Song Touches Soul Quotes

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You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
Robert McCammon (Boy's Life)
Meditation is listening to the song of the inner Soul, seeing the beauty of the inner Self, smelling the fragrance of the inner Spirit, experiencing the touch of the Divine inner energies and tasting the intense sweetness of the inner God.
Amit Ray (Meditation: Insights and Inspirations)
How can I keep my soul in me, so that it doesn’t touch your soul? How can I raise it high enough, past you, to other things? I would like to shelter it, among remote lost objects, in some dark and silent place that doesn’t resonate when your depths resound. Yet everything that touches us, me and you, takes us together like a violin’s bow, which draws one voice out of two separate strings. Upon what instrument are we two spanned? And what musician holds us in his hand? Oh sweetest song. - Love Song
Rainer Maria Rilke (Ahead of All Parting: The Selected Poetry and Prose)
I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace. I shall be thy lover... I am unlike a mortal lass From dreams of longing I have passed I came upon your lonely cries Revealed beauty to your eyes So shun the world that you have known And spend your nights within my own. I shall be thy lover... You shall be known by other men For your great works of voice and pen Yet inspiration has a cost For with me know your soul is lost I'll take your passion and your skill I'll take your young life quicker still. I shall be thy lover... Through the kisses that I give I draw from you that I will live And though you think this weakness grand The touch of death your lover's hand Your will to live has come too late Come to my arms and love this fate I shall be thy lover... I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace.
Heather Alexander
Music shouldn't be just a tune, it should be a touch.
Amit Kalantri (Wealth of Words)
I'd always thought that my awkwardness was a thin veil disguising the real me. The me that was funny and could write songs that touched people. The me that would one day find some beautiful, intelligent boy who'd recognize me as his soul mate. The me who was secretly pretty and stylish if only someone would lift the veil and see. But I was beginning to suspect that underneath the awkwardness there was just more awkwardness and not much else. And that would explain why I stood in a room full of people and felt like the loneliest girl in the world.
Sarra Manning (Guitar Girl)
What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.
José Rizal (Noli Me Tángere (Touch Me Not).)
Music is the fastest motivator in the world.
Amit Kalantri (Wealth of Words)
Remember to delight yourself first, then others can be truly delighted." This was my mantra when I published my first book in 1990, and still holds true. When we focus on the song of our soul and heart, then others will be touched similarly. Sometimes people wonder or worry whether people will like or approve of their creative expression. It's none of your business. It's your business to stay present and focused for the work of your deepest dreams. It might look crooked or strange, or be very odd-but if it delights you, then it is yours, and will find it's way into other hearts.
SARK
When he turned to her, the moonlight shone upon him in a way that reminded Signa of a painting, wisps of shadows like brushstrokes upon a canvas. “Because I have waited an eternity to meet you, Signa Farrow.” The words were a balm she clung to, relished. “To me, you are a song to a soul that has never known music. Light to someone who has only seen the darkness. You bring out the absolute worst in me, and I become vindictive toward those who treat you in ways I don’t care for. Yet you also bring out the best in me—I want to be better because of you. Better for you. “In all my existence, I’ve asked only for one thing—for one person who might understand me, and whom I could let myself touch. When I touch someone, I see the life they’ve lived in flashes of memories as they die. But the first time I touched you, it was your future I saw. A glimpse of you in my arms, dancing in a beautiful red dress beneath the moonlight.” He tilted her chin up and Signa shivered, savoring the touch. “You are what I want.” He drew his hand away. “I know I cannot force you to want me in return, but say that you do, and I promise that I am wholly and unequivocally yours. Say that you do, and I will make this world everything for you, Signa.
Adalyn Grace (Belladonna (Belladonna, #1))
Tonight I Can Write Tonight I can write the saddest lines. Write, for example, 'The night is starry and the stars are blue and shiver in the distance.' The night wind revolves in the sky and sings. Tonight I can write the saddest lines. I loved her, and sometimes she loved me too. Through nights like this one I held her in my arms. I kissed her again and again under the endless sky. She loved me, sometimes I loved her too. How could one not have loved her great still eyes. Tonight I can write the saddest lines. To think that I do not have her. To feel that I have lost her. To hear the immense night, still more immense without her. And the verse falls to the soul like dew to the pasture. What does it matter that my love could not keep her. The night is starry and she is not with me. This is all. In the distance someone is singing. In the distance. My soul is not satisfied that it has lost her. My sight tries to find her as though to bring her closer. My heart looks for her, and she is not with me. The same night whitening the same trees. We, of that time, are no longer the same. I no longer love her, that's certain, but how I loved her. My voice tried to find the wind to touch her hearing. Another's. She will be another's. As she was before my kisses. Her voice, her bright body. Her infinite eyes. I no longer love her, that's certain, but maybe I love her. Love is so short, forgetting is so long. Because through nights like this one I held her in my arms my soul is not satisfied that it has lost her. Though this be the last pain that she makes me suffer and these the last verses that I write for her.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
How shall I hold my soul that it may not Be touching yours? How shall I lift it then Above you to where other things are waiting? Ah, gladly would I lodge it, all forgot, With some lost thing the dark is isolating On some remote and silent spot that, when Your depths vibrate, is not itself vibrating. You and me – all that lights upon us though, Brings us together like a fiddle bow Drawing one voice from two strings, it glides along. Across what instrument have we been spanned? And what violinist holds us in his hand? O sweetest song.
Rainer Maria Rilke
He is half my soul as the poets say. I could recognize him by touch alone, by smell. I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.
Madeline Miller (The Song of Achilles)
You remind me of a boy I used to know Same Smile, same easy, laid-back style And man, could he kiss Blew my mind the very first time His lips touched mine. You remind me You remind me of a boy I used to like. Same eyes, strong arms, same open mind And man, could he dance Arms around me, lost in a trance I'd hear his heart You remind me I'm scared of you How did you find me? Turn and walk away 'Cause you remind me You remind me of a boy I used to love Same laughter and tears, shared through the years And man, how he felt Made my bones more than melt He touched my soul. You remind me I'm scared of you How did you find me? Turn and walk away 'Cause you remind me
Malorie Blackman (Checkmate (Noughts & Crosses, #3))
So I spoke to my old friend Bruce and told him I was feeling it, his loss of Clarence. We talked for quite a while, and there is no need to go into what two old friends had to say to each other at this point, except to say that two old friends spoke to each other about their music, their muses, their partners in crime, their proof, their friendship, their souls and their lives. Ben Keith was my Clarence Clemons. Clarence Clemons was Bruce's Ben Keith. When he died last year it touched me to the core. I don't want to ever think of any one else playing his parts or occupying his space. No one could. I can't do those songs again unless it's solo. So I told Bruce, "Waylon once looked at me and said, 'There's very few of us left.'" He liked that. I told him when he looked to his right I would be there. That's enough. I'm not talking about that anymore.
Neil Young (Waging Heavy Peace: A Hippie Dream)
Life is a song. Your heart is the beat, your word is the lyric, your move is the dance. And love, love is the music. It has always been a dream of mine to sing my love away, let the music take her love to mine, the lyric touches her heart and soul. And may her head fallen over heel and so am I.
gkynwin
Endymion The rising moon has hid the stars; Her level rays, like golden bars, Lie on the landscape green, With shadows brown between. And silver white the river gleams, As if Diana, in her dreams, Had dropt her silver bow Upon the meadows low. On such a tranquil night as this, She woke Endymion with a kiss, When, sleeping in the grove, He dreamed not of her love. Like Dian's kiss, unasked, unsought, Love gives itself, but is not bought; Nor voice, nor sound betrays Its deep, impassioned gaze. It comes,--the beautiful, the free, The crown of all humanity,-- In silence and alone To seek the elected one. It lifts the boughs, whose shadows deep Are Life's oblivion, the soul's sleep, And kisses the closed eyes Of him, who slumbering lies. O weary hearts! O slumbering eyes! O drooping souls, whose destinies Are fraught with fear and pain, Ye shall be loved again! No one is so accursed by fate, No one so utterly desolate, But some heart, though unknown, Responds unto his own. Responds,--as if with unseen wings, An angel touched its quivering strings; And whispers, in its song, "Where hast thou stayed so long?
Henry Wadsworth Longfellow (Ballads and Other Poems)
Songs of the Soul On a dark night, Inflamed by love-longing - O exquisite risk! - Undetected I slipped away. My house, at last, grown still. Secure in the darkness, I climbed the secret ladder in disguise - O exquisite risk! - Concealed by the darkness. My house, at last, grown still. That sweet night: a secret. Nobody saw me; I did not see a thing. No other light, no other guide Than the one burning in my heart. This light led the way More clearly than the risen sun To where he was waiting for me - The one I knew so intimately - In a place where no one could find us. O night, that guided me! O night, sweeter than sunrise! O night, that joined lover with Beloved! Lover transformed in Beloved! Upon my blossoming breast, Which I cultivated just for him, He drifted into sleep, And while I caressed him, A cedar breeze touched the air. Wind blew down from the tower, Parting the locks of his hair. With his gentle hand He wounded my neck And all my senses were suspended. I lost myself. Forgot myself. I lay my face against the Beloved's face. Everything fell away and I left myself behind, Abandoning my cares Among the lilies, forgotten.
