Sound Frequency Quotes

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.

Words are thoughts encapsulated in sound vibrations. It’s not the vibration or frequency that gives a word complete power but the meaning perceived by another person for that word.

Despite a 50 percent divorce rate for first marriages and 65 percent the second time around; despite the staggering frequency of affairs; despite the fact that monogamy is a ship sinking faster than anyone can bail it out, we continue to cling to the wreckage with absolute faith in its structural soundness.

God is a sound frequency, and we can all tune in if we just listen. Some find The Rhythm through different melodies, but it's all music.

Integrity is the sound follow through of your heart, and an important part in the process of manifesting what it is that you aspire to. If you say that you are going to do something, do it. If you fail to complete the task at hand, or fulfill a promise you made, you are not operating at the right frequency. Don't lie to yourself and to others, follow through. Complete yourself, Expand your consciousness.

Insect life was so loud that when you parked the car and got out it sounded as if you had suddenly tuned into a radio frequency from another planet.

Each asana is like a sound or letter in an alphabet. Every letter in an alphabet produces a unique sound vibration. Each asana vibrates at a specific frequency. When asanas are performed in sequence, beautiful phrases or sutras result, producing a mystical language.

And the Flatline aligned the nose of Kuang's sting with the center of the dark below. And dove. Case's sensory input warped with their velocity. His mouth filled with an aching taste of blue. His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sounds of trains, suddenly sprouting a humming forest of hair-fine spines. The spines split, bisected, split again, exponential growth under the dome of the Tessier-Ashpool ice.

Helium is widely recognized as an over-the-counter, low-density gas that, when inhaled, temporarily increases the vibrational frequency of your windpipe and larynx, making you sound like Mickey Mouse.

More and more, when something terrible happens, we declare, “That’s life!” — as though disappointment and heartache declare the sum total of this existence. We miss the roses and see only the thorns. We take for granted the warmth of the sun and get depressed by the frequency of the rain or the snow. We ignore the sounds of life in a nursery because we are preoccupied with the sounds of sirens responding to an emergency. We forget the marvel of a marriage that has endured the test of time because we feel discouraged by the heartaches of loved ones whose marriages didn’t make it to the end.

Some scientists were conducting an experiment, he said, trying to gauge the impact of abuse on children. Ducks, like people, develop bonds between mother and young. They call it imprinting. So the scientists set out to test how that imprint bond would be affected by abuse. The control group was a real mother duck and her ducklings. For the experimental group, the scientist used a mechanical duck they had created - feathers, sound, and all - which would, at timed intervals, peck the ducklings with its mechanical beak. A painful peck, one a real duck would not give. They varied these groups. Each group was pecked with a different level of frequency. And then they watched the ducklings grow and imprint bond with their mother. Over time, he went on, the ducklings in the control group would waddle along behind their mother. But as they grew, there would be more distance between them. They'd wander and explore. The ducklings with the pecking mechanical mother, though, followed much more closely. Even the scientists were stunned to discover that the group that bonded and followed most closely was the one that had been pecked repeatedly with the greatest frequency. The more the ducklings were pecked and abused, the more closely they followed. The scientist repeated the experiment and got the same results.

If a tree falls in a forest and no one is there to hear it, does it make a sound? (The question was first posed by the Irish philosopher George Berkeley.) Simply, no—sound is a mental image created by the brain in response to vibrating molecules. Similarly, there can be no pitch without a human or animal present. A suitable measuring device can register the frequency made by the tree falling, but truly it is not pitch unless and until it is heard.

try telling a lover that love is not good for him. If you get a smile in return for your unsolicited advice, be assured that even though you were heard by the tiniest germ that swam the air at that moment, the pair of ears that the advice was meant for had cut out the disturbing sound frequencies before you had even emitted them.

Our true nature lies beyond what we can see, and it’s beyond what we cannot see. It’s beyond the light and sound, and it’s even beyond the frequency itself.

Smells have layers, like sounds have frequencies. Disentangling them is like trying to follow a song in a room full of loud people–you have to learn to tune out the other noises.

Like color, every SOUND is composed of many different frequencies and can be used to clear, balance and refresh the field in which you found yourself, or on which you are working.

Everything has a frequency, that's why images, smells, sounds, tastes, touch and words are spells.

This displacement between then and now created an ever-present sense of unease, like a low-frequency sound she couldn't hear clearly enough to identify, but that was disturbing nonetheless.

things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.

I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.

Another study that winds up in half the textbooks makes the same point, if more subtly. The subjects of the “experiment” were children reared in two different orphanages in Germany after World War II. Both orphanages were run by the government; thus there were important controls in place—the kids in both had the same general diet, the same frequency of doctors’ visits, and so on. The main identifiable difference in their care was the two women who ran the orphanages. The scientists even checked them, and their description sounds like a parable. In one orphanage was Fräulein Grun, the warm, nurturing mother figure who played with the children, comforted them, and spent all day singing and laughing. In the other was Fräulein Schwarz, a woman who was clearly in the wrong profession. She discharged her professional obligations, but minimized her contact with the children; she frequently criticized and berated them, typically among their assembled peers. The growth rates at the two orphanages were entirely different. Fräulein Schwarz’s kids grew in height and weight at a slower pace than the kids in the other orphanage. Then, in an elaboration that couldn’t have been more useful if it had been planned by a scientist, Fräulein Grun moved on to greener pastures and, for some bureaucratic reason, Fräulein Schwarz was transferred to the other orphanage. Growth rates in her former orphanage promptly increased; those in her new one decreased.

the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it’s a measurement of the number of cycles per second of a sound wave—pitch refers to what we hear. The chromatic scale,

The Hindus believe that in the beginning was sound, a pure vibrational ohm, and as I surf these wave emanations I feel like I've locked onto the fundamental frequency. Seconds go by on the outside but inside it's eternity, outside time and space and back where it all began...

The top easily preventable health problems that I see in western societies are: 1. Eating chemically grown food. 2. Exposure to electronically generated harmonic energy from wind and solar power systems. 3. Exposure to harmonic energy from switched mode power supplies (SMPS) that come with modern electronic products. 4. Exposure to wireless radio frequency radiation (RF). 5. Light deficiency from an indoor lifestyle and Low-E double glazed windows. 6. Sound deficiency from heavily insulated homes that are devoid of natural sounds and are extremely quiet. 7. Pollen deficiency from living in man-made cities that are devoid of natural levels of pollen. 8. Natural radiation deficiency from living in homes that block natural levels of environmental radiation. 9. Open drain sickness that occurs when drain traps dry out and faulty vent valves that allow sewer gas to fill the home. 10. Drinking the wrong type of water.

The transition from subject to observer was instantaneous, sensations, sights, and sounds changing from instruments of torment to a fascinating display of electronic signals. The spectra included thousands of frequencies, visual, audio and psi bands alike, each customized for a specific effect, a pseudo symphony for an audience of one.

