Sound Frequency Quotes

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains, suddenly sprouting a humming forest of hair-fine glass spines.

Despite a 50 percent divorce rate for first marriages and 65 percent the second time around; despite the staggering frequency of affairs; despite the fact that monogamy is a ship sinking faster than anyone can bail it out, we continue to cling to the wreckage with absolute faith in its structural soundness.

God is a sound frequency, and we can all tune in if we just listen. Some find The Rhythm through different melodies, but it's all music.

Integrity is the sound follow through of your heart, and an important part in the process of manifesting what it is that you aspire to. If you say that you are going to do something, do it. If you fail to complete the task at hand, or fulfill a promise you made, you are not operating at the right frequency. Don't lie to yourself and to others, follow through. Complete yourself, Expand your consciousness.

Insect life was so loud that when you parked the car and got out it sounded as if you had suddenly tuned into a radio frequency from another planet.

And the Flatline aligned the nose of Kuang's sting with the center of the dark below. And dove. Case's sensory input warped with their velocity. His mouth filled with an aching taste of blue. His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sounds of trains, suddenly sprouting a humming forest of hair-fine spines. The spines split, bisected, split again, exponential growth under the dome of the Tessier-Ashpool ice.

Each asana is like a sound or letter in an alphabet. Every letter in an alphabet produces a unique sound vibration. Each asana vibrates at a specific frequency. When asanas are performed in sequence, beautiful phrases or sutras result, producing a mystical language.

Helium is widely recognized as an over-the-counter, low-density gas that, when inhaled, temporarily increases the vibrational frequency of your windpipe and larynx, making you sound like Mickey Mouse.

More and more, when something terrible happens, we declare, “That’s life!” — as though disappointment and heartache declare the sum total of this existence. We miss the roses and see only the thorns. We take for granted the warmth of the sun and get depressed by the frequency of the rain or the snow. We ignore the sounds of life in a nursery because we are preoccupied with the sounds of sirens responding to an emergency. We forget the marvel of a marriage that has endured the test of time because we feel discouraged by the heartaches of loved ones whose marriages didn’t make it to the end.

Some scientists were conducting an experiment, he said, trying to gauge the impact of abuse on children. Ducks, like people, develop bonds between mother and young. They call it imprinting. So the scientists set out to test how that imprint bond would be affected by abuse. The control group was a real mother duck and her ducklings. For the experimental group, the scientist used a mechanical duck they had created - feathers, sound, and all - which would, at timed intervals, peck the ducklings with its mechanical beak. A painful peck, one a real duck would not give. They varied these groups. Each group was pecked with a different level of frequency. And then they watched the ducklings grow and imprint bond with their mother. Over time, he went on, the ducklings in the control group would waddle along behind their mother. But as they grew, there would be more distance between them. They'd wander and explore. The ducklings with the pecking mechanical mother, though, followed much more closely. Even the scientists were stunned to discover that the group that bonded and followed most closely was the one that had been pecked repeatedly with the greatest frequency. The more the ducklings were pecked and abused, the more closely they followed. The scientist repeated the experiment and got the same results.

Sound recordings are sometimes plotted on a chart showing which sound frequencies were detected at which times. You can produce a plot like this from any sound recording, not just infrasound. In fact, the musician Aphex Twin has hidden “images” in his music that can be seen on a spectrogram.

If a tree falls in a forest and no one is there to hear it, does it make a sound? (The question was first posed by the Irish philosopher George Berkeley.) Simply, no—sound is a mental image created by the brain in response to vibrating molecules. Similarly, there can be no pitch without a human or animal present. A suitable measuring device can register the frequency made by the tree falling, but truly it is not pitch unless and until it is heard.

try telling a lover that love is not good for him. If you get a smile in return for your unsolicited advice, be assured that even though you were heard by the tiniest germ that swam the air at that moment, the pair of ears that the advice was meant for had cut out the disturbing sound frequencies before you had even emitted them.

The transition from subject to observer was instantaneous, sensations, sights, and sounds changing from instruments of torment to a fascinating display of electronic signals. The spectra included thousands of frequencies, visual, audio and psi bands alike, each customized for a specific effect, a pseudo symphony for an audience of one.

Everything has a frequency, that's why images, smells, sounds, tastes, touch and words are spells.

Like color, every SOUND is composed of many different frequencies and can be used to clear, balance and refresh the field in which you found yourself, or on which you are working.

Our true nature lies beyond what we can see, and it’s beyond what we cannot see. It’s beyond the light and sound, and it’s even beyond the frequency itself.

Smells have layers, like sounds have frequencies. Disentangling them is like trying to follow a song in a room full of loud people–you have to learn to tune out the other noises.

This displacement between then and now created an ever-present sense of unease, like a low-frequency sound she couldn't hear clearly enough to identify, but that was disturbing nonetheless.

things were created by God and for God, no exceptions. Every note of music. Every color on the palette. Every flavor that tingles the taste buds. Arnold Summerfield, the German physicist and pianist, observed that a single hydrogen atom, which emits one hundred frequencies, is more musical than a grand piano, which only emits eighty-eight frequencies. Every single atom is a unique expression of God’s creative genius. And that means every atom is a unique expression of worship. According to composer Leonard Bernstein, the best translation of Genesis 1:3 and several other verses in Genesis 1 is not “and God said.” He believed a better translation is “and God sang.” The Almighty sang every atom into existence, and every atom echoes that original melody sung in three-part harmony by the Father, Son, and Holy Spirit. Did you know that the electron shell of the carbon atom produces the same harmonic scale as the Gregorian chant? Or that whale songs can travel thousands of miles underwater? Or that meadowlarks have a range of three hundred notes? But the songs we can hear audibly are only one instrument in the symphony orchestra called creation. Research in the field of bioacoustics has revealed that we are surrounded by millions of ultrasonic songs. Supersensitive sound instruments have discovered that even earthworms make faint staccato sounds! Lewis Thomas put it this way: “If we had better hearing, and could discern the descants [singing] of sea birds, the rhythmic tympani [drumming] of schools of mollusks, or even the distant harmonics of midges [flies] hanging over meadows in the sun, the combined sound might lift us off our feet.” Someday the sound will lift us off our feet. Glorified eardrums will reveal millions of songs previously inaudible to the human ear.

I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.

The diagnosis of high-frequency deafness cast a faint shadow over his happiness, but their mutual enjoyment of sex was not much affected, the sounds which accompany it being mostly non-verbal and low frequency in wavelength. Inevitably,

Another study that winds up in half the textbooks makes the same point, if more subtly. The subjects of the “experiment” were children reared in two different orphanages in Germany after World War II. Both orphanages were run by the government; thus there were important controls in place—the kids in both had the same general diet, the same frequency of doctors’ visits, and so on. The main identifiable difference in their care was the two women who ran the orphanages. The scientists even checked them, and their description sounds like a parable. In one orphanage was Fräulein Grun, the warm, nurturing mother figure who played with the children, comforted them, and spent all day singing and laughing. In the other was Fräulein Schwarz, a woman who was clearly in the wrong profession. She discharged her professional obligations, but minimized her contact with the children; she frequently criticized and berated them, typically among their assembled peers. The growth rates at the two orphanages were entirely different. Fräulein Schwarz’s kids grew in height and weight at a slower pace than the kids in the other orphanage. Then, in an elaboration that couldn’t have been more useful if it had been planned by a scientist, Fräulein Grun moved on to greener pastures and, for some bureaucratic reason, Fräulein Schwarz was transferred to the other orphanage. Growth rates in her former orphanage promptly increased; those in her new one decreased.

the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it’s a measurement of the number of cycles per second of a sound wave—pitch refers to what we hear. The chromatic scale,

The Hindus believe that in the beginning was sound, a pure vibrational ohm, and as I surf these wave emanations I feel like I've locked onto the fundamental frequency. Seconds go by on the outside but inside it's eternity, outside time and space and back where it all began...

