Sound Of Bangles Quotes

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You entered the room stirring air with suppleness of walk waking up the stillness with jingles of cymbals making curtains dance to the sound of bangles.
Suman Pokhrel
As you entered the room stirring air with suppleness of walk waking up the stillness with jingles of cymbals making curtains dance to the sound of bangles aroma wafted into air from canvas and copybooks my paintbrush grew restless and pen became enraptured my eyes, hands and some other parts of my body became electrified.
Suman Pokhrel
As you entered the room stirring air with suppleness of walk, waking up the stillness with jingles of cymbals, making curtains dance to the sound of bangles: aroma wafted into air from canvas and copybooks, my paintbrush grew restless, and pen became enraptured; my eyes, and hands. and this and that became electrified.
Suman Pokhrel
Before I was married, I thought the sound of bangles jangling on my forearms would be delightful. I looked forward to being able to wear bells around my ankles and silver necklaces around my neck, but not any more, not since I had learned what they represented for the man who gave them. A necklace was no prettier than a piece of of rope that ties a goat to a tree, depriving it of freedom.
Phoolan Devi (The Bandit Queen Of India: An Indian Woman's Amazing Journey From Peasant To International Legend)
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . . Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree. Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
Wallace Stegner
She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re
Sally Kempton (Awakening Shakti: The Transformative Power of the Goddesses of Yoga)
The horoscope loomed in my thoughts. Perhaps it had been right all this time. A marriage that partnered me with death. My wedding, sham though it was, would bring more than just my end. I breathed deeply and a calm spiraled through me. This was my final taste: a helix of air, smacking of burnt things and bright leaves. I pulled the vial from my bangles, fingers shaking. This was my last sight: purling fire and windows that soared out of reach. I raised the vial to my lips. My chest was tight, silk clinging damply to my back, my legs. This was my last sound: the cadence of a heart still beating. “May Gauri live a long life,” I mouthed. The poison trickled thickly from the rim and I tilted my head back, eyes on the verge of shutting-- And then: a shatter. My eyes opened to empty hands clutching nothing. Spilled poison seeped into the rug and shards of glass glinted on the floor, but all of that was obscured by the shadow of a stranger. “There’s no need for that,” said the stranger. He wiped his hands on the front of his charcoal kurta, his face partially obscured by a sable hood studded with small diamonds. All I could see was his tapered jaw, the serpentine curve of his smile and the straight bridge of his nose. Like the suitors, he wore a garland of red flowers. And yet, all of that I could have forgotten. Except his voice… It drilled through the gloaming of my thoughts, pulled at me in the same way the mysterious intruder’s voice had tugged. But where the woman’s voice brought fury, this was different. The hollow inside me shifted, humming a reply in melted song. I could have been verse made flesh or compressed moonlight. Anything other than who I was now. A second passed before I spoke. By then, the stranger’s lips had bent into a grin. “Who are you?” “One of your suitors,” he said, not missing a beat. He adjusted his garland. I backed away, body tensing. I had never seen him before. I knew that with utmost certainty. Did he mean to harm me? “That’s not an answer.” “And that wasn’t a thank you,” he said.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the east She lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.
Shilpi Somaya Gowda (Secret Daughter)
She went back down the ramp, onto the plane, and found her seat. She fastened her seat belt, her right arm feeling foreign, missing the sound the bangle would have made coming into contact with the metal buckle. It would be replaced tenfold in the course of her wedding. And yet she felt she had left a piece of her body behind. She had grown up hearing from her mother that losing gold was inauspicious, and as the plane began to climb, in those moments she was still aware of it moving, a dark thought passed through her, that it would crash or be blasted apart in the sky. Then the fear turned numb. Already on the screen at the center of the plane there was a map with a white line emerging away from Rome, creeping toward India. And this simple graphic composed her, making clear the only road available now.
Anonymous
Doing no violence to living things, not even a single one of them, wander alone like a rhinoceros. Affection comes from the company of people, misery comes from affection, wander alone like a rhinoceros. The old bamboo is entangled, the young shoot is unattached, wander alone like a rhinoceros. A deer goes to eat where it wants to eat, wander alone like a rhinoceros. Give up your children and your wives and your money, wander alone like a rhinoceros. Everyone wants your attention, wander alone like a rhinoceros. Two bright bangles on an arm clang, a single bangle is silent, wander alone like a rhinoceros. A bird who has torn the net, wander alone like a rhinoceros. Fire does not return to what it has burnt, wander alone like a rhinoceros. A tiger is not alarmed by sounds in the forest, wander alone like a rhinoceros. Cold and heat, hunger and thirst, wander alone like a rhinoceros. With eyes cast down, wander alone like a rhinoceros. At home anywhere, wander alone like a rhinoceros.
Eliot Weinberger (An Elemental Thing)
Charlie obviously liked her jewellery; both wrists displayed a collection of silver bangles that jingled as she walked, making her sound like a human wind chime.
Emma Salisbury (Fragile Cord (DS Coupland, #1))