Sort Your Head Out Quotes

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His skin was a pretty colour, it made me jealous. Jacob noticed my scrutiny. What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my implusive observation the wrong way. But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." Well, then, thanks. Sort of." I grinned. "You're sort of welcome.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would have never worked between me and the plate anyway.
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
To my babies, Merry Christmas. I'm sorry if these letters have caught you both by surprise. There is just so much more I have to say. I know you thought I was done giving advice, but I couldn't leave without reiterating a few things in writing. You may not relate to these things now, but someday you will. I wasn't able to be around forever, but I hope that my words can be. -Don't stop making basagna. Basagna is good. Wait until a day when there is no bad news, and bake a damn basagna. -Find a balance between head and heart. Hopefully you've found that Lake, and you can help Kel sort it out when he gets to that point. -Push your boundaries, that's what they're there for. -I'm stealing this snippet from your favorite band, Lake. "Always remember there is nothing worth sharing, like the love that let us share our name." -Don't take life too seriously. Punch it in the face when it needs a good hit. Laugh at it. -And Laugh a lot. Never go a day without laughing at least once. -Never judge others. You both know good and well how unexpected events can change who a person is. Always keep that in mind. You never know what someone else is experiencing within their own life. -Question everything. Your love, your religion, your passions. If you don't have questions, you'll never find answers. -Be accepting. Of everything. People's differences, their similarities, their choices, their personalities. Sometimes it takes a variety to make a good collection. The same goes for people. -Choose your battles, but don't choose very many. -Keep an open mind; it's the only way new things can get in. -And last but not least, not the tiniest bit least. Never regret. Thank you both for giving me the best years of my life. Especially the last one. Love, Mom
Colleen Hoover (Slammed (Slammed, #1))
Rose, I have all sorts of reasons to want you. I haven't been able to stay away from you since I saw you at the ski lodge." I shifted closer to Adrian on the bed and pressed my head against his chest. "We can make this work. I know we can. If I screw up again, you can leave." "If only it were that easy," he laughed. "You forget: I have an addictive personality. I'm addicted to you. Somehow I think you could do all sorts of bad things to me, and I'd still come back to you. Just keep things honest, okay? Tell me what you're feeling. If you're feeling something for Dimitri that's confusing you, tell me. We'll work it out.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.
Nick Hornby
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Fuck no, that stuff just comes from food. The real poison comes out of your head. All your fuck-ups and sadnesses and fears drop down like some sort of brainshit into your guts and build up there. That's what really fucks you up. I told you before.
Matthew Stokoe (COWS)
Wait,” he said. “That’s not a word.” I looked down to where, in a moment of desperation, I’d played zixic on a triple-word-score space. “Uh, sure it is.” “What’s it mean?” “It’s sort of like…quixotic, but with more…” “Bullshit?” I laughed out loud. I’d never heard him swear before. “More zeal. Hence the z.” “Uh-huh. Use it in a sentence.” “Um…’You are a zixic writer.’“ “I don’t believe this.” “That you’re zixic?” “That you’re trying to cheat at Scrabble.” He leaned back against my couch, shaking his head. “I mean, I was ready to accept the whole evil thing, but this is kind of extreme.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
This is another paradox, that many of the most important impressions and thoughts in a person's life are ones that flash through your head so fast that fast isn't even the right word, they seem totally different from or outside of the regular sequential clock time we all live by, and they have so little relation to the sort of linear, one-word-after-another word English we all communicate with each other with that it could easily take a whole lifetime just to spell out the contents of one split-second's flash of thoughts and connections, etc. -- and yet we all seem to go around trying to use English (or whatever language our native country happens to use, it goes without saying) to try to convey to other people what we're thinking and to find out what they're thinking, when in fact deep down everybody knows it's a charade and they're just going through the motions. What goes on inside is just too fast and huge and all interconnected for words to do more than barely sketch the outlines of at most one tiny part of it at any given instant.
David Foster Wallace
You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.
Deb Caletti (The Story of Us)
Everyone lives in two worlds,” Maggie said, speaking in an absentminded sort of way while she studied her letters. “There’s the real world, with all its annoying facts and rules. In the real world, there are things that are true and things that aren’t. Mostly the real world s-s-s-suh-sucks. But everyone also lives in the world inside their own head. An inscape, a world of thought. In a world made of thought—in an inscape—every idea is a fact. Emotions are as real as gravity. Dreams are as powerful as history. Creative people, like writers, and Henry Rollins, spend a lot of their time hanging out in their thoughtworld. S-s-strong creatives, though, can use a knife to cut the stitches between the two worlds, can bring them together. Your bike. My tiles. Those are our knives.
Joe Hill (NOS4A2)
You must practice seeing yourself with a little distance, cultivating the ability to get out of your own head. Detachment is a sort of natural ego antidote. It’s easy to be emotionally invested and infatuated with your own work. Any and every narcissist can do that. What is rare is not rawtalent, skill, or even confidence, but humility, diligence, and self-awareness.
Ryan Holiday (Ego Is the Enemy)
Where am I?" Magnus croaked. "Nazca." "Oh, so we went on a little trip." "You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot." "Ah," said Magnus. "You were shouting some things." "What things?" "I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts." "Thank you for that interesting and enlightening information," Magnus croaked. "You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy." "Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim." "'Impressed' is not the word to use to describe how I felt last night, Magnus." "I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - " "Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua." "What did I do in Moquegua?" "You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky." "We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk." "I'm sure I must have been sobering up at that point," Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke." "So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - " Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
Cassandra Clare (The Bane Chronicles)
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
One of those out-of-the-ordinary days that made sense of the slew of ordinary days. New York had a way of doing that. Every now and then the city shook its soul out. It assailed you with an image, or a day, or a crime, or a terror, or a beauty so difficult to wrap your mind around that you had to shake your head in disbelief. He had a theory about it. It happened, and re-happened, because it was a city uninterested in history. Strange things occurred precisely because there was no necessary regard for the past. The city lived in a sort of everyday present. It had no need to believe in itself as a London, or an Athens, or even a signifier of the New World, like a Sydney, or a Los Angeles. No, the city couldn’t care less about where it stood. He had seen a T-shirt once that said: NEW YORK FUCKIN’ CITY. As if it were the only place that ever existed and the only one that ever would. New York kept going forward precisely because it didn’t give a good goddamn about what it had left behind. It was like the city that Lot left, and it would dissolve if it ever began looking backward over its own shoulder. Two pillars of salt. Long Island and New Jersey.
Colum McCann (Let the Great World Spin)
Pull yourself together, Detective. You're embarrassing yourself, and more imprtant, you're embarrassing me." "They're going to do it outside. In public." "So the fuck what?" "Public," Peabody said, head still between her knees. "You're being honored by this department and this city for having the integrity, the courage, and the skill to take out a blight on this department and this city. Dirty, murdering, greedy, treacherous cops are sitting in cages right now because you had that integrity, courage, and skill. I don't care if they do this damn thing in Grand Central, you will get on your feet. You will not puke, pass out, cry like a baby, or squeal like a girl. That's a goddamn order." "I had more of a 'Relax, Peabody, this is a proud moment' sort of speech in mind," McNab murmured to Roarke. Roarke shook his head, grinned. "Did you now? You've a bit to learn yet, haven't you?
J.D. Robb (New York to Dallas (In Death, #33))
How is it different?" He rolled his head back, sable hair falling down on his shoulders. "With Rose I knew what to say. I could take a step back and talk to her. I remembered all the crap from the magaznies. It was easy." "And with me, it's hard?" Why? Because she was a swamp girl? And how did the magazines fit into it? William looked away from her. "I don't like it when you're away. If I don't see you, I can't settle down. If I see you talking with another man, I want to claw his throat out. And none of the things you're supposed to say fit." Oh, this had to be good. "What sort of things?" He sighed. "The lines. Like, 'You're my everything,' or 'Did it hurt when you fell from heaven?
Ilona Andrews (Bayou Moon (The Edge, #2))
<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
Are you enjoying your company so far?" "Yes! It's been a pleasure getting to know these ladies." "Are they all the sweet, gentle ladies they appear to be?" Gavril asked. Before Maxon replied, the answer brought a smile to my face. Because I knew that it was yes...sort of. "Umm..." Maxon looked past Gavril at me. "Almost." "Almost?" Gavril asked, surprised. He turned to us. "Is someone over there being naughty?" Mercifully, all the girls let out light giggles, so I blended in. The little traitor! "What exactly did these girls do that isn't so sweet?" Gavril asked Maxon. "Oh, well, let me tell you." Maxon crossed his legs and got very comfortable in his chair. It was probably the most relaxed I'd ever seen him, sitting there poking fun at me. I liked this side of him. I wished it would come out more often. "One of them had the nerve to yell at me rather forcefully the first time we met. I was given a very severe scolding." Above Maxon's head, the king and queen exchanged a glance. It seemed they were hearing this story for the first time, too. Beside me the girls were looking at one another, confused. I didn't get it until Marlee said something. "I don't remember anyone yelling at him in the Great Room. Do you?" Maxon seemed to have forgotten that our first meeting was meant to be a secret. "I think he's talking it up to make it funnier. I did say some serious things to him. I think he might mean me." "A scolding, you say? Whatever for?" Gavril continued. "Honestly, I wasn't really sure. I think it was a bout of homesickness. Which is why I forgave her, of course." Maxon was loose and easy now, talking to Gavril as if he were the only person in the room. I'd have to tell him later how wonderful he did. "So she's still with us, then?" Gavril looked over at the collection of girls, grinning widely, and then returned to face his prince. "Oh, yes. She's still here," Maxon said, not letting his eyes wander from Gavril's face. "And I plan on keeping her here for quite a while.