If you go too much higher than 150 KHz, the sound won’t be able to travel very far beyond your piano. Ultrasonic sounds can travel farther in water or solid material—which is how electric toothbrushes, medical ultrasounds, and high-frequency whale and dolphin echolocation work

Andreevich. “Don’t be angry with me, Misha. It’s stuffy in here, and hot outside. I don’t have enough air.” “You can see the vent window on the floor is open. Forgive us for smoking. We always forget that we shouldn’t smoke in your presence. Is it my fault that it’s arranged so stupidly here? Find me another room.” “Well, so I’m leaving, Gordosha. We’ve talked enough. I thank you for caring about me, dear comrades. It’s not a whimsy on my part. It’s an illness, sclerosis of the heart’s blood vessels. The walls of the heart muscle wear out, get thin, and one fine day can tear, burst. And I’m not forty yet. I’m not a drunkard, not a profligate.” “It’s too early to be singing at your funeral. Nonsense. You’ll live a long while yet.” “In our time the frequency of microscopic forms of cardiac hemorrhages has increased greatly. Not all of them are fatal. In some cases people survive. It’s the disease of our time. I think its causes are of a moral order. A constant, systematic dissembling is required of the vast majority of us. It’s impossible, without its affecting your health, to show yourself day after day contrary to what you feel, to lay yourself out for what you don’t love, to rejoice over what brings you misfortune. Our nervous system is not an empty sound, not a fiction. It’s a physical body made up of fibers. Our soul takes up room in space and sits inside us like the teeth in our mouth. It cannot be endlessly violated with impunity.

The top easily preventable health problems that I see in western societies are: 1. Eating chemically grown food. 2. Exposure to electronically generated harmonic energy from wind and solar power systems. 3. Exposure to harmonic energy from switched mode power supplies (SMPS) that come with modern electronic products. 4. Exposure to wireless radio frequency radiation (RF). 5. Light deficiency from an indoor lifestyle and Low-E double glazed windows. 6. Sound deficiency from heavily insulated homes that are devoid of natural sounds and are extremely quiet. 7. Pollen deficiency from living in man-made cities that are devoid of natural levels of pollen. 8. Natural radiation deficiency from living in homes that block natural levels of environmental radiation. 9. Open drain sickness that occurs when drain traps dry out and faulty vent valves that allow sewer gas to fill the home. 10. Drinking the wrong type of water.

As electrical energy can create mechanical vibrations (perceived as sound by the human ear), so in turn can mechanical vibrations create electrical energy, such as the previously mentioned ball lightning. It could be theorized, therefore, that with the Earth being a source for mechanical vibration, or sound, and the vibrations being of a usable amplitude and frequency, then the Earth's vibrations could be a source of energy that we could tap into. Moreover, if we were to discover that a structure with a certain shape, such as a pyramid, was able to effectively act as a resonator for the vibrations coming from within the Earth, then we would have a reliable and inexpensive source of energy.

It is important to note that the design of an entire brain region is simpler than the design of a single neuron. As discussed earlier, models often get simpler at a higher level—consider an analogy with a computer. We do need to understand the detailed physics ofsemiconductors to model a transistor, and the equations underlying a single real transistor are complex. A digital circuit that multiples two numbers requires hundreds of them. Yet we can model this multiplication circuit very simply with one or two formulas. An entire computer with billions of transistors can be modeled through its instruction set and register description, which can be described on a handful of written pages of text and formulas. The software programs for an operating system, language compilers, and assemblers are reasonably complex, but modeling a particular program—for example, a speech recognition programbased on hierarchical hidden Markov modeling—may likewise be described in only a few pages of equations. Nowhere in such a description would be found the details ofsemiconductor physics or even of computer architecture. A similar observation holds true for the brain. A particular neocortical pattern recognizer that detects a particular invariant visualfeature (such as a face) or that performs a bandpass filtering (restricting input to a specific frequency range) on sound or that evaluates the temporal proximity of two events can be described with far fewer specific details than the actual physics and chemicalrelations controlling the neurotransmitters, ion channels, and other synaptic and dendritic variables involved in the neural processes. Although all of this complexity needs to be carefully considered before advancing to the next higher conceptual level, much of it can be simplified as the operating principles of the brain are revealed.

Christianity was originally called good news. It used to be a happy message that people wanted to be a part of. The original version of the gospel seemed too good to be true. That’s why it spread like wildfire. Heaven as a free gift. Your sinfulness abolished. Effortless union with God. Amazing benefits! Easy, instant soul purge. Let me tell you, if the gospel you’ve heard is not too good to be true, it probably isn’t. The frequency of the gospel always inspires, always brings life and hope. The flavor and sound of the true gospel never puts rule and regulation and heavy trips on you. Never makes you feel you have to live up to any systematic expectations for acceptance. It always encourages, always hopes, always trusts, and always loves.

I went online to compare different colors of noise. White encompassed all audible frequencies and reminded me of TV static; pink was a mix of frequencies, with reduced higher frequencies, with a sound closer to ocean waves or falling rain; brown sounded lower, with the hint of a rumble, like a strong wind; blue was higher, with a hissing quality, like water spraying from a hose; green supposedly captured the background sound of nature; black noise was…silence.

We have to dare to be ourselves, however frightening or strange that self may prove to be. - May Sarton You see, I am a poet, and not quite right in the head, darling. It's only that. - Edna St. Vincent Millay We are slowed down sound and light waves, a walking bundle of frequencies tuned into the cosmos. We are souls dressed up in sacred biochemical garments and our bodies are the instruments through which our souls play their music. - Albert Einstein ————- Eventually soulmates meet, for they have the same hiding place. - Robert Brault Some things arrive on their own mysterious hour, on their own terms and not yours, to be seized or relinquished forever. - Gail Godwin Art makes us exercise the weakest muscle in the human body, the muscle of empathy. - Etgar Keret In the history of old Jewish literature there was never any basic difference between the poet and the prophet. Our ancient poetry often became law and a way of life. - Isaac Bashevis Singer ——————————————————————————— I am not belittling the brave pioneer men but the sunbonnet as well as the sombrero has helped to settle this glorious land of ours. - Edna Ferber You lose in the end unless you know how the wheel is fixed or can fix it yourself. - Edna Ferber What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine. - Susan Sontag ——————————————————————————— There comes a time when suddenly you realize that laughter is something you remember and that you were the one laughing. - Marlene Dietrich We work in the dark, We do what we can, We give what we have. Our doubt is our passion, and our passion is our task. The rest is the madness of art. - Henry James

Most dogs could hear four times better than a person, but Maggie’s enormous, upright ears evolved to detect quiet predators and distant prey. She could control each ear independently of the other. Eighteen muscles articulated each ear, shaping and sculpting her sail-like pinna to gather and concentrate sounds at frequencies far beyond any a human could hear. This allowed Maggie to hear seven times better than Scott. She could hear the whine of a jet at thirty thousand feet, termites chewing through wood, the crystal in Scott’s watch hum, and thousands of sounds as invisible to Scott as the scents he could not smell. When

Pythagoras had the insight to apply a mathematical description to worldly phenomena like music. According to legend, he noticed similarities between the sound of plucking a lyre string and the resonances made by hammering a metal bar. He found that they created musical frequencies that vibrated with certain ratios. So something as aesthetically pleasing as music has its origin in the mathematics of resonances. This, he thought, might show that the diversity of the objects we see around us must obey these same mathematical rules. So at least two great theories of our world emerged from ancient Greece: the idea that everything consists of invisible, indestructible atoms and that the diversity of nature can be described by the mathematics of vibrations.

