Space Dandy Quotes

but I felt the razor blades that laced the space between us; one wrong move would illicit a thousand bloody cuts.

Other than involving yourself with ungrateful vegetable matter, colour, vigour and fascination can be imparted into a small outdoor space by several other methods. In the 18th century, the inclusion of a hermit on one's estate was regarded as the epitome of country house style. There is absolutely no reason why today's dandy should not avail himself of the same privilege. It's a straightforward enough matter to entice a hopelessly drunk vagrant back to your premises using the simple lure of an opened bottle of wine. Once there, dress him in a bed sheet, wreathe his head in foliage and invite him to take up residence in an old barrel with the promise of unlimited alcohol, tobacco and scraps from your table in return for a sterling display of relentless solitude. Such a move not only provides the disadvantaged with ideal employment opportunities, but also enhances your reputation for stylish romanticism. Watch your friends gape in wonderment at the picturesque spectacle as your hermit sporadically peers out the top of the barrel and matters a few enigmatic words of wisdom.

For Dylan, this electric assault threatened to suck the air out of everything else, only there was too much radio oxygen to suck. “Like a Rolling Stone” was the giant, all-consuming anthem of the new “generation gap” disguised as a dandy’s riddle, a dealer’s come-on. As a two-sided single, it dwarfed all comers, disarmed and rejuvenated listeners at each hearing, and created vast new imaginative spaces for groups to explore both sonically and conceptually. It came out just after Dylan’s final acoustic tour of Britain, where his lyrical profusion made him a bard, whose tabloid accolade took the form of political epithet: “anarchist.” As caught on film by D. A. Pennebaker’s documentary Don’t Look Back, the young folkie had already graduated to rock star in everything but instrumentation. “Satisfaction” held Dylan back at number two during its four-week July hold on Billboard’s summit, giving way to Herman’s Hermits’ “I’m Henry the Eighth, I Am” and Sonny and Cher’s “I Got You Babe” come August, novelty capstones to Dylan’s unending riddle. (In Britain, Dylan stalled at number four.) The ratio of classics to typical pop schlock, like Freddie and the Dreamers’ “I’m Telling You Now” or Tom Jones’s “It’s Not Unusual,” suddenly got inverted. For cosmic perspective, yesterday’s fireball, Elvis Presley, sang “Do the Clam.” Most critics have noted the Dylan influence on Lennon’s narratives. Less space gets devoted to Lennon’s effect on Dylan, which was overt: think of how Dylan rewires Chuck Berry (“Subterranean Homesick Blues”) or revels in inanity (“Rainy Day Women #12 & 35”). Even more telling, Lennon’s keening vocal harmonies in “Nowhere Man,” “And Your Bird Can Sing,” and “Dr. Robert” owed as much to the Byrds and the Beach Boys, high-production turf Dylan simply abjured. Lennon also had more stylistic stretch, both in his Beatle context and within his own sensibility, as in the pagan balalaikas in “Girl” or the deliberate amplifier feedback tripping “I Feel Fine.” Where Dylan skewed R&B to suit his psychological bent, Lennon pursued radical feats of integration wearing a hipster’s arty façade, the moptop teaching the quiet con. Building up toward Rubber Soul throughout 1965, Beatle gravity exerted subtle yet inexorable force in all directions.

Cassidy could see through half-closed eyes the unadorned western horizon and in a quirky mind trick he could sense the entire fifty-mile stretch of deep purple Gulf Stream between the tiny wave-skipping boat and the limestone-and-coral Florida peninsula. He could sense as well the huge pelagic fish that moved through the stream deep and shallow and also all the manatees and sunfish and whales as well as all the German submarines and wooden sailing ships and blockade-runners that had plied it in years and centuries past, some bringing Tories, slaves, bricks; others taking guns, drugs, rum; and some dealing death and leaving burning American boys in oily life jackets within sight of straw-boatered dandies strolling the boardwalks at Daytona. In his presleep state he had the sensation of being able to grasp it all at once, as if in a four-dimensional painting encompassing both time and space, his own place in it an inconsequential squiggle of comings and goings.

(...) even as a little girl I'd never never remarked how beautiful the tress were, how fine the leaves and bushes were, how beautiful flowerbeds were, truly, I'd never noticed, till then, how beautiful vegetables were, vegetables watered by fat ladies dressed in just their enormous aprons, aprons nobody put on anymore. Actually, a whole transformation was brought about by the person striding next to me like my nanny, my tutor, no need for the person to explain, or lecture, in fact it suited me fine and dandy, I was stubborn, took after my mother, let him try preaching to me, I wouldn't have looked at a thing on purpose, or noticed, I would have sulked, teared up, stared at the ground... But he just walked beside me, gazing around, and I looked where he looked, saw almost what he did, didn't check my watvh, I almost wished time would quit, so I might have walked in that space we had entered together, forever.