Sore Back Quotes

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Pain. Everyone is always in pain. Whether it’s a loose hangnail, a sore joint, a cramped back muscle—something. No human is never not in at least a minute amount of pain.
Rebecca Schaeffer (Not Even Bones (Market of Monsters, #1))
Father . . . ," Gabriel began. "Father is a worm." Will gave a short laugh. He was in gear as if he had just come from the practice room, and his hair curled damply against his temples. He was not looking at Tessa, but she had grown used to that. Will hardly ever looked at her unless he had to. "It's good to see you've come round to our view of things, Gabriel, but this is an unusual way of announcing it." Gideon shot Will a reproachful look before turning back to his brother. "What do you mean, Gabriel? What did Father do?" Gabriel shook his head. "He's a worm," he said again, tonelessly. "I know. He has brought shame on the name of Lightwood, and lied to both of us. He shamed and destroyed our mother. But we need not be like him." Gabriel pulled away from his brother's grip, his teeth suddenly flashing in an angry scowl. "You're not listening to me," he said. "He's a worm. A worm. A bloody great serpentlike thing. Since Mortmain stopped sending the medicine, he's been getting worse. Changing. Those sores upon his arms, they started to cover him. His hands, his neck, h-his face . . ." Gabriel's green eyes sought Will. "It was the pox, wasn't it? You know all about it, don't you? Aren't you some sort of expert?" "Well, you needn't act as if I invented it," said Will. "Just because I believed it existed. There are accounts of it—old stories in the library—
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
I am drowning in negativism, self-hate, doubt, madness - and even I am not strong enough to deny the routine, the rote, to simplify. No, I go plodding on, afraid that the blank hell in back of my eyes will break through, spewing forth like a dark pestilence; afraid that the disease which eats away the pith of my body with merciless impersonality will break forth in obvious sores and warts, screaming "Traitor, sinner, imposter.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Dulce Et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The War Poems)
Before, I thought we could write about life only when we had recovered from our wounds; when we were able to touch old sores with a pen and not revive the pain; when we could look back free from nostalgia, madness, and a sense of grievance. But is this really possible? We are never completely cut off from our memory. Recollections provides the inspiration for writing, the stimulus for painting, and for some, the motivation even for death.
Ahlam Mosteghanemi
Holding on to anger, resentment and hurt only gives you tense muscles, a headache and a sore jaw from clenching your teeth. Forgiveness gives you back the laughter and the lightness in your life.
Joan Lunden
You cold or something?' he said. She strained against him; she wanted to pass clear through him: 'It's a chill, it's nothing'; and then, pushing a little away: 'Say you love me.' I said it.' No, oh no. You haven't. I was listening. And you never do.' Well, give me time.' Please.' He sat up and glanced at a clock across the room. It was after five. Then decisively he pulled off his windbreaker and began to unlace his shoes. Aren't you going to, Clyde?' He grinned back at her. 'Yeah, I'm going to.' I don't mean that; and what's more, I don't like it: you sound as though you were talking to a whore.' Come off it, honey. You didn't drag me up here to tell you about love.' You disgust me,' she said. Listen to her! She's sore!' A silence followed that circulated like an aggrieved bird. Clyde said, 'You want to hit me, huh? I kind of like you when you're sore: that's the kind of girl you are,' which made Grady light in his arms when he lifted and kissed her. 'You still want me to say it?' Her head slumped on his shoulder. 'Because I will,' he said, fooling his fingers in her hair. 'Take off your clothes--and I'll tell it to you good.
Truman Capote (Summer Crossing)
I have a conscience, but it’s a feeble, withered shred of a thing. It couldn’t protect you or anyone else from a stiff breeze.’ Glokta sighed, long and hard. The room was too hot, too bright, his eyes were sore and twitchy and he rubbed at them slowly as he spoke. ‘You could not even guess at the things that I have done. Awful, evil, obscene, the telling of them alone could make you puke.’ He shrugged. ‘They nag at me from time to time, but I tell myself I had good reasons. The years pass, the unimaginable becomes everyday, the hideous becomes tedious, the unbearable becomes routine. I push it all into the dark corners of my mind, and it’s incredible the room back there. Amazing what one can live with.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Leaning down onto his arms, he prowled up the bed to her body, his eyes fixated on her secret skin as if he'd never seen anything like it. When he got in range, wide hands smoothed their way up the insides of her thighs, opening them even farther. But then he frowned and looked up at her. "Wait, I'm supposed to kiss you on the mouth first, aren't I? I mean, males start at the top and work their way down, don't they?" What and odd question... like he'd never done this at all? Before she could reply he began to move back, so she sat up and captured his face in her hands. "You can do whatever you like to me." His eyes flashed and he held his position for a split second. Then he lunged at her, taking her down onto the bed. His tongue shot into her mouth and his hands tangled in her hair, pulling on her, arching her, trapping her head. The hunger in him was ferocious, a warrior's thick-blooded need for sex. He was going to take her with all the strength he had, and she was going to be sore when he was through using her. Sore and utterly blissed out. She couldn't wait.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
This was our house. Mine and hers. I know she’d sneak over to the rectory every once in a while and let you wail on her for a night. But I got her the rest of the time. I cooked her breakfast. I answered her fan mail. I put her to bed when she fell asleep at her desk writing. I rubbed her back when she was sore from overworking herself. And when she got all wrought up over you, it was me she cried on. No, she and I never had sex. That’s true. But we had love, real love that didn’t take anything out of us, that didn’t bruise us or break us. I loved her without hurting her. You asked me if I, a virgin, could teach her what sex should be? No, course not. Hell no. But at least I can teach her what love should be like. And she knows it too.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Come seek us where our voices sound, We cannot sing above the ground, And while you’re searching, ponder this: We’ve taken what you’ll sorely miss, An hour long you’ll have to look, And to recover what we took, But past an hour — the prospect’s black, Too late, it’s gone, it won’t come back.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types. You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore. If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining. Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
Anton Szandor LaVey
I mean, in the last few months alone, I've been pinned in a big set of white-water rapids, been bitten by an angry snake in a jungle, had a close escapewith a big mountain rockfall, narrowly avoided being eaten by a huge croc in the Australian swamps, and had to cut away from my main parachute and come down on my reserve, some five thousand feet above the Arctic plateau. When did all this craziness become my world? It's as if - almost accidentally - this madness had become my life. And don't get me wrong - I love it all. The game, though, now, is to hang on to that life. Every day is the most wonderful of blessings, and a gift that I never, ever take for granted. Oh, and as for the scars, broken bones, aching limbs and sore back? I consider them just gentle reminders that life is precious - and that maybe, just maybe, I am more fragile than I dare to admit.
Bear Grylls
What is this love that makes me see beauty, and makes every beautiful thing bring you back to me? What is this love that makes me declare 'I love you' even though I uttered it only a moment ago? What is this love that keeps growing even when my chest is sore and it hurts to love you any more? Tell me: How am I to find what this love is when it was the one to find you, me, this verse, and this universe?
Kamand Kojouri
At the age when we are all of us most apt to take our colouring, in the form of a reflection from the colouring of other people, he had been sent abroad, and had been passed on from one nation to another, before there was time for any one colouring more than another to settle itself on him firmly. As a consequence of this, he had come back with so many different sides to his character, all more or less jarring with each other, that he seemed to pass his life in a state of perpetual contradiction with himself. He could be a busy man, and a lazy man; cloudy in the head, and clear in the head; a model of determination, and a spectacle of helplessness, all together. He had his French side, and his German side, and his Italian side--the original English foundation showing through, every now and then, as much as to say, "Here I am, sorely transmogrified, as you see, but there's something of me left at the bottom of him still.
Wilkie Collins (The Moonstone)
On the Bowery, in the ornate carcass of a formerly grand vaudeville theater, a dance marathon limps along. The contestants, young girls and their fellas, hold one another up, determined to make their mark, to bite back at the dreams sold to them in newspaper advertisements and on the radio. They have sores on their feet but stars in their eyes.
Libba Bray (The Diviners (The Diviners, #1))
We...do things a lot differently, yes, but in many ways we are just the same as you...We eat, we sleep, we breathe. We smile when we're happy, and we cry when we're sad. When we swim, we must come up for air. When we work all day, our backs get sore. When we get cut, we bleed.
Jessica Khoury (Origin (Corpus, #1))
The kind of people I know now don’t have barbecues, Mama. They stand up alone at nights in small rooms and eat cold weenies. My so-called friends are bums. Many of them are nothing but rats. They spread T.B. and use dirty language. They’re wife-beaters and window peepers and night crawlers and dope fiends. They have running sores on the backs of their hands that never heal. They peer up from cracks in the floor with their small red eyes and wait for chances.
Charles Portis (The Dog of the South)
When humans work, they frequently become unaware of their own body, their own senses, are surprised to find that their wrists ache or their backs are sore or their friend has left the building. It's as close to an out-of-body experience as can be achieved short of fifty volts, a circle of warding, a pigeon's claw cut from an albino female of purest white feathers, or a lot of mushrooms.
Kate Griffin (A Madness of Angels (Matthew Swift, #1))
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
I can feel his eyes on me, watching me, waiting for me to look up and when I do, it hurts the centre of me like it always does when our eyes catch. A fish back in water. A sore relief.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
Rufus Maleficarus has sorely disappointed me personally. I thought he was making quite a good recovery from what the previous director had unhelpfully referred to as "a soul-searing, sanity-dissolving, profoundly malevolent appetite for power and revenge." As it happens, I think the finger-painting lessons were going very well, at least up until Rufus used the paint to create a summoning circle, and then rode out of here on the back of an obliging Hound of Tindalos...
