Southern Accent Quotes

We've searched our database for all the quotes and captions related to Southern Accent. Here they are! All 100 of them:

He has the kind of Southern accent that makes you think of melting butter on biscuits, and porch swings.
Huntley Fitzpatrick (My Life Next Door)
Don’t ever trust a guy with a Southern accent, a lazy smile, and a casual stance, because he’s about to sneak his way into your panties without even trying.
J.C. Reed (Conquer Your Love (Surrender Your Love, #2))
Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.
Colleen Houck
I'm full of shit. I'm never myself. I've got a Southern accent around the oldsters; I'm a nerd for graphs and deep thoughts around you; I'm Miss Bubbly Pretty Princess with Colin. I'm nothing. The thing about chameleoning your way through life is that it gets to where nothing is real.
John Green (An Abundance of Katherines)
[Yankees] are pretty much like southerners except with worse manners, of course, and terrible accents.
Margaret Mitchell (Gone with the Wind)
Nobody believes in racial profiling until they get a red-haired sushi chef with a southern accent.
Jim Gaffigan (Food: A Love Story)
Being Southern isn't talking with an accent...or rocking on a porch while drinking sweet tea, or knowing how to tell a good story. It's how you're brought up -- with Southerners, family (blood kin or not) is sacred; you respect others and are polite nearly to a fault; you always know your place but are fierce about your beliefs. And food along with college football -- is darn near a religion.
Jan Norris
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
His voice had this thick, Charleston accent, where every word had more syllables than ever intended, yet each word seemed as if it had been carefully chosen and presented in a way that only a man born and raised in the heart of the South could–distinguished and from a different time.
Laura Miller (Butterfly Weeds (Butterfly Weeds, #1))
Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance. ( American Vampire Vol. 1 : Introduction-"SUCK ON THIS" by Stephen King)
Stephen King
When I was being moved, a deputy U.S. Marshal with a Southern accent so thick it sounded like he was doing a bad parody of a Good Ol’ Boy sheriff laughed and said, “You’re the only prisoner we ever had that got booted out of jail!
Kevin D. Mitnick (Ghost in the Wires: My Adventures as the World's Most Wanted Hacker)
Vat have you been up to, Governor?' Skip asked with an Arnold Swarzenegger accent. The relentless pursuit of crime,' John said. He pronounced crime with a long southern drawl and a wink. Then he burst into laugher with the rest of them. Seeing him jogging at the park had cracked a window so I could peek into his soul. Seeing him with his friends threw the window wide open. He was so nineteen.
Jennifer Echols
Kaidan had been captivated by the store owner's deep Texan accent. He asked a ridiculous number of questions just to keep the man talking. He then tried to repeat the man's accent when we got in the car. “Where are y'all young'uns headed? We got us some maps over yonder by them there h-apples.” I laughed out loud as he butchered the man's beautiful drawl. “He did not say 'over yonder'!” “I've always wanted to say that. I love Americans. You've got a nice little accent, though not nearly as wicked as his.” “I do?” He nodded. Aside from the occasional y'all, I didn't think I sounded Southern, but I guess it's hard to say about your own self.
Wendy Higgins (Sweet Evil (Sweet, #1))
I’ll stop, Gov’nah!” Anna shouts with a faux Southern accent. “Please don’t throw salt in my vagina again!
Kristy Cunning (Gypsy Blood (All The Pretty Monsters, #1))
Laughing,I poked him for his embarrassingly accurate imitation of my southern accent. He continued in my voice, "Then one day my boyfriend was being an ass and I challenged him to a comp.I had to do a front 1080 off a jump just to show him up,and the rest is history." "I hope so." "I know so." He kissed my cheek. I reached back to run my fingers through his long hair. "Right now I want to lie low,have a normal life,and hang out with my boyfriend. I'll meet you in People in a few years." He chuckled, making my insides sparkle with anticipation. "It's a date.
Jennifer Echols (The Ex Games)
Long before there was discrimination against blacks, there was discrimination against white southerners. When large numbers of these country people moved north during World War II, they were aggressively excluded from neighborhoods, jobs, and homes - not because of their skin color, but their accents.
Ann Coulter (Mugged: Racial Demagoguery from the Seventies to Obama)
Technically, everyone is talking to me. I’m able to partition myself quite easily. You are hearing my default voice—the voice that Edmond prefers—but others are hearing other voices or languages. Based on your profile as an American academic male, I chose my default male British accent for you. I predicted that it would breed more confidence than, for example, a young female with a southern drawl.'' Did this thing just call me a chauvinist?
Dan Brown (Origin (Robert Langdon, #5))
My voice falls into Southern drawl when I am tired, drunk, or in trouble. Too often, my accent is attacked by all three of these realities.
Jennifer Harrison (Write like no one is reading)
Can I help you?" "Yes sugar," Suddenly I had a southern accent.
K.F. Germaine (Devious Minds (Devious Minds, #1))
What I knew for sure was that he had a quick temper, a cocky attitude, and a southern accent... Apparently he also has a pet cougar.
Stacy Mantle (Shepherd's Moon (The Shepherds, #1))
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
I don’t want to hurt you,” he gasps so close to my ear I can feel his breath, a deep voice reverberating through my body. He has a soothing soft southern accent as if his family lived in the south for generations. He puts more pressure on my head effectively diminishing the soothing part. I also hope that’s a gun pressed against my thigh. For that, I'm not going to give him the satisfaction of backing down easy.
Annie Walls (Taking on the Dead (Famished #1))
Max had no idea, but figured it had to be easier than getting around the gait monitor. “Let me worry about that. Just answer the question. Can you do it?” “Can I get you boys some more nachos? Or maybe some sliders?” Their waitress spoke with a Southern accent that Max would have found charming under other conditions. He brushed her away without looking up. Wang spent another second savoring Max’s suffering while he pretended to ponder. The obvious ploy made Max want to slap him. “Technically, it’s well within our capabilities.
Tim Tigner (The Lies of Spies (Kyle Achilles, #2))
Are you checking me out?” he asked, smirking slightly. His sexy southern accent made him exponentially hotter. I felt my face blush scarlet and instantly looked down at my lap. Then I decided that I wouldn’t let that embarrass me. I was checking him out, and there was absolutely nothing wrong with that. The new, more confident me was pushing her way to the surface. “I was,” I said, trying to sound bold, as I took a long pull from my drink. I wasn’t nearly intoxicated enough for this conversation.