Juan de la Cruz (Dark Night of the Soul (Illustrated))
Love is pure; love is eternal. Love is perfectly divine. You're my love; you're my joy. You're my valentine. Life is a present; life is a miracle. Life is a song divine when you touch my heart, hold my soul. Oh my pure valentine. Life is joyful; life is wonderful. Life is love's shrine. When you're my moon, I am your star. Oh my eternal valentine.
Debasish Mridha
Our souls danced in magic, but reality wore thin. Two lovers who kept getting it wrong - Our timing always out of sync. A telepathy between our hearts, but our human keeps getting it wrong. A new melody but the same old song. Apart, but together - on the road we travel on. We'll never be out of touch our souls are too interwined - but we'll be out of reach , walking paths of a different kind, promised to find eachother first next life.
Nikki Rowe
Life is a present; life is a miracle. Life is a song divine. When you touch my heart, hold my soul. Oh my pure valentine.
Debasish Mridha
We are all touched by music. Music connects us.
Awen Finn (Read my SONG Read my HEART Read my SOUL)
Some people have used this song as evidence that I worship the devil, which is another chapter for the big book of stupid. It's really just laughable. But the sad part is that it's not even remotely a song about devil worship! It's a song about the intersection of some basic human emotions, the place where sadness meets rage, where our need to mourn meets our lust for justice, where our faith meets our inclination to take matters into our own hands, like karmic vigilantes. People who hear the word Lucifer and start making accusations are just robbing themselves of an opportunity to get in touch with something deeper than that, something inside their own souls.
Jay-Z (Decoded)
We cannot judge a biography by its length. Nor by the number of pages in it. We must judge it by the richness of its contents. Sometimes those unfinished are among the most poignant. We can not judge a song by its duration. Nor by the number of its notes. We must judge it by the way it touches and lifts our souls. Sometimes those unfinished are among the most beautiful. And when something has enriched your life. And when its melody lingers on in your heart. Is it unfinished? Or is it endless?
Vi Keeland (Left Behind)
A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.
Marcel Proust (The Complete Short Stories of Marcel Proust)
In the depth of my soul there are songs unwilling to take the garb of words, songs living as seed in my heart. They will not flow with ink onto paper. Like a translucent veil, they are wrapped about emotions that can never flow sweetly on my tongue. Yet how can I even whisper them when I fear what the particles of air may do to them? To whom shall I sing them when they have become accustomed to live in the house of my soul and fear the harshness of other ears? Were you to look into my eyes, you would see the image of their image. Were you to touch my fingertips, you would feel their quick movements. The works of my hands reveal them as the lake reflects the twinkling of the stars. My tears disclose them as the mystery of the rose petal is disclosed at the moment the heat dissolves the drops of dew when that rose withers. … Who can combine the roaring of the sea and the warbling of the nightingale? Who can link the crashing thunder with the baby’s sigh?
Kahlil Gibran
Your love is my treasure And my heart is buried there. Your touch is my pleasure Soothing my soul with every care.   Subject of my poetry, Love of my youth, Melody to my songs Of joy absolute, Would you believe me? I speak the truth When in poem and song I say to you, That when violets turn red And roses bloom blue That's the day I'll stop loving you.
Warren L.G. De Mills (Affections: Collection of Poetry (Vol.1))
This is why children can see Angels, touch spirits, hear the songs of the trees, and talk to the animals. Quite simply, they acknowledge the magic.
Elizabeth S. Eiler (Swift and Brave: Sacred Souls of Animals)
Celebrate one soul, touch one heart, light one lamp; and the whole universe moves.
Heather K. O'Hara (The Path of Songs: A Gift for the Soul)
I’m lost in an indigo fog as her lips touch mine. The gentle vibration of her soul song rumbles over me.
Faith Prince
Tears flood in you your eyes burning your heart scars with my name scratched deep My face is gone my heart betrayed by your lullabies I’m a shadow of a girl inside Hands are touching you nothing takes the place of you Heart wrench, weeps goodbye Lullabies, beautiful and trusting Barely breathing as they break into dust Lonely corners me Sweeps me off my feet Shows me it was better for me Fingertips holding close your grip not as soft Follows me to an empty bed I can’t stop the weakening of my soul my body is dying your tune is holding my mind Let me go see what I do No control No you You whisper your sweet goodbye If it is small it won’t interrupt my sleep But my heart you keep You say it’s for me But who would be happy? Alone left out in the cold
Mercy Cortez
The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction the weight, the weight we carry is love. Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human-- looks out of the heart burning with purity-- for the burden of life is love, but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love. No rest without love, no sleep without dreams of love-- be mad or chill obsessed with angels or machines, the final wish is love --cannot be bitter, cannot deny, cannot withhold if denied: the weight is too heavy --must give for no return as thought is given in solitude in all the excellence of its excess. The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye-- yes, yes, that's what I wanted, I always wanted, I always wanted, to return to the body where I was born.
Allen Ginsberg
What are these songs, and what do they mean? I know little of music and can say nothing in technical phrase, but I know something of men, and knowing them, I know that these songs are the articulate message of the slave to the world. They tell us in these eager days that life was joyous to the black slave, careless and happy. I can easily believe this of some, of many. But not all the past South, though it rose from the dead, can gainsay the heart-touching witness of these songs. They are the music of an unhappy people, of the children of disappointment; they tell of death and suffering and unvoiced longing toward a truer world, of misty wanderings and hidden ways.
W.E.B. Du Bois (The Souls of Black Folk)
Have you ever felt a stirring in your heart as a touching story brought tears to your eyes or as you heard a soaring symphony or a captivating song on the radio that opened a new window in your soul? Maybe you have felt a similar exhilaration while watching a sunset, camping out under the night sky, or holding a newborn babe. Something inside of you quickened, and for a moment, some heavenly beauty connected your inner self with the divine. C. S. Lewis referred to such experiences as joy. These are remnants and reminders of the perfect world God designed for us to live in—the shadow of places He longs to take us to, the reality of the other world He’s preparing for us.
Sally Clarkson (Own Your Life: Living with Deep Intention, Bold Faith, and Generous Love)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
I would touch its walls with my fingers and its ceilings with my looks, I would invoke the powers of writing, I would bathe my soul in the rivers of unknown thoughts that genius unrolls when surrounded by the song of all the books its heart receives the marvelous measures of its own speech...
Hélène Cixous (Eve Escapes)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
Song Allen Ginsberg The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction the weight, the weight we carry is love. Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human— looks out of the heart burning with purity— for the burden of life is love, but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love. No rest without love, no sleep without dreams of love— be mad or chill obsessed with angels or machines, the final wish is love —cannot be bitter, cannot deny, cannot withhold if denied: the weight is too heavy —must give for no return as thought is given in solitude in all the excellence of its excess. The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye— ** yes, yes, that’s what I wanted, I always wanted, I always wanted, to return to the body where I was born.
Allen Ginsberg
Though critics may bow to art, and I am its own true lover, It is not art, but heart, which wins the wide world over. Though smooth be the heartless prayer, no ear in Heaven will mind it, And the finest phrase falls dead if there is no feeling behind it. Though perfect the player's touch, little, if any, he sways us, Unless we feel his heart throb through the music he plays us. Though the poet may spend his life in skilfully rounding a measure, Unless he writes from a full, warm heart he gives us little pleasure. So it is not the speech which tells, but the impulse which goes with the saying; And it is not the words of the prayer, but the yearning back of the praying. It is not the artist's skill which into our soul comes stealing With a joy that is almost pain, but it is the player's feeling. And it is not the poet's song, though sweeter than sweet bells chiming, Which thrills us through and through, but the heart which beats under the rhyming. And therefore I say again, though I am art's own true lover, That it is not art, but heart, which wins the wide world over.
Ella Wheeler Wilcox
You can. I have no doubt your clever mind can solve any puzzle it’s given.” A blush rose on her face, and I brushed my fingers over her cheek just to feel the heat of her skin. My need for her grew more every day. It was a constant, insatiable desire to be close to her, touch her, listen to her speak. Nothing else could satisfy me. Her body was a siren’s song and I was its slave.
Harley Laroux (Soul of a Witch (Souls Trilogy, #3))
Fourth Meditation" 1 I was always one for being alone, Seeking in my own way, eternal purpose; At the edge of the field waiting for the pure moment; Standing, silent, on sandy beaches or walking along green embankments; Knowing the sinuousness of small waters: As a chip or shell, floating lazily with a slow current... Was it yesterday I stretched out the thin bones of my innocence? O the songs we hide, singing only to ourselves! Once I could touch my shadow, and be happy; In the white kingdoms, I was light as a seed, Drifting with the blossoms, A pensive petal. But a time comes when the vague life of the mouth no longer suffices; The dead make more impossible demands from their silence; The soul stands, lonely in its choice, Waiting, itself a slow thing, In the changing body. The river moves, wrinkled by midges, A light wind stirs in the pine needles. The shape of a lark rises from a stone; But there is no song.
Theodore Roethke (The Collected Poems of Theodore Roethke)
How could I? When your hair is the color of the sun on a cloudless day? When your smile warms the entire ocean around me? When I touch you, your soul is so familiar to me. It is like I have known you in a hundred lifetimes before this, and some part of me that I’ve forgotten wishes to bury itself inside you. It tells me to cling to the curve of your waist, to clutch at the feeling in my chest that lingers when you are near. My soul wishes to keep you and never let you go.