There is a kindness in beauty which can inform and bless a lesser force adjacent to it. It has been shown, for instance, that when there are two harps tuned to the same frequency in a room, one a large harp and the other smaller, if a chord is struck in the bigger harp it fills and infuses the little harp with the grandeur and beauty of its resonance and brings it into tuneful harmony. Then, the little harp sounds out its own tune in its own voice. This is one of the unnoticed ways in which a child learns to become herself. Perhaps the most powerful way parents rear children is through the quality of their presence and the atmosphere that pertains in the in-between times of each day. Unconsciously, the child absorbs this and hopefully parents send out enough tuneful spirit for the child to come into harmony with her own voice.

Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.

Music of the Grid: A Poem in Two Equations _________________________ The masses of particles sound the frequencies with which space vibrates, when played. This Music of the Grid betters the old mystic mainstay, "Music of the Spheres," both in fantasy and in realism. LET US COMBINE Einstein's second law m=E/C^2 (1) with another fundamental equation, the Planck-Einstein-Schrodinger formula E = hv The Planck-Einstein-Schrodinger formula relates the energy E of a quantum-mechanical state to the frequency v at which its wave function vibrates. Here h is Planck's constant. Planck introduced it in his revolutionary hypothesis (1899) that launched quantum theory: that atoms emit or absorb light of frequency v only in packets of energy E = hv. Einstein went a big step further with his photon hypothesis (1905): that light of frequency v is always organized into packets with energy E = hv. Finally Schrodinger made it the basis of his basic equation for wave functions-the Schrodinger equation (1926). This gave birth to the modern, universal interpretation: the wave function of any state with energy E vibrates at a frequency v given by v = E/h. By combining Einstein with Schrodinger we arrive at a marvelous bit of poetry: (*) v = mc^2/h (*) The ancients had a concept called "Music of the Spheres" that inspired many scientists (notably Johannes Kepler) and even more mystics. Because periodic motion (vibration) of musical instruments causes their sustained tones, the idea goes, the periodic motions of the planets, as they fulfill their orbits, must be accompanied by a sort of music. Though picturesque and soundscape-esque, this inspiring anticipation of multimedia never became a very precise or fruitful scientific idea. It was never more than a vague metaphor, so it remains shrouded in equation marks: "Music of the Spheres." Our equation (*) is a more fantastic yet more realistic embodiment of the same inspiration. Rather than plucking a string, blowing through a reed, banging on a drumhead, or clanging a gong, we play the instrument that is empty space by plunking down different combinations of quarks, gluons, electrons, photons,... (that is, the Bits that represent these Its) and let them settle until they reach equilibrium with the spontaneous activity of Grid. Neither planets nor any material constructions compromise the pure ideality of our instrument. It settles into one of its possible vibratory motions, with different frequencies v, depending on how we do the plunking, and with what. These vibrations represent particles of different mass m, according to (*). The masses of particles sound the Music of the Grid.

Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.

Sound waves, regardless of their frequency or intensity, can only be detected by the Mole Fly’s acute sense of smell—it is a little known fact that the Mole Fly’s auditory receptors do not, in fact, have a corresponding center in the brain designated for the purposes of processing sensory stimuli and so, these stimuli, instead of being siphoned out as noise, bypass the filters to be translated, oddly enough, by the part of the brain that processes smell. Consequently, the Mole Fly’s brain, in its inevitable confusion, understands sound as an aroma, rendering the boundary line between the auditory and olfactory sense indistinguishable. Sounds, thus, come in a variety of scents with an intensity proportional to its frequency. Sounds of shorter wavelength, for example, are particularly pungent. What results is a species of creature that cannot conceptualize the possibility that sound and smell are separate entities, despite its ability to discriminate between the exactitudes of pitch, timbre, tone, scent, and flavor to an alarming degree of precision. Yet, despite this ability to hyper-analyze, they lack the cognitive skill to laterally link successions of either sound or smell into a meaningful context, resulting in the equivalent of a data overflow. And this may be the most defining element of the Mole Fly’s behavior: a blatant disregard for the context of perception, in favor of analyzing those remote and diminutive properties that distinguish one element from another. While sensory continuity seems logical to their visual perception, as things are subject to change from moment-to-moment, such is not the case with their olfactory sense, as delays in sensing new smells are granted a degree of normality by the brain. Thus, the Mole Fly’s olfactory-auditory complex seems to be deprived of the sensory continuity otherwise afforded in the auditory senses of other species. And so, instead of sensing aromas and sounds continuously over a period of time—for example, instead of sensing them 24-30 times per second, as would be the case with their visual perception—they tend to process changes in sound and smell much more slowly, thereby preventing them from effectively plotting the variations thereof into an array or any kind of meaningful framework that would allow the information provided by their olfactory and auditory stimuli to be lasting in their usefulness. The Mole flies, themselves, being the structurally-obsessed and compulsive creatures that they are, in all their habitual collecting, organizing, and re-organizing of found objects into mammoth installations of optimal functional value, are remarkably easy to control, especially as they are given to a rather false and arbitrary sense of hierarchy, ascribing positions—that are otherwise trivial, yet necessarily mundane if only to obscure their true purpose—with an unfathomable amount of honor, to the logical extreme that the few chosen to serve in their most esteemed ranks are imbued with a kind of obligatory arrogance that begins in the pupal stages and extends indefinitely, as they are further nurtured well into adulthood by a society that infuses its heroes of middle management with an immeasurable sense of importance—a kind of celebrity status recognized by the masses as a living embodiment of their ideals. And yet, despite this culture of celebrity worship and vicarious living, all whims and impulses fall subservient, dropping humbly to the knees—yes, Mole Flies do, in fact, have knees!—before the grace of the merciful Queen, who is, in actuality, just a puppet dictator installed by the Melic papacy, using an old recycled Damsel fly-fishing lure. The dummy is crude, but convincing, as the Mole flies treat it as they would their true-born queen.

Star Wars introduced a new way for using the five screen speakers [in theaters]. By pushing left and right sound channels to the farthest out speakers the pair just inside those was made available. Lucas' mixers then placed low frequency effects in those speakers, and named it the 'baby boom' channel. Human ears can hear frequencies up to around 20,000 hertz, and down to around 20 Hertz for very low sounds. Below that you don't *hear* the sound, but if the 'volume' is 'loud' enough, you can *feel* the sound. Super-low frequencies affect us emotionally, usually inducing something like fear. We feel them during earthquakes. Lucasfilm put sound effects in the baby boom channel for audiences to feel--for instance, in the opening shot of Star Wars where the little diplomatic ship is running from the Imperial Cruiser. It's no wonder this is one of the most memorable and ominous shots in cinematic history. It was not only cool looking, but cool *sounding*

universe.” Tan’elKoth’s tone remained dry and precise, but his face grew ever more grim. “Chambaraya is, one might say, a smaller knot of mind within the Worldmind: what the elves call T’nnalldion. Through Faith, the Bog can get its corporate fingers into that knot, unbind it, and tie it again in their own image.” Avery shook her head blankly, uncomprehending. Tan’elKoth’s expression was bleak as an open grave. “They’ll make of it a world like this one.” “Is that all?” Avery asked, frowning. “You make it sound like a catastrophe.” “It will be an Armageddon unimaginable; it will be genocide on a scale of which Stalin could not have dreamed.” “Wiping out magick doesn’t seem like such a bad thing.” “Businessman,” Tan’elKoth said patiently, “you don’t understand. Magick has not been wiped out on Earth; it is a function of Flow, which is the energy of existence itself. But its state can be altered. And it has been. Once, Earth was home to fully as many magickal creatures as was Overworld: dragons and sea serpents and mermaids, rocs and djann and primals and stonebenders and all. But creatures such as these require higher levels of certain frequencies of Flow than does humanity; as the pattern of Earth degraded, these creatures not only died, but their very bones gave up their integrity. They vanished into the background Flow of your universe.” “You’re saying magick works on Earth?” Avery said skeptically. “Magick works, as you say, everywhere. But the manner in which magick works on Earth is a local aberration; the physics of this planet and its spatial surrounds have been altered to conditions that favor the ascendance of humanity.” “And what’s wrong with that?” “I did not say it was wrong. I do not debate morality. In my zeal to protect my Children, I once favored such a fate for my own world. But it is unnatural. It is both the cause and the result of the ugly twisting of human nature that we see around