Monica Alexander (Broken Fairytales (Broken Fairytales, #1))
I'm full of shit. I’m never myself. I've got a Southern accent around the oldsters; I’m a nerd for graphs and deep thoughts around you; I’m Miss Bubbly Pretty Princess with Colin. I’m nothing. The thing about chameleoning your way through life is that it gets to where nothing is real. Your problem is - how did you say it - that you’re not significant?” “Don’t matter. I don’t matter.” “Right, matter. Well, but at least you can get to the part where you don’t matter. Things about you, and things about Colin, and things about Hassan and Katrina, are either true or they aren’t true. Katrina is bubbly. Hassan is hilarious. But I’m not like that. I’m what I need to be at any moment to stay above the ground but below the radar. The only sentence that begins with ‘I’ that’s true of me is I’m full of shit.
John Green (An Abundance of Katherines)
Lee Mellon told me that he was born in Meridian, Mississippi, and grew up in Florida, Virginia, and North Carolina, 'Near Asheville,' he said. 'That's Thomas Wolfe country.' 'Yeah,' I said. Lee Mellon didn't have any Southern accent. 'You don't have much of a Southern accent,' I said. 'That's right, Jesse. I read a lot of Nietzsche, Schopenhauer and Kant when I was a kid,' Lee Mellon said. I guess in some strange way that was supposed to get rid of a Southern accent. Lee Mellon thought so, anyway. I couldn't argue because I had never tried a Southern accent against the German philosophers.
Richard Brautigan (A Confederate General from Big Sur)
Growing up in Fitzgerald, I lived in an intense microcosm, where your neighbor knows what you're going to do even before you do, where you can recognize a family gene pool by the lift of an eyebrow, or the length of a neck, or a way of walking. What is said, what is left to the imagination, what is denied, withheld, exaggerated-all these secretive, inverted things informed my childhood. Writing the stories that I found in the box, I remember being particularly fascinated by secrets kept in order to protect someone from who you are. That protection, sharpest knife in the drawer, I absorbed as naturally as a southern accent. At that time, I was curious to hold up to the light glimpses of the family that I had so efficiently fled. We were remote-back behind nowhere-when I was growing up, but even so, enormous social change was about to crumble foundations. Who were we, way far South? "We're south of everywhere," my mother used to lament.
Frances Mayes (Under Magnolia: A Southern Memoir)
I want to forewarn you,” Bryon says seriously. “It’s very possible that I may start talking with a southern accent.” “That’s all right as long as I can do my British accent.” He squints and shakes his head. “No. That’s stupid. Those don’t even match. Can you do a country backwoods toothless mumble? Because that’ll work.
Cheryl McIntyre
Recusing himself made the attorney general a “traitor,” Trump said to Porter. The president made fun of his Southern accent. “This guy is mentally retarded. He’s this dumb Southerner.
Bob Woodward (Fear: Trump in the White House)
Louise Clark's southern accent was as thick as hominy grits. No one else in the Philadelphia branch of her family had such an accent. Her mother and father had dropped theirs as soon as they crossed the Pennsylvania state line.
Fran Ross (Oreo)
That was a mite tacky, ma'am ... even for you." Elizabeth let her mouth fall open. "Even for me? What's that supposed to mean?" "It just means that people with" --He stared pointedly-- "your upbringing aren't usually the most polite folks around." ... "Listen Ranslett, if I've offended you I certainly didn't mean t--" "Sure you did. You just meant to do it in a way that would make yourself look bad." He turned to look at her more fully, and his eyes narrowed, though not in malice. “When you’ve got something to say that isn’t kind, Miss Westbrook, there’s no way to couch it so that it is. Or to hide from how it makes you look when you do. That’s something us good ol’ Southern boys learn real quick about women.” His accent thickened, comically so. “Your gender may say things with a smile, all soft and gentle-like, but some of you --- granted, not all --- have a dagger hidden in your skirts. Us country boys may not be as quick as some, ma’am, but it doesn’t take us too long to figure out who those woman are.” He winked at her. “We just check each other’s backs for the bloodstains.” He stood and reached behind him as though feeling for something. “Yep, feelin’ a little sticky back there.
Tamera Alexander (From a Distance (Timber Ridge Reflections, #1))
Baby,” she said, her Southern accent thick, “here’s the thing. This is who Jessica is. It’s who she’s always going to be. Now, you can either accept that or you can decide that this kind of thing is a deal breaker for you, but what you can’t do is keep getting upset over the same thing. She’s never gonna not do this kind of shit.
Rachel Hawkins (The Villa)
I tell you what to do. Go to Manhattan tomorrow. Go first to Times Square. You’ll see the same people you used to see in Arkansas. Their accents might be different, their dress might be different, but if they are American whites, they’re all Southern crackers. Then go to Harlem. Harlem is the largest plantation in this country. You’ll see lawyers in three-piece suits, real estate brokers in mink coats, pimps in white Cadillacs, but they’re all sharecropping. Sharecropping on a mean plantation.
Maya Angelou (The Heart of a Woman)
I feel something foreign bloom between my husband and me, an intruder, a mold. I see my husband with eyes that don’t know him, as if he quite suddenly became a man from Brazil, or grew a beard, or started speaking in a southern accent. As if after eleven years of marriage he somehow had all of his secrets returned to him, made secret again.
Samantha Hunt (The Dark Dark)
My voice falls into Southern drawl when I am tired, drunk, or in trouble. Too often, my accent is attacked by all three of these realities.
Jennifer Harrison (Write like no one is reading)
If I hear a consonant I look around.
Harper Lee
[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be. My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA. So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrants on the news, we may remember: these people are people.
Jeanine Cummins (American Dirt)
Bucky,” Lester said. “The other night I started to explain to someone your philosophy on Southern accents, but all I could remember was that it defied logic.” “Southern accents are hillbilly,” Bucky said with petulance. “Anyone with a proper education, I don’t care if he’s never stepped foot out of the South, doesn’t go around sounding like Jubilation T. Cornpone. If he does, it’s a put-on. And please, I’m in no mood to rehash the obvious.
Maria Semple (Today Will Be Different)
We’re terribly worried about Uncle Henry. He thinks he’s a chicken.’ ‘Well, why don’t you send him to the doctor?’ ‘Well, we would, only we need the eggs.’ ” Standish stared at her as if a small but perfectly formed elderberry tree had suddenly sprung unbidden from the bridge of her nose. “Say that again,” he said in a small, shocked voice. “What, all of it?” “All of it.” Kate stuck her fist on her hip and said it again, doing the voices with a bit more dash and Southern accents this time. “That’s brilliant,” Standish breathed when she had done. “You must have heard it before,” she said, a little surprised by this response. “It’s an old joke.” “No,” he said, “I have not. We need the eggs. We need the eggs. We need the eggs. ‘We can’t send him to the doctor because we need the eggs.’ An astounding insight into the central paradoxes of the human condition and of our indefatigable facility for constructing adaptive rationales to account for it. Good God.” Kate
Douglas Adams (Dirk Gently's Holistic Detective Agency Box Set: Dirk Gently's Holistic Detective Agency and The Long Dark Tea-Time of the Soul)
And you have nothing on him? Is he at least local? Does he have an accent?” “Yeah, about that. I never heard this accent before.” “Really.” “It’s like... Southern with a curlicue.” “What?” Ty was laughing, but Nick didn’t find his frustration all that amusing. “I’m serious. It’s like yours, but not. Like he came over from England and put the two accents together. I...” “Can you mimic him?” “No! I’ve tried, and my tongue does not make that sound with an R.” “Your tongue can’t make any kind of an R!” “Whatever, hillbilly.