Emma Hamm (Song of the Abyss (Deep Waters, #2))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
When we had shaken enough hands and embraced enough people, Amar pulled me away from the sounds, back through the room with flimsy walls where the torn obsidian mirror-portal glowed blearily. There was only a handful of air between us, but it was all illusion. We were closer than that, two souls sewn together with light. His palm slid to my cheek and my skin sang. I loved him with two loves. One, a relic of another era. Another, unformed and hot, a freshly wrought star. All enigma and song. I think he felt the same way because his next words were almost resentful: “You are quite deceptive, my queen. Like a handful of light one moment and then winged night the next.” He smiled. “I would know all your mysteries if you would let me.” “You can try, but you’ll never know them,” I said. “I have a thousand smiles, a hundred forms. Not to mention all my names.” He closed the space between us, lips skimming hungrily across mine. “Then I am pleased we have eternity,” he said, pulling me into a kiss.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
It is for you this song You, the stranger who, without fuss, Though downtrodden yourself still smiled at me, When the policemen took me off. You who didn’t join the applause when The upper crust women and men All the people with good intentions Laughed to see me being led away. It was merely a touch of honey But it warmed my body through And in my soul it burns on still As the bright sun would do... You, the stranger, when you will die When the mortician bears you off May he take you across the sky, To the Father Eternal.
Georges Brassens
Love's Retreat" Soul mates of a depth entwined are kindred flames beyond the find who shall be love's caress to know past the flight of Cupid's bow And borrowed from a sonnet's hold of court and spark beyond the fold truth shall be a love divine to wrap around and then entwine For higher love does rise in form with every tenderness to warm past a depth beyond the sea which sanctions kindred flames to be And hearts of many start to sing in sweet refrain as lovers bring a breaking dawn beyond the night from which two hearts begin their flight Soul mates shall forever be the rose within their eyes to see with twin flames reaching higher chord in loving song so much adored For when they merge as sacred one life is spun as comets run and from each kiss of gesture felt heartfelt candles start to melt Borrowed from each touch to own love surmounts the all alone as starlight rainbows cast a gift among the cosmic river drift And there amid a starry night soul mates gather past delight forming higher venture sweet lost in Cupid's love retreat. A V
Anonymous
See, birds of every varied voice Around us in the woods rejoice, On creeper, shrub, and plant alight, Or wing from tree to tree their flight. Each bird his kindly mate has found, And loud their notes of triumph sound, Blending in sweetest music like The distant warblings of the shrike. See how the river banks are lined With birds of every hue and kind. Here in his joy the Koïl sings, There the glad wild-cock flaps his wings. The blooms of bright Aśokas526where The song of wild bees fills the air, And the soft whisper of the boughs Increase my longing for my spouse. The vernal flush of flower and spray Will burn my very soul away. What use, what care have I for life If I no more may see my wife Soft speaker with the glorious hair, And eyes with silken lashes fair? Now is the time when all day long The Koïls fill the woods with song. And gardens bloom at spring's sweet touch Which my beloved loved so much. Ah me, Sumitrá's son, the fire Of sorrow, sprung from soft desire, Fanned by the charms the spring time shows, Will burn my heart and end my woes, Whose sad eyes look on each fair tree,
Vālmīki (The Rámáyan of Válmíki)
Ah, it is a strange thing - Love's little fingers on the heart, making tenderness out of bitterness and changing weakness into strength! When once a woman's eyes, with understanding love, have looked into the very depths of a man's soul, he need seek no farther for the Philosopher's Stone. As if by magic, the love of the many comes with the love of one. One flash of the love-light makes the whole world new, one chord of Love's music changes all sound to song, and one touch of Love's hand so glorifies the earth that it needs no other alchemy to make it truly gold.
Myrtle Reed (Later Love Letters of a Musician)
Thou grievest where no grief should be! thou speak'st Words lacking wisdom! for the wise in heart Mourn not for those that live, nor those that die. Nor I, nor thou, nor any one of these, Ever was not, nor ever will not be, For ever and for ever afterwards. All, that doth live, lives always! To man's frame As there come infancy and youth and age, So come there raisings-up and layings-down Of other and of other life-abodes, Which the wise know, and fear not. This that irks—Thy sense-life, thrilling to the elements—Bringing thee heat and cold, sorrows and joys, 'Tis brief and mutable! Bear with it, Prince! As the wise bear. The soul which is not moved, The soul that with a strong and constant calm Takes sorrow and takes joy indifferently, Lives in the life undying! That which is Can never cease to be; that which is not Will not exist. To see this truth of both Is theirs who part essence from accident, Substance from shadow. Indestructible, Learn thou! the Life is, spreading life through all; It cannot anywhere, by any means, Be anywise diminished, stayed, or changed. But for these fleeting frames which it informs With spirit deathless, endless, infinite, They perish. Let them perish, Prince! and fight! He who shall say, "Lo! I have slain a man!" He who shall think, "Lo! I am slain!" those both Know naught! Life cannot slay. Life is not slain! Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birthless and deathless and changeless remaineth the spirit for ever; Death hath not touched it at all, dead though the house of it seems! Who knoweth it exhaustless, self-sustained, Immortal, indestructible,—shall such Say, "I have killed a man, or caused to kill?" Nay, but as when one layeth His worn-out robes away, And taking new ones, sayeth, "These will I wear to-day!" So putteth by the spirit Lightly its garb of flesh, And passeth to inherit A residence afresh. I say to thee weapons reach not the Life; Flame burns it not, waters cannot o'erwhelm, Nor dry winds wither it. Impenetrable, Unentered, unassailed, unharmed, untouched, Immortal, all-arriving, stable, sure, Invisible, ineffable, by word And thought uncompassed, ever all itself, Thus is the Soul declared! How wilt thou, then,—Knowing it so,—grieve when thou shouldst not grieve? How, if thou hearest that the man new-dead Is, like the man new-born, still living man—One same, existent Spirit—wilt thou weep? The end of birth is death; the end of death Is birth: this is ordained! and mournest thou, Chief of the stalwart arm! for what befalls Which could not otherwise befall? The birth Of living things comes unperceived; the death Comes unperceived; between them, beings perceive: What is there sorrowful herein, dear Prince?
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
Does Jesus Care? In a fit of despondency, the psalmist once bemoaned, “No one cares for my soul” (Ps. 142:4). But in the next verse he turned his gloom into a prayer, declaring to God, “You are my refuge.” The word care occurs eighty-two times in the Bible, which frequently reminds us that when “the days are weary, the long nights dreary,” our Savior cares. Frank Graeff wrote “Does Jesus Care?” in 1901, and it was set to music by the noted conductor and composer, Dr. J. Lincoln Hall (born November 4, 1866), who later called it his most inspired piece of music. The form of the hymn is unusual. Each stanza asks questions about God’s care for us in various situations, and the chorus resounds with the bolstering answer: “Oh yes, He cares, I know He cares!” NOVEMBER 4 Does Jesus care when my heart is pained Too deeply for mirth or song, As the burdens press, and the cares distress And the way grows weary and long? Does Jesus care when I’ve tried and failed To resist some temptation strong; When for my deep grief there is no relief, Though my tears flow all the night long? Does Jesus care when I’ve said “good-bye” To the dearest on earth to me, And my sad heart aches till it nearly breaks, Is it aught to Him? Does He see? Oh yes, He cares, I know He cares, His heart is touched with my grief; When the days are weary, the long nights dreary, I know my Savior cares. . . . casting all your care upon Him, for He cares for you. – 1 Peter 5:7
Robert J. Morgan (Near To The Heart Of God)
You are a story fed by generations You carry songs of grief, triumph Loss and joy Feel their power as they ascend Within you As you walk, run swiftly, even fly Into infinite possibilities Let go that which burdens you Let go any acts of unkindness or brutality From or against you Let go that which has burdened your family Your community, your nation Or disturbed your soul Let go one breath into another Pray thankfulness for this Earth we are For this becoming we are For this sunlight touching skin we are For the cooling of the dark we are Listen now as Earth sheds her skin Listen as generations move One against the other to make power We are bringing in a new story We will be accompanied by ancient songs And will celebrate together Breathe this new dawn Assist it as it opens its mouth To sing.
Joy Harjo
We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens.