As electrical energy can create mechanical vibrations (perceived as sound by the human ear), so in turn can mechanical vibrations create electrical energy, such as the previously mentioned ball lightning. It could be theorized, therefore, that with the Earth being a source for mechanical vibration, or sound, and the vibrations being of a usable amplitude and frequency, then the Earth's vibrations could be a source of energy that we could tap into. Moreover, if we were to discover that a structure with a certain shape, such as a pyramid, was able to effectively act as a resonator for the vibrations coming from within the Earth, then we would have a reliable and inexpensive source of energy.

Andreevich. “Don’t be angry with me, Misha. It’s stuffy in here, and hot outside. I don’t have enough air.” “You can see the vent window on the floor is open. Forgive us for smoking. We always forget that we shouldn’t smoke in your presence. Is it my fault that it’s arranged so stupidly here? Find me another room.” “Well, so I’m leaving, Gordosha. We’ve talked enough. I thank you for caring about me, dear comrades. It’s not a whimsy on my part. It’s an illness, sclerosis of the heart’s blood vessels. The walls of the heart muscle wear out, get thin, and one fine day can tear, burst. And I’m not forty yet. I’m not a drunkard, not a profligate.” “It’s too early to be singing at your funeral. Nonsense. You’ll live a long while yet.” “In our time the frequency of microscopic forms of cardiac hemorrhages has increased greatly. Not all of them are fatal. In some cases people survive. It’s the disease of our time. I think its causes are of a moral order. A constant, systematic dissembling is required of the vast majority of us. It’s impossible, without its affecting your health, to show yourself day after day contrary to what you feel, to lay yourself out for what you don’t love, to rejoice over what brings you misfortune. Our nervous system is not an empty sound, not a fiction. It’s a physical body made up of fibers. Our soul takes up room in space and sits inside us like the teeth in our mouth. It cannot be endlessly violated with impunity.

It is important to note that the design of an entire brain region is simpler than the design of a single neuron. As discussed earlier, models often get simpler at a higher level—consider an analogy with a computer. We do need to understand the detailed physics ofsemiconductors to model a transistor, and the equations underlying a single real transistor are complex. A digital circuit that multiples two numbers requires hundreds of them. Yet we can model this multiplication circuit very simply with one or two formulas. An entire computer with billions of transistors can be modeled through its instruction set and register description, which can be described on a handful of written pages of text and formulas. The software programs for an operating system, language compilers, and assemblers are reasonably complex, but modeling a particular program—for example, a speech recognition programbased on hierarchical hidden Markov modeling—may likewise be described in only a few pages of equations. Nowhere in such a description would be found the details ofsemiconductor physics or even of computer architecture. A similar observation holds true for the brain. A particular neocortical pattern recognizer that detects a particular invariant visualfeature (such as a face) or that performs a bandpass filtering (restricting input to a specific frequency range) on sound or that evaluates the temporal proximity of two events can be described with far fewer specific details than the actual physics and chemicalrelations controlling the neurotransmitters, ion channels, and other synaptic and dendritic variables involved in the neural processes. Although all of this complexity needs to be carefully considered before advancing to the next higher conceptual level, much of it can be simplified as the operating principles of the brain are revealed.

I went online to compare different colors of noise. White encompassed all audible frequencies and reminded me of TV static; pink was a mix of frequencies, with reduced higher frequencies, with a sound closer to ocean waves or falling rain; brown sounded lower, with the hint of a rumble, like a strong wind; blue was higher, with a hissing quality, like water spraying from a hose; green supposedly captured the background sound of nature; black noise was…silence.

Most dogs could hear four times better than a person, but Maggie’s enormous, upright ears evolved to detect quiet predators and distant prey. She could control each ear independently of the other. Eighteen muscles articulated each ear, shaping and sculpting her sail-like pinna to gather and concentrate sounds at frequencies far beyond any a human could hear. This allowed Maggie to hear seven times better than Scott. She could hear the whine of a jet at thirty thousand feet, termites chewing through wood, the crystal in Scott’s watch hum, and thousands of sounds as invisible to Scott as the scents he could not smell. When

Christianity was originally called good news. It used to be a happy message that people wanted to be a part of. The original version of the gospel seemed too good to be true. That’s why it spread like wildfire. Heaven as a free gift. Your sinfulness abolished. Effortless union with God. Amazing benefits! Easy, instant soul purge. Let me tell you, if the gospel you’ve heard is not too good to be true, it probably isn’t. The frequency of the gospel always inspires, always brings life and hope. The flavor and sound of the true gospel never puts rule and regulation and heavy trips on you. Never makes you feel you have to live up to any systematic expectations for acceptance. It always encourages, always hopes, always trusts, and always loves.

Pythagoras had the insight to apply a mathematical description to worldly phenomena like music. According to legend, he noticed similarities between the sound of plucking a lyre string and the resonances made by hammering a metal bar. He found that they created musical frequencies that vibrated with certain ratios. So something as aesthetically pleasing as music has its origin in the mathematics of resonances. This, he thought, might show that the diversity of the objects we see around us must obey these same mathematical rules. So at least two great theories of our world emerged from ancient Greece: the idea that everything consists of invisible, indestructible atoms and that the diversity of nature can be described by the mathematics of vibrations.

There is a kindness in beauty which can inform and bless a lesser force adjacent to it. It has been shown, for instance, that when there are two harps tuned to the same frequency in a room, one a large harp and the other smaller, if a chord is struck in the bigger harp it fills and infuses the little harp with the grandeur and beauty of its resonance and brings it into tuneful harmony. Then, the little harp sounds out its own tune in its own voice. This is one of the unnoticed ways in which a child learns to become herself. Perhaps the most powerful way parents rear children is through the quality of their presence and the atmosphere that pertains in the in-between times of each day. Unconsciously, the child absorbs this and hopefully parents send out enough tuneful spirit for the child to come into harmony with her own voice.

We have to dare to be ourselves, however frightening or strange that self may prove to be. - May Sarton You see, I am a poet, and not quite right in the head, darling. It's only that. - Edna St. Vincent Millay We are slowed down sound and light waves, a walking bundle of frequencies tuned into the cosmos. We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music. - Albert Einstein ————- Eventually soulmates meet, for they have the same hiding place. - Robert Brault Some things arrive on their own mysterious hour, on their own terms and not yours, to be seized or relinquished forever. - Gail Godwin Art makes us exercise the weakest muscle in the human body, the muscle of empathy. - Etgar Keret In the history of old Jewish literature there was never any basic difference between the poet and the prophet. Our ancient poetry often became law and a way of life. - Isaac Bashevis Singer ——————————————————————————— I am not belittling the brave pioneer men but the sunbonnet as well as the sombrero has helped to settle this glorious land of ours. - Edna Ferber You lose in the end unless you know how the wheel is fixed or can fix it yourself. - Edna Ferber What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine. - Susan Sontag ——————————————————————————— There comes a time when suddenly you realize that laughter is something you remember and that you were the one laughing. - Marlene Dietrich We work in the dark, We do what we can, We give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art. - Henry James

Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.