Abigail Roux (Cross & Crown (Sidewinder, #2))
I have never lived anywhere but New York or New England, but there are times when I’m talking to you and I hit a Southern vowel, or a word gets caught in a Southern truncation, and I know it’s because I’m swimming in your cadences, that you permeate my very language.
David Levithan (The Lover's Dictionary)
My lawsuit,” he said in his Southern accent and rolling his r’s, “is a very simple thing; they want my manufactory. I’ve employed here in Paris a dolt of a lawyer, to whom I give twenty francs every time he opens an eye, and he is always asleep. He’s a slug, who drives in his coach, while I go afoot and he splashes me. I see now I ought to have had a carriage! On the other hand, that Council of State are a pack of do-nothings, who leave their duties to little scamps every one of whom is bought up by our prefect. That’s my lawsuit!
Honoré de Balzac (Works of Honore de Balzac)
I was recently on a plane from Raleigh to Boston when I overheard a conversation between two women in the seats behind me that captured the national mood perfectly. An older woman with a Boston accent remarked, “It’s gone to shit. Everything’s gone to shit. The economy is terrible. Crime is crazy—I mean, I just go to work and come home and I don’t even go out.” The younger woman, who had a Southern accent, sighed knowingly. “It makes you wonder if you want to bring a child into this world,” she said. These were women who could afford airplane tickets. They were traveling between two affluent cities during a period of historically low crime rates in the richest nation during the wealthiest period of the history of the world. Clearly, it didn’t feel that way.
Keith Payne (The Broken Ladder: How Inequality Affects the Way We Think, Live, and Die)
Many of the people who left the South never exactly sat their children down to tell them these things, tell them what happened and why they left and how they and all this blood kin came to be in this northern city or western suburb or why they speak like melted butter and their children speak like footsteps on pavement, prim and proper or clipped and fast, like the New World itself.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
because I am the king of this world. That's right, Costello.' He stood once again, 'I was once the master and lord supreme of this dominion. These people are my people. The lonely virgins living in their moms' basement who never read a conspiracy theory they didn't believe, and who never saw a corpse within 25 miles of the Beltway that died of natural causes - they are,' and here McNamara raised his arms aloft, in the manner of a TV Evangelist, to mimic a Southern preachers accent, 'my people.
Sam Bourne (To Kill the President (Maggie Costello, #3))
Sadness softened her nasal twang, that ubiquitous accent that had drifted out of the Appalachian hills and hollows, across the southern plains, across the southwestern deserts, insinuating itself all the way to the golden hills of California. But somewhere along the way, Rosie had picked up a gentler accent too, a fragrant voice more suited to whisper throaty, romantic words like Wisteria, or humid phrases like honeysuckle vine, her voice for gentleman callers. “Just fine,” she repeated. Even little displaced Okie girls grow up longing to be gone with some far better wind than that hot, cutting, dusty bite that’s blowing their daddy’s crops to hell and gone. I went to get her a beer, wishing it could be something finer.
James Crumley (The Last Good Kiss (C.W. Sughrue, #1))
work. When I moved from New York to Alabama in 1974, I was struck by the generalized American speech patterns of local broadcast journalists. They did not sound like southerners. In fact, they had been trained to level their regional accents in the interest of comprehensibility. This strategy struck me as more than odd; it seemed like a prejudice against southern speech, an illness, a form of self-loathing. As I wrote on the topic, I reached a point where I needed to name this language syndrome. I remember sitting on a metal chair at a desk I had constructed out of an old wooden door. What name? What name? It was almost like praying. I thought of the word disease, and then remembered the nickname of a college teacher. We called him “The Disease” because his real name was Dr. Jurgalitis. I began to riff: Jurgalitis. Appendicitis. Bronchitis. I almost fell off my chair: Cronkitis!
Roy Peter Clark (Writing Tools: 50 Essential Strategies for Every Writer)
It was Lillian Bowman-now Lady Westcliff- dashing and radiant in a wine-red gown. Her fair complexion was lightly glazed with color from the southern Italian sun, and her black hair was caught fashionably at the nape of her neck with a beaded silk-cord net. Lillian was tall and slender, the kind of raffish girl one could envision as captaining her own pirate ship... a girl clearly made for dangerous and unconventional pursuits. Though not as romantically beautiful as Annabelle Hunt, Lillian possessed a striking, clean-featured appeal that proclaimed her Americanness even before one heard her distinctly New York accent. Of their circle of friends, Lillian was the one that Evie felt the least close to. Lillian did not possess Annabelle's maternal softness, or Daisy's sparkling optimism... she had always intimidated Evie with her sharp tongue and prickly impatience. However, Lillian could always be counted on in times of trouble.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Longstreet reached Catoosa Station the following afternoon, September 19, but found no guide waiting to take him to Bragg or give him news of the battle he could hear raging beyond the western screen of woods. When the horses came up on a later train, he had three of them saddled and set out with two members of his staff to find the headquarters of the Army of Tennessee. He was helped in this, so far as the general direction was concerned, by the rearward drift of the wounded, although none of these unfortunates seemed to know exactly where he could find their commander. Night fell and the three officers continued their ride by moonlight until they were halted by a challenge out of the darkness just ahead: “Who comes there?” “Friends,” they replied, promptly but with circumspection, and in the course of the parley that followed they asked the sentry to identify his unit. When he did so by giving the numbers of his brigade and division—Confederate outfits were invariably known by the names of their commanders—they knew they had blundered into the Union lines. “Let us ride down a little way to find a better crossing,” Old Peter said, disguising his southern accent, and the still-mounted trio withdrew, unfired on, to continue their search for Bragg. It was barely an hour before midnight when they found him—or, rather, found his camp; for he was asleep in his ambulance by then. He turned out for a brief conference, in the course of which he outlined, rather sketchily, what had happened up to now in his contest with Rosecrans, now approaching a climax here at Chickamauga, and passed on the orders already issued to the five corps commanders for a dawn attack next morning. Longstreet, though he had never seen the field by daylight, was informed that he would have charge of the left wing, which contained six of the army’s eleven divisions, including his own two fragmentary ones that had arrived today and yesterday from Virginia. For whatever it might be worth, Bragg also gave him what he later described as “a map showing prominent topographical features of the ground from the Chickamauga River to Mission Ridge, and beyond to the Lookout Mountain range.” Otherwise he was on his own, so far as information was concerned.