Jonathan L. Howard (Johannes Cabal the Necromancer (Johannes Cabal, #1))
While walking back to the highway I stop, choke back a sob, my throat tightens. "I just want to..." Facing the skyline, through all the baby talk, I murmur, "keep the game going." As I stand, frozen in position, an old woman emerges behind a Threepenny Opera poster at a deserted bus stop and she's homeless and begging, hobbling over, her face covered with sores that look like bugs, holding out a shaking red hand. "Oh will you please go away?" I sigh. She tells me to get a haircut.
Bret Easton Ellis (American Psycho)
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of disappointed shells that dropped behind. GAS! Gas! Quick, boys!-- An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,-- My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (The Collected Poems of Wilfred Owen)
….I thought we’d be okay apart, but I was sorely mistaken. I don’t need much, Haven, but I do need you.” “I need you, too, you know,” she said. “You make me feel safe.” Despite everything, she trusted him. She believed in him. She loved him. And he loved her . . . more than anything in the world. She had given herself to him again, every barrier between them broken down. All of those unanswered questions, all of the worry, every single bit of it had been resolved the moment they came back together. “Haven,” he said. “If I could have anything, I know what I’d ask for now.” She pulled back from their hug to look at him with genuine curiosity. “What?” Carmine took a step back, reaching around his neck to pull off the gold chain. He unfastened it, removing the small ring, and eyed it in his palm momentarily before dropping to his knee. “If I could have anything in the world, it would be for you to marry me.
J.M. Darhower (Redemption (Sempre, #2))
She talks about how she can't exercise because of the ailments-a bad back, sore knees, breathing difficulties-all caused by her weight gain.
A.S. King (Everybody Sees the Ants)
When I was younger and ran free in the forest, a hunter caught my mate and stunned him with a blow and locked him in a cage. I went to the place in the broad white of the spring moon; near to the hunter's fire I went, near enough to hear his man's breathing and see the flamelight catch on the knife in his hand. I gnawed through the bars of the cage and dragged at my mate, and half carried him as I would carry a cub, away into the trees. My paws were sore, I lost a tooth, my back pained me and I was afraid, but I never thought I could do otherwise. That is what love is.
Tanith Lee (Volkhavaar)
Do you try to treat cancer sores or the cancer itself? We cannot afford to give pocket money to our children. We cannot afford to eat meat. We cannot afford bread. So your child steals and you turn to him in surprise? You must try to heal the cancer because the sores will keep coming back.
Chimamanda Ngozi Adichie (Purple Hibiscus)
She is playing a game that she doesn't want to play, but can't seem to quit. As a player she wishes to see how the game concludes, but she also wishes the other player would retreat. She wants to win after-all and she makes for a sore loser, but her combatant uses his moves to keep her off-guard and primed for his advance. Should she block him, outmaneuver him, or just play dead until his back is turned? Isn't the last the way of the female?
Donna Lynn Hope
All my life, I have been searching for a home," the drow said quietly. "All my life, I have been wanting more than that which was offered to me, more than Menzoberranzan, more than friends who stood beside me out of personal gain. I always thought home would be a place, and indeed it is, but not in any physical sense. It is a place in here," Drizzt said, putting a hand to his heart and turning back to look upon his companions. "It is a feeling given by true friends. I know this now, and know that I am home." "But ye're off to Carradoon," Cattie-brie said softly. "And so're we!" Bruenor bellowed. Drizzt smiled at them, laughed aloud. "If circumstances will not allow me to remain at home," the ranger said firmly, "then I will simply take my home with me!
R.A. Salvatore (Passage to Dawn (Forgotten Realms: Legacy of the Drow, #4; Legend of Drizzt, #10))
She sits and listens with crossed legs under the batik house-wrap she wears, with her heavy three-way-piled hair and cigarette at her mouth and refuses me - for the time being, anyway - the most important things I ask of her. It's really kind of tremendous how it all takes place. You'd never guess how much labor goes into it. Only some time ago it occurred to me how great an amount. She came back from the studio and went to take a bath, and from the bath she called out to me, "Darling, please bring me a towel." I took one of those towel robes that I had bought at the Bon Marche' department store and came along with it. The little bathroom was in twilight. In the auffe-eua machine, the brass box with teeth of gas burning, the green metal dropped crumbs inside from the thousand-candle blaze. Her body with its warm woman's smell was covered with water starting in a calm line over her breasts. The glass of the medicine chest shone (like a deep blue place in the wall, as if a window to the evening sea and not the ashy fog of Paris. I sat down with the robe over my; shoulder and felt very much at peace. For a change the apartment seemed clean and was warm; the abominations were gone into the background, the stoves drew well and they shone. Jacqueline was cooking dinner and it smelled of gravy. I felt settled and easy, my chest free and my fingers comfortable and open. And now here's the thing. It takes a time like this for you to find out how sore your heart has been, and, moreover, all the while you thought you were going around idle terribly hard work was taking place. Hard, hard work, excavation and digging, mining, moiling through tunnels, heaving, pushing, moving rock, working, working, working, working, panting, hauling, hoisting. And none of this work is seen from the outside. It's internally done. It happens because you are powerless and unable to get anywhere, to obtain justice or have requital, and therefore in yourself you labor, you wage and combat, settle scores, remember insults, fight, reply, deny, blab, denounce, triumph, outwit, overcome, vindicate, cry, persist, absolve, die and rise again. All by yourself? Where is everybody? Inside your breast and skin, the entire cast.
Saul Bellow (All Marbles Accounted for)
Are you grumpy in the morning?" "No, but I wake up on the go. I don't like to linger over breakfast." "You must not be doing it right. Lingering is lovely. I do it all the time." She stretched her arms and shoulders, and arched her sore upper back, her breast lifting with the motion. Tom stared at her, mesmerized. "I might stay just to watch you linger.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
He threw his back out, which-- fair enough, I'd imagine my back would be a bit sore if I'd spent the last twenty years of my life with my head up my own ass.
Jack Whitehall
Because he’s Easton Royal and I have zero self-control, because my sore heart needs all the sun it can get, because I love him back, I throw myself into his arms and kiss him.
Erin Watt (Cracked Kingdom (The Royals #5))
Kuala Lumpur had a certain something… There was a sense of freedom perhaps, of anarchy even, that Singapore so sorely lacked. Perhaps it was the lack of deference to authority, the physical space, the ability to take a step back and enjoy a moment of quite that lent Kuala Lumpur its atmosphere. Singaporeans were always adding to the list of reasons each one kept to hand, in case they met a Malaysian, of why it was so much better on the island than the peninsula. They ranged from law and order to cleanliness, from clean government to good schools, and always ended on the strength of the Singaporean economy. But in the end, the Malaysian would nod as if to agree to the points made – and then shrug to indicate that they probably wouldn’t trade passports, not really. And if pressed for a reason they would fall back on that old chestnut which somehow seemed to capture everything that was wrong about Singapore – but your government bans chewing gum. The nanny state and the police state all rolled into one.
Shamini Flint (A Most Peculiar Malaysian Murder (Inspector Singh Investigates #1))
They did not strive to gain knowledge of life as we strive to understand it, because their lives were full. But their knowledge was higher and deeper than the knowledge we derive from our science; for our science seeks to explain what life is and strives to understand it in order to teach others how to live, while they knew how to live without science... Oh, these people were not concerned whether I understood them or not; they loved me without it. But I knew too that they would never be able to understand me, and for that reason I hardly ever spoke to them of it. It remained somehow beyond the grasp of my reason, and yet it sank unconsciously deeper and deeper into my heart. I often told them that I had had a presentiment of it years ago and that all that joy and glory has been perceived by me while I was still back there as a nostalgic yearning, bordering at times on unendurably poignant sorrow; that I had had a presentiment of all of them and of their glory in the dreams of my heart and the reveries of my soul; and that I could often not look at the setting sun without tears. I was overpowered by the mere sensation of that dream and it alone survived in my sorely wounded heart.
Fyodor Dostoevsky (Notes from Underground)
Even though she was still so tired she felt glued to the matress, the yelling made Helen's eyes open. She saw Ariadne, Cassandra, and Noel standing over her bed. Correction, they were standing over Lucas's bed and Helen was in it. Her eyes snapped open and her head whipped around to look at Lucas. He was frowning himself awake and starting to make some gravelly noise in the back of his throat. "Go argue someplace else," he groaned as he rolled over onto Helen. He tucked himself up against her, awkwardly fighting the drag of the casts on his legs as he tried to bury his face in Helen's neck. She nudged him and looked up at Noel, Ariadne, and a furious Cassandra. "I came to see how he was and then I couldn't get back to my bed," Helen tried to explain, absolutely mortified. She gasped involuntarily as one of Lucas's hands ran up the length of her thigh and latched on to the sloping dip from her hip to her waist. Then she felt him tense, as if he'd just realized that pillows weren't shaped like hourglasses. His head jerked up and he looked around, alert for a fight. "Oh, yeah," he said to Helen as he remembered. His eyes relaxed back into a sleepy daze. He smiled up at his family and stretched until he winced, then rubbed at his sore chest, no longer in a good mood. "Little privacy?" he asked. His mother, sister, and cousin all either crossed their arms or put their hands on their hips.
