Souls Of Black Folk Quotes

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Herein lies the tragedy of the age: not that men are poor, — all men know something of poverty; not that men are wicked, — who is good? not that men are ignorant, — what is Truth? Nay, but that men know so little of men.
W.E.B. Du Bois (The Souls of Black Folk)
One ever feels his twoness, -- an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
To the real question, How does it feel to be a problem? I answer seldom a word.
W.E.B. Du Bois (The Souls of Black Folk)
The problem of the twentieth century is the problem of the color line.
W.E.B. Du Bois (The Souls of Black Folk)
The South believed an educated Negro to be a dangerous Negro. And the South was not wholly wrong; for education among all kinds of men always has had, and always will have, an element of danger and revolution, of dissatisfaction and discontent. Nevertheless, men strive to know.
W.E.B. Du Bois (The Souls of Black Folk)
Honest and earnest criticism from those whose interests are most nearly touched,- criticism of writers by readers, of government by those governed, of leaders by those led, - this is the soul of democracy and the safeguard of modern society
W.E.B. Du Bois (The Souls of Black Folk)
The history of the American Negro is the history of this strife, -- this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost... He simply wishes to make it possible for a man to be both a Negro and an American...
W.E.B. Du Bois (Souls of Black Folk & Era of Franklin D. Roosevelt 1933-1945 & Movements of the New Left 1950-1975)
Now is the accepted time, not tomorrow, not some more convenient season. It is today that our best work can be done and not some future day or future year. It is today that we fit ourselves for the greater usefulness of tomorrow. Today is the seed time, now are the hours of work, and tomorrow comes the harvest and the playtime.
W.E.B. Du Bois (Three African-American Classics: Up from Slavery, The Souls of Black Folk and Narrative of the Life of Frederick Douglass)
The theology of the average colored church is basing itself far too much upon 'Hell and Damnation'—upon an attempt to scare people into being decent and threatening them with the terrors of death and punishment. We are still trained to believe a good deal that is simply childish in theology. The outward and visible punishment of every wrong deed that men do, the repeated declaration that anything can be gotten by anyone at any time by prayer. [Essay entitled 'On Christianity', published posthumously]
W.E.B. Du Bois (Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles)
To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.
W.E.B. Du Bois (The Souls of Black Folk)
America is not another word for Opportunity to all her sons.
W.E.B. Du Bois (The Souls of Black Folk)
In all things purely social we can be as separate as the five fingers, and yet one as the hand in all things essential to mutual progress.
W.E.B. Du Bois (The Souls of Black Folk)
We have no right to sit silently by while the inevitable seeds are sown for a harvest of disaster to our children, black and white.
W.E.B. Du Bois (The Souls of Black Folk)
He began to have a dim feeling that, to attain his place in the world, he must be himself, and not another.
W.E.B. Du Bois (The Souls of Black Folk)
The function of the university is not simply to teach breadwinning, or to furnish teachers for the public schools, or to be a centre of polite society; it is, above all, to be the organ of that fine adjustment between real life and the growing knowledge of life, and adjustment which forms the secret of civilisation.
W.E.B. Du Bois (The Souls of Black Folk)
I sit with Shakespeare, and he winces not. Across the color line I move arm and arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out of the caves of evening that swing between the strong-limbed Earth and the tracery of stars, I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the veil. Is this the life you grudge us, O knightly America? Is this the life you long to change into the dull red hideousness of Georgia? Are you so afraid lest peering from this high Pisgah, between Philistine and Amalekite, we sight the Promised Land?
W.E.B. Du Bois (The Souls of Black Folk)
The price of culture is a Lie.
W.E.B. Du Bois (The Souls of Black Folk)
After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro... two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife, — this longing to attain self-conscious manhood, to merge his double self into a better and truer self.
W.E.B. Du Bois (The Souls of Black Folk)
Then, as the storm burst round him, he rose slowly to his feet and turned his closed eyes toward the Sea. And the world whistled in his ears.
W.E.B. Du Bois (The Souls of Black Folk)
Daily the Negro is coming more and more to look upon law and justice, not as protecting safeguards, but as sources of humiliation and oppression. The laws are made by men who have little interest in him; they are executed by men who have absolutely no motive for treating the black people with courtesy or consideration; and, finally, the accused law-breaker is tried, not by his peers, but too often by men who would rather punish ten innocent Negroes than let one guilty one escape.
W.E.B. Du Bois (The Souls of Black Folk)
The equality in political, industrial and social life which modern men must have in order to live, is not to be confounded with sameness. On the contrary, in our case, it is rather insistence upon the right of diversity; - upon the right of a human being to be a man even if he does not wear the same cut of vest, the same curl of hair or the same color of skin. Human equality does not even entail, as it is sometimes said, absolute equality of opportunity; for certainly the natural inequalities of inherent genius and varying gift make this a dubious phrase. But there is more and more clearly recognized minimum of opportunity and maximum of freedom to be, to move and to think, which the modern world denies to no being which it recognizes as a real man.