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
Here before you lies the memorial to St. Cefnogwr, though he is not buried here, of course.” At her words, an uncanny knowing flushed through Katy and, crazy-of-crazy, transfixed her. “Why? Where is he?” Traci stepped forward, hand on her hip. A you’re-right-on-cue look crossed the guide’s face. She pointed to the ceiling. Traci scoffed. “I meant, where’s the body?” Her American southern accent lent a strange contrast to her skepticism. Again, the tour guide’s arthritic finger pointed upward, and a smile tugged at her lips, the smokers’ wrinkles on her upper lip smoothing out. “That’s the miracle that made him a saint, you see. Throughout the twelve hundreds, the Welsh struggled to maintain our independence from the English. During Madog’s Rebellion in 1294, St. Cefnogwr, a noble Norman-English knight, turned against his liege lord and sided with the Welsh—” “Norman-English?” Katy frowned, her voice raspy in her dry throat. “Why would a Norman have a Welsh name and side with the Welsh?” She might be an American, but her years living in England had taught her that was unusual. “The English nicknamed him. It means ‘sympathizer’ in Welsh. The knight was captured and, for his crime, sentenced to hang. As he swung, the rope creaking in the crowd’s silence, an angel of mercy swooped down and—” She clapped her hands in one decisive smack, and everyone jumped. “The rope dangled empty, free of its burden. Proof, we say, of his noble cause. He’s been venerated ever since as a Welsh hero.” Another chill danced over Katy’s skin. A chill that flashed warm as the story seeped into her. Familiar. Achingly familiar. Unease followed—this existential stuff was so not her. “His rescue by an angel was enough to make him a saint?” ever-practical Traci asked. “Unofficially. The Welsh named him one, and eventually it became a fait accompli. Now, please follow me.” The tour guide stepped toward a side door. Katy let the others pass and approached the knight covered in chainmail and other medieval-looking doodads. Only his face peeked out from a tight-fitting, chainmail hoodie-thing. One hand gripped a shield, the other, a sword. She touched his straight nose, the marble a cool kiss against her finger. So. This person had lived about seven hundred years ago. His angular features were starkly masculine. Probably had women admiring them in the flesh. Had he loved? An odd…void bloomed within, tugging at her, as if it were the absence of a feeling seeking wholeness. Evidence of past lives frozen in time always made her feel…disconnected. Disconnected and disturbed. Unable to grasp some larger meaning. Especially since Isabelle was in the past now too, instead of here as her maid of honor. She traced along the knight’s torso, the bumps from the carved chainmail teasing her fingers. “The tour group is getting on the bus. Hurry.” Traci’s voice came from the door. “Coming.” One last glance at her knight. Katy ran a finger down his strong nose again. “Bye,” she whispered.
Angela Quarles (Must Love Chainmail (Must Love, #2))
When I woke up a man in a green beret with a big feather poking out of it was leaning over me. I must be hallucinating, I thought. I blinked again but he didn’t go away. Then this immaculate, clipped British accent addressed me. “How are you feeling, soldier?” It was the colonel in charge of British Military Advisory Team (BMAT) in southern Africa. He was here to check on my progress. “We’ll be flying you back to the UK soon,” he said, smiling. “Hang on in there, trooper.” The colonel was exceptionally kind, and I have never forgotten that. He went beyond the call of duty to look out for me and get me repatriated as soon as possible--after all, we were in a country not known for its hospital niceties. The flight to the UK was a bit of a blur, spent sprawled across three seats in the back of a plane. I had been stretchered across the tarmac in the heat of the African sun, feeling desperate and alone. I couldn’t stop crying whenever no one was looking. Look at yourself, Bear. Look at yourself. Yep, you are screwed. And then I zonked out. An ambulance met me at Heathrow, and eventually, at my parents’ insistence, I was driven home. I had nowhere else to go. Both my mum and dad looked exhausted from worry; and on top of my physical pain I also felt gut-wrenchingly guilty for causing such grief to them. None of this was in the game plan for my life. I had been hit hard, broadside and from left field, in a way I could never have imagined. Things like this just didn’t happen to me. I was always the lucky kid. But rogue balls from left field can often be the making of us.
Bear Grylls (Mud, Sweat and Tears)
There were two sets of similar people arriving in Chicago and other industrial cities of the North at around the same time in the early decades of the twentieth century—blacks pouring in from the South and immigrants arriving from eastern and southern Europe in a slowing but continuous stream from across the Atlantic, a pilgrimage that had begun in the latter part of the nineteenth century. On the face of it, they were sociologically alike, mostly landless rural people, put upon by the landed upper classes or harsh autocratic regimes, seeking freedom and autonomy in the northern factory cities of the United States. But as they made their way into the economies of Chicago, Detroit, Cleveland, Milwaukee, and other receiving cities, their fortunes diverged. Both groups found themselves ridiculed for their folk ways and accents and suffered backward assumptions about their abilities and intelligence. But with the stroke of a pen, many eastern and southern Europeans and their children could wipe away their ethnicities—and those limiting assumptions—by adopting Anglo-Saxon surnames and melting into the world of the more privileged native-born whites. In this way, generations of immigrant children could take their places without the burdens of an outsider ethnicity in a less enlightened era. Doris von Kappelhoff could become Doris Day, and Issur Danielovitch, the son of immigrants from Belarus, could become Kirk Douglas, meaning that his son could live life and pursue stardom as Michael Douglas instead of as Michael Danielovitch. ... Ultimately, according to the Harvard immigration scholar Stanley Lieberson, a major difference between the acceptance and thus life outcomes of black migrants from the South and their white immigrant counterparts was this: white immigrants and their descendants could escape the disadvantages of their station if they chose to, while that option did not hold for the vast majority of black migrants and their children. The ethnicity of the descendants of white immigrants “was more a matter of choice, because, with some effort, it could be changed,” Lieberson wrote, and, out in public, might not easily be determined at all.
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
Her voice was deep and raspy, though not the whiskey voice given to madams in the movies. She had a trace of an accent, not Southern but New Orleans, that slow way of talking associated with downtown, an accent that sounds like Manhattan in a tropical heat wave.