Kiera Cass (The Selection (The Selection, #1))
If we can use an H-bomb--and as you said it's no checker game; it's real, it's war and nobody is fooling around--isn't it sort of ridiculous to go crawling around in the weeds, throwing knives and maybe getting yourself killed . . . and even losing the war . . . when you've got a real weapon you can use to win? What's the point in a whole lot of men risking their lives with obsolete weapons when one professor type can do so much more just by pushing a button?' Zim didn't answer at once, which wasn't like him at all. Then he said softly, 'Are you happy in the Infantry, Hendrick? You can resign, you know.' Hendrick muttered something; Zim said, 'Speak up!' I'm not itching to resign, sir. I'm going to sweat out my term.' I see. Well, the question you asked is one that a sergeant isn't really qualified to answer . . . and one that you shouldn't ask me. You're supposed to know the answer before you join up. Or you should. Did your school have a course in History and Moral Philosophy?' What? Sure--yes, sir.' Then you've heard the answer. But I'll give you my own--unofficial--views on it. If you wanted to teach a baby a lesson, would you cuts its head off?' Why . . . no, sir!' Of course not. You'd paddle it. There can be circumstances when it's just as foolish to hit an enemy with an H-Bomb as it would be to spank a baby with an ax. War is not violence and killing, pure and simple; war is controlled violence, for a purpose. The purpose of war is to support your government's decisions by force. The purpose is never to kill the enemy just to be killing him . . . but to make him do what you want him to do. Not killing . . . but controlled and purposeful violence. But it's not your business or mine to decide the purpose of the control. It's never a soldier's business to decide when or where or how--or why--he fights; that belongs to the statesmen and the generals. The statesmen decide why and how much; the generals take it from there and tell us where and when and how. We supply the violence; other people--"older and wiser heads," as they say--supply the control. Which is as it should be. That's the best answer I can give you. If it doesn't satisfy you, I'll get you a chit to go talk to the regimental commander. If he can't convince you--then go home and be a civilian! Because in that case you will certainly never make a soldier.
Robert A. Heinlein (Starship Troopers)
David Foster Wallace: I think the reason why people behave in an ugly manner is that it’s really scary to be alive and to be human, and people are really really afraid. And that the reasons… That the fear is the basic condition, and there are all kinds of reasons for why we’re so afraid. But the fact of the matter is, is that, is that the job that we’re here to do is to learn how to live in a way that we’re not terrified all the time. And not in a position of using all kinds of different things, and using people to keep that kind of terror at bay. That is my personal opinion. Well for me, as an American male, the face I’d put on the terror is the dawning realization that nothing’s enough, you know? That no pleasure is enough, that no achievement is enough. That there’s a kind of queer dissatisfaction or emptiness at the core of the self that is unassuageable by outside stuff. And my guess is that that’s been what’s going on, ever since people were hitting each other over the head with clubs. Though describable in a number of different words and cultural argots. And that our particular challenge is that there’s never been more and better stuff comin’ from the outside, that seems temporarily to sort of fill the hole or drown out the hole. Personally, I believe that if it’s assuageable in any way it’s by internal means. And I don’t know what that means. I think it’s fine in some way. I think it’s probably assuageable by internal means. I think those internal means have to be earned and developed, and it has something to do with, um, um, the pop-psych phrase is lovin’ yourself. It’s more like, if you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do this.
David Lipsky (Although of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
I've been miserable. I can't sleep. I can't eat. I've wanted to pound down your doora million times. But I kept telling myself you just needed your space. That you'd sort your shit out. So I give you space. Then Riley tells me you're as miserable as I am. So I agree to come here. I had it all worked out in my head, Mays. I was going to come here and beg you to take me back. Hell, I was going to get on my knees if I had to. Because all I know is that I can't be without you.
A. Meredith Walters (Bad Rep (Bad Rep, #1))
ALBUS And I know I’ll always be Harry Potter’s son – and I will sort that out in my head – and I know compared to you my life is pretty good really and that he and I are comparatively lucky and— SCORPIUS (interrupting) Albus, as apologies go this is wonderfully fulsome, but you’re starting to talk more about you than me again, so probably better to quit while you’re ahead. ALBUS smiles and stretches out a hand.
J.K. Rowling (Harry Potter and the Cursed Child)
Slowly, Finley rose from the sofa, tilted her head back and looked him dead in the eye. “I have no desire to be any more in your debt than I already am.” He looked thoughtful for a moment. “Would it make you more comfortable if I demanded something in return? Would that put you at ease?” When he put it like that, it made her sound like an awful sort of person for thinking the worst. “It would, yes. At least that would be honest.” It might have been laughter that came scoffing from his throat, but there was little humor in it. He shook his head, the light reflecting glints of russet in his hair. “I’d like to meet whomever it was who made you so distrusting and pull his teeth out one by one.” The vehemence in his tone startled her, yet was strangely warming. “’Twas more than just one.” His face darkened, like clouds overtaking the sun. Suddenly, this was no longer just some seemingly kind, bored aristocrat standing before her, but a young man capable of many dangerous things.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.” I looked at him, quizzical. Again, it was a strange enough concept to hold my attention. “There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face. My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?” “Sad things,” Beck said. “Do you have a lot of sad things in your head?” “No,” I said. Beck sucked in his lower lip and released it slowly. “Well, I do.” This was shocking. I didn’t ask a question, but I tilted toward him. “And these things would make me cry,” Beck continued. “They used to make me cry all day long.” I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable. “You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.” “Brain tape?” I suggested, with a little smirk. I was eight, after all. Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.” “How did you use the brain tape?” “You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?” I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open. “Mom,” I whispered. I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow. “What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars. Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken. “Me,” I said.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie
Janet Evanovich (To the Nines (Stephanie Plum, #9))
It's after school, after my double detentions for gym and chemistry, and I'm at Knead, about to begin working on a new piece. I wedge the clay out against my board, enjoying the therapeutic quality of each smack, prod, and punch. As the clay oozes between my fingers and pastes against my skin, images of all sorts begin to pop into my head. I try my best to push them away,to focus instead on the cold and clammy sensation of the mound and the way it helps me relax. But after only a few short minutes of solitude, I hear someone storm their way up the back stairwell. At first I think it's Spencer, but then I hear the voice: "I'm coming up the stairs," Adam bellows. "I'm approaching the studio area, about to pass by the sink." I turn to look, noticing he's standing only a few feet behind me now. "I hope I didn't startle you this time," he says. "Ha-ha." I hold back my smile. "I would have called your cell to tell you I was coming up, but you never gave me your number." "I'm fine," I assure him, unable to stifle a giggle.
Laurie Faria Stolarz (Deadly Little Lies (Touch, #2))
You need to understand that love isn’t all romance and flowers and great sex, Violet.” I raised my eyebrows, but she didn’t stop. “Real love takes work and effort and time. Real love is willing to wait while you sort your shit out, and is still there once you get your head on straight.
Brooke Moss (Keeping Secrets in Seattle (Secrets, #1))
How did I think of that?" I wondered. I didn't feel like I had thought of it. It's a sort of flow that happens when you are completely in the moment and not getting in your own way. Not trying so hard, not planning ahead, just getting out of your own head and letting the magic happen. You could apply this to any activity, of course. You could apply it to life.
Rachel Dratch (Girl Walks into a Bar . . .: Comedy Calamities, Dating Disasters, and a Midlife Miracle)
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me. What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows. This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
David Foster Wallace (Brief Interviews with Hideous Men)
When someone you love disappears, it's like the light goes dim, and you're in the shadows. You try to do what people tell you: put one foot in front of the other; keep looking up; give yourself over to the seconds and minutes and hours. But always there's taht glimmer of light-that way of living you once knew-sort of faded and smoky like the crescent moon on a winter's night when the air is full of ice and clouds, but still there, hanging just over your head. You think it's not far. Your think at any moment you can reach out and grab it.
Lee Martin (The Bright Forever)
We felt very nice and snug, the more so since it was so chilly out of doors; indeed out of bed-clothes too, seeing that there was no fire in the room. The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. But if the tip of your nose or the crown of your head be slightly chilled, why then, indeed, in the general consciousness you feel delightfully and unmistakably warm. For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal.
Herman Melville (Moby-Dick or, The Whale)
So you're, like crazy, in love. You open your eyes in the morning and your first thought is her. You wonder how she is. What she's doing. When you can see her again. Those thoughts stay with you all day. You share them with whoever will listen — including your best friends, who of course respect you but, after a while, out of the kind of concern only real friends have, seriously question your sanity. And you make all sorts of plans — big plans, like, post-high school — when the rest of us can barely wrap our heads around the fact that we only two years left to get a clue. You live and breath this girl. You talk about her all the time, you hang out with your friends less and less, you're blind to other girls, no matter how hot or into you they are — and some of them are extremely hot and into you — and eventually, you break and actually say you love her. Not only that, you tell your friends you love her. Which, as you know, is about as major as you can get. Your friends may think you're a little out there, but they know you wouldn't be for any other girl. It's just because it's her. She's different. This girl is it for you. Food, water, oxygen, sleep — all details.