Josephine Angelini (Starcrossed (Starcrossed, #1))
Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?" Sure," said Joad. "Less somebody stole it, like Pa stole it." Your pa stole it?" Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.
John Steinbeck (The Grapes of Wrath)
He pulled me toward him so that I was resting on my side. I coughed up some more water. He took off his wet shirt and folded it. Then he gently lifted me and placed it under my sore head, which hurt too much to appreciate his…bronzed…sculpted…muscular…bare chest. Well I guess I must be okay if I can appreciate the view, I thought. Sheesh, I’d have to be dead not to appreciate it. I winced as Ren’s hand brushed against my head, shaking me from my reverie. “You’ve got a major bump here.” I reached up to feel the giant lump on the back of my skull. I gingerly touched it and recalled the source of my headache. I must have lost consciousness when the rock hit me. Ren saved my life. Again. I looked up at him. He was kneeling next to me with a look of desperation on his face, and his body was shaking. I realized that he must have changed to a man, dragged me out of the pool, and then remained by my side until I woke up. Who knows how long I’ve been laying here unconscious. “Ren, you’re in pain. You’ve been in this form too long today.” He shook his head in denial, but I saw him grit his teeth. I pressed my hand on his arm. “I’ll be okay. It’s just a bump on the head. Don’t worry about me. I’m sure Mr. Kadam has some aspirin tucked away in the backpack. I’ll just take that and lie down to rest for a while. I’ll be alright.” He trailed his finger slowly from my temple to my cheek and smiled softly. When he pulled back, his whole arm shook and tremors rippled under the surface of his skin. “Kells, I-“ His face tightened. He threw his head to the side, snarled angrily, and morphed to a tiger again. He softly growled, then quieted, and drew close beside me. He lay down next to me and watched me carefully with his alert blue eyes. I stroked his back, partly to reassure him and partly because it soothed me too.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
For me, creative energy is like an old-fashioned ground-water well. When the well is dry, it’s dry. I can dig all I like, and all I’ll get for my pains is sore hands, some very bad prose, and maybe (if I’m lucky) a few odd droplets of notes I can actually use. Or not. It’s usually not worth it. After many years, I’ve discovered that it’s better to wait until some ground water seeps back into the well rather than to try and lick up every drop as it emerges.
Delia Sherman
Sports, politics, and religion are the three passions of the badly educated. They are the Midwest's open sores. Ugly to see, a source of constant discontent, they sap the body's strength. Appalling quantities of money, time, and energy are wasted on them. The rural mind is narrow, passionate, and reckless on these matters. Greed, however shortsighted and direct, will not alone account for it. I have known men, for instance, who for years have voted squarely against their interests. Nor have I ever noticed that their surly Christian views prevented them from urging forward the smithereening, say, of Russia, China, Cuba, or Korea. And they tend to back their country like they back their local team: they have a fanatical desire to win; yelling is their forte; and if things go badly, they are inclined to sack the coach.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
Ye wake in a corner and stay there hoping yer body will disappear, the thoughts smothering ye; these thoughts; but ye want to remember and face up to things, just something keeps ye from doing it, why can't ye no do it; the words filling yer head: then the other words; there's something wrong; there's something far far wrong; ye're no a good man, ye're just no a good man. Edging back into awareness, of where ye are: here, slumped in this corner, with these thoughts filling ye. And oh christ his back was sore; stiff, and the head pounding. He shivered and hunched up his shoulders, shut his eyes, rubbed into the corners with his fingertips; seeing all kinds of spots and lights. Where in the name of fuck...
James Kelman (How Late It Was, How Late)
Don’t be a sore loser.’ ‘It’s hard to argue with a woman when she’s got her knee on my ego.’ ‘Good. Now I’m going to have my way with you.’ ‘Are you?’ ‘Damn right. I won.’ She cocked her head and reached down to strip off his shirt. ‘Cooperate and I won’t have to hurt you. Uh-uh.’ When he reached for her, she gripped his hands and pushed them back to the mat. ‘I’m in charge here. Don’t make me get out the cuffs.’ ‘Hmm. An interesting threat. Why don’t you—’ His words trailed off as her mouth came down on his, hard and hot. Instinctively, his hands flexed under hers, wanting to touch, to take. But he understood she wanted something else, something more. So he would let her find it. ‘I’m going to take you.’ She bit down on his lip, sending an edge of lust razoring through his gut. ‘Do whatever I want to you.’ His mind was already spinning, his breath clogging. ‘Be gentle with me,’ he managed, and felt warmth twine with the heat when she laughed. ‘Dream on.
J.D. Robb (Immortal in Death (In Death, #3))
A woman could become a slave to those experienced hands. He touched her with perfect sensuality, drawing acute pleasure from her sore flesh. Leaning most of her weight against the doorjamb, Evie felt her breathing turn slow and deep. Her back softened, lengthened beneath the coaxing manipulation, and it felt so wonderful that she dreaded the moment he would stop.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Then the lion said – but I don't know if it spoke – You will have to let me undress you. I was afraid of his claws, I can tell you, but I was pretty nearly desperate now. So I just lay flat down on my back to let him do it. "The very first tear he made was so deep and I thought it had gone right into my heart. And when he began pulling the skin off, it hurt worse than anything I've ever felt. The only thing that made me able to bear it was just the pleasure of feeling the stuff peel off. You know – if you've ever picked the scab of a sore place. It hurts like billy-oh but it is such fun to see it coming away.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
I’m glad you feel that way.” His breath tickled my jaw line before he ran his tongue along it. “But I’m sorry about your back.” “What about my back?” I murmured, lost in the trance of where his tongue was going to go next. He shoved my back against the mattress, pulling my arms above my head before he crawled on top of me, straddling my hips. “I’m sorry that it might be sore in the morning.
Magan Vernon (The Only One (Only, #3))
you deserve a call me anytime love. a pick you up from the airport love. a love note on napkins kind of love. a chicken noodle soup for sore throats kind of love. a back rub before bed kind of love. a laughs at your bad jokes kind of love. a reminder to get up ten minutes earlier because it snowed and you’re going to have to clean off your car kind of love. a clean off your car for you kind of love. a bring you cheesecake when you have cramps kind of love. a listening love. a love that takes care of you. a love that sees your messy hair, your morning breath, your spiralling mind, your no sleep crankiness, a love that loves you more because of it. you deserve a requited love. a love that lasts.
Michaela Angemeer (You'll Come Back to Yourself)
You’re not the same as you were a few days ago,” he murmured. “You’re no longer a wallflower, nor a virgin, nor the helpless child who had to endure life with the Maybricks. You’re a viscountess with a sizable fortune, and a scoundrel of a husband. Whose rules will you adhere to now?” Evie shook her head in weary confusion. She discovered that as Sebastian worked the tension out of her back, her control over her emotions seemed to dissolve at an equal rate. She was afraid that if she tried to speak, she might cry. Instead she remained silent, squeezing her eyes shut and fighting to keep her breathing even. “So far you’ve spent your life striving to please others,” she heard him say. “With a rather poor rate of success. Why don’t you try pleasing yourself for a change? Why not live by your own rules? What has obeying the conventions ever gotten you?” Evie pondered the questions, and her breath hissed in pleasure as he found a particularly sore spot. “I like the conventions,” she said after a moment. “There is nothing wrong with being an ordinary person, is there?” “No. But you’re not ordinary.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
There was an old Taoist who lived in a village in ancient China, named Master Hu. Hu loved God and God loved Hu, and whatever God did was fine with Hu, and whatever Hu did was fine with God. They were friends. They were such good friends that they kidded around. Hu would do stuff to God like call him "The Great Clod." That's how he kidded. That was fine with God. God would turn around and do stuff to Hu like give him warts on his face, wens on his head, arthritis in his hands, a hunch in his back, canker sores in his mouth and gout in his feet. That's how He kidded. That God. What a kidder! But it was fine with Hu. Master Hu grew lumpy as a toad; he grew crooked as cherry wood; he became a human pretzel. "You Clod!" he'd shout at God, laughing. That was fine with God. He'd send Hu a right leg ten inches shorter than the left to show He was listening. And Hu would laugh some more and walk around in little circles, showing off his short leg, saying to the villagers, "Haha! See how the Great Clod listens! How lumpy and crookedy and ugly He is making me! He makes me laugh and laugh! That's what a Friend is for!" And the people of the village would look at him and wag their heads: sure enough, old Hu looked like an owl's nest; he looked like a swamp; he looked like something the dog rolled in. And he winked at his people and looked up at God and shouted, "Hey Clod! What next?" And splot! Out popped a fresh wart. The people wagged their heads till their tongues wagged too. They said, "Poor Master Hu has gone crazy." And maybe he had. Maybe God sent down craziness along with the warts and wens and hunch and gout. What did Hu care? It was fine with him. He loved God and God loved Hu, and Hu was the crookedest, ugliest, happiest old man in all the empire till the day he whispered, Hey Clod! What now? and God took his line in hand and drew him right into Himself. That was fine with Hu. That's what a Friend is for.
