Somewhere In The Mountains Quotes

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This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.
John Muir (John of the Mountains: The Unpublished Journals of John Muir)
Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.
Yōko Ogawa (The Housekeeper and the Professor)
I want to see mountains again, Gandalf, mountains, and then find somewhere where I can rest. In peace and quiet, without a lot of relatives prying around, and a string of confounded visitors hanging on the bell. I might find somewhere where I can finish my book. I have thought of a nice ending for it: and he lived happily ever after to the end of his days.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Well, I’ve made up my mind, anyway. I want to see mountains again, Gandalf – mountains; and then find somewhere where I can rest.
J.R.R. Tolkien (The Lord of the Rings)
I had two dreams about him after he died. I dont remember the first one all that well but it was about meetin him in town somewheres and he give me some money and I think I lost it. But the second one it was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
Cormac McCarthy (No Country for Old Men)
The only thing missing was Miles. But he was probably circling somewhere, destroying villages and hoarding gold in his mountain lair.
Francesca Zappia (Made You Up)
If you imagine the 4,500-bilion-odd years of Earth's history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flash-bulb pop of light marking the impact of a Manson-sized meteor or one even larger. It's a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long.
Bill Bryson (A Short History of Nearly Everything)
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know know that things will not be the same as at home. Explorers are prepared. But for us, who travel to cities of the interior by chance, there is no preparation. We who are fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back worse.
Jeanette Winterson (The Passion)
Human passions have mysterious ways, in children as well as grown-ups. Those affected by them can't explain them, and those who haven't known them have no understanding of them at all. Some people risk their lives to conquer a mountain peak. No one, not even they themselves, can really explain why. Others ruin themselves trying to win the heart of a certain person who wants nothing to do with them. Still others are destroyed by their devotion to the pleasures of the table. Some are so bent on winning a game of chance that they lose everything they own, and some sacrafice everything for a dream that can never come true. Some think their only hope of happiness lies in being somewhere else, and spend their whole lives traveling from place to place. And some find no rest until they have become powerful. In short, there are as many different passions as there are people.
Michael Ende (The Neverending Story)
I wanted to get me a full pack complete with everything necessary to sleep, shelter, eat, cook, in fact a regular kitchen and bedroom right on my back, and go off somewhere and find perfect solitude and look into the perfect emptiness of my mind and be completely neutral from any and all ideas. I intended to pray, too, as my only activity, pray for all living creatures; I saw it was the only decent activity left in the world. To be in some riverbottom somewhere, or in a desert, or in mountains, or in some hut in Mexico, or shack in Adirondack, and rest and be kind, and do nothing else, practice what the Chinese call "do-nothing".
Jack Kerouac (The Dharma Bums)
All the things which had uses. All the mountains which had names. We'll give them new names, but the old names are there, somewhere in time..." -Bradbury, The Martian Chronicles
Ray Bradbury (The Martian Chronicles)
Somewhere there are gardens where peacocks sing like nightingales, somewhere there are caravans of separated lovers traveling to meet each other; there are ruby fires on distant mountains, and blue comets that come in spring like sapphires in the black sky. If this is not so, meet me in the shameful yard, and we will plant a gallows tree, and swing like sad pendulums, never once touching.
K.J. Bishop (The Etched City)
There was somewhere, if you knew where to find it, some place where money could be made like drawing water from a well, some Big Rock Candy Mountain where life was effortless and rich and unrestricted and full of adventure and action, where something could be had for nothing.
Wallace Stegner (The Big Rock Candy Mountain)
He wanted to bury her in Velaris. Somewhere full of light and warmth, full of kind people. Far away from these mountains.
Sarah J. Maas (A Court of Frost and Starlight (A Court of Thorns and Roses, #3.5))
I Have Decided I have decided to find myself a home in the mountains, somewhere high up where one learns to live peacefully in the cold and the silence. It’s said that in such a place certain revelations may be discovered. That what the spirit reaches for may be eventually felt, if not exactly understood. Slowly, no doubt. I’m not talking about a vacation. Of course at the same time I mean to stay exactly where I am. Are you following me?
Mary Oliver (A Thousand Mornings: Poems)
Somewhere along the road many of us have picked up the belief that to change we must suffer. Some things are earned with work. But work is not suffering. Work is just work.