Tricia Rayburn (Siren (Siren, #1))
Jacob really did look older than sixteen--not quite forty, but maybe older than me. Quil didn't have too much on him in the muscle department, for all that Jacob claimed to be a skeleton. The muscles were the long wiry kind, but they were definitely there under the smooth skin. His skin was such a pretty color, it made me jealous. Jacob noticed my scrutiny. "What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realized before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my impulsive observation the wrong way. But Jacob just rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." "Well, then, thanks. Sort of." I grinned. "You're sort of welcome.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
You were right to end it with us,” I said harshly. “And I’m not willing to do it again.” He stared at me, shocked. My words were a lie, of course. Part of me wanted to try again, to endure anything to be with him. But I couldn’t stop thinking about Maddie. Couldn’t stop thinking about the hurt she would go through. It was ironic, really. Last time, he’d gone out of his way to hurt me purposely because it was for the greater good. Now I was doing the same for both of them, saving her from heartache and him from more grief with me. We were in an endless cycle. “You can’t mean that. I know you can’t.” His face was a mixture of incredulity and pain. I shook my head. “I do. You and me are a disaster. What we did during this stasis...it was wrong. It was disgraceful. Immoral. We betrayed someone who loves both of us, who wishes nothing but the best for us. How could we do that? What kind of precedent is that? How could we expect to have a solid relationship that was built on that sort of sordid foundation? One that was built on lies and deceit?” Saying those words hurt. It was tarnishing the beauty of these precious few days we had, but I needed to make my case. Seth was silent for several moments as he assessed me. “You’re serious.” “Yes.” I was a good liar, good enough that the person who loved me most couldn’t tell. “Go back to her, Seth. Go back to her and make it up to her.” “Georgina...” I could see it, see it hitting him. The full weight of betraying Maddie was sinking in. His nature couldn’t ignore the wrong he’d done. It was part of his good character, the character that had gone back to save Dante, the character that was going to make him leave me. Again. Hesitantly, he extended his hand to me. I took it, and he pulled me into an embrace. “I will always love you.” My heart was going to burst. How many times, I wondered, could I endure this kind of agony? “No, you won’t,” I said. “You’ll move on. So will I.” Seth left not long after that. Staring at the door, I replayed my own words. You’ll move on. So will I. In spite of how much he loved me, how much he was willing to risk, I truly felt he’d go back to Maddie, that he’d believe what I said. I’d driven home the guilt, made it trump his love for me. You’ll move on. So will I. The unfortunate part about being a good liar, however, was that while I could get other people to believe my words, I didn’t believe them myself.
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them. I guess every boy does that. When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines. I guess every boy has done that, too. This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years. Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead. Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly. This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would. I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future. The stars are yours, if you have the head, the hands, and the heart for them.
Ray Bradbury
I'm sure I must have been sobering up at his point" Magnus argued. "Magnus, you were trying to flirt with your own plate." "I'm a very open-minded sort of fellow!" "Ragnor is not" Catarina said "When he fount out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke" "So ended our love" Magnus said. "Ah, well. It would never have worked between me and the plate anyway.
Cassandra Clare (The Bane Chronicles)
You're just going to stand there?" I asked. Uriel folded his arms and tapped his chin with one fingertip. "Mmmm. It does seem that perhaps she deserves some form of aid. Perhaps if I'd had the presence of mind to see to it that some sort of agent had been sent to balance the scales, to giver her that one tiny bit of encouragement, that one flicker of inspiration that turned the tide..." He shook his head sadly. "Things might be different now." And, as if on cue, Mortimer Lindquist, ectomancer, limped out of the lower hallway and into the electrical-junction room, with Sir Stuart's shade at his right hand. Mort took a look around, his dark eyes intent, and then his gaze locked onto Molly. "Hey," he croaked. "You. Arrogant bitch ghost.
Jim Butcher (Ghost Story (The Dresden Files, #13))
It [fiction] allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't.
Philip Hensher
All right,” said Susan. “I’m not stupid. You’re saying humans need…fantasies to make life bearable.” REALLY? AS IF IT WAS SOME KIND OF PINK PILL? NO. HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE. “Tooth fairies? Hogfathers? Little—” YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES. “So we can believe the big ones?” YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING. “They’re not the same at all!” YOU THINK SO? THEN TAKE THE UNIVERSE AND GRIND IT DOWN TO THE FINEST POWDER AND SIEVE IT THROUGH THE FINEST SIEVE AND THEN SHOW ME ONE ATOM OF JUSTICE, ONE MOLECULE OF MERCY. AND YET—Death waved a hand. AND YET YOU ACT AS IF THERE IS SOME IDEAL ORDER IN THE WORLD, AS IF THERE IS SOME…SOME RIGHTNESS IN THE UNIVERSE BY WHICH IT MAY BE JUDGED. “Yes, but people have got to believe that, or what’s the point—” MY POINT EXACTLY. She tried to assemble her thoughts. THERE IS A PLACE WHERE TWO GALAXIES HAVE BEEN COLLIDING FOR A MILLION YEARS, said Death, apropos of nothing. DON’T TRY TO TELL ME THAT’S RIGHT. “Yes, but people don’t think about that,” said Susan. “Somewhere there was a bed…” CORRECT. STARS EXPLODE, WORLDS COLLIDE, THERE’S HARDLY ANYWHERE IN THE UNIVERSE WHERE HUMANS CAN LIVE WITHOUT BEING FROZEN OR FRIED, AND YET YOU BELIEVE THAT A…A BED IS A NORMAL THING. IT IS THE MOST AMAZING TALENT. “Talent?” OH, YES. A VERY SPECIAL KIND OF STUPIDITY. YOU THINK THE WHOLE UNIVERSE IS INSIDE YOUR HEADS. “You make us sound mad,” said Susan. A nice warm bed… NO. YOU NEED TO BELIEVE IN THINGS THAT AREN’T TRUE. HOW ELSE CAN THEY BECOME? said Death
Terry Pratchett (Hogfather (Discworld, #20; Death, #4))
If you're supposed to sock somebody in the jaw, and you sort of feel like doing it, you should do it. I'm just no good at it, though. I'd rather push a guy out the window or chop his head off with an ax than sock him in the jaw.
J.D. Salinger
Miss Dearheart gave him a very brief look, and shook her head. There was movement under the table, a small fleshy kind of noise and the drunk suddenly bent forward, colour draining from his face. Probably only he and Moist heard Miss Dearheart purr: ‘What is sticking in your foot is a Mitzy “Pretty Lucretia” four-inch heel, the most dangerous footwear in the world. Considered as pounds per square inch, it’s like being trodden on by a very pointy elephant. Now, I know what you’re thinking: you’re thinking, “Could she press it all the way through to the floor?” And, you know, I’m not sure about that myself. The sole of your boot might give me a bit of trouble, but nothing else will. But that’s not the worrying part. The worrying part is that I was forced practically at knifepoint to take ballet lessons as a child, which means I can kick like a mule; you are sitting in front of me; and I have another shoe . Good, I can see you have worked that out. I’m going to withdraw the heel now.’ There was a small ‘pop’ from under the table. With great care the man stood up, turned and, without a backward glance, lurched unsteadily away. ‘Can I bother you?’ said Moist. Miss Dearheart nodded, and he sat down, with his legs crossed. ‘He was only a drunk,’ he ventured. ‘Yes, men say that sort of thing,’ said Miss Dearheart.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
Rick Riordan
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
Jodi Picoult (Vanishing Acts)
Where's my sister?" "She's setting up the island we found tonight." Galen shakes his head. "You slithering eel. You might have told me what you were up to." Toraf laughs. "Oh sure. 'Hey, Galen, I need to borrow Emma for a few minutes so I can kiss her, okay?' Didn't see that going over very well." "You think your surprise attack went over better?" Toraf shrugs. "I'm satisfied." "I could have killed you today." "Yeah." "Don't ever do that again." "Wasn't planning on it. Thought it was real sweet of you to defend your sister's honor. Very brotherly." Toraf snickers. "Shut up." "I'm just saying." Galen runs a hand through his hair. "I only saw Emma. I forgot all about Rayna." "I know, idiot. That's why I let you hit me fifty-eight times. That's what I would do if someone kissed Rayna." "Fifty-nine times." "Don't get carried away, minnow. By the way, was Emma boiling mad or just a little heated? Should I keep my distance for a while?" Galen snorts. "She laughed so hard I thought she'd pass out. I'm the one in trouble." "Shocker. What'd you do?" "The usual." Hiding his feelings. Blurting out the wrong thing. Acting like a territorial bull shark. Toraf shakes his head. "She won't put up with that forever. She already thinks you only want to change her so she can become another of your royal subjects." "She said that?" Galen scowls. "I don't know what's worse. Letting her think that, or telling her the truth about why I'm helping her to change." "In my opinion, there's nothing to tell her unless she can actually change. And so far, she can't." "You don't think she's one of us?" Toraf shrugs. "Her skin wrinkles. It's kind of gross. Maybe she's some sort of superhuman. You know, like Batman." Galen laughs. "How do you know about Batman?" "I saw him on that black square in your living room. He can do all sorts of things other humans can't do. Maybe Emma is like him." "Batman isn't real. He's just a human acting like that so other humans will watch him." "Looked real to me." "They're good at making it look real. Some humans spend their whole lives making something that isn't real look like something that is." "Humans are creepier than I thought. Why pretend to be something you're not?" Galen nods. To take over a kingdom, maybe? "Actually, that reminds me. Grom needs you." Toraf groans. "Can it wait? Rayna's getting all cozy on our island right about now." "Seriously. I don't want to know." Toraf grins. "Right. Sorry. But you can see my point, right? I mean, if Emma were waiting for you-" "Emma wouldn't be waiting for me. I wouldn't have left." "Rayna made me. You've never hit me that hard before. She wants us to get along. Plus, there's something I need to tell you, but I didn't exactly get a change to." "What?" "Yesterday when we were practicing in front of your house, I sensed someone. Someone I don't know. I made Emma get out of the water while I went to investigate." "And she listened to you?" Toraf nods. "Turns out, you're the only one she disobeys.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.” Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked. “But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.” “Twice?” Hyacinth echoed, wondering why this was important. “Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ” A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise. “And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.” Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence. For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.” Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child. “In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.” “Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
He was a stranger, an alien creature, impossible to reach or understand. And still she wanted to try. “Tell me what you need.” “This,” he whispered, watching her lips move against his palm. “Just this.” He rose over her, pinning her against the cushions, and stroked her hair with a tenderness that seemed misplaced among the sultry sensations it awakened in her. “Do your clients pleasure you?” she asked hoarsely, her head tilting and following his fingers as they massaged her neck. “If that’s what they want. You pleasure me, Billie. The sight of you. The sound of your voice. I want to hear it all sorts of ways. Laughing. Whispering. Moaning. Crying out.” He caught her mouth in a lush, hungry kiss, and there was nothing sweet or grateful about it this time. Erotic delight arrowed through her with each sleek thrust of his tongue between her lips, a sultry promise of what he would do to her if she let him.
