Sore Feet Quotes

We've searched our database for all the quotes and captions related to Sore Feet. Here they are! All 100 of them:

I am fundamentally an optimist. Whether that comes from nature or nurture, I cannot say. Part of being optimistic is keeping one's head pointed toward the sun, one's feet moving forward. There were many dark moments when my faith in humanity was sorely tested, but I would not and could not give myself up to despair. That way lays defeat and death.
Nelson Mandela (Long Walk to Freedom: Autobiography of Nelson Mandela)
And the Grinch, with his Grinch-feet ice cold in the snow, stood puzzling and puzzling, how could it be so? It came without ribbons. It came without tags. It came without packages, boxes or bags. And he puzzled and puzzled 'till his puzzler was sore. Then the Grinch thought of something he hadn't before. What if Christmas, he thought, doesn't come from a store. What if Christmas, perhaps, means a little bit more.
Dr. Seuss (How the Grinch Stole Christmas!)
And down she walked along the street, A handsome lad she hoped to meet And sore by dawn were her dainty feet But all the boys were gay.
Elka Cloke
She's no lady. Her songs are all unbelievably unhappy or lewd. It's called Blues. She sings about sore feet, sexual relations, baked goods, killing your lover, being broke, men called Daddy, women who dress like men, working, praying for rain. Jail and trains. Whiskey and morphine. She tells stories between verses and everyone in the place shouts out how true it all is.
Ann-Marie MacDonald (Fall on Your Knees)
Yes no yes no yes no? Red blue? Yes red, no blue? No red, yes no? In out, up down? Do don't, can can't? Choices sit on the shelf life New shoes in a shoe shop. If the in crowd are squeezing into a must-have shoe And the one pair left are too tiny for you Don't feel compelled into choosing them If you're really a size 9, buy that size. While everyone else Hobbles round with sore feet Your choices should feel comfortable Or they aren't your choices at all. Why limp when you can sprint?
David Baird (Fiesta of Happiness: Be True to Yourself)
I wanted so much to step over and pick them up. Several times I tried to move my feet, but they seemed to be nailed to the floor. I knew the pups were mine, all mine, yet I couldn't move. My heart started aching like a drunk grasshopper. I tried to swallow and couldn't. My Adam's apple wouldn't work. One pup started my way. I held my breath. On he came until I felt a scratchy little foot on mine. The other pup followed. A warm puppy tongue caressed my sore foot. I heard the stationmaster say, 'They already know you.' I knelt down and gathered them in my arms. I buried my face between their wiggling bodies and cried.
Wilson Rawls (Where the Red Fern Grows)
In captivity, in the shed, Pierre had learned, not with his mind, but with his whole being, his life, that man is created for happiness, that happiness is within him, in the satisfying of natural human needs, and that all unhappiness comes not from lack, but from superfluity; but now, in these last three weeks of the march, he had learned a new and more comforting truth - he had learned that there is nothing frightening in the world. He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree. He had learned that there is a limit to suffering and a limit to freedom, and that those limits are very close; that the man who suffers because one leaf is askew in his bed of roses, suffers as much as he now suffered falling asleep on the bare, damp ground, one side getting cold as the other warmed up; that when he used to put on his tight ballroom shoes, he suffered just as much as now, when he walked quite barefoot (his shoes had long since worn out) and his feet were covered with sores.
Leo Tolstoy (War and Peace)
Down Where I Am Too many years Beatin' at the door-- I done beat my Both fists sore. Too many years Tryin' to get up there-- Done broke my ankles down, Got nowhere. Too many years Climbin' that hill, 'Bout out of breath. I got my fill. I'm gonna plant my feet On solid ground. If you want to see me, Come down.
Langston Hughes (The Panther and the Lash)
There is a wild woman under our skin who wants nothing more than to dance until her feet are sore, sing her beautiful grief into the rafters, and offer the bottomless cup of her creativity as a way of life. And if you are able to sing from the very wound that you’ve worked so hard to hide, not only will it give meaning to your own story, but it becomes a corroborative voice for others with a similar wounding.
Toko-pa Turner (Belonging: Remembering Ourselves home)
No one wore high heels anymore. They were in the same category as corsets –a torturous invention of the past that had served to make men desire women and caused women nothing but sore feet and broken ankles.
Elin Peer (The Ruler (Men of the North, #2))
Rule Number One for working for a white lady, Minny: it is nobody’s business. You keep your nose out of your White Lady’s problems, you don’t go crying to her with yours—you can’t pay the light bill? Your feet are too sore? Remember one thing: white people are not your friends. They don’t want to hear about it. And when Miss White Lady catches her man with the lady next door, you keep out of it, you hear me?
Kathryn Stockett (The Help)
A man must walk only his own path...Never another's or his feet will grow tired and sore. And he will feel lost even when he arrives.
Joann Davis (The Book of the Shepherd: The Story of One Simple Prayer, and How It Changed the World)
On the Bowery, in the ornate carcass of a formerly grand vaudeville theater, a dance marathon limps along. The contestants, young girls and their fellas, hold one another up, determined to make their mark, to bite back at the dreams sold to them in newspaper advertisements and on the radio. They have sores on their feet but stars in their eyes.
Libba Bray (The Diviners (The Diviners, #1))
A sore pain troubles me day and night, and I cannot sleep; I long for the meeting with my Beloved, and my father's house gives me pleasure no more. The gates of the sky are opened, the temple is revealed: I meet my husband, and leave at His feet the offering of my body and my mind.
Kabir (Songs of Kabir)
Nothing had warned him that he might be overwhelmed by the swaying, shining vision of a girl he hadn’t seen in years, a girl whose every glance and gesture could make his throat fill up with longing (“Wouldn’t you like to be loved by me?”), and that then before his very eyes she would dissolve and change into the graceless, suffering creature whose existence he tried every day of his life to deny but whom he knew as well and as painfully as he knew himself, a gaunt constricted woman whose red eyes flashed reproach, whose false smile in the curtain call was as homely as his own sore feet, his own damp climbing underwear and his own sour smell.
Richard Yates (Revolutionary Road)
Every Who down in Who-ville, the tall and the small, Was singing! Without any presents at all! He HADN'T stopped Christmas from coming! IT CAME! Somehow or other, it came just the same! And the Grinch, with his grinch-feet ice-cold in the snow, Stood puzzling and puzzling, how could it be so? 'It came without ribbons! It came without tags! It came without packages, boxes or bags!' And he puzzled three hours, till his puzzler was sore. Then the Grinch thought of something he hadn't before!
Dr. Seuss (How the Grinch Stole Christmas!)
My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and gray rocks are piled? Men are hard-hearted, and kind angels only Watch o'er the steps of a poor orphan child. Ye, distant and soft, the night-breeze is blowing, Clouds there are none, and clear starts beam mild; God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev'n should I fall o'er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to his bosom the poor orphan child. There is a thought that for strength should avail me; Thought both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child.
Charlotte Brontë (Jane Eyre)
Nothing worse than someone who goes to the dance, is excited to dance, dances all night, and then complains all the next day about his feet being sore.
Doug Cooper (Outside In)
M-O-O-N, that spells sore feet.
Stephen King (The Stand)
Bran knew. "She's a child. A child of the forest." He shivered, as much from wonderment as cold. They had fallen into one of Old Nan's tales. "The First Men named us children," the little woman said. "The giants called us wok dak nag gran, the squirrel people, because we were small and quick and fond of trees, but we are no squirrels, no children. Our name in the True Tongue means those who sing the song of the earth. Before your Old Tongue was ever spoken, we had sun our songs ten thousand years." Meera said, "You speak the Common Tongue now." "For him. The Bran boy. I was born in the time of the dragon, and for two hundred years I walked the world of men, to watch and listen and learn. I might be walking still, but my legs were sore and my heart was weary, so I turned my feet for home." "Two hundred years?" said Meera. The child smiled. "Men, they are the children.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
MY BETH. Sitting patient in the shadow Till the blessed light shall come, A serene and saintly presence Sanctifies our troubled home. Earthly joys and hopes and sorrows Break like ripples on the strand Of the deep and solemn river Where her willing feet now stand. O my sister, passing from me, Out of human care and strife, Leave me, as a gift, those virtues Which have beautified your life. Dear, bequeath me that great patience Which has power to sustain A cheerful, uncomplaining spirit In its prison-house of pain. Give me, for I need it sorely, Of that courage, wise and sweet, Which has made the path of duty Green beneath your willing feet. Give me that unselfish nature, That with charity divine Can pardon wrong for love's dear sake— Meek heart, forgive me mine! Thus our parting daily loseth Something of its bitter pain, And while learning this hard lesson, My great loss becomes my gain. For the touch of grief will render My wild nature more serene, Give to life new aspirations, A new trust in the unseen. Henceforth, safe across the river, I shall see for evermore A beloved, household spirit Waiting for me on the shore. Hope and faith, born of my sorrow, Guardian angels shall become, And the sister gone before me By their hands shall lead me home.