David James Duncan (The River Why)
Let's go over it again, shall we?" "We will not shape-shift in front of your children unless it's an emergency," said Drake. "And if it is an emergency, we will try to find a place to hide, or, if that isn't possible, we will change so that they see our backsides," added Darrius. I stared at Drake. He rolled his eyes. "I did not 'flop around' in front of Jenny. I was behind the couch and she was on the stairs. She saw only my head." He pointed at his skull. "This one! On mein shoulders!" "I know." I waved at them. "Continue." "We will keep shorts or jeans stashed in many locations so that when we shift back into human form, we'll be able to cover our woobies," said Darrius. "Excellent." I looked at Drake and smiled benignly. "How's your rear end?" "Sore," he groused. "Not even Brigid would heal the scratches from that damned cat.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
Instead, when you have a symptom—when you feel cloudy, sad, sore, gassy, weepy, tired, or unnecessarily anxious—bring some wonder to it. Ask why and try to make the connections. Your body’s symptoms are telling you something about equilibrium. Your body is trying to tell you that it has lost balance. Stand back and appreciate the infinite complexity of your organism. Know that fear will only drive you to treat your body like a robotic machine that needs oil and gear changes. We are so much more than buttons and levers.
Kelly Brogan (A Mind of Your Own: The Truth About Depression and How Women Can Heal Their Bodies to Reclaim Their Lives)
The book also says that coping with difficult times is like being in a conical shell-shaped spiral and there is a point at each turn that is very painful and difficult. That is your particular problem or sore spot. When you are at the narrow, pointy end of the spiral you come back to that situation very often as the rotations are quite small. As you go round, you will go through the troubled time less and less frequently but still you must come back to it, so you shouldn’t feel when it happens that you are back to square one. Trouble
Helen Fielding (Bridget Jones's Diary (Bridget Jones, #1))
Channel Firing That night your great guns, unawares, Shook all our coffins as we lay, And broke the chancel window-squares, We thought it was the Judgment-day And sat upright. While drearisome Arose the howl of wakened hounds: The mouse let fall the altar-crumb, The worms drew back into the mounds, The glebe cow drooled. Till God called, “No; It’s gunnery practice out at sea Just as before you went below; The world is as it used to be: “All nations striving strong to make Red war yet redder. Mad as hatters They do no more for Christés sake Than you who are helpless in such matters. “That this is not the judgment-hour For some of them’s a blessed thing, For if it were they’d have to scour Hell’s floor for so much threatening . . . “Ha, ha. It will be warmer when I blow the trumpet (if indeed I ever do; for you are men, And rest eternal sorely need).” So down we lay again. “I wonder, Will the world ever saner be,” Said one, “than when He sent us under In our indifferent century!” And many a skeleton shook his head. “Instead of preaching forty year,” My neighbour Parson Thirdly said, “I wish I had stuck to pipes and beer.” Again the guns disturbed the hour, Roaring their readiness to avenge, As far inland as Stourton Tower, And Camelot, and starlit Stonehenge.
Thomas Hardy (Satires of Circumstances: Lyrics and Reveries with Miscellaneous Pieces)
He brought his other foot to the ground and gingerly tested his ankle. It would be a little sore, but it was still sound. He kept his back half turned from her as he ground his teeth, waiting for the insolent giggle he’d heard in so many other courts when he’d been maneuvered into looking foolish. He was furious for failing, furious because of the sudden despair he felt that she would think him an inadequate companion. He had forgotten that Jaenelle was Jaenelle. “I’m sorry, Daemon,” said a wavering, whispery voice behind him. “I’m sorry. Are you hurt?” “Only my pride,” Daemon said as he turned around, his lips set in a rueful smile. “Lady?” Then, alarmed. “Lady! Jaenelle, no, darling, don’t cry.” He gathered her into his arms while her shoulders shuddered with the effort not to make a sound. “Don’t cry,” Daemon crooned as he stroked her hair. “Please don’t cry. I’m not hurt. Honestly I’m not.” Since her face was buried against his chest, he allowed himself a pained smile as he kissed her hair. “I guess I’m too much of a grown-up to learn magic.” “No, you’re not,” Jaenelle said, pushing away from him and scrubbing the tears off her face with the backs of her hands. “I’ve just never tried to explain it to anyone before.” “Well, there you are,” he said too brightly. “If you’ve never shown anyone—” “Oh, I’ve shown lots of my other friends,” Jaenelle said brusquely. “I’ve just never tried to explain it.” Daemon was puzzled. “How did you show them?” Instantly he felt her pull away from him. Not physically—she hadn’t moved—but within. Jaenelle glanced at him nervously before ducking behind her veil of hair. “I…touched…them so they could understand.
Anne Bishop (Daughter of the Blood (The Black Jewels, #1))
Scott smirked. "You know it's always worse when you're around. And I still think I can keep up with you. Of course, you're going to drive off, go back home, drink a fifth and play guitar all night and not feel a thing. On the other hand, I'll be up thirteen times to take a piss before five AM, have a hella case of acid reflux and sore fingers from shredding guitar strings.
Carrie Clevenger (Crooked Fang (Crooked Fang #2))
-Prayer In My Life- Every person has his own ideas of the act of praying for God's guidance, tolerance and mercy to fulfill his duties and responsibilities. My own concept of prayer is not a plea for special favors, nor as a quick palliation for wrongs knowingly committed. A prayer, it seems to me, implies a promise as well as a request; at the highest level, prayer not only is supplication for strength and guidance, but also becomes an affirmation of life and thus a reverent praise of God. Deeds rather than words express my concept of the part religion should play in everyday life. I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action. This religious concern for the form and content of our films goes back 40 years to the rugged financial period in Kansas City when I was struggling to establish a film company and produce animated fairy tales. Thus, whatever success I have had in bringing clean, informative entertainment to people of all ages, I attribute in great part to my Congregational upbringing and lifelong habit of prayer. To me, today at age 61, all prayer by the humble or highly placed has one thing in common: supplication for strength and inspiration to carry on the best impulses which should bind us together for a better world. Without such inspiration we would rapidly deteriorate and finally perish. But in our troubled times, the right of men to think and worship as their conscience dictates is being sorely pressed. We can retain these privileges only by being constantly on guard in fighting off any encroachment on these precepts. To retreat from any of the principles handed down by our forefathers, who shed their blood for the ideals we all embrace, would be a complete victory for those who would destroy liberty and justice for the individual.
Walt Disney Company
All us kids had found out by now that all teachers had a sore spot; some went crazy over gum chewing, others insane over behind-the-back giggles, still others nuts over the repeated squeaking and scuffing of shoes on the linoleum. Machine-gun coughs, donkeylike snorts, a fusillade of throat clearing, spitballs stuck to the blackboard: all these were arsenals in the battle against Hitlerian teachers.
Robert McCammon (Boy's Life)
All us kids had found out by now that all teachers had a sore spot; some went crazy over gum chewing, others insane over behind-the-back giggles, still others nuts over the repeated squeaking and scuffing of shoes on the linoleum. Machine-gun coughs, donkeylike snorts, a fusillade of throat clearing, spitballs stuck to the blackboard: all these were arsenals in the battle against Hitlerian teachers. Who knows?
Robert McCammon (Boy's Life)
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me." His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?" Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year." Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak. The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him? "Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth. When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes." She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about." Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile." "I wanted to kiss every one of them," she lied indignantly. "No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you." Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul. He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation. Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit." Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
Christine Feehan (Dark Magic (Dark, #4))
What makes my bed seem hard seeing it is soft? Or why slips downe the Coverlet so oft? Although the nights be long, I sleepe not tho, My sides are sore with tumbling to and fro. Were Love the cause, it's like I shoulde descry him, Or lies he close, and shoots where none can spie him? T'was so, he stroke me with a slender dart, Tis cruell love turmoyles my captive hart. Yeelding or striving doe we give him might, Lets yeeld, a burden easly borne is light. I saw a brandisht fire increase in strength, Which being not shakt, I saw it die at length. Yong oxen newly yokt are beaten more, Then oxen which have drawne the plow before. And rough jades mouths with stubburn bits are tome, But managde horses heads are lightly borne, Unwilling Lovers, love doth more torment, Then such as in their bondage feele content. Loe I confesse, I am thy captive I, And hold my conquered hands for thee to tie. What needes thou warre, I sue to thee for grace, With armes to conquer armlesse men is base, Yoke VenusDoves, put Mirtle on thy haire, Vulcan will give thee Chariots rich and faire. The people thee applauding thou shalte stand, Guiding the harmelesse Pigeons with thy hand. Yong men and women, shalt thou lead as thrall, So will thy triumph seeme magnificall. I lately cought, will have a new made wound, And captive like be manacled and bound. Good meaning, shame, and such as seeke loves wrack Shall follow thee, their hands tied at their backe. Thee all shall feare and worship as a King, Jo, triumphing shall thy people sing. Smooth speeches, feare and rage shall by thee ride, Which troopes hath alwayes bin on Cupids side: Thou with these souldiers conquerest gods and men, Take these away, where is thy honor then? Thy mother shall from heaven applaud this show, And on their faces heapes of Roses strow. With beautie of thy wings, thy faire haire guilded, Ride golden Love in Chariots richly builded. Unlesse I erre, full many shalt thou burne, And give woundes infinite at everie turne. In spite of thee, forth will thy arrowes flie, A scorching flame burnes all the standers by. So having conquerd Inde, was Bacchus hew, Thee Pompous birds and him two tygres drew. Then seeing I grace thy show in following thee, Forbeare to hurt thy selfe in spoyling mee. Beholde thy kinsmans Caesars prosperous bandes, Who gardes the conquered with his conquering hands. -- ELEGIA 2 (Quodprimo Amore correptus, in triumphum duci se a Cupidine patiatur)
Christopher Marlowe
The medicine-man, having given him the once-over, had ordered him to abstain from all alcoholic liquids, and in addition to tool down the hill to the Royal Pump-Room each morning at eight-thirty and imbibe twelve ounces of warm crescent saline and magnesia. It doesn't sound much, put that way, but I gather from contemporary accounts that it's practically equivalent to getting outside a couple of little old last year's eggs beaten up in sea-water. And the thought of Uncle George, who had oppressed me sorely in my childhood, sucking down that stuff and having to hop out of bed at eight-fifteen to do so was extremely grateful and comforting of a morning. At four in the afternoon he would toddle down the hill again and repeat the process, and at night we would dine together and I would loll back in my chair, sipping my wine, and listen to him telling me what the stuff had tasted like. In many ways the ideal existence.
