Sonic Inspirational Quotes

[...] to overcome my own hypersensitivity, I had no choice but to turn fearless.

Raw, alive and honest to the point of disgusting it's listener, Placebo set out to inspire mystery and confusion. Admitting to relishing groups who could make their audience vomit with the sheer intensity of their musical vibrations, Brian clearly knew how to make an impact. Discussing sonic overload with unsettling enthusiasm, he claimed "Some frequencies can make you physically ill or make your bowels loose. The Swans used to do it. By the end of gigs people would vomit because the frequencies were so nasty.

I absolutely have to come along! I have to see what else this world inspires in you!

Durant had a 42 point game to finish a spectacular rookie season where he averaged 20.3 points, 4.4 rebounds and 2.4 assists. He was the first rookie to average more than 20 points in a game since Carmelo Anthony (21) and LeBron James (20.9). He also became the first rookie to lead his team in scoring since Emeka Okafor and Josh Childress did it in 2004-05. As Durant won these accolades, he was knocked to his knees all year long. Durant was often criticized for flopping too much, but the truth was that he was not strong enough to stay on his feet to defend his heftier opponents. There were rumors that he couldn't even bench press 185 pounds because all he ate was chicken and candies. He was called "Starvin" and "String Bean" by his buddies because of his reed-thin 185 pound frame. Durant was so thin that Sonics Coach P.J. Carlisimo played him as a 6-9 guard at that time. Durant was also labeled as "chucker" because he took 1,366 shots from the field and made just 43%. He was just taking orders from Carlisimo, who

Everything we do starts with a sonic strategy,” he explains. “We need to deeply understand the client’s brand objectives, the experience objectives and experience challenges. We also need to know exactly who the audience is and their expectations for the experience. We also research the cultural context for the project – what relevant trends do we see in culture that might inspire our work? Then we present all this back to the client for discussion and set a plan.

The eternal flow of Truth is a non-empirically-audible sonic reality that transcends the realm of human sensory purview or intellectual speculation, but that is nonetheless directly accessible to any sincere seeker who eventually reaches the stage of being a liberated yogi. Such transcendent Truth can only be known by purifying oneself through the practices of Yoga, meditation and devotional consciousness (bhakti) toward the Supreme Godhead, and reforming one's character to the point of dissolving illusory ego completely. It is this living, transcendent Truth that the perfected sages encounter in the yogically inspired state of non-mediated spiritual perception of the Absolute.

The band “piled in with their equipment,” Wolfe reported in The Electric Kool-Aid Acid Test, and began to play. “The Dead’s weird sound!” Wolfe wrote. “Submarine somehow, turbid half the time, tremendously loud but like sitting under a waterfall, at the same time full of sort of ghoul-show vibrato sounds as if each string on their electric guitars is half a block long and twanging in a room full of natural gas.” The sound shattered Bear’s realm. He couldn’t not be a part of what the band was onto, and he remained an inspiration—and sometimes foil—to their sonic pursuits for decades. Simply hearing Garcia play was enough to push him “to go to work for the most amazing group ever and have a fabulous time of it,” Bear later said. “I just hitched a ride and tried to make a positive contribution.” What he brought to bear on the Dead’s audio efforts, up to and through the end of the Wall, always pointed back to the “as above, so below” worldview. The ancient occult expression was the bedrock of Bear’s belief “that whatever happened on any physical, emotional, or mental level while he was tripping was not a fantasy,” Robert Greenfield wrote in Bear, a biography