Louisa May Alcott (Good Wives)
O Lord our Father, our young patriots, idols of our hearts, go forth to battle -- be Thou near them! With them -- in spirit -- we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it -- for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen.
Mark Twain
And the Grinch, with his Grinch-feet ice cold in the snow, stood puzzling and puzzling, how could it be so? It came without ribbons. It came without tags. It came without packages, boxes or bags. And he puzzled and puzzled 'till his puzzler was sore. Then the Grinch thought of something he hadn't before. What if Christmas, he thought, doesn't come from a store. What if Christmas, perhaps, means a little bit more.
Dr. Seuss (How the Grinch Stole Christmas!)
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
Francesca Lia Block (I Was a Teenage Fairy)
We stumbled on in the darkness, over big stones and through large puddles, along the one road leading from the camp. The accompanying guards kept shouting at us and driving us with the butts of their rifles. Anyone with very sore feet supported himself on his neighbor's arm. Hardly a word was spoken; the icy wind did not encourage talk. Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us." That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise. A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way—an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory.
Viktor E. Frankl
I mean, in the last few months alone, I've been pinned in a big set of white-water rapids, been bitten by an angry snake in a jungle, had a close escapewith a big mountain rockfall, narrowly avoided being eaten by a huge croc in the Australian swamps, and had to cut away from my main parachute and come down on my reserve, some five thousand feet above the Arctic plateau. When did all this craziness become my world? It's as if - almost accidentally - this madness had become my life. And don't get me wrong - I love it all. The game, though, now, is to hang on to that life. Every day is the most wonderful of blessings, and a gift that I never, ever take for granted. Oh, and as for the scars, broken bones, aching limbs and sore back? I consider them just gentle reminders that life is precious - and that maybe, just maybe, I am more fragile than I dare to admit.
Bear Grylls
I am running in a circle and my feet are getting sore, and my head is spinning spinning as it's never spun before, I am dizzy dizzy dizzy. Oh! I cannot bear much more, I am trapped in a revolving ...volving ...volving ...volving door!
Jack Prelutsky (The New Kid on the Block)
Haven't you ever wondered,' he attempted, 'what good it is for them to be healed, those people that Jesus cures? They're happy at first. But what happens to them after that? What does the blind an think, when he has wanted for years to see, and then looks at his wife in rags and his children covered in sores? That lame man you saw - is he grateful now? Is it worth it to get on his feet and spend the rest of his life dragging burdens like a mule?' 'I never thought of it that way,' said Thacia, her eyes clouding. 'Is that why, do you think, that so many of them aren't cured?
Elizabeth George Speare (The Bronze Bow)
Though it is 2500 feet high, the glacier flowed over its ground as a river flows over a boulder; and since it emerged from the icy sea as from a sepulcher it has been sorely beaten with storms; but from all those deadly, crushing, bitter experiences comes this delicate life and beauty, to teach us that what we in our faithless ignorance and fear call destruction is creation.
John Muir (Wilderness Essays)
THE LILIES This morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses-- There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat...
Doris Lessing (Going Home)
Wild primates from chimpanzees to capuchin monkeys regularly treat themselves with botanicals, choosing specific seeds, leaves, and bark known to have healing properties. When researchers in the Central African Republic observed a gorilla plucking junglesop seeds from the dung of elephants, no one was surprised to learn those seeds contained potent alkaloids, and that local healers prescribed them (as well as the plant’s leaves and bark) as a treatment for everything from sore feet to stomach problems. This
Thor Hanson (The Triumph of Seeds: How Grains, Nuts, Kernels, Pulses, and Pips Conquered the Plant Kingdom and Shaped Human History)
A cold coming we had of it, Just the worst time of the year For a journey, and such a long journey: The ways deep and the weather sharp, The very dead of winter. And the camels galled, sore-footed, refractory, Lying down in the melting snow. There were times we regretted The summer palaces on slopes, the terraces, And the silken girls bringing sherbet. Then the camel men cursing and grumbling And running away, and wanting their liquor and women, And the night fires going out, and the lack of shelters, And the cities hostile and the towns unfriendly And the villages dirty and charging high prices: A hard time we had of it. At the end we preferred to travel all night, Sleeping in snatches, With the voices singing in our ears, saying That this was all folly. Then at dawn we came down to a temperate valley, Wet, below the snow line, smelling of vegetation; With a running stream and a water-mill beating the darkness, And three trees on the low sky, And an old white horse galloped away in the meadow. Then we came to a tavern with vine-leaves over the lintel, Six hands at an open door dicing for pieces of silver, And feet kicking the empty wine-skins, But there was no information, and so we continued And arrived at evening, not a moment too soon Finding the place; it was (you may say) satisfactory. All this was a long time ago, I remember, And I would do it again, but set down This set down This: were we led all that way for Birth or Death? There was a Birth, certainly, We had evidence and no doubt. I had seen birth and death, But had thought they were different; this Birth was Hard and bitter agony for us, like Death, our death. We returned to our places, these Kingdoms, But no longer at ease here, in the old dispensation, With an alien people clutching their gods. I should be glad of another death.
T.S. Eliot
Everything on offer was robustly Scottish and not in the least appealing to someone from Iowa. (I believe I can speak for my entire state on this.) The dinner options featured a plate of haggis, neeps and tatties, and the snacks included Tunnock’s teacake, haggis-flavored potato chips, and Mrs. Tilly’s Scottish Tablet, which sounded to me not at all like a food but more like something you would put in a tub of warm water and immerse sore feet in. I would imagine it makes a fizzing sound and produces streams of ticklish bubbles. The drinks were all Scottish, too, even the water. I ordered a Tennent’s lager. It
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
David James Duncan (The River Why)
Well, honey, I’m a sixty-three-year-old fat woman with sore feet, high blood pressure, and the beginnings of diabetes. I know I don’t have all that much time left, and I can either spend it moping and complaining about the things I never got to in life, or I can do something I love and help people along the way. I decided to keep plugging ’til I drop.
David Baldacci (The Christmas Train)
Because no one is walking in your shoes, only you feel the sores on your feet.
Matshona Dhliwayo
If you plan to walk in the footsteps of the great, be prepared to walk with sores on your feet.
Matshona Dhliwayo
If people haven't walked a mile in your shoes, don't listen to them if they mock the sores on your feet.
Matshona Dhliwayo
Look for the light. The light at your feet. And follow it. An when you know its right to hold on, hold on. Grip tightly until your hands are sore. But dont let go.
Annie F. Downs (Let's All Be Brave: Living Life with Everything You Have)
My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o’er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing,
Charlotte Brontë (Jane Eyre)
Running is a deeply unpleasant sport at the best of times, but it is particularly awful when you’re bad at it. There is so much unpleasantness at once. First, there is the shortness of breath, then the ache in the legs, then the sharp pain of the stitch, the soreness of the feet, the discomfort of the joints, and the lactic acid burn in the thighs. Eventually, some of this subsides with the increase of dizziness, delirium and sweating. Then there are the added difficulties of cross-country running – scraping through prickly bushes, standing on sharp rocks, getting jabbed by sticks and wading through icy cold streams. Altogether, it was Friday’s idea of hell.
R.A. Spratt (No Rules (Friday Barnes, #4))
Yes, husband. Now it is my desire that matters, not yours. Now I want something. I am very surprised to learn that I want things, for myself, things that have nothing to do with you. I want many things, in fact. Do you know what I want? I want to eat some roast pork, first of all. And then I want to walk the Camino de Santiago on sore feet with a song on my lips. I would like to travel on a ship, also. And I would like to learn how to play dice.
Kate Heartfield (Armed in Her Fashion)
To mirror went she straightaway And did her ebon hair array And her gown she much did play. Then down she walked along the street, A handsome lad she chanced to meet, And sore by dawn were her dainty feet, But all the boys were gay.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
The Foundry Man All day, every day; a head that pounds to the rhythm of beating hammers. Feet, numbed from the vibrations of heavy machinery, and skin that glows crimson from the blistering heat of the furnace. Sweat glistens on his furrowed brow, sweat that runs in rivulets to eyes already sore from black, putrid dust. This is the lot of the foundry man. Not for him fresh air, green fields, or the sun on his back. He has a heart of gold, strength of steel. He is a man of iron.
Mrs A. Perry
We have yet learned little of the blessed power of death. We call it and evil, but is is a holy friendly thing. We are not left shivering all the world's night in a stately portico with no house behind it. Death is the door to the temple-house, whose God is not seated aloft in motionless state, but walks about among his children, receiving his pilgrim sons in his arms, and washing the sore feet of the weary ones. Either God is altogether like Christ, or the Christian religion is a lie.