Oriah Mountain Dreamer (The Dance: Moving To the Rhythms of Your True Self)
Great revelations of nature, of course, never fail to impress in one way or another, and I was no stranger to moods of the kind. Mountains overawe and oceans terrify, while the mystery of great forests exercises a spell peculiarly its own. But all these, at one point or another, somewhere link on intimately with human life and human experience. They stir comprehensible, even if alarming, emotions. They tend on the whole to exalt.
Algernon Blackwood (The Willows)
Ask me, then, if I believe in the spirit of the things as they were used, and I'll say yes. They're all here. All the things which had uses. All the mountains which had names. And we'll never be able to use them without feeling uncomfortable. And somehow the mountains will never sound right to us; we'll give them new names, but the old names are there, somewhere in time, and the mountains were shaped and seen under those names. The names we'll give to the canals and mountains and cities will fall like so much water on the back of a mallard. No matter how we touch Mars, we'll never touch it. And then we'll get mad at it, and you know what we'll do? We'll rip it up, rip the skin off, and change it to fit ourselves.
Ray Bradbury (The Martian Chronicles)
Infatuation is the inciting incident. Maybe it goes somewhere, maybe it doesn't, but you can't have a story without it. Love is the story itself, the thing we carry with us after the mountains are gone.
A. Manette Ansay (Good Things I Wish You)
I read somewhere that all this - the people, the animals, the mountains, the rivers - is just God dreaming. I wish he'd wake the fuck up.
Margaret Wild (Jinx)
There was a sharp crack from somewhere on the mountain. Then another. It's just a tree falling, he said. It's okay. The boy was looking at the dead roadside trees. It's okay, the man said. All the trees in the world are going to fall sooner or later. But not on us.
Cormac McCarthy (The Road)
And my heart beat faster for the mountains of eastern Europe, finally, beat faster for the one hope that somewhere we might find in that primitive countryside the answer to why under God this suffering was allowed to exist - why under God it was allowed to begin, and how under God it might be ended. I had not the courage to end it, I knew, without that answer.
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
An Indian Revolution? No Sir. It won't happen. People in this country are still waiting for the war of their freedom from somewhere else - from jungles, from the mountains, from China, from Pakistan. That will never happen.
Aravind Adiga (The White Tiger)
Somewhere beween the swamp and the mountains. Somewhere beween fear and sex. Somewere beween God and the Devil passion is and the way there is sudden and the way back worse.
Jeanette Winterson (The Passion)
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
Suddenly I began to find a strange meaning in old fairy-tales; woods, rivers, mountains, became living beings; mysterious life filled the night; with new interests and new expectations I began to dream again of distant travels; and I remembered many extraordinary things that I had heard about old monasteries. Ideas and feelings which had long since ceased to interest me suddenly began to assume significance and interest. A deep meaning and many subtle allegories appeared in what only yesterday had seemed to be naive popular fantasy or crude superstition. And the greatest mystery and the greatest miracle was that the thought became possible that death may not exist, that those who have gone may not have vanished altogether, but exist somewhere and somehow, and that perhaps I may see them again. I have become so accustomed to think "scientifically" that I am afraid even to imagine that there may be something else beyond the outer covering of life. I feel like a man condemned to death, whose companions have been hanged and who has already become reconciled to the thought that the same fate awaits him; and suddenly he hears that his companions are alive, that they have escaped and that there is hope also for him. And he fears to believe this, because it would be so terrible if it proved to be false, and nothing would remain but prison and the expectation of execution.
P.D. Ouspensky (A New Model of the Universe (Dover Occult))
I read somewhere that flying is like throwing your soul into the heavens and racing to catch it as it falls." "I don't think mine would ever fall," he murmured, looking at the clear cold sky.
Linda Howard (Mackenzie's Mountain (Mackenzie Family, #1))
Well I've made up my mind, anyway. I want to see mountains again, Gandalf – mountains; and then find somewhere where I can rest. In peace and quiet, without a lot of relatives prying around, and string of confounded visitors hanging on the bell. I might find somewhere where I can finish my book. I have thought of a nice ending for it: and he lived happily ever after to the end of his days.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Mountains overawe and oceans terrify, while the mystery of great forests exercises a spell peculiarly its own. But all these, at one point or another, somewhere link on intimately with human life and human experience.
