Sound Of The Ocean Quotes

I am a tiny seashell that has secretly drifted ashore and carries the sound of the ocean surging through its body.

I would kiss you in the middle of the ocean during a lightning storm cuz I'd rather be left for dead than wondering what thunder sounds like.

I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.

Under the thinning fog the surf curled and creamed, almost without sound, like a thought trying to form inself on the edge of consciousness.

I cut because I can't deal. It's as simple as that. The world becomes an ocean, the ocean washes over me, the sound of water is deafening, the water drowns my heart, my panic becomes as large as planets. I need to hurt myself more than the world can hurt me, and then I can comfort myself.

I like people who get excited about the change of seasons, the sound of the ocean, watching a sunset, the smell of rain and starry nights.

I hadn't known that a light could be a feeling and a sound could be a color and a kiss could be both a question and an answer. And that heaven could be the ocean or a person or this moment or something else entirely.

If we put the sterile mechanism of our brain on hold, we can view an ocean of enticing eye-opening perspectives. Life offers us an array of choices allowing us to discover a spray of overpowering colors, and hear overwhelming new sounds, and smell the intense fragrances of nature. ("The final decision" )

Macon Ethan I lay my head down on his chest and cried because had lived because he had died a dry ocean, a desert of emotion happysad darklight sorrowjoy swept over me, under me i could hear the sound but i could not understand the words and then i realized the sound was me, breaking in one moment i was feeling everything and i was feeling nothing i was shattered, i was saved, i lost everthing, i was given everything else something in me died, something in me was born, i only knew the girl was gone whoever i was now, i would never be her again this is the way the world ends not with a bang but a whimper claim yourself claim yourself claim yourself claim gratitude fury love despair hope hate first green is gold but nothing green can stay dont try nothing green can stay -Lena Duchannes

Nothing can be given or taken away; nothing has been added or subtracted; nothing increased or diminished. We stand on the same shore before the same mighty ocean. The ocean of love. There it is - in perpetuum. As much in a broken blossom, the sound of a waterfall, the swoop of a carrion bird as in the thunderous artillery of the prophet. We move with eyes shut and ears stopped; we smash walls where doors are waiting to open to the touch; we grope for ladders, forgetting that we have wings; we pray as if God were deaf and blind, as if He were in a space. No wonder the angels in our midst are unrecognizable. One day it will be pleasant to remember these things.

And if there’s one thing in this world I’ve ever known for sure, it’s that this girl is gonna crush me like a small bug, leave me so fucking broken there’ll be body bags beneath my eyes from nights I cried so hard the stars died. But I’m like, go ahead. I’m all yours. I would kiss you in the middle of the ocean during a lightning storm, cause I’d rather be left for dead than left to wonder what thunder sounds like.

The three great elemental sounds in nature are the sound of rain, the sound of wind in a primeval wood, and the sound of outer ocean on a beach. I have heard them all, and of the three elemental voices, that of ocean is the most awesome, beautiful and varied.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.

BLUE SWEATER Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating... Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. It was the first day of October. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. You promised to love me forever that night... and boy did you ever! It was the first day of December this time. I was wearing my blue sweater, you know the one I bought at Dillard’s? The one with a double knitted hem and holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. I told you I was three weeks late You said it was fate. You promised to love me forever that night... and boy did you ever! It was the first day of May. I was wearing my blue sweater, although this time the double stitched hem was worn and the strength of each thread tested as they were pulled tight against my growing belly. You know the one. The same one I bought at Dillard’s? The one with holes in the ends of the sleeves that I could poke my thumbs through when it was cold but I didn't feel like wearing gloves? It was the same sweater you said made my eyes look like reflections of the stars on the ocean. The SAME sweater you RIPPED off of my body as you shoved me to the floor, calling me a whore , telling me you didn't love me anymore. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of my heart beating. Bom Bom... Bom Bom... Bom Bom... Do you hear that? That's the sound of your heart beating. (There is a long silence as she clasps her hands to her stomach, tears streaming down her face) Do you hear that? Of course you don't. That's the silence of my womb. Because you RIPPED OFF MY SWEATER!