George MacDonald (The Gentlewoman's Choice)
Only once was there a question which YISUN hesitated to answer. Strangely enough, it was asked by Aesma, the least wise of their companions. They trode a stony road together, and Aesma’s feet grew hot and sore. She swore and spat, and clutched her feet, and asked YISUN a stupid question. “Lord!” said she, in roiling frustration, “Before you said there is no such thing as Universal Truth!” “It was so,” said YISUN. “Then what is all this! This foolery!” said Aesma, with an exaggerated sweep of her ashen arms, “Isn’t creation itself, the entirety of your own grand work, a self-evident truth? The only self evident truth, in fact!” “It is not so,” said YISUN, stopping their pace. “Then what is it?” wailed Aesma, starting to tantrum. This was the question that caused YISUN to hesitate. They meditated on it for a short time only, but Aesma was aghast with wonderment at the power of the question. “My opinion,” said YISUN, finally. “Is it a correct opinion?” said Aesma, awestruck. “Aesma is observant,” said YISUN.
Tom Parkinson-Morgan (Kill 6 Billion Demons, Book 1)
Prayer: “Approach, my soul, the mercy seat, where Jesus answers prayer; there humbly fall before His feet, for none can perish there. Bowed down beneath a load of sin, by Satan sorely pressed, by war without and fears within, I come to Thee for rest.”34 Amen.
Timothy J. Keller (The Songs of Jesus: A Year of Daily Devotions in the Psalms)
Morgan glanced over his shoulder to where Dougie walked behind him. “Dougie, you’re lookin’ a bit worn. Are you needin’ to stop and, um, rest a bit?” Dougie looked at him as if he’d lost his mind. “Rest? Are you daft?” Morgan glared at him and gave a jerk of his head toward Amalie, who struggled on determinedly before him. Dougie winked. “Och, aye, I am a bit weary.” In no time, word had gotten up and down the line that Amalie needed to rest but was being too stubborn to admit it. And suddenly Morgan was besieged with whispered pleas to stop, his men whining of sore feet, headaches, and aching backs. Then Connor appeared at his side, looking fashed. “What in God’s name has come over the men? They’re complainin’ like old wom—
Pamela Clare (Untamed (MacKinnon's Rangers, #2))
THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".
Louise Blackwick (5 Stars)
Upon the listening spirit of God fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen!  “Lord our Father, our young patriots, idols of our hearts, go forth into battle — be Thou near them! With them — in spirit — we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended in the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames in summer and the icy winds of winter, broken in spirit, worn with travail, imploring thee for the refuge of the grave and denied it —   For our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimmage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet!   We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is the ever-faithful refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen.   (After a pause.) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.”  …
Mark Twain
THE BRIGHT ONES Even the bright ones lose their glow Even the royal lose their throne Even the dancer’s feet grow sore I can see your spirit elevated In a majestic leap toward the sky I can understand now Why we wish upon the stars at night Sometimes the ones we love wait quiet Sometimes we lose them in an instant Sometimes we don’t understand the reason I can see your mind reeling Pictures scattered across the floor It should comfort us These memories But right now I want to wage a war Even the bright ones lose their glow
Trisha North (To Those Who Die Awake)
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
Sarah Rayner (One Moment, One Morning)
It will be dark in an hour or two,” he said. “We should turn back.” I raised my eyebrows. “Don’t tell me you’re frightened of these mysterious nocturnal Folk.” “Terrified. You shouldn’t take the danger so lightly, Em—there are Folk in this world so vicious the mortal mind cannot fathom it, so ghastly you would spend a lifetime yearning to forget a single glimpse of their countenance.” “You just want to put your feet up by the fire and drink chocolate.” “Well, you try fighting off some nasty beast with ankles this sore. Besides, Shadow is on my side.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
For most of the time, one disciplines oneself to ignore the discomfort of being hot or tired or having sore hip bones or being hungry, thirsty. Someone once characterized backpacking as the most miserable way of getting from Point A to Point B. But when salt restores the electrolyte balance, when water cools the insides as well as the brow, when food refurbishes the body’s cells, when time has been spent off one’s feet and a heavy pack is a mile downcanyon, then there follows a tremendous rush of well-being, a physical sense of buoyancy, all out of proportion to the time and place.
Ann Zwinger (Wind in the Rock: The Canyonlands of Southeastern Utah)
Every instant of every day we are bombarded by information. In fact, all complex organisms, especially those with brains, suffer from information overload. Our eyes and ears receive lights and sounds (respectively) across the spectrums of visible and audible wavelengths; our skin and the rest of our innervated parts send their own messages of sore muscles or cold feet. All told, every second, our senses transmit an estimated 11 million bits of information to our poor brains, as if a giant fiber-optic cable were plugged directly into them, firing information at full bore. In light of this, it is rather incredible that we are even capable of boredom.
Tim Wu (The Attention Merchants: The Epic Scramble to Get Inside Our Heads)
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
He had been right. Kestrel felt better the moment she opened her eyes. Her knee was sore and wrapped in a bandage, but the fevered swelling was gone, and a great deal of pain with it. Her father was standing, his back to her as he looked out the dark window. “You’d better release me from our bargain,” she said. “The military won’t take me now, not with a bad knee.” He turned and echoed her faint smile. “Don’t you wish that were so,” he said. “Painful though it is, this isn’t a serious wound. You’ll be on your feet soon, and walking normally before a month’s out. There’s no permanent damage. If you doubt me and think I’m blinded by my hope to see you become an officer, the doctor will tell you the same thing. She’s in the sitting room.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Furthermore, Hitler has been so kind as to announce to his loyal, devoted people that as of today all military personnel are under orders of the Gestapo, and that any soldier who knows that one of his superiors was involved in this cowardly attempt on the Fuhrer's life may shoot him on sight! A fine kettle of fish that will be. Little Johnny's feet are sore after a long march and his commanding officer bawls him out. Johnny grabs his rifle, shouts, "You, you tried to kill the Fuhrer. Take that!" One shot, and the snooty officer who dared to reprimand him passes into eternal life (or is it eternal death?). Eventually, every time an officer sees a soldier or gives an order, he'll be practically wetting his pants, because the soldiers have more say-so than he does.
Anne Frank
Jake opened one eye and blinked confusedly at the sunlight pouring through the window high above. Disoriented, he rolled over on a lumpy, unfamiliar bed and found himself staring up at an enormous black animal who flattened his ears, bared his teeth, and tried to bite him through the slats of his stall. “You damned cannibal!” he swore at the evil-tempered horse. “Spawn of Lucifer!” Jake added, and for good measure he aimed a hard kick at the wooden slats by way of retaliation for the attempted bite. “Ouch, dammit!” he swore as his bootless foot hit the board. Shoving himself to a sitting position, he raked his hands through his thick red hair and grimaced at the hay that stuck between his fingers. His foot hurt, and his head ached from the bottle of wine he’d drunk last night. Heaving himself to his feet, he pulled on his boots and brushed off his woolen shirt, shivering in the damp chill. Fifteen years ago, when he’d come to work on the little farm, he’d slept in this barn every night. Now, with Ian successfully investing the money Jake made when they sailed together, he’d learned to appreciate the comforts of feather mattresses and satin covers, and he missed them sorely. “From palaces to a damned cowshed,” he grumbled, walking out of the empty stall he’d slept in. As he passed Attila’s stall, a hoof punched out with deadly aim, narrowly missing Jake’s thigh. “That’ll cost you an early breakfast, you miserable piece of living glue,” he spat, and then he took considerable pleasure in feeding the other two horses while the black looked on. “You’ve put me in a sour mood,” he said cheerfully as the jealous horse shifted angrily while the other two steeds were fed. “Maybe if it improves later on, I’ll feed you.
Judith McNaught (Almost Heaven (Sequels, #3))
So, I took my 13 year-old niece Sungazing last night. I'm finding that most people are really receptive to it! I explain the whole thing about the Sun's energy entering to heal and grow you like it does a tree. Even though I'm doing 5-6 mins, I make sure that everyone only does 15-20 secs to start, and at Sunset only. If the clouds come in at Sunset, you might be out of luck. In that case, still do your 45-min barefoot walk during bright Sun hours. The Sun soaks in through your Crown and Third-Eye Chakras and your eyes, then travels down through you into the Earth. That helps with the grounding, as does the barefoot walking. My feet are really sore though, some of the paths are pebbly or rocky, but the feet are getting tougher. Did you know that each of our toes relates directly to the 5 major glands in our bodies? It's true, look into acupressure/puncture for the details.
Sienna McQuillen
Two steps before he made it through the doorway, he suddenly smelled her perfume and felt the dewiness of her skin as her consciousness came rushing back to him. The rest of Joel’s body was frozen as his head snapped up to find her standing just inside the door. He blinked several times at the sensations that inundated his mind. His stunned expression at seeing her face; Her excitement over the sudden racing of his heartbeat; The coolness of their wood floor under her bare soles.; And her concern over the raw soreness of his own feet. And the blossoming joy of just being in each other’s presence again. Joel could tell by the dampness of her hair that Lilli had just showered…and dressed, though he had no idea why she’d bothered with the latter task. At hearing his thoughts, she giggled. “Hi,” she said shyly, but he could only shake his head as he finally closed the distance and kissed her.