P.G. Wodehouse
Presently, I grew tired and swam back to shore, long, pulling strokes that nevertheless did not seem to take me anywhere. My arms and legs felt leaden, my injured wrist tender and sore. It felt as though I would never reach dry land, and I began to worry that I would indeed drown. But I fought this battle every, fighting upstream against the inevitable, inexorable pull of my own destructive tendencies, and if the body was exhausted, then at least the mind was willing.
S. Jae-Jones (Shadowsong (Wintersong, #2))
She felt a slight burn as he slipped a second finger inside her, stretching tenderly, and then he suckled the taut bud of her sex, licking slowly at first, increasing the pace as she twisted beneath him. He stayed with her, his long fingers working in controlled thrusts, his mouth compelling and demanding, until pleasure washed over her in faster and faster rushes, and suddenly she couldn't move at all. Arched tightly against his mouth, she cried out and gasped, and cried out again. His tongue gentled but continued its artful play, nursing her through the lingering peaks of sensation, bathing her sex with warm strokes as she began to shudder violently. A great weariness flooded her, and with it a physical euphoria that made her feel drunk. Unable to control her limbs, she squirmed tremulously beneath him, and she offered no resistance as St. Vincent turned her over to her stomach. His hand slipped between her thighs and his fingers entered her once more. The opening to her body was sore and, to her mortification, saturated with moisture. He seemed excited by the wetness, however, breathing against the sensitive nape of her neck in rapid pants. Keeping his fingers inside her, he kissed and nibbled his way down her back.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
I had a dream, and I needed to go back and find out for sure if something—someone—was there.” When she glanced up, Violet saw the muscles in his jaw flex. “So?” he asked though clenched teeth. “Did you? Find something, I mean?” Violet’s cheek was getting sore from where her teeth were ripping it apart. “N-no,” she stammered. “I mean, kind of.” “Well, shit, Violet, what’s that’s supposed to mean?” “It means there’s someone locked inside one of those gigantic shipping containers down on the docks. But I couldn’t get inside, so I still don’t know for sure. I mean, not in any way I can prove.” Jay jumped up from his chair. It was more than he could take. “Are you telling me you went down to the shipyards before it was even light out? In the middle of the night? All by yourself?” Violet smiled then. She didn’t mean to, but she couldn’t help herself; she felt the corners of her mouth twitching upward before she could stop them. She was never going to get used to this, his worrying about her. “Yeah,” she challenged, taking a step toward him. “Something like that.” She walked to where he was standing, barely containing his frustration. She didn’t try to hide her grin. She put her palms against his chest and could feel his heart beating wildly. “You think you’re gonna be okay? Do you need to sit down? Do you want me to get you a cup of tea or something?” “Hell, Violet, it’s not funny.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
The more south we were, the more deep a sky it seemed, till, in the Valley of Mexico, I thought it held back an element too strong for life, and that the flamy brilliance of blue stood off this menace and sometimes, like a sheath or silk membrane, shoed the weight it held in sags. So when later he would fly high over the old craters on the plain, coaly bubbles of the underworld, dangerous red everywhere from the sun, and then coats of snow on the peak of the cones—gliding like a Satan—well, it was here the old priests, before the Spaniards, waited for Aldebaran to come into the middle of heaven to tell them whether or not life would go on for another cycle, and when they received their astronomical sign built their new fire inside the split and emptied chest of a human sacrifice. And also, hereabouts, worshipers disguised as gods and as gods in the disguise of birds, jumped from platforms fixed on long poles, and glided as they spun by the ropes—feathered serpents, and eagles too, the voladores, or fliers. There still are such plummeters, in market places, as there seem to be remnants or conversions or equivalents of all the old things. Instead of racks or pyramids of skulls still in their hair and raining down scraps of flesh there are corpses of dogs, rats, horses, asses, by the roads; the bones dug out of the rented graves are thrown on a pile when the lease is up; and there are the coffins looking like such a rough joke on the female form, sold in the open shops, black, white, gray, and in all sizes, with their heavy death fringes daubed in Sapolio silver on the black. Beggars in dog voices on the church steps enact the last feebleness for you with ancient Church Spanish, and show their old flails of stump and their sores. The burden carriers with the long lines, hemp lines they wind over their foreheads to hold the loads on their backs, lie in the garbage at siesta and give themselves the same exhibited neglect the dead are shown. Which is all to emphasize how openly death is received everywhere, in the beauty of the place, and how it is acknowledged that anyone may be roughly handled—the proudest—pinched, slapped, and set down, thrown down; for death throws even worse in men’s faces and makes it horrible and absurd that one never touched should be roughly dumped under, dumped upon.
Saul Bellow (The Adventures of Augie March)
Are you unwell, Paige?” “Fine. My uterus is just confirming that it will not be growing a baby this month. With good reason,” I said, “since a tiny, defenseless human is not really what I need while I’m on the run from agents of tyranny.” “You are menstruating.” “I am menstruating,” I confirmed gravely. “I see.” His eyes darkened. “Is it very painful?” I considered. “I’ve never had to describe it before,” I said, musing. “I suppose it’s like having all my lower organs crammed right down into my pelvis, then soaked in boiling water, so they’re sore and swollen. It’s a heavy, aching…downward-ness. But then it also feels like I’ve been kicked in the back. And the stomach. And the legs. Oh, and I’ve got a splitting headache.” Arcturus had stopped plunging the coffee. “And you feel able to train,” he said, after a long pause. “While experiencing those sensations.” I rubbed the corner of my eye. “I’m grand.
Samantha Shannon (The Mask Falling (The Bone Season, #4))
The chamber was empty, except for a rotting barrel in one corner. Across from them, three identical archways opened to three identical rooms, small and dark. Where those led, Eragon could not see. The group stopped, and Eragon slowly straightened his back, wincing as his sore muscles stretched. “This would not have been part of Erst Graybeard’s plans,” said Arya. “Which path should we pick?” asked Wyrden. “Isn’t it obvious?” asked the herbalist. “The left one. It’s always the left one.” And she strode toward that selfsame arch even as she spoke. Eragon could not help himself. “Left according to which direction? If you were starting from the other side, left--” “Left would be right and right would be left, yes, yes,” said the herbalist. Her eyes narrowed. “Sometimes you’re too clever for your own good, Shadeslayer…Very well, we’ll try it your way. But don’t say I didn’t warn you if we end up wandering around here for days on end.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Elegy on Toy Piano" For Kenneth Koch You don't need a pony to connect you to the unseeable or an airplane to connect you to the sky. Necessary it is to love to live and there are many manuals but in all important ways one is on one's own. You need not cut off your hand. No need to eat a bouquet. Your head becomes a peach pit. Your tongue a honeycomb. Necessary it is to live to love, to charge into the burning tower then charge back out and necessary it is to die. Even for the trees, even for the pony connecting you to what can't be grasped. The injured gazelle falls behind the herd. One last wild enjambment. Because of the sores in his mouth, the great poet struggles with a dumpling. His work has enlarged the world but the world is about to stop including him. He is the tower the world runs out of. When something becomes ash, there's nothing you can do to turn it back. About this, even diamonds do not lie.
Dean Young
Varian rubbed the back of his head where his lump was growing significantly. “Not that I particularly want to defend Merrick, but those little rocks did happen to hurt. Thank the gods for armor.” Merewyn gave him a sweet, sympathetic pout. “Poor baby.” She reached up to rub his sore spot, but honestly he’d much rather have her rub something else that was bothering him. The touch of her hand made his entire body break out into chills. Not to mention that the smell of her so close played total havoc with his hormones. He honestly wanted to curl up beside her and start purring like a cat. More than that, he had a vicious need to nibble her body until he was drunk on her scent. And there was a thought that made him glad he was wearing his armor again since it kept his erection hidden from the ones around him. Stepping away from her before he actually did purr, he looked at Merrick. “What other nasty surprises do we have in store for us?
Kinley MacGregor (Knight of Darkness (Lords of Avalon, #2))
Because he wanted to see her face again before he took himself off to the pub, Shawn leaned back casually on the counter, then tucked his tongue in his cheek. “So you’re walking out with Jack Brennan these days, I’m hearing.” When her head came up swiftly and connected with the top of the oven with a resounding crack, Shawn winced, and wisely swallowed the chuckle. “I am not!” As he’d hoped, she popped out of the oven. There was a bit of soot on her nose, and as she rubbed her sore head, she knocked her cap askew. “Who said I am?” “Oh.” Innocent as three lambs, Shawn merely shrugged and finished his tea. “I thought I heard it somewhere, ‘round and about, as such things go.
Nora Roberts (Tears of the Moon (Gallaghers of Ardmore, #2))
Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!