So trees communicate by means of olfactory, visual, and electrical signals. (The electrical signals travel via a from of nerve cell at the tips of the roots.) What about sounds? Let's get back to hearing and speech. When I said at the beginning of this chapter that trees are definitely silent, the latest scientific research casts doubt even on this statement. Along with colleagues from Bristol and Florence, Dr. Monica Gagliano from the University of Western Australia has, quite literally, had her ear to the ground. It's not practical to study trees in the laboratory; therefore, researchers substitute grain seedlings because they are easier to handle. They started listening, and it didn't take them long to discover that their measuring apparatus was registering roots crackling quietly at a frequency of 220 hertz. Crackling roots? That doesn't necessarily mean anything. After all, even dead wood crackles when it's burned in a stove. But the noised discovered in the laboratory caused the researchers to sit up and pay attention. For the roots of seedlings not directly involved in the experiment reacted. Whenever the seedlings' roots were exposed to a cracking at 220 hertz, they oriented their tips in that direction. That means the grasses were registering this frequency, so it makes sense to say they "heard" it.

Does that sound awful to you? I hear the little voice in your head: Destruction of evidence! Obstruction of justice! You are naive. You imagine the courts are reliable, that wrong results are rare, and therefore I ought to have trusted the system. If he truly believed Jacob was innocent, you are thinking, he would have simply let the police sweep in and take whatever they liked. Here is the dirty little secret: the error rate in criminal verdicts is much higher than anyone imagines. Not just false negatives, the guilty criminals who get off scot-free—those “errors” we recognize and accept. They are the predictable result of stacking the deck in defendants’ favor as we do. The real surprise is the frequency of false positives, the innocent men found guilty. That error rate we do not acknowledge—do not even think about—because it calls so much into question. The fact is, what we call proof is as fallible as the witnesses who produce it, human beings all. Memories fail, eyewitness identifications are notoriously unreliable, even the best-intentioned cops are subject to failures of judgment and recall. The human element in any system is always prone to error. Why should the courts be any different? They are not. Our blind trust in the system is the product of ignorance and magical thinking, and there was no way in hell I was going to trust my son’s fate to it. Not because I believed he was guilty, I assure you, but precisely because he was innocent. I was doing what little I could to ensure the right result, the just result. If you do not believe me, go spend a few hours in the nearest criminal court, then ask yourself if you really believe it is error-free. Ask yourself if you would trust your child to it.

In order to avoid the deafening of conspecifics, some bats employ a jamming avoidance response, rapidly shifting frequencies or flying silent when foraging near conspecifics. Because jamming is a problem facing any active emission sensory system, it is perhaps not surprising (though no less amazing) that similar jamming avoidance responses are deployed by weakly electric fish. The speed of sound is so fast in water that it makes it difficult for echolocating whales to exploit similar Doppler effects. However, the fact that acoustic emissions propagate much farther and faster in the water medium means that there is less attenuation of ultrasound in water, and thus that echolocation can be used for broader-scale 'visual' sweeping of the undersea environment. These constraints and trade-offs must be resolved by all acoustic ISMs, on Earth and beyond. There are equally universal anatomical and metabolic constraints on the evolvability of echolocation that explain why it is 'harder' to evolve than vision. First, as noted earlier, a powerful sound-production capacity, such as the lungs of tetrapods, is required to produce high-frequency emissions capable of supporting high-resolution acoustic imaging. Second, the costs of echolocation are high, which may limit acoustic imaging to organisms with high-metabolisms, such as mammals and birds. The metabolic rates of bats during echolocation, for instance, are up to five times greater than they are at rest. These costs have been offset in bats through the evolutionarily ingenious coupling of sound emission to wing-beat cycle, which functions as a single unit of biomechanical and metabolic efficiency. Sound emission is coupled with the upstroke phase of the wing-beat cycle, coinciding with contraction of abdominal muscles and pressure on the diaphragm. This significantly reduces the price of high-intensity pulse emission, making it nearly costless. It is also why, as any careful crepuscular observer may have noticed, bats spend hardly any time gliding (which is otherwise a more efficient means of flight).

No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature.

Energy is the basis of creating electricity that we can utilize, so how can we harness the power of an earthquake? Obviously, today, if that much energy were being drawn from the Earth through the Great Pyramid, tourists would not be parading through it every day. In order for the system to work, the pyramid would need to be mechanically coupled with the Earth and vibrating in sympathy with it. To do this, the system would need to be "primed"—we would need to initiate oscillation of the pyramid before we could tap into the Earth's oscillations. After the initial priming pulse, though, the pyramid would be coupled with the Earth and could draw off its energy. In effect, the Great Pyramid would feed into the Earth a little energy and receive an enormous amount out of it in return. How do we cause a mass of stone that weighs 5,273,834 tons to oscillate? It would seem an impossible task. Yet there was a man in recent history who claimed he could do just that! Nikola Tesla, a physicist and inventor with more than six hundred patents to his credit—one of them being the AC generator—created a device he called an "earthquake machine." By applying vibration at the resonant frequency of a building, he claimed he could shake the building apart. In fact, it is reported that he had to turn his machine off before the building he was testing it in came down around him. [...] The New York World-Telegram reported Tesla's comments from a news briefing at the hotel New Yorker on July 11, 1935: 'I was experimenting with vibrations. I had one of my machines going and I wanted to see if I could get it in tune with the vibration of the building. I put it up notch after notch. There was a peculiar cracking sound. I asked my assistants where did the sound come from. They did not know. I put the machine up a few more notches. There was a louder cracking sound. I knew I was approaching the vibration of the steel building. I pushed the machine a little higher. Suddenly, all the heavy machinery in the place was flying around. I grabbed a hammer and broke the machine. The building would have been about our ears in another few minutes. Outside in the street there was pandemonium. The police and ambulances arrived. I told my assistants to say nothing. We told the police it must have been an earthquake. That's all they ever knew about it.