Cerece Rennie Murphy (The Red Order (Order of the Seers, #2))
When he received these communications, Santa drew the claws of his spectacles from behind his eyes and pressed the sore place on the bridge of his nose with thumb and finger. What was it they expected him to do with these? A shotgun, a bear, snowshoes, some pretty things and some useful: well, all right. But for the rest of it . . . He just didn't know what people were thinking anymore. But it was growing late; if they, or anyone else, were disappointed in him tomorrow, it wouldn't be the first time. He took his furred hat from its peg and drew on his gloves. He went out, already unaccountably weary though the journey had not even begun, into the multicolored arctic waste beneath a decillion stars, whose near brilliance seemed to chime, even as the harness of his reindeer chimed when they raised their shaggy heads at his approach, and as the eternal snow chimed too when he trod it with his booted feet.
John Crowley (Little, Big)
Gramps?” I stood still and listened. Quiet. He must have been out, I thought, but I found myself at the door of his study. I saw him. Couldn’t believe it but there he was at his desk. Cigarette smoldering in the crystal ashtray, pen in hand, staring blankly off. “Gramps?” “Not a good time.” His voice wasn’t even his voice. “Sorry,” I said, backing away. I found my way to the love seat. I wanted a lecture about anything. The correct name for a coffee establishment. The duplicity of nuns. The difference between carnal desire and the love for someone’s soul. I wanted to touch knees under the table. I wanted him to tell me about my mother. Night fell and he didn’t come out. He didn’t make dinner. I sat on the love seat, perfectly still, until my back got sore and my feet fell asleep and I had to stand to get the blood rushing again. I got ready for bed and then I went to my room in the front of the house, where nobody ever went but me.
Nina LaCour (We Are Okay)
My feet they are sore, and my limbs they are weary; Long is the way, and the mountains are wild; Soon will the twilight close moonless and dreary Over the path of the poor orphan child. Why did they send me so far and so lonely, Up where the moors spread and grey rocks are piled? Men are hard-hearted, and kind angels only Watch o’er the steps of a poor orphan child. Yet distant and soft the night breeze is blowing, Clouds there are none, and clear stars beam mild, God, in His mercy, protection is showing, Comfort and hope to the poor orphan child. Ev’n should I fall o’er the broken bridge passing, Or stray in the marshes, by false lights beguiled, Still will my Father, with promise and blessing, Take to His bosom the poor orphan child. There is a thought that for strength should avail me, Though both of shelter and kindred despoiled; Heaven is a home, and a rest will not fail me; God is a friend to the poor orphan child.” “Come, Miss
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
Easing Your Body’s Response to Anxiety As explained earlier, anxiety has a strong impact on your body. When you feel anxious, your heart races, breathing becomes difficult, your face gets red, and you tremble. When your body deals with anxiety over long periods of time, you may develop stomachaches, headaches, depression, and sore muscles. To combat these negative effects, you need to learn how to relax physically. Once your muscles relax, then the other components of a relaxed state follow: Your breathing pattern slows and deepens, your heart rate and blood pressure decline, your hands and feet feel warm, changes in mood occur, and you feel calmer. There are many ways to relax your body. Some techniques focus on your muscles. Others center on breathing patterns. Relaxation techniques are most beneficial if you practice them on a regular basis. Your body must have these responses “memorized” for them to be helpful in a time of anxiety.
Heather Moehn (Social Anxiety (Coping With Series))
I remember a personal experience. Almost in tears from pain (I had terrible sores on my feet from wearing torn shoes), I limped a few kilometers with our long column of men from the camp to our work site. Very cold, bitter winds struck us. I kept thinking of the endless little problems of our miserable life. What would there be to eat tonight? If a piece of sausage came as extra ration, should I exchange it for a piece of bread? Should I trade my last cigarette, which was left from a bonus I received a fortnight ago, for a bowl of soup? How could I get a piece of wire to replace the fragment which served as one of my shoelaces? Would I get to our work site in time to join my usual working party or would I have to join another, which might have a brutal foreman? What could I do to get on good terms with the Capo, who could help me to obtain work in camp instead of undertaking this horribly long daily march? I became disgusted with the state of affairs which compelled me, daily and hourly, to think of only such trivial things. I forced my thoughts to turn to another subject. Suddenly I saw myself standing on the platform of a well-lit, warm and pleasant lecture room. In front of me sat an attentive audience on comfortable upholstered seats. I was giving a lecture on the psychology of the concentration camp! All that oppressed me at that moment became objective, seen and described from the remote viewpoint of science. By this method I succeeded somehow in rising above the situation, above the sufferings of the moment, and I observed them as if they were already of the past. Both I and my troubles became the object of an interesting psychoscientific study undertaken by myself. What does Spinoza say in his Ethics? —“Affectus, qui passio est, desinit esse passio simulatque eius claram et distinctam formamus ideam.” Emotion, which is suffering, ceases to be suffering as soon as we form a clear and precise picture of it.
Viktor E. Frankl (Man's Search for Meaning)
A good upbringing is necessary for a long life, but sometimes the patience of the young trees is sorely tested. As I mentioned in chapter 5, "Tree Lottery," acorns and beechnuts fall at the feet of large "mother trees." Dr. Suzanne Simard, who helped discover maternal instincts in trees, describes mother trees as dominant trees widely linked to other trees in the forest through their fungal-root connections. These trees pass their legacy on to the next generation and exert their influence in the upbringing of the youngsters. "My" small beech trees, which have by now been waiting for at least eighty years, are standing under mother trees that are about two hundred years old -- the equivalent of forty-year-olds in human terms. The stunted trees can probably expect another two hundred years of twiddling their thumbs before it is finally their turn. The wait time is, however, made bearable. Their mothers are in contact with them through their root systems, and they pass along sugar and other nutrients. You might even say they are nursing their babies.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
While imprisoned in the shed Pierre had learned not with his intellect but with his whole being, by life itself, that man is created for happiness, that happiness is within him, in the satisfaction of simple human needs, and that all unhappiness arises not from privation but from superfluity. And now during these last three weeks of the march he had learned still another new, consolatory truth—that nothing in this world is terrible. He had learned that as there is no condition in which man can be happy and entirely free, so there is no condition in which he need be unhappy and lack freedom. He learned that suffering and freedom have their limits and that those limits are very near together; that the person in a bed of roses with one crumpled petal suffered as keenly as he now, sleeping on the bare damp earth with one side growing chilled while the other was warming; and that when he had put on tight dancing shoes he had suffered just as he did now when he walked with bare feet that were covered with sores—his footgear having long since fallen to pieces.
Leo Tolstoy (War and Peace : Complete and Unabridged)
In captivity in the shed, [he] had learned, not with his mind, but with his whole being, his life, that man is created for happiness, that happiness is within him, in the satisfying of human needs, and that all unhappiness comes not from lack, but from superfluity; but now, in these last three weeks of the march, he had learned a new and more comforting truth -- he had learned that there is nothing frightening in the world. He had learned that, as there is no situation in the world in which a man can be happy and perfectly free, so there is no situation in which he can be perfectly unhappy and unfree. He had learned that there is a limit to suffering and a limit to freedom, and that those limits are very close; that the man who suffers because one leaf is askew in his bed of roses, suffers as much as he now suffered falling asleep on the bare, damp ground, one side getting cold as the other warmed up; that when he used to put on his tight ballroom shoes, he suffered just as much as now, when he walked quite barefoot (his shoes had long since worn out) and his feet were covered with sores. (p. 1060)
Leo Tolstoy (War and Peace)
My kin would sooner have a badger in their house than a Campbell." Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it. "Most MacGregors were comfortable enough with badgers in the parlor." "Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them." Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers." Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers." "We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?" "Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them." "Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land." Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to." "Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example. For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint. Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!" Shelby found herself swept off her feet in a crushing hug that held welcome.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The righteous shall rejoice when he seeth the vengeance; he shall wash his feet in the blood of the wicked." [Ps. 58:10] It was for this reason that the Lord forbade Samuel to mourn any longer for Saul (I. Samuel xvi), saying, "How long wilt thou mourn for Saul, seeing I have rejected him from reigning over Israel?" [1 Sam. 16:1] As who should say, "Does My will so sorely displease thee, that thou preferrest the will of man to Me?" In short, this is the voice of praise and joy resounding through the whole Psalter,—that the Lord is the judge of the widow, and a father of the fatherless; that He will maintain the cause of the afflicted, and the right of the poor; that His enemies all be confounded, and the ungodly shall perish; [Ps. 68:5, 149:12] and many similar sayings. Should any one be inclined, in foolish pity, to feel compassion for that bloody generation, that killeth the prophets, yea, the Son of God Himself, and for the company of wicked men, he will be found rejoicing in their iniquity, and approving their deeds. Such a one deserves to perish in like manner with them whose sins he would condone, and will hear the word, "Thou lovest thine enemies, and hatest thy friends.