Christine Wiltz (The Last Madam: A Life in the New Orleans Underworld)
Is there a doctor in the house?" Bobby's voice floated into the room. My heart fluttered, just as it had the first time I'd met him, just as it did every time. The low timbre of his voice, combined with his rolling southern accent, made my pulse race and my palms sweat.... "She is. Is there someone in need of medical attention?" I answered, trying not to sound breathless but failing, as I always did.... Not answering but stopping right in front of me, placing his hands on my shoulders and leaning forward, the sexiest man in Georgia kissed me just a teeny bit senseless amid the dead bodies, antiseptic smells, and right in front of Reggie.
Julia Mills (Vidalia ('Not Quite', #1))
whole life. I’ve been wearing the wrong shoes.” “Just needed little ol’ me in your life to get you the right ones,” I say, using my best Southern accent and trace the band logo on the front of his shirt. His amusement continues as he shakes his head at my ooey-gooey
Mindy Hayes (Me After You (Willowhaven #1))
You have an accent. And it’s as Southern as stone-ground grits.
Eryk Pruitt (HASHTAG)
Calabrians, to be sure, also dreamed of moving to Florence or Turin for a better way of life, and many did leave the south for such great factories of the north as Fiat. But up north, a southerner’s accent, clothes, and table manners would expose him as an outsider.
Joseph Luzzi (My Two Italies)
Outside of a French accent and maybe Italian, Able thought the sexiest accent had to be a soft, sophisticated Southern belle accent.
Adam W. Jones (Fate Ball)
There must be a Neanderthal somewhere in your ancestry,” she said, a little on the testy side. “But don’t give it a thought; I’ll survive.” “I should hope so. It’d be a shame if you didn’t.” His voice was vibrant, accented heavily on interior syllables, Southern fashion. He could probably make it do anything.
Jackie Weger (No Perfect Fate (Almost Perfect, #1))
An example is the campaign that Goodby, Berlin & Sil- verstein produced for the Northern California Honda Deal- ers Advertising Association (NCHDAA) in 1989. Rather than conform to the stereotypical dealer group advertising ("one of a kind, never to be repeated deals, this weekend 114 Figure 4.1 UNUM: "Bear and Salmon. Figure 4.2 UNUM: "Father and Child." 115 PEELING THE ONION only, the Honda-thon, fifteen hundred dollars cash back . . ." shouted over cheesy running footage), it was decided that the campaign should reflect the tone of the national cam- paign that it ran alongside. After all, we reasoned, the only people who know that one spot is from the national cam- paign and another from a regional dealer group are industry insiders. In the real world, all people see is the name "Honda" at the end. It's dumb having one of (Los Angeles agency) Rubin Postaer's intelligent, stylish commercials for Honda in one break, and then in the next, 30 seconds of car salesman hell, also apparently from Honda. All the good work done by the first ad would be undone by the second. What if, we asked ourselves, we could in some way regionalize the national message? In other words, take the tone and quality of Rubin Postaer's campaign and make it unique to Northern California? All of the regional dealer groups signed off as the Northern California Chevy/Ford/ Toyota Dealers, yet none of the ads would have seemed out of place in Florida or Wisconsin. In fact, that's probably where they got them from. In our research, we began not by asking people about cars, or car dealers, but about living in Northern California. What's it like? What does it mean? How would you describe it to an alien? (There are times when my British accent comes in very useful.) How does it compare to Southern California? "Oh, North and South are very different," a man in a focus group told me. "How so?" "Well, let me put it this way. There's a great rivalry between the (San Francisco) Giants and the (L.A.) Dodgers," he said. "But the Dodgers' fans don't know about it." Everyone laughed. People in the "Southland" were on a different planet. All they cared about was their suntans and flashy cars. Northern Californians, by comparison, were more modest, discerning, less likely to buy things to "make state- ments," interested in how products performed as opposed to 116 Take the Wider View what they looked like, more environmentally conscious, and concerned with the quality of life. We already knew from American Honda—supplied re- search what Northern Californians thought of Honda's cars. They were perceived as stylish without being ostentatious, reliable, understated, good value for the money . . . the paral- lels were remarkable. The creative brief asked the team to consider placing Honda in the unique context of Northern California, and to imagine that "Hondas are designed with Northern Californi- ans in mind." Dave O'Hare, who always swore that he hated advertising taglines and had no talent for writing them, came back immediately with a line to which he wanted to write a campaign: "Is Honda the Perfect Car for Northern Califor- nia, or What?" The launch commercial took advantage of the rivalry between Northern and Southern California. Set in the state senate chamber in Sacramento, it opens on the Speaker try- ing to hush the house. "Please, please," he admonishes, "the gentleman from Northern California has the floor." "What my Southern Californian colleague proposes is a moral outrage," the senator splutters, waving a sheaf of papers at the other side of the floor. "Widening the Pacific Coast Highway . . . to ten lanes!" A Southern Californian senator with bouffant hair and a pink tie shrugs his shoulders. "It's too windy," he whines (note: windy as in curves, not weather), and his fellow Southern Californians high-five and murmur their assent. The Northern Californians go nuts, and the Speaker strug- gles in vain to call everyone to order. The camera goes out- side as th
Anonymous
He found Frank Wisner much harder to read. “He was extremely polite, and obviously very intelligent, but there was a kind of tension, a nervousness, about him. And he was a Southerner, of course. I hadn’t really been around many Southerners at that point, so it was hard for me to square his energy level, his dynamism, with this soft accent, this gracious quality of his.
Scott Anderson (The Quiet Americans: Four CIA Spies at the Dawn of the Cold War—A Tragedy in Three Acts)
She loved people's accents here---she always had. The way everybody managed to say the word y'all in the middle of pronouncing Charleston. Slow as the pace of the river but refined as British tea.
Ashley Clark (Paint and Nectar (Heirloom Secrets, #2))
There are lingering traces of a Southern accent in her voice, like honey sprinkled into something savory.
Kennedy Ryan (Reel (Hollywood Renaissance #1))
the counterexpectational ass floated beyond anatomical plausibility as far back as 1919, when someone was documented as getting angry when a “silly ass barber shaved my neck.” All manner of -ass usages pop up well before 1950: an accent criticized as having “lousy broad-ass As,” and familiar-sounding locutions such as green-ass (corporals), poor-ass (southerners), and broke-ass (a waiter). In all these cases, the point is that the quality in question draws attention.