You’re like a lighthouse shining beside the sea of humanity, motionless: all you can see is your own reflection in the water. You’re alone, so you think it’s a vast, magnificent panorama. You haven’t sounded the depths. You simply believe in the beauty of God’s creation. But I have spent all this time in the water, diving deep into the howling ocean of life, deeper than anyone. While you were admiring the surface, I saw the shipwrecks, the drowned bodies, the monsters of the deep

One day many years ago a man walked along and stood in the sound of the ocean on a cold sunless shore and said, "We need a voice to call across the water, to warn ships; I'll make one. I'll make a voice like all of time and all of the fog that ever was; I'll make a voice that is like an empty bed beside you all night long, and like an empty house when you open the door, and like trees in autumn with no leaves. A sound like the birds flying south, crying, and a sound like November wind and the sea on the hard, cold shore. I'll make a sound that's so alone that no one can miss it, that whoever hears it will weep in their souls, and hearths will seem warmer, and being inside will seem better to all who hear it in the distant towns. I'll make me a sound and an apparatus and they'll call it a Fog Horn and whoever hears it will know the sadness of eternity and the briefness of life." The Fog Horn blew.

I guess what I mean is that sometimes I don't know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?

We don't do spells," she said. She sounded a little disappointed to admit it. "We'll do recipes sometimes. But no spells or cantrips. Gran doesn't hold with none of that. She says it's common.

You are everything that's ever been my favourite thing," she wanted to tell him. "You're my love song, my birthday cake, the sound of ocean waves and French words and a baby's laugh. You're a snow angel, crème brulée, a kaleidoscope filled with glitter. I love you and you'll never catch up, because I've gotten a head start and my heart is racing at light speed.

There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it. I don't know what I'm saying. I guess what I mean is that sometimes I don't know what or who we are. Days I feel like a human being, while other days I feel more like a sound. I touch the world not as myself but as an echo of who I was. Can you hear me yet? Can you read me?

As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there’s something below it, I won’t know it. But that’s part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn’t the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I’m perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me.

To shut your eyes is to guess nothing of blindness. Beneath your world of skies and faces and buildings exists a rawer and older world, a place where surface planes disintegrate and sounds ribbon in shoals through the air. Marie-Laure can sit in an attic high above the street and hear lilies rustling in marshes two miles away. She hears Americans scurry across farm fields, directing their huge cannons at the smoke of Saint-Malo; she hears families sniffling around hurricane lamps in cellars, crows hopping from pile to pile, flies landing on corpses in ditches; she hears the tamarinds shiver and the jays shriek and the dune grass burn; she feels the great granite fist, sunk deep into the earth’s crust, on which Saint-Malo sits, and the ocean teething at it from all four sides, and the outer islands holding steady against the swirling tides; she hears cows drink from stone troughs and dolphins rise through the green water of the Channel; she hears the bones of dead whales stir five leagues below, their marrow offering a century of food for cities of creatures who will live their whole lives and never once see a photon sent from the sun. She hears her snails in the grotto drag their bodies over the rocks.

The cycle hit the beach and spun out. Emma went into a rolling crouch as she flew free of it, keeping her elbows in, pushing the air hard out of her lungs. She turned her head as she hit the sand, slapping her palms down to roll herself forward, absorbing the impact of the fall through her arms and shoulders, her knees folding up into her chest. The stars wheeled crazily overhead as she spun, sucking in her breath as her body slowed its rolling. She came to a stop on her back, her hair and clothes full of sand and her ears full of the sound of the wildly crashing ocean…

My brother asked the birds to forgive him: that sounds senseless, but it is right; for all is like an ocean, all is flowing and blending; a touch in one place sets up movement at the other end of the earth. It may be senseless to beg forgiveness of the birds, but birds would be happier at your side –a little happier, anyway– and children and all animals, if you yourself were nobler than you are now. It’s all like an ocean, I tell you. Then you would pray to the birds too, consumed by an all-embracing love in a sort of transport, and pray that they too will forgive you your sin.

The ocean is far below us, but the waves crash so loudly, sound close enough to drown us.

There is no such things as God's word on earth. Or if there is it is not to be found in books. -Then where is it to be found?- In love. In the laughter of children. In a gift given. In a life saved. In the quiet of morning. In the dead of night. In the sound of the ocean, or the sound of a car. It can be found in anything, anywhere. It is the fabric of our lives, our feelings, the people we live with, things we know to be real.

I missed Rosaleen's snoring the way you'd miss the sound of the ocean waves after you've gotten used to sleeping with them. I didn't realize how it had comforted me. Quiteness has a strange, spongy hum that can nearly break your eardrums.

A song I used to hate that I loved surround-sounds my soul. It is a song about nightmares dressed as daydreams, about trading your soul for a kiss. I think not this song, never this song, but my soul is already singing along, riding its swells like an ocean wave, shimmering.

Kate, I need to use the toilet,” he called through the door. “You’ve just had hours in the sea. Couldn’t you have gone then?” “Mum told me to get out of the water first.” “What, even the ocean?” “It’s wrong to pollute.” He tried to sound serious.

I’ve gotten so good about not flinching at the sound of your name that people don’t know I’d still throw myself mouth-open into the ocean for the chance to drown somewhere you might see it.