Algernon Blackwood (The Willows)
Oh yeah, you’re a regular sage. Shouldn’t you be sitting on a mountain somewhere cultivating a long white beard waiting for knowledge seekers to come to you?” “Have I mentioned that sarcasm has the potential to be detrimental to the natural beauty of your face?” he countered.
Jacquelyn Frank (Noah (Nightwalkers, #5))
I find a grin spreading across my face. I don't know what I'm doing, how I'm doing it, or what will happen when it's done, but at the very bottom of this rising siege-ladder, I at least know I'm going to see Julie again. I know I'm not going to say goodbye. And if these staggering refugees want to help, if they think they see something bigger here than a boy chasing a girl, then they can help, and we'll see what happens when we say Yes while this rigor mortis world screams No. We start lumbering north on the southbound freeway, and the thunder drifts away towards the mountains as if it's scared of us. Here we are on the road. We must be going somewhere.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
yoga soul today. instant resonation. Spring Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her – her white teeth, her wordlessness, her perfect love.
Mary Oliver
Like, are you ever homesick for something that you never had? That’s how I feel when I’m singing sometimes, like I could find my way back to…somewhere.
Leta Blake (Smoky Mountain Dreams)
I never cease to wonder at the tenacity of water - its ability to make its way through various strata of rock,zigzagging,back-tracking, finding space, cunningly discovering faults and fissures in the mountain, and sometimes traveling underground for great distances before emerging into the open. Of course, there's no stopping water. For no matter how tiny that little tickle, it has to go somewhere.
Ruskin Bond
Don’t have a line to the devil, Ham." "Bullshit, babe. Somewhere along the line, you made a deal with him. No woman who gives head the way you do hasn’t sold her soul for that ability.
Kristen Ashley (Jagged (Colorado Mountain, #5))
Think of what it must have been like in the Scholomance for all those years it was closed,” said Dru, her eyes gleaming with horror-movie delight. “All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows . . .” "If you want to think about somewhere scary, think about the Bone City,” said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters. “I’d like to go to the Scholomance,” interrupted Ty. “I wouldn’t,” said Livvy. “Centurions aren’t allowed to have parabatai.” “I’d like to go anyway,” said Ty. “You could come too if you wanted.” “I don’t want to go to the Scholomance,” said Livvy. “It’s in the middle of the Carpathian Mountains. It’s freezing there, and there are bears.” Ty’s face lit up as it often did at the mention of animals. “There are bears?” “Enough chatter,” said Diana.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
People in this country are still waiting for the war of their freedom to come from somewhere else, from the jungles, from the mountains, from China, from Pakistan. That will never happen. Every man must make his own Benaras. The book of your revolution sits in the pit of your belly, young Indian. Crap it out, and read.
Aravind Adiga (The White Tiger)
But in truth, the world is constantly shifting: shape and size, location in space. It's got edges and chasms, too many to count. They open up, close, reappear somewhere else. Geologists nay have mapped out the planet's tectonic plates -hidden shelves of rock that grind, one against the other, forming mountains, creating continents - but thy can't plot the fault lines that run through our heads, divide out hearts. The map of the world is always changing; sometimes it happens overnight. All it takes is the blink of an eye, the squeeze of a trigger, a sudden gust of wind. Wake up and your life is perched on a precipice; fall asleep, it swallows you whole
Anderson Cooper (Dispatches from the Edge: A Memoir of War, Disasters, and Survival)
Up there, comrades," he would say solemnly, pointing to the sky with his large beak– "up there, just on the other side of that dark cloud that you can see– there it lies, Sugarcandy Mountain, that happy country where we poor animals shall rest for ever from our labours!" He even claimed to have been there on one of his higher flights, and to have seen the everlasting fields of clover and the linseed cake and lump sugar growing on the hedges. Many of the animals believed him. Their lives now, they reasoned, were hungry and laborious; was it not right and just that a better world should exist somewhere else?
George Orwell (Animal Farm)
Mystery, I'd read somewhere, is not the absence of meaning, but the presence of more meaning than we can comprehend.