Robert McCammon (Boy's Life)
And at the center of the room, a girl. A woman. She sits at the klavier with eyes closed, playing their song. Their story. Elisabeth. Her image flickers, wavers, a reflection seen on the edges of a candle flame. The shadows wriggle and writhe with curiosity, and with tremendous effort, the monster holds them back. Please, he whispers. Please, let me have this one thing. As he plays, the darkness recedes. From his skin, from his hair, the weight of the rams' horns on his head lightening. Color returns to the world and to his eyes, a mismatched blue and green as the monster remembers what it is to be a man. Elisabeth. He sits down on the bench beside her, begging her- beseeching her- to open her eyes and see him. Be with him. But she keeps her eyes closed, hands trembling on the keyboard. Elisabeth. She stirs. He sucks in a sharp breath and lifts his hand to stroke her cheek with fingers that are still mangled, broken, strange. His touch passes through her like a knife through smoke, yet she shivers as if she can feel the brush of his fingers in the dark places of her soul, her body, her heart. She is as insubstantial as mist, but he cannot resist the urge, the itch, to kiss. He closes his eyes and leans in close, imagining the silk of her skin against his lips. They are met. A gasp. His eyes fly open but hers are still closed. Her hand lifts to her mouth, as though the tingle of their unexpected caress still lingered there. "Mein Herr," she sighs. "Oh, mein Herr." I'm here, he says. Look at me. Be with me. See me. Call me by name. Yet when she opens her eyes, she stares through him, not at him. The darkness hisses and crawls, the shushing sound of branches in an icy wind. She drops her head into her hands, her shoulders hunched, and the sound of her crying is more bitter than even the coldest winter night. No! he cries. He wants to comfort and caress her, but he cannot hold her, cannot touch her. He is a ghost in her mind, voiceless, silent, and incorporeal.
S. Jae-Jones (Shadowsong (Wintersong, #2))
April 1 MORNING “Let Him kiss me with the kisses of His mouth.” — Song of Solomon 1:2 FOR several days we have been dwelling upon the Saviour’s passion, and for some little time to come we shall linger there. In beginning a new month, let us seek the same desires after our Lord as those which glowed in the heart of the elect spouse. See how she leaps at once to Him; there are no prefatory words; she does not even mention His name; she is in the heart of her theme at once, for she speaks of Him who was the only Him in the world to her. How bold is her love! it was much condescension which permitted the weeping penitent to anoint His feet with spikenard — it was rich love which allowed the gentle Mary to sit at His feet and learn of Him — but here, love, strong, fervent love, aspires to higher tokens of regard, and closer signs of fellowship. Esther trembled in the presence of Ahasuerus, but the spouse in joyful liberty of perfect love knows no fear. If we have received the same free spirit, we also may ask the like. By kisses we suppose to be intended those varied manifestations of affection by which the believer is made to enjoy the love of Jesus. The kiss of reconciliation we enjoyed at our conversion, and it was sweet as honey dropping from the comb. The kiss of acceptance is still warm on our brow, as we know that He hath accepted our persons and our works through rich grace. The kiss of daily, present communion, is that which we pant after to be repeated day after day, till it is changed into the kiss of reception, which removes the soul from earth, and the kiss of consummation which fills it with the joy of heaven. Faith is our walk, but fellowship sensibly felt is our rest. Faith is the road, but communion with Jesus is the well from which the pilgrim drinks. O lover of our souls, be not strange to us; let the lips of Thy blessing meet the lips of our asking; let the lips of Thy fulness touch the lips of our need, and straightway the kiss will be effected.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Even while I protest the assembly-line production of our food, our songs, our language, and eventually our souls, I know that it was a rare home that baked good bread in the old days. Mother's cooking was with rare exceptions poor, that good unpasteurized milk touched only by flies and bits of manure crawled with bacteria, the healthy old-time life was riddled with aches, sudden death from unknown causes, and that sweet local speech I mourn was the child of illiteracy and ignorance. It is the nature of a man as he grows older, a small bridge in time, to protest against change, particularly change for the better. But it is true that we have exchanged corpulence for starvation, and either one will kill us. The lines of change are down. We, or at least I, can have no conception of human life and human thought in a hundred years or fifty years. Perhaps my greatest wisdom is the knowledge that I do not know. The sad ones are those who waste their energy in trying to hold it back, for they can only feel bitterness in loss and no joy in gain.
John Steinbeck (Travels with Charley: In Search of America)
SONG The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction the weight, the weight we carry is love. Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human looks out of the heart burning with purity for the burden of life is love, but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love. No rest without love, no sleep without dreams of love be mad or chill obsessed with angels or machines, the final wish is love cannot be bitter, cannot deny, cannot withhold if denied: the weight is too heavy must give for no return as thought is given in solitude in all the excellence of its excess. The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye yes, yes, that's what I wanted, I always wanted, I always wanted, to return to the body where I was born.
Allen Ginsberg
Oh, I was but a wounded Beast Oh, I was but a wounded Beast Teeth gnashing from a brutal feast Wolfing down with others; consuming every bite Eating every poison laid before my sight I dined upon Iniquity’s endless shelf Blindly feeding, greedily…on myself Oh, I was but a wounded Beast Expiring with every taste of yeast Belly puffed and sour with death A haunting shutter with every breath Full of nothing but vanity Dipped in pleasure and tragedy Oh, I was but a wounded Beast As the West is far from the East I charted the lust of mine own eyes Thus, in my folly…I was sure to die My soul knew nothing of sacrifice Instead I danced with every vice Oh, I was but a wounded Beast You found me broken and utterly fleeced Naked, abandoned and truly alone You nurtured the wounds to which you sewn You gave me bread, You sang me a song And touched my wounds with a loving balm Oh, I was but a wounded Beast Yet, You taught me wisdom’s leash So I walk with you…dawn through night Quenched by your fount of love and light No darkness, no hate not a selfish bone Can feed this fiend that You’ve atoned Oh, I was, but a wounded Beast! ~Jason Neville Versey
Jason Versey
Sometimes my soul feels very peaceful, happy to be contained. Other times it has the urge to send envoys into the world, and I find myself sending unguarded passionate messages, voice notes and even recordings of me singing to my friends. It makes me think of the bit in the song where Joni breaks into the Canadian national anthem. I find the whole song moving, but this particular part, her 'o Canada', sounds like a moment where she forgets the audience and performs in the way you might in a private scene with a lover, family member or friend. No one wants to be a lonely soul, only filled up with yourself and the abstractions of the soul in art. Like a squid stuffed with its own tentacles. A lonely painter, living in a box of paints. But, it occurs to me, needing to identify what or who the 'you' is when I sing Joni's song is another example of my ego troubling with a convention I don't really believe in. My 'you' could be liquid, flowing from one thing to another. It could contain many people and things, be so vast as to be God-sized, an oceanic you. Or it could be small and exact like a square of pure pigment, with a startling itselfness, which once it goes beyond me can transform all it touches.
Amy Key (Arrangements in Blue: Notes on Loving and Living Alone)
Tonight, an old ache awakens within me, a yearning that threads through my veins like a distant song. I am consumed by a passion that seizes every corner of my soul, an urgent fire that longs to be stoked by your touch. The thought of you ignites a blaze that refuses to be contained, a hunger for the nights we could share, where our bodies speak the language of longing, and every moment is a tender exploration of desire. I feel us entwined already, as if our souls have danced together before. Without you, I wander in a sea of echoes, lost in the silent spaces where your presence should be. You are not just a lover; you are the very pulse of my heart. In your embrace, I find a completeness that words cannot capture, a connection that feels ancient and profound— a bond that burns fiercely, beautifully, even as it breaks my heart. Please, let us come together soon. I am aching with a fervor that only you can soothe, burning with a passion that is both a comfort and a torment, an insatiable need to be near you, to lose myself in the warmth of our union. All I desire is to be with you, to surrender to the depth of our shared longing, for you are the world to me, the fire that lights my darkest nights.
Anna Curto
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
Ray Charles
Oh doors of your body There are nine and I have opened them all Oh doors of your body There are nine and for me they have all closed again At the first door Clear Reason has died It was do you remember? the first day in Nice Your left eye like a snake slides Even my heart And let the door of your left gaze open again At the second door All my strength has died It was do you remember? in a hostel in Cagnes Your right eye was beating like my heart Your eyelids throbbed like flowers beat in the breeze And let the door of your right gaze open again At the third door Hear the aorta beat And all my arteries swollen from your only love And let the door of your left ear be reopened At the fourth gate They escort me every spring And listening listening to the beautiful forest Upload this song of love and nests So sad for the soldiers who are at war And let the door of your right ear reopen At the fifth gate It is my life that I bring you It was do you remember? on the train returning from Grasse And in the shade, very close, very short Your mouth told me Words of damnation so wicked and so tender What do I ask of my wounded soul How could I hear them without dying Oh words so sweet so strong that when I think about it I seem to touch them And let the door of your mouth open again At the sixth gate Your gestation of putrefaction oh War is aborting Behold all the springs with their flowers Here are the cathedrals with their incense Here are your armpits with their divine smell And your perfumed letters that I smell During hours And let the door on the left side of your nose be reopened At the seventh gate Oh perfumes of the past that the current of air carries away The saline effluvia gave your lips the taste of the sea Marine smell smell of love under our windows the sea was dying And the smell of the orange trees enveloped you with love While in my arms you cuddled Still and quiet And let the door on the right side of your nose be reopened At the eighth gate Two chubby angels care for the trembling roses they bear The exquisite sky of your elastic waist And here I am armed with a whip made of moonbeams Hyacinth-crowned loves arrive in droves. And let the door of your soul open again With the ninth gate Love itself must come out Life of my life I join you for eternity And for the perfect love without anger We will come to pure and wicked passion According to what we want To know everything to see everything to hear I gave up in the deep secret of your love Oh shady gate oh living coral gate Between two columns of perfection And let the door open again that your hands know how to open so well
Guillaume Apollinaire
They're playing my favorite song." He swept her into his arms and began to move with her around the floor. The honky-tonk music was something low and bluesy. Marilee looked up into his face. 'I don't recognize this song.What is it?" He gave her that soulful smile. "I don't know.But from now on it's going to be my favorite." She felt her heart stutter. He closed both arms around her, drawing her close. She knew that everyone in the saloon was watching. At the moment, she didn't care. She couldn't think about anything except the press of his body to hers.The feel of those strong, muscled arms around her.The warmth of his thighs molded to hers.The touch of his mouth against her temple,his warm breath feathering her hair. "This is nice." His voice vibrated through her, sending a series of delicious tingles along her spine. "Yeah." She looked up into his eyes and could feel herself drowning in them. She was melting all over him, with the entire town watching. She could actually feel her heart beginning to drum in her temples. She knew she ought to draw back, but she couldn't.She didn't want the song to end.Or this night. Oh,hell.Just look at her. She was falling for a footloose rebel with a smooth line who'd probably left a trail of broken hearts from Toledo to Timbuktu. The kind of guy she'd made a career of staying as far away from as possible. And here she was. Falling hard. Willingly. Right in front of the entire town.And loving every minute of it.