London The Institute Year of Our Lord 1878 “Mother, Father, my chwaer fach, It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other? I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important. I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that. I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters. I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship. And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes. And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own. Your Son, Will

At midnight the wind in the trees can sound like the ocean. The moonlight can make a road appear as endless as the sea.

I don't know what or who we are. Days I feel like a human being, while other days I feel like a sound. I touch the world not as myself but as an echo of who I was.

I close my eyes and listen to the ocean. I'm thinking about sailing, to England or maybe France. The way the wind would feel on my face and the sound of his voice screaming my name through his laughter. The waves would crash like applause. God, I remember when I used to be afraid of the ocean.

I am only a shell where the ocean is still sounding.

Give me quiet, he thought, give me forests and ocean and no roads. Give me the walk to the village through the woods in summer, give me the sound of wind in cedar branches, give me mist rising over the water, give me the view of green branches from my bathtub in the mornings. Give me a place with no people in it, because I will never fully trust another person again.

I can imagine that the oceanic feeling could become connected with religion later on. That feeling of oneness with the universe which is its ideational content sounds very like a first attempt at the consolations of religion, like another way taken by the ego of denying the dangers it sees threatening it in the external world.

You are the books you read, the films you watch, the music you listen to, the people you meet, the dreams you have, and the conversations you engage in. You are what you take from these. You are the sound of the ocean, breath of the fresh air, the brightest light and the darkest corner. You are a collective of every experience you have had in your life. You are every single second of every day. So drown yourself in a sea of knowledge and existence. Let the words run through your veins and the colors fill your mind until there is nothing left to do but explode. There are no wrong answers. Inspiration is everything. Sit back, relax, and take it all in.

I loved the sound of words, even if I was not entirely certain what all of them meant

There will always be those who say you are too young and delicate to make anything happen for yourself. They don't see the part of you that smolders. Don't let their doubting drown out the sound of your own heartbeat. You are the first drop of rain in a hurricane. Your bravery builds beyond you. You are needed by all the little girls still living in secret, writing oceans made of monsters, and throwing like lightning. You don't need to grow up to find greatness. You are so much stronger than the world has ever believed you could be. The world is waiting for you to set it on fire. Trust in yourself and burn.

We have all heard what we wanted to hear! Truth that sounds right to our ears!

Though they live far from the coast, they retain a great fascination and passion for the ocean. The sound of crashing waves, the smell of salt air, it affects them deeply and has inspired many of their lovliest songs. There is one that tells of this love, if you want to hear it.

Maybe in my next life, I'll be a wave in the ocean, and you'll be a mountain, and we'll spend years and years brushing up against each other. You'll shift so painfully slowly, and some days I'll crash right into you and other days I'll approach gently, licking your sides. That sounds like us, doesn't it?

Lost and Found A sunken chest, on the ocean ground, to never be found was where he found me. There he stirred, my every thought, my every word, so gently, so profoundly. Now I am kept, from dreams I dreamt, when once I slept, so soundly.

I live in the borderlands. The word ghost sounds like memory. The word therapy means exorcism. My visions echo and multiplymultiply. I don't know how to figure out what they mean. I can't tell where they start or if they will end. But I know this. If they shrink my head any more, or float me away on an ocean of pills, I will never return.

I love you, Eve.” She looked away from the sun, the ocean, and into his eyes. And it was wonderful, and for the moment, it was simple. “I missed you.” She pressed her cheek to his and held him tightly. “I really missed you. I wore one of your shirts.” She could laugh at herself now because he was here. She could smell him, touch him. “I actually went into your closet and stole one of your shirts—one of the black silk ones you have dozens of. I put it on, then snuck out of the house like a thief so Summerset wouldn’t catch me.” Absurdly touched, he nuzzled her neck. “At night, I’d play your transmissions over, just so I could look at you, hear your voice.” “Really?” She giggled, a rare sound from her. “God, Roarke, we’ve gotten so sappy.” “We’ll keep it our little secret.” “Deal.” She leaned back to look at his face.

There are times when the ocean is not the ocean - not blue, not even water, but some violent explosion of energy and danger: ferocity on a scale only gods can summon. It hurls itself at the island, sending spray right over the top of the lighthouse, biting pieces off the cliff. And the sound is a roaring of a beast whose anger knows no limits. Those are the nights the light is needed most.

I am the Cosmic Ocean of sound and the little wave of the body vibration in it.

I cut because I can't deal. It's as simple as that. The world becomes an ocean, the ocean washes over me, the sound of water is deafening, the water drowns my heart, my panic becomes as large as planets. I need release, I need to hurt myself more than the world can hurt me, and then I can comfort myself.