W.E.B. Du Bois (The Souls of Black Folk)
I sit with Shakespeare and he winces not. Across the color-line I move arm in arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of the evening that swing between the strong-limbed earth and the tracery of the stars, I summon Aristotle and Aurelius... and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil.
W.E.B. Du Bois (The Souls of Black Folk)
He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
John,” she said, “does it make every one—unhappy when they study and learn lots of things?” He paused and smiled. “I am afraid it does,” he said. “And, John, are you glad you studied?” “Yes,” came the answer, slowly but positively. She watched the flickering lights upon the sea, and said thoughtfully, “I wish I was unhappy,—and—and,” putting both arms about his neck, “I think I am, a little, John.
W.E.B. Du Bois (The Souls of Black Folk)
The opposition to Negro education in the South was at first bitter, and showed itself in ashes, insult, and blood; for the South believed an educated Negro to be a dangerous Negro.
W.E.B. Du Bois (The Souls of Black Folk)
[I]n any land, in any country under modern free competition, to lay any class of weak and despised people, be they white, black, or blue, at the political mercy of their stronger, richer, and more resourceful fellows, is a temptation which human nature seldom has withstood and seldom will withstand.
W.E.B. Du Bois (The Souls of Black Folk)
Then it dawned upon me with a certain suddenness that I was different from the others; or like, mayhap, in heart and life and longing, but shut out from their world by a vast veil.
W.E.B. Du Bois (The Souls of Black Folk)
But the chief problem in any community cursed with crime is not Punishment of the criminals, but the preventing of the young from being trained to crime.
W.E.B. Du Bois (The Souls of Black Folk: By W. E. B. Du Bois - Illustrated)
Lo! we are diseased and dying, cried the dark hosts; we cannot write, our voting is vain; what need of education, since we must always cook and serve? And the Nation echoed and enforced this self-criticism, saying: Be content to be servants, and nothing more; what need of higher culture for half-men?
W.E.B. Du Bois (The Souls of Black Folk)
And herein lies the tragedy of the age: not that men are poor,—all men know something of poverty; not that men are wicked,—who is good? not that men are ignorant,—what is Truth? Nay, but that men know so little of men.
W.E.B. Du Bois (The Souls of Black Folk)
The white economic and political elite often failed to recognize blacks as American, just as blacks often failed to recognize their potential for advancement outside of the limited opportunities afforded them by whites.
W.E.B. Du Bois (The Souls of Black Folk)
It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder. The history of the American Negro is the history of this strife — this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa. He wouldn't bleach his Negro blood in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
its police system was arranged to deal with blacks alone, and tacitly assumed that every white man was ipso facto a member of that police.
W.E.B. Du Bois (The Souls of Black Folk)
The Nation has not yet found peace from its sins; the freedman has not yet found in freedom his promised land. Whatever of good may have come in these years of change, the shadow of a deep disappointment rests upon the Negro people,—a disappointment all the more bitter because the unattained ideal was unbounded save by the simple ignorance of a lowly people.
W.E.B. Du Bois (The Souls of Black Folk)
It is not enough for the Negroes to declare that color-prejudice is the sole cause of their social condition, nor for the white South to reply that their social condition is the main cause of prejudice. They both act as reciprocal cause and effect, and a change in neither alone will bring the desired effect. Both must change, or neither can improve to any great extent."(p.88)...."Only by a union of intelligence and sympathy across the color-line in this critical period of the Republic shall justice and right triumph,
W.E.B. Du Bois (The Souls of Black Folk)
Not even ten additional years of slavery could have done so much to throttle the thrift of the freedmen as the mismanagement and bankruptcy of the series of savings banks chartered by the Nation for their especial aid.
W.E.B. Du Bois (The Souls of Black Folk)
What in the name of reason does this nation expect of a people, poorly trained and hard pressed in severe economic competition, without political rights, and with ludicrously inadequate common-school facilities? What can it expect but crime and listlessness, offset here and there by the dogged struggles of the fortunate and more determined who are themselves buoyed by the hope that in due time the country will come to its senses?
W.E.B. Du Bois (The Souls of Black Folk)
The nineteenth was the first century of human sympathy, -- the age when half wonderingly we began to descry in others that transfigured spark of divinity which we call Myself; when clodhoppers and peasants, and tramps and thieves, and millionaires and -- sometimes -- Negroes, became throbbing souls whose warm pulsing life touched us so nearly that we half gasped with surprise, crying, "Thou too! Hast Thou seen Sorrow and the dull waters of Hopelessness? Hast Thou known Life?