Matthew Gregory Lewis (The Monk)
I know that whatever the complex origins of my own homosexuality are, there have been conscious choices I've made to indulge - and therefore to intensify, probably - my homoerotic inclinations. As I look back over the course of my life, I regret the nights I have given in to temptations to lust that pulsed like hot, itching sores in my mind. And so I cling to this image - washed. I am washed, sanctified, justified through the work of Jesus Christ and the Holy Spirit. Whenever I look back on my baptism, I can remember that God has cleansed the stains of homosexual sin from the crevasses of my mind, heart, and body and included me in his family, the church, where I can find support, comfort, and provocation toward Christian maturity.
Wesley Hill (Washed and Waiting: Reflections on Christian Faithfulness and Homosexuality)
Back in grade school, my shrinks tried to channel my viciousness into a constructive outlet, so I cut things with scissors. Heavy, cheap fabrics Diane bought by the bolt. I sliced through them with old metal shears going up and down: hateyouhateyouhateyou. The soft growl of the fabrics as I sliced it apart, and that perfect last moment, when your thumb is getting sore and your shoulders hurt from hunching and cut, cut, cut... free, the fabric now swaying in two pieces in your hands, a curtain parted. And then what? That's how I felt now, like I'd been sawing away at something and come to the end and here I was by myself again, in my small house with no job, no family, and I was holding two ends of fabric and didn't know what to do next.
Gillian Flynn (Dark Places)
Something nudged Mollie’s shoulder. With the nudge came a reminder of the pain. She tried to snuggle back down into the darkness that had cushioned her from the agony in her head, but then someone called her name. Someone she knew. Jacob. He sounded far away. Surely he wouldn’t mind if she just slipped back into the warm darkness for a little while. “Mollie Tate. Don’t you dare leave me.” Goodness, he sounded demanding. And worried. And perhaps just a tad panicked. Mollie frowned at that. Or she would have if she could’ve remembered how. The darkness made everything fuzzy. But one thing she did remember—Jacob never panicked. She’d never met a man so calm in a crisis. So what had him rattled? Hands roamed over her arms and legs. They prodded and probed and seemed to jab every sore spot on her body. She wanted to scream at them to stop, but she only managed a pitiful little whining sound that barely even vibrated her throat. The hands must have heard it, though, for they stilled. “Mollie? Can you hear me?” Jacob. Heavens, how she loved that man. She’d gladly be his nurse for the rest of her days just to be close to him.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
A pale, sweaty Corona bottle invaded my field of vision. It was clamped in a hand attached to a muscular arm with pale blond hair. “Peace offering,” Curran said. Did I hear him come in? No. I took the beer. He paused on the other side of the tub. He was wearing a white gym towel. “I’m about to take the towel off and hop in,” he said. “Fair warning.” There are times in life when shrugging takes nearly all of your will. “I’ve seen you naked.” “Didn’t want you to run away screaming or anything.” “You flatter yourself.” He took the towel off. I hadn’t exactly forgotten what he looked like without clothes. I just didn’t remember it being quite so tempting. He was built with survival in mind: strong but flexible, defined but hardly slender. You could bounce a quarter from his abs. Curran stepped into the tub. He was obviously in no hurry. It was like walking on a high bridge: don’t look down. Definitely not below his waist . . . Oh my. He sank into the hot water near me. I remembered to breathe. “How’s your back?” “It’s fine,” he said. “Thanks.” “Don’t mention it.” It had to be sore. “Does your side hurt?” “No.” His smile told me he knew we were both full of it.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
That did it. Mackenzie was seething. Someone suggested that mercenaries be sent over to the Howard barn to forcibly haul Smith into the office. Setting that popular idea aside, the stewards fired the leg-weary Greenberg back to the barn again, bearing yet another message. “Seabiscuit will either be a positive starter tomorrow, or we will refuse his entry entirely.” A few minutes later, Greenberg dragged himself back to the offices with Smith’s counterdemand: No one was to show up at his barn asking to examine the horse. The stewards complied, and Greenberg stumbled back to the Howard barn. In late morning, the administrative office door swung open. The officials looked up, expecting to see Greenberg. It was Smith. The stewards sat blinking at him. “All right,” Smith said. “Take the ‘doubtful starter’ off the blank. Seabiscuit will run all right.” Back at the barn, resting his sore legs, Greenberg saw Smith laughing. “The madder they got, the better he liked it,” Greenberg remembered. “He just done that for bein’ onery.” On July 16 a record sixty thousand people pressed into Hollywood Park to see Seabiscuit try for the Gold Cup, while millions more crowded around radio sets to hear NBC’s national
Laura Hillenbrand (Seabiscuit: An American Legend)
I would like to turn in my skin and change it for a new epidermis. It feels as if I will never be able to rinse the sadness from my soul. All the while I am cognizant of the fact that I am trying to purge myself of my feelings. I start with my shell. I am in the water at least an hour. I immerse my head. My long, thick mane is so heavy, but I feel the lightness of my hair as it floats. I can hear my heart beating in my ears. I wonder what would happen if I died in this water. I drain the bathtub and refill it. I scrub my skin until it stings. I still don't feel clean. I close my eyes. I switch to lying on my back. I gaze at the heavens through the skylight on the ceiling above the tub. I am thinking about Isabella. I am struck by the feeling of uncleanness that I have been immersed in that day. I would imagine that this child feels unclean always, in body and in mind. I am hoping that the sheets in her foster home are snow white and fragrant. I am hoping that she felt safe. I am worried that she is so deeply alone and frightened. I know somewhere deep inside of me that the decisions and choices I made today were sound. I am praying, with eyes glued to the stars, that I will not awaken in the night with my heart beating out of my chest; that I will not be haunted by Francis's diseased body; that I will not perseverate on ever nuance of my day - the smells, the cockroaches, the piercing torment of Isabella's unseeing eye, her father's sore-ridden penis penetrating her tiny body. Yet in many ways this is an experience I hope never to forget. The pearls. I must not forget the pearls that I have promised her.
Holly A. Smith (Fire of the Five Hearts)
Furious, the beast writhed and wriggled its iterated integrals beneath the King’s polynomial blows, collapsed into an infinite series of indeterminate terms, then got back up by raising itself to the nth power, but the King so belabored it with differentials and partial derivatives that its Fourier coefficients all canceled out (see Riemann’s Lemma), and in the ensuing confusion the constructors completely lost sight of both King and beast. So they took a break, stretched their legs, had a swig from the Leyden jug to bolster their strength, then went back to work and tried it again from the beginning, this time unleashing their entire arsenal of tensor matrices and grand canonical ensembles, attacking the problem with such fervor that the very paper began to smoke. The King rushed forward with all his cruel coordinates and mean values, stumbled into a dark forest of roots and logarithms, had to backtrack, then encountered the beast on a field of irrational numbers (F1) and smote it so grievously that it fell two decimal places and lost an epsilon, but the beast slid around an asymptote and hid in an n-dimensional orthogonal phase space, underwent expansion and came out, fuming factorially, and fell upon the King and hurt him passing sore. But the King, nothing daunted, put on his Markov chain mail and all his impervious parameters, took his increment Δk to infinity and dealt the beast a truly Boolean blow, sent it reeling through an x-axis and several brackets—but the beast, prepared for this, lowered its horns and—wham!!—the pencils flew like mad through transcendental functions and double eigentransformations, and when at last the beast closed in and the King was down and out for the count, the constructors jumped up, danced a jig, laughed and sang as they tore all their papers to shreds, much to the amazement of the spies perched in the chandelier-—perched in vain, for they were uninitiated into the niceties of higher mathematics and consequently had no idea why Trurl and Klapaucius were now shouting, over and over, “Hurrah! Victory!!
Stanisław Lem (The Cyberiad)
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - " "Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word." "If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave. "Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds." "Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too." "If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there." "Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing." "But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here." "At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through." "So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else." "Oh, Hell," Laurence said, under his breath. "It seems there is very little alternative to my going," Tharkay said. "Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
Naomi Novik (Black Powder War (Temeraire, #3))
So once the zookeeper realized it was the monkeys who stole the bananas, he knew there was only one way he'd be able to get them back." "How?" I whispered. My throat was so sore. "Don't talk. He had to beat them in shuffleboard, of course." "What?" "I said don't talk. Monkeys love shuffleboard." He used a page from a homework assignment he'd failed and a stack of quarters to make a shuffleboard court. I watched the monkeys and the zookeepers have their showdown while I sipped the last of my applejuice. "Need more?" Graham asked me without looking up, when my straw skidded against the dry bottom of the box. "Uh uh." "You're supposed to drink juice." "I just drank some." "More, though." I shook my head. "Drink more juice or the monkeys are going to kill you. The only thing they love more than shuffleboard is beating up dehydrated sick boys.