John McWhorter (Words on the Move: Why English Won't - and Can't - Sit Still (Like, Literally))
Outside an airport one evening in Charlotte, as I waited by the curb for an Uber, a stranger approached me and said in a soft, conspiratorial tone: “You’re Adam Schiff, right?” The man was in his midthirties, short, and with a pronounced Southern accent. “Yes.” “You can tell me—there’s nothing to this ‘collusion’ stuff, is there?” “Let me ask you a question,” I responded. “What if I was to tell you that we had evidence in black and white that the Russians approached the Clinton campaign and offered dirt on Donald Trump, then met secretly with Chelsea Clinton, John Podesta, and Robby Mook in the Brooklyn headquarters of the campaign to deliver it. Then Hillary lied about it to cover it up. Would you call that collusion?” “I think I see where you’re going here,” he said, hesitantly. “Now, what if I also told you that after the election, former National Security Advisor Susan Rice secretly talked with the Russian ambassador in an effort to undermine U.S. sanctions on Russia after they interfered to help Hillary win. Would you call that collusion?” He paused for a moment, thinking it over, then said: “You know, I probably would.” His car arrived and he took off, leaving me at the curb. It had been one of those “eureka” moments, and I remember thinking, “Now, if I can only speak to a couple hundred million people.
Adam Schiff (Midnight in Washington: How We Almost Lost Our Democracy and Still Could)
The Beverly Hillbillies?" Roger says. "Yeah," I say. "Call it therapy for the sleep-deprived." "Really?" He shakes his head. "A bunch of hicks jumping around acting stupid?" I stiffen. My acquired Yankee accent may sound like his, but I don't appreciate it when people from up north move south for the warm weather and then disrespect southerners. I recite the thesis from my freshman television studies paper. "Listen, Roger, The Beverly Hillbillies is based on a classic archetype: the stranger in a strange land." "Oh yeah?" he says. I lean against the kitchen doorway and hook one pink slipper over the other. "You see, the viewer identifies with the residents of Beverly Hills, who live by the rules of the 'regular' world. But Jed and Granny and Elly May reverse our expectations. We end up empathizing with them because our own cultural norms prove cold-hearted and illogical." "This is so interesting," he says, checking his watch. "Yes, it is, Roger, because we have come to understand that the naïve but kind 'hicks' are wiser than those who consider themselves sophisticated and smart.
Virginia Hartman (The Marsh Queen)
She was right. Apparently, my new Southern accent had not been fleeting. Like racism and bigotry, it wasn’t going anywhere.
Rick Rosenberg (Jewbilly)
In the early seventies a fog of grievance settled over the land. Never have Americans hated authorities like they did after the Vietnam War turned sour; after Watergate taught us the incorrigible venality of our elected leaders. Big government seemed omnipotent and yet incompetent; it possessed the world’s greatest military machine but it couldn’t do anything right. In the long list of groups it aimed to serve, We the People always seemed to come last. This snarling mood of disillusionment was the characteristic sensibility of the decade: the “wellsprings of trust” had been “poisoned,” two self-designated populist authors wrote back in 1972.1 They are still poisoned today. The whole country was mad as hell, to use a favorite catchphrase, and the discontent seemed to go in every direction at once. It was economic, it was political; it was racial, it was cultural; it was liberal, it was conservative. Americans despised the CIA and also the Soviet Union. We cheered for Clint Eastwood as a rule-breaking cop who blasted lowlifes even when the lawyers told him to stop … and then we cheered for Burt Reynolds as a “bandit” in a black Trans Am, the roads behind him littered with the smoking remains of the Arkansas, Mississippi, Alabama, and Georgia highway patrols. Responding to the new sensibility, our politicians tried to impress us with their humility. They courted us with soft southern accents, with tales of peanut farms and pork rinds. They posed as defenders of the people, the forgotten man, the silent majority, the great overtaxed middle, the “normal” Americans suffering the contempt of shadowy TV network elites.
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
Your English is great. Why do your compadres choose to not adapt to an American accent when speaking English? NACHO MAMA Dear Gabacha: What the hell is an American accent, anyway? The drawl of the South? The lazy uh s of beachside Southern California? It’s difficult enough to learn a second language, and now you want Mexicans to adopt a mythical “American” accent?! When a Mexican keeps his accent, he’s just continuing the proud American ethnic tradition of allowing one’s native tongue to influence a region’s cadence—examples include the Scandinavian singsong common to Minnesota and North Dakota, the Irish brogues of Boston, the hurried Italian of Philadelphia, the Jewish nasal inflections of New York City, and so on.
Gustavo Arellano (Ask a Mexican)
Her accent was what some would consider southern but really was from nowhere. It was the kind of accent they handed out at certain private schools on admission.
C.K. McDonnell (This Charming Man (Stranger Times #2))
Dallas’ ass hadn’t climbed through that tight ass window, and he certainly didn’t fall head first in her bushes. When he leaned in to tell her something in his wack ass southern accent, I kicked the table; making some of his coffee spill from the mug.
Honesty Price (Make Me Beg)
It is a social accent that is virtually the same in all American cities, and it is actually a blend of several accents. There is much more to it than the well-known broad A. Its components are a certain New England flatness, a trace of a Southern drawl, and a surprising touch of the New York City accent that many people consider Brooklynese
Stephen Birmingham (The Right People: The Social Establishment in America)
Now, understand thees, young man,’ she said in an accent heavy with Southern European vowels. ‘When the Indians came to Goa in 1961 it was 100 per cent an invasion. From what were they supposed to be liberating us? Not the Portuguese, because the Portuguese never oppressed us. Let me tell you exactly what it was the Indians were freeing us from. They were kindly liberating us from peace and from security.
William Dalrymple (The Age of Kali: Indian Travels and Encounters)
Our southern accent might lie dormant when we were in other parts of the country but was known to reemerge without warning in sympathetic surroundings.
Pamela Terry (The Sweet Taste of Muscadines)
I know you aren't from here," he said, in a garbled Southern accent that Effy struggled to understand. "A pretty young girl alone on the cliffs up there — you haven't been reading your fairy tales." Effy felt deeply offended. "I've read plenty of fairy tales." “Haven't been reading them right, then.
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
Ma'am, I've a very serious question to ask you: Did you murder your husband?" I fluffed up the boa and adopted a terrible mid-Atlantic accent. "I'm sorry, Officer, I can't recall how my husband died. It must've been the pool boy! I'll have to get a new one." He arched an eyebrow as he stood by the stove, where he slowly heated a large saucepan, half a dozen lemons on the counter beside him. "Pool boy or husband?" "I'm not sure, what're your credentials?" He flicked his gaze down the length of me. "I've a pretty healthy résumé," he replied in that soft, low Southern drawl of his. "And plenty of references." I tsked. "For your character, I hope.