Shelby Reed (The Fifth Favor)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Stand in front of this fantastic machine, my friend, and for just 99¢ your likeness will appear, two hundred feet tall, on a screen above downtown Las Vegas. Ninety-nine cents more for a voice message. “Say whatever you want, fella. They’ll hear you, don’t worry about that. Remember you’ll be two hundred feet tall.” Jesus Christ. I could see myself lying in bed in the Mint Hotel, half-asleep and staring idly out the window, when suddenly a vicious nazi drunkard appears two hundred feet tall in the midnight sky, screaming gibberish at the world: “Woodstock Über Alles!” We will close the drapes tonight. A thing like that could send a drug person careening around the room like a ping-pong ball. Hallucinations are bad enough. But after a while you learn to cope with things like seeing your dead grandmother crawling up your leg with a knife in her teeth. Most acid fanciers can handle this sort of thing. But nobody can handle that other trip—the possibility that any freak with $1.98 can walk into the Circus-Circus and suddenly appear in the sky over downtown Las Vegas twelve times the size of God, howling anything that comes into his head. No, this is not a good town for psychedelic drugs. Reality itself is too twisted.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The Ancient Egyptians postulated seven souls.” Top soul (Vicarious), and the first to leave at the moment of death, is Ren the Secret name. This corresponds to my Director. He directs the film of your life from conception to death. The Secret Name is the title of your film. When you die, that's where Ren came in. Second soul (Jambi), and second one off the sinking ship, is Sekem: Energy, Power. LIGHT. The Director gives the orders, Sekem presses the right buttons. Number three (Wings/Days) is Khu, the Guardian Angel. He, she or it is third man out...depicted as flying away across a full moon, a bird with luminous wings and head of light. The sort of thing you might see on a screen in an Indian restaurant in Panama. The Khu is responsible for the subject and can be injured in his defense - but not permanently, since the first three souls are eternal. They go back to Heaven for another vessel. The four remaining souls must take their chances with the subject in the land of the dead. Number four (The Pot) is Ba, the Heart, often treacherous. This is a hawk's body with your face on it, shrunk down to the size of a fist. Many a hero has been brought down, like Samson, by a perfidious Ba. Number five (L.C., Lost Keys, Rosetta Stoned) is Ka, the double, most closely associated with the subject. The Ka, which usually reaches adolescence at the time of bodily death, is the only reliable guide through the Land of the Dead to the Western Lands. Number six (Instension) is Khaibit, the Shadow, Memory, your whole past conditioning from this and other lives. Number seven (Right in Two) is Sekhu, the Remains
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You have me.” His serious eyes penetrate mine. “For the rest of your days, I will be here for you—someone to trust, to lean on—to have and to hold from this day on.” Marshall is a thing of beauty both inside and out. I reach up and touch my fingers to his lips. Somebody is going to be very lucky to love him fully one day. “Those sounded an awful lot like wedding vows,” I whisper. “You will be everything to me, Skyla. A lover…” He kisses a finger. “A friend…” He kisses the tip of another. “A spouse…” He pushes my finger into his hot mouth and I pluck it out. “Where shall we spend our honeymoon?” He goes right there without provocation. “No honeymoon—but, well…” I fold my arms across my chest. “I’m sort of not really seeing Gage, since I can’t trust him. Logan wants to wait until the end of the faction war before we see where our feelings lie, so I suppose I’m open.” “Open?” His head twitches to the side just so. “You know, for wooing—no kissing though. You’ll have to woo without lingual contact.” “No kissing.” His chest broadens under the guise of this new turn of events. “Fantastic.” He says it sharp as if this were a war and he just gained ground on the enemy. “What shall we do to commemorate our first day of coupledom?
Addison Moore (Toxic Part Two (Celestra, #7.5))
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
There was a click of high heels in the hall behind us, and a young woman appeared. She was pretty enough, I suspected, but in the tight black dress, black hose, and with her hair slicked back like that, it was sort of threatening. She gave me a slow, cold look and said, "So. I see that you’re keeping low company after all, Ravenius." Ever suave, I replied, "Uh. What?" "’Ah-ree," Thomas said. I glanced at him. He put his hand flat on the top of his head and said, "Do this." I peered at him. He gave me a look. I sighed and put my hand on the top of my head. The girl in the black dress promptly did the same thing and gave me a smile. "Oh, right, sorry. I didn’t realize." "I will be back in one moment," Thomas said, his accent back. "Personal business." "Right," she said, "sorry. I figured Ennui had stumbled onto a subplot." She smiled again, then took her hand off the top of her head, reassumed that cold, haughty expression, and stalked clickety-clack back to the bistro. I watched her go, turned to my brother while we both stood there with our hands flat on top of our heads, elbows sticking out like chicken wings, and said, "What does this mean?" "We’re out of character," Thomas said. "Oh," I said. "And not a subplot." "If we had our hands crossed over our chests," Thomas said, "we’d be invisible." "I missed dinner," I said. I put my other hand on my stomach. Then, just to prove that I could, I patted my head and rubbed my stomach. "Now I’m out of character—and hungry.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
Filip was from San Jose, but his painfully good looks excused that. He was tall, six-foot-something-or-other, intensely blue eyes, chiseled features, massive package. Didn't have Prince Albert in a Can, but he did have a thick gauged one through his cock head. His name really wasn’t Filip, it was Brent, an all-American moniker about as dark and mysterious as pastel-colored bobby socks. Initially, I joked about his choice of sobriquet, changing his name to go off to the big city, transform into Mr. Big Stuff, until it dawned on me I’d done the same damn thing with my ‘Catalyst’ surname. So I shut up. He comported himself with rigid shoulders and stiff gestures, as if he had a secret. Turns out he did. Filip was married, had a wife for more than a year now, but they had some kind of crazy arrangement. Days they were a couple; evenings they were free to do as they pleased. Where’d they come up with that idea, Jerry Springer?

 “If you wanted to go back to your place, we could,” Filip suggested. “But only until dawn.” Yeah, right. An affair is an affair, the way I see it. What difference is there between 5 and 7 a.m.? Was their marriage some sort of religious fasting thing, starve until the sun sets then binge and party down? I'd never sunk my teeth into married meat, but figured it was a logical progression from my I'm Not Gay But It's Different With You saga. And if I was going to sin, I was gonna sin good. That means no peeking to see whether it’s still dark outside.
Clint Catalyst (Pills, Thrills, Chills, and Heartache: Adventures in the First Person)
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?" "Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways. "Oh," Toraf says. "It must be someone I know, then." "Toraf, I swear by Triton's trident-" "These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna." "She's not going to any island with you, Toraf!" Emma yells. "Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles. Rayna shakes her head. "It's no use, Emma. I really don't have a choice." She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you." Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him. Toraf shakes his head. "She's not staying with you, Emma." "We'll see about that, tadpole," she returns. "Galen, do something," Toraf says, not taking his eyes off Emma. Galen grins. "Such as?" "I don't know, arrest her or something," Toraf says, crossing his arms. Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table. Everyone gasps except Galen-who laughs so hard he almost upturns his chair. Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?" The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?" Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt. The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago." This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly. She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand." She laughs and shows him it's empty. "No weapons." "Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her. She shrugs. "Survival instinct, maybe?" He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks. "Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Keep laser-focused on school, and I'll see YOU at Christmas. Josh leans his lanky body over my shoulder and peers at my laptop. "Is it just me,or is that 'YOU' sort of threatening?" "No.It's not just YOU," I say. "I thought your dad was a writer.What's with the 'laser-focused''gentle reminder' shit?" "My father is fluent in cliche. Obviously, you've never read one of his novels." I pause. "I can't believe he has the nerve to say he'll give Seany my best." Josh shakes his head in disgust. My friends and I are spending the weekend in the lounge because it's raining again. No one ever mentions this, but it turns out Paris is as drizzly as London. According to St. Clair,that is, our only absent member. He went to some photography show at Ellie's school. Actually,he was supposed to be back by now. He's running late.As usual. Mer and Rashmi are curled up on one of the lobby couches,reading our latest English assignment, Balzac and the Little Chinese Seamstress. I turn back to my father's email. Gentle reminder... your life sucks.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
It was a terrible battle. The most dreadful of all Bilbo’s experiences, and the one which at the time he hated most—which is to say it was the one he was most proud of, and most fond of recalling long afterwards, although he was quite unimportant in it. Actually I may say he put on his ring early in the business, and vanished from sight, if not from all danger. A magic ring of that sort is not a complete protection in a goblin charge, nor does it stop flying arrows and wild spears; but it does help in getting out of the way, and it prevents your head from being specially chosen for a sweeping stroke by a goblin swordsman.
J.R.R. Tolkien (The Hobbit: Or There and Back Again)
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed-“ “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think-“ All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.” I rushed across the room and thrust my fist at his solar plexus. It went right through him, but it was still kind of satisfying. “You jerk!” I cried, striking at his head. “You scared me to death! Cal said The Eye probably had you, and I thought they’d found out about you and me working together, and killed you, you arrogant piece of-“ “I’m sorry!” he shouted, waving his translucent hands. “I-I thought the talking would give it away, and I didn’t mean to scare you, but I’m not dead! So would you please stop hitting me?” I paused. “You can feel it?” “No, but it’s still kind of unsettling to see your fist coming at my face.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Another voice rages. I hate that boy! I hate me! I am so incredibly stupid! A sunflower leans over the fence, smiling How dare you! I rip off its head and throw it in the gutter. The smart thing to do is to keep going on. Walk away quickly and no one will know what I've done. But I can't move because my eyes are locked on the slowly opening front door - locked on Mrs Muir. 'I'm sorry.' My tiny voice sounds so pathetically lame, but I've still got more lameness for her. 'I never do this sort of thing. I like sunflowers. I was just angry about something - nothing to do with you or the flower. I'm really, really sorry.' 'Oh, you are upset! Well, never mind'. Mrs Muir comes closer to me. 'Goodness, we all get cross. The main thing is: did it make you feel any better?' 'No. Yes. Maybe. A little bit.' 'Would you like to do another one? There's more out the back, too. You go for your life dear. I don't mind at all - they need a good pruning.