Music of the Grid: A Poem in Two Equations _________________________ The masses of particles sound the frequencies with which space vibrates, when played. This Music of the Grid betters the old mystic mainstay, "Music of the Spheres," both in fantasy and in realism. LET US COMBINE Einstein's second law m=E/C^2 (1) with another fundamental equation, the Planck-Einstein-Schrodinger formula E = hv The Planck-Einstein-Schrodinger formula relates the energy E of a quantum-mechanical state to the frequency v at which its wave function vibrates. Here h is Planck's constant. Planck introduced it in his revolutionary hypothesis (1899) that launched quantum theory: that atoms emit or absorb light of frequency v only in packets of energy E = hv. Einstein went a big step further with his photon hypothesis (1905): that light of frequency v is always organized into packets with energy E = hv. Finally Schrodinger made it the basis of his basic equation for wave functions-the Schrodinger equation (1926). This gave birth to the modern, universal interpretation: the wave function of any state with energy E vibrates at a frequency v given by v = E/h. By combining Einstein with Schrodinger we arrive at a marvelous bit of poetry: (*) v = mc^2/h (*) The ancients had a concept called "Music of the Spheres" that inspired many scientists (notably Johannes Kepler) and even more mystics. Because periodic motion (vibration) of musical instruments causes their sustained tones, the idea goes, the periodic motions of the planets, as they fulfill their orbits, must be accompanied by a sort of music. Though picturesque and soundscape-esque, this inspiring anticipation of multimedia never became a very precise or fruitful scientific idea. It was never more than a vague metaphor, so it remains shrouded in equation marks: "Music of the Spheres." Our equation (*) is a more fantastic yet more realistic embodiment of the same inspiration. Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,... (that is, the Bits that represent these Its) and let them settle until they reach equilibrium with the spontaneous activity of Grid. Neither planets nor any material constructions compromise the pure ideality of our instrument. It settles into one of its possible vibratory motions, with different frequencies v, depending on how we do the plunking, and with what. These vibrations represent particles of different mass m, according to (*). The masses of particles sound the Music of the Grid.

Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.

Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable. Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow. And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time—for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception—they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness. The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions—that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose—with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance—a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees—yes, Mole Flies do, in fact, have knees!—before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen.

Star Wars introduced a new way for using the five screen speakers [in theaters]. By pushing left and right sound channels to the farthest out speakers the pair just inside those was made available. Lucas' mixers then placed low frequency effects in those speakers, and named it the 'baby boom' channel. Human ears can hear frequencies up to around 20,000 hertz, and down to around 20 Hertz for very low sounds. Below that you don't *hear* the sound, but if the 'volume' is 'loud' enough, you can *feel* the sound. Super-low frequencies affect us emotionally, usually inducing something like fear. We feel them during earthquakes. Lucasfilm put sound effects in the baby boom channel for audiences to feel--for instance, in the opening shot of Star Wars where the little diplomatic ship is running from the Imperial Cruiser. It's no wonder this is one of the most memorable and ominous shots in cinematic history. It was not only cool looking, but cool *sounding*

universe.” Tan’elKoth’s tone remained dry and precise, but his face grew ever more grim. “Chambaraya is, one might say, a smaller knot of mind within the Worldmind: what the elves call T’nnalldion. Through Faith, the Bog can get its corporate fingers into that knot, unbind it, and tie it again in their own image.” Avery shook her head blankly, uncomprehending. Tan’elKoth’s expression was bleak as an open grave. “They’ll make of it a world like this one.” “Is that all?” Avery asked, frowning. “You make it sound like a catastrophe.” “It will be an Armageddon unimaginable; it will be genocide on a scale of which Stalin could not have dreamed.” “Wiping out magick doesn’t seem like such a bad thing.” “Businessman,” Tan’elKoth said patiently, “you don’t understand. Magick has not been wiped out on Earth; it is a function of Flow, which is the energy of existence itself. But its state can be altered. And it has been. Once, Earth was home to fully as many magickal creatures as was Overworld: dragons and sea serpents and mermaids, rocs and djann and primals and stonebenders and all. But creatures such as these require higher levels of certain frequencies of Flow than does humanity; as the pattern of Earth degraded, these creatures not only died, but their very bones gave up their integrity. They vanished into the background Flow of your universe.” “You’re saying magick works on Earth?” Avery said skeptically. “Magick works, as you say, everywhere. But the manner in which magick works on Earth is a local aberration; the physics of this planet and its spatial surrounds have been altered to conditions that favor the ascendance of humanity.” “And what’s wrong with that?” “I did not say it was wrong. I do not debate morality. In my zeal to protect my Children, I once favored such a fate for my own world. But it is unnatural. It is both the cause and the result of the ugly twisting of human nature that we see around

So trees communicate by means of olfactory, visual, and electrical signals. (The electrical signals travel via a from of nerve cell at the tips of the roots.) What about sounds? Let's get back to hearing and speech. When I said at the beginning of this chapter that trees are definitely silent, the latest scientific research casts doubt even on this statement. Along with colleagues from Bristol and Florence, Dr. Monica Gagliano from the University of Western Australia has, quite literally, had her ear to the ground. It's not practical to study trees in the laboratory; therefore, researchers substitute grain seedlings because they are easier to handle. They started listening, and it didn't take them long to discover that their measuring apparatus was registering roots crackling quietly at a frequency of 220 hertz. Crackling roots? That doesn't necessarily mean anything. After all, even dead wood crackles when it's burned in a stove. But the noised discovered in the laboratory caused the researchers to sit up and pay attention. For the roots of seedlings not directly involved in the experiment reacted. Whenever the seedlings' roots were exposed to a cracking at 220 hertz, they oriented their tips in that direction. That means the grasses were registering this frequency, so it makes sense to say they "heard" it.

Does that sound awful to you? I hear the little voice in your head: Destruction of evidence! Obstruction of justice! You are naive. You imagine the courts are reliable, that wrong results are rare, and therefore I ought to have trusted the system. If he truly believed Jacob was innocent, you are thinking, he would have simply let the police sweep in and take whatever they liked. Here is the dirty little secret: the error rate in criminal verdicts is much higher than anyone imagines. Not just false negatives, the guilty criminals who get off scot-free—those “errors” we recognize and accept. They are the predictable result of stacking the deck in defendants’ favor as we do. The real surprise is the frequency of false positives, the innocent men found guilty. That error rate we do not acknowledge—do not even think about—because it calls so much into question. The fact is, what we call proof is as fallible as the witnesses who produce it, human beings all. Memories fail, eyewitness identifications are notoriously unreliable, even the best-intentioned cops are subject to failures of judgment and recall. The human element in any system is always prone to error. Why should the courts be any different? They are not. Our blind trust in the system is the product of ignorance and magical thinking, and there was no way in hell I was going to trust my son’s fate to it. Not because I believed he was guilty, I assure you, but precisely because he was innocent. I was doing what little I could to ensure the right result, the just result. If you do not believe me, go spend a few hours in the nearest criminal court, then ask yourself if you really believe it is error-free. Ask yourself if you would trust your child to it.