Martin Luther (Works of Martin Luther With Introductions and Notes, Volume I)
Claire fell asleep on the couch with her head in Shane's lap as he and Michael and Eve kept talking, and talking, and talking. It was three a.m. when she woke up; Shane hadn't moved, but she was covered with a blanket, and he was sound asleep, sitting straight up. Claire yawned, groaned at sore muscles, and rolled to her feet. "Shane. Up. You need to go to bed." He woke up cute, softened by sleep. "Come with?" He was only half joking. She remembered being curled up with him in her bed, the night she'd been so scared; he'd been careful then, but she wasn't sure she could count on that kind of self-restraint at three a.m., when he was half-asleep. "I can't," she said reluctantly. "Not that I don't want to ..." He smiled and stretched out on his side on the couch, leaving a narrow space between his warm, solid body and the cushions. "Stay," he said. "I promise, no clothes will come off. Well, maybe shoes. Do shoes count as clothes?" She kicked hers off and climbed over him to slip into that small pocket, and sighed in relief as his body pressed against hers. She didn't even need the blanket, but he put it over the two of them anyway, and then combed her hair back from her neck and kissed her on the soft, vulnerable skin.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
My Beth Sitting patient in the shadow Till the blessed light shall come, A serene and saintly presence Sanctifies our troubled home. Earthly joys and hopes and sorrows Break like ripples on the strand Of the deep and solemn river Where her willing feet now stand. O my sister, passing from me, Out of human care and strife, Leave me, as a gift, those virtues Which have beautified your life. Dear, bequeath me that great patience Which has power to sustain A cheerful, uncomplaining spirit In its prison-house of pain. Give me, for I need it sorely, Of that courage, wise and sweet, Which has made the path of duty Green beneath your willing feet. Give me that unselfish nature, That with charity devine Can pardon wrong for love’s dear sake — Meek heart, forgive me mine! Thus our parting daily loseth Something of its bitter pain, And while learning this hard lesson, My great loss becomes my gain. For the touch of grief will render My wild nature more serene, Give to life new aspirations, A new trust in the unseen. Henceforth, safe across the river, I shall see forever more A beloved, household spirit Waiting for me on the shore. Hope and faith, born of my sorrow, Guardian angels shall become, And the sister gone before me By their hands shall lead me home.
Louisa May Alcott (Little Women)
No matter what level of instruction Marlboro Man gave me, no matter how many pointers, a horse trot for me meant a repeated and violet Slap! Slap! Slap! on the seat of my saddle. My feet were fine--they’d stay securely in the stirrups. But I just couldn’t figure out how to use the muscles in my legs correctly, and I hadn’t yet learned how to post. It was so unpleasant, the whole riding-a-horse business: my bottom would slap, my torso would stiffen, and I’d be sore for days--not to mention that I looked like a complete freak while riding--kind of like a tree trunk with red, stringy hair. Short of taking the rectal temperatures of cows, I’d never felt more out of place doing anything in my life. All of this rushed to the surface when I saw Marlboro Man walking toward me with two of his horses, one of which was clearly meant for me. Where’s my Jeep? I thought. Where’s my torch? I don’t want a horse. My bottom can’t take it. Where’s my Jeep? I’d never wanted to drive a Jeep so much. “Hey,” I said, walking toward him and smiling, trying to appear not only calm but also totally unconcerned about the reality that faced me. “Uh…I thought we were going burning.” I clearly sounded out the g. It was a loud, clanging cymbal. “Oh, we are,” he said, smiling. “But we’ve got to get to some areas the Jeep can’t reach.” My stomach lurched. For more than a couple of seconds, I actually considered feigning illness so I wouldn’t have to go. What can I say? I wondered. That I feel like I’m going to throw up? Or should I just clutch my stomach, groan, then run behind the barn and make dramatic retching sounds? That could be highly effective. Marlboro Man will feel sorry for me and say, “It’s okay…you just go on up to my house and rest. I’ll be back later.” But I don’t think I can go through with it; vomiting is so embarrassing! And besides, if Marlboro Man thinks I vomited, I might not get a kiss today… “Oh, okay,” I said, smiling again and trying to prevent my face from betraying the utter dread that plagued me. I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Keep a clear conscience. Contentment is the manna that is laid up in the ark of a good conscience: O take heed of indulging any sin! it is as natural for guilt to breed disquiet, as for putrid matter to breed vermin. Sin lies as Jonah in the ship, it raiseth a tempest. If dust or motes be gotten into the eye, they make the eye water, and cause a soreness in it; if the eye be clear, then it is free from that soreness; if sin be gotten into the conscience, which is as the eye of the soul, then grief and disquiet breed there; but keep the eye of conscience clear, and all is well. What Solomon saith of a good stomach, I may say of a good conscience, "to the hungry soul every bitter thing is sweet:"Pr. 27. 7 so to a good conscience every bitter thing is sweet; it can pick contentment out of the cross. A good conscience turns the waters of Marah into wine. Would you have a quiet heart? Get a smiling conscience. I wonder not to hear Paul say he was in every state content, when he could make that triumph, "I have lived in all good conscience to this day." When once a man's reckonings are clear, it must needs let in abundance of contentment into the heart. Good conscience can suck contentment out of the bitterest drug, under slanders; "our rejoicing is this, the testimony of our conscience."2 Cor. 1. 12 In case of imprisonment, Paul had his prison songs, and could play the sweet lessons of contentment, when his feet were in the stocks.Ac. 16. 25 Augustine calls it "the paradise of a good conscience;" and if it be so, then in prison we may be in paradise. When the times are troublesome, a good conscience makes a calm. If conscience be clear, what though the days be cloudy? is it not a contentment to have a friend always by to speak a good word for us? Such a friend is conscience. A good conscience, as David's harp, drives away the evil spirit of discontent. When thoughts begin to arise, and the heart is disquieted, conscience saith to a man, as the king did to Nehemiah, "why is thy countenance sad?" so saith conscience, hast not thou the seed of God in thee? art not thou an heir of the promise? hast not thou a treasure that thou canst never be plundered of? why is thy countenance sad? O keep conscience clear, and you shall never want contentment! For a man to keep the pipes of his body, the veins and arteries, free from colds and obstructions, is the best way to maintain health: so, to keep conscience clear, and to preserve it from the obstructions of guilt, is the best way to maintain contentment. First, conscience is pure, and then peaceable.
Thomas Watson (The Art of Divine Contentment)
Our father was a rumor, an echo, something only to be seen out of the corner of your eye. Our father was a woodsman, arms like tree limbs, beard as if born from bear, disappearing for days, for weeks, returning with so many things—tiny bird skulls, beads on a string, flowers for mother with purple blossoms and veiny leaves. The wood was stacked along one side of the cabin as high as it could go, the steady chop, the split of the timber, just part of the day, or so we were told. Our father was the cold creek that ran south of our home, filled with silver-backed fish with blood-orange meat, whispering every time we neared it, quenching our thirst, promises of sleepy peace if only we'd step a bit closer. Our father was the frosty moon that pasted the land with silence as our breath formed clouds of pain, feet bruised and bleeding, his laughter running over the mountain, guiding us down one ravine and up the other, wandering from hill to valley and back, some elusive destination always out of reach. Our father was time, stretched in every direction, elastic as a rubber band, as slow and anchored as a wall of granite, our eyes closing, waking up sore, grey where black had been. All lies. Everything she had ever told us was a lie. She never loved us, or it wouldn't be like this. (from "Asking for Forgiveness.")
Richard Thomas (Tribulations)
Contempt is born when we fixate on our spouse’s weaknesses. Every spouse has these sore points. If you want to find them, without a doubt you will. If you want to obsess about them, they’ll grow – but you won’t! Jesus provides a remedy that is stunning in its simplicity yet foreboding in its difficulty. He tells us to take the plank out of our own eye before we try to remove the speck from our neighbor’s eye (see Matthew 7:3–5). If you’re thinking “but my spouse is the one who has the plank,” allow me to let you in on a secret: You’re exactly the type of person Jesus is talking to. You’re the one He wanted to challenge with these words. Jesus isn’t helping us resolve legal matters here; He’s urging us to adopt humble spirits. He wants us to cast off the contempt – to have contempt for the contempt – and learn the spiritual secret of respect. Consider the type of people Jesus loved in the days He walked on earth – Judas (the betrayer); the woman at the well (a sexual libertine); Zacchaeus (the conniving financial cheat); and many others like them. In spite of the fact that Jesus was without sin and these people were very much steeped in sin, Jesus still honored them. He washed Judas’s feet; He spent time talking respectfully to the woman at the well; He went to Zacchaeus’s house for dinner. Jesus, the only perfect human being to live on this earth, moved toward sinful people; He asks us to do the same, beginning with the one closest to us – our spouse.
Gary L. Thomas (Sacred Marriage: What If God Designed Marriage to Make Us Holy More Than to Make Us Happy?)