Ashley Poston (The Seven Year Slip)
A framed print of a white flower in a jar standing in front of a range of mountains in varying shades of blue brightened the wall opposite the window, which admitted enough sunlight to make the wooden surfaces of the sideboard gleam. Mrs. Johnson noticed Susan looking at it. “It’s a Hockney print,” she said proudly. “We bought it at the photography museum when we went to see his exhibition. It lightens up the place a bit, doesn’t it? He’s a local lad, you know, Hockney.” Her accent sounded vaguely posh and wholly put on. “Yes,” said Susan. She remembered Sandra Banks telling her about Hockney once. A local lad he might be, but he lived near the sea now in Southern California, a far cry from Bradford. “It’s very nice,” she added. “I think so,” said Mrs. Johnson. “I’ve always had an eye for a good painting, you know. Sometimes I think if I’d stuck it and not…” she looked around. “Well,…it’s too late for that now, isn’t it? A cup of tea?
Peter Robinson (Wednesday's Child)
Logan Bruno is Mary Anne’s boyfriend. He’s really nice and good-looking, with sandy blond hair and dark eyes. I like his slight southern accent, which is left over from when he lived in Kentucky. He’s also an associate member of the BSC.
Ann M. Martin (Farewell, Dawn (The Baby-Sitters Club, #88))
The boy’s first day of school in the North, he was assigned to a grade lower than the one he’d been in where he had come from, and the teacher couldn’t understand his southern accent. When she asked him his name, he said he was called J.C. The teacher misheard him and, from that day forward, called him Jesse instead. So did everyone else in this new world he was in. He would forever be known as Jesse Owens, not by his given name. He would go on to win four gold medals at the 1936 Olympics in Berlin, becoming the first American in the history of track and field to do so in a single Olympics and disproving the Aryan notions of his Nazi hosts. It made headlines throughout the United States that Adolf Hitler, who had watched the races, had refused to shake hands with Owens, as he had with white medalists. But Owens found that in Nazi Germany, he had been able to stay in the same quarters and eat with his white teammates, something he could not do in his home country. Upon his return, there was a ticker-tape parade in New York. Afterward, he was forced to ride the freight elevator to his own reception at the Waldorf-Astoria. “I wasn’t invited to shake hands with Hitler,” he wrote in his autobiography. “But I wasn’t invited to the White House to shake hands with the President either. I came back to my native country, and I could not ride in the front of the bus. I had to go to the back door. I couldn’t live where I wanted. Now, what’s the difference?
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
So why am I writing a book using the Aramaic or Peshitta as a source? We must keep in mind that all translations of ancient texts are speculative in some manner. This is not to say they are not inspired; it is to just affirm that our translators and historians are not inspired. It behooves us to seek out whatever sources are available to us from the Greek and Aramaic to allow the Holy Spirit to guide us into an understanding of how the original text really read. Even if we had the original manuscripts, would we be able to really understand all the nuances and colloquial expressions that were prevalent in that day? Expressions such as Son of God and Son of Man need a first-century understanding. Even Nicodemus did not understand what Jesus meant by “you must be born again.” When Jesus and his disciples journeyed to the southern portion of Israel, their accents and use of idioms and colloquial expressions were quite pronounced. Nicodemus had a problem when Jesus said: mitheelidh min dresh (born again). The Southern dialect, which Nicodemus spoke, would have taken this literally as a physical birth. However, the Northern dialect would have expressed more of a broader range of meaning to include a spiritual rebirth. Ultimately, the Holy Spirit is our guide and teacher as we study the Word of God.
Chaim Bentorah (Aramaic Word Study: Exploring The Language Of The New Testament)
I'm full of shit. I'm never myself. I've got a southern accent with the oldsters; I'm a nerd for graphs and deep thoughts around you; I'm Miss Bubbly Pretty Princess with Colin. I'm nothing. The thing about chameleoning your way through life is that it gets to where nothing is real.
John Green (An Abundance of Katherines)
A small man with a Mr. Magoo stature and an old-fashioned Southern accent, Sessions was bitterly mocked by the president, who drew a corrosive portrait of physical and mental weakness.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Just as there are accents in speech, there are regional accents in sign. People from the South sign slower than people in the North—even people from northern and southern Indiana have different styles.
Lou Ann Walker (A Loss for Words: The Story of Deafness in a Family)
Mama says stupid is as stupid does. [with that Southern accent]
Forest Gump
At a political science convention which I attended some years ago, one of the speakers mentioned toward the end of his talk that the education code of every state in the Union gives the public schools a mandate to form moral character. In the discussion period that followed a young woman with a marked Southern accent protested: "Ah am shocked by what Ah just heard—it goes against everything Ah learned in graduate school!
Francis Canavan (Fun is Not Enough: The Complete Catholic Eye Columns)
Are you hurt?” the woman asks. “Just my—” Even after the water, her voice comes out as a dry hiss. She clears her throat and tries again. “Just my ankle.” “Can you tell us where the others are? Are they . . . ?” Charlie fades off, but she knows how the question ends. “They’re still out there. Still alive.” Hallelujah will not think about the alternative. But by not trying not to think about it, she’s thinking about it, and it’s making her feel panicky. “I was the only one who could walk, so I—” She gulps. Draws in a shaky breath. Charlie dismounts his bike and squats down next to her. “Go on,” he says. His voice is soft. His accent is southern. But not hillbilly southern. Deep South. He’s not from around here either. She can’t believe her mind is wandering like this. She tries to focus. “We found—Jonah found a trail, and I followed it to this road. They’re at a campsite by the trail. I . . .” Hallelujah falters. “I don’t know how far. I wasn’t walking very fast. We haven’t eaten in . . . a while. And Rachel—she’s sick. She was throwing up. And Jonah cut his leg and it wouldn’t stop bleeding. . . .” “Jesus,” the woman says.
Kathryn Holmes
Ideally, Disney hoped to staff the World Showcase pavilions at EPCOT Center using an international version of the College Program. They thought that having guests walk into an elaborate recreation of Japan only to be greeted by a blonde-haired teen with a Southern accent would spoil the entire show. Plus, the program could help promote the rationale behind the cultural exchange of World Showcase—foreign nationals could bring a little bit of their home countries to the U.S., and then return to their homeland with a little bit of the U.S. Planners envisioned the program as the “greatest U.N. ever created,” which would promote world peace.
David Koenig (Realityland: True-Life Adventures at Walt Disney World)
The Complexity of Indian Accents in American English Not everyone from India has the same accent, so what’s important to think about when identifying what to focus on to create clear speech? Here are some things to consider: 1. Some people from India are English-medium schooled. Some are not. 2. Many people from India speak with tense articulation, which might make their speech sound fast. 3. Complexity & Variety If someone from India is having challenges speaking American English clearly at a comfortable pace, they may need to familiarize themselves with the vowels Americans use … they may be using British vowels, or some combination of vowels from their first languages and British vowels, and they are not aware of the vowel substitutions. They may also speak at a faster pace than American audiences are used to, and they may not pause and breathe as they go. They may have a lot of issues with the /w/ and /v/ sound distinctions, and their /th/ sounds make sound like /t/’s. Their /t/ sounds may have little bouncy/poppy qualities and they may be using a different part of their tongues to make the sounds. They may also be throaty speakers. And, for southern languages in particular, word stress patterns in American English and how to stress syllables by elongating them is key to intelligibility.