For instance, emotional memories are stored in the amygdala, but words are recorded in the temporal lobe. Meanwhile, colors and other visual information are collected in the occipital lobe, and the sense of touch and movement reside in the parietal lobe. So far, scientists have identified more than twenty categories of memories that are stored in different parts of the brain, including fruits and vegetables, plants, animals, body parts, colors, numbers, letters, nouns, verbs, proper names, faces, facial expressions, and various emotions and sounds. Figure 11. This shows the path taken to create memories. Impulses from the senses pass through the brain stem, to the thalamus, out to the various cortices, and then to the prefrontal cortex. They then pass to the hippocampus to form long-term memories. (illustration credit 5.1) A single memory—for instance, a walk in the park—involves information that is broken down and stored in various regions of the brain, but reliving just one aspect of the memory (e.g., the smell of freshly cut grass) can suddenly send the brain racing to pull the fragments together to form a cohesive recollection. The ultimate goal of memory research is, then, to figure out how these scattered fragments are somehow reassembled when we recall an experience. This is called the “binding problem,” and a solution could potentially explain many puzzling aspects of memory. For instance, Dr. Antonio Damasio has analyzed stroke patients who are incapable of identifying a single category, even though they are able to recall everything else. This is because the stroke has affected just one particular area of the brain, where that certain category was stored. The binding problem is further complicated because all our memories and experiences are highly personal. Memories might be customized for the individual, so that the categories of memories for one person may not correlate with the categories of memories for another. Wine tasters, for example, may have many categories for labeling subtle variations in taste, while physicists may have other categories for certain equations. Categories, after all, are by-products of experience, and different people may therefore have different categories. One novel solution to the binding problem uses the fact that there are electromagnetic vibrations oscillating across the entire brain at roughly forty cycles per second, which can be picked up by EEG scans. One fragment of memory might vibrate at a very precise frequency and stimulate another fragment of memory stored in a distant part of the brain. Previously it was thought that memories might be stored physically close to one another, but this new theory says that memories are not linked spatially but rather temporally, by vibrating in unison. If this theory holds up, it means that there are electromagnetic vibrations constantly flowing through the entire brain, linking up different regions and thereby re-creating entire memories. Hence the constant flow of information between the hippocampus, the prefrontal cortex, the thalamus, and the different cortices might not be entirely neural after all. Some of this flow may be in the form of resonance across different brain structures.

His eyes were eggs of unstable crystal, vibrating with a frequency whose name was rain and the sound of trains,

In many acoustical applications, sound is considered as falling in eight octave bands, with center frequencies of 63; 125; 250; 500; 1,000; 2,000; 4,000; and 8,000 Hz. In some cases, sound is considered in terms of 1/3-octave bands, with center frequencies falling at 31.5; 50; 63; 80; 100; 125; 160; 200; 250; 315; 400; 500; 630; 800; 1,000; 1,250; 1,600; 2,000; 2,500; 3,150; 4,000; 5,000; 6,300; 8,000; and 10,000 Hz.

The pons is active during meditation, as we breathe deeply and regularly. It’s associated with the production of delta and theta waves in the brain, which research shows turns on a host of healthy processes in your cells. These include increased stem-cell production and the repair of skin, bone, muscle, nerves, and cartilage. These brain waves also lengthen our telomeres, the most reliable marker of longevity. A remarkable ability of humans is that we are able to activate or deactivate all of these brain regions by consciousness alone. We can shift our thoughts deliberately with meditative practices or simply by focusing on different stimuli. The brain responds accordingly. We’ll see the extraordinary neural effects of this superpower of “selective attention” in Chapter 6, and the evolutionary implications in Chapter 8. Pons Activation Benefits Increases Decreases Quality REM sleep Insomnia Cell repair Longevity Energy Cell metabolism Melatonin Delta brain waves Theta brain waves Dream frequency and quality Lucid dreaming To the Brain, Imagination Is Reality For thousands of years, sages have assured us that our minds create our reality. In Proverbs 23:7, the poet tells us that, “As a man thinketh in his heart, so is he.” Two thousand years ago the Buddha said, “We are what we think. All that we are arises with our thoughts. With our thoughts, we make the world.” Now neuroscience is showing us how true this is. An ingenious study measured how our brains respond to scenarios that exist only in our imaginations. A research team at the University of Colorado at Boulder took 68 people and gave them a mild electric shock accompanied by a sound. They were then divided into three groups. The first group heard the sound repeatedly, though this time without the shock. The second group imagined the sound in their heads repeatedly. The third group imagined the pleasant natural music of rain and birds. The group imagining the sound showed the same brain activity as the one actually hearing the sound. Two brain regions, the ventromedial prefrontal cortex and the nucleus accumbens, lit up. As we’ve seen, the first regulates emotions like fear in the limbic system, while the second processes reward and aversion. Later, people in the “rain and birds” group were still afraid of the sound even when it was repeated many times without the shock. But those in the group that heard the real sound, as well as those imagining it, unlearned their fear. In neuroscience, this revision of reality is called “extinction learning.

If a mouse rustles, a dog barks, or a tree falls in a forest, it produces waves of pressure that radiate outward. As these waves travel, the air molecules in their path repeatedly bunch up and spread out. These movements, which occur in the same direction as the wave’s line of travel, are what we call sound. The number of times the molecules compress and disperse in a second determines the sound’s frequency—its pitch, which is measured in hertz (Hz). The extent to which they move determines the sound’s amplitude—its loudness, which is measured in decibels (dB). Hearing is the sense that detects those movements. Your ear consists of three parts—the outer, middle, and inner ears. Your outer ear greets incoming sound waves, collecting them with a fleshy flap and sending them down the ear canal. At the end of the canal, they vibrate a thin, taut membrane called the eardrum. Those vibrations are amplified by the three small bones of the middle ear, which we met in the last chapter, and transmitted to the inner ear—specifically, into a long fluid-filled tube called the cochlea. There, the vibrations are finally detected by a strip of movement-sensitive hair cells, which send signals to the brain. A sound is heard.[*1]

Around 1976, 12" dance and DJ singles emerged. Because the grooves on these oversize singles could be wider, and because they were spinning as fast as a 45, they were louder than LPs that spun at 33 RPM. I remember in the late seventies hearing how the low end (the sound of the kick drum and bass) could be brought forward on this format and made louder. Discos had speakers that could accommodate those frequencies, and they became a world of throbbing, pulsing low end—an experience that had to wait for the CD and digital recording to be experienced outside the club environment.

I encourage you to sit by some flowers and listen to the bees buzzing. The frequency, vibrations, and energy of all life are in their sound.

Li Na can talk to this dolphin?” “Yes, and no.  In a way, maybe.  Dolphins use frequencies for their echolocation, but what Li Na was describing sounded deeper.

There is a Vedic saying, "Nada Brahm," which translates into "all is sound" or "sound is God," which means that all is brought into being by frequency, by sound. Sound provides the pattern and the motion by which all forms arise.

sound can be defined as mechanical waves produced by a vibrating object that travel through a physical medium, like air, water or solid objects. Sound is a physical process, but it is also the perception of the brain that processes those mechanical waves and produces the experience we perceive as ‘sound.’ Sound has many of its own unique physical properties, such as frequency, speed, amplitude, duration, etc.

Sound performance The sound quality depends on how well the codec can reproduce different recording situations. However, different people may hear the sound differently 1. Pitch, principles: The performance is better when the codec can restore different recording situations more accurately. 2. Loudness, principles: The performance is better when the codec can restore different recording situations more accurately.) 3. Tone color : ① Frequency range (principle: The codec can cover the range of frequencies that humans can hear, which is from 20 Hz to 20,000 Hz. ②Response time (principle: the shorter the better, excellent threshold is 10ms.) ③The spatial effect (The best codec is the one that can create a realistic sound effect without distorting or losing any specific frequencies. It should also have a balanced ratio of sound quality and compression.) 4. Sense of space, the principle: The codec should be able to reproduce the sound as if it is coming from different distances and directions in the recording studio. 5. Tuning style, the principle: The codec should be able to capture the details of the sound, such as the resolution, the atmosphere, the balance and connection of the three frequencies (bass, midrange, and treble), and the vocals and instruments. The codec should also be able to match the original recording as closely as possible. If the codec has a different tuning style from the original recording, it is not necessarily worse, but it should still be clear and pleasant. If the codec has a better tuning style than the original recording, it is even better.