What happened was that when they brought me in this morning, poor Fräulein Engel was sitting at the table with her back to the door, busily numbering my countless recipe cards, and I frightened the living daylights out of her by braying in a deep, stentorian voice of command and discipline, ‘Achtung, Anna Engel! Heil Hitler!’ She catapulted to her feet and threw herself into a salute that must have nearly dislocated her shoulder. I’ve never seen her look so white around the gills. She recovered almost immediately and smacked me so hard she knocked me over. When Thibaut picked me up, she smacked me again just for the sheer hell of it. Wow wow wow is my jaw sore. I suppose they are not planning another phoney interview. I can never decide if it is worth it. It was a truly hilarious moment, but all I seem to have achieved this time is a totally unexpected collusion between Engel and Thibaut. Did I call them Laurel and Hardy? I meant sodding Romeo and Juliet. This is flirting, à la Gestapo underlings: She: Oh, you are so strong and manly, M’sieur Thibaut. Those knots you tie are so secure. He: That is nothing. Look, I pull them so tight you cannot undo them. Try. She: It is true, I cannot! Oh, pull them tighter! He: Chérie, your wish is my command. It is my ankles, not hers, which he is binding so tightly and with such masculine charm. She: I shall have to call you in tomorrow morning as well, to do this task for me. He: You must cross the cords, so, and knot them behind – Me: Squeak! Squeak! She: Shut up and write, ya wee skrikin’ Scots piece o’ shite. Well, no, she did not use those exact words. But you get the idea.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
SWEETEST IN THE GALE by Michelle Valois After Emily Dickinson You won’t lose your hair, I heard at the start of treatment, and though I didn’t, I lost a litany of other lesser and greater luxuries—saliva, stamina, taste buds, my voice—but my hair, during that chilly sojourn in the land of extremity to which I had sailed on a strange and stormy sea, my hair was not taken from me. Had it been, I would have perched one of those 18th century wigs on my head, such as those worn by the French aristocracy, measuring three, four, even five feet high and stuffed, as they were known to be, with all sorts of things: ribbons, pearls, jewels, flowers, tunes without words, reproductions of great sailing vessels, my soul inside a little bird cage—ornaments selected to satisfy a theme: the signs of the Zodiac (à la Zodiaque) or the discovery of a new vaccine (à l’inoculation) or, as was the case in June of 1782, the first successful hot air balloon flight by the brothers Michel and Etienne Montgolfier. Regarde, I exclaim to my ladies in waiting, pointing to the sky on that bright afternoon as the balloon, made of linen and paper, rises some 6,000 feet. Later, a duck, then a sheep, and finally a human is carried away. I watch, inspired, hopeful, whispering, lest my doctors overhear: when the storm turns sore, and that little bird escapes her little bird cage and is abashed without reckoning, I will sail away in my balloon, prepared, if it fails me, to pluck a few ostrich feathers from the high hair of the Queen of France herself; they and hope (which never asked for a crumb) will carry me beyond disease for as long as I have left to choose between futility and flight.
Michelle Valois
We also find *physics*, in the widest sense of the word, concerned with the explanation of phenomena in the world; but it lies already in the nature of the explanations themselves that they cannot be sufficient. *Physics* is unable to stand on its own feet, but needs a *metaphysics* on which to support itself, whatever fine airs it may assume towards the latter. For it explains phenomena by something still more unknown than are they, namely by laws of nature resting on forces of nature, one of which is also the vital force. Certainly the whole present condition of all things in the world or in nature must necessarily be capable of explanation from purely physical causes. But such an explanation―supposing one actually succeeded so far as to be able to give it―must always just as necessarily be burdened with two essential imperfections (as it were with two sore points, or like Achilles with the vulnerable heel, or the devil with the cloven foot). On account of these imperfections, everything so explained would still really remain unexplained. The first imperfection is that the *beginning* of the chain of causes and effects that explains everything, in other words, of the connected and continuous changes, can positively *never* be reached, but, just like the limits of the world in space and time, recedes incessantly and *in infinitum*. The second imperfection is that all the efficient causes from which everything is explained always rest on something wholly inexplicable, that is, on the original *qualities* of things and the *natural forces* that make their appearance in them. By virtue of such forces they produce a definite effect, e.g., weight, hardness, impact, elasticity, heat, electricity, chemical forces, and so on, and such forces remain in every given explanation like an unknown quantity, not to be eliminated at all, in an otherwise perfectly solved algebraical equation. Accordingly there is not a fragment of clay, however little its value, that is not entirely composed of inexplicable qualities. Therefore these two inevitable defects in every purely physical, i.e., causal, explanation indicate that such an explanation can be only *relatively* true, and that its whole method and nature cannot be the only, the ultimate and hence sufficient one, in other words, cannot be the method that will ever be able to lead to the satisfactory solution of the difficult riddles of things, and to the true understanding of the world and of existence; but that the *physical* explanation, in general and as such, still requires one that is *metaphysical*, which would furnish the key to all its assumptions, but for that very reason would have to follow quite a different path. The first step to this is that we should bring to distinct consciousness and firmly retain the distinction between the two, that is, the difference between *physics* and *metaphysics*. In general this difference rests on the Kantian distinction between *phenomenon* and *thing-in-itself*. Just because Kant declared the thing-in-itself to be absolutely unknowable, there was, according to him, no *metaphysics* at all, but merely immanent knowledge, in other words mere *physics*, which can always speak only of phenomena, and together with this a critique of reason which aspires to metaphysics." ―from_The World as Will and Representation_. Translated from the German by E. F. J. Payne. In Two Volumes, Volume II, pp. 172-173
Arthur Schopenhauer
He had been right. Kestrel felt better the moment she opened her eyes. Her knee was sore and wrapped in a bandage, but the fevered swelling was gone, and a great deal of pain with it. Her father was standing, his back to her as he looked out the dark window. “You’d better release me from our bargain,” she said. “The military won’t take me now, not with a bad knee.” He turned and echoed her faint smile. “Don’t you wish that were so,” he said. “Painful though it is, this isn’t a serious wound. You’ll be on your feet soon, and walking normally before a month’s out. There’s no permanent damage. If you doubt me and think I’m blinded by my hope to see you become an officer, the doctor will tell you the same thing. She’s in the sitting room.” Kestrel looked at the closed door of her bedroom and wondered why the doctor wasn’t in the room with them now. “I want to ask you something,” her father said. “I’d prefer she didn’t hear.” Suddenly it seemed as if Kestrel’s heart, not her knee, was sore. That it had been cut into, and bled. “What kind of deal did you make with Irex?” her father asked. “What?” He gave her a level look. “The duel was going badly for you. Then Irex held back, and you two seemed to have quite an interesting conversation. When the fighting resumed, it was as if Irex was a different person. He shouldn’t have lost to you--not like that, anyway--unless you said something to make him.” She didn’t know how to respond. When her father had asked his question she was so horribly grateful he wasn’t probing into her reasons for the duel that she missed some of his words. “Kestrel, I just want to make sure that you haven’t given Irex some kind of power over you.” “No.” She sighed, disappointed that her father had seen through her victory. “If anything, he’s in my power.” “Ah. Good. Will you tell me how?” “I know a secret.” “Very good. No, don’t tell me what it is. I don’t want to know.” Kestrel looked at the fire. She let the flames hypnotize her eyes. “Do you think I care how you won?” her father said softly. “You won. Your methods don’t matter.” Kestrel thought about the Herran War. She thought about the suffering her father had brought to this country, and how his actions had led to her becoming a mistress, and Arin a slave. “Do you really believe that?” “Yes,” he said. “I do.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You can talk to me, Clay,” I said with a little hope.  I really began to wonder if he could speak.  When he didn’t respond, I spoke again.  “Okay, do you want to go out or stay in?” He moved to the couch and sat in the middle, his choice clear.  Stay in tonight. I hesitated.  The chair, set at an odd angle to the TV, gave you a sore neck if you tried to watch a movie from there.  That meant I’d need to sit next to him to watch a movie.  But I felt so exposed in a skirt and sleeveless shirt. I wasn’t sure if I could sit next to him for a full movie. While I debated my options, he watched me closely. “I’m going to go change,” I stammered. “I’ll be right back.” I turned and made it one step before the back of my shirt snagged on something.  Surprised, I looked over my shoulder and found Clay standing right behind me.  He held a fold of my shirt between his thumb and forefinger.  I could see the glint of his brown eyes behind the still damp strands of his hair.  He tilted his head back toward the couch and gave a slight tug on my shirt.  My stomach dropped, and I couldn’t tell if it was in a good way or a bad one. When I hesitated, he gave another tug.  I surrendered, turned back, and sat on the couch. He padded over to the movies, made a selection I couldn’t see, and crouched to start it.  It amazed me that he knew how to do that.  Then again, he watched everything Rachel and I did.  I wondered if anything escaped his notice. He pressed play, stood, and walked toward me with fluid strides.  I felt graceless in comparison.  He settled next to me and watched the previews.  I tried to focus on them, too, but couldn’t.  Instead, I noticed our bare feet, the scratch on the wall next to the TV, his leg lightly pressed against mine, the sound of the water as it slowly dripped from the showerhead in the bathroom, his hands loosely resting on his lap.  The long list of unimportant details would not let my mind settle. It was midway through the movie when my mind calmed enough to notice we watched an action-comedy I’d wanted to see.  I’d just mentioned it to Rachel this past week.  She must have gotten it after that. Slowly, I began to relax and enjoy the movie.  I even laughed aloud at one point.  Clay’s echoing chuckle startled me, but in a good way.  So, he could do more than growl as a dog.  His deep laugh sounded pleasant. When
