Soprano Italian Quotes

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Marinara Sauce Tomato Sauce Makes about 3 cups 2 large garlic cloves, lightly smashed 1/4 cup olive oil 2 pounds very ripe plum tomatoes, peeled, seeded, and chopped, or one 28-ounce can Italian peeled tomatoes, drained and chopped Salt 8 to 10 fresh basil leaves, torn into pieces In a large skillet, cook the garlic in the olive oil over medium heat, pressing it occasionally with the back of a spoon, until golden, about 4 minutes. Add the tomatoes and salt to taste. Bring to a simmer and cook, stirring often, until the sauce is thick, 15 to 20 minutes, depending on the tomatoes. Stir in the basil leaves. Serve over hot cooked spaghetti or other pasta.
Allen Rucker (The Sopranos Family Cookbook: As Compiled by Artie Bucco)
In the West, castrati are known to history not for their political influence but mainly for their vocal peculiarities. In addition to removing the power to procreate, the castrating operation retards the deepening of the voice, and leaves the eunuch a soprano. From Constantinople the practice spread of using eunuchs in choirs. In the eighteenth century Handel’s operas featured castrati, who then began to dominate the opera scene, sometimes requiring composers to write in parts especially for them. Until the early nineteenth century castrati sang in the papal choir in Rome. The Italian practice of castrating boys to prepare them to become adult male sopranos did not end till the reign of Pope Leo XIII in the late nineteenth century.
Daniel J. Boorstin (The Discoverers (Knowledge Series Book 2))
Manaus is famous for its hulking Amazonas Theater, an opera house built of Italian marble and surrounded by roads made of rubber so the carriage clatter of late arrivals wouldn’t interrupt the voices of Europe’s best tenors and sopranos.
Greg Grandin (Fordlandia: The Rise and Fall of Henry Ford's Forgotten Jungle City)
Tony Soprano, when he has sex with a one-legged Russian immigrant or beats an arrogant lawyer to a pulp—let viewers vicariously experience the true, genuine, and transparent enjoyment of life and pleasure that middle-class self-discipline prevents them to experience, as least in everyday real life—and that may resonate “authentic” and true to other working-class people, white, black, and Hispanic. They show no inclination or patience for the delayed gratification the middle-class ethics of success prescribes.72
Simone Cinotto (Making Italian America: Consumer Culture and the Production of Ethnic Identities (Critical Studies in Italian America))
There are still people in New York who call themselves Italian Mafia, but it is a motley collection of low-level criminals that would embarrass Lucky Luciano. It more closely resembles The Sopranos, without the therapist.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)