Hannah Moskowitz (Zombie Tag)
Is that...the Looney Tunes theme?" Mer and St. Clair cock their ears. "Why,yes.I believe it is," St. Clair says. "I heard 'Love Shack' a few minutes ago," Mer says. "It's official," I say. "America has finally ruined France." "So can we go now?" St. Clair holds up a small bag. "I'm done." "Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?" "Shite." Mer pauses. "You didn't get anything for Ellie?" "No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah. "Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?" "You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil." "I've been busy," St. Clair says. I glance at him. "I was just teasing." "Well,you don't have to be such a bloody git about it." "I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-" "Piss off." He snatches his bag back from Mer and scowls at me. "HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting." "We weren't fighting," he and I say together. She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps." "I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits." "Not the hares again," St. Clair says. "You're as bad as Rashmi." We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies. "In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
tattered. Water or something more foul soaked both knees of the pants. But Thomas took all that in quickly. Most of his attention was drawn to the man’s head. Thomas couldn’t help but stare, mesmerized. It looked like hair had been ripped from his scalp, leaving bloody scabs in its place. His face was pallid and wet, with scars and sores everywhere. One eye was gone, a gummy red mass where it should have been. He also had no nose, and Thomas could actually see traces of the nasal passages in his skull underneath the terribly mangled skin. And his mouth. Lips drawn back in a snarl, gleaming white teeth exposed, clenched tightly together. His good eye glared, somehow vicious in the way it darted between Brenda and Thomas. Then the man said something in a wet and gurgly voice that made Thomas shiver. He spoke only a few words, but they were so absurd and out of place that it just made the whole thing that much more horrifying. “Rose
James Dashner (The Scorch Trials (Maze Runner, #2))
Do you believe in love at first sight?” He made himself look at her face, at her wide-open eyes and earnest forehead. At her unbearably sweet mouth. “I don’t know,” he said. “Do you believe in love before that?” Her breath caught in her throat like a sore hiccup. And then it was too much to keep trying not to kiss her. She came readily into his arms. Lincoln leaned against the coffee machine and pulled her onto him completely. There it was again, that impossible to describe kiss. This is how 2011 should have ended, he thought. This is infinity. The first time Beth pulled away, he pulled her back. The second time, he bit her lip. Then her neck. Then the collar of her shirt. “I don’t know…,” she said, sitting up in his lap, laying her check on the top of his head. “I don’t know what you meant by love before love at first sight.” Lincoln pushed his face into her shoulder and tried to think of a good way to answer. “Just that… I knew how I felt about you before I ever saw you,” he said, “when I still thought I might never see you…” She held his head in her hands and titled it back, so she could see his face. “That’s ridiculous,” she said. Which made him laugh. “Absolutely,” he said. “No, I mean it,” Beth said. “Men fall in love with their eyes.” He closed his. “That’s practically science,” she said. “Maybe,” Lincoln said. Her fingers felt so good in his hair. “But I couldn’t see you, so…” “So, what did you see?” “Just…the sort of girl who would write the sort of things that you wrote.” “What things?” Lincoln opened his eyes. Beth was studying his face. She looked skeptical-maybe about more than just the last thing he said. This was important, he realized. “Everything,” he said, sitting straighter, keeping hold of her waist. “Everything you wrote about your work, about your boyfriend…The way you comforted Jennifer and made her laugh, through the baby and after. I pictured a girl who could be kind, and that kind of funny. I pictured a girl who was that alive…” She looked guarded. Lincoln couldn’t tell from her eyes whether he was pushing her away or winning her over. “A girl who never got tired of her favourite movies,” he said softly. “Who saved dresses like ticket stubs. Who could get high on the weather.. “I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. I pictured you,” he said. “I just didn’t know what you looked like. And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.” Beth’s fingers trembled in his hair, and her forehead dropped against his. A heavy, wet tear fell onto Lincoln’s lips, and he licked it. He pulled her close, as close as he could. Like he didn’t care for the moment whether she could breath. Like there were two of them and only one parachute. “Beth,” he barely said, pressing his face against hers until their lashes brushed, pressing his hand into the small of her back. “I don’t think I can explain it. I don’t think I can make any more sense. But I’ll keep trying. If you want me to.” She almost shook her head. “No,” she said, “no more explaining. Or apologizing. I don’t think it matters how we ended up here. I just…I want to stay…I want.. He kissed her then. There. In the middle of the sentence.
Rainbow Rowell (Attachments)
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
Sarah Rayner (One Moment, One Morning)
How old are you?” “Twenty-seven.” Twenty-seven. Older than she’d thought. But still… “I’m thirty-four.” He lifted a shoulder. “So?” So? Joss sighed. “That’s seven years older than you.” He grinned. “Seven years more experienced.” Joss suppressed the urge to laugh hysterically. If he thought he’d be getting some kind of well-honed tantric experience from her, he’d be sorely let down. She was too damn tired to be some kind of Mrs. Robinson. Like he even needed one. “Look, you’re very sweet—” His dramatic wince interrupted her. “Is there where you pat me on the head and tell me to run along now?” It was Joss’s turn to laugh. “Something like that.” “Are you sure I can’t interest you?” He set his broad grin to stun. “I’m really very good with my hands.” Joss didn’t doubt it. “To which my flat tire can attest. But trust me, there are plenty of pretty girls your age in town who would happily volunteer for a demonstration.” And Joss was blindingly envious of every one of them. He slid his hands into his back pockets and set his jaw. “What if I don’t want a girl? What if I want a woman?
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic. “Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure. His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.” Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly. Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.” “The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories. No, he doesn’t think I have the red fever. Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?” “It’s sore.” “Have you asked anyone about it?” “I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else. Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail. “I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.” Galen grins, letting his tail fall. “For a minute there I thought you really cared.” Toraf shrugs. “Being self-conscious doesn’t suit you.” Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?” “I think I know where Nalia and Emma get their temper.” Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.” “He’s not very good at interacting with others anymore, is he?” “I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.” It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face. “Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma. “Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.” That’s almost as bad.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Is what I am not saying, young LaMont Chu, is why you cease to seem to give total effort of self since you begin with the clipping pictures of great professional figures for your adhesive tape and walls. No? Because, privileged gentlemen and boys I am saying, is always something that is too. Cold. Hot. Wet and dry. Very bright sun and you see the purple dots. Very bright hot and you have no salt. Outside is wind, the insects which like the sweat. Inside is smell of heaters, echo, being jammed in together, tarp is overclose to baseline, not enough of room, bells inside clubs which ring the hour loudly to distract, clunk of machines vomiting sweet cola for coins. Inside roof too low for the lob. Bad lighting, so. Or outside: the bad surface. Oh no look no: crabgrass in cracks along baseline. Who could give the total, with crabgrass. Look here is low net high net. Opponent’s relatives heckle, opponent cheats, linesman in semifinal is impaired or cheats. You hurt. You have the injury. Bad knee and back. Hurt groin area from not stretching as asked. Aches of elbow. Eyelash in eye. The throat is sore. A too pretty girl in audience, watching. Who could play like this? Big crowd overwhelming or too small to inspire. Always something.’ [p.458]
David Foster Wallace (Infinite Jest)
Dulce et Decorum Est Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-nines that dropped behind. Gas! GAS! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime … Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, – My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.
Wilfred Owen (Anthem For Doomed Youth)
His lips parted under hers, damp and soft and warm, and she forgot all of that. Her entire life focused in on the sensations, the gentle pressure that grew more intense the longer the kiss went on. Chaste kisses, then dirtier ones, and man, those tasted good. They tasted better the wider her mouth opened, and especially after his tongue touched hers. She could have done a whole semester of kissing with Shane. Intense personal study. With lab classes. Time really wasn’t happening for her, but eventually Claire realized that there was a soft glow coming from the windows, and she was numb and sore from sitting on the floor. She winced as a muscle in her back protested, and Shane reached out, pulled her up, and settled himself on the couch. He stretched out, and extended a hand to her. She stared, tingling and confused. “There’s no room.’” “Plenty of room,’” he said. She felt breathless and kind of wild, stretching out on the tiny area of sofa cushion available next to him, and then smothered a yelp as Shane picked her up and draped her over his chest and, oh my God, over all the rest of him, too. “Better?’” he asked, and raised his eyebrows. It was a real question, and he was looking for a real answer. Claire felt a blush building a fire in her cheeks, but she didn’t look away from his gaze. “Perfect,’” she said.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
The last shot wasn’t bad,” he said, dropping the subject of the duel. “However, the target is the twig, not the leaves. The end of the twig,” he added. “You must have missed the twig yourself,” she pointed out, lifting the gun and aiming it carefully, “since it’s still there.” “True, but it’s shorter than it was when I started.” Elizabeth momentarily forgot what she was doing as she stared at him in disbelief and amazement. “Do you mean you’ve been clipping the end off it?” “A bit at a time,” he said, concentrating on her next shot. She hit another leaf on the twig and handed the gun back to him. “You’re not bad,” he complimented. She was an outstanding shot, and his smile said he knew it as he handed her a freshly loaded gun. Elizabeth shook her head. “I’d rather see you try it.” “You doubt my word?” “Let’s merely say I’m a little skeptical.” Taking the gun, Ian raised it in a swift arc, and without pausing to aim, he fired. Two inches of twig spun away and fell to the ground. Elizabeth was so impressed she laughed aloud. “Do you know,” she exclaimed with an admiring smile, “I didn’t entirely believe until this moment that you really meant to shoot the tassel off Robert’s boot!” He sent her an amused glance as he reloaded and handed her the gun. “At the time I was sorely tempted to aim for something more vulnerable.
