a nurturing, supportive environment, yet if society believes this is out of reach, emotionally or financially, prisons and institutions will have to suffice.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
It was true you had to focus on every tiny note and the spaces between them but you also had to let your mind free like the bird rising into the blue heavens and white clouds, and if she could see the bird yet also listen to each tiny step between the notes then the music flowed and she felt proud and emptied and full at the same time.
Mike Bond (America (America, #1))
Something of relevance and likely interest is that those presently “alive” in any planetary civilization inevitably belong to the same spiritual family, with far more in common than anyone ever suspects during the planet’s primitive times. Even the stranger on a street corner is your spiritual relative, closest of kin. Even the stranger on a street corner halfway around the planet is your spiritual relative, as you two share the same approximate time and space from an infinite number of possibilities
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
Come on. Would loving parents ever give their child a book to read that didn’t have a happy ending? No. But they might well advise, “Don’t stop reading during the scary parts!” And neither would a “greater you” give yourself the gift of time and space if it wouldn’t be all good in the long run, no matter how things may appear midway. So good that no matter what might happen, it would be worth every bump and turn along the way.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
That there’s an ever-present, yet sometimes imperceptible, benign intelligence that pervades the enormous vastness of reality, from the center of the earth to the farthest reaches of space, yet given the immeasurable scope and seemingly impossible magnificence of just what we can detect, it’s safe to say that everything has a reason, there have been no mistakes, love makes everything better, and what doesn’t make sense yet one day will.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
You, the formless and eternal, now temporarily possess a physical body, chemically and organically borrowed from the substances of earth, to channel your nonphysical energy and personality as you negotiate space, travel through time, and experience what has become known as life. Voilà!
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
It’s true more often than we realize: each new love is built from the wreckage of the loves that came before. In Kath, Mike saw Lisa; in Art’s eyes, she resembled our mother. I can’t look at Mike’s face without seeing Dad’s. Art, to Ma, was the living ghost of Harry Breen. We love those who fit the peculiar voids within us, our hollow wounds. We love to fill the spaces the old loves left behind.
Jennifer Haigh (Faith)
Unlike our well-heeled brethren in the high-rises that surround us, the attorneys in my firm, Fernandez and Daley, occupy cramped quarters around the corner from the Transbay bus terminal and next door to the Lucky Corner Number 2 Chinese restaurant. Our office is located on the second floor of a 1920s walk-up building at 553 Mission Street, on the only block of San Francisco’s South of Market area that has not yet been gentrified by the sprawl of downtown. Although we haven’t started remodeling yet, we recently took over the space from a defunct martial arts studio and moved upstairs from the basement. Our files sit in what used to be the men’s locker room. Our firm has grown by a whopping fifty percent in the last two years. We’re up to three lawyers.
Sheldon Siegel (Incriminating Evidence (Mike Daley/Rosie Fernandez Mystery, #2))
An auction market, by contrast, is less structured: There are many different types of career capital, and each person might generate a unique collection. The cleantech space is an auction market. Mike Jackson’s capital, for example, included expertise in renewable energy markets and entrepreneurship, but there are a variety of other types of relevant skills
Cal Newport (So Good They Can't Ignore You: Why Skills Trump Passion in the Quest for Work You Love)
Patriots must have the ideas and the tools so that we can recruit, sow the seeds of doubt, and take the fight to the enemy's safe place.
Mike Klepper
Continue to dig, continue to uncover the delights hidden within yourself, within the experience of life, within relationships and unions with others. Explore it all with the wonder, amazement, and curiosity of a child, even when those things that are uncovered are not desirable, for it is in the discovery of them that you can set them free.
Mike Dooley (Channeled Messages from Deep Space: Wisdom for a Changing World)