Bill Condon (A Straight Line to My Heart)
It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship. Maybe Al Green is directly responsible for more than I ever realized.
Nick Hornby (High Fidelity)
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
A budget?" He'd expected an explosion.Even, perversely,hoped for one.Margo's tantrums were always so..stimulating.It didn't appear that he was going to be disappointed. "A budget?" she repeated,storming to him. "Of all the unbelievable,bloody nerve.You arrogant son of a bitch. Do you think I'm going to stand here and let you treat me like some sort of brainless bimbo who needs to be told how much she can spend on face powder?" "Face powder." Deliberately, he scanned the papers,took a pen out of his pocket,and made a quick note. "That would come under 'Miscellaneous Luxuries.' I think I've been very generous there. Now,as to your clothing allowance-" "Allowance!" She used both hands to shove him back a step. "Just let me tell you what you can do with your fucking allowance." "Careful,duchess." He brushed the front of his shirt. "Turnbill and Asser." The strangled sound in her throat was the best she could do.If there had been anything at all to throw,she'd have heaved it at his head. "I'd rather be picked apart,alive, by vultures than let you handle the money." "You don't have any money," he began, but she barreled on as she whirled around the room. Watching her, he all but salivated. "I'd rather be gang-raped by midgets, staked naked to a wasp nest,be force-fed garden slugs." "Go three weeks without a manicure?" he put in and watched her hands curl into claws. "You go after my face with those, I'll have to hurt you." "Oh,I hate you." "No,you don't.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
The door suddenly jerks open. A wide-eyed teenager bursts out. She stares at me in dazed horror. In a strange way, I both know and don’t know what has just happened. As the fragments begin to converge, they convey a horrible reality: I must have been hit by this car as I entered the crosswalk. In confused disbelief, I sink back into a hazy twilight. I find that I am unable to think clearly or to will myself awake from this nightmare. A man rushes to my side and drops to his knees. He announces himself as an off-duty paramedic. When I try to see where the voice is coming from, he sternly orders, “Don’t move your head.” The contradiction between his sharp command and what my body naturally wants—to turn toward his voice—frightens and stuns me into a sort of paralysis. My awareness strangely splits, and I experience an uncanny “dislocation.” It’s as if I’m floating above my body, looking down on the unfolding scene. I am snapped back when he roughly grabs my wrist and takes my pulse. He then shifts his position, directly above me. Awkwardly, he grasps my head with both of his hands, trapping it and keeping it from moving. His abrupt actions and the stinging ring of his command panic me; they immobilize me further. Dread seeps into my dazed, foggy consciousness: Maybe I have a broken neck, I think. I have a compelling impulse to find someone else to focus on. Simply, I need to have someone’s comforting gaze, a lifeline to hold onto. But I’m too terrified to move and feel helplessly frozen.
Peter A. Levine (In an Unspoken Voice: How the Body Releases Trauma and Restores Goodness)
Why do you want to know?” The shrug again. “Just wondering.” “Really. You’ve skipped your lawn tennis or duck hunting or whiskey drinking or whatever else people of your sort do all day, only to come all the way out to the island to ask me about the piano piece. Because you were just wondering.” I pushed away from the door. “Coming here to kiss me would have been more believable.” “Well, it was second on my list.” “I’m not intimidated by you,” I said, blunt. “If you’re hoping I’ll turn out to be some pathetic, blubbering little rag-girl who begs you not to ruin her, you’re in for a surprise.” “That’s good.” Lord Armand met my eyes. “I like surprises.” We gazed at each other, he on the bed and me by the door, neither of us giving quarter. It seemed to me that the room was growing even more dim, that time was repeating the same ploy it had pulled in Jesse’s cottage, drawing out long and slow. The storm outside railed against the castle walls, drowning the air within. It layered darkness through Armand’s eyes, the once-vivid blue now deep as the ocean at night. Beyond my window the rain fell and fell, fat clouds weeping as if they’d never stop. “Nice bracelet,” Armand said softly. “Did you steal it?” I shook my head. “You gave it to me.” “Did I?” “As far as everyone else if concerned, yes. You did.” “Hmm. And what do I get in return for agreeing to be your…benefactor?” “The answer to your question.” “No kiss?” he asked, even softer. “No.” His lips quirked. “All right, then, waif. I accept your terms. We’ll try the kiss later.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
Dale Carnegie (How To Win Friends and Influence People)
When it came to my turn in the super spelling bee everyone had already been given really easy words. “Ryan,” Mr H said, “I want you to spell the word icup.” “Icup?” I thought.  I clammed up and my face went all warm and prickly, that feeling you get when you know you’re going to get the answer wrong. It’s a bit like the feeling you get when you walk up on stage to collect an award and you trip going up the stairs in front of everyone, or worse still, your pants fall down. It’s called embarrassment and I was feeling it big time. Actually it was worse than big time. It was humongous, mammoth, big time. All those long, boring afternoons sitting with Mom on the couch spelling word after word meant nothing anymore. I’d never heard of the word ‘icup’. “Oh no,” I thought. If I got this wrong I might not make the necessary criteria to get a raffle ticket before the big draw. Panic stations set in. This was going to be disastrous. ​Mom always said that if you get nervous or frightened, just imagine everyone around you is only in their underwear. It will make you laugh and you’ll forget your nerves. So I did, but it wasn’t a pretty sight. ​ “Ok get a grip of yourself Rino,” I said in my head. “Think about it and just sound the word out.” I could hear my Mom’s words bleating in my head as she so often did when I got stuck on a word. I began slowly, deep in thought and not willing to put one foot wrong sounding out each letter, “I … c.. u .. pee.”  There was silence and then the whole class erupted into hysterics, laughing their heads off, followed by Mr Higginbottom. Then I realised what I had just said when I sounded out the word; “I see you pee,” and I burst out into an embarrassed sort of laughter too. Mr Higginbottom came over and gave me a friendly pat on my head and ruffled my hair. It didn’t worry me that I’d combed it just the right way and put gel in it that morning. It was ok for Mr H to mess it up, but if my sister ever did it, she’d be dead meat. “Well
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
Child, you are finally going out to carry out missions. As your teacher, I am extremely relieved, but there are some instructions that I must give you before I can truly be at ease.” “I will definitely be careful, teacher.” I felt extremely moved ; my teacher is truly very concerned about me ! “Yes, child, you must be careful ! Remember, a Sun Knight must always maintain his graceful demeanor, regardless of time and place.” I nodded my head obediently. “Teacher, I will complete my mission very gracefully.” (Back then, I had gone through a lifestyle involving lots of falling down for several months already. On average, I would have to look for a cleric once every three days to cast a high level healing spell on me to cure the wounds I receive from a particularly nasty fall.) My teacher shook his head and said, “Child, completing the mission gracefully is but the basics.” “Then what’s more advanced than that ?” “Child, you must remember, when you have failed your mission and are near death, at that time, you must...” “Pray to the God of Light ?” “No, you must contemplate what sort of pose you will die in, and if that pose will be accompanied by a serene expression or a heroic one. Still more important is the question of whether you will die from a single thrust to the heart from your enemy or if you will slit your own throat, and so on and so forth. Only after all of the important circumstances surrounding your death have been planned out and arranged perfectly can you pass away in as graceful a position as possible ! Even in the face of death, a Sun Knight must die very gracefully !” “...
Yu Wo (騎士基本理論 (吾命騎士, #1))
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Expanding further on his own observations of Prince’s writing style(s) during the course of the album’s recording, fellow Paisley Park engineer Eddie Miller, who engineered the recording of ‘Electric Chair’ among other Prince recordings during the Batman era, recalled that “he would write all sorts of ways. I have to admit that I listened to some of his cassette demos that he would sometimes bring into the studio to reference (as I remember, he would hold the cassette player up to his ear, so you couldn’t really hear it.). They were fascinating. His cassette demo technique was extremely crude but ingenious—it’s like something you’d do if you had no access to any equipment. He’d use two cheap cassette recorders. If he wanted to hear drums, he’d record a human beat box rhythm for the length of the song—and most likely, he’d have the form of the song in his head while he was recording this. By the way, it was the same in the studio when he’d do his one man band approach to recording a song. He’d know the song in his head, and start out recording the drums for the song (it would essentially become the ‘click track’—the way a click track should be). Back to the cassette demo—he’d then play his beat box groove over the speaker on the cassette recorder and sing the bass line while recording all this onto the second cassette machine. He’d build up a rhythm track this way, and then add vocals. And there’s your demo.
Jake Brown (Prince 'in the Studio' 1975 - 1995)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
First thing Monday morning, Ruby came in. She seemed upset. "Zach, I've had a vision," she said immediately. "Was it a dream," Angelo began suddenly, with a wicked grin on his face, "where you see yourself standing in sort of sun-god robes on a pyramid with a thousand naked women screaming and throwing little pickles at you?" Ruby and I both gaped at him. "Of course not," Ruby said with disgust, "Why would you even ask something like that?" "Just wonderin'." He was facing her, But he held up a DVD case, facing me. 'Real Genius'. I had no idea what that was supposed to mean. Ruby shook her head at him and then turned back to me. "There was a bird. It tried to land in your hands, but a giant horse scared it away." As usual when Ruby announced her visions, I had no idea how to respond. I just smiled. "That's fascinating." She nodded sagely. "I hope you're nat planning any horse riding this weekend." Before I could answer, Nero Sensei burst through the doo, breathless. "Do any of you own the blue convertible parked at Jeremy's?" Which meant another kid had pucked off the balcony. "Hope the top wasn't down," Angelo said lightly. Sensei shook his head as he headed back out the door. "No, but it's a soft top, and Tim had cranberry juice before class. It's gonna stain." Ruby followed Nero out the door. Angelo turned to me. His eyes were sparkling and he was grinning from ear to ear. "Best job I ever had," he said. and I had to smile back.