Melissa Haag (Hope(less) (Judgement of the Six #1))
Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —
Bill Bryson (The Body: A Guide for Occupants)
Boys will be boys, and ballplayers will always be arrested adolescents at heart. The proof comes in the mid-afternoon of an early spring training day, when 40 percent of the New York Mets’ starting rotation—Mike Pelfrey and I—hop a chain-link fence to get onto a football field not far from Digital Domain. We have just returned from Dick’s Sporting Goods, where we purchased a football and a tee. We are here to kick field goals. Long field goals. A day before, we were all lying on the grass stretching and guys started talking about football and field-goal kickers, and David Wright mentioned something about the remarkable range of kickers these days. I can kick a fifty-yard field goal, Pelfrey says. You can not, Wright says. You don’t think so? You want to bet? You give me five tries and I’ll put three of them through. One hundred bucks says you can’t, David says. This is going to be the easiest money I ever make. I am Pelf’s self-appointed big brother, always looking out for him, and I don’t want him to go into this wager cold. So I suggest we get a ball and tee and do some practicing. We get back from Dick’s but find the nearby field padlocked, so of course we climb over the fence. At six feet two inches and 220 pounds, I get over without incident, but seeing Pelf hoist his big self over—all six feet seven inches and 250 pounds of him—is much more impressive. Pelf’s job is to kick and my job is to chase. He sets up at the twenty-yard line, tees up the ball, and knocks it through—kicking toe-style, like a latter-day Lou Groza. He backs up to the twenty-five and then the thirty, and boots several more from each distance. Adding the ten yards for the end zone, he’s now hit from forty yards and is finding his range. Pretty darn good. He insists he’s got another ten yards in his leg. He hits from forty-five, and by now he’s probably taken fifteen or seventeen hard kicks and reports that his right shin is getting sore. We don’t consider stopping. Pelf places the ball on the tee at the forty-yard line: a fifty-yard field goal. He takes a half dozen steps back, straight behind the tee, sprints up, and powers his toe into the ball … high … and far … and just barely over the crossbar. That’s all that is required. I thrust both my arms overhead like an NFL referee. He takes three more and converts on a second fifty-yarder. You are the man, Pelf, I say. Adam Vinatieri should worry for his job. That’s it, Pelf says. I can’t even lift my foot anymore. My shin is killing me. We hop back over the fence, Pelf trying to land as lightly as a man his size can land. His shin hurts so much he can barely put pressure on the gas pedal. He’s proven he can hit a fifty-yard field goal, but I go into big-brother mode and tell him I don’t want him kicking any more field goals or stressing his right leg any further. I convince him to drop the bet with David. The last thing you need is to start the season on the DL because you were kicking field goals, I say. Can you imagine if the papers got ahold of that one? The wager just fades away. David doesn’t mind; he gets a laugh at the story of Pelf hopping the fence and practicing, and drilling long ones.
R.A. Dickey (Wherever I Wind Up: My Quest for Truth, Authenticity, and the Perfect Knuckleball)
I hadn’t noticed, through all my inner torture and turmoil, that Marlboro Man and the horses had been walking closer to me. Before I knew it, Marlboro Man’s right arm was wrapped around my waist while his other hand held the reins of the two horses. In another instant, he pulled me toward him in a tight grip and leaned in for a sweet, tender kiss--a kiss he seemed to savor even after our lips parted. “Good morning,” he said sweetly, grinning that magical grin. My knees went weak. I wasn’t sure if it was the kiss itself…or the dread of riding. We mounted our horses and began walking slowly up the hillside. When we reached the top, Marlboro Man pointed across a vast prairie. “See that thicket of trees over there?” he said. “That’s where we’re headed.” Almost immediately, he gave his horse a kick and began to trot across the flat plain. With no prompting from me at all, my horse followed suit. I braced myself, becoming stiff and rigid and resigning myself to looking like a freak in front of my love and also to at least a week of being too sore to move. I held on to the saddle, the reins, and my life as my horse took off in the same direction as Marlboro Man’s. Not two minutes into our ride, my horse slightly faltered after stepping in a shallow hole. Having no experience with this kind of thing, I reacted, shrieking loudly and pulling wildly on my reins, simultaneously stiffening my body further. The combination didn’t suit my horse, who decided, understandably, that he pretty much didn’t want me on his back anymore. He began to buck, and my life flashed before my eyes--for the first time, I was deathly afraid of horses. I held on for dear life as the huge creature underneath me bounced and reared, but my body caught air, and I knew it was only a matter of time before I’d go flying. In the distance, I heard Marlboro Man’s voice. “Pull up on the reins! Pull up! Pull up!” My body acted immediately--it was used to responding instantly to that voice, after all--and I pulled up tightly on the horse’s reins. This forced its head to an upright position, which made bucking virtually impossible for the horse. Problem was, I pulled up too tightly and quickly, and the horse reared up. I leaned forward and hugged the saddle, praying I wouldn’t fall off backward and sustain a massive head injury. I liked my head. I wasn’t ready to say good-bye to it. By the time the horse’s front legs hit the ground, my left leg was dangling out of its stirrup, even as all my dignity was dangling by a thread. Using my balletic agility, I quickly hopped off the horse, tripping and stumbling away the second my feet hit the ground. Instinctively, I began hurriedly walking away--from the horse, from the ranch, from the burning. I didn’t know where I was going--back to L.A., I figured, or maybe I’d go through with Chicago after all. I didn’t care; I just knew I had to keep walking. In the meantime, Marlboro Man had arrived at the scene and quickly calmed my horse, who by now was eating a leisurely morning snack of dead winter grass that had yet to be burned. The nag. “You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
There are many reasons why girls should not travel alone, and I won’t list them, because none of them are original reasons. Besides, there are more reasons why girls should. I have the utmost respect for girls who travel alone, because it’s hard work sometimes. But girls, we just want adventures. We want international best friends and hold-your-breath vistas out of crappy hostel windows. We want to discover moving works of art, sometimes in museums and sometimes in side-street graffiti. We want to hear soul-restoring jam sessions at beach bonfires and to watch celestial dawns spill over villages that haven’t changed since the Middle Ages. We want to fall in love with boys with say-that-again accents. We want sore feet from stay-up-all-night dance parties at just-one-more-drink bars. We want to be on our own even as we sketch and photograph the Piazza San Marco covered in pigeons and beautiful Italian lovers intertwined so that we’ll never forget what it feels like to be twenty-three and absolutely purposeless and single, but in love with every city we visit next. We want to be struck dumb by the baritone echoes of church bells in Vatican City and the rich, heaven-bound calls to prayer in Istanbul and to know that no matter what, there just has to be some greater power or holy magic responsible for all this bursting, delirious, overwhelming beauty in the great, wide, sprawling world. I tucked my passport into my bag. Girls, we don’t just want to have fun; we want a whole lot more out of life than that.
Nicole Trilivas (Girls Who Travel)
They went Indian file. First came the scouts, clever, graceful, quiet. They had rifles. Next came the antitank gunner, clumsy and dense, warning Germans away with a Colt .45 automatic in one hand and a trench knife in the other. Last came Billy Pilgrim, empty-handed, bleakly ready for death. Billy was preposterous - six feet and three inches tall, with a chest and shoulders like a box of kitchen matches. He had no helmet, no overcoat, no weapon, and no boots. On his feet were cheap, low-cut civilian shoes which he had bought for his father's funeral. Billy had lost a heel, which made him bob up-and-down, up-and-down. The involuntary dancing, up-and-down, up-and-down, made his hip joints sore.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I am fundamentally an optimist. Whether that comes from nature or nurture, I cannot say. Part of being optimistic is keeping one’s head pointed toward the sun, one’s feet moving forward. There were many dark moments when my faith in humanity was sorely tested, but I would not and could not give myself up to despair. That way lays defeat and death
Nelson Mandela
At about four and with sore feet I spotted an old rusty sign for a “minshuku” — a small family-run homestay.