In order to avoid the deafening of conspecifics, some bats employ a jamming avoidance response, rapidly shifting frequencies or flying silent when foraging near conspecifics. Because jamming is a problem facing any active emission sensory system, it is perhaps not surprising (though no less amazing) that similar jamming avoidance responses are deployed by weakly electric fish. The speed of sound is so fast in water that it makes it difficult for echolocating whales to exploit similar Doppler effects. However, the fact that acoustic emissions propagate much farther and faster in the water medium means that there is less attenuation of ultrasound in water, and thus that echolocation can be used for broader-scale 'visual' sweeping of the undersea environment. These constraints and trade-offs must be resolved by all acoustic ISMs, on Earth and beyond. There are equally universal anatomical and metabolic constraints on the evolvability of echolocation that explain why it is 'harder' to evolve than vision. First, as noted earlier, a powerful sound-production capacity, such as the lungs of tetrapods, is required to produce high-frequency emissions capable of supporting high-resolution acoustic imaging. Second, the costs of echolocation are high, which may limit acoustic imaging to organisms with high-metabolisms, such as mammals and birds. The metabolic rates of bats during echolocation, for instance, are up to five times greater than they are at rest. These costs have been offset in bats through the evolutionarily ingenious coupling of sound emission to wing-beat cycle, which functions as a single unit of biomechanical and metabolic efficiency. Sound emission is coupled with the upstroke phase of the wing-beat cycle, coinciding with contraction of abdominal muscles and pressure on the diaphragm. This significantly reduces the price of high-intensity pulse emission, making it nearly costless. It is also why, as any careful crepuscular observer may have noticed, bats spend hardly any time gliding (which is otherwise a more efficient means of flight).

No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

For instance, emotional memories are stored in the amygdala, but words are recorded in the temporal lobe. Meanwhile, colors and other visual information are collected in the occipital lobe, and the sense of touch and movement reside in the parietal lobe. So far, scientists have identified more than twenty categories of memories that are stored in different parts of the brain, including fruits and vegetables, plants, animals, body parts, colors, numbers, letters, nouns, verbs, proper names, faces, facial expressions, and various emotions and sounds. Figure 11. This shows the path taken to create memories. Impulses from the senses pass through the brain stem, to the thalamus, out to the various cortices, and then to the prefrontal cortex. They then pass to the hippocampus to form long-term memories. (illustration credit 5.1) A single memory—for instance, a walk in the park—involves information that is broken down and stored in various regions of the brain, but reliving just one aspect of the memory (e.g., the smell of freshly cut grass) can suddenly send the brain racing to pull the fragments together to form a cohesive recollection. The ultimate goal of memory research is, then, to figure out how these scattered fragments are somehow reassembled when we recall an experience. This is called the “binding problem,” and a solution could potentially explain many puzzling aspects of memory. For instance, Dr. Antonio Damasio has analyzed stroke patients who are incapable of identifying a single category, even though they are able to recall everything else. This is because the stroke has affected just one particular area of the brain, where that certain category was stored. The binding problem is further complicated because all our memories and experiences are highly personal. Memories might be customized for the individual, so that the categories of memories for one person may not correlate with the categories of memories for another. Wine tasters, for example, may have many categories for labeling subtle variations in taste, while physicists may have other categories for certain equations. Categories, after all, are by-products of experience, and different people may therefore have different categories. One novel solution to the binding problem uses the fact that there are electromagnetic vibrations oscillating across the entire brain at roughly forty cycles per second, which can be picked up by EEG scans. One fragment of memory might vibrate at a very precise frequency and stimulate another fragment of memory stored in a distant part of the brain. Previously it was thought that memories might be stored physically close to one another, but this new theory says that memories are not linked spatially but rather temporally, by vibrating in unison. If this theory holds up, it means that there are electromagnetic vibrations constantly flowing through the entire brain, linking up different regions and thereby re-creating entire memories. Hence the constant flow of information between the hippocampus, the prefrontal cortex, the thalamus, and the different cortices might not be entirely neural after all. Some of this flow may be in the form of resonance across different brain structures.

Sound is a different frequency

Ideally, you want components with a flat frequency/response curve: they apply identical amounts of energy to every sound frequency, so the proper balance between high and low is maintained.

Ideally, you want components with a flat frequency/response curve: they apply identical amounts of energy to every sound frequency, so the proper balance between high and low is maintained. Although Neat Acoustics isn’t as well known in the States, I’d heard some of their speakers demoed at a conference in Brussels once and decided I needed a pair if I could ever afford them. When I bought the house, I settled on a pair of Ultimatum XL6s. Only three feet high, they use some neat engineering tricks to generate a much fuller frequency range than you’d expect. For example, each speaker contains an isobaric bass chamber, with two drivers lined up one behind the other inside the closed compartment. With the two woofers rigged so their cones move simultaneously, you can create the same bass sound in half the cabinet space. Unfortunately, the trade-off for such a compact design is density, of

Focused ultrasound utilizes intersecting beams of high-frequency sound concentrated accurately and precisely on tissue deep in the body, much as sunlight passing through a magnifying glass can be focused to burn a hole in a leaf.

At their invitation we crowded into the spacious control cabin of the great airship, where scientific gear occupied every available cubic—perhaps hypercubic—inch. Among the fantastical glass envelopes and knottings of gold wire as unreadable to us as the ebonite control panels scrupulously polished and reflecting the Arctic sky, we were able here and there to recognize more mundane items—here Manganin resistance-boxes and Tesla coils, there Leclanché cells and solenoidal magnets, with electrical cables sheathed in commercial-grade Gutta Percha running everywhere. Inside, the overhead was much higher than expected, and the bulkheads could scarcely be made out in the muted light through three hanging Fresnel lenses, the mantle behind each glowing a different primary color, from sensitive-flames which hissed at different frequencies. Strange sounds, complex harmonies and dissonances, resonant, sibilant, and percussive at once, being monitored from someplace far Exterior to this, issued from a large brass speaking-trumpet, with brass tubing and valvework elaborate as any to be found in an American marching band running back from it and into an extensive control panel on which various metering gauges were ranked, their pointers, with exquisite Breguet-style arrowheads, trembling in their rise and fall along the arcs of italic numerals. The glow of electrical coils seeped beyond the glass cylinders which enclosed them, and anyone’s hands that came near seemed dipped in blue chalk-dust. A Poulsen’s Telegraphone, recording the data being received, moved constantly to and fro along a length of shining steel wire which periodically was removed and replaced. “Ætheric impulses,” Dr. Counterfly was explaining. “For vortex stabilization we need a membrane sensitive enough to respond to the slightest eddies. We use a human caul—a ‘veil,’ as some say.” “Isn’t a child born with a veil believed to have powers of second sight?” Dr. Vormance inquired. “Correct. And a ship with a veil aboard it will never sink—or, in our case, crash.” “Things have been done to obtain a veil,” darkly added a junior officer, Mr. Suckling, “that may not even be talked about.

Every pine tree I walked beneath had its particular inflection, its needles hissing in frequencies subtly different from the ones before – the dictionary term is ‘psithurism’, the noise of wind passing through leaves – an evergreen language that sounded like whispered words.