Marie Sexton (A to Z (Coda, #2))
So, did you see that community center I was talking about?” “What? Where?” “We walked right past it, just before that grocery store. I mentioned it on the way to the city? You just drop in and take classes. They’ve got all sorts of stuff. I bet you can get a student rate, even.” “But I’m not a student—” “You’re young enough that they’ll assume—” “—and how am I supposed to find the time to take dance classes, now that I’m the dessert?” “I’m starting to really regret using that metaphor,” Silas says, grinning. “And let me explain something, Rosie.” He takes a swig of the coffee and presses his lips together, searching for words. “I’m from a long, long, long, long line of woodsmen. My brothers are all supertalented. They all built their own rooms. For god’s sake, Lucas built a freaking wooden hot tub in his bedroom with wooden monkeys pouring water into it.” “Monkeys?” “Don’t ask. Anyway, I can do some woodworking. I know my way around the forest, I can handle an ax better than most, I can make a tree grow where nothing else will, I can live off berries and hunt for my food, and I’ve known about the Fenris since I could crawl. I’m a woodsman, for all intents and purposes. But that doesn’t mean I live for it any more than the fact that you’re good at hunting means you have to live for that. So maybe breaking out of the hunting lifestyle for a few hours here and there will help you figure out if it’s really for you or not.” I shake my head, confused as to why he’d even think that was possible. “I can’t just not hunt, Silas. So yeah, I take a few random classes, and what if I decide that I hate hunting and want to quit? That doesn’t mean I can. I owe Scarlett my life, and if she wants to cash in by having me spend my life hunting beside her, so be it. It’d kill her if she ever thought I wanted to quit.” “Rosie,” Silas says quietly. “I’m not suggesting you drop your sister like a bad habit and take up intense ballet training.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
What did you think when I first told you about the animals I found?” He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.” She made a face at him. “Didn’t you think it was creepy? Or that I was weird?” “Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.” Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt? She tried again. “Did you ever tell anyone? Does your mom know?” He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.” He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair. He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could. It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him. His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?” She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first. “Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation. He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.” “I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.” He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.” She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing. But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
I resolved to come right to the point. "Hello," I said as coldly as possible, "we've got to talk." "Yes, Bob," he said quietly, "what's on your mind?" I shut my eyes for a moment, letting the raging frustration well up inside, then stared angrily at the psychiatrist. "Look, I've been religious about this recovery business. I go to AA meetings daily and to your sessions twice a week. I know it's good that I've stopped drinking. But every other aspect of my life feels the same as it did before. No, it's worse. I hate my life. I hate myself." Suddenly I felt a slight warmth in my face, blinked my eyes a bit, and then stared at him. "Bob, I'm afraid our time's up," Smith said in a matter-of-fact style. "Time's up?" I exclaimed. "I just got here." "No." He shook his head, glancing at his clock. "It's been fifty minutes. You don't remember anything?" "I remember everything. I was just telling you that these sessions don't seem to be working for me." Smith paused to choose his words very carefully. "Do you know a very angry boy named 'Tommy'?" "No," I said in bewilderment, "except for my cousin Tommy whom I haven't seen in twenty years..." "No." He stopped me short. "This Tommy's not your cousin. I spent this last fifty minutes talking with another Tommy. He's full of anger. And he's inside of you." "You're kidding?" "No, I'm not. Look. I want to take a little time to think over what happened today. And don't worry about this. I'll set up an emergency session with you tomorrow. We'll deal with it then." Robert This is Robert speaking. Today I'm the only personality who is strongly visible inside and outside. My own term for such an MPD role is dominant personality. Fifteen years ago, I rarely appeared on the outside, though I had considerable influence on the inside; back then, I was what one might call a "recessive personality." My passage from "recessive" to "dominant" is a key part of our story; be patient, you'll learn lots more about me later on. Indeed, since you will meet all eleven personalities who once roamed about, it gets a bit complex in the first half of this book; but don't worry, you don't have to remember them all, and it gets sorted out in the last half of the book. You may be wondering -- if not "Robert," who, then, was the dominant MPD personality back in the 1980s and earlier? His name was "Bob," and his dominance amounted to a long reign, from the early 1960s to the early 1990s. Since "Robert B. Oxnam" was born in 1942, you can see that "Bob" was in command from early to middle adulthood. Although he was the dominant MPD personality for thirty years, Bob did not have a clue that he was afflicted by multiple personality disorder until 1990, the very last year of his dominance. That was the fateful moment when Bob first heard that he had an "angry boy named Tommy" inside of him. How, you might ask, can someone have MPD for half a lifetime without knowing it? And even if he didn't know it, didn't others around him spot it? To outsiders, this is one of the most perplexing aspects of MPD. Multiple personality is an extreme disorder, and yet it can go undetected for decades, by the patient, by family and close friends, even by trained therapists. Part of the explanation is the very nature of the disorder itself: MPD thrives on secrecy because the dissociative individual is repressing a terrible inner secret. The MPD individual becomes so skilled in hiding from himself that he becomes a specialist, often unknowingly, in hiding from others. Part of the explanation is rooted in outside observers: MPD often manifests itself in other behaviors, frequently addiction and emotional outbursts, which are wrongly seen as the "real problem." The fact of the matter is that Bob did not see himself as the dominant personality inside Robert B. Oxnam. Instead, he saw himself as a whole person. In his mind, Bob was merely a nickname for Bob Oxnam, Robert Oxnam, Dr. Robert B. Oxnam, PhD.
Robert B. Oxnam (A Fractured Mind: My Life with Multiple Personality Disorder)
He was beautiful. Whatever else he was, Sage was by far the most magnetic man I had ever seen. I had felt it in my dreams, and it was even more true in real life. I welcomed the chance to study him without his knowledge. He glanced up, and I quickly closed my eyes, feigning sleep. Had he seen me? The scratching stopped. He was looking at me, I knew it. I held my breath and willed my eyes not to pop open and see if he was staring. Finally the scratching started up again. I forced myself to slowly count to ten before I opened my eyelids the tiniest bit and peeked through my lashes. Good-he wasn’t looking at me. I opened my eyes a little wider. What was he doing? Moving only my eyes, I glanced down at the dirt floor in front of him… …and saw a picture of me, fast asleep. It was incredible. I could see his tools laid out beside the picture: rocks in several sizes and shapes, a couple of twigs…the most rudimentary materials, and yet what he was etching into the floor wouldn’t look out of place on an art gallery wall. It was beautiful…far more beautiful than I thought I actually looked in my sleep. Is that how he saw me? Sage lifted his head again, and I shut my eyes. I imagined him studying me, taking careful note of my features and filtering them through his own senses. My heartbeat quickened, and it took all my willpower to remain still. “You can keep pretending to be asleep if you’d like, but I don’t see a career for you as an actress,” he teased. My eyes sprang open. Sage’s head was again bent over his etching, but a grin played on his face as he worked. “You knew?” I asked, mortified. Sage put a finger to his lips, glancing toward Ben. “About two minutes before you woke up, I knew,” he whispered. “Your breathing hanged.” He bent back over the drawing, then impishly asked, “Pleasant dreams?” My heart stopped, and I felt myself blush bright crimson as I remembered our encounter in the bottom of the rowboat. I sent a quick prayer to whoever or whatever might be listening that I hadn’t re-enacted any of it in my sleep, then said as nonchalantly as possible, “I don’t know, I can’t remember what I dreamed about. Why?” He swapped out the rock in his hand for one with a thinner edge and worked for another moment. “No reason…just heard my name.” I hoped the dim moonlight shadowed the worst of my blush. “Your name,” I reiterated. “That’s…interesting. They say dreams sort out things that happen when we’re awake.” “Hmm. Did you sort anything out?” he asked. “Like I said, I can’t remember.” I knew he didn’t believe me. Time to change the subject. I nodded to the etching. “Can I come look?
Hilary Duff (Elixir (Elixir, #1))
I realize that it’s weird that this appendix is in the middle of the book instead of at the end where appendixes are supposed to be, but it works better here, and technically your appendix is in the middle of your body so it sort of makes sense. Probably God had the same issue when Adam was like, “I don’t want to sound ungrateful, but it sort of hurts when I walk. Is that normal? Is this thing on my foot a tumor?” And God was like, “It’s not a tumor. That’s your appendix. Appendixes go at the end. Read a book, dude.” Then Adam was all, “Really? Because I don’t want to second-guess you but it seems like a design flaw. Also that snake in the garden told me it doesn’t even do anything.” And God shook his head and muttered, “Jesus, that fucking snake is like TMZ.” And then Adam was like, “Who’s Jesus?” and God said, “No one yet. It’s just an idea I’m throwing around.” And then God zapped Adam’s appendix off his foot and stuck it in Adam’s midsection instead in case he decided to use it later. But the next day Adam probably asked for a girlfriend and God was like, “It’s gonna cost you a rib,” and Adam was all, “Don’t I need those? Can’t you just make her out of my appendix?” And the snake popped out and hissed, “Seriously, why are you so attached to this appendix idea? Don’t those things occasionally explode for no reason whatsoever?” and God was like, “THIS IS NONE OF YOUR BUSINESS, JEFFERSON. I’M STARTING TO QUESTION WHY I EVEN MADE YOU.” And Adam was like, “Wait … what? They explode?” And God was all, “I’M NOT NEGOTIATING WITH YOU, ADAM.” And that’s why appendixes go in the middle and should probably be removed.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
At the Minsk tractor factory I was looking for a woman who had served in the army as a sniper. She had been a famous sniper. The newspapers from the front had written about her more than once. Her Moscow girlfriends gave me her home phone number, but it was old. And the last name I had noted down was her maiden name. I went to the factory where I knew she worked in the personnel department, and I heard from the men (the director of the factory and the head of the personnel department): “Aren’t there enough men? What do you need these women’s stories for? Women’s fantasies…” The men were afraid that women would tell about some wrong sort of war. I visited a family…Both husband and wife had fought. They met at the front and got married there: “We celebrated our wedding in the trench. Before the battle. I made a white dress for myself out of a German parachute.” He had been a machine gunner, she a radio operator. The man immediately sent his wife to the kitchen: “Prepare something for us.” The kettle was already boiling, and the sandwiches were served, she sat down with us, but the husband immediately got her to her feet again: “Where are the strawberries? Where are our treats from the country?” After my repeated requests, he reluctantly relinquished his place, saying: “Tell it the way I taught you. Without tears and women’s trifles: how you wanted to be beautiful, how you wept when they cut off your braid.” Later she whispered to me: “He studied The History of the Great Patriotic War with me all last night. He was afraid for me. And now he’s worried I won’t remember right. Not the way I should.” That happened more than once, in more than one house.