TAKEAWAYS FOR TEACHING YOUR DOG When deciding which words to teach, ask yourself these questions. What does my dog communicate with her gestures and vocalizations? Which words do I say to her frequently during routine activities? Which words would allow her to communicate for functions other than requesting? Which words could be used across multiple contexts? Establish a vocabulary with more core words than fringe words. For the most communication potential, and more complex use later on, teach high-frequency words. Keep your dog’s buttons in the same spot. We all learn how to talk through the principles of motor learning. Verbal speech users learn the motor plan to say each sound and word, sign language users develop a motor plan for each hand movement, and AAC users for each word location. Continuously moving words around will be confusing for your dog. After you find a spot that works well, stick with it. Spend time modeling new vocabulary. Whenever you add more words, make sure to model them in their appropriate contexts. Respond to accidental hits, mis-hits, and your dog exploring the buttons. Even if you think you are absolutely positive that your dog pushed a button accidentally or meant to push a different one, respond to the word she said. These are valuable teaching moments. Plus, your dog might surprise you with what she says and when. To help your dog become a deliberate communicator, always respond as though the message was intentional. Give your dog more words than you think she knows. This allows for language growth and exploration.

You can literally re-code your being; repair, animate and activate your 12-Strand DNA; heal (emotional and etheric) trauma; and cure cancer and other illnesses; all through the use of sound frequencies, the harmonic science of the ancients. For sound is vibration, the oscillating motion of molecules in the atmosphere. All dimensions exist in states of vibration.

Once there was a single consciousness that unified everything. Within this consciousness were two beings: Shiva, the infinite supreme consciousness, and Shakti, the eternal supreme consciousness. Shiva represents time, and Shakti, space. Here is the yang of Oriental medicine, cloaked in the Shiva figure, and the yin shown within the Shakti. These two beings separated, creating a distinction between matter and consciousness within the universe—and within the children of the universe, including people. Shakti lies within us all, coiled within our root chakra in the guise of a serpent. In this form, she is the Kundalini Shakti, the “power at rest.”15 She only becomes manifest, however, when she moves—and that is her ultimate goal, to rise through the denseness of the body until she can rejoin her great love, Shiva, who resides in the seventh chakra. When unified, the two create through supreme consciousness. Shakti is not just an ethereal being. She is seen as the cause of prana, or life force. She has sound and form; she is composed of alphabet characters, or mantras. When Shiva and Shakti join, they create nada (pure cosmic sound) and maha bindu (the supreme truth that underlies all manifestation). What does this mean for the initiate who fuses these two beings—these two parts of him- or herself? The graduate is freed from the confines of the physical body. Innate powers—mystical, magical abilities—awaken. Moreover, the soul is freed from the wheel of life that forces reincarnation. Science tells a similar story, using different words. According to recent studies, the entire world can be reduced to frequency and vibration. As we saw in Part III, we are all composed of the L-fields and T-fields that form unified frequencies. We are all made of the “male” and the “female,” the electrical and the magnetic. If we can achieve the balance and blending of each, then there is harmony, and within that harmony, healing. To follow the path of kundalini is not “only” to achieve an enlightened state of mind. It is to heal the mind, soul, spirit—and body.

Music is proof that there is something; some divine capacity of humanity; some frequency of sound that exists hidden in the nothingness of space, discovered, created, and/or transmitted by humans that brings us all to an indescribable sensation of understanding or love or solace or vitality.

For twelve minutes George White Rogers sat calmly by the main transmitter, waiting for an official order to summon outside help. Rogers had been sound asleep in his bunk when the fire alarm sounded. George Alagna had had to shake him quite hard to wake him. The two men dressed quickly and joined Maki in the radio room. Rogers tuned to the main six-hundred-meter distress frequency, and threw the switch into a position which would ensure that the transmitter would produce a very broad interfering path. Evidence of fire was quite apparent from the radio shack. As far as the radio operators could tell, it seemed to be just below and forward on the port side, by the writing room. The radio room was filling with smoke. When Rogers went to the door he could see the reflection of the flames and hear shouting and confused commands.

If your life could be transcribed into a song, the rights and wrongs, the ups and downs, the good and the bad, and the periods of turmoil and challenges, as much as the moments in which you felt high in the clouds, in love, in awe for all the good things happening to you, mesmerized with disbelief for the joys you were experiencing, all those things would be just and only sounds, perfectly arranged to formulate your own song, the song of your life. In the same way, you must see your friends, and enemies, and loved ones and strangers. For everything is made of frequencies, and everything comes to you in precise moments, to match other frequencies. Everything that happens to you is in a perfect arrangement of vibrations and coincidences. And the maestro of this song is you. You are creating all of that with your mind.

Think of boundaries as a golden bubble around the body—imagine that sensation. It is filled with our own radiant light. Vitality comes from life force, which is, quite simply, the frequency of the miracle of life. It is truly almost beyond comprehension that we exist in the way we do—with bodies that sense, hands that can give healing, language that can move our emotions, voices that carry sound, mouths with which to chew, wombs that gestate, and minds that create. We forget where we came from, how miraculous life is, and how it is growing and vibing all around us constantly.

The solfeggio is a six-note scale and is also nicknamed “the creational scale.” Traditional Indian music calls this scale the saptak, or seven steps, and relates each note to a chakra. These six frequencies, and their related effects, are as follows: Do 396 Hz Liberating guilt and fear Re 417 Hz Undoing situations and facilitating change Mi 528 Hz Transformation and miracles (DNA repair) Fa 639 Hz Connecting/relationships Sol 741 Hz Awakening intuition La 852 Hz Returning to spiritual order Mi has actually been used by molecular biologists to repair genetic defects.115 Some researchers believe that sound governs the growth of the body. As Dr. Michael Isaacson and Scott Klimek teach in a sound healing class at Normandale College in Minneapolis, Dr. Alfred Tomatis believes that the ear’s first in utero function is to establish the growth of the rest of the body. Sound apparently feeds the electrical impulses that charge the neocortex. High-frequency sounds energize the brain, creating what Tomatis calls “charging sounds.”116 Low-frequency sounds drain energy and high-frequency sounds attract energy. Throughout all of life, sound regulates the sending and receiving of energy—even to the point of creating problems. People with attention deficit hyperactivity disorder listen too much with their bodies, processing sound through bone conduction rather than the ears. They are literally too “high in sound.”117 Some scientists go a step further and suggest that sound not only affects the body but also the DNA, actually stimulating the DNA to create information signals that spread throughout the body. Harvard-trained Dr. Leonard Horowitz has actually demonstrated that DNA emits and receives phonons and photons, the electromagnetic waves of sound and light. As well, three Nobel laureates in medical research have asserted that the primary function of DNA is not to synthesize proteins, but to perform bioacoustic and bioelectrical signaling.118 While research such as that by Dr. Popp shows that DNA is a biophoton emitter, other research suggests that sound actually originates light. In a paper entitled “A Holographic Concept of Reality,” which was featured in Stanley Krippner’s book Psychoenergetic Systems, a team of researchers led by Richard Miller showed that superposed coherent waves in the cells interact and form patterns first through sound, and secondly through light.119 This idea dovetails with research by Russian scientists Peter Gariaev and Vladimir Poponin, whose work with torsion energies was covered in Chapter 25. They demonstrated that chromosomes work like holographic biocomputers, using the DNA’s own electromagnetic radiation to generate and interpret spiraling waves of sound and light that run up and down the DNA ladder. Gariaev and his group used language frequencies such as words (which are sounds) to repair chromosomes damaged by X-rays. Gariaev thus concludes that life is electromagnetic rather than chemical and that DNA can be activated with linguistic expressions—or sounds—like an antenna. In turn, this activation modifies the human bioenergy fields, which transmit radio and light waves to bodily structures.120

And then I hear the sound, a sort of high-frequency humming, like a mosquito flying too close to my ear. I wave it off, but after a few

The theory of Fourier series shows that such a sound can be decomposed as a sum of sine waves with various phases, at integer multiples of the frequency ν, as in Bernoulli’s solution (3.2.7) to the wave equation. The component of the sound with frequency ν is called the fundamental. The component with frequency mν is called the mth harmonic, or the (m – 1)st overtone.

notes are played with a frequency ratio of 3:2, then the third partial of the lower note will coincide with the second partial of the upper note, and the notes will have a number of higher partials in common. If, on the other hand, the ratio is slightly different from 3:2, then there will be a sensation of roughness between the third partial of the lower note and the second partial of the upper note, and the notes will sound dissonant.