W.E.B. Du Bois (The Souls of Black Folk)
For this much all men know: despite compromise, war, and struggle, the Negro is not free
W.E.B. Du Bois (The Souls of Black Folk)
At best, the natural good-nature is edged with complaint or has changed into sullenness and gloom. And now and then it blazes forth in veiled but hot anger.
W.E.B. Du Bois (The Souls of Black Folk)
All life long crying without avail, As the water all night long is crying to me.
W.E.B. Du Bois (The Souls of Black Folk (Illustrated))
John," she said, "does it make every one—unhappy when they study and learn lots of things?" He paused and smiled. "I am afraid it does," he said.
W.E.B. Du Bois (The Souls of Black Folk)
And yet this very singleness of vision and thorough one-ness with his age is a mark of the successful man. It is as though Nature must needs make men narrow in order to give them force.
W.E.B. Du Bois (The Souls of Black Folk)
He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
Thus all art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.
W.E.B. Du Bois (Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles)
The degree of ignorance cannot easily be expressed. We may say, for instance, that nearly two-thirds of them cannot read or write. This but partially expresses the fact. They are ignorant of the world about them, of modern economic organization, of the function of government, of individual worth and possibilities,—of nearly all those things which slavery in self-defence had to keep them from learning. Much that the white boy imbibes from his earliest social atmosphere forms the puzzling problems of the black boy’s mature years. America is not another word for Opportunity to all her sons.
W.E.B. Du Bois (The Souls of Black Folk)
They approach me in a half-hesitant sort of way, eye me curiously or compassionately, and then, instead of saying directly, How does it feel to be a problem? they say, I know an excellent colored man in my town; or, I fought at Mechanicsville; or, Do not these Southern outrages make your blood boil?
W.E.B. Du Bois (The Souls of Black Folk)
But why, why all the hurt? Because, said Mr. Halloway. You need fuel, gas, someting to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival. All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way.
Ray Bradbury (Something Wicked This Way Comes)
The power of the ballot we need in sheer self-defence, —else what shall save us from a second slavery? Freedom, too, the long-sought, we still seek, —the freedom of life and limb, the freedom to work and think, the freedom to love and aspire.
W.E.B. Du Bois (The Souls of Black Folk)
Only in the chamber of death writhed the world's most piteous thing—a childless mother.
W.E.B. Du Bois (The Souls of Black Folk)
not simply for pay; the thinker must think for truth, not for fame.
W.E.B. Du Bois (The Souls of Black Folk)
Truth forever on the scaffold, Wrong forever on the throne;
W.E.B. Du Bois (The Souls of Black Folk by W.E.B. Du Bois: Annotated and Illustrated Edition (with Audiobook Access))
Why did God make me an outcast and a stranger in mine own house?
W.E.B. Du Bois (The Souls of Black Folk)
perhaps, having already reached conclusions in our own minds, we are loth to have them disturbed by facts.
W.E.B. Du Bois (The Souls of Black Folk)
Hear my cry, O God the Reader; vouchsafe that this my book fall not still-born into the world wilderness. Let there spring, Gentle One, from out its leaves vigor of thought and thoughtful deed to reap the harvest wonderful. Let the ears of a guilty people tingle with truth, and seventy millions sigh for the righteousness which exalteth nations, in this drear day when human brotherhood is mockery and a snare. Thus in Thy good time may infinite reason turn the tangle straight, and these crooked marks on a fragile leaf be not indeed THE END
W.E.B. Du Bois (The Souls of Black Folk)
Abraham Lincoln was perhaps the greatest figure of the 19th century. Certainly of the five masters - Napoleon, Bismarck, Victoria, Browning and Lincoln, Lincoln is to me the most human and lovable. And I love him not because he was perfect but because he was not and yet triumphed. The world is full of illegitimate children. The world is full of folk whose taste was educated in the gutter. The world is full of people born hating and despising their fellows. To these I love to say: See this man. He was one of you and yet he became Abraham Lincoln.
W.E.B. Du Bois (Writings: The Suppression of the African Slave-Trade / The Souls of Black Folk / Dusk of Dawn / Essays and Articles)
You will not wonder at his weird pilgrimage,-who who in the swift whifl of living, amid its cold paradox and marvelous vision, have fronted life and aked its riddle face to face. And if you find that riddle hard to read, remember that yonder black boy finds it just a little harder; if it is difficult for you to find and face your duty, it is a shade more difficult for him; if your heart sickens in the blood and dust of battle, remember that to him the dust is thicker and the battle fiercer.
W.E.B. Du Bois (The Souls of Black Folk)
He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world.
W.E.B. Du Bois (The Souls of Black Folk)
We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folklore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness.