Dennis Covington (Salvation on Sand Mountain: Snake-Handling and Redemption in Southern Appalachia)
Books work from the inside out. They are a private conversation happening somewhere in the soul.
Nan Shepherd (The Living Mountain: A Celebration of the Cairngorm Mountains of Scotland (The Grampian Quartet Book 4))
If the demand for self-knowledge is willed by fate and is refused, this negative attitude may end in real death. The demand would not have come to this person had he still been able to strike out on some promising by-path. But he is caught in a blind alley from which only self-knowledge can extricate him. If he refuses this then no other way is left open to him. Usually he is not conscious of his situation, either, and the more unconscious he is the more he is at the mercy of unforeseen dangers: he cannot get out of the way of a car quickly enough, in climbing a mountain he misses his foothold somewhere, out skiing he thinks he can negotiate a tricky slope, and in an illness he suddenly loses the courage to live. The unconscious has a thousand ways of snuffing out a meaningless existence with surprising swiftness.
C.G. Jung
I got to a state where phrases like "the Good, the True, and the Beautiful" filled me with a kind of suppressed indignation, because they stood for the big sin of Platonism: the reduction of all reality to the level of pure abstraction, as if concrete, individual substances had no essential reality of their own, but were only shadows of some remote, universal, ideal essence filed away in a big card-index somewhere in heaven, while the demi-urges milled around the Logos piping their excitement in high, fluted, English intellectual tones.
Thomas Merton (The Seven Storey Mountain)
He falls asleep quickly. I lie awake and listen to lights being switched off all over the town. Whispered goodnights. The drowsy creak of bedsprings. I find Adam’s hand and hold it tight. I’m glad that night porters and nurses and long-distance lorry drivers exist. It comforts me to know that in other countries with different time zones, women are washing clothes in rivers and children are filing to school. Somewhere in the world right now, a boy is listening to the merry chink of a goat’s bell as he walks up a mountain. I’m very glad about that.
Jenny Downham (Before I Die)
I was your man, you were halfway around the world from me, honey, I'd fuckin' phone you," he said quietly. "Niles is reserved," I whispered. "Niles is an ass," he returned and my brows drew together. "You don't know him." "I know men, and I know he's not reserved, he's an ass." I pulled my head together, my hand from his and snapped, "Yes? And how do you know that?" "Because I've seen you naked, I've seen you sweet, I've seen you unsure and I've seen you riled and, seein' all that, I know, you were half a world away from me, I'd fuckin' phone." "Perhaps that's not the kind of relationship Niles and I have," I suggested snottily, but his words hit me somewhere deep, somewhere I didn't know I had. "You on a timeout?" "What?" "If you told me you needed a timeout, first, I wouldn't fuckin' let you have one, second, I wouldn't give you reason to fuckin' want one, last, you took off anyway, I'd fuckin' phone.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
In that long ago somewhere very near this place he'd watched a falcon fall down the long blue wall of the mountain and break with the keel of its breastbone the midmost from a flight of cranes and take it to the river below all gangly and wrecked and trailing its loose and blowsy plumage in the still autumn air.
Cormac McCarthy (The Road)
We suddenly arrived in this very lost and strange city. Somewhere in the middle of the mountains. We didn't know where we are. We were just heading back to the sea. When we walked trough the forgotten city in silence, something inside us changed. We lost a bit of ourselves too and gained space for something new.
Nina Hrusa
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
I had forgotten hours and days by then. My arms ached, my back ached, my legs ached. My head ached worst of all, some part of me tethered back to the valley, stretched out of recognizable shape and trying to make sense of myself when I was so far from anything I knew. Even the mountains, my constants, had disappeared. Of course I'd known there were parts of the country with no mountains, but I'd imagined I would still see them somewhere in the distance, like the moon. But every time I looked behind me, they were smaller and smaller, until finally they disappeared with one final gasp of rolling hills.
Naomi Novik (Uprooted)
O, were I loved as I desire to be! What is there in the great sphere of the earth, Or range of evil between death and birth, That I should fear, - if I were loved by thee! All the inner, all the outer world of pain, Clear love would pierce and cleave, if thou wert mine; As I have heard that somewhere in the main Fresh-water springs come up through bitter brine. ‘I were joy, not fear, clasped hand in hand with thee, To wait for death - mute - careless of all ills, Apart upon a mountain, though the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.