The ocean pulsed outside our window. The sound of the waves crashing on the rocks below usually calmed me down, but the fear and chaos that were tangled in my mind made that an impossibility.

And no one will remember us, who we were or what happened here. Sand will blow across Pacific Avenue and against the windows of the Moonstone, and new people will arrive and walk down the beach to the great ocean. They will be in love, or they will be lost, and they will have no words. And the waves will sound to them as they did to us the first time we heard them.

I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL. Soul is at home in the deep shaded valleys. Heavy torpid flowes saturated with black grow there. The rivers flow like arm syrup. They empty into huge oceans of soul. Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers. Life is sparse and sound travels great distances. There is soul music, soul food, and soul love. People need to climb the mountain not because it is there But because the soulful divinity need to be mated with the Spirit. Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.

Does sound have rhythm? Does it rise and fall like the ocean? Does sound come and go like wind?

It is never too late to go quietly to our lakes, rivers, oceans, even our small streams, and say to the sea gulls, the great blue herons, the bald eagles, the salmon, that we are sorry.

I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.

Black as--the centre of an eye, the centre, a blackness that sucks at light. I love your vigilance Night, first mother of songs, give me the voice to sing of you in those fingers lies the bridle of the four winds. Crying out, offering words of homage to you, I am only a shell where the ocean is still sounding. But I have looked too long into human eyes. Reduce me now to ashes--Night, like a black sun.

And he listened to me. That was the thing he did, as if he was trying to fill himself up with all the sound he could hear. He listened to the wind and the falling ocean and my voice, always with rapt attention, a concentration that almost excluded physical bodies themselves and kept only the sounds.

Anyway, Patrick started driving really fast, and just before we got to the tunnel, Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called "Landslide." When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.

The second thing I thought was that I knew everything. Lettie Hempstock's ocean flowed inside me, and it filled the entire universe, from Egg to Rose. I knew that. I knew what Egg was - where the universe began, to the sound of the uncreated voices singing in the void-and I knew where the Rose was -the peculiar crinkling of space on space into dimensions that fold like origami and blossom like strange orchids, and which would mark the last good time before the eventual end of everything and the next Big Bang, which would be, I knew now, nothing of the kind.

She took my hands in her, then, and squeezed them. 'But you stayed where you were meant to be, and you didn't listen to them. Well done. That's quality, that is,' and she sounded proud. In that moment I forgot my hunger and I forgot my fear.

I live alone," he said simply. "I live in the open. I hear the waves at night and see the black patterns of the pine boughs against the sky. With sound and silence and color and solitude, of course I see visions. Anyone would." "But you don't believe in them?" Doc asked hopefully. "I don't find it a matter for belief or disbelief," the seer said. "You've seen the sun flatten and take strange shapes just before it sinks into the ocean. Do you have to tell yourself everytime that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it? Don't you see visions?" "No," said Doc.

Funny hoe everything can change in an instant. From death to life. From empty to full. From darkness to light. Or maybe I just wasn't looking. I hadn't known that light could be a feeling and sound could be a color and a kiss could be both a question and an answer. And that heaven could be the ocean or a person or this moment or something else entirely.

That time when I was five or six and, playing a prank, leapt out at you from behind the hallway door, shouting, “Boom!” You screamed, face raked and twisted, then burst into sobs, clutched your chest as you leaned against the door, gasping. I stood bewildered, my toy army helmet tilted on my head. I was an American boy parroting what I saw on TV. I didn’t know that the war was still inside you, that there was a war to begin with, that once it enters you it never leaves—but merely echoes, a sound forming the face of your own son. Boom.

You are sitting here with us, but you are also out walking in a field at dawn. You are yourself the animal we hunt when you come with us on the hunt. You are in your body like a plant is solid in the ground, yet you are wind. You are the diver's clothes lying empty on the beach. You are the fish. In the ocean are many bright strands and many dark strands like veins that are seen when a wing is lifted up. Your hidden self is blood in those, those veins that are lute strings that make ocean music, not the sad edge of surf, but the sound of no shore.

And in her ears the little Seashells, the thimble radios tamped tight, and an electronic ocean of sound, of music and talk and music and talk coming in, coming in on the shore of her unsleeping mind. The room was indeed empty. Every night the waves came in and bore her off on their great tides of sound, floating her, wide-eyed, toward morning. There had been no night in the last two years that Mildred had not swum that sea, had not gladly gone down in it for the third time.