And as we’ve mentioned, one of the most powerful tools we use to help regulate a distressed infant is rhythm. Oprah: Why is that? Dr. Perry: All life is rhythmic. The rhythms of the natural world are embedded in our biological systems. This begins in the womb, when the mother’s beating heart creates rhythmic sound, pressure, and vibrations that are sensed by the developing fetus and provide constant rhythmic input to the organizing brain. These experiences create powerful associations—essentially, memories—that connect rhythms of roughly sixty to eighty beats per minute (bpm) to regulation. Sixty to eighty bpm is the average resting heart rate for an adult; it’s the rhythm the fetus sensed, and it equates to being in balance, to being warm, full, quenched, safe. After birth, rhythms at these frequencies can comfort and soothe, whereas the loss of rhythm, or high, variable, and unpredictable patterns of sensory input, becomes associated with threat.

and 65 percent the second time around; despite the staggering frequency of affairs; despite the fact that monogamy is a ship sinking faster than anyone can bail it out, we continue to cling to the wreckage with absolute faith in its structural soundness.

Om is like the universe's "chill pill." It's the cosmic equivalent of hitting pause on life's chaos and tuning into the serene frequency of existence. So, when the world gets a bit too hectic, just close your eyes, channel your inner yogi, and let out a resounding Om. It's like giving your mind a spa day—a soothing escape from the daily grind. Om... Because sometimes, you just need to dial down the drama and dial up the zen.

And then I hear the sound, a sort of high-frequency humming, like a mosquito flying too close to my ear. I wave it off, but after a few seconds it’s back again, a gray speck flitting around my peripheral vision, always just out of reach. And I think back to the doctor from the University of Pennsylvania and the research experiment that didn’t actually happen.

The 7.83 Hz frequency is an alpha/theta brainwave frequency that also works in the human brain. It is a relaxed, dreamy state of being, which is also a state in which the body experiences

Who then, are the enemies of people's sound sleep and freedom from insectile forays? Among them, the most terrorist and treacherous, singing and stinging ...are the hawkish mosquitoes, those two-winged flies which, with their proboscises, puncture the skin with insatiable frequency and inject or transmit, and otherwise act as malignant intermediate purveyors of malaria., filaria. dengue, and other deadly fevers.

Here’s an example I’ve created as a tool to help you conceptualize this different energy field. In the slowest vibrations we have illness and disharmony. In faster, but still slow vibration we have ordinary human awareness. Thought and spirit are found in the fastest vibrations. Slow, solid 10,000 cyclesper second 20,000 cycles per second Sound, light, thought, spirit 100,000 cycles per second plus A....................................... B....................................... C....................................... 1. Illness 1. Symptom-free 1. Perfect health 2. Fear, anxiety, stress, depression emotionally 2. Feeling average 2. Incapable of being immobilized 3. Ego-consciousness 3. Group consciousness 3. God- or unity-consciousness Consider your physical health where most of your time is spent attempting to reach point B where you will feel okay because you have an absence of symptoms. Between point A and point B is where you take medicine, consult medical practitioners, and generally strive to get to a point of ordinary human awareness where you just feel okay. Point C represents superhealth where you feel exquisite. You can do five hundred sit-ups, run a marathon, and are toxin-free. Hypothetically, disease materializes at a very low energy frequency. Ordinary human awareness is what we call a normal frequency, and superhealth represents a balanced fast vibration which has the ability to counteract disease frequencies.

It is "vibration" that creates our world. Everyone vibrates. We always utter words in our mind. Thus we create sounds continuously. Frequency differs. Tuning your frequency brings the differences. A good writer has the creativity to polish the broken piano to tune it up in a right tune. Reading their books is the key to choose your favorite frequencies. Now start vibrating and note it down.

Well, typically the state of hypnosis is perfected at the right combination of light and sound frequency when the mind completely relaxes. At this state, the mind also becomes highly suggestible, which means the word of the hypnotist becomes the new reality of the subconscious mind.

Sound travels from the outer ear, via the middle ear, and into the inner ear. In the course of this journey it's converted from sound waves into mechanical vibrations (in the eardrum), from mechanical vibrations into pressure waves (in the cochlea), and thence into electrical signals firing towards the brain. The outer ear (the cup-shaped part we can see, known as the pinna) collects sound and amplifies it, by as much as three decibels. From here the voice travels down the external auditory canal - a tube that acts as a resonator of its own, with its own frequencies. It's this characteristic of the external auditory canal that makes us sensitive to certain frequencies of the voice.

Focused ultrasound utilizes intersecting beams of high-frequency sound concentrated accurately and precisely on tissue deep in the body, much as sunlight passing through a magnifying glass can be focused to burn a hole in a leaf.

International Design Excellence Awards Finalist, Alauda performs full frequencies for different types of music with deep bass, clear and clean human voice and undistorted tweeter, showing hi-fi stereo sound quality.

Just as with sound waves, light waves emitted by a moving source show the Doppler effect. What we observe instead of the sound pitch is the color of the light: Red light has a lower frequency than blue light. If the light source is moving toward the observer, the light appears bluer; as it moves away, it will appear red. Likewise, an observer moving inside the blackbody volume will register the radiation coming from the direction opposite to his motion as being blue, that which comes from behind as red. The difference between the two frequencies can tell him his velocity of motion with respect to the blackbody radiation. This difference, however, will decrease as the temperature is lowered; it will vanish altogether at absolute zero. Regardless of an observer's velocity of motion, the radiation meeting him at zero temperature is the same from every direction. The observer therefore has no way of finding out from the radiation alone in which direction he is moving, or whether he is moving at all. Once we accept this scenario, we have already fixed the spectrum (that is, the amount of radiation as a function of its frequency) within some constant factor. However, the result obtained in this way does not appear to make sense: It implies that a blackbody at zero temperature has an infinite supply of energy in the form of zero temperature radiation. The same astonishing result can be derived by means of the quantum theory of electromagnetic radiation, which we call quantum electrodynamics. This theory, the implications of which have been verified in many instances with remarkable precision, tells us that the true vacuum at zero temperature still has an infinite supply of radiation energy. As we proceed, we will see that electromagnetic radiation is in fact only one component, albeit infinite in quantity, of the unfathomable energy supply of the vacuum.