W.E.B. Du Bois (The Souls of Black Folk)
Today even the attitude of the Southern whites toward the blacks is not, as so many assume, in all cases the same; the ignorant Southerner hates the Negro, the workingmen fear his competition, the money-makers wish to use him as a laborer, some of the educated see a menace in his upward development, while others—usually the sons of the masters—wish to help him to rise.
W.E.B. Du Bois (The Souls of Black Folk)
The Music of Negro religion is that plaintive rhythmic melody, with its touching minor cadences, which, despite caricature and defilement, still remains the most original and beautiful expression of human life and longing yet born on American soil.
W.E.B. Du Bois (The Souls of Black Folk)
Out of the temptation of Hate, and burned by the fire of Despair, triumphant over Doubt, and steeled by Sacrifice against Humiliation, . . . He bent to all the gibes and prejudices, to all hatred and discrimination with that rare courtesy which is the armor of pure souls. . . . he simply worked, inspiring the young, rebuking the old, helping the weak, guiding the strong.
W.E.B. Du Bois (The Souls of Black Folk)
Awakening will come, when the pent-up vigor of ten million souls shall sweep irresistibly toward the Goal, out of the Valley of the Shadow of Death, where all that makes life worth living—Liberty, Justice, and Right—is marked "For White People Only.
W.E.B. Du Bois (The Souls of Black Folk)
Not for me,—I shall die in my bonds,—but for fresh young souls who have not known the night and waken to the morning; a morning when men ask of the workman, not "Is he white?" but "Can he work?" When men ask artists, not "Are they black?" but "Do they know?
W.E.B. Du Bois (The Souls of Black Folk)
the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,—a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one's self through the eyes of others, of measuring one's soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.
W.E.B. Du Bois (The Souls of Black Folk)
We like to keep separate the evils of our national past from the sacredness of our ideals. That separation allows us to maintain a pristine idea of America despite all of the ugly things we have done. Americans can celebrate the founding fathers even when we hear John Adams declare to King George, “We will not be your negroes” or learn that Thomas Jefferson wasn’t so consistent in his defense of freedom. We keep treating America like we have a great blueprint and we’ve just strayed from it. But the fact is that we’ve built the country true. Black folk were never meant to be full-fledged participants in this society. The ideas of freedom and equality, of liberty and citizenship did not apply to us, precisely because we were black. Hell, the ability to vote for the majority of black people wasn’t guaranteed until 1965. The value gap limited explicitly the scope and range of democratic life in this country. So when folks claim that American democracy stands apart from white supremacy, they are either lying or they have simply stuck their head in the sand.
Eddie S. Glaude Jr. (Democracy in Black: How Race Still Enslaves the American Soul)
What rent do you pay here?" I inquired. "I don’t know,—what is it, Sam?" "All we make," answered Sam. It is a depressing place,—bare, unshaded, with no charm of past association, only a memory of forced human toil,—now, then, and before the war. They are not happy, these black men whom we meet throughout this region. There is little of the joyous abandon and playfulness which we are wont to associate with the plantation Negro.
W.E.B. Du Bois (The Souls of Black Folk)
In a world where it means so much to take a man by the hand and sit beside him, to look frankly into his eyes and feel his heart beating with red blood; in a world where a social cigar or a cup of tea together means more than legislative halls and magazine articles and speeches,—one can imagine the consequences of the almost utter absence of such social amenities between estranged races, whose separation extends even to parks and streetcars.
W.E.B. Du Bois (The Souls of Black Folk)
IN THE SOULS OF BLACK FOLK, the sociologist W.E.B. Du Bois describes the “double consciousness” of Black Americans at the dawn of the twentieth century. Despite having been born and raised on American soil, shaped by this nation’s institutions and infused with its creed, despite the fact that their toiling hands and beating hearts contributed so much to the country’s economy and culture—despite all this, Du Bois writes, Black Americans remain the perpetual “Other,” always on the outside looking in, ever feeling their “two-ness,” defined not by what they are but by what they can never be.
Barack Obama (A Promised Land)
When now we turn and look five miles above, there on the edge of town are five houses of prostitutes,—two of blacks and three of whites; and in one of the houses of the whites a worthless black boy was harbored too openly two years ago; so he was hanged for rape. And here, too, is the high whitewashed fence of the "stockade," as the county prison is called; the white folks say it is ever full of black criminals,—the black folks say that only colored boys are sent to jail, and they not because they are guilty, but because the State needs criminals to eke out its income by their forced labor.
W.E.B. Du Bois (The Souls of Black Folk)
Among this people there is no leisure class. We often forget that in the United States over half the youth and adults are not in the world earning incomes, but are making homes, learning of the world, or resting after the heat of the strife. But here ninety-six per cent are toiling; no one with leisure to turn the bare and cheerless cabin into a home, no old folks to sit beside the fire and hand down traditions of the past; little of careless happy childhood and dreaming youth.