R.C. Ryan (Montana Destiny)
I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  
Jayita Bhattacharjee (The Ecstatic Dance of Soul)
Last night I undressed for bed. But instead of crawling between the sheets I decided to stand, naked, in front of the large full-length mirror that is propped against the wall next to my bed. ⠀ ⠀ I turned off the bright lights, and found a song that spoke to the energy I could feel under my skin. For a while I just stood there. And I looked at myself. Bare skin. Open Heart. Clear truth. ⠀ ⠀ It's a wonder, after 42 years on earth, to allow it to fully land, this knowing that I can stop, and look at myself and think things other than unkind words. ⠀ ⠀ Don't get me wrong. I don't want to paint you a pretty social media picture that doesn't play out in real life. I'm not suddenly completely fine with all that is. I'm human and I'm a woman in the midst of this particular culture, and so of course I'd love to be tighter and firmer and lifted. I'd love to have the skin and metabolism I did in my twenties. I wish, often, that my stomach were flatter. I wear makeup and I dye away my gray hair. I worry about these things too, of course I do. ⠀ ⠀ But finally, and fully - I can stand and look at myself and be filled, completely, with love. I can look at myself entirely bare and think, yes, I like myself now. Just as I am. Even if nothing changes. This me. She is good. And she is beautiful. ⠀ ⠀ And even in the space of allowing myself to be human, and annoyed with those things I view as imperfections, I honor and celebrate this shift. ⠀ ⠀ And so last night I was able to stand there. Naked and unashamed and run my own hands gently along my own skin. To offer the tenderness of the deepest seduction. To practice being my own best lover, to romance my own soul. To light the candles and buy the flowers. To hold space for my own knowing. ⠀ ⠀ And to touch my own skin while the music played. Gently. Lightly. With reverence. My thighs, my arms, my breasts, my belly, the points where my pulse makes visible that faint movement that proves me alive. To trace the translucent blue veins, the scars, the ink that tells stories. To whisper to the home of my own desire. ⠀ ⠀ I love you. ⠀ I respect your knowing. ⠀ Thank you for waiting for me to get here. ⠀ I finally see that you are holy.
Jeanette LeBlanc
I gathered Amar in my arms. For the first time, there was no nagging absence in the seams of my soul. I was whole. All the frayed patches of my spirit mended. The tapestry’s glittering threads had climbed through the fissures of memory and half-dreams and filled them with color. I looked at him and love filled me. I loved him with the force of a thousand lifetimes, made greater by the fact that my love was returned. I clasped his hands around the noose. A touch of color returned to his cheeks. “You are my life too,” I said and then I pressed my lips to his. A burst of heat met my hands before it tempered to something cool and distant. Amar stirred on my lap, solid hands reaching to clasp my fingers. He blinked, shaking his head. Slowly, as if he was approaching something fragile and hallowed, he traced the length of our tangled fingers before his gaze trailed past my arm, my neck, before fixing on my eyes. We were truly, finally visible to one another. Neither the secret whirring song of the stars nor the sonorous canticles of the earth knew the language that sprang up in the space between us. It was a dialect of heartbeats, strung together with the lilt of long suffering and the incandescent hope of an infinite future. Amar searched my face, his fingers hovering over my jawline, lips and collarbones. But he didn’t touch me. Instead, he took in a shuddering breath. “Are you real?” he managed, his voice a shadow. “Or are you an illusion? Some final punishment for losing my way?” “I’m no illusion,” I said, staring into his eyes. The ferocity of his stare laid my soul bare for him to judge. “I thought I would be lost forever,” he said hoarsely, pulling me to him. His hands tangled in my hair, the kiss resonating at my core. He pressed his lips to mine with the intensity of lifetimes and when we finally broke apart, his lips curved into a fragile smile. “You’ve saved me.” “Did you have any doubts that I could?” He hesitated. “Your abilities are something I could never doubt. Your will, however, I was unsure of. When I could finally bring you back, I thought you would leave again. I’d never have a chance to explain. Forgive me--” I stopped him. “I will not let us be beings of regret. I know my past. What I want is my future.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparking sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love’s happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life’s high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman’s soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father’s eyes. But long before I ever heard your name, Always the undertone’s unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night– You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up– go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darking trees for us, Yet where we walked the city’s street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel’s wake A heaven of unborn evanescent stars.
Sara Teasdale (The Collected Poems)
All beauty calls you to me, and you seem” All beauty calls you to me, and you seem, Past twice a thousand miles of shifting sea, To reach me. You are as the wind I breathe Here on the ship's sun-smitten topmost deck, With only light between the heavens and me. I feel your spirit and I close my eyes, Knowing the bright hair blowing in the sun, The eager whisper and the searching eyes. Listen, I love you. Do not turn your face Nor touch me. Only stand and watch awhile The blue unbroken circle of the sea. Look far away and let me ease my heart Of words that beat in it with broken wing. Look far away, and if I say too much, Forget that I am speaking. Only watch, How like a gull that sparkling sinks to rest, The foam-crest drifts along a happy wave Toward the bright verge, the boundary of the world. I am so weak a thing, praise me for this, That in some strange way I was strong enough To keep my love unuttered and to stand Altho' I longed to kneel to you that night You looked at me with ever-calling eyes. Was I not calm? And if you guessed my love You thought it something delicate and free, Soft as the sound of fir-trees in the wind, Fleeting as phosphorescent stars in foam. Yet in my heart there was a beating storm Bending my thoughts before it, and I strove To say too little lest I say too much, And from my eyes to drive love's happy shame. Yet when I heard your name the first far time It seemed like other names to me, and I Was all unconscious, as a dreaming river That nears at last its long predestined sea; And when you spoke to me, I did not know That to my life's high altar came its priest. But now I know between my God and me You stand forever, nearer God than I, And in your hands with faith and utter joy I would that I could lay my woman's soul. Oh, my love To whom I cannot come with any gift Of body or of soul, I pass and go. But sometimes when you hear blown back to you My wistful, far-off singing touched with tears, Know that I sang for you alone to hear, And that I wondered if the wind would bring To him who tuned my heart its distant song. So might a woman who in loneliness Had borne a child, dreaming of days to come, Wonder if it would please its father's eyes. But long before I ever heard your name, Always the undertone's unchanging note In all my singing had prefigured you, Foretold you as a spark foretells a flame. Yet I was free as an untethered cloud In the great space between the sky and sea, And might have blown before the wind of joy Like a bright banner woven by the sun. I did not know the longing in the night-- You who have waked me cannot give me sleep. All things in all the world can rest, but I, Even the smooth brief respite of a wave When it gives up its broken crown of foam, Even that little rest I may not have. And yet all quiet loves of friends, all joy In all the piercing beauty of the world I would give up--go blind forevermore, Rather than have God blot from out my soul Remembrance of your voice that said my name. For us no starlight stilled the April fields, No birds awoke in darkling trees for us, Yet where we walked the city's street that night Felt in our feet the singing fire of spring, And in our path we left a trail of light Soft as the phosphorescence of the sea When night submerges in the vessel's wake A heaven of unborn evanescent stars.
Sara Teasdale (Rivers to the Sea)
Where Would I Be Without You It is the whisper of Your love that builds me up, It is the dew drops of Your mercy that freshen my soul, It is the wonder of Your grace that sustains me, It is the shadow of Your wings that cushions me, It is the power of Your righteous right hand that quickens my feeble knees. It is Your kind-hearted nature that keeps me going, It is Your gentle touch that soothes my inner being, It is the beauty of Your love that gives me a song to sing. Where would I be without you Lord Jesus.
Euginia Herlihy
Where Would I Be Without You It is the whisper of Your love that builds me up, It is the dew drops of Your mercy that freshen my soul, It is the wonder of Your grace that sustains me, It is the shadow of Your wings that cushions me, It is the power of Your righteous right hand that quickens my feeble knees. It is Your kind-hearted nature that keeps me going. It is Your voice of healing that gives me peace, It is Your gentle touch that soothes my inner being, It is the beauty of Your love that gives me a song to sing. Where would I be without You Lord Jesus.