Craig McLachlan (Four Pairs of Boots: A 3,200 Kilometre Hike The Length of Japan)
I needed to make sure you were okay.” “And if I had not been…?” “I would have done what was required to save you.” Tears entered her eyes, putting a gloss over her vision that blurred him and the meadow. “Why,” she breathed. An eternity of silence stretched out between them. And then he reached out and brushed her cheek. When he dropped his hand, she smelled the scent—and could not understand it. Why would the perfume of fresh flowers be out— Rahvyn gasped. Looking down at their feet, she saw violets spring up from the scruffy ground, the fragile purple blooms unfurling, little flags upon green nests. And among them sprouted also daisies and dandelions, then other colorful blooms, all of the heads lifting free of the soil, maturing as if it were July, not April, as if the air were warm, not chilled. The rush of wild flowers swirled around them both, encompassing their vicinity in the meadow, bringing daylight unto the night—and Rahvyn was so o’ercome, she let out a sound of delight and swept her hands to the sky. In a twirl, she imagined that she could gather them up in her arms, a sight for sore eyes, a lift for a heavy heart, a sniff into a grateful, astounded nose. And then she stilled. Lowering her arms, she saw that he remained grim. “Are you leaving right the now?” He took a step back. “I just wanted to give you something beautiful, so you can feel even a little of the wonder I have whenever I look into your eyes.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
His feet were sore and he was growing tired of what seemed to him like pointless speculation, not to mention something dangerously close to philosophy, a field of human endeavour he had encountered but fleetingly through various exasperated tutors, though long enough to have formed the unshakeable impression that its principal purpose was to prove that one equalled zero, black was white and educated men could speak through their bottoms.
Iain M. Banks (Matter (Culture, #8))
Upon arriving we went straight into the school. Shepherd boys would come here twice a week, have a hot meal, go to a class. We sat in semi-darkness, beside a paraffin lamp, watching a lesson, and then we sat on the ground with a dozen boys, some as young as eight. We listened to them describe their daily trek to our school. It defied belief: after twelve hours of tending their cattle and sheep, they’d walk for two hours through mountain passes just to learn maths, reading, writing. Such was their hunger to learn. They braved sore feet, bitter cold – and far worse. They were so vulnerable on the road, so exposed to the elements, several had died from lightning strikes. Many had been attacked by stray dogs. They dropped their voices and told us that many had also been sexually abused by wanderers, rustlers, nomads and other boys. I felt ashamed to think of all my bitching about school. About anything.
Prince Harry (Spare)
Sometimes I’d complain about the pain in my feet and he’d say I should quit if it hurt so much. I don’t think he understood that it was all worth it, sore feet and ankles included.
Brandy Colbert (Pointe)
She felt a soft touch on her ankles. She held very still, feeling no fear even as she sensed something moving beneath the surface of the water. Another touch... a hand... long fingers smoothed over her feet and massaged tenderly, rubbing over the sore insteps until she sighed in pleasure. The big masculine hands slid higher, caressing her calves and knees, while a large, sleek body emerged from the depths of the well. The spirit had taken the form of a man to court her. His arms slipped around her, and the feel of him was strange but so lovely that she kept her eyes closed, fearing that if she tried to look at him, he might vanish. His skin was hot and silken, the muscles of his back rippling beneath her fingers. Her dream lover whispered endearments as he embraced her, his mouth playing over her throat. Everywhere he touched, she felt a glow of sensation. "Shall I take you?" he whispered, carefully drawing away her clothes, baring her skin to the light and air and water. "Don't be afraid, little love, don't..." And as she shivered and held him blindly, he kissed her throat and breasts, and touched her nipples with his tongue. His hands coasted over her front, slipping down to cradle her breasts while his half-parted lips brushed over a budded peak. His tongue darted out to flick the sweetly aching flesh again and again, until a moan rose in her throat and she slid her fingers into his thick hair. Opening his mouth, he covered her nipple and drew on it with a gentle tug, then stroked with his tongue and pulled again... licking and suckling in a soft, clever rhythm. She arched and gasped, helplessly widening her thighs as he moved more tightly between them...
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
While Tyson did well for itself, it is less clear how well the company did by the communities that made it rich. Remarkably little research has been done to measure the economic impact of vertically integrated meat production on the nation’s economy. Instead, the massive firepower of public research dollars has been aimed at a different question: how to accelerate the industrialization of agriculture. At the University of Arkansas in Fayetteville, for example, researchers study, on the molecular level, how chickens can more efficiently convert feed into meat, helping companies like Tyson to further compress their cost margins. At Kansas State University, researchers are finding new ways to keep cattle from getting open sores on their feet during the months they stand in manure-covered feedlot pens. But an extensive analysis of publicly available data shows the impact of Tyson’s rise has been, at best, a mixed blessing for the communities where the company operates.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
Hey,” a deep unfamiliar voice said from behind her. Every nerve went on alert. Her heart pounded with fear. Instinct told her to run, but how far could she go with him so close? She grabbed a knife from the butcher block beside her and spun around, hurting her sore feet but not really feeling the pain. “Stay where you are. Don’t come any closer.” Somewhere in her muddled mind he looked familiar, but the fear stole her rational thoughts. Her hands shook and she backed up into the counter, looking everywhere for an escape that seemed impossible. “Hey now, you’re okay. I’m not going to hurt you.” Tears filled her eyes. Too much to take in one night, she stammered, “Get out. Leave me alone.” The stranger took a step toward her, and she took one toward him. “Get out, or I’ll gut you where you stand.” One side of his mouth cocked up in a slanted grin. His eyes flashed with admiration, confusing her. “I’m not going to hurt you. I’m looking for Owen.” “He doesn’t live here. Why does everyone think he lives here?” she yelled. A flash of movement came from her left; she swung to face the new danger and inhaled when Owen rushed her, pushing the knife out of his way and pulling her close. She immediately dropped it and grabbed hold of him as he kept his back to the stranger, her back to the counter, and his big body protecting her. “You’re okay, sweetheart. That’s my brother, Brody. He came to help me board up the glass door.” He hugged her closer when she grabbed fistfuls of his shirt and held him tighter, crying all over the front of his shirt, her face buried in his chest, her bravado from a moment ago drained away, overwhelmed by her fear. Owen was here, holding her, keeping her safe. She needed him and refused to let go, even when he tried to back away. “Brody, man, you want to give us a minute.” “Sure. I just wanted to let her know I’m here. She’s got a lot of guts, facing off with me with that knife. I like her.” “Yeah, I like her, too.” Owen brushed his hand over her head and settled into her, holding her tight and close. Brody left with a chuckle and an “I bet you do.” All of a sudden she felt foolish, but it didn’t stop her from staying in Owen’s arms. She shifted on her feet, and he slid his big hands down her back to her waist, hoisting her up onto the counter. His warm hands settled on her thighs, spreading them wide so he could stand between them. Close. Intimate. Their eyes met, and he reached up and swiped his thumbs across both her cheeks, taking away the tears. She got hold of herself enough to say, “Your brother is huge.” “You just faced off with an ex– Army Ranger. He could take you out with one lethal smile.” “He wasn’t smiling.” “He doesn’t much, since he got home. Unless he’s with Rain." -Brody, Claire, & Owen
Jennifer Ryan (Falling for Owen (The McBrides, #2))
numb with cold, slipped from the oars. My ears, toes and fingers stung. Water had slopped into the bottom of the boat, and my feet were soaked and sore with cold. The man
Margi McAllister (Titanic (I Was There))
An uncomfortable horse hits the ground harder with his feet, increasing stress on his lower legs, which can result in lameness. The veterinary bills mount as treatments for his lower-leg soreness yield no results because the problems originate in his back.
Joyce Harman (The Western Horse's Pain-Free Back and Saddle-Fit Book: Soundness and Comfort with Back Analysis and Correct Use of Saddles and Pads)
He was exhausted, his body sore from the soles of his feet all the way up to his ears. He didn’t show it, because she didn’t need to know that right now. Besides, if he didn’t show it, he didn’t have to really acknowledge it. Yeah, that’s the ticket.
Sam Sisavath (The Purge of Babylon (Purge of Babylon #1))
When I say you're mine. A butterfly flies so soft, Wings silent but tender, The Roses dance gentle in the wind, Flows love into the fields, My face hits the sweet air in a feeling I cannot describe, Only touch with my heart, Only feel in my spirit, Only hear in a silent smile. When I say you're mine, Longing in a world, Tenderness gone away as dried dust in the winds, Feet walked on sands of despair, Sore from love gone, Legs tired from walking on ever ending roads, Roads to longing for a hand, Longing for a touch, Longing vote a voice in this cold world, To say, 'I love you'. When I say you're mine. Once the passing of many moons, So long ago, so far ago, Making the world not a home, Making the so life so barren, Dry, loveless, careless, The moon no longer had her beauty of sliver, No longer had magic in the shine, Now dull, now dark, now lonely, When I say you're mine, Sun and earth together, One needs the other, The sun needs earth, The earth needs the sun, Life, love..balance out, Love grows, love flows, Perfect, perfect as you, Orbit, love, life, From heaven, from destiny, For eternity. When I call you mine. You, are my world, You, are my moon, You, are my sun, You, are my earth, Back, perfect, love..is back.. When I say you're mine, It is because my dear, I am all yours.....
Ravinder Singh (Like It Happened Yesterday)