W.E.B. Du Bois (The Souls of Black Folk)
The hushing of the criticism of honest opponents is a dangerous thing. It leads some of the best of the critics to unfortunate silence and paralysis of effort, and others to burst into speech so passionately and intemperately as to lose listeners. Honest and earnest criticism from those whose interests are most nearly touched,—criticism of writers by readers, of government by those governed, of leaders by those led,—this is the soul of democracy and the safeguard of modern society.
W.E.B. Du Bois (The Souls of Black Folk)
And the final product of our training must be neither a psychologist nor a brick mason, but a man. And to make men, we must have ideals, broad, pure, and inspiring ends of living, not sordid money-getting... The worker must work for the glory of his handiwork, not simply for pay; the thinker must think for truth, not fame.
W.E.B. Du Bois (The Souls of Black Folk)
We may say, for instance, that nearly two-thirds of them cannot read or write. This but partially expresses the fact. They are ignorant of the world about them, of modern economic organization, of the function of government, of individual worth and possibilities,—of nearly all those things which slavery in self-defence had to keep them from learning.
W.E.B. Du Bois (The Souls of Black Folk)
Deception is the natural defence of the weak against the strong, and the South used it for many years against its conquerors; to-day it must be prepared to see its black proletariat turn that same two-edged weapon against itself. And how natural this is! The death of Denmark Vesey and Nat Turner proved long since to the Negro the present hopelessness of physical defence. Political defence is becoming less and less available, and economic defence is still only partially effective. But there is a patent defence at hand,—the defence of deception and flattery, of cajoling and lying. It is the same defence which peasants of the Middle Age used and which left its stamp on their character for centuries. To-day the young Negro of the South who would succeed cannot be frank and outspoken, honest and self-assertive, but rather he is daily tempted to be silent and wary, politic and sly; he must flatter and be pleasant, endure petty insults with a smile, shut his eyes to wrong; in too many cases he sees positive personal advantage in deception and lying. His real thoughts, his real aspirations, must be guarded in whispers; he must not criticise, he must not complain. Patience, humility, and adroitness must, in these growing black youth, replace impulse, manliness, and courage. With this sacrifice there is an economic opening, and perhaps peace and some prosperity. Without this there is riot, migration, or crime. Nor is this situation peculiar to the Southern United States, is it not rather the only method by which undeveloped races have gained the right to share modern culture? The price of culture is a Lie.
W.E.B. Du Bois (The Souls of Black Folk)
Not a single Southern legislature stood ready to admit a Negro, under any conditions, to the polls; not a single Southern legislature believed free Negro labor was possible without a system of restrictions that took all its freedom away; there was scarcely a white man in the South who did not honestly regard Emancipation as a crime, and its practical nullification as a duty.
W.E.B. Du Bois (The Souls of Black Folk)
the journey at least gave leisure for reflection and self-examination; it changed the child of Emancipation to the youth with dawning self-consciousness, self-realization, self-respect. In those sombre forests of his striving his own soul rose before him, and he saw himself,—darkly as through a veil; and yet he saw in himself some faint revelation of his power, of his mission.
W.E.B. Du Bois (The Souls of Black Folk)
White ain't nothing.' Mama's grip did not lessen. 'It is something, Cassie. White is something just like black is something. Everybody born on this Earth is something, and nobody, no matter what color is better than anybody else.' 'Then how come Mr. Simms don't know that.' 'Because he's one of those people who has to believe that white people are better than black people to make himself feel big.' I stared questionably at Mama, not really understanding. Mama squeezed my hadn't and explained further, 'You see, Cassie, many years ago, when our people were fist brought from Africa in chains to work as slaves in this country--' 'Like Big Ma's Papa and Mama?' Mama nodded. "Yes, baby. Like Papa Luke and Mama Rachel. Except they were born right here is Mississippi, but their grandparents were born in Africa. And when they came, there was some white people who thought that is was wrong for any people to be slaves. So the people who needed slaves to work in their fields and the people who were making money bringing slaves from Africa preached that black people weren't really people like white people were, so slavery was all right. They also said that slavery was good for us because it thought us to be good Christians, like the white people.' She sighed deeply, her voice fading into a distant whisper, 'But they didn't teach us Christianity to save our souls, but to teach us obedience. They were afraid of slave revolts and they wanted us to learn the Bible's teachings about slaves being loyal to their masters. But even teaching Christianity didn't make us stop wanting to be free, and many slaves ran away.” ... She was silent for a moment, then went on. 'Well, after a while, slavery became so profitable to people who had slaves and even to those who didn't that most people started to believe that black people weren't really people like everybody else. And when the Civil War was fought, and Mama Rachel and Papa Luke and all the other slaves were freed, people continued to think that way. Even the Northeners who fought the war didn't really see us equal to white people. 'So, now, even though seventy years have passed since slavery, most white people still think of us as they did then, that we're not as good as they are. And people like Mr. Simms hold onto that belief harder than some other folks because they have little else to hold onto. For him to believe that he is better than we are makes him think that he's important, simply because he's white.