The deep roar of the ocean. The break of waves on farther shores that thought can find. The silent thunders of the deep. And from among it, voices calling, and yet not voices, humming trillings, wordlings, and half-articulated songs of thought. Greetings, waves of greetings, sliding back down into the inarticulate, words breaking together. A crash of sorrow on the shores of Earth. Waves of joy on--where? A world indescribably found, indescribably arrived at, indescribably wet, a song of water. A fugue of voices now, clamoring explanations, of a disaster unavertable, a world to be destroyed, a surge of helplessness, a spasm of despair, a dying fall, again the break of words. And then the fling of hope, the finding of a shadow Earth in the implications of enfolded time, submerged dimensions, the pull of parallels, the deep pull, the spin of will, the hurl and split of it, the fight. A new Earth pulled into replacement, the dolphins gone. Then stunningly a single voice, quite clear. "This bowl was brought to you by the Campaign to Save the Humans. We bid you farewell." And then the sound of long, heavy, perfectly gray bodies rolling away into an unknown fathomless deep, quietly giggling.

As I lay there, listening to the soft slap of the sea, and thinking these sad and strange thoughts, more and more and more stars had gathered, obliterating the separateness of the Milky Way and filling up the whole sky. And far far away in that ocean of gold, stars were silently shooting and falling and finding their fates, among these billions and billions of merging golden lights. And curtain after curtain of gauze was quietly removed, and I saw stars behind stars behind stars, as in the magical Odeons of my youth. And I saw into the vast soft interior of the universe which was slowly and gently turning itself inside out. I went to sleep, and in my sleep I seemed to hear a sound of singing.

... I have dreams of you too, Mariam jo. I miss you. I miss the sound of your voice, your laughter. I miss reading to you, and all those times we fished together. Do you remember all those times we fished together? You were a good daughter, Mariam jo, and I cannot ever think of you without feeling shame and regret. Regret… When it comes to you, Mariam jo, I have oceans of it. I regret that I did not see you the day you came to Herat. I regret that I did not open the door and take you in. I regret that I did not make you a daughter to me, that I let you live in that place for all those years. And for what? Fear of losing face? Of staining my so-called good name? How little those things matter to me now after all the loss, all the terrible things I have seen in this cursed war. But now, of course, it is too late. Perhaps that is just punishment for those who have been heartless, to understand only when nothing can be undone. Now all I can do is say that you were a good daughter, Mariam jo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me, Mariam jo. Forgive me, forgive me. Forgive me...

Patrick started driving really fast, and just before we got to the tunnel. Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.

In the past the whales had been able to sing to each other across whole oceans, even from one ocean to another because sound travels such huge distances underwater. But now, again because of the way in which sound travels, there is no part of the ocean that is not constantly jangling with the hubbub of ships’ motors, through which it is now virtually impossible for the whales to hear each other’s songs or messages. So fucking what, is pretty much the way that people tend to view this problem, and understandably so, thought Dirk. After all, who wants to hear a bunch of fat fish, oh all right, mammals, burping at each other? But for a moment Dirk had a sense of infinite loss and sadness that somewhere amongst the frenzy of information noise that daily rattled the lives of men he thought he might have heard a few notes that denoted the movements of gods.

The place trembled with sound. I didn't need to do anything. They would do it all. But you had to be careful. Drunk as they were they could immediately detect any false gesture, any false word. You could never underestimate an audience. They had paid to get in; they had paid for drinks; they intended to get something and if you didn't give it to them they'd run you right into the ocean.

And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...

He leans close and says, "It matters to me," right against my mouth, and then kisses me like he means it. I've thought about what it'd be like to kiss Jake over the past few days, way more than I'd care to admit. But I don't even have time to register the firm press of his lips against mine, without breath, before he pulls back. His face freezes, eyes wide with oh shit written across them. Maybe I'd be offended if I wasn't so sure that my own expression matches his perfectly. "I shouldn't have done that," he blurts out. "I'm an idiot." "Yeah," I agree, "you really are." I grab the collar of his shirt and tug him back to me. He makes a muffled sound of surprise in the back of his throat, hesitating for a heartbeat before his mouth opens against mine. Suddenly, we're kissing for real - clumsy at first as we feel each other out, but then I shirt forward into his lap, fall against his chest and tip my head down, and it's like two puzzle pieces snapping into place. He tastes exactly the way I thought he would, of cigarettes and citrus and salt. The ocean. And he kisses like I thought he would, too, hard and hot and urgent, and way better than anyone I've made out with before.

It was an evening of torment, and I remember only one other thing about it. At some point after everyone was asleep, I wandered away from the inn in a daze and ended up on the sea cliffs, staring out into the darkness with sound of the roaring water below me. The thundering of the ocean was like a bitter lament. I seemed to see beneath everything a layering of cruelty I have never known was there. The howling of the wind and shaking of the trees seemed to mock me. Could it really be that the stream of my life had divided forever.