Euginia Herlihy
Love Song How shall I hold my soul to not intrude upon yours? How shall I lift it beyond you to other things? I would gladly lodge it with lost objects in the dark, in some far still place that does not tremble when you tremble. But all that touches us, you and me, plays us together, like the bow of a violin that from two strings draws forth one voice. On what instrument are we strung? What musician is playing us? Oh sweet song.
Anita Barrows (A Year with Rilke)
but in the meanwhile here were these slow undulations of lips and cheek, the articulate movements of tongue and jaw, the glow of alabaster skin. Sometimes in the woods near the farm in Percussina he lay on the leaf-soft ground and listened to the two-tone song of the birds, high low high, high low high low, high low high low high. Sometimes by a woodland stream he watched the water rush over the pebbled bed, its tiny modulations of bounce and flow. A woman's body was like that. If you watched it carefully enough you could see how it moved to the rhythm of the world, the deep rhythm, the music below the music, the truth below the truth. He believed in this hidden truth the way other men believed in God or love, believed that truth was in fact always hidden, that the apparent, the overt, was invariably a kind of lie. Because he was a man fond of precision he wanted to capture the hidden truth precisely, to see it clearly and set it down, the truth beyond ideas of right and wrong, ideas of good and evil, ideas of ugliness and beauty, all of “deceptions of the world, having little to do with how things really worked, disconnected from the what-ness, the secret codes, the hidden forms, the mystery. Here in this woman's body the mystery could be seen. This apparently inert being, her self erased or buried beneath this never-ending story, this labyrinth of story-rooms in which more tales had been hidden than he was interested to hear. This toothsome sleepwalker. This blank. The rote-learned words poured out of her as he looked on, and while he unbuttoned and caressed. He exposed her nudity without compunction, touched it without guilt, manipulated her without any feelings of remorse. He was the scientist of her soul. In the smallest motion of an eyebrow, in the twitch of a muscle in her thigh, in a sudden minuscule curling of the left corner of her upper lip, he deduced the presence of life. Her self, that sovereign treasure, had not been destroyed. It slept and could be awakened. He whispered in her ear, "This is the last time you will ever tell this story. As you tell it, let it go." Slowly, phrase by phrase, episode by episode, he would unbuild the “only a man looking for the deeper truth would have seen it, her back arched in return. There was nothing wrong in what he did. He was her rescuer. She would thank him in time” Excerpt From: Toppy. “The Enchantress of Florence - Salman Rushdie.
Salman Rushdie (The Enchantress of Florence)
The corpse is too gentle, With a touch, so parental, I dare not refuse, With a lot to lose, I miss the ruse, The songs, the blues,
Rahim Haider
All my friends tell me I should move on I'm lying in the ocean, singing your song Ahh That's how you sang it Loving you forever can't be wrong Even though you're not here, won't move on Ahh That's how we played it And there's no remedy for memory, your face is like a melody It won't leave my head Your soul is haunting me and telling me that everything is fine But I wish I was dead (dead, like you) Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side All my friends ask me why I stay strong Tell 'em when you find true love, it lives on Ahh That's why I stay here And there's no remedy for memory, your face is like a melody It won't leave my head Your soul is haunting me and telling me that everything is fine But I wish I was dead (dead, like you) Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you But there's no you, except in my dreams tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight There's no relief, I see you in my sleep And everybody's rushing me, but I can feel you touching me There's no release, I feel you in my dreams Telling me I'm fine Every time I close my eyes, it's like a dark paradise No one compares to you I'm scared that you won't be waiting on the other side Every time I close my eyes, it's like a dark paradise No one compares to you But there's no you, except in my dreams tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight Oh-oh-oh-oh-hah-hah-hah-hah I don't want to wake up from this tonight "Dark Paradise
Lana Del Rey
But if you hated it so much, then… why did you do it? Why did you listen to me?” When he turned to her, the moonlight shone upon him in a way that reminded Signa of a painting, wisps of shadows like brushstrokes upon a canvas. “Because I have waited an eternity to meet you, Signa Farrow.” The words were a balm she clung to, relished. “To me, you are a song to a soul that has never known music. Light to someone who has only seen the darkness. You bring out the absolute worst in me, and I become vindictive toward those who treat you in ways I don’t care for. Yet you also bring out the best in me—I want to be better because of you. Better for you. “In all my existence, I’ve asked only for one thing—for one person who might understand me, and whom I could let myself touch. When I touch someone, I see the life they’ve lived in flashes of memories as they die. But the first time I touched you, it was your future I saw. A glimpse of you in my arms, dancing in a beautiful red dress beneath the moonlight.” He tilted her chin up and Signa shivered, savoring the touch. “You are what I want.” He drew his hand away. “I know I cannot force you to want me in return, but say that you do, and I promise that I am wholly and unequivocally yours. Say that you do, and I will make this world everything for you, Signa.
Adalyn Grace (Belladonna (Belladonna, #1))
Chatting to the gossip of flames waking from the slumber of our flesh-drunk night together— it’s only when I step out to pee do I notice— how far, burgundy-dark, the moon has risen…. On four paws the shepherd- dogs bound, lightly though the trees they hardly touch on earth— we saw it from far sunk here in an always-ache…. Dyeing paling twilight woods— a pair of wasps, spiraling, writhe…. Wetted lips of hers and mine, just-parted, move over each other with tongues just-coming but refuse— like mists of evening they've no place to settle…. Just-here though she's singing she’s in some song from long ago— poised on the brink of twilight longing three thousand miles rush through my heart…. Under undulating curtains— I hover above her the tips of me brushing the tips of her— breathing back and forth a column of air we share our breath slowly asphyxiating…. From burning wood campfire sparks dart off extinguishing in the wet blue dark… how you blow your long wind across my embers, through my soul, she pleads me, take away the pain— I dip a branch in blue water and plunge it into coals…. *** In pre-dawn dark, against a leaping inferno of flames black monolith of wood in the cast iron compartment softens, and—gradually— fractures to cells, warping upward, until from the top a shard splinters: pearls of flame string a fiber and leap in little tongues while the log, glowing, engulfed, is consumed by the inferno contained…. A shadow daunts me, haunts and taunts me now reaching far, now recoiling, now growing bold…. I once sang eruptions and the wind— then appeared you it took my whole life singing only the songs of you and still I sing for you what other refuge can stay me from this torment? So— my doppelganger has arrived no one said it would happen this way but the way his hands fold like mine, the style of his humor, broadness of his smile— even the way he walks…. Licking and lapping these lashings of grasses are in tongues at my feet smoldering's the fury within me— I have seen my fields of daylight warp to noxious-air infernos but still to the clean blue of the flame I take rest in her breast…. His songs I mouth, and in my head is his voice— I cannot hear my own…. in my mind I see myself— thin, stupid— my arms too weak, my own chest too frail— and besides I prefer him more…. Along spiral lines, seed-heads decay— swept away they whirl and writhe in the hot blue fire of evening…. Stuck in a mural of sticky flesh— the family… I am locked-in-arms with brothers and sisters, drooping at the thighs with nieces and nephews, grafted to parents at the scalp, and pasted with toddlers all over… hived, sapped, black I sit, subject to the flavors and aromas of your abuse…. Then— be wrapped in his presence… crescendo to his warmth the cascade of your laughter search in his wrinkles for the boy inside him… I’m just biding here, bragless, trying to admit these rival-streams that flow in one latticework of blood…. Halves of flesh and bosomy hips, lips like dark ripe fruits they're chasing— I chased them… full-feathered was their hair like floss in the sunshine fine-fingered was their style like laces cut to curves: and then there was you, returning one, just there like the midnight moon in my sky at noontime….
Mark Kaplon
The Night-Song, the immortal plaint of one who, thanks to his superabundance of light and power, thanks to the sun within him, is condemned never to love. It is night: now do all gushing springs raise their voices. And my soul too is a gushing spring. It is night: now only do all lovers burst into song. And my soul too is the song of a lover. Something unquenched and unquenchable is within me, that would raise its voice. A craving for love is within me, which itself speaketh the language of love. Light am I: would that I were night! But this is my loneliness, that I am begirt with light. Alas, why am I not dark and like unto the night! How joyfully would I then suck at the breasts of light! And even you would I bless, ye twinkling starlets and glow-worms on high! and be blessed in the gifts of your light. But in mine own light do I live, ever back into myself do I drink the flames I send forth. I know not the happiness of the hand stretched forth to grasp; and oft have I dreamt that stealing must be more blessed than taking. Wretched am I that my hand may never rest from giving: an envious fate is mine that I see expectant eyes and nights made bright with longing. Oh, the wretchedness of all them that give! Oh, the clouds that cover the face of my sun! That craving for desire! that burning hunger at the end of the feast! They take what I give them; but do I touch their soul? A gulf is there 'twixt giving and taking; and the smallest gulf is the last to be bridged. An appetite is born from out my beauty: would that I might do harm to them that I fill with light; would that I might rob them of the gifts I have given:—thus do I thirst for wickedness. To withdraw my hand when their hand is ready stretched forth like the waterfall that wavers, wavers even in its fall:—thus do I thirst for wickedness. For such vengeance doth my fulness yearn: to such tricks doth my loneliness give birth. My joy in giving died with the deed. By its very fulness did my virtue grow weary of itself. He who giveth risketh to lose his shame; he that is ever distributing groweth callous in hand and heart therefrom. Mine eyes no longer melt into tears at the sight of the suppliant's shame; my hand hath become too hard to feel the quivering of laden hands. Whither have ye fled, the tears of mine eyes and the bloom of my heart? Oh, the solitude of all givers! Oh, the silence of all beacons! Many are the suns that circle in barren space; to all that is dark do they speak with their light—to me alone are they silent. Alas, this is the hatred of light for that which shineth: pitiless it runneth its course. Unfair in its inmost heart to that which shineth; cold toward suns,—thus doth every sun go its way. Like a tempest do the Suns fly over their course: for such is their way. Their own unswerving will do they follow: that is their coldness. Alas, it is ye alone, ye creatures of gloom, ye spirits of the night, that take your warmth from that which shineth. Ye alone suck your milk and comfort from the udders of light. Alas, about me there is ice, my hand burneth itself against ice! Alas, within me is a thirst that thirsteth for your thirst! It is night: woe is me, that I must needs be light! And thirst after darkness! And loneliness! It is night: now doth my longing burst forth like a spring,—for speech do I long. It is night: now do all gushing springs raise their voices. And my soul too is a gushing spring. It is night: now only do all lovers burst into song. And my soul too is the song of a lover.