Mildred D. Taylor (Roll of Thunder, Hear My Cry (Logans, #4))
Again, we may decry the color-prejudice of the South, yet it remains a heavy fact. Such curious kinks of the human mind exist and must be reckoned with soberly. They cannot be laughed away, nor always successfully stormed at, nor easily abolished by act of legislature. And yet they must not be encouraged by being let alone. They must be recognized as facts, but unpleasant facts; things that stand in the way of civilization and religion and common decency. They can be met in but one way—by the breadth and broadening of human reason, by catholicity of taste and culture.
W.E.B. Du Bois (The Souls of Black Folk)
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
the great fraud of the construct of whiteness is that it has coerced and convinced most white folks to no longer see their own oppression: by men over women, by straights over LGBT, by hetero fathers over their sons in arbitrating their masculinity, by capitalist values of personal acquisition over the personal freedom of one’s soul. white folks have been duped to trade their humanity for their privilege. the most insidious lie is that racism is a Black problem or colored folks problem. white folks wake up: not only oppressed people are complicit in oppression. it’s your problem, too.
Angel Kyodo Williams (Radical Dharma: Talking Race, Love, and Liberation)
We seldom study the condition of the Negro to-day honestly and carefully. It is so much easier to assume that we know it all. Or perhaps, having already reached conclusions in our own minds, we are loth to have them disturbed by facts. And yet how little we really know of these millions,—of their daily lives and longings, of their homely joys and sorrows, of their real shortcomings and the meaning of their crimes! All this we can only learn by intimate contact with the masses, and not by wholesale arguments covering millions separate in time and space, and differing widely in training and culture.
W.E.B. Du Bois (The Souls of Black Folk)
By the middle of the eighteenth century the black slave had sunk, with hushed murmurs, to his place at the bottom of a new economic system, and was unconsciously ripe for a new philosophy of life. Nothing suited his condition then better than the doctrines of passive submission embodied in the newly learned Christianity. Slave masters early realized this, and cheerfully aided religious propaganda within certain bounds. The long system of repression and degradation of the Negro tended to emphasize the elements of his character which made him a valuable chattel: courtesy became humility, moral strength degenerated into submission, and the exquisite native appreciation of the beautiful became an infinite capacity for dumb suffering. The Negro, losing the joy of this world, eagerly seized upon the offered conceptions of the next; the avenging Spirit of the Lord enjoining patience in this world, under sorrow and tribulation until the Great Day when He should lead His dark children home,—this became his comforting dream.
W.E.B. Du Bois (The Souls of Black Folk)
For every social ill the panacea of Wealth has been urged,—wealth to overthrow the remains of the slave feudalism; wealth to raise the "cracker" Third Estate; wealth to employ the black serfs, and the prospect of wealth to keep them working; wealth as the end and aim of politics, and as the legal tender for law and order; and, finally, instead of Truth, Beauty, and Goodness, wealth as the ideal of the Public School.
W.E.B. Du Bois (The Souls of Black Folk by W.E.B. Du Bois: Annotated and Illustrated Edition (with Audiobook Access))
The history of the American Negro is the history of this strife,—He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face. Through history, the powers of single black men flash here and there like falling stars, and die sometimes before the world has rightly gauged their brightness.
W.E.B. Du Bois (The Souls of Black Folk)
The history of the American Negro is the history of this strife—this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.
W.E.B. Du Bois (The Souls of Black Folk)
What are these songs, and what do they mean? I know little of music and can say nothing in technical phrase, but I know something of men, and knowing them, I know that these songs are the articulate message of the slave to the world. They tell us in these eager days that life was joyous to the black slave, careless and happy. I can easily believe this of some, of many. But not all the past South, though it rose from the dead, can gainsay the heart-touching witness of these songs. They are the music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.
W.E.B. Du Bois (The Souls of Black Folk)
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
The function of the university is not simply to teach bread-winning, or to furnish teachers for the public schools or to be a centre of polite society; it is, above all, to be the organ of that fine adjustment between real life and the growing knowledge of life, an adjustment which forms the secret of civilization. Such an institution the South of to-day sorely needs. She has religion, earnest, bigoted:—religion that on both sides the Veil often omits the sixth, seventh, and eighth commandments, but substitutes a dozen supplementary ones. She has, as Atlanta shows, growing thrift and love of toil; but she lacks that broad knowledge of what the world knows and knew of human living and doing, which she may apply to the thousand problems of real life to-day confronting her.