Judith McNaught (Almost Heaven (Sequels, #3))
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?” Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back. “Fuck,” he said. “I thought that was one-way glass.” “It is.” Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me. “What did he say?” LeBlanc asked. “Wait for me.” “What?” “It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.” “Are you going to?” LeBlanc asked. Marsten’s lips curved in a smile. “He didn’t invite me.” LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.” “I’m not.” “You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.” “Really? Huh.” LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.” “Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it." “I don’t need to prove anything. Certainly not to a smart-mouthed—” He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away. “You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.” “So I win.” His face purpled. “You smug—” “Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
Kelley Armstrong (Bitten (Otherworld, #1))
KRÁKUMÁL [...] 25. We struck with our swords! My soul is glad, for I know that Balder’s father’s benches for a banquet are made ready. We’ll toss back toasts of ale from bent trees of the skulls; no warrior bewails his death in the wondrous house of Fjolnir. Not one word of weakness will I speak in Vidrir’s hall. 26. We struck with our swords! The sons of Aslaug all would rouse the wrath of Hild here with their ruthless sword-blades, if they fathomed fully how far I have traveled, how so many serpents stab me with their poison. My son’s hearts will help them: they have their mother’s lineage. 27. We struck with our swords! Soon my life is ended; Goinn scathes me sorely, settles in my heart’s hall; I wish the wand of Vidrir would wound Æelle, one day. My sons must feel great fury that their father is put to death; my daring swains won’t suffer in silence when they hear this. 28. We struck with our swords! I have stood in the ranks at fifty-one folk-battles, foremost in the lance-meet. Never did I dream that a different king should ever be found braver than me— I bloodied spears when young. Æsir will ask us to feast; no anguish for my death. 29. I desire my death now. The disir call me home, whom Herjan hastens onward from his hall, to take me. On the high bench, boldly, beer I’ll drink with the Gods; hope of life is lost now— laughing shall I die!
Ben Waggoner (The Sagas of Ragnar Lodbrok)
Do I get to come in?” he asked. She shrugged and stood aside. “I’m just packing.” “Moving again?” he asked with faint sarcasm. “You used to be easier to keep track of.” “Because I was living in a nest of spies!” she threw at him, having only recently gleaned that bit of information from Colby. “You got me an apartment surrounded by government agents!” “It was the safest place for you,” he said simply. “Someone was always watching you when I couldn’t.” “I didn’t need watching!” “You did,” he returned, perching on the arm of her big easy chair to stare at her intently. “You never realized it, but you were a constant target for anyone who had a grudge against me. In the end, it was why I gave up government work and got a job in the private sector.” He folded his arms over his broad chest, watching surprise claim her features. “There was a communist agent with a high-powered rifle one day, and a South American gentlemen with an automatic pistol the following week. You were never told about them. But you had two close calls. If you hadn’t been living in a ‘nest of spies,’ I’d have buried you. Funerals are expensive,” he added with a cold smile. She stared at him blankly. “Why didn’t you just send me back to South Dakota?” she asked. “To your stepfather?” he drawled. That was still a sore spot with her, and she was certain that he knew it. But she wouldn’t give him the satisfaction of arguing. He seemed to be spoiling for a fight. She turned away to the kitchen. “Want a cup of coffee?” He got up and took her by the shoulders. “I’m sorry,” he said. “That was a low blow.” “Another in a long line of them lately,” she said without meeting his eyes. “I seem to do nothing except rub you the wrong way.” “And you don’t know why?” he asked curtly, letting her go. She moved one shoulder as she went about the business of getting down a cup and saucer. “At a guess, you’re mad at somebody you can’t get to, and I’m the stand-in.” He chuckled. “How do you see through me so easily? Even my mother can’t do that.” If he thought about it, he’d know, she thought miserably.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Baby,” Day said softly, his throat still sore from being choked. God turned around slowly and faced him. Day choked up at the pained expression on his man’s face. He could see that God’s eyes were moist and red-rimmed. Day inched toward him and didn’t stop until he was pressed against that broad chest. God’s strong arms came around him and squeezed him hard. The guttural moan the man released against his temple made Day’s heart seize. God pulled back and gripped a handful of Day’s hair pulling so that he was looking up at him. God bent down and oh so gently grazed his soft lips across his. Day’s body vibrated from the sensual feeling. God rubbed his face all over Day’s as if he was marking him with his scent. God’s grip tightened in his hair and he moaned again. Day could feel God’s body trembling and Day didn’t know at that moment if the shaking was from residual fear or need, so he didn’t move as he let his lover do what he needed to do. God released the punishing grip and his large palms shook as they ghosted over Day’s face. His chin was tilted up by firm fingers and again was blessed with feathery-soft kisses. God leaned back in and draped his arms completely around him and Day embraced him back. The soft piano from the album serenaded them and God just barely rocked their bodies back and forth in a very slow dance. Every few seconds he’d stop to place kisses on his forehead before leaning back in.
A.E. Via
We sat at long tables side by side in a big dusty room where we laughed and carried on until they told us to pipe down and paint. The running joke was how we glowed, the handkerchiefs we sneezed into lighting up our purses when we opened them at night, our lips and nails, painted for our boyfriends as a lark, simmering white as ash in a dark room. "Would you die for science?" the reporter asked us, Edna and me, the main ones in the papers. Science? We mixed up glue, water and radium powder into a glowing greenish white paint and painted watch dials with a little brush, one number after another, taking one dial after another, all day long, from the racks sitting next to our chairs. After a few strokes, the brush lost its shape, and our bosses told us to point it with our lips. Was that science? I quit the watch factory to work in a bank and thought I'd gotten class, more money, a better life, until I lost a tooth in back and two in front and my jaw filled up with sores. We sued: Edna, Katherine, Quinta, Larice and me, but when we got to court, not one of us could raise our arms to take the oath. My teeth were gone by then. "Pretty Grace Fryer," they called me in the papers. All of us were dying. We heard the scientist in France, Marie Curie, could not believe "the manner in which we worked" and how we tasted that pretty paint a hundred times a day. Now, even our crumbling bones will glow forever in the black earth.
Eleanor Swanson
He toyed with her ear, catching the rim delicately between his teeth. “I’ll admit it wouldn’t be easy, being married to a Romany male. We’re possessive. Jealous. We prefer our wives never to touch another man. Nor would you have the right to refuse me your bed.” His lips covered hers in a molten kiss, his tongue exploring deeply. “But then,” he said, lifting his mouth, “you wouldn’t want to.” Another long, lazy kiss, and then Cam said against her mouth, “You’ll wear the look of a well-loved woman, monisha.” Amelia was forced to hold on to him for balance. “You would leave me, eventually.” “I swear to you, I wouldn’t. I’ve finally found my atchen tan.” “Your what?” “Stopping place.” “I didn’t know Romas had stopping places.” “Not all. Apparently I’m one of the few who do.” Shaking his head, Cam added in a disgruntled tone, “My back is sore after sleeping on the ground all night. My gadjo half has finally gotten the better of me.” Amelia ducked her head and pressed a shaky smile against the cool smoothness of his jerkin. “This is lunacy,” she muttered. Cam held her closer. “Marry me, Amelia. You’re what I want. You’re my fate.” One hand slid to the back of her head, gripping the braids and ribbons to keep her mouth upturned. “Say yes.” He nibbled at her lips, licked at them, opened them. He kissed her until she writhed in his arms, her pulse racing. “Say it, Amelia, and save me from ever having to spend a night with another woman. I’ll sleep indoors. I’ll get a haircut. God help me, I think I’d even carry a pocket watch if it pleased you.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
My kin would sooner have a badger in their house than a Campbell." Alan saw his mother open hermouth and shook his head to silence her. He not only knew Shelby could hold her own but wanted to see her do it. "Most MacGregors were comfortable enough with badgers in the parlor." "Barbarians!" Daniel sucked in his breath. "The Campbells were barbarians, each and every one of them." Shelby tilted her head as if to study him from a new angle. "The MacGregors have a reputation for being sore losers." Instantly Daniel's face went nearly as red as his hair. "Losers? Hah! There's never been a Campbell born who could stand up to a MacGregor in a fair fight. Backstabbers." "We'll have Rob Roy's biography again in a minute," Shelby heard Caine mutter. "You don't have a drink, Dad," he said, hoping to distract him. "Shelby?" "Yes." She shifted her gaze to him, noting he was doing his best to maintain sobriety. "Scotch," she told him, with a quick irrepressible wink. "Straight up.If the MacGregors had been wiser," she continued without missing a beat, "perhaps they wouldn't have lost their land and their kilts and the name.Kings," she went on mildly as Daniel began to huff and puff, "have a habit of getting testy when someone's trying to overthrow them." "Kings!" Daniel exploded. "An English king, by God! No true Scotsman needed an English king to tell him how to live on his land." Shelby's lips curved as Caine handed her a glass. "That's a truth I can drink to." "Hah!" Daniel lifted his glass and drained it in one swallow before he thumped it onto the table at his side. Cocking a brow,Shelby eyed the Scotch in her glass,then proceeded to follow Daniel's example. For a moment,he frowned at the empty glass beside his. Slowly,with the room deadly silent,he shifted his gaze back to Shelby.His eyes were fierce, hers insolent. Heaving himself out of his chair, he towered over here, a great bear of a man with fiery hair.She put both hands on her hips, a willow-slim woman with curls equally dramtic. Alan wished fleetingly he could paint. Daniel's laugh, when he threw back his head and let it loose,was rich and loud and long. "Aye,by God,here's a lass!" Shelby found herself swept off her feet in a crushing hug that held welcome.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar. Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.” Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it. “Explain that,” she commanded, backing away and then waiting. “Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her. Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake. “Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?” When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!” Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.” “I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.” “Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously. With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.” “Do you deny you sent me a note?” she snapped. “Of course I deny it!” “Then what were you doing in the greenhouse?” she shot back at him. “I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
Judith McNaught (Almost Heaven (Sequels, #3))