Friedrich Nietzsche (Ecce Homo/The Antichrist)
¡Zape! (Shoo!) Go away, go away, espíritu maligno (bad spirit)!” they sang. “Go back to where you came from!” The festive musical celebration combined the prayers and songs with expressive dancing to the rhythm of percussion and string instruments, which accompanied the child’s ascent into heaven, where she would become an angel. Women, men and children ate, drank, prayed, sang and danced. They also played games like la gallina ciega (the blind chicken) where children tried to escape the touch of a blindfolded child who would walk around trying to feel for them. Whoever she touched was disqualified from the game. The baquiné lasted throughout the night. In a time when so many children perished to disease, this was a way for the child’s loved ones to say good-bye and endure the painful loss. But when all were gone, the crude reality set in. Manuel will never forget the image of those poor parents, devastated, sitting alone right next to the altar where their child lay dead, weeping desperately at her loss. He prayed for Ana’s soul. He prayed for those parents. And he prayed that he would never have to suffer the agony of losing a child.
Yasmin Tirado-Chiodini (Antonio's Will)
Music is the song of eternal love which touches the soul and fills us with joy.
Debasish Mridha
This green place in which I stood with James turned slowly around us like a music box. All my memories returning, and all his. I could see and feel each of his days and he mine. Childhood songs, books read, hearts broken, arguments forgiven.The sweetness of these imperfections far outshining the regrets. Our lives overlapped as naturally as two blades of grass brushing together. My pain forgotten, my clothes dry and clean, I pulled James close to me. As he lifted my chin, I felt no sensation of falling as when I had been Light touching one who is Quick. It wasn't the mere heat of a stolen moment in borrowed flesh. We touched now soul to soul, both of us Light. And when we kissed, the garden rocked, floating upstream.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
[Hooni Kim] is pleased at the global Hallyu phenomenon, but he doesn't think that food has a place in Hallyu. "For me food is so much more real than a pop song or a video," he said. As with all great chefs I've met, he talks about food as a man would talk about a woman he's in love with. Once more adopting his lyric speech rhythms, he said, "Looking, hearing is one thing. Tasting, touching is another. Smelling and tasting is the heart and soul of what Korea is. As much as pop culture wants to globalize, food is the best way for Koreans to share their soul and culture." Turning the expression "you are who you eat" on its head, Kim said, "No. You eat who you are. No one describes who you are like your food.
Euny Hong (The Birth of Korean Cool: How One Nation is Conquering the World Through Pop Culture)
March 20 MORNING “My beloved.” — Song of Solomon 2:8 THIS was a golden name which the ancient Church in her most joyous moments was wont to give to the Anointed of the Lord. When the time of the singing of birds was come, and the voice of the turtle was heard in her land, her love-note was sweeter than either, as she sang, “My beloved is mine and I am His: He feedeth among the lilies.” Ever in her song of songs doth she call Him by that delightful name, “My beloved!” Even in the long winter, when idolatry had withered the garden of the Lord, her prophets found space to lay aside the burden of the Lord for a little season, and to say, as Esaias did, “Now will I sing to my well-beloved a song of my beloved touching His vineyard.” Though the saints had never seen His face, though as yet He was not made flesh, nor had dwelt among us, nor had man beheld His glory, yet He was the consolation of Israel, the hope and joy of all the chosen, the “beloved” of all those who were upright before the Most High. We, in the summer days of the Church, are also wont to speak of Christ as the best beloved of our soul, and to feel that He is very precious, the “chiefest among ten thousand, and the altogether lovely.” So true is it that the Church loves Jesus, and claims Him as her beloved, that the apostle dares to defy the whole universe to separate her from the love of Christ, and declares that neither persecutions, distress, affliction, peril, or the sword have been able to do it; nay, he joyously boasts, “In all these things we are more than conquerors through Him that loved us.” O that we knew more of Thee, Thou ever precious one! “My sole possession is Thy love; In earth beneath, or heaven above, I have no other store; And though with fervent suit I pray, And importune Thee day by day, I ask Thee nothing more.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
**Verse 1:** There's a whisper in the willow, a sigh in the pine, A story of healing, line by line. The wounds we carry, hidden from sight, Begin to mend in the morning light. **Chorus:** Healing's a road, long and winding, Through the hills, a silver lining. With every step, the pain decreases, In the heart's quiet, we find our pieces. **Verse 2:** The river flows, it knows no end, Like the spirit's break, it starts to mend. The scars we wear, badges of the past, Become the strength that will forever last. **Chorus:** Healing's a journey, not a race, A gentle touch, a warm embrace. With time's soft hand, we start to see, In the mirror, who we're meant to be. **Bridge:** In the darkest night, there's a flame that glows, A seed of hope, that steadily grows. The pain we knew, starts to fade, In the tapestry of life, newly made. **Chorus:** Healing's a gift, it's ours to take, A new dawn's promise, as we awake. With each breath in, let go of grief, In healing's grace, we find relief. **Outro:** So here's to the broken, now on the mend, To the journey of healing, that never ends. May we all find peace, in the love we keep, In the quiet of healing, where the soul runs deep. May this song bring comfort and hope to anyone on the path to recovery and renewal.
James Hilton-Cowboy
Eyes That Noticed Him” In the quiet corner of a crowded room, With a jukebox playing an old love tune, He was just a shadow, 'til her glance fell, On him like a spell, in that moment, he dwelled. Oh, her eyes lit up the room, like the break of dawn, A love story starting, a new day born, With a smile that shines, bright as the sun, He knew she's the one, his heart she won. They're dancing through life, with joy in their stride, In her eyes, he's found his wild ride, A love so bold, it breaks all the norms, In her gaze, his world transforms. She was the whisper in the summer wind, A gentle touch on his weathered skin, Her smile, a beacon in the night, Guiding him to her, his heart's delight. With just one look, his world stood still, The future bright, theirs to fulfill, Her eyes, a vow of love so true, In that very moment, his life anew. She was the rain to his parched earth, Giving his dreams an endless birth, Hand in hand, they found their way, In her eyes, his forever lay. Now every melody tells their tale, Of a love that's strong, that will not fail, He owes his joy to that twist of life, When her eyes found him, cutting through strife. Those eyes, they spoke without a word, A love story, waiting to be heard, She's the girl who rewrote his every day, Since her eyes found him, in that serendipitous way. In the stillness, their souls did dance, A single look, and they took the chance, He found a haven in her loving gaze, Under the stars, they'll spend their days. And they fell in love, oh so deep, A love to sow, a love to reap, In her eyes, he found his dream, A love so profound, it makes the heart beam. As the night winds down, they hold each other tight, With hearts in tune, under the moonlight, For in her eyes, he found his place, A love story written in time and space. So let the guitars strum, and the fiddles play, For their love's a song that'll never fade away, In a world that spins, sometimes too fast, They found a love in her eyes, that'll always last.
James Hilton-Cowboy
He stroked her jaw with his thumb, tracing the outline of her bottom lip with the pad of it. His black claw arched over her mouth and she didn’t look afraid of him. Perhaps that was why he could murmur, “It is a special word. We save it only for a rare pearl that we find only once in our life. It means a beauty that is more than skin deep. It refers to a soul that radiates inside a person, so much so that you can see it on the outside as well.” “Daios,” she whispered, her eyes wide. “I hate your kind.” He needed her to know that. “I will kill them again. I will fight until there is no breath left in this body and I have lost every limb I can stand to lose. That will never change.” “I know.” “I find your people disgusting. From your ugly toes to the horrid white color that surrounds your eyes. Every bit of your people is revolting, and your bodies are a nightmare to look upon.” Her lips twisted with a soft smile. “So you have said.” He slid his hand into her hair, dragging her close to him again. “But I do not find you ugly.” “Do you not?” “How could I? When your hair is the color of the sun on a cloudless day? When your smile warms the entire ocean around me? When I touch you, your soul is so familiar to me. It is like I have known you in a hundred lifetimes before this, and some part of me that I’ve forgotten wishes to bury itself inside you. It tells me to cling to the curve of your waist, to clutch at the feeling in my chest that lingers when you are near. My soul wishes to keep you and never let you go.