W.E.B. Du Bois (The Souls of Black Folk)
Guthrie is best known for “This Land Is Your Land,” his ballad about the Dust Bowl, which gave farmers in his native Oklahoma an extra kick in the pants during the Great Depression. He set his thoughts about Trump’s rental policies to a song he titled “Old Man Trump.” The lyrics continue with this: Beach Haven ain’t my home! No, I just can’t pay this rent! My money’s down the drain, And my soul is badly bent! Beach Haven is Trump’s Tower Where no black folks come to roam, No, no, Old Man Trump! Old Beach Haven ain’t my home! More
David Cay Johnston (The Making of Donald Trump)
Aubade to Langston" When the light wakes & finds again the music of brooms in Mexico, when daylight pulls our hands from grief, & hearts cleaned raw with sawdust & saltwater flood their dazzling vessels, when the catfish in the river raise their eyelids towards your face, when sweetgrass bends in waves across battlefields where sweat & sugar marry, when we hear our people wearing tongues fine with plain greeting: How You Doing, Good Morning when I pour coffee & remember my mother’s love of buttered grits, when the trains far away in memory begin to turn their engines toward a deep past of knowing, when all I want to do is burn my masks, when I see a woman walking down the street holding her mind like a leather belt, when I pluck a blues note for my lazy shadow & cast its soul from my page, when I see God’s eyes looking up at black folks flying between moonlight & museum, when I see a good-looking people who are my truest poetry, when I pick up this pencil like a flute & blow myself away from my death, I listen to you again beneath the mercy of a blue morning’s grammar. Originally published in the Southern Humanities Review, Vol. 49.3
Rachel Eliza Griffiths
With other black boys the strife was not so fiercely sunny: their youth shrunk into tasteless sycophancy, or into silent hatred of the pale world about them and mocking distrust of everything white; or wasted itself in a bitter cry, Why did God make me an outcast and a stranger in mine own house? The shades of the prison-house closed round about us all: walls strait and stubborn to the whitest, but relentlessly narrow, tall, and unscalable to sons of night who must plod darkly on in resignation, or beat unavailing palms against the stone, or steadily, half hopelessly, watch the streak of blue above.
W.E.B. Du Bois (The Souls of Black Folk)
Black guys and white guys who had lived and clung to each other like twin brothers out of the same womb when in combat and the air was thick with flying metallic crap didn’t cease being so when off the gun line, for everyone knew they were there to kill or be killed. However, blacks and whites when on liberty in Saigon did not tend to hang out together, a part of it being a taste in music, and as the black guys said, “ole whitey don’t wanna hear no soul, whitey only digs that bronco redneck hillbilly crap”. So, the black dudes headed for Khanh Hoi, their soulville of the southland and free of “Sylvesters” white dudes, and the white dudes headed for Tu Do on the hunt for booze and “flatbackers”, prostitutes. Therefore, in Saigon there was an unofficial and mutually respected “Mason Line”, a demarcation line between a Black area and a White area. Fact was, when on or off the gun line folk’s personal survival rested on a state of mind and not a skin color.
Sergeant Walker (Southlands Snuffys)
Had political exigencies been less pressing, the opposition to government guardianship of Negroes less bitter, and the attachment to the slave system less strong, the social seer can well imagine a far better policy,—a permanent Freedmen’s Bureau, with a national system of Negro schools; a carefully supervised employment and labor office; a system of impartial protection before the regular courts; and such institutions for social betterment as savings-banks, land and building associations, and social settlements. All this vast expenditure of money and brains might have formed a great school of prospective citizenship, and solved in a way we have not yet solved the most perplexing and persistent of the Negro problems.
W.E.B. Du Bois (The Souls of Black Folk)
All that day and all that night there sat an awful gladness in my heart,—nay, blame me not if I see the world thus darkly through the Veil,—and my soul whispers ever to me saying, “Not dead, not dead, but escaped; not bond, but free.” No bitter meanness now shall sicken his baby heart till it die a living death, no taunt shall madden his happy boyhood. Fool that I was to think or wish that this little soul should grow choked and deformed within the Veil! I might have known that yonder deep unworldly look that ever and anon floated past his eyes was peering far beyond this narrow Now. In the poise of his little curl-crowned head did there not sit all that wild pride of being which his father had hardly crushed in his own heart? For what, forsooth, shall a Negro want with pride amid the studied humiliations of fifty million fellows? Well sped, my boy, before the world had dubbed your ambition insolence, had held your ideals unattainable, and taught you to cringe and bow. Better far this nameless void that stops my life than a sea of sorrow for you.