From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque. He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")

What in water did Bloom, waterlover, drawer of water, watercarrier, returning to the range, admire? Its universality: its democratic equality and constancy to its nature in seeking its own level: its vastness in the ocean of Mercator's projection: its unplumbed profundity in the Sundam trench of the Pacific exceeding 8000 fathoms: the restlessness of its waves and surface particles visiting in turn all points of its seaboard: the independence of its units: the variability of states of sea: its hydrostatic quiescence in calm: its hydrokinetic turgidity in neap and spring tides: its subsidence after devastation: its sterility in the circumpolar icecaps, arctic and antarctic: its climatic and commercial significance: its preponderance of 3 to 1 over the dry land of the globe: its indisputable hegemony extending in square leagues over all the region below the subequatorial tropic of Capricorn: the multisecular stability of its primeval basin: its luteofulvous bed: its capacity to dissolve and hold in solution all soluble substances including millions of tons of the most precious metals: its slow erosions of peninsulas and islands, its persistent formation of homothetic islands, peninsulas and downwardtending promontories: its alluvial deposits: its weight and volume and density: its imperturbability in lagoons and highland tarns: its gradation of colours in the torrid and temperate and frigid zones: its vehicular ramifications in continental lakecontained streams and confluent oceanflowing rivers with their tributaries and transoceanic currents, gulfstream, north and south equatorial courses: its violence in seaquakes, waterspouts, Artesian wells, eruptions, torrents, eddies, freshets, spates, groundswells, watersheds, waterpartings, geysers, cataracts, whirlpools, maelstroms, inundations, deluges, cloudbursts: its vast circumterrestrial ahorizontal curve: its secrecy in springs and latent humidity, revealed by rhabdomantic or hygrometric instruments and exemplified by the well by the hole in the wall at Ashtown gate, saturation of air, distillation of dew: the simplicity of its composition, two constituent parts of hydrogen with one constituent part of oxygen: its healing virtues: its buoyancy in the waters of the Dead Sea: its persevering penetrativeness in runnels, gullies, inadequate dams, leaks on shipboard: its properties for cleansing, quenching thirst and fire, nourishing vegetation: its infallibility as paradigm and paragon: its metamorphoses as vapour, mist, cloud, rain, sleet, snow, hail: its strength in rigid hydrants: its variety of forms in loughs and bays and gulfs and bights and guts and lagoons and atolls and archipelagos and sounds and fjords and minches and tidal estuaries and arms of sea: its solidity in glaciers, icebergs, icefloes: its docility in working hydraulic millwheels, turbines, dynamos, electric power stations, bleachworks, tanneries, scutchmills: its utility in canals, rivers, if navigable, floating and graving docks: its potentiality derivable from harnessed tides or watercourses falling from level to level: its submarine fauna and flora (anacoustic, photophobe), numerically, if not literally, the inhabitants of the globe: its ubiquity as constituting 90 percent of the human body: the noxiousness of its effluvia in lacustrine marshes, pestilential fens, faded flowerwater, stagnant pools in the waning moon.

I’m not this unusual,” she said. “It’s just my hair.” She looked at Bobby and she looked at me, with an expression at once disdainful and imploring. She was forty, pregnant, and in love with two men at once. I think what she could not abide was the zaniness of her life. Like many of us, she had grown up expecting romance to bestow dignity and direction. “Be brave,” I told her. Bobby and I stood before her, confused and homeless and lacking a plan, beset by an aching but chaotic love that refused to focus in the conventional way. Traffic roared behind us. A truck honked its hydraulic horn, a monstrous, oceanic sound. Clare shook her head, not in denial but in exasperation. Because she could think of nothing else to do, she began walking again, more slowly, toward the row of trees.

I am always hearing. . . the sound of a far off song. I do not exactly know where it is, or what it means; and I don't hear much of it, only the odour of its music, as it were, flitting across the great billows of the ocean outside this air in which I make such a storm; but what I do hear, is quite enough to make me able to bear the cry from the drowning ship. So it would you if you could hear it.' 'No it wouldn't,' returned Diamond stoutly. 'For they wouldn't hear the music of the far-away song; and if they did, it wouldn't do them any good. You see you and I are not going to be drowned, and so we might enjoy it.' 'But you have never heard the psalm, and you don't know what it is like. Somehow, I can't say how, it tells me that all is right; that it is coming to swallow up all the cries. . . . It wouldn't be the song it seems if it did not swallow up all their fear and pain too, and set them singing it themselves with all the rest.