Svetlana Alexievich (War's Unwomanly Face)
Brisbane continued. “I have led a selfish life, and I have enjoyed it. I cannot imagine a life without my work, and I cannot imagine a life without you, and yet I cannot reconcile the two.” My heart, which had given a joyous leap in the middle of his speech, faltered now as I realised what he was trying to say. “I never thought to ask you to give up your work,” I began. “But how can I ask you to sit idly by and wait for me to return when every time I kiss you goodbye might be the last?” “Oh, don’t!” I told him, fully enraged. “How dare you blame your cowardice upon me?” His lips went white, as did the tiny crescent moon scar high upon his cheekbone. “I beg your pardon?” “Cowardice,” I said distinctly. “You hide behind this pretence of fine feeling because you will not declare yourself directly and this gives you a perfect excuse, does it not? Spare poor Julia the horror of being widowed a second time. Put her up on the shelf and keep her out of harm’s way whilst you amuse yourself with your dashing adventures.” He opened his mouth to speak, but I stepped forward, tipping my head up to rail at him. “I am quite disappointed that you have revealed yourself to be so thoroughly conventional in your philosophy. Have I not proven myself a capable partner?” I demanded. “Have I not stood, side by side, with you, facing peril with equal courage? If you thought for a moment that I would be the meek, quiet, obedient sort of woman who would sit quietly at home mending your socks while you get to venture out into the world on your daring escapades, you have sorely mistaken me.” I turned on my heel and left him then, gaping after me like a landed carp. It was a very small consolation.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
My back hit the wall. He closed in with an almost terrifying intensity. His muscular body boxed me in. “Rogan,” I warned. In my head, a song played over and over, singing to me in a seductive voice, Rogan, Rogan, Rogan, sex . . . want . . . “Remember that dream you had?” His voice was low, commanding. “Rogan!” The delicious warmth danced around my neck. “Where I had no clothes?” The warmth split and slid over me, over the sensitive nerves in the back of my neck, over my collarbone, around my breasts, cupping them and sliding fast to the tips, tightening my nipples, then sliding down, over my stomach, over my sides and butt, down between my legs. It was everywhere at once, and it flowed over me like a cascade of sensual ecstasy, overloading my senses, overriding my reason, and rendering me speechless. I hurtled through it, trying to sort through the sensations and failing. My head spun. He was right there, masculine, hot, sexy, so incredibly sexy, and I wanted to taste him. I wanted his hands on me. I wanted him to press himself against the aching spot between my legs. His arms closed around me. His face was too close, his eyes enticing, compelling, excited. “Let’s talk about that dream, Nevada.” I was trapped. I had nowhere to go. If he kissed me, I would melt right here. I would moan and beg him, and I would have sex with him right here, in the Galleria, in public. A spark of pain drained down my arm, driven by pure instinct. I grabbed his shoulder. Feathery lightning shot out and singed him. Agony exploded in me, cleansing like an ice-cold shower. Rogan’s body jerked, as if struck by an electric current. It lasted only a second, and I didn’t push as hard as I could have. I was learning to control it. Rogan whipped back to me, his eyes feral. His voice was a ragged growl. “Was that supposed to hurt?” “It was supposed to get your attention.” I pushed him back with my hand. “You were getting really excited.” “‘No’ would’ve been sufficient.” “I wasn’t sure.” I pushed from the wall and headed for the exit. “I said ‘once.’ That was more than once. I wanted you to stop.” “I was encouraged by you breathlessly moaning my name.” I spun on my foot. “I wasn’t moaning your name. I was shrieking in alarm.” “That was the sexiest throaty shrieking I’ve ever heard.” “You need to get out more.” My cheeks were burning.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
And now there’s another thing you got to learn,” said the Ape. “I hear some of you are saying I’m an Ape. Well, I’m not. I’m a Man. If I look like an Ape, that’s because I’m so very old: hundreds and hundreds of years old. And it’s because I’m so old that I’m so wise. And it’s because I’m so wise that I’m the only one Aslan is ever going to speak to. He can’t be bothered talking to a lot of stupid animals. He’ll tell me what you’ve got to do, and I’ll tell the rest of you. And take my advice, and see you do it in double quick time, for he doesn’t mean to stand any nonsense.” There was dead silence except for the noise of a very young badger crying and its mother trying to make it keep quiet. “And now here’s another thing,” the Ape went on, fitting a fresh nut into its cheek, “I hear some of the horses are saying, Let’s hurry up and get this job of carting timber over as quickly as we can, and then we’ll be free again. Well, you can get that idea out of your heads at once. And not only the Horses either. Everybody who can work is going to be made to work in future. Aslan has it all settled with the King of Calormen—The Tisroc, as our dark faced friends the Calormenes call him. All you Horses and Bulls and Donkeys are to be sent down into Calormen to work for your living—pulling and carrying the way horses and such-like do in other countries. And all you digging animals like Moles and Rabbits and Dwarfs are going down to work in The Tisroc’s mines. And—” “No, no, no,” howled the Beasts. “It can’t be true. Aslan would never sell us into slavery to the King of Calormen.” “None of that! Hold your noise!” said the Ape with a snarl. “Who said anything about slavery? You won’t be slaves. You’ll be paid—very good wages too. That is to say, your pay will be paid into Aslan’s treasury and he will use it all for everybody’s good.” Then he glanced, and almost winked, at the chief Calormene. The Calormene bowed and replied, in the pompous Calormene way: “Most sapient Mouthpiece of Aslan, The Tisroc (may-he-live-forever) is wholly of one mind with your lordship in this judicious plan.” “There! You see!” said the Ape. “It’s all arranged. And all for your own good. We’ll be able, with the money you earn, to make Narnia a country worth living in. There’ll be oranges and bananas pouring in—and roads and big cities and schools and offices and whips and muzzles and saddles and cages and kennels and prisons—Oh, everything.” “But we don’t want all those things,” said an old Bear. “We want to be free. And we want to hear Aslan speak himself.” “Now don’t you start arguing,” said the Ape, “for it’s a thing I won’t stand. I’m a Man: you’re only a fat, stupid old Bear. What do you know about freedom? You think freedom means doing what you like. Well, you’re wrong. That isn’t true freedom. True freedom means doing what I tell you.” “H-n-n-h,” grunted the Bear and scratched its head; it found this sort of thing hard to understand.
C.S. Lewis (The Last Battle (Chronicles of Narnia, #7))
I had the most ridiculous dream.” I point at my brother. “You were there.” I point at Simon beside him. “And you.” Then Franny, all of them huddled on the floor around me. “And you too. You . . . abdicated the throne, Nicholas. And they all wanted to make me king.” A maniacal laugh passes my lips . . . until I turn to the right and see dark blue eyes, sweet lips. and black, swirling hair. Then I scream like a girl. “Ahhhh!” It’s Olivia. My brother’s wife. His very American wife. I turn back to Nicholas. “It wasn’t a dream, was it?” “No, Henry.” I lie back down on the floor. “Fuuuuuck.” Then I feel sort of bad. “Sorry, Olive. You know I think you’re top-notch.” She smiles kindly. “It’s okay, Henry. I’m sorry you’re having a hard time.” I scrub my hand over my face, trying to think clearly. “It’s all right. This is a better, new plan—I won’t have to live under the stage now.” “You were going to live under the stage?” Nicholas asks. I wave my hand. “Forget it. It was Potter’s stupid idea. Boy Wonder Wizard, my arse.” And now my brother looks really worried. I gesture to him. “But you’re here now. You can take me with you back to the States.” “Henry . . .” “Give me your tired, poor, huddled masses yearning to be free—that describes me perfectly! I’m a huddled mass, Nicholas!” He squeezes my arms, shaking just a bit. “Henry. You can’t move to America.” I grasp his shirt. And my voice morphs into an eight-year-old boy’s, confessing he sees dead people. “But she’s so mean, Nicholas. She’s. So. Mean.” He taps my back. “I know.” Nicholas and Simon drag me up, holding on so that I stay on my feet. “But we’ll figure it out,” Nicholas says. “It’s going to be all right.” I shake my head. “You keep saying that. I’m starting to think you don’t know what the hell you’re talking about.