Emma Hamm (Song of the Abyss (Deep Waters, #2))
I know it sounds like a contradiction, but she was both the most angelic and down-to-earth person I had ever met. She made me see things in new ways—a pool cabana was a playhouse, a song was a way for strangers to hold hands without touching, a traffic jam was a thousand souls trying to reconnect with their loved ones at once. Her imagination was as expansive as the California coastline. I
Susan Walter (Lie by the Pool)
I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace. I shall be thy lover... I am unlike a mortal lass From dreams of longing I have passed I came upon your lonely cries Revealed beauty to your eyes So shun the world that you have known And spend your nights within my own. I shall be thy lover... You shall be known by other men For your great works of voice and pen Yet inspiration has a cost For with me know your soul is lost I'll take your passion and your skill I'll take your young life quicker still. I shall be thy lover... Through the kisses that I give I draw from you that I will live And though you think this weakness grand The touch of death your lover's hand Your will to live has come too late Come to my arms and love this fate I shall be thy lover... I am a creature of the Fey Prepare to give your soul away My spell is passion and it is art My song can bind a human heart And if you chance to know my face My hold shall be your last embrace.
Heather Alexander
May the grace of joy find you often, like the soft glow of dawn touching the edges of your soul. May it arrive unbidden, filling your heart with a lightness that lifts you above the cares of the world. Let joy be the melody that plays in the background of your life, a song that reminds you of the beauty woven into each moment, the sacredness of simply being.
Alma Camino
Lonely Road of Faith [Verse] I see you standing there, a smile that could light up the night Your eyes are calling me, but I know it wouldn’t be right Cause I got one at home who loves me, waiting by the fireside It's a lonely road of faith, that's kept me on the righteous side [Verse 2] Whiskey on my breath, the neon lights, they start to fade The jukebox playing songs of lovers lost and a debt to be paid But her love's a lighthouse, guiding me through this rough tide It's a lonely road of faith, where temptation and truth collide [Chorus] Oh, this heart might wander, but it knows where it belongs A wandering outlaw, but her love keeps me strong Lonely road of faith, where I'm tempted every night But I got one at home who loves me, and she's my guiding light [Verse 3] Wild times and smoky bars, they offer me a fleeting thrill But the thought of her touch keeps me steady, against my will In the dark of night, it's her voice that whispers clear On this lonely road of faith, her love's the one I hold dear [Bridge] The rebel in me fights, for the freedom of my soul But her love's a gentle tether, keeping me whole Every mile that I travel, it's her face that I see On this lonely road of faith, her love will set me free [Chorus] Oh, this heart might wander, but it knows where it belongs A wandering outlaw, but her love keeps me strong Lonely road of faith, where I'm tempted every night But I got one at home who loves me, and she's my guiding light
James Hilton-Cowboy
Long claws dug into the back of her hair, drawing her close to him until their foreheads touched. “Breathe, my wave song. And listen to my words. Yes?” She nodded against him. “Our souls were called to each other long before you even saw me. You came to this place because the sea drew you here, knowing that the two of us needed each other. You are here after fate guided your hand. You understand that?” “I don’t believe in gods or fate.” “I believe in both enough for the two of us.” And then this strange creature kissed her forehead, his lips lingering against her skin that was so much warmer than his. “This place, when we are together, it is a haven from the rest of the world. There are no responsibilities, no expectations. It is just you and I, wave song. The world doesn’t exist here.
Juliette Cross (The Lovely Dark: A Monster Romance Anthology)
You didn’t come here to be alone solitude is a rose, loneliness its thorn you weren’t alone from the very start hosted in a womb, cherished in a heart You evolved to live in groups to increase your chance of survival when you have others to count on your happy hormones are higher You were designed to thrive by touch of both the body and the soul and this may come as much from a friend, a tree, a song The deeper you go within where all ice melts the deeper you’ll touch everyone else
Valentina Quarta (The Purpose Ladder)
Okay. Farewell.” I waved grandly into the air at their wavering backs. “May you have a blessed day with your fine drugs.” I sang a song to the setting sun, listening to it love me back. It was grand. It was lovely. It was…my soul mate staring down at my face and slapping my cheek, while shouting my name. “Trixie! Can you hear me?” I raised my right hand and touched his cheek with a fingertip. “You snore so handsome, and your face is dreadful.
Scarlett Dawn (Beasts and Baubles (Trixie Towers, #4))
With its restricted access and limitless possibilities, I believe the brain is the window to the universe. It is in our hands to keep it open for love to reach. When it reaches, you wouldn’t know it, but feel it. And when it touches, you wouldn’t feel it, but know you belong to it. Mark my words with your eyelids. This is the only time when the sensible and smart brain will falter. It feels a lot like gravity when we fall in love. Natural. Out of the body and brain. It feels out of the universe that we know, like the infinite unknown. It is not manmade. Love doesn’t make sense. It is the universe’s calling to express that we are all one endless song sung in different notes of a dream. Can you hear the symphony of the souls connected? It moves to make us stand still. Love stirs. Love moves. Love is.
Maverick Prem (When Souls Make Love)
Music, and especially opera, can touch a person’s soul in a way that nothing else can. The music allows one to inhabit another world. To feel the pulse of the orchestra as it plays a beautiful line of music combined with the passionate sound of the human voice stirs the heart. It can bind the listening audience together.
Vincent B. "Chip" LoCoco (A Song for Bellafortuna)
The Journey Within" In the depths of the soul's abyss, The journey begins, in quiet bliss. Seeking truth in the depths below, Illumination's gentle glow. Through the darkness, light will shine, Liberation's touch, so sublime. Transcendence found in the depths within, Awakening hearts, where love begins. The journey within, a sacred art, A path to enlightenment, to the heart. In the depths of the soul's abyss, Liberation's song finds its kiss.
Kjirsten Sigmund
Like I said, every story decides for itself the time to be told. You believe you are listening to a story...but the truth is...the story is unfurling in your heart...becoause every story has a soul of its own…. and it chooses who gets to touch it and when…
Heena Singhal (Songs of the Reed)
Maybe all the blues requires is a person who has been touched before and a caravan of hands busy with their own pleasures If you can't fashion a song out of that there is no God or devil that can make something of your soul anyway
Hanif Abdurraqib (A Fortune for Your Disaster)
I HAVEN’T HAD the Dream in a long time. But it’s back. And it’s changed. It does not begin as it always has, with the chase. The woods. The mad swooping of the griffins and the charge of the hose-beaked vromaski. The volcano about to erupt. The woman calling my name. The rift that opens in the ground before me. The fall into the void. The fall, where it always ends. Not this time. This time, these things are behind me. This time, it begins at the bottom. I am outside my own body. I am in a nanosecond frozen in time. I feel no pain. I feel nothing. I see someone below, twisted and motionless. The person is Jack. Jack of the Dream. But being outside it, I see that the body is not mine. Not the same face. As if, in these Dreams, I have been dwelling inside a stranger. I see small woodland creatures, fallen and motionless, strewn around the body. The earth shakes. High above, griffins cackle. Water trickles beneath the body now. It pools around the head and hips. And the nanosecond ends. The scene changes. I am no longer outside the body but in. Deep in. The shock of reentry is white-hot. It paralyzes every molecule, short-circuiting my senses. Sight, touch, hearing—all of them join in one huge barbaric scream of STOP. The water fills my ear, trickles down my neck and chest. It freezes and pricks. It soothes and heals. It is taking hold of the pain, drawing it away. Drawing out death and bringing life. I breathe. My flattened body inflates. I see. Smell. Hear. I am aware of the soil ground into my skin, the carcasses all around, the black clouds lowering overhead. The thunder and shaking of the earth. I blink the grit from my eyes and struggle to rise. I have fallen into a crevice. The cracked earth is a vertical wall before me. And the wall contains a hole, a kind of door into the earth. I see dim light within. I stand on shaking legs. I feel the snap of shattered bones knitting themselves together. One step. Two. With each it becomes easier. Entering the hole, I hear music. The Song of the Heptakiklos. The sound that seems to play my soul like a guitar. I draw near the light. It is inside a vast, round room, an underground chamber. I enter, lifted on a column of air. At the other side I see someone hunched over. The white lambda in his hair flashes in the reflected torch fire. I call to him and he turns. He looks like me. Beside him is an enormous satchel, full to bursting. Behind him is the Heptakiklos. Seven round indentations in the earth. All empty.
Peter Lerangis (Lost in Babylon (Seven Wonders, #2))
The Body is Like Mary The body is like Mary, and each of us has a Jesus inside. Who is not in labour, holy labour? Every creature is. See the value of true art, when the earth or a soul is in the mood to create beauty; for the witness might then for a moment know, beyond any doubt, God is really there within, so innocently drawing life from us with Her umbilical universe – infinite existence … though also needing to be born. Yes, God also needs to be born! Birth from a hand’s loving touch. Birth from a song, from a dance, breathing life into this world. The body is like Mary, and each of us, each of us has a Christ within.
Daniel Ladinsky (The Purity of Desire: 100 Poems of Rumi)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson