“
Women who focus on style over substance usually find themselves in a big fucking hole, with other men who want to fuck the hole. Oh so smooth, and none sophistacted. Because, you know, how sophisticated can hole-fucking really be
”
”
Emilie Autumn
“
Men like Raymond, pedestrial dullards, would always be distracted by women who looked like her, having neither the wit nor the sophistication to see beyond mammaries and peroxide.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
She is often the broken-winged one, who does everything all wrong until people realize she's been doing it... pretty right all along. She's the poor girl who never dressed right, who had torn hose, and they were all baggy around her ankles. She's the Raggedy Ann of the sophisticated world, who pulls it out at the last minute, flies by the seat of her pants, cackling all the way home. She is the late bloomer, the late start, the autumn bush, the winter holly. She is Baubo, all the classical Greek goddesses. She is the old girl who still blushes, and laughs, and dances. She's the truth teller, maybe that people hate to hear, but they learn to listen to. She is not dumb and in some ways is not shrewd. She works on passion, and the doll in her pocket, and the intuition that leads her into and through all the world.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Godly womanhood ... the very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom do we hear of a godly woman - or of a godly man either, for that matter.We believe women come nearer to fulfilling their God-given function in the home than anywhere else. It is a much nobler thing to be a good wife, than to be Miss America. It is a greater achievement to establish a Christian home than it is to produce a second-rate novel filled with filth. It is a far, far better thing in the realms of morals to be old-fashioned, than to be ultra-modern. The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.
”
”
Peter Marshall
“
It is fashionable among intellectuals and sophisticates to scoff at true love -- to pretend it is nothing but a sweet fairy tale sold to children and young women, to be taken as seriously as magic wands or glass slippers. I feel nothing but pity for these learned persons, because they would not say such foolish things if they had ever experienced love for themselves.
”
”
Alix E. Harrow (The Ten Thousand Doors of January)
“
I'm not opposed to aging - even though society is kinder on men than women when it comes to getting old. How can I look at aging as the enemy? It happens whether I like it or not and no one is set apart from growing old; it comes to us all. Youth passes from everyone, so why deny it? I'm proud of my age. I'm proud that I've survived this planet for as long as I have, and should I end up withered, wrinkled and with a lifetime of great wisdom, I'll trade the few years of youth for the sophistication of a great mind...for however long it lasts.
”
”
Donna Lynn Hope
“
She was unique in his sophisticated world, a far cry from all the women he’d known, completely natural, fresh and artless, irrepressibly eager for sex. His constant wet dream.
”
”
C.C. Gibbs (All He Desires (All or Nothing, #3))
“
Voices of village idiots roiled in a jester's stew of odds-making tomfoolery. Occasionally, a monkey screamed in the heat of competition, and crude words were freely spoken. The more sophisticated were forced to tolerate such low-minded displays.
”
”
Michael Ben Zehabe (Persianality)
“
Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers."
"I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic."
"Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap."
"You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business."
"Uh-huh. What about career women?"
"I don't see how that would work."
"The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs."
He lifted an eyebrow. "Attitude, Annabelle. Attitude.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
The real joke that history played on American women is not the one that makes people snigger, with cheap Freudian sophistication, at the dead feminists. It is the joke that Freudian thought played on living women, twisting the memory of the feminists into the man-eating phantom of the feminine mystique, shriveling the very wish to be more than just a wife and mother.
”
”
Betty Friedan (The Feminine Mystique)
“
Now domestication and sophistication of men by women are the norm and acceptable by society, but they are terrible for manhood.
”
”
Debasish Mridha
“
The acceptance of woman as object of the desiring male gaze in the visual arts is so universal that for a woman to question or draw attention to this fact is to invite derision, to reveal herself as one who does not understand the sophisticated strategies of high culture and takes art "too literally," and is therefore unable to respond to aesthetic discourses. This is of course maintained within a world - a cultural and academic world - which is dominated by male power and, often unconscious, patriarchal attitudes. In Utopia - that is to say, in a world in which the power structure was such that both men and women equally could be represented clothed or unclothed in a variety of poses and positions without any subconscious implications of dominance or submission - in a world of total and, so to speak, unconscious equality, the female nude would not be problematic. In our world, it is.
”
”
Linda Nochlin
“
Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation -- latent fears that we might be going too far.
”
”
Naomi Wolf (The Beauty Myth)
“
In my world, truly sophisticated women are defined by their sensuality, more so than their femininity.
”
”
Lebo Grand
“
You’ve never understood homophobia. Gay guys tend to be better groomed and better dressed and more sophisticated than the rest of us—if they were straight, they’d be stealing all the women.
”
”
Paul Cleave (Trust No One)
“
While we might say that we have fallen in love or developed a crush on someone unsuitable, the Greeks tended to externalize the causes of such experiences. We fall in love, they were struck by an arrow shot by the god Eros, for example. A sophisticated language of psychology simply didn’t exist at the time that Euripides was writing, so things which are internalized for us were often launched upon a Greek from without.
”
”
Natalie Haynes (Pandora's Jar: Women in the Greek Myths)
“
The tape measures and weighing scales of the Victorian brain scientists have been supplanted by powerful neuroimaging technologies, but there is still a lesson to be learned from historical examples such as these. State-of-the-art brain scanners offer us unprecedented information about the structure and working of the brain. But don't forget that, once, wrapping a tape measure around the head was considered modern and sophisticated, and it's important not to fall into the same old traps. As we'll see in later chapters, although certain popular commentators make it seem effortlessly easy, the sheer complexity of the brain makes interpreting and understanding the meaning of any sex differences we find in the brain a very difficult task. But the first, and perhaps surprising, issue in sex differences research is that of knowing which differences are real and which, like the intially promising cephalic index, are flukes or spurious.
”
”
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
“
Most, I loved James Baldwin's essays. There was to a Baldwin essay a metropolitan elegance I envied, a refusal of the livid. In Baldwin I found a readiness to rise to prophetic wrath, something like those ministers, and yet, once more, to bend down in tenderness, to call grown men and women "baby" (a whiff of the theater). Watching Baldwin on television—I will always consider the fifties to have been a sophisticated time—fixed for me what being a writer must mean. Arching eyebrows intercepted ironies, parenthetically declared fouls; mouthfuls of cigarette smoke shot forth ribbons of exactitude.
”
”
Richard Rodríguez
“
Jack enjoyed watching Amanda's face in the candlelight, her expression by turns thoughtful, amused, and lively, those gray eyes gleaming more brightly than the polished silver.
Unlike the other women present, who picked at their food with appropriately feminine disinterest, Amanda displayed a healthy appetite. Apparently it was one of the privileges of spinsterhood, that a woman could eat well in public. She was so natural and straightforward, a refreshing change from the other sophisticated women he had known.
”
”
Lisa Kleypas (Suddenly You)
“
Here’s what I’ve learned about the people in this city,” Darcy was saying. “They grade their women on a curve. If someone is described as sophisticated, it means once during college she visited Paris, and if someone is described as beautiful, it means she’s fifteen pounds overweight instead of forty. And
”
”
Curtis Sittenfeld (Eligible)
“
Men like Raymond, pedestrian dullards, would always be distracted by women who looked like her, having neither the wit nor the sophistication to see beyond mammaries and peroxide.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
She always felt a little uneasy around women who were more sophisticated than she was.
”
”
Chelsea Cain (Heartsick (Archie Sheridan & Gretchen Lowell, #1))
“
It was as if the two women represented the poles of his desires, one of them forthright, spontaneous and simple in her tastes; the other engimatic, sophisticated, wedded to luxury.
”
”
Amitav Ghosh (Flood of Fire)
“
Women are beautiful, sophisticated, and complex creatures, but they do have dark secrets too.
”
”
Oscar Auliq-Ice
“
Naturalness?’ I said, loudly. ‘This lot’ll tell you anything is natural; they’ll tell you greed and hate and jealousy and paranoia and unthinking religious awe and fear of God and hating anybody who’s another colour or thinks different is natural. Hating blacks or hating whites or hating women or hating men or hating gays; that’s natural. Dog-eat-dog, looking out for number one, no lame ducks . . . Shit, they’re so convinced about what’s natural it’s the more sophisticated ones that’ll tell you suffering and evil are natural and necessary because otherwise you can’t have pleasure and goodness. They’ll tell you any one of their rotten stupid systems is the natural and right one, the one true way; what’s natural to them is whatever they can use to fight their own grimy corner and fuck everybody else. They’re no more natural than us than an amoeba is more natural than them just because it’s cruder.
”
”
Iain M. Banks (The State of the Art (Culture, #4))
“
We have still not recovered, in the West, from that act of primary alienation from the source of our earthly lives. No matter how sophisticated our technologies or how “secular” our lifestyles, we in the West, because our culture is so historically saturated with biblical imagery and worldview, still tend to be ruled by archetypal models of a male pastoral god whose power comes not from giving birth, or enhancing life, but from dominating and breeding cattle herds as a sign of egoistic individual wealth. And dominating women as unclean but profitable cows, as well. The
”
”
Monica Sjöö (The Great Cosmic Mother: Rediscovering the Religion of the Earth)
“
We are all of us exposed to grief: the people we love die, as we shall ourselves in due course; expectations are disappointed and ambitions are thwarted by circumstance. Finally, there are some who insist upon feeling guilty over the ill they have done or simply on account of the ugliness which they perceive in their own souls. A solution of a kind has been found to this problem in the form of sedatives and anti-depressant drugs, so that many human experiences which used to be accepted as an integral part of human life are now defined and dealt with as medical problems. The widow who grieves for a beloved husband becomes a 'case', as does the man saddened by the recollection of the napalm or high explosives he has dropped on civilian populations. One had thought that guilt was a way, however indirect, in which we might perceive the nature of reality and the laws which govern our human experience; but it is now an illness that can be cured.
Death however, remains incurable. Though we might be embarrassed by Victorian death-bed scenes or the practices of mourning among people less sophisticated than ourselves, the fact of death tells us so much about the realities of our condition that to ignore it or try to forget it is to be unaware of the most important thing we need to know about our situation as living creatures. Equally, to witness and participate in the dying of our fellow men and women is to learn what we are and, if we have any wisdom at all, to draw conclusions which must in their way affect our every thought and our every act.
”
”
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
“
Blond hair and large breasts are so clichéd, so obvious. Men like Raymond, pedestrian dullards, would always be distracted by women who looked like her, having neither the wit nor the sophistication to see beyond mammaries and peroxide.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
Well...what you did in Rosewater County was far from insane. It was quite possibly the most important social experiment of our time, for it dealt on a very small scale with a problem whose queasy horrors will eventually be made world-wide by the sophistication of machines. The problem is this: How to love people who have no use?
In time, almost all men and women will become worthless as producers of goods, food, services, and more machines, as sources of practical ideas in the areas of economics, engineering, and probably medicine, too. So - if we can't find reasons and methods for treasuring human beings because they are _human beings_, then we might as well, as has so often been suggested, rub them out.
”
”
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
“
The modern challenge to motherhood is the eternal challenge--that of being a godly woman. The very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom to we hear of a godly woman--or of a godly man either, for that matter. I believe women come nearer to fulfilling their God-given function in the home than anywhere else.
”
”
Peter Marshall
“
Talk about corporate greed and everything is really crucially beside the point, in my view, and really should be recognized as a very big regression from what working people, and a lot of others, understood very well a century ago.
Talk about corporate greed is nonsense. Corporations are greedy by their nature. They’re nothing else – they are instruments for interfering with markets to maximize profit, and wealth and market control. You can’t make them more or less greedy; I mean maybe you can sort of force them, but it’s like taking a totalitarian state and saying “Be less brutal!” Well yeah, maybe you can get a totalitarian state to be less brutal, but that’s not the point – the point is not to get a tyranny to be less brutal, but to get rid of it.
Now 150 years ago, that was understood. If you read the labour press – there was a very lively labour press, right around here [Massachusetts] ; Lowell and Lawrence and places like that, around the mid nineteenth century, run by artisans and what they called factory girls; young women from the farms who were working there – they weren’t asking the autocracy to be less brutal, they were saying get rid of it.
And in fact that makes perfect sense; these are human institutions, there’s nothing graven in stone about them. They [corporations] were created early in this century with their present powers, they come from the same intellectual roots as the other modern forms of totalitarianism – namely Stalinism and Fascism – and they have no more legitimacy than they do.
I mean yeah, let’s try and make the autocracy less brutal if that’s the short term possibility – but we should have the sophistication of, say, factory girls in Lowell 150 years ago and recognize that this is just degrading and intolerable and that, as they put it “those who work in the mills should own them ” And on to everything else, and that’s democracy – if you don’t have that, you don’t have democracy.
”
”
Noam Chomsky (Free Market Fantasies: Capitalism in the Real World)
“
Did he say anything to you?”
“Just that I was supposed to watch you while he was gone. A hunt can take several days.”
“Really? I had no idea it would take that long.” I hestitated, “So…he doesn’t mind you staying here while he’s gone.”
“Oh, he minds,” he chuckled, “but he wants to make sure you’re safe. At least he trusts me that much.”
“Well, I think he’s mad at both of us right now.”
Kishan looked at me curiously with a raised eyebrow. “How so?”
“Um…let’s just say we had a misunderstanding.”
Kishan’s face turned hard. “Don’t worry, Kelsey. I’m sure that whatever he’s upset about is foolish. He’s very argumentative.”
I sighed and shook my head sadly. “No, it’s really all my fault. I’m difficult, a hindrance, and I’m a pain to have around sometimes. He’s probably used to being around sophisticated, more experienced women who are much more…more…well, more than I am.”
Kishan quirked an eyebrow. “Ren hasn’t been around any women as far as I know. I must confess that I’m now exceedingly curious as to what your argument was about. Whether you tell me or not, I won’t tolerate any more derogatory comments about yourself. He’s lucky to have you, and he’d better realize it.”
He grinned. “Of course, if you did have a falling out, you’re always welcome to stay with me.”
“Thanks for the offer, but I don’t really want to live in the jungle.”
He laughed. “For you, I would even consider a change of residence. You, my lovely, are a prize worth fighting for.”
I laughed and punched him lightly on the arm. “You, sir, are a major flirt. Worth fighting for? I think you two have been tigers for too long. I’m no great beauty, especially when I’m stuck out here in the jungle. I haven’t even picked a college major yet. What have I ever done that would make someone want to fight over me?”
Kishan apparently took my rhetorical questions seriously. He reflected for a moment, and then answered, “For one thing, I’ve never met a woman so dedicated to helping others. You put your own life at risk for a person you met only a few weeks ago. You are confident, feisty, intelligent, and full of empathy. I find you charming and, yes, beautiful.”
The golden-eyed prince fingered a strand of my hair. I blushed at his assessment, sipped my water, and then said softly, “I don’t like him being angry with me.”
Kishan shrugged and dropped his hand, looking slightly annoyed that I’d steered the conversation back to Ren. “Yes. I’ve been on the receiving side of his anger, and I’ve learned not to underestimate his ability to hold a grudge.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Anthropologie is not butch, phantom or otherwise. It is Disney with a slightly more sophisticated but no less carefully engineered aesthetic. It is to adult women what princesses are to little girls. It is a twirling motion in the form of an international brand.
”
”
Meghan Daum (The Unspeakable: And Other Subjects of Discussion)
“
A woman's sexual desire must be filtered through a careful appraisal of potential risks. During human prehistory, women who blindly gave in to every sexual urge likely faced a host of daunting challenges, including - in the extreme cases - death. Most important, from an evolutionary point of view, her children would have a harder time surviving than the children of a woman who limited the expression of her sexual urges to a strong and decent man willing to invest in a stable, long-term, child-rearing relationship. All modern women are the fruit of feminine caution. The result of this whittling away of the impulsive branches of our ancestral maternal tree is a female brain equipped with the most sophisticated neural software on Earth. A system designed to uncover, scrutinize, and evaluate a dazzling range of informative clues.
”
”
Ogi Ogas (A Billion Wicked Thoughts: What the World's Largest Experiment Reveals about Human Desire)
“
Let's get it over with, so I can stop wondering. How many have there been?"
Lauren stared at him."How many what?"
"Lovers," he clarified bitterly.
She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared.
Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?"
"Right," he said grimly, glowering at the ice cubes in his glass.
"You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-"
"Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you."
Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-"
"I know what I said," he snapped tersely. "Now,how many?"
She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one."
Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?"
"I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork.
"All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her.
"Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork.
"I will...after a while."
"What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-"
"I know what I said,dammit!"
"Then why do you look so angry? You didn't lie to me,did you?"
"I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time."
"Why?" she goaded.
"Because it was convenient to believe it," he bit out. "I was not in love with you then."
Lauren loved him more at that moment than ever. "Would you like me to tell you about him?"
"No," he said coldly.
Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-"
"Dammit, stop it!" Nick grated in genuine fury.
"His name is John."
Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!"
"John Nicholas Sinclair," Lauren clarified.
”
”
Judith McNaught (Double Standards)
“
Harriet loved her new persona. As Maxine, she was courageous and accomplished, a woman of sophistication equally at home in Cannes or on the Indian subcontinent. As Maxine she didn't walk, she strode; she did not merely see, but beheld. The very air she breathed was bracing. Here was a conqueror of worlds.
”
”
Diane Hammond (Hannah's Dream)
“
In Vietnamese hoa means 'flower' and the first thing we noticed on the menu was lau hoa, flower hotpot. This was where we were meant to be.
Stunning fresh blossoms of squash, daylilies, white so dua flowers, lotus stems and yellow velvetleaf buds made up the floral ingredients in our flower hotpot. All of these were cooked together in a light pineapple soup base that included chunks of salmon. The restaurant's brochure explained why the name had been chosen: 'Chi Hoa, which means "flowers", is a common name of many Vietnamese women who are sophisticated, caring and always bring great love into every meal they cook for their family.
”
”
Constance Kirker (Edible Flowers: A Global History)
“
At first glance, the stewardess appears to have been a reflection of conservative postwar gender roles—an impeccable airborne incarnation of the mythical homemaker of the 1950s who would happily abandon work to settle down with Mr. Right. A high-flying expert at applying lipstick, warming baby bottles, and mixing a martini, the stewardess was popularly imagined as the quintessential wife to be. Dubbed the “typical American girl,” this masterful charmer—known for pampering her mostly male passengers while maintaining perfect poise (and straight stocking seams) thirty thousand feet above sea level—became an esteemed national heroine for her womanly perfection.
But while the the stewardess appears to have been an airborne Donna Reed, a closer look reveals that she was also popularly represented as a sophisticated, independent, ambitious career woman employed on the cutting edge of technology. This iconic woman in the workforce was in a unique position to bring acceptance and respect to working women by bridging the gap between the postwar domestic ideal and wage work for women. As both the apotheosis of feminine charm and American careerism, the stewardess deftly straddled the domestic ideal and a career that took her far from home. Ultimately, she became a crucial figure in paving the way for feminism in America.
”
”
Victoria Vantoch (The Jet Sex: Airline Stewardesses and the Making of an American Icon)
“
There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting.
There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.
”
”
Maya Angelou (Singin' and Swingin' and Gettin' Merry Like Christmas (Maya Angelou's Autobiography, #3))
“
Sixsmith,
Eva. Because her name is a synonym for temptation: what treads nearer to the core of man? Because her soul swims in her eyes. Because I dream of creeping through the velvet folds to her room, where I let myself in, hum her a tune so-so-so softly, she stands with her naked feet on mine, her ear to my heart, and we waltz like string puppets. After that kiss, she says, “Vous embrassez comme un poisson rouge!” and in moonlight mirrors we fall in love with our youth and beauty. Because all my life, sophisticated, idiotic women have taken it upon themselves to understand me, to cure me, but Eva knows I’m terra incognita and explores me unhurriedly, like you did. Because she’s lean as a boy. Because her scent is almonds, meadow grass. Because if I smile at her ambition to be an Egyptologist, she kicks my shin under the table. Because she makes me think about something other than myself. Because even when serious she shines. Because she prefers travelogues to Sir Walter Scott, prefers Billy Mayerl to Mozart, and couldn’t tell C major from a sergeant major. Because I, only I, see her smile a fraction before it reaches her face. Because Emperor Robert is not a good man—his best part is commandeered by his unperformed music—but she gives me that rarest smile, anyway. Because we listened to nightjars. Because her laughter spurts through a blowhole in the top of her head and sprays all over the morning. Because a man like me has no business with this substance “beauty,” yet here she is, in these soundproofed chambers of my heart.
Sincerely, R.F.
”
”
David Mitchell (Cloud Atlas)
“
We hear about every other kind of women- beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom do we hear of a godly woman - or of a godly man for that matter.....It is a much nobler thing to be a good wife than to be Miss America......it is a far, far better thing in the realms of morals to be old-fashioned than to be ultra modern. The world has enough women who know how to hold their cocktails, who have lost all their illusions and their faith..... the world has enough woman who know how to be brilliant. It needs some who will be brave. The World had enough woman who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct. " Quote from Peter Marshall in the book Un Compromising
”
”
Hannah Farver (Uncompromising: A Heart Claimed By a Radical Love)
“
Legasov went further still. Turning his back on every political orthodoxy he had believed in since he was a teenager, the academician said that Soviet science had lost its way. The men and women behind the great triumphs of Soviet technology—who had created the first nuclear power plant and launched Yuri Gagarin into space—had been striving for a new and better society and acted with a morality and strength of purpose inherited from Pushkin and Tolstoy. But the thread of virtuous purpose had run through their fingers, leaving behind a generation of young people who were technologically sophisticated but morally untethered. It was this profound failure of the Soviet social experiment, and not merely a handful of reckless reactor operators, that Legasov believed was to blame for the catastrophe that had bloomed from Reactor Number Four.
”
”
Adam Higginbotham (Midnight in Chernobyl: The Untold Story of the World's Greatest Nuclear Disaster)
“
He couldn’t take his eyes off Laura, I noticed, apparently hypnotized rather in the manner of a mongoose before a snake. She was clearly aware of this. I suspected she was used to it, looking the way she did. Blond hair and large breasts are so clichéd, so obvious. Men like Raymond, pedestrian dullards, would always be distracted by women who looked like her, having neither the wit nor the sophistication to see beyond mammaries and peroxide.
”
”
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
“
He couldn't take his eyes off Laura, I noticed, apparently hypnotized rather in the manner of a mongoose before a snake. She was clearly aware of this. I suspected she was sued to it, looking the way she did. Blonde hair and large breasts are so cliched, so obvious. Men like Raymond, pedestrian dullards, would always be distracted by women who looked like her, having neither the wit nor the sophistication to see beyond mammaries and peroxide.
”
”
Gail Honeyman
“
There are certain men who are sacrosanct in history; you touch on the truth of them at your peril. These are such men as Socrates and Plato, Pericles and Alexander, Caesar and Augustus, Marcus Aurelius and Trajan, Martel and Charlemagne, Edward the Confessor and William of Falaise, St. Louis and Richard and Tancred, Erasmus and Bacon, Galileo and Newton, Voltaire and Rousseau, Harvey and Darwin, Nelson and Wellington. In America, Penn and Franklin, Jefferson and Jackson and Lee. There are men better than these who are not sacrosanct, who may be challenged freely. But these men may not be. Albert Pike has been elevated to this sacrosanct company, though of course to a minor rank. To challenge his rank is to be overwhelmed by a torrent of abuse, and we challenge him completely.
Looks are important to these elevated. Albert Pike looked like Michelangelo's Moses in contrived frontier costume. Who could distrust that big man with the great beard and flowing hair and godly glance?
If you dislike the man and the type, then he was pompous, empty, provincial and temporal, dishonest, and murderous. But if you like the man and the type, then he was impressive, untrammeled, a man of the right place and moment, flexible or sophisticated, and firm.
These are the two sides of the same handful of coins.
He stole (diverted) Indian funds and used them to bribe doubtful Indian leaders. He ordered massacres of women and children (exemplary punitive operations). He lied like a trooper (he was a trooper). He effected assassinations (removal of semi-military obstructions). He forged names to treaties (astute frontier politics). He was part of a weird plot by men of both the North and South to extinguish the Indians whoever should win the war (devotion to the ideal of national growth ) . He personally arranged twelve separate civil wars among the Indians (the removal of the unfit) . After all, those were war years; and he did look like Moses, and perhaps he sounded like him.
”
”
R.A. Lafferty (Okla Hannali)
“
However, in the twenty-first century the majority of both men and women might lose their military and economic value. Gone is the mass conscription of the two world wars. The most advanced armies of the twenty-first century rely far more on cutting-edge technology. Instead of limitless cannon fodder, countries now need only small numbers of highly trained soldiers, even smaller numbers of special forces super-warriors and a handful of experts who know how to produce and use sophisticated technology. Hi-tech forces ‘manned’ by pilotless drones and cyber-worms are replacing the mass armies of the twentieth century, and generals delegate more and more critical decisions to algorithms.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
Between Myself and Death
To Jimmy Blanton's Music:
Sophisticated Lady, Body and Soul
A fervor parches you sometimes,
And you hunch over it, silent,
Cruel, and timid; and sometimes
You are frightened with wantonness,
And give me your desperation.
Mostly we lurk in our coverts,
Protecting our spleens, pretending
That our bandages are our wounds.
But sometimes the wheel of change stops;
Illusion vanishes in peace;
And suddenly pride lights your flesh—
Lucid as diamond, wise as pearl—
And your face, remote, absolute,
Perfect and final like a beast's.
It is wonderful to watch you,
A living woman in a room
Full of frantic, sterile people,
And think of your arching buttocks
Under your velvet evening dress,
And the beautiful fire spreading
From your sex, burning flesh and bone,
The unbelievably complex
Tissues of your brain all alive
Under your coiling, splendid hair.
* * *
I like to think of you naked.
I put your naked body
Between myself alone and death.
If I go into my brain
And set fire to your sweet nipples,
To the tendons beneath your knees,
I Can see far before me.
It is empty there where I look,
But at least it is lighted.
I know how your shoulders glisten,
How your face sinks into trance,
And your eves like a sleepwalker's,
And your lips of a woman
Cruel to herself.
I like to
Think of you clothed, your body
Shut to the world and self contained,
Its wonderful arrogance
That makes all women envy you.
I can remember every dress,
Each more proud then a naked nun.
When I go to sleep my eves
Close in a mesh of memory.
Its cloud of intimate odor
Dreams instead of myself.
”
”
Kenneth Rexroth (Selected Poems)
“
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress?
Well, there was his native charm.
People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners.
The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man."
There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words."
But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable.
Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat."
Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle."
Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it."
But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
”
”
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
“
Athenian democracy, though it had the grave limitation of not including slaves or women, was in some respects more democratic than any modern system. Judges and most executive officers were chosen by lot, and served for short periods; they were thus average citizens, like our jurymen, with the prejudices and lack of professionalism characteristic of average citizens. In general, there were a large number of judges to hear each case. The plaintiff and defendant, or prosecutor and accused, appeared in person, not through professional lawyers. Naturally, success or failure depended largely on oratorical skill in appealing to popular prejudices. Although a man had to deliver his own speech, he could hire an expert to write the speech for him, or, as many preferred, he could pay for instruction in the arts required for success in the law courts. These arts the Sophists were supposed to teach.
”
”
Bertrand Russell (A History of Western Philosophy)
“
She sat facing the window, and he marvelled a little at the contrast between the elegant sophistication of her appearance and the enchanting simplicity of her spirit. She looked as if she should view life from the weary eminence of a throne, and she viewed it like an eager child. He was sub-consciously aware of the significance of the attitude of the inn-keeper and the waitress towards her. Chitterne, in his twenty-seven years, had entertained all kinds of women from all strata of society, and he was aware, without examining the knowledge, that the inn people accepted her as his natural companion. From all those subtle shades of manner which their kind employ to customers they used the one they would have used to Ursula. Her clothes were fashionable and well cut, of course; but clothes alone would not have produced that tribute. There was an aloofness in her beauty, a stillness, something that was almost scorn.
”
”
Josephine Tey
“
I once knew a weak woman of fashion, who was more than commonly proud of her delicacy and sensibility. She thought a distinguishing taste and puny appetite the height of all human perfection, and acted accordingly. I have seen this weak sophisticated being neglect all the duties of life, yet recline with self-complacency on a sofa, and boast of her want of appetite as a proof of delicacy that extended to, or, perhaps, arose from, her exquisite sensibility: for it is difficult to render intelligible such ridiculous jargon. Yet, at the moment, I have seen her insult a worthy old gentlewoman, whom unexpected misfortunes had made dependent on her ostentatious bounty, and who, in better days, had claims on her gratitude. Is it possible that a human creature should have become such a weak and depraved being, if, like the Sybarites, dissolved in luxury, every thing like virtue had not been worn away, or never impressed by precept, a poor substitute it is true, for cultivation of mind, though it serves as a fence against vice?
”
”
Mary Wollstonecraft (A Vindication of the Rights of Woman)
“
Belinda was able to carry the most complicated orders for six or seven tables in her head without ever forgetting an item. She also knew instinctively what her customers would order before they did. Her predictions became something of a parlor trick for a while, in fact. Beyond such obvious attributes, however, Belinda was able to morph both her personality and her looks to suit whoever she was waiting on. For example, I'd watch her waiting on a group of young women and she'd appear reserved and fresh faced. Her conversation with them would be friendly but impersonal, never threatening. For couples, she'd become sophisticated, knowledgeable, and attractive. When waiting on men, she became girlishly flirtatious and subtly sexy. Were it not for her obvious sincerity at the table, Belinda would have merely been a good actress. But I don't believe that Belinda herself was aware of her transformations, and that detachment was part of the reason she made more money and received more compliments on her service than any of her coworkers.
”
”
Debra Ginsberg (Waiting: The True Confessions of a Waitress)
“
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room.
Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole.
Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child.
Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
How could she even think what she’s thinking? Alessandro wondered silently as he watched Brianna glare pure murder at the misguided Gertie smiling up at him. Alessandro cocked an amused eyebrow and gave her a polite smile when he noticed the look on Brianna’s face. Didn’t she know that if it weren’t for all these people, Alessandro would drag her onto the bar and fuck her madly? As it was, his body had maintained its state of semi arousal for most of the morning and into this late afternoon. He was half-tempted to drag her into the nearest closet. And she was jealous. Alessandro wanted to laugh at the ridiculous notion. While he could still appreciate the beauty of young Gertie on an aesthetic level, Brianna really had ruined him for other women. If anything, the fact that she had carried his son in her body, given birth to his child, made his primal need and want of her all that more intense. Alessandro considered himself sophisticated and well-schooled in the ways of women and how to seduce them. With Brianna, he just wanted. Her strength, her heart, her passion, her courage, all coupled with a body that kept him hard as a rock for more time than was surely healthy, created the only woman he would ever love. Ever.
”
”
E. Jamie (The Betrayal (Blood Vows, #2))
“
After a series of promotions—store manager at twenty-two, regional manager at twenty-four, director at twenty-seven—I was a fast-track career man, a personage of sorts. If I worked really hard, and if everything happened exactly like it was supposed to, then I could be a vice president by thirty-two, a senior vice president by thirty-five or forty, and a C-level executive—CFO, COO, CEO—by forty-five or fifty, followed of course by the golden parachute. I’d have it made then! I’d just have to be miserable for a few more years, to drudge through the corporate politics and bureaucracy I knew so well. Just keep climbing and don't look down. Misery, of course, encourages others to pull up a chair and stay a while. And so, five years ago, I convinced my best friend Ryan to join me on the ladder, even showed him the first rung. The ascent is exhilarating to rookies. They see limitless potential and endless possibilities, allured by the promise of bigger paychecks and sophisticated titles. What’s not to like? He too climbed the ladder, maneuvering each step with lapidary precision, becoming one of the top salespeople—and later, top sales managers—in the entire company.10 And now here we are, submerged in fluorescent light, young and ostensibly successful. A few years ago, a mentor of mine, a successful businessman named Karl, said to me, “You shouldn’t ask a man who earns twenty thousand dollars a year how to make a hundred thousand.” Perhaps this apothegm holds true for discontented men and happiness, as well. All these guys I emulate—the men I most want to be like, the VPs and executives—aren’t happy. In fact, they’re miserable. Don’t get me wrong, they aren’t bad people, but their careers have changed them, altered them physically and emotionally: they explode with anger over insignificant inconveniences; they are overweight and out of shape; they scowl with furrowed brows and complain constantly as if the world is conspiring against them, or they feign sham optimism which fools no one; they are on their second or third or fourth(!) marriages; and they almost all seem lonely. Utterly alone in a sea of yes-men and women. Don’t even get me started on their health issues. I’m talking serious health issues: obesity, gout, cancer, heart attacks, high blood pressure, you name it. These guys are plagued with every ailment associated with stress and anxiety. Some even wear it as a morbid badge of honor, as if it’s noble or courageous or something. A coworker, a good friend of mine on a similar trajectory, recently had his first heart attack—at age thirty. But I’m the exception, right?
”
”
Joshua Fields Millburn (Everything That Remains: A Memoir by The Minimalists)
“
The cheerleaders of the new data regime rarely acknowledge the impacts of digital decision-making on poor and working-class people. This myopia is not shared by those lower on the economic hierarchy, who often see themselves as targets rather than beneficiaries of these systems. For example, one day in early 2000, I sat talking to a young mother on welfare about her experiences with technology. When our conversation turned to EBT cards, Dorothy Allen said, “They’re great. Except [Social Services] uses them as a tracking device.” I must have looked shocked, because she explained that her caseworker routinely looked at her purchase records. Poor women are the test subjects for surveillance technology, Dorothy told me. Then she added, “You should pay attention to what happens to us. You’re next.” Dorothy’s insight was prescient. The kind of invasive electronic scrutiny she described has become commonplace across the class spectrum today. Digital tracking and decision-making systems have become routine in policing, political forecasting, marketing, credit reporting, criminal sentencing, business management, finance, and the administration of public programs. As these systems developed in sophistication and reach, I started to hear them described as forces for control, manipulation, and punishment
”
”
Virginia Eubanks (Automating Inequality: How High-Tech Tools Profile, Police, and Punish the Poor)
“
The poetical term fête galante refers to a new genre of paintings and drawings that blossomed in the early 18th century during the [French] Regency period (1715-1723) and whose central figure was Jean-Antoine Watteau (1684-1721). Inspired by images of bucolic merrymaking in the Flemish tradition, Watteau and his followers created a new form, with a certain timelessness, characterised by greater subtlety and nuance.
These depict amorous scenes in settings garlanded with luxuriant vegetation, real or imaginary: idealised dancers, women and shepherds are shown engaged in frivolous pursuits or exchanging confidences. The poetical and fantastical atmospheres that are a mark of his work are accompanied by a quest for elegance and sophistication characteristic of the Rococo movement, which flourished during the Age of Enlightenment, evidenced in his flair for curved lines and light colours.
The flexibility of the fête galante theme proved to be an invitation to experimentation and innovation, and the genre was to inspire several generations of artists, occupying a central place in French art throughout the 18th century. Works by other highly creative painters, such as François Boucher (1703-1770) and Jean-Honoré Fragonard (1732-1806), illustrate their very personal visions of the joys of the fête galante as first imagined by Watteau.
”
”
Christoph Vogtherr (De Watteau à Fragonard: Les fêtes galantes)
“
The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
For attractive lips, speak words of kindness.
For lovely eyes, seek out the good in people.
For a slim figure, share your food with the hungry.
For beautiful hair, let a child run his fingers through it once a day.
For poise, walk with the knowledge you’ll never walk alone.
...카톡【ACD5】텔레【KKD55】
We leave you a tradition with a future.
The tender loving care of human beings will never become obsolete.
People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.
Never throw out anybody.
♥물뽕 구입♥물뽕 구매♥물뽕 판매♥물뽕 구입방법♥물뽕 구매방법♥물뽕 파는곳♥물뽕 가격♥물뽕 파는곳♥물뽕 정품구입♥물뽕 정품구매♥물뽕 정품판매♥물뽕 가격♥물뽕 복용법♥물뽕 부작용♥
Remember, if you ever need a helping hand, you’ll find one at the end of your arm.
As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.
Your “good old days” are still ahead of you, may you have many of them
수면제,액상수면제,낙태약,여성최음제,ghb물뽕,여성흥분제,남성발기부전치유제,비아,시알,88정,드래곤,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,,꽃물,남성조루제,네노마정,러쉬파퍼,엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜 등많은제품판매하고있습니다
원하시는제품있으시면 추천상으로 더좋은제품으로 모시겠습니다
It is a five-member boy group of YG Entertainment who debuted in 2006. It is a group that has had a great influence on young fashion trends, the idol group that has been pouring since then, and the Korean music industry from the mid to late 2000s.
Since the mid-2000s, he has released a lot of hit songs. He has played an important role in all aspects of music, fashion, and trends enjoyed by Korea's generations. In 2010, the concept of emphasizing exposure, The number of idols on the line as if they were filmed in the factory instead of the "singer", the big bang musicality got more attention, and the ALIVE of 2012, the great success of the MADE album from 2015 to 2016, It showed musical performance, performance, and stage control, which made it possible to recognize not only the public in their twenties and thirties but also men and women, both young and old, as true artists with national talents. Even today, it is in a unique position in terms of musical performance, influence, and trend setting, and it is the idol who keeps the longest working and longest position.
We have made the popularity of big bang by combining various factors such as exquisite talent of all members, sophisticated music, trendy style, various arts and performances in broadcasting, lovecalls and collaboration of global brands, and global popularity. The big bang was also different from the existing idols. It is considered to be a popular idol, a idol, because it has a unique musicality, debut as a talented person in a countless idol that has become a singer as a representative, not a talent. In addition, the male group is almost the only counterpart to the unchanging proposition that there is not a lot of male fans, and as mentioned several times, it has been loved by gender regardless of gender.
”
”
The meeting of two personalities is like the contact of two chemical substances: if there is any rea
“
In the last years of the Republic there were films such as Robert Siodmark's Menschen am Sonntag (People on Sunday, 1930)) and Gerhard Lamprecht's Emil und die Detektive (Emil and the Detectives, 1931), which embraced the airy streets, light-dappled forests, and lakes surrounding Berlin. Billie Wilder, a brash young journalist and dance-hall enthusiast, worked on the scripts for both these films. While Kracauer and Eisner saw malevolence in the frequent trope of doubling (one being possessed by another and thus becoming two conflicting psychological presences), Wilder witnessed another form of doubling during the Weimer era: transvestitism, a staple of cabaret. Men dressing as women (as do Reinhold Schünzel in der Himmel auf Erden [Heaven on earth]) and Curti Bois in Der Fürst von Pappenheim [The Masked Mannequin][both 1927]) or women as men (as does Dolly Haas in Liebeskommando [Love's Command, 1931]), in order to either escape detection or get closer to the object of their affection, is an inherently comic situation, especially when much to his or her surprise the cross-dresser begins to enjoy the disguise.
Billie left Germany before he directed a film of his own; as Billy he brought to Hollywood a vigorous appreciation of such absurdities of human behavior, along with the dry cynicism that distinguished Berlin humor and an enthusiasm for the syncopations of American jazz, a musical phenomenon welcomed in the German capital. Wilder, informed by his years in Berlin (to which he returned to make A Foreign Affair in 1948 and One, Two, Three in 1961), wrote and directed many dark and sophisticated American films, including The Apartment (1969) and Some Like it Hot (1959), a comedy, set during Prohibition, about the gender confusion on a tonal par with Schünzel's Viktor und Viktoria, released in December 1933, eleven months into the Third Reich and the last musical to reflect the insouciance of the late Republic.
”
”
Laurence Kardish (Weimar Cinema 1919-1933: Daydreams and Nightmares)
“
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?”
“Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done.
“The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.”
In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.”
Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow.
Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it.
“There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.”
“Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.”
“She’s incredibly beautiful,” Alex said.
A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Yet the sources of their fanaticism are left undefined. The “last night” letter of the terrorists is posted on a wall, but without any English translation. And so the deeper truth that religious fanaticism was the whole of their horrible cause—that, in the last-night letter, God is cited a hundred and twenty-one times—is elided. It is disquieting to be reminded that the women-in-paradise promise, which sophisticates have widely thought to be a claim made by Western propagandists, is right there, too. The terrorists did not hate us for our freedom; they hated us for our lack of faith. (There’s a complicated sense in which the two go together, but they weren’t capable of making the complicated case.) Their godliness does not exhaust the meanings of religion, any more than Pol Pot’s atheism exhausts the meanings of doubt. But it is a central fact of the occasion, not illuminated by being ignored.
”
”
Anonymous
“
No matter how developed you are in any other area of your life, no matter what you say you believe, no matter how sophisticated or enlightened you think you are, how you eat tells all.” ~ GENEEN ROTH , WOMEN FOOD AND GOD
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Latham Thomas (Own Your Glow: A Soulful Guide to Luminous Living and Crowning the Queen Within)
“
This was a sacred homily for Borzov, and Alice respected that. Borzov lowered his glass and stared at her. “What’s vodka, Mrs. Liddell, if not all things to all men? It can be a folk medicine, a hallucinogen revealing the mysteries of the soul, a lubricant more commonly applied to sophisticated machinery than any conventional liquid—and of course it can simply be vodka too. Every aspect of the human condition finds its reflection in vodka, and its exaggeration too. Russians drink from grief and from joy, because we’re tired and to get tired, out of habit and by chance. It warms us in the cold, cools us in the heat, protects us from the damp, consoles us in grief and cheers us when times are good. Without vodka, there’d be no hospitality, no weddings, no baptisms, no burials, no farewells. Without vodka, friendship would no longer be friendship, happiness would no longer be happiness. It’s the elixir sipped sociably, spreading gregariousness and love; it’s also the anesthetic without which life would be unendurable. Vodka’s the only drug that enables the dispossessed to endure the monstrously cruel tricks life’s played on them. It’s the only solace for desperate men and women for whom there’s no other release. So where better to begin the second revolution than at the spiritual home of Russia’s vodka production, the drinker’s Mecca?
”
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Boris Starling (Vodka)
“
Researchers who emphasize the tragic consequences of these events, however, see the effort to focus on the recovery as denial of the tragedy or its pain. The focus on pathology has become such a natural part of the thinking of social science researchers that the idea that such a focus is itself pathological is totally out of their ken. After the Kobe earthquake, twelve Japanese women tried to offer counseling help to the homeless housed in schools and other institutions, only to be rejected by most, who said in effect, “Get me some sake and sushi and I’ll feel fine.” A psychotherapist from the more sophisticated metropolis of Tokyo said, “You have to understand that talking about your feelings is not culturally accepted here.” But if that is true, then we have to accept the opposite as also being true, namely, that talking about our feelings is also a cultural phenomenon rather than the only path to recovery. The people of Kobe were unbelievably imaginative in the way they responded to the tragedy, such as finding a ship in Hong Kong that had cranes on the ship, since all dock cranes had been destroyed; working out three-sides-of-a-square railroad pathways to get around the destruction; and creating commuter routes that combined taking trains and walking. The notion that talking out one’s grief rather than working it out through creative behaviors is denial with long-lasting consequences is exactly the kind of learned superstition that infects the thinking processes of the social science construction of reality.
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Edwin H. Friedman (A Failure of Nerve: Leadership in the Age of the Quick Fix)
“
One more casualty of the “increasingly sophisticated” intersectional model is the neglect of the most materially relevant variable in many of the problems faced by women (and by many racial and sexual minorities): economic class. This neglect has gravely concerned left-leaning liberal feminists, socialist feminists, and socialists more broadly.
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Helen Pluckrose (Social (In)justice: Why Many Popular Answers to Important Questions of Race, Gender, and Identity Are Wrong--and How to Know What's Right: A Reader-Friendly Remix of Cynical Theories)
“
is fashionable among intellectuals and sophisticates to scoff at true love—to pretend it is nothing but a sweet fairy tale sold to children and young women, to be taken as seriously as magic wands or glass slippers.11 I feel nothing but pity for these learned persons, because they would not say such foolish things if they had ever experienced love for themselves.
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Alix E. Harrow (The Ten Thousand Doors of January)
“
Sensual women are sophisticated, powerful, and fabulous.
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Lebo Grand
“
In my world, truly sophisticated women are defined by their sensuality, more so than their femininity or refined knowledge of the world.
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Lebo Grand
“
Oh, Mala’s fabulous.’ Naomi looked surreptitiously around but the SS were still staying away and even Klara was out, sitting in the sun with Pfani, ostensibly supervising the cleaning of blankets. ‘She’s a Polish Jew but she’s lived in Belgium for, like, forever and she can speak all these different languages. She’s very sophisticated too so the Germans use her as an interpreter and courier.’ She lowered her voice even further. ‘That means she gets in and out of the postal offices all the time and while she’s there she can… liberate letters.
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Anna Stuart (The Midwife of Auschwitz (Women of War #1))
“
Men have always danced bhangra, and women the female Punjabi equivalent, gidda, but not in the same place. Now, at sophisticated wedding receptions, there may be mixed discos with elderly bemused relatives watching and thinking how things have changed since their young days. Not, of course for the better!
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W. Owen Cole (Sikhism - An Introduction: Teach Yourself)
“
It's the truth that women are more lying than males. They are not just adept in lying, but they are also adept in detecting falsehoods of their peers. Men aren't aware of how to deceive a lie. For them, a perfect lie is just something like "I'm not hungry. Women are, however can be able to come up with a more sophisticated and credible lies.
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Amanda Harvard (Psychology: Learn Influence And Persuasion And Read Body Language (Advanced Nlp Mindset: The New Psychology Of Success To Skyrocket Your Life And Your Career))
“
EJ knew she was solidly middle class, and she liked to think she was pretty sophisticated: she played piano, spoke French, and even embroidered a little—like accomplished ladies in old novels. But every so often someone or something at Longbourn would make her feel like the poor country cousin.
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Eden Appiah-Kubi (The Bennet Women)
“
But really, why should the Cailleach matter now? Why should the other fierce and shining old women of European myth and folklore who populate the pages of this book matter? Why should any of these old stories matter? Aren’t they just ancient history? Nice to know, but irrelevant to our infinitely more sophisticated lives today? Well, they matter because the ways in which we think about aging depend on the stories we tell about it. How we think about aging women depends on the images we hold of them. And the images we hold of aging women today aren’t healthy. Truth is, there is no clear image of enviable female elderhood in the contemporary cultural mythology of the West; it’s not an archetype we recognize anymore. In our culture, old women are mostly ignored, encouraged to be inconspicuous, or held up as objects of derision and satire. But our old mythology and folklore tell us something very much more interesting: that it hasn’t always been so. In our more distant past, as of course in many indigenous cultures today, female elders were respected and had important and meaningful roles to play. They are the ones who hold the myths and the wisdom stories, the ones who know where the medicine plants grow and what their uses are. They serve as guides for younger adults; they’re the caregivers and mentors for the community’s children. They know when the community is going to the dogs, and they’re not afraid to speak out and say so. When they do, they’re listened to. Their focus is on giving back — on bringing out, for the sake of Earth and community, the hard-earned wisdom which they’ve grown within themselves.
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Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
“
Components of Elegant Attire 4.1.1 Simple lines and tailored design Clean lines and well-tailored silhouettes define classy clothing. Perfectly fitting clothing should highlight your body's natural proportions and give off an image of effortlessness. 4.1.2 A subdued color scheme A sophisticated wardrobe is built on neutral hues like black, white, navy, beige, and gray. These hues offer a flexible foundation on which you can create your chic combinations. 4.1.3 Classic Works Invest in classic pieces that will last a lifetime. The essentials of stylish clothing are a timeless trench coat, a tailored blazer, a little black dress, and well-fitted trousers. 3.1.4 Less is more and minimalism Decide on quality above quantity to embrace simplicity. Choose carefully chosen pieces for your capsule wardrobe that you can mix and match with ease.
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Madison Styles (How to dress for women: How To Look Elegant, Classy, Stylish, Charming Chic, And Beautiful Every Day (Dressing With Madison Styles))
“
the people who inhabit the Caucasus “have intercourse with the women in the open and . . . eat the bodies of their kinsmen”; also that it is a place of tough sophists who stand on one leg and hold logs over their heads.
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Jerry Toner (Homer's Turk: How Classics Shaped Ideas of the East)
“
The woman was sophisticated, gorgeous, and dripping with a surprising amount of innocence. That guileless innocence warred with her desire—she had clearly been torn—both drawn to and scared of me. She hadn’t let the fear win out. Most people, even when they had no clue who I was, withered in my presence. A part of Alessia had wanted to withdraw, to cower in a corner of the elevator and keep her eyes downcast, but she hadn’t. She stood tall, and even more intriguing, she had held my eyes. It was surprising how few women or men were capable of that feat.
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Jill Ramsower (Forever Lies (The Five Families #1))
“
Cam wiped all expression from his face as he discovered he had been seated next to the vicar’s wife, whom he had met on previous visits to Stony Cross Park. The woman was terrified of him. Whenever he looked at her, tried to talk to her, she cleared her throat incessantly. Her sputtery noises brought to mind a tea kettle with an ill-fitting lid.
No doubt the vicar’s wife had heard one too many stories of Gypsies stealing children, placing curses on people, and attacking helpless females in a frenzy of uncontrolled lust. Cam was tempted to inform the woman that, as a rule, he never kidnapped or pillaged before the second course. But he kept silent and tried to look as unthreatening as possible, while she shrank in her chair and made desperate conversation with the man at her left.
Turning to his right, Cam found himself staring into Amelia Hathaway’s blue eyes. They had been seated next to each other. Pleasure unfolded inside him. Her hair shone like satin, and her eyes were bright, and her skin looked like it would taste of some dessert made with milk and sugar. The sight of her reminded him of an old-fashioned gadjo word that had amused him when he had first heard it. Toothsome. The word was used for something appetizing, conveying the pleasure of taste, but also sexual allure. He found Amelia’s naturalness a thousand times more appealing than the powdered and bejeweled sophistication of other women present.
“If you’re trying to look meek and civilized,” Amelia said, “it’s not working.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Simplicity is the ultimate sophistication." - Leonardo da Vinci
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Byron Seingalt (Attract and Seduce: A 4-Step System For Attracting Beautiful High-Caliber Women and Becoming The Most Interesting Guy In The Room (Attraction and Seduction For Men and Women))
“
Imagine looking back from a vantage point of one thousand years in the future, retrospectively evaluating our current, “sophisticated” medical and scientific procedures. One might see today’s physician waving laser beams over a patient’s body as a primitive, archaic, and incomprehensible healing technique, just as from some perspectives a medicine woman waving eagle feathers, or a curandera holding a crucifix over a patient, is viewed by some as archaic. The similarities are striking and compelling. Future generations may lose touch with the major assumptions underpinning contemporary western medicine, just as many of us have now lost touch with the assumptions integral to older cultures that continue to practice the ancient healing ways. Forgetting the assumptions on which a procedure is based may make the procedure incomprehensible, but it does not make it invalid.
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H. Henrietta Stockel (Medicine Women, Curanderas, and Women Doctors)
“
But even the most sophisticated materialist accounts of religion leave out its most important dimension: we are drawn to a particular religion or philosophy because it seems to us to better explain the nature of the universe than the alternatives. This feature is central to our embrace of a particular religion or system of thought, or so it has seemed to men and women in all places and times. Yet it seems to be left on the cutting-room floor in the materialist accounts of religion.
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David Skeel (True Paradox: How Christianity Makes Sense of Our Complex World (Veritas Books))
“
When men age they're called sophisticated. When women age they ain't called at all.
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Lois Greiman (Unmanned (A Chrissy McMullen Mystery, #4))
“
Christopher and Audrey glanced at each other in shared amazement, while Beatrix and Annandale launched into a rapt conversation.
“Men have always adored Beatrix,” Audrey said in an undertone, turning toward Christopher. Her eyes sparkled with laughter. “Did you think your grandfather would be proof against her?”
“Yes. He doesn’t like anyone.”
“Apparently he makes exceptions for young women who flatter his vanity and appear to hang on to his every word.”
Christopher stole a glance at Beatrix’s glowing face. Of course the earl couldn’t resist her. Beatrix had a way of looking at someone with undivided attention, making him feel as if he were the most interesting person in the room.
“I’ll never understand why she hasn’t married before now,” Christopher said.
Audrey kept her voice low as she replied. “Most of the peerage view the Hathaway family as a detraction. And although most gentlemen are delighted by Beatrix, they don’t want to marry an unconventional girl. As you well know.”
Christopher frowned at the gibe. “As soon as I came to know her, I admitted I was in the wrong.”
“That is to your credit,” Audrey said. “I didn’t think you could ever view her without prejudice. In the past, there have been more than a few men who were quite taken with Beatrix, but they did not pursue her. Mr. Chickering, for example. He absolutely begged his father to be allowed to court her, but his father threatened to cut him off. And so he has had to content himself with adoring Beatrix from afar, and flirting madly with her at every opportunity, knowing it will come to naught.”
“Those days are over,” Christopher said. “If he ever comes near her again…”
Audrey grinned. “Careful. Jealousy is quite unfashionable these days. One must have the sophistication to be amused by the attentions paid to one’s wife.”
“I’ll take great amusement in tossing him through the window.” Christopher paused as Audrey laughed. Clearly she thought he was jesting.
”
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Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
When I think back on the twenty years I spent in school, what sticks with me isn’t any particular subject, learning tool, or classroom. It is the teachers who brought my education to life and drove my interest forward, so that my passion for learning continued, despite the long days, the hard chairs, the difficult problems. These women and men were giants. They were underpaid, and they put up with all sorts of crap, but they made me the person I am today vastly more than the facts they taught. That relationship is what digital education technology cannot ever replicate or replace, and why a great teacher will always provide a more innovative model for the future of education than the most sophisticated device, software, or platform.
”
”
David Sax (The Revenge of Analog: Real Things and Why They Matter)
“
Dr. Luskin lifts forgiveness out of the purely psychological and religious domains and anchors it in science, medicine, and health. This book is vitally needed.” —Larry Dossey, M.D., author of Healing Words “Simply the best book on the subject, adding sophistication and depth to our instinctive but sometimes uncertain understanding of how forgiveness heals both those forgiven and those who forgive. Luskin’s research also shows how modern psychology can enrich traditional moral teachings. His book will stand as a modern classic in psychology.” —Michael Murphy, cofounder of the Esalen Institute and author of Future of the Body “Combining groundbreaking research with a proven methodology, Forgive for Good is an accessible and practical guide to learning the power of forgiveness.” —John Gray, Ph.D., author of Men Are from Mars, Women Are from Venus “Straightforward, sincere, and essential.” —Dave Pelzer, author of A Child Called It and Help Yourself “A rare and marvelous book—warm, loving, solidly researched, and wise. It could change your life.” —George Leonard, author of Mastery and president of the Esalen Institute “Dr. Luskin’s wise and clinically astute methods for finding forgiveness could not be more timely … a sure-handed guide through the painful emotions of hurt, sadness and anger towards a resolution that makes peace with the past, soothes the present, and liberates the future.
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Fred Luskin (Forgive for Good: A Proven Prescription for Health and Happiness)
“
Nazism, fascism, and communism were belief systems adopted passionately by millions of well-educated men and women. Taken together, all of the totalitarian ideologies were self-contained and delivered through a one-way flow of propaganda that prevented the people who were enmeshed in the ideology from actively participating in challenging its lack of human values. Unfortunately, the legacy of the twentieth century’s ideologically driven bloodbaths has included a new cynicism about reason itself—because reason was so easily used by propagandists to disguise their impulse to power by cloaking it in clever and seductive intellectual formulations. In an age of propaganda, education itself can become suspect. When ideology is so often woven into the “facts” that are delivered in fully formed and self-contained packages, people naturally begin to develop some cynicism about what they are being told. When people are subjected to ubiquitous and unrelenting mass advertising, reason and logic often begin to seem like they are no more than handmaidens for the sophisticated sales force. And now that these same techniques dominate the political messages sent by candidates to voters, the integrity of our democracy has been placed under the same cloud of suspicion. Many advocacy organizations—progressive as well as conservative—often give the impression that they already have exclusive possession of the truth and merely have to “educate” others about what they already know. Resentment toward this attitude is also one of the many reasons for a resurgence of the traditional anti-intellectual strain in America. When people don’t have an opportunity to interact on equal terms and test the validity of what they’re being “taught” in the light of their own experience, and share with one another in a robust and dynamic dialogue that enriches what the “experts” are telling them with the wisdom of the groups as a whole, they naturally begin to resist the assumption that the experts know best. If well-educated citizens have no effective way to communicate their ideas to others and no realistic prospect of catalyzing the formation of a critical mass of opinion supporting their ideas, then their education is for naught where the vitality of our democracy is concerned.
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Al Gore (The Assault on Reason)
“
many people view the human body as “buggy.” But the human body is stunningly sophisticated, and more often than not we simply don’t understand it or misuse its features. For example, morning sickness in pregnant women has often been thought an unfortunate side effect of pregnancy. But morning sickness has a biological function: it makes a mother sensitive to unfamiliar and strong-tasting foods that are (or were) more likely to contain pathogens or toxins. Morning sickness is not a bug, but a feature of the human body.
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John Durant (The Paleo Manifesto: Ancient Wisdom for Lifelong Health)
“
While their powers might not have been as acute as mine, their future was equally as bleak. We were all in service to Nix. We were all bound to the destiny he laid out for us. And he had no interest in letting us be free.
He would use us for his own twisted plots and evil gain. He would use us until he couldn’t anymore. He would use every last ounce of us until we shrivelled into nothing and disappeared without another thought.
Welcome to the sophisticated sex trade.
Our buyers paid more and our pimp was an international and highly respected businessman, but our tricks were the same and our bodies equally enslaved. In a world where human trafficking was at the highest numbers in all of history, combined, our branch of the insidious business seemed almost human compared to what others went through. But our freedom was still ripped from us and we were still forced to sell ourselves so that others could gratify their greed.
A woman shouldn’t have to live like this.
A woman should be able to decide everything that happened to her body.
And not just women, but girls.
Especially girls.
”
”
Rachel Higginson (The Fall (The Siren, #2))
“
If you feel intimidated or out of your league in your job, stop assuming it’s because you’re not smart enough or sophisticated enough and recognize the ways in which your organizational culture may be contributing to your impostor feelings. Is asking for help—or even information—considered a sign of weakness or a legitimate request? Is admitting a gap in knowledge seen as normal and necessary for learning or as a sign of incompetence? Is perfectionism the unspoken rule?
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Valerie Young (The Secret Thoughts of Successful Women: And Men: Why Capable People Suffer from Impostor Syndrome and How to Thrive In Spite of It)
“
The only way for natural selection to make human babies with larger skulls was to end gestation prematurely and allow them to be born in a state of dependence that no other animal (except marsupials) could possibly manage. So to the costs of feeding large-brained babies must be added the costs of protecting them, and protecting them requires sophisticated social arrangements.
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Paul Seabright (The War of the Sexes: How Conflict and Cooperation Have Shaped Men and Women from Prehistory to the Present)
“
Education was still considered a privilege in England. At Oxford you took responsibility for your efforts and for your performance. No one coddled, and no one uproariously encouraged. British respect for the individual, both learner and teacher, reigned. If you wanted to learn, you applied yourself and did it. Grades were posted publicly by your name after exams. People failed regularly. These realities never ceased to bewilder those used to “democracy” without any of the responsibility. For me, however, my expectations were rattled in another way. I arrived anticipating to be snubbed by a culture of privilege, but when looked at from a British angle, I actually found North American students owned a far greater sense of entitlement when it came to a college education. I did not realize just how much expectations fetter—these “mind-forged manacles,”2 as Blake wrote. Oxford upholds something larger than self as a reference point, embedded in the deep respect for all that a community of learning entails. At my very first tutorial, for instance, an American student entered wearing a baseball cap on backward. The professor quietly asked him to remove it. The student froze, stunned. In the United States such a request would be fodder for a laundry list of wrongs done against the student, followed by threatening the teacher’s job and suing the university. But Oxford sits unruffled: if you don’t like it, you can simply leave. A handy formula since, of course, no one wants to leave. “No caps in my classroom,” the professor repeated, adding, “Men and women have died for your education.” Instead of being disgruntled, the student nodded thoughtfully as he removed his hat and joined us. With its expanses of beautiful architecture, quads (or walled lawns) spilling into lush gardens, mist rising from rivers, cows lowing in meadows, spires reaching high into skies, Oxford remained unapologetically absolute. And did I mention? Practically every college within the university has its own pub. Pubs, as I came to learn, represented far more for the Brits than merely a place where alcohol was served. They were important gathering places, overflowing with good conversation over comforting food: vital humming hubs of community in communication. So faced with a thousand-year-old institution, I learned to pick my battles. Rather than resist, for instance, the archaic book-ordering system in the Bodleian Library with technological mortification, I discovered the treasure in embracing its seeming quirkiness. Often, when the wrong book came up from the annals after my order, I found it to be right in some way after all. Oxford often works such. After one particularly serendipitous day of research, I asked Robert, the usual morning porter on duty at the Bodleian Library, about the lack of any kind of sophisticated security system, especially in one of the world’s most famous libraries. The Bodleian was not a loaning library, though you were allowed to work freely amid priceless artifacts. Individual college libraries entrusted you to simply sign a book out and then return it when you were done. “It’s funny; Americans ask me about that all the time,” Robert said as he stirred his tea. “But then again, they’re not used to having u in honour,” he said with a shrug.
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Carolyn Weber (Surprised by Oxford)
“
He undoubtedly had vast experience with all sorts of sophisticated, exotic women who had rocked his world, and she was only a small-town girl who had been with a handful of men in her lifetime.
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Ella Dominguez (This Love's Not for Sale)
“
So much talk,talk,more talk and so little walk...What a damper!
Talk comes cheap,walk needs courage...
Understanding something so simple needs courage too..
Simplicity is sophisticated..sophistication needs courage too...
Sophistication is within...Living without needs courage too...
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Abha Maryada Banerjee (Nucleus - Power Women: Lead from the Core)
“
Here is an example of what I mean. One of my professors was far more enlightened than I in his consistent opposition to racial and gender discrimination, and yet this man was quite prepared to worship a God who, on the basis of little more than divine whim, divides all people into the elect and the non-elect; he was quite prepared, in other words, to worship the worst discriminator of all. His response to the obvious moral objections was simply to dismiss them as instances of fallible human reasoning. Again, this professor’s understanding of revelation was far more flexible and sophisticated than my own; he was quite capable, for example, of either setting aside or reinterpreting Bible texts that seem to place women in a subordinate position to men. But he rejected as unbiblical any suggestion that all men and women are equal objects of God’s redemptive love. At first I found such a combination of views utterly mystifying; but over time, I simply lost interest in them and became bored. If God himself discriminates against specific individuals (the non-elect) in the more important matter of salvation , why get excited about the lesser forms of discrimination, or even the racial bigotry, to which we human beings are prone?
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Thomas Talbott (The Inescapable Love of God)
“
sophisticated young women who worked in the cosmetics department at Lerner’s, smelling
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James McBride (Miracle at St. Anna)
“
We passed the fountains of cherubs pissing into the pools of water. I never understood why statues of pissing babies were the height of sophistication, but like so many older mansions such as this, there were statues of babies, or of women with their breasts exposed as they poured water.
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Zoe Blake (The More I Hate (Gilded Decadence #1))
“
To take Christianity as an example, biblical scholars, using a sophisticated hermeneutics, extract a 'universal' Pauline theology from the social context of Paul's letters that presumed slavery, the subjugation of women, etc. Pauline statements that seem to support this social order are reinterpreted in light of passages that are deemed to reflect more universal values
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dave freedholm
“
I was too young to understand that elation is one of the many faces of grief. At the funeral, in front of the entire Greek army, she would represent Priam. More than that: she would be Priam. Because isn’t that, ultimately, the way we cope with grief? There’s nothing sophisticated or civilized about it. Like savages, we ingest our dead.
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Pat Barker (The Women of Troy (Women of Troy, #2))
“
don’t mistake a lack of sophistication for sweetness
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Lorrie Moore (Birds of America: Stories)
“
She was a venus fly trap, sophisticated and deadly, while other women were the pretty pink of a simple garden rose.
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Jill Ramsower (Blood Always (The Five Families, #3))