She felt as if she knew the stars, and had been among them, or would be. Why was it that in planetarium lectures the telescopic photographs flashed upon the interior of the dome were so familiar—not just to her, but to everyone. Farmers and children, and, once, Paumanuk Indians pausing in their sad race to extinction, had all understood the sharp abstract images, immediately and from the heart. The nebulae, the sweep of galaxies, the centrifugal clusters—nothing more, really, than projected electric light on a plaster ceiling—carried them away in a trance, and the planetarium lecturer need not have said a word. And why was it that certain sounds, frequencies, and repetitious rhythmic patterns suggested stars, floating galaxies, and even the colorful opaque planets orbiting in subdued ellipses? Why were certain pieces of music (pre-Galilean, post-Galilean, it did not matter) harmonically and rhythmically linked to the stars and suggestive of the parallel light that rained upon the earth in illusory radiants bursting apart? She had no explanation for these or a hundred other questions about the same matters.

THE FIRST CRY Humans, according to the philosopher Kant, are the only species to emit a sound at birth-one reason, perhaps, that the newborn baby's cries have been invested with such purity, innocence, and almost mystical power. Hegel, on the other hand, thought the first cry reflected the 'horror of the spirit, at its subjection to nature'. The reality is more prosaic. The first audible cry clears the respiratory tract of mucus for the first breath. It's also an instinctive reaction to a shocking change of temperature, light, and air. Immediately after being born, healthy newborn babies everywhere produce an almost identical reflex cry-one which, intriguingly, matches the frequency of the international standard tone for tuning musical instruments. So essential is the first cry as a sign of independent life that, if it is absent, a baby is often-still today-slapped into producing it. The pitch, tone, and dynamic strength of the cry are assessed within one minute of the infant entering the world, and then again at five minutes. The APGAR scale judges health, allocating two points for a good strong cry, but only one for a weak (whimpering or grunting) one.

Ear and voice complement each other: both are activated by the movement of air. Just as air makes the larynx vibrate, so it's the air in the form of sound waves that causes the eardrum to vibrate-the basis of hearing. To listen to someone's voice is therefore 'a partnership of vibration'. The ear has even been called a 'sonic mouth', since some of the same organs in the body form them both. By ensuring that the ear canal resonates at the same frequencies as the vocal tract, nature has thoughtfully matched the reception organ with the production one, and developed a human ear with the precise properties best needed to hear the human voice.

No piece of technology or Swiss precision-measuring instrument has ever come near the extraordinary sensitivity of the ear in its abilities to detect nano-changes in loudness and frequency or pitch. (Frequency is an acoustic measurement of the voice's vibrations; pitch is a perceptual term- how those frequencies sound to us). If you play a pure tone (where the pattern of vibration keeps repeating itself, like a tuning fork) at a single level of loudness, the ear can perceive 1,400 different pitches. If, on the other hand, you keep to one frequency but change the volume or intensity, the ear is capable of identifying 280 different levels of loudness. That means that, if both the frequency and intensity are changed, the ear has a repertoire of between 300,000 and 400,000 distinguishable tones. Does the planet contain a more discriminating organ?

The characteristic sounds of a trumpet, oboe, banjo, piano, or violin are due to the distinct cocktail of harmonic frequencies that each instrument produces. I love the image of an invisible cosmic bartender, expert in creating hundreds of different harmonic cocktails, who can serve up a banjo to this customer, a kettledrum to the next, and an erhu or a trombone to the one after that

Although continual sound effects were common in VCS games, it is hard to produce anything that sounds like Western music on the machine. The frequencies that the TIA can generate miss most of the chromatic scale. When Garry Kitchen was working as a programmer for Activision, he went through and marked the notes that the Atari VCS could hit. He then asked a professional composer of jingles to put something together using only those notes.

The DopplerEffect occurs when either the source of a wave or the observer of a wave (or both) are moving. When a source of a wave is moving towards you, the apparent frequency of the wave you detect is higher than that emitted. For instance, if a car approaches you while playing a note at 500 Hz, the sound you hear will be slightly higher. The opposite occurs (the frequency observed is lower than emitted) for a receding wave or if the observer moves away from the source. It’s important to note that the speed of the wave does not change –it’s traveling through the same medium so the speed is the same. Due to the relative motion between the source and the observer the frequency changes, but not the speed of the wave. Note that while the effect is similar for light and electromagnetic waves the formulas are not exactly the same as for sound.

Sound is a different frequency

In the dark, in no starlight at all, the blocks hurtled invisibly by, ejected into the night air; he heard them break but he believed it was only the echoes of broken windows, not even his broken windows but someone else’s in some other city, people all over the night searching madly for those who transmitted the vague and unpersuasive frequency of destiny, not even this night but some other night that came before, from which the sound of breaking windows reached him only now like the light of novae. Ice busting in the dirt. The storm turned north.

Human cultural supremacy over the surface of the earth is recent and not quite complete. If we could have listened at lower frequencies, below the limits of the human ear, we would have heard rumbles and groans of other whales—the finback and the blue—their songs competing in the lowest frequency bands with the recent sound of ships. Could these be other nonhuman cultures?

have at least eighteen muscles in each ear. Using these, they can move their ears to pinpoint where a sound is coming from.   Whereas humans can only hear sounds with frequencies of up to 20,000 hertz, dogs can hear sounds from 40,000 to 60,000 hertz.

What's amazing about speech is that when you're on the receiving end, listening to the noise that comes out of people's mouths, you instantaneously hear meaningful language. Yet speech is just sound, a semicontinuous buzz that fluctuates rapidly and regularly. Frequencies rise and fall, harmonics within the frequencies change their relationships to one another, air turbulence increases and dies away. It gets loud, and then it gets quiet.

Zipf's law was first developed by the linguist George Zipf in the 1940's. Zipf got his graduate students to count how often particular letters appeared in different texts, like Ulysses, and plotted the frequency of each letter in descending order on a log scale. He found that the slope he had plotted had a -1 gradient. he went on to discover that most human languages, whether written or spoken, had approximately the same slope of -1. Zipf also established that completely disordered sets of symbols produce a slope of 0. This meant there was no complexity in that particular text because all elements occurred more or less equally. Zipf applied the tool to babies' babbling, and the resulting slope was closer to the horizontal, as it should be if infants run randomly through a large set of sounds in which there is little, if any, structure.

Schwartz, Howe, and Purves analyzed a vast selection of speech sounds from a variety of languages to determine the underlying patterns common to all utterances. In order to focus only on the raw sound, they discarded all theories about speech and meaning and sliced sentences into random bites. Using a database of over a hundred thousand brief segments of speech, they noted which frequency had the greatest emphasis in each sound. The resulting set of frequencies, they discovered, corresponded closely to the chromatic scale. In short, the building blocks of music are to be found in speech.

Humans with perfect reception can hear frequencies between 20 wave cycles per second, or 20 Hz, at the low end to 20,000 Hz at the high end. The lowest note on a typical piano is 27.5 Hz, and the highest is about 4,186 Hz. Nonhuman animals have evolved different ranges of hearing, the widest

Pitch is closely related to frequency, but the two are not the same thing. Pitch is mostly used in the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it’s a measurement of the number of cycles

When seas of state 1 or higher are noted, when traffic or industrial noise is apparent, or when other low frequency sound sources such as shifting bottoms, tidal currents, or noisy animals are encountered, sound reception in all, but the "deafest", fishes is probably impaired - the degree of such impairment being directly dependent upon the noise-level attained. -- Arthur A. Myrbery, Jr.

When you strike a tuning fork you activate it to send out a particular sound or frequency. Now, in a room filled with tuning forks— only those that are tuned to the exact same frequency will begin to vibrate in response. They will automatically connect and respond to the frequency that matches their own. So the idea here is to tune yourself to resonate at a frequency that is in harmony with what you want to attract. In order to create a positive future, you need to keep your energy, thoughts, and feelings in the positive range.