The cortex, that is, is as subject to remapping through attention as it is through the changes in sensory input described in our survey of neuroplasticity. In addition, in all three of the cortical systems where scientists have documented neuroplasticity—the primary auditory cortex, somatosensory cortex, and motor cortex—the variable determining whether or not the brain changes is not the sensory input itself but, crucially, the attentional state of the animal. In 1993 Merzenich showed that passive stimulation alone simply did not cut it. He and his students repeatedly exposed monkeys to specific sound frequencies. When the monkeys were trained to pay attention, the result was the expected tonotopic reorganization of the auditory cortex: the representation of the repeatedly heard frequency expanded. But when the monkeys were distracted by another task, and so were paying little or no attention to the tones piped into their ears, no such tonotopic expansion occurred. Inputs that the monkey does not pay attention to fail to produce long-term cortical changes; closely attended behaviors and inputs do. Let me repeat: when stimuli identical to those that induce plastic changes in an attending brain are instead delivered to a nonattending brain, there is no induction of cortical plasticity. Attention, in other words, must be paid.

disembodied voices usually occur at a frequency lower than normal human ears can detect, so you don’t even know that you’ve captured a spirit voice until you rewind the recorder and listen (recorders can pick up sounds above and below normal hearing range).

Ultrasonic drilling fully explains how the holes and cores found in the Valley Temple at Giza could have been cut, and it is capable of creating all the details that Petrie and I puzzled over. Unfortunately for Petrie, ultrasonic drilling was unknown at the time he made his studies, so it is not surprising that he could not find satisfactory answers to his queries. In my opinion, the application of ultrasonic machining is the only method that completely satisfies logic, from a technical viewpoint, and explains all noted phenomena. [...] The most significant detail of the drilled holes and cores studied by Petrie was that the groove was cut deeper through the quartz than through the feldspar. Quartz crystals are employed in the production of ultrasonic sound and, conversely, are responsive to the influence of vibration in the ultrasonic ranges and can be induced to vibrate at high frequency. When machining granite using ultrasonics, the harder material (quartz) would not necessarily offer more resistance, as it would during conventional machining practices. An ultrasonically vibrating tool bit would find numerous sympathetic partners, while cutting through granite, embedded right in the granite itself. Instead of resisting the cutting action, the quartz would be induced to respond and vibrate in sympathy with the high-frequency waves and amplify the abrasive action as the tool cut through it.

Even if I converted the brainwaves into sound (which I have done in my laboratory in a sonification-of-sleep project, and is eerie to behold), you would find it impossible to dance to. These are the electrical hallmarks of full wakefulness: fast-frequency, chaotic brainwave activity.

WISDOM KEEPER: My Extraordinary Journey to Unlock the Sacred Within “Chloe’s heartfelt journey is the real deal here to inspire us all. She takes the reader on a journey of darkness to light, struggle to freedom, fear to love. Thank you, Chloe, for this incredible ride. A must read for all who want true transformation.”— Dr. Shannon South, Award-Winning Therapist, Best-Selling Author, and Founder of the Ignite Your Life and business programs “There is a healing purpose in every experience written by Chloe in this spiritual memoir. She shares processes for healing in the physical, emotional and spiritual realms, showing us our ability to use all levels of energy to achieve deep and lasting healing. Chloe reveals to us the importance of connection—with the spiritual and physical world, and our past lives to the present. She reminds us we are essential in the Universe; when we heal, our loved ones, people around us, and the Earth also heals. Chloe inspires us to do the same thing. Well done. I appreciate it very much. This book is truly for everyone. — Eduardo Morales, Shamanic Curandero, Tepoztlán, Mexico “WISDOM KEEPER is filled with wonderful personal experiences on the power of healing, visualizations, dreams, and listening to our inner voices. Chloe Kemp describes encounters with others on a multitude of levels, including sacred beings, shamans, and other deep-souled humans. This book inspires the reader to go deep within themselves and invite their own personal self-healer to emerge. Chloe helps us to understand that anything is possible.”—River Guerguerian, Sound Immersion Healer, Musician, Composer, and Educator  “Having met and worked with Chloe personally, I know she is a genuine woman with a mission and clear determination to fulfill her purpose in this life. She has followed the call from Spirit to share stories from her life and wisdom she has gained, weaving energies and expressing a frequency of consciousness that has a way of bringing readers to a deeper state of awareness and potency upon their own unique journey. Chloe's book shines a light on our ability to reconnect with the origin of what makes us each a special part of the Divine plan, and she does it in a very humble and approachable way."—Michael Brasunas, Holistic Energy Healer and Bodyworker “Your inspiring memoir is engaging and thought-provoking throughout. It brings together the highest spiritual insights and practical frameworks that everyone can understand and apply.”—Louise, Australia  “A fascinating read!”—Caleb, USA  “The narrative is immensely raw and deeply personal. It engaged all of my emotions completely.”—Abantika, India   “A remarkable story.”—Michael, USA “The writing style is amazing.Your life experiences are so unique.”—Taibaya, Pakistan  “You have a gift for spiritual healing and telling a story. You created a hopeful, sincere, compelling, interesting, and important story.”—Jessica, USA “You tell events, dreams, and moments in your life in a very engaging and thought-provoking way.”—Josh, USA  “Very entertaining, awakening, and engaging; as well as informative, practical, motivating and inspiring.”—Susan, USA      

when their frequency is low, the ego provides people with rewards for being ill or helpless, as crazy as that sounds. But they get a reward from all the attention they

Receptor neurons bundle together into cables called axons, feeding up through holes in a perforated bone just behind the eyeballs called the cribriform plate. (In a serious head injury, the skull can shift, and the lateral movement of the cribriform plate shears those axons like a knife through spaghetti. Snip! No more sense of smell.) Once through the plate, the axons connect to two projections from the brain called the olfactory bulbs. There, in blobs of neurons called glomeruli, is where the bulk of the computation gets done. Mice, known for their acute sense of smell, have just about 1,800 glomeruli—but 1,000 genes that code for olfactory receptors. That’s a lot of perceivable smells. Humans have a seemingly pathetic 370 genes for receptors, but we have 5,500 glomeruli per bulb. That’s a lot of processing power. It must be doing something. The part of the brain that integrates all this information, the olfactory cortex, also gets inputs from the limbic region and other areas that deal with emotion—the amygdala and hypothalamus, among others. Processing of smells in the brain, then, is tied to not only the chemical perception of a molecule but also how we feel about it, and how we feel in general. Every other sense in the body is, in a way, indirect. In vision, light impinges on the retina, a sheet of cells at the back of the eye that makes pigments and connects to the optic nerve. In hearing, sound (which is really just waves of changing air pressure) pushes the eardrum in and out at particular frequencies, which translate via a series of tiny bones to nerves. Touch and taste are the same. Some cell, built to do the hard work of reception, gets between the stimulus and the nerves that lead to the brain for processing. Some physical effect—air pressure, reflected photons, whatever—gets between the stimulus and the perception. It’s all a first-order derivative. Not smell, though. When we smell something, we are smelling tiny pieces of that thing that have broken off, wafted through the air, and then touched actual neurons wired to actual pieces of brain. Olfaction is direct, with nothing between the thing we’re smelling, the smell it has, and how we perceive that smell. It is our most intimate sense.

Singh then experimented on a vast number of species, such as com­ mon asters, petunias, cosmos, and white spider lilies, along with such economic plants as onions, sesame, radishes, sweet potatoes, and tapioca. Each of these species Singh entertained for several weeks just before sunrise with more than half a dozen separate ragas, one per experiment, played on the flute, violin, harmonium, and veena; the music lasted a half hour daily, scaled at a high pitch, with frequencies between one hundred and six hundred cycles per second. From all this experimenta­tion Singh was able to state, in the magazine of the Bihar Agricultural College at Sabour, that he had "proven beyond any shadow of doubt that harmonic sound waves affect the growth, flowering, fruiting, and seed-yields of plants.

Noises that can reduce the difference between the background ambient hum and sudden loud sounds include: ~ White noise- this is a continuous mechanical-type noise, like the gentle hum of a motor, that covers the whole hearing range of frequencies... ~ Pink noise- this noise boosts lower frequencies for those who find white noise too sharp, and is more akin to natural noises such as steady rainfall or wind rustling through the leaves in a tree... ~ Brown noise- this is even lower frequency noise, like thunder or a crashing waterfall.

For twelve minutes George White Rogers sat calmly by the main transmitter, waiting for an official order to summon outside help. Rogers had been sound asleep in his bunk when the fire alarm sounded. George Alagna had had to shake him quite hard to wake him. The two men dressed quickly and joined Maki in the radio room. Rogers tuned to the main six-hundred-meter distress frequency, and threw the switch into a position which would ensure that the transmitter would produce a very broad interfering path. Evidence of fire was quite apparent from the radio shack. As far as the radio operators could tell, it seemed to be just below and forward on the port side, by the writing room. The radio room was filling with smoke. When Rogers went to the door he could see the reflection of the flames and hear shouting and confused commands.

I encourage you to sit by some flowers and listen to the bees buzzing. The frequency, vibrations, and energy of all life are in their sound.

If your life could be transcribed into a song, the rights and wrongs, the ups and downs, the good and the bad, and the periods of turmoil and challenges, as much as the moments in which you felt high in the clouds, in love, in awe for all the good things happening to you, mesmerized with disbelief for the joys you were experiencing, all those things would be just and only sounds, perfectly arranged to formulate your own song, the song of your life. In the same way, you must see your friends, and enemies, and loved ones and strangers. For everything is made of frequencies, and everything comes to you in precise moments, to match other frequencies. Everything that happens to you is in a perfect arrangement of vibrations and coincidences. And the maestro of this song is you. You are creating all of that with your mind.

We may be emotionally moved by music, but in another dimension it actually moves and shapes matter. We may not make much use of sound’s vibrational properties to heal our bodies, though we use sound and music to heal our hearts. If you have an affinity for music, you might be able to access this dimension of sound with a shift of focus, a turning of attention away from the physical and a tuning of the attention to another frequency. You are a microcosm of a vast universe of living swirling planets. Listen carefully. Can you hear the music of the spheres?

The Telharmonium was installed in New York City in 1906. It wasn’t a single, self-contained musical instrument, but a vast 200-ton complex of equipment the size of a power plant. Each of its massive, electro-mechanical rotors—giant tone wheels—spun around to generate a sine wave (the basic building block of sound), along with other sine waves above it of a higher frequency. The idea was to simulate the physics that determine the distinct tone colors of different acoustic instruments, each note of these instruments being a fundamental sine wave tone, with overtones on top of it that give it its special character. Stacking up sine waves to build sounds of distinct timbres is the principle of “additive synthesis,” and Cahill, in his patent, anticipated the term “synthesizer” when he explained that, out of these “elemental electrical vibrations

The 7.83 Hz frequency is an alpha/theta brainwave frequency that also works in the human brain. It is a relaxed, dreamy state of being, which is also a state in which the body experiences

And then I hear the sound, a sort of high-frequency humming, like a mosquito flying too close to my ear. I wave it off, but after a few

Interestingly, one sound that is reported other than the various voices is a very low-pitched noise. There is a small body of research suggesting that low-frequency sound may have biological effects, especially in the area of disorientation.

God is light and sound, which in scientific terms means energy and frequencies.

We miss the roses and see only the thorns. We take for granted the warmth of the sun and get depressed by the frequency of the rain or the snow. We ignore the sounds of life in a nursery because we are preoccupied with the sounds of sirens responding to an emergency.

Once a country is included on the “counterinsurgency” list, or any other such category, a move is made to develop a CIA echelon, usually within the structure of whatever U.S. military organization exists there at the time. Then the CIA operation begins Phase I by proposing the introduction of some rather conventional aircraft. No developing country can resist such an offer, and this serves to create a base of operations, usually in a remote and potentially hostile area. While the aircraft program is getting started the Agency will set up a high frequency radio network, using radios positioned in villages throughout the host country. The local inhabitants are told that these radios will provide a warning of guerrilla activity. Phase II of such a project calls for the introduction of medium transport type aircraft that meet anti-guerrilla warfare support requirements. The crew training program continues, and every effort is made to develop an in-house maintenance capability. As the level of this activity increases, more and more Americans are brought in, ostensibly as instructors and advisers; at this phase many of the Americans are Army Special Forces personnel who begin civic action programs. The country is sold the idea that it is the Army in most developing nations that is the usual stabilizing influence and that it is the Army that can be trusted. This is the American doctrine; promoting the same idea, but in other words, it is a near paraphrase of the words of Chairman Mao. In the final phase of this effort, light transports and liaison type aircraft are introduced to be used for border surveillance, landing in remote areas, and for resupplying small groups of anti-guerrilla warfare troops who are operating away from fixed bases. These small specialized aircraft are usually augmented by helicopters. When the plan has developed this far, efforts are made to spread the program throughout the frontier area of the country. Villagers are encouraged to clear off small runways or helicopter landing pads, and more warning network radios are brought into remote areas. While this work is continuing, the government is told that these activities will develop their own military capability and that there will be a bonus economic benefit from such development, each complementing the other. It also makes the central government able to contact areas in which it may never have been able to operate before, and it will serve as a tripwire warning system for any real guerrilla activities that may arise in the area. There is no question that this whole political economic social program sounds very nice, and most host governments have taken the bait eagerly. What they do not realize, and in many cases what most of the U.S. Government does not realize, is that this is a CIA program, and it exists to develop intelligence. If it stopped there, it might be acceptable but intelligence serves as its own propellant, and before long the agents working on this type of project see, or perhaps are a factor in creating, internal dissension.

The turntable, with its appendages, is a stalled computer: a head and an infinite tape. It can read stored material, it can reproduce any sound; but used in the standard way, it can only read, not store. Hip hop declared war on this nonfacility by throwing the disc into reverse, mutilating predetermined regimes of speed and frequency. Hip hop mobilized the third category of action of the computer; alongside reading and storing information, the universal machine must be able to act on itself, to calculate. The phase space of all possible sounds of the turntable is determined by the table drawn up at the intersection of speed and frequency. Turntablism opens this space up to mutation outside of the regimes of melody, harmony, and voice by forming a copula between the two series, rhythm and noise. The endless tape of the Turing machine is imposed on the finite coil, causing it to leap from break to break. Feedback is "the property of being able to adjust future conduct by past performance,"" to reprogram: to alter its performance in the light of computation. The turntable invents the DJ in order to compute.

For example, sounds can be made to seem closer to the listener by making them louder, “brighter” (an increase in high-frequency content in comparison to other sounds), and/or “dryer” (an increase in the amount of original, unprocessed signal in comparison to the amount of reverb applied to that signal).

All of these third ways end up the same way: a behavior the Bible does not accept is treated as acceptable. “Agree to disagree” sounds like a humble “meet you in the middle” compromise, but it is a subtle way of telling conservative Christians that homosexuality is not a make-or-break issue and we are wrong to make it so. No one would think of proposing a third way if the sin were racism or human trafficking. To countenance such a move would be a sign of moral bankruptcy. Faithfulness to the Word of God compels us to view sexual immorality with the same seriousness. Living an ungodly life is contrary to the sound teaching that defines the Christian (1 Tim. 1:8–11; Titus 1:16). Darkness must not be confused with light. Grace must not be confused with license. Unchecked sin must not be confused with the good news of justification apart from works of the law. Far from treating sexual deviance as a lesser ethical issue, the New Testament sees it as a matter for excommunication (1 Corinthians 5), separation (2 Cor. 6:12–20), and a temptation for perverse compromise (Jude 3–16). We cannot count same-sex behavior as an indifferent matter. Of course, homosexuality isn’t the only sin in the world, nor is it the most critical one to address in many church contexts. But if 1 Corinthians 6 is right, it’s not an overstatement to say that solemnizing same-sex sexual behavior—like supporting any form of sexual immorality—runs the risk of leading people to hell. Scripture often warns us—and in the severest terms—against finding our sexual identity apart from Christ and against pursuing sexual practice inconsistent with being in Christ (whether that’s homosexual sin, or, much more frequently, heterosexual sin). The same is not true when it comes to sorting out the millennium or deciding which instruments to use in worship. When we tolerate the doctrine which affirms homosexual behavior, we are tolerating a doctrine which leads people further from God. This is not the mission Jesus gave his disciples when he told them to teach the nations everything he commanded. The biblical teaching is consistent and unambiguous: homosexual activity is not God’s will for his people. Silence in the face of such clarity is not prudence, and hesitation in light of such frequency is not patience. The Bible says more than enough about homosexual practice for us to say something too.

Certainly, we are all born empathic and sensitive to vibrations. In Evolution’s End, Joseph Chilton Pearce describes how, a few days after conception, the embryo forms a clump of vibrating cells that becomes the new heart. These cells seem to be sound sensitive and tune to the mother’s heartbeat and breath, which appear to be necessary for further forming the infant’s heart. The mother’s emotional state, and any repetitive patterns of behavior, are imprinted on the fetus hormonally and through the tone of her voice.

Chapter 7: Heal Yourself With Chakras There are a lot of ways in which you can balance your chakras. Some of the methods are visualization and meditation, these methods are the most popular ones, sound is a good method as well, sight is another method like making use of yantras and mandalas and smell works well too in the form of aromatherapy. Yoga is a very popular method for this as well. The list of methods that you can make use of for healing your chakras is numerous.   The effectiveness of all these methods depends on different things. It is important that you understand that each of these healing methods is closely related with each one of the chakras and one particular method might work better for one particular chakra and the other one might work better for another chakra. For instance, when the sixth and the seventh chakras are the third eye chakra and the crown chakra respectively and for these chakras the methods that work well for balancing them are visualization, meditation and pure energy. These methods work well because they are in the realm of a higher frequency.

Zipf's law was first developed by the linguist George Zipf in the 1940's. Zipf got his graduate students to count how often particular letters appeared in different texts, like Ulysses, and plotted the frequency of each letter in descending order on a log scale. He found that the slope he had plotted had a -1 gradient. he went on to discover that most human languages, whether written or spoken, had approximately the same slope of -1. Zipf also established that completely disordered sets of symbols produce a slope of 0. This meant there was no complexity in that particular text because all elements occurred more or less equally. Zipf applied the tool to babies' babbling, and the resulting slope was closer to the horizontal, as it should be if infants run randomly through a large set of sounds in which there is little, if any, structure.

Pitch is closely related to frequency, but the two are not the same thing. Pitch is mostly used in the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it’s a measurement of the number of cycles

Schwartz, Howe, and Purves analyzed a vast selection of speech sounds from a variety of languages to determine the underlying patterns common to all utterances. In order to focus only on the raw sound, they discarded all theories about speech and meaning and sliced sentences into random bites. Using a database of over a hundred thousand brief segments of speech, they noted which frequency had the greatest emphasis in each sound. The resulting set of frequencies, they discovered, corresponded closely to the chromatic scale. In short, the building blocks of music are to be found in speech.

Humans with perfect reception can hear frequencies between 20 wave cycles per second, or 20 Hz, at the low end to 20,000 Hz at the high end. The lowest note on a typical piano is 27.5 Hz, and the highest is about 4,186 Hz. Nonhuman animals have evolved different ranges of hearing, the widest

What's amazing about speech is that when you're on the receiving end, listening to the noise that comes out of people's mouths, you instantaneously hear meaningful language. Yet speech is just sound, a semicontinuous buzz that fluctuates rapidly and regularly. Frequencies rise and fall, harmonics within the frequencies change their relationships to one another, air turbulence increases and dies away. It gets loud, and then it gets quiet.

When seas of state 1 or higher are noted, when traffic or industrial noise is apparent, or when other low frequency sound sources such as shifting bottoms, tidal currents, or noisy animals are encountered, sound reception in all, but the "deafest", fishes is probably impaired - the degree of such impairment being directly dependent upon the noise-level attained. -- Arthur A. Myrbery, Jr.

Scientifically, music is a proven source of healing and is routinely used by modern-day health providers both in private practice and in hospitals to help patients improve. In fact, the field of physio-acoustics studies how sound frequencies work to “create sympathetic vibration in the deep tissues of the body,” even down to our bones.

She felt as if she knew the stars, and had been among them, or would be. Why was it that in planetarium lectures the telescopic photographs flashed upon the interior of the dome were so familiar—not just to her, but to everyone. Farmers and children, and, once, Paumanuk Indians pausing in their sad race to extinction, had all understood the sharp abstract images, immediately and from the heart. The nebulae, the sweep of galaxies, the centrifugal clusters—nothing more, really, than projected electric light on a plaster ceiling—carried them away in a trance, and the planetarium lecturer need not have said a word. And why was it that certain sounds, frequencies, and repetitious rhythmic patterns suggested stars, floating galaxies, and even the colorful opaque planets orbiting in subdued ellipses? Why were certain pieces of music (pre-Galilean, post-Galilean, it did not matter) harmonically and rhythmically linked to the stars and suggestive of the parallel light that rained upon the earth in illusory radiants bursting apart? She had no explanation for these or a hundred other questions about the same matters.