W.E.B. Du Bois (The Souls of Black Folk)
Some might say what I’m recommending amounts to electoral nihilism. We would end up giving the presidency over to Republicans and their extremist base. The Supreme Court would turn Red for the next thirty years. We would see the undoing of the health care law and the further erosion of the social safety net. And the country would be left in the hands of libertarians and corporatists, a remarkably high price to pay for all Americans. But these same people who shout gloom and doom fail to advocate for dramatic change to take back the country from these folks. This is the scare tactic that clouds our imaginations: that no matter the circumstances, choosing the lesser of two evils is always better. By this logic, we are imprisoned in a political cage—to accept matters as they are. I refuse to do so, because the political terrain as it is currently laid out has left black and other vulnerable communities throughout this country in shambles. I want to choose another path. I want to remake American democracy, because whatever this is, it ain’t democracy.
Eddie S. Glaude Jr. (Democracy in Black: How Race Still Enslaves the American Soul)
The dangerously clear logic of the Negro's position will more and more loudly assert itself in that day when increasing wealth and more intricate social organization preclude the South from being, as it so largely is, simply an armed camp for intimidating black folk. Such waste of energy cannot be spared if the South is to catch up with civilization. And as the black third of the land grows in thrift and skill, unless skilfully guided in its larger philosophy, it must more and more brood over the red past and the creeping, crooked present, until it grasps a gospel of revolt and revenge and throws its new-found energies athwart the current of advance. Even to-day the masses of the Negroes see all too clearly the anomalies of their position and the moral crookedness of yours. You may marshal strong indictments against them, but their counter-cries, lacking though they be in formal logic, have burning truths within them which you may not wholly ignore, O Southern Gentlemen! If you deplore their presence here, they ask, Who brought us? When you cry, Deliver us from the vision of intermarriage, they answer that legal marriage is infinitely better than systematic concubinage and prostitution. And if in just fury you accuse their vagabonds of violating women, they also in fury quite as just may reply: The rape which your gentlemen have done against helpless black women in defiance of your own laws is written on the foreheads of two millions of mulattoes, and written in ineffaceable blood. And finally, when you fasten crime upon this race as its peculiar trait, they answer that slavery was the arch-crime, and lynching and lawlessness its twin abortions; that color and race are not crimes, and yet it is they which in this land receive most unceasing condemnation, North, East, South, and West.
W.E.B. Du Bois (The Souls of Black Folk)
What place in the future development of the South ought the Negro college and college-bred man to occupy? That the present social separation and acute race-sensitiveness must eventually yield to the influences of culture, as the South grows civilized, is clear. But such transformation calls for singular wisdom and patience. If, while the healing of this vast sore is progressing, the races are to live for many years side by side, united in economic effort, obeying a common government, sensitive to mutual thought and feeling, yet subtly and silently separate in many matters of deeper human intimacy,—if this unusual and dangerous development is to progress amid peace and order, mutual respect and growing intelligence, it will call for social surgery at once the delicatest and nicest in modern history. It will demand broad-minded, upright men, both white and black, and in its final accomplishment American civilization will triumph. So far as white men are concerned, this fact is to-day being recognized in the South, and a happy renaissance of university education seems imminent. But the very voices that cry hail to this good work are, strange to relate, largely silent or antagonistic to the higher education of the Negro. Strange to relate! for this is certain, no secure civilization can be built in the South with the Negro as an ignorant, turbulent proletariat.
W.E.B. Du Bois (The Souls of Black Folk)
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
Have you ever been too old, too young, too big, too small, too smart, too dumb? Have you ever been too fat, too thin, too shy, too loud, too slow to win? Have you ever been too scared to try, too small to play, too young to die? Have you ever been too weak to fight, too little yet, or not quite right? Have you ever been too dark, too light, too black, too brown, too red, too white? Have you ever been put off ’til last, the odd man out, the jerk they sassed? Have you ever been the one black sheep, the naughty child, the nerdy geek? Have you ever been the butt of jokes, the timid soul, the oddest folk? Have you ever been left out of fun, forgotten when the day is done? Have you ever been afraid to lose? Afraid to try? Afraid to choose? Have you ever been too rich, too poor, too venturesome, or just a bore? Have you ever had no clue at all? Nowhere to go? No one to call? Have you ever been without a friend? Have you ever wished the day would end? Have you ever had the biggest nose, the longest arms, the funny toes? Have you ever had the flattest chest? Have you ever had the biggest breasts? Have you ever prayed your luck would change? Have you ever felt your life was strange? Have you ever wished for something more, or something less than what you were? If you have ever felt this way, you're one of us I’m here to say. We've all been there a time or two because we're human, me and you. We've all felt different in some way because we are, and that’s okay. We've all been hurt; we've all been scarred. That's life. And frankly, life is hard.
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)