These Exhaling Sounds Is the sweetness of the cane sweeter than the one who made the canefield? Behind the beauty of the moon is the moonmaker. There is intelligence inside the ocean's intelligence feeding our love like an invisible waterwheel. There is a skill to making cooking oil from animal fat. Consider now the knack that makes eyesight from the shining jelly of your eyes. Dawn comes up like a beautiful meal being served. We are hungry and distracted, so in love with the cook. Don't just be proud of your mustache as you drive three donkeys down the road. Instead of gemstones, love the jeweler. Enough of these exhaling sounds. Let the darling finish this who turns listening into seeing.

Would you - would you like to marry me, Kitty?' Lord Radcliffe - James - asked, voice like gravel. She gave a helpless little laugh at the absurdity of the question - as if he did not know. 'I would,' she said. 'But first, I feel I must inform you that I come with four sisters, a badly leaking roof, and a veritable ocean of debt.' He had started to smile now, and once begun it did not seem to stop, overtaking his whole face. “I thank you for your honesty,’ he said cordially, and she laughed. ‘May I reassure you that I am desperate to meet your other sisters, the roof sounds charmingly rustic, and the debt does not faze me.’ He paused. ‘Of course, I understand that you will need to see my accounts before committing yourself,’ he went on, and she laughed again, loud and bright. ‘I’m sure that won’t be necessary,’ she said. ‘As long as you can promise you’re absurdly rich and you’ll pay off all my family’s debts.’ ‘I am absurdly rich,’ he repeated. ‘And I will pay off all your family’s debts.’ ‘Why then by all means,’ she said, grinning up at him, ‘I would indeed like to marry you.

Perfection" Every oak will lose a leaf to the wind. Every star-thistle has a thorn. Every flower has a blemish. Every wave washes back upon itself. Every ocean embraces a storm. Every raindrop falls with precision. Every slithering snail leaves its silver trail. Every butterfly flies until its wings are torn. Every tree-frog is obligated to sing. Every sound has an echo in the canyon. Every pine drops its needles to the forest floor. Creation's whispered breath at dusk comes with a frost and leaves within dawn's faint mist, for all of existence remains perfect, adorned, with a dead sparrow on the ground. (Poem titled : 'Perfection' by R.H.Peat)

I came to California to study oceanography.” “That sounds like a perfectly good reason,” she said. “Well”—he flicked his pen in short strokes around the hedgehog’s face—“as it turns out, I don’t actually like the ocean.” Georgie laughed. Neal’s eyes were laughing with her. “I’d never seen it before I got here,” he said, glancing quickly up at her. “I thought it seemed cool.” “It’s not cool?” “It’s really wet,” he said. “And also outside.” Georgie kept laughing. Neal kept inking. “Sunburn…,” he said, “seasick…” “So now what are you studying?” “I am definitely still studying oceanography,” he said, nodding at his drawing. “I am definitely here on an oceanography scholarship, still studying oceanography.” “But that’s terrible. You can’t study oceanography if you don’t like the ocean.” “I may as well.” He almost smiled again. “I don’t like anything else either.

You are now 18 standing on the precipice, trembling before your own greatness. This is your call to leap. There will always being those who say you are too young and delicate to make anything happen for yourself. They don’t see the part of you that smolders. Don’t let their doubting drown out the sound of your own heartbeat. You are the first drop of a hurricane. Your bravery builds beyond you You are needed by all the little girls still living in secret, writing oceans made of monsters and throwing like lightening. You don’t need to grow up to find greatness. You are stronger than the world has ever believed you to be. The world is waiting for you to set it on fire Trust in yourself and burn.

When a person dies, they cross over from the realm of freedom to the realm of slavery. Life is freedom, and dying is a gradual denial of freedom. Consciousness first weakens and then disappears. The life-processes – respiration, the metabolism, the circulation – continue for some time, but an irrevocable move has been made towards slavery; consciousness, the flame of freedom, has died out. The stars have disappeared from the night sky; the Milky Way has vanished; the sun has gone out; Venus, Mars and Jupiter have been extinguished; millions of leaves have died; the wind and the oceans have faded away; flowers have lost their colour and fragrance; bread has vanished; water has vanished; even the air itself, the sometimes cool, sometimes sultry air, has vanished. The universe inside a person has ceased to exist. This universe is astonishingly similar to the universe that exists outside people. It is astonishingly similar to the universes still reflected within the skulls of millions of living people. But still more astonishing is the fact that this universe had something in it that distinguished the sound of its ocean, the smell of its flowers, the rustle of its leaves, the hues of its granite and the sadness of its autumn fields both from those of every other universe that exists and ever has existed within people, and from those of the universe that exists eternally outside people. What constitutes the freedom, the soul of an individual life, is its uniqueness. The reflection of the universe in someone's consciousness is the foundation of his or her power, but life only becomes happiness, is only endowed with freedom and meaning when someone exists as a whole world that has never been repeated in all eternity. Only then can they experience the joy of freedom and kindness, finding in others what they have already found in themselves.