It is "vibration" that creates our world. Everyone vibrates. We always utter words in our mind. Thus we create sounds continuously. Frequency differs. Tuning your frequency brings the differences. A good writer has the creativity to polish the broken piano to tune it up in a right tune. Reading their books is the key to choose your favorite frequencies. Now start vibrating and note it down.

The energies of the electromagnetic spectrum include microwaves, radio waves, x-rays, extremely low-frequency waves, sound harmonic frequencies, ultraviolet rays, and even infrared waves. Specific frequencies of electromagnetic energy can influence the behavior of DNA, RNA, and protein synthesis; alter protein shape and function; control gene regulation and expression; stimulate nerve-cell growth; and influence cell division and cell differentiation, as well as instruct specific cells to organize into tissues and organs. All of these cellular activities influenced by energy are part of the expression of life. And

have at least eighteen muscles in each ear. Using these, they can move their ears to pinpoint where a sound is coming from.   Whereas humans can only hear sounds with frequencies of up to 20,000 hertz, dogs can hear sounds from 40,000 to 60,000 hertz.

THE FIRST CRY Humans, according to the philosopher Kant, are the only species to emit a sound at birth-one reason, perhaps, that the newborn baby's cries have been invested with such purity, innocence, and almost mystical power. Hegel, on the other hand, thought the first cry reflected the 'horror of the spirit, at its subjection to nature'. The reality is more prosaic. The first audible cry clears the respiratory tract of mucus for the first breath. It's also an instinctive reaction to a shocking change of temperature, light, and air. Immediately after being born, healthy newborn babies everywhere produce an almost identical reflex cry-one which, intriguingly, matches the frequency of the international standard tone for tuning musical instruments. So essential is the first cry as a sign of independent life that, if it is absent, a baby is often-still today-slapped into producing it. The pitch, tone, and dynamic strength of the cry are assessed within one minute of the infant entering the world, and then again at five minutes. The APGAR scale judges health, allocating two points for a good strong cry, but only one for a weak (whimpering or grunting) one.

Ear and voice complement each other: both are activated by the movement of air. Just as air makes the larynx vibrate, so it's the air in the form of sound waves that causes the eardrum to vibrate-the basis of hearing. To listen to someone's voice is therefore 'a partnership of vibration'. The ear has even been called a 'sonic mouth', since some of the same organs in the body form them both. By ensuring that the ear canal resonates at the same frequencies as the vocal tract, nature has thoughtfully matched the reception organ with the production one, and developed a human ear with the precise properties best needed to hear the human voice.

Sound travels from the outer ear, via the middle ear, and into the inner ear. In the course of this journey it's converted from sound waves into mechanical vibrations (in the eardrum), from mechanical vibrations into pressure waves (in the cochlea), and thence into electrical signals firing towards the brain. The outer ear (the cup-shaped part we can see, known as the pinna) collects sound and amplifies it, by as much as three decibels. From here the voice travels down the external auditory canal - a tube that acts as a resonator of its own, with its own frequencies. It's this characteristic of the external auditory canal that makes us sensitive to certain frequencies of the voice.

No piece of technology or Swiss precision-measuring instrument has ever come near the extraordinary sensitivity of the ear in its abilities to detect nano-changes in loudness and frequency or pitch. (Frequency is an acoustic measurement of the voice's vibrations; pitch is a perceptual term- how those frequencies sound to us). If you play a pure tone (where the pattern of vibration keeps repeating itself, like a tuning fork) at a single level of loudness, the ear can perceive 1,400 different pitches. If, on the other hand, you keep to one frequency but change the volume or intensity, the ear is capable of identifying 280 different levels of loudness. That means that, if both the frequency and intensity are changed, the ear has a repertoire of between 300,000 and 400,000 distinguishable tones. Does the planet contain a more discriminating organ?

Well, typically the state of hypnosis is perfected at the right combination of light and sound frequency when the mind completely relaxes. At this state, the mind also becomes highly suggestible, which means the word of the hypnotist becomes the new reality of the subconscious mind.

Although continual sound effects were common in VCS games, it is hard to produce anything that sounds like Western music on the machine. The frequencies that the TIA can generate miss most of the chromatic scale. When Garry Kitchen was working as a programmer for Activision, he went through and marked the notes that the Atari VCS could hit. He then asked a professional composer of jingles to put something together using only those notes.

The DopplerEffect occurs when either the source of a wave or the observer of a wave (or both) are moving. When a source of a wave is moving towards you, the apparent frequency of the wave you detect is higher than that emitted. For instance, if a car approaches you while playing a note at 500 Hz, the sound you hear will be slightly higher. The opposite occurs (the frequency observed is lower than emitted) for a receding wave or if the observer moves away from the source. It’s important to note that the speed of the wave does not change –it’s traveling through the same medium so the speed is the same. Due to the relative motion between the source and the observer the frequency changes, but not the speed of the wave. Note that while the effect is similar for light and electromagnetic waves the formulas are not exactly the same as for sound.

When you strike a tuning fork you activate it to send out a particular sound or frequency. Now, in a room filled with tuning forks— only those that are tuned to the exact same frequency will begin to vibrate in response. They will automatically connect and respond to the frequency that matches their own. So the idea here is to tune yourself to resonate at a frequency that is in harmony with what you want to attract. In order to create a positive future, you need to keep your energy, thoughts, and feelings in the positive range.

Second, you are here to receive energetic “imprints” from higher dimensions, and model them on Earth. Of course, you will put your own unique “spin” on them with your own light, personalities, and gifts. Since it is your nature to be spiritually malleable, it is essential that you allow only harmonious vibrations to enter you. This is not to say that you must remain out of lower frequency environments at all times, but namely, to be energetically sound, centered, and aware. —The Keepers, 4.26.2015

By its definition, sound is interactive. It is you connecting with the frequency of something greater or richer through hearing. Likewise, when your sound goes out, you can no longer hear the sound of your voice. And if you cannot hear your voice, you don’t know who you are.

Every country, state, and city has a particular aura and ray frequency. Every city has a certain level of psychological and spiritual evolution. Every city has an astral body, mental body, etheric body, physical body, and spiritual body. Some cities are more evolved and clearer than others are are. Most third dimensional people think of smog or physical pollution on just a physical level. There is also such a thing as astral smog, etheric smog, mental smog, and emotional smog. When you choose a city to live in you are choosing to live in the aura and energy field of that collective consciousness. An interesting perspective that most people do not consider when looking at their environmental diet. Also to be considered is the amount of nature as well as the air pollution, sound pollution, smell pollution, electrical pollution, water pollution, pesticide pollution to name just a few. All these things must be processed by your different bodies. There is a wonderful homeopathic product called Envirotox made by Futureplex. It is specifically designed to remove environmental toxins from your body that accumulate from city dwelling. For those living in a big city, it might be a product that would be useful to you.

In the dark, in no starlight at all, the blocks hurtled invisibly by, ejected into the night air; he heard them break but he believed it was only the echoes of broken windows, not even his broken windows but someone else’s in some other city, people all over the night searching madly for those who transmitted the vague and unpersuasive frequency of destiny, not even this night but some other night that came before, from which the sound of breaking windows reached him only now like the light of novae. Ice busting in the dirt. The storm turned north.