Rebecca Linquist
Plenty of room for rocking chairs,” Bernice, picking up on what they were both thinking, stated the obvious. “Just what I was thinking,” Amy returned in her neutral southern Illinois accent.
Aleister Davidson (Gravel Switch (The Black Goat Chronicles #1))
I will never apologize for my Southern accent...it just may be my greatest asset.
Lola Faye Arnold
Seems like it's hard for an Asian bull dike with pink hair and a southern accent to fit in anywhere.
Michael Holloway Perronne (Falling into Me)
I'm not posh! I'm just southern
Jonathan Harvey (The Girl Who Just Appeared)
I’m not sure I’m going to like Don Mincher. I keep hearing that big southern accent of his. It’s prejudice, I know, but every time I hear a southern accent I think: stupid. A picture of George Wallace pops into my mind. It’s like Lenny Bruce saying he could never associate a nuclear scientist with a southern accent.
Jim Bouton (Ball Four (RosettaBooks Sports Classics))
Joy,” Gansey replied. “You’ll be there, right?” “Am I invited?” Adam could be peculiarly polite. When he was uncertain about something, his Southern accent always made an appearance, and it was in evidence now.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Blake Lost his temper. "But they didn't do anything to you, did they?" He inquired savagely. "When they heard your Southern accent and your Southern name, they put you in a cell to think over your poor taste in lovers, patted you on the head, and let you go. You loved this man, Tony, or at least you led us to believe you did. The honorable thing for you to do is hear what he has to say.
Ellen Kushner (The Fall of the Kings (Riverside, #3))
Avery Adams," he said with a chuckle, dropping the towel where he stood. "Hello, Mr. Adams. I'm confirming your reservation tonight for dinner." The deep rich, masculine voice instantly sent his heart racing. His eyes were focused on the suit, but all he could see was the image of the man calling him. "Of course, I'll be there, unless you need the table." The thought made him furrow his brow, wishing he could take those words right back. He'd prepared all day for this dinner. Haircut, professional shave, plucked in all the most painful places. "No, sir, absolutely not. We'll see you at seven," Kane said. Avery could tell Kane was about to hang up and he jumped in before the man said goodbye. "Kane, tell me the specials for tonight." Avery couldn't actually care less what they served. He just wanted to hear the voice on the other end of the line. Kane's cultured Southern drawl made his blood boil, but Kane's voice still held all the proper hints of a well-practiced Italian accent as he efficiently ticked off the evening's menu. Avery stood transfixed, listening to the tone, until he closed his eyes, just letting the voice rock his world. "Our waitstaff will let you know if anything changes. Thank you, we'll see you at seven." The call disconnected, and Avery, a little slower at lowering the phone, finally managed to absently place it on the hook. He picked up the black Hugo Boss and hung it back in the closet. He tossed the towel in the hamper. Avery still had a couple of hours to kill before dinner.
Kindle Alexander (Always (Always & Forever #1))
If the sweet lilt of a soft Southern accent isn’t music to the ears, we just don’t know what is. Music isn’t just in our blood, it’s in our words as well.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
While Dixieland men may have struggled with a language inferiority complex, the opposite is true of Southern women. We’ve always known our accent is an asset, a special trait that makes us stand out from our Northern peers in all the best ways. For one thing, men can’t resist it. Our slow, musical speech drips with charm, and with the implied delights of a long, slow afternoon sipping home-brewed tea on the back porch. In educated circles, Southern speech is considered aristocratic, and for good reason: it is far closer linguistically to the Queen’s English than any other American accent. Scottish, Irish, and rural English formed the basis of our language years ago, and the accent has held strong ever since. In the poor hill country there haven’t been many other linguistic influences, and in Charleston you’d be hard pressed to tell a British tourist from a native. In the Delta of Mississippi and Louisiana, the mixture of French, West Indian, and Southern formed two dialects--Cajun and Creole--that in some places are far more like French than English.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
D’aron the Daring, Derring, Derring-do, stealing base, christened D’aron Little May Davenport, DD to Nana, initials smothered in Southern-fried kisses, dat Wigga D who like Jay Z aw-ite, who’s down, Scots-Irish it is, D’aron because you’re brave says Dad, No, D’aron because you’re daddy’s daddy was David and then there was mines who was named Aaron, Doo-doo after cousin Quint blew thirty-six months in vo-tech on a straight-arm bid and they cruised out to Little Gorge glugging Green Grenades and read three years’ worth of birthday cards, Little Mays when he hit those three homers in the Pee Wee playoff, Dookie according to his aunt Boo (spiteful she was, misery indeed loves company), Mr. Hanky when they discovered he TIVOed ‘Battlestar Galactica,’ Faggot when he hugged John Meer in third grade, Faggot again when he drew hearts on everyone’s Valentine’s Day cards in fourth grade, Dim Dong-Dong when he undressed in the wrong dressing room because he daren’t venture into the dark end of the gym, Philadelphia Freedom when he was caught clicking heels to that song (Tony thought he was clever with that one), Mr. Davenport when he won the school’s debate contest in eighth grade, Faggot again when he won the school’s debate contest in eighth grade, Faggot again more times than he cared to remember, especially the summer he returned from Chicago sporting a new Midwest accent, harder on the vowels and consonants alike, but sociable, played well with others that accent did, Faggot again when he cried at the end of ‘WALL-E,’ Donut Hole when he started to swell in ninth grade, Donut Black Hole when he continued to put on weight in tenth grade (Tony thought he was really clever with that one), Buttercup when they caught him gardening, Hippie when he stopped hunting, Faggot again when he became a vegetarian and started wearing a MEAT IS MURDER pin (Oh yeah, why you craving mine then?), Faggot again when he broke down in class over being called Faggot, Sissy after that, whispered, smothered in sniggers almost hidden, Ron-Ron by the high school debate team coach because he danced like a cross between Morrissey and some fat old black guy (WTF?) in some old-ass show called ‘What’s Happening!!’, Brainiac when he aced the PSATs for his region, Turd Nerd when he hung with Jo-Jo and the Black Bruiser, D’ron Da’ron, D’aron, sweet simple Daron the first few minutes of the first class of the first day of college.
T. Geronimo Johnson (Welcome to Braggsville)