Emma Chase (Royally Matched (Royally, #2))
Scared?” Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.” He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango. “Curran! Let . . . “ I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow. “Impressed yet?” he asked with a big smile. Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right. He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.” I gasped, trying to draw air into my lungs. “I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.” As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty. He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare. I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me. All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.” His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened. I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant. He squared his shoulders. “Shall we continue?” “It would be my pleasure.” He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him. Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human. “Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.” Mouse? “I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.” “I’m not filled with catnip.” “Let’s find out.” He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him. “I can stop you with one word,” I said. He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said. “Wedding.” All humor fled his eyes. He let go and just like that, the game was over.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
The day wore on.While yet Rycca slept, Dragon did all the things she had said he would do-paced back and forth, contemplated mayhem,and even honed his blade on the whetstone from the stable.All except being oblivious to her,for that he could never manage. But when she awoke,sitting up heavy-lidded, her mouth so full and soft it was all he could do not to crawl back into bed with her,he put aside such pursuits and controlled himself admirably well,so he thought. Yet in the midst of preparing a meal for them from the provisions in the pantry of the lodge,he was stopped by Rycca's hand settling upon his. "Dragon," she said softly, "if you add any more salt to that stew, we will need a barrel of water and more to drink with it." He looked down, saw that she was right, and cursed under his breath. Dumping out the spoiled stew, he started over. They ate late but they did eat.He was quite determined she would do so,and for once she seemed to have a decent appetite. "I'm glad to see your stomach is better," he said as she was finishing. She looked up,startled. "What makes you say that?" "You haven't seemed able to eat regularly of late." "Oh,well,you know...so many changes...travel...all that." He nodded,reached for his goblet, and damn near knocked it over as a sudden thought roared through him. "Rycca?" She rose quickly,gathering up the dishes. His hand lashed out, closing on her wrist. Gently but inexorably, he returned her to her seat. Without taking his eyes from her,he asked, "Is there something you should tell me?" "Something...?" "I ask myself what sort of changes may cause a woman to be afflicted with an uneasy stomach and it occurs to me I've been a damned idiot." "Not so! You could never be that." "Oh,really? How otherwise would I fail to notice that your courses have not come of late? Or is that also due to travel,wife?" "Some women are not all that regular." "Some women do not concern me.You do,Rycca. I swear,if you are with child and have not told me, I will-" She squared her shoulders,lifted her head,and met his eyes hard on. "Will what?" "What? Will what? Does that mean-" "I'm sorry,Dragon." Truly repentant, Rycca sighed deeply. "I was going to tell you.I was just waiting for a calmer time.I didn't want you to worry more." Still grappling with what she had just revealed,he stared at her in astonishment. "You mean worry that my wife and our child are bait for a murderous traitor?" "I know you're angry and you have a right to be.But if I had told you, we wouldn't be here now." "Damn right we wouldn't be!" He got up from the table so abruptly that his chair toppled over and crashed to the floor.Ignoring it,Dragon paced back and forth,glaring at her. Rycca waited,trusting the storm to pass. As she did,she counted silently, curious to see just how long it would take her husband to grasp fully what he had discovered. Nine...ten... "We're going to have a baby." Not long at all. She nodded happily. "Yes,we are, and you're going to be a wonderful father." He walked back to the table,picked her up out of her chair,held her high against his chest,and stared at her. "My God-" Rycca laughed. "You can't possibly be surprised.It's not as though we haven't been doing our best to make this happen." "True,but still it's absolutely incredible." Very gently,she touched his face. "Perhaps we think of miracles wrongly. They're supposed to be extraordinarily rare but in fact they're as commonplace as a bouquet of wildflowers plucked by a warrior...or a woman having a baby." Dragon sat down with her still in his arms and held her very close.He swallowed several times and said nothing. Both could have remained contentedly like that for a long while, but only a few minutes passed before they were interrupted. The raven lit on the sill of the open window just long enough to catch their attention,then she was gone into the bloodred glare of the dying day.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Hullo,” he said sleepily, rubbing a hand along his jaw. He’s here in my room, right in the middle of the afternoon. Great God, there’s a boy in my bed in my room- I came to life. “Get out!” He yawned, a lazy yawn, a yawn that clearly indicated he had no intention of leaving. In the moody gray light his body seemed a mere suggestion against the covers, his hair a shaded smudge against the paler lines of his collar and face. “But I’ve been waiting for you for over an hour up here, and bloody boring it’s been, too. I’ve never known a girl who didn’t keep even mildly wicked reading material hidden somewhere in her bedchamber. I’ve had to pass the time watching the spiders crawl across your ceiling.” Voices floated up from downstairs, a maids’ conversation about rags and soapy water sounding horribly loud, and horribly close. I shut the door as gently as I could and pressed my back against it, my mind racing. No lock, no bolt, no key, no way to keep them out if they decided to come up… Armand shifted a bit, rearranging the pillows behind his shoulders. I wet my lips. “If this is about the kiss-“ “No.” He gave a slight shrug. “I mean, it wasn’t meant to be. But if you’d like-“ “You can’t be in here!” “And yet, Eleanor, here I am. You know, I remember this room from when I used to live in the castle as a boy. It was a storage chamber, I believe. All the shabby, cast-off things tossed up here where no one had to look at them.” He stretched out long and lazy again, arms overhead, his shirt pulling tight across his chest. “This mattress really isn’t very comfortable, is it? Hark as a rock. No wonder you’re so ill-tempered.” Dark power. Compel him to leave. I was desperate enough to try. “You must go,” I said. Miraculously, I felt it working. I willed it and it happened, the magic threading through my tone as sly as silk, deceptively subtle. “Now. If anyone sees you, were never here. You never saw me. Go downstairs, and do not mention my name.” Armand sat up, his gaze abruptly intent. One of the pillows plopped on the floor. “That was interesting, how your voice just changed. Got all smooth and eerie. I think I have goose bumps. Was that some sort of technique they taught you at the orphanage? Is it useful for begging?” Blast. I tipped my head back against the wood of the door and clenched my teeth. “Do you have any idea the trouble I’ll be in if they should find you here? What people will think?” “Oh, yes. It rather gives me the advantage, doesn’t it?” “Mrs. Westcliffe will expel me!” “Nonsense.” He smiled. “All right, probably she will.” “Just tell me that you want, then!” His lashes dropped; his smile grew more dry. He ran a hand slowly along a crease of quilt by his thigh. “All I want,” he said quietly, “is to talk. “Then pay a call on me later this afternoon,” I hissed. “No.” “What, you don’t have the time to tear yourself away from your precious Chloe?” I hadn’t meant to say that, and, believe me, as soon as the words left my lips I regretted them. They made me sound petty and jealous, and I was certain I was neither. Reasonably certain.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
You're trying to kiss Emma?" Rayna says, incredulous. "But you haven't even sifted yet, Galen." "Sifted?" Emma asks. Toraf laughs. "Princess, why don't we go for a swim? You know that storm probably dredged up all sorts of things for your collection." Galen nods a silent thank you to Toraf as he ushers his sister into the living room. For once, he's thankful for Rayna's hoard of human relics. He almost had to drag her to shore by her fin to get past all the old shipwrecks along this coast. "We'll split up, cover more ground," Rayna's saying as they leave. Galen feels Emma looking at him, but he doesn't acknowledge her. Instead, he watches the beach as Toraf and Rayna disappear in the waves, hand in hand. Galen shakes his head. No one should feel sorry for Toraf. He knows just exactly what he's doing. Something Galen wishes he could say of himself. Emma puts a hand on his arm-she won't be ignored. "What is that? Sifted?" Finally he turns, meets her gaze. "It's like dating to humans. Only, it goes a lot faster. And it has more of a purpose than humans sometimes do when they date." "What purpose?" "Sifting is our way of choosing a life mate. When a male turns eighteen, he usually starts sifting to find himself a companion. For a female whose company he will enjoy and ho will be suitable for producing offspring." "Oh," she says, thoughtful. "And...you haven't sifted yet?" He shakes his head, painfully aware of her hand still on his arm. She must realize it at the same time, because she snatches it away. "Why not?" she says, clearing her throat. "Are you not old enough to sift?" "I'm old enough," he says softly. "How old are you, exactly?" "Twenty." He doesn't mean to lean closer to her-or does he? "Is that normal? That you haven't sifted yet?" He shakes his head. "It's pretty much standard for males to be mated by the time they turn nineteen. But my responsibilities as ambassador would take me away from my mate too much. It wouldn't be fair to her." "Oh, right. Keeping a watch on the humans," she says quickly. "You're right. That wouldn't be fair, would it?" He expects another debate. For her to point out, as she did last night, that if there were more ambassadors, he wouldn't have to shoulder the responsibility alone-and she would be right. But she doesn't debate. In fact, she drops the subject altogether. Backing away from him, she seems intent on widening the space he'd closed between them. She fixes her expression into nonchalance. "Well, are you ready to help me turn into a fish?" she says, as if they'd been talking about this the whole time. He blinks. "That's it?" "What?" "No more questions about sifting? No lectures about appointing more ambassadors?" "It's not my business," she says with an indifferent shrug. "Why should I care whether or not you mate? And it's not like I'll be sifting-or sifted. After you teach me to sprout a fin, we'll be going our separate ways. Besides, you wouldn't care if I dated any humans, right?" With that, she leaves him there staring after her, mouth hanging open. At the door, she calls over her shoulder, "I'll meet you on the beach in fifteen minutes. I just have to call my mom and check in and change into my swimsuit." She flips her hair to the side before disappearing up the stairs. He turns to Rachel, who's hand-drying a pan to death, eyebrows reaching for her hairline. He shrugs to her in askance, mouth still ajar. She sighs. "Sweet pea, what did you expect?" "Something other than that.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You’re the only person who doesn’t see the advantage in such a match.” “That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.” She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?” “Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?” “I didn’t mean any such thing,” he said sharply. But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“ “Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.” That seemed to draw her up short. “Wh-What?” Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…” But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore. He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her. She tore her lips from his. “Mr. Pinter-“ she began in a whisper. “Jackson,” he growled. “Let me hear you say my name.” Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“ “I’m not pretending anything, damn it!” Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted. When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“ “Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.” Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…” His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman. He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room. So when she pulled out of his arms to back away, he walked after her. She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.” “I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more. When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting. With a shiver, she slid her hands up his chest. “Why are you doing this?” “Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.” Then he covered her mouth with his once more.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)