I breathe in... The sights and smells Of this city I’ve come to know... So well I gaze... Across the turquoise ocean Where the waves Liberate my spirit... From its shell I breathe in... The brilliant sky line Where the birds Emerge shyly From the dappled sunshine I breathe in... The gently... Blowing winds That soothe me Like a mother, around her child I breathe in... The sounds of laughter Pure and pretty Like the golden-green butterfly I’m always after I breathe in... The closeness, I have always shared With people, Who almost knew me, Almost cared I breathe in... The comfort Of my home, The safe walls, The scents of childhood On the pillows I breathe in...the silence Of my own heart Aching with tenderness... With memories.. Of home I breathe... in... The fragrance Of love, and moist sand The one... His roses left... On both my hands And I just keep on breathing Every moment As much as I can Preserving it, in my body For the day It can’t So I breathe in.. Once again.. Feeling life's energy Fizzing through my cells Never knowing What awaits me Or what's going to happen to me.. Next I breathe in This moment... Knowing it's either life Or it's death I close my eyes, And breathe in Just believing in myself.

Of course," agreed Basil, "if you read it carelessly, and act on it rashly, with the blind faith of a fanatic; it might very well lead to trouble. But nature is full of devices for eliminating anything that cannot master its environment. The words 'to worship me' are all-important. The only excuse for using a drug of any sort, whether it's quinine or Epsom-salt, is to assist nature to overcome some obstacle to her proper functions. The danger of the so-called habit-forming drugs is that they fool you into trying to dodge the toil essential to spiritual and intellectual development. But they are not simply man-traps. There is nothing in nature which cannot be used for our benefit, and it is up to us to use it wisely. Now, in the work you have been doing in the last week, heroin might have helped you to concentrate your mind, and cocaine to overcome the effects of fatigue. And the reason you did not use them was that a burnt child dreads fire. We had the same trouble with teaching Hermes and Dionysus to swim. They found themselves in danger of being drowned and thought the best way was to avoid going near the water. But that didn't help them to use their natural faculties to the best advantage, so I made them confront the sea again and again, until they decided that the best way to avoid drowning was to learn how to deal with oceans in every detail. It sounds pretty obvious when you put it like that, yet while every one agrees with me about the swimming, I am howled down on all sides when I apply the same principles to the use of drugs.

Each morning fog rolls over the bay and caresses the Golden Gate, the most picturesque bridge in the world. In the evenings night descends from heaven like some mystical force of nature, alerting hearts that something wonderful is about to happen. The City by the Bay becomes a moonlit paradise of sounds and sensations. It teems with lights, music, ocean, and pretty girls ready to dance and have fun. San Francisco stretches out her romantic hand, beckoning you to join in all the living going on, all the love being found. And for this reason, night is the loneliest time for those of us who have no one. Oh, we try for love, desperately we make the attempt, gallantly we forge on. But inevitably we fall into a seductive whirlpool of night and garter belts, lipstick and alluring lingerie, darkened hotel rooms and passion devoid of love. Love is the trophy others raise high in happiness, leaving the rest to seek momentary solace in sex bereft of tenderness and meaning, pretending for a few moments, perhaps even a few hours, that it is something more. A hollow consolation prize for losing the romance contest.

Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.

Eurydice" It’s more like the sound a doe makes when the arrowhead replaces the day with an answer to the rib’s hollowed hum. We saw it coming but kept walking through the hole in the garden. Because the leaves were bright green & the fire only a pink brushstroke in the distance. It’s not about the light—but how dark it makes you depending on where you stand. Depending on where you stand his name can appear like moonlight shredded in a dead dog’s fur. His name changed when touched by gravity. Gravity breaking our kneecaps just to show us the sky. We kept saying Yes— even with all those birds. Who would believe us now? My voice cracking like bones inside the radio. Silly me. I thought love was real & the body imaginary. But here we are—standing in the cold field, him calling for the girl. The girl beside him. Frosted grass snapping beneath her hooves.

At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.

The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.

The Idea of Order at Key West She sang beyond the genius of the sea. The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean. The sea was not a mask. No more was she. The song and water were not medleyed sound Even if what she sang was what she heard, Since what she sang was uttered word by word. It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard. For she was the maker of the song she sang. The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing. Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang. If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone. But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea. It was her voice that made The sky acutest at its vanishing. She measured to the hour its solitude. She was the single artificer of the world In which she sang. And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker. Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made. Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As the night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night. Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.

The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.