Alfred Tennyson
Identifying who began something like this is like picking out the stone that began an avalanche. It began somewhere, true enough [...] but once it well and truly begins, we are all just stones moving together. One stone rolling down a mountain changes nothing unless others move with it.
Shane Arbuthnott (Terra Nova (The Molly Stout Adventures, #2))
I couldn’t describe the smells of West Virginia, even if I tried. It has something to do with the leaves composting in the woods, the cold trickle of little creeks and waterfalls, the ferns greening up everything. But somewhere deep below, I can smell the rock and the coal this state is built on.
Heather Day Gilbert (Miranda Warning (A Murder in the Mountains, #1))
Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
WINTER: Because I guess I like the idea that maybe someday I can find my place, you know? My niche. Somewhere people will keep me.
T.S. Joyce (Blackwing Defender (Kane's Mountains, #1))
I’ve been hurt, I imagine we all have, and I think somewhere in that pain we convince ourselves that if we don’t open up and love again, we don’t have to hurt again
Charles Martin (The Mountain Between Us)
She carried a scabbedover wound on her hip where her mate had bitten her two weeks before somewhere in the mountains of Sonora. He’d bitten her because she would not leave him. Standing with one forefoot in the jaws of a steeltrap and snarling at her to drive her off where she lay just beyond the reach of the chain. She’d flattened her ears and whined and she would not leave. In the morning they came on horses. She watched from a slope a hundred yards away as he stood up to meet them.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
After a thousand years pass, it builds its own funeral pyre, lining it with cinnamon, myrrh and cassia. Climbing to a rest on the very top, it examines the world all throughout the night with the ability to see true good and evil. When the sun rises the next morning, with great sorrow for all that it sees, it sings a haunting song. As it sings, the heat of the sun ignites the expensive spices and the Phoenix dies in the flames. But the Phoenix is not remarkable for its feathers or flames. It is most revered for its ability to climb from its own funeral pyre, from the very ashes of its old charred body, as a brand new life ready to live again once more. Life after life, it goes through this cycle. It absorbs human sorrow, only to rise from death to do it all again. It never wearies, it never tires. It never questions its fate. Some say that the Phoenix is real, that it exists somewhere out there in the mountains of Arabia, elusive and mysterious. Others say that the Phoenix is only a wish made by desperate humans to believe in the continuance of life. But I know a secret. We are the Phoenix.
Courtney Cole (Every Last Kiss (The Bloodstone Saga, #1))
I wanted to live how I really wanted, even if that meant turning against what everyone I knew was doing. I didn’t want to be close to the action or save on rent by sharing space anymore. I wanted to live somewhere with quiet views of the mountains, surrounded by nature and with plenty of time to sit, read, write and think.
Lucy Fuggle
When I tried to sing by myself, I felt sad and empty, for inevitably my father's favorite songs came to me, and before I got to "und auf den Wiesen blühen die Blümelein rot und blau" (and on the meadows bloom the little flowers red and blue), I had to hide and cry. He was buried somewhere in France, and I was sure no one had planted a flower on his resting place. Who would have, for a soldier who had fought for Hitler?
Irmgard A. Hunt (On Hitler's Mountain: Overcoming the Legacy of a Nazi Childhood)
I looked westward and marveled that, somewhere over those mountains, Kabul still existed. It really existed, not just as an old memory, or as the heading of an AP story on page 15 of the San Francisco Chronicle.
Khaled Hosseini
That big glorious mountain. For one transitory moment, I think I may have actually seen it”. For one flash, the Mommy had seen the mountain without thinking of logging and ski resorts and avalanches, managed wildlife, plate tectonic geology, microclimates, rain shadow, or yin-yang locations. She’d seen the mountain without the framework of language. Without the cage of associations. She’d seen it without looking through the lens of everything she knew was true about mountains. What she’d seen in that flash wasn’t even a “mountain”. It wasn’t a natural resource. It had no name. “That’s the big goal”, she said. “To find a cure for knowledge”. For education. For living in our heads. Ever since the story of Adam and Eve in the bible, humanity had been a little too smart for its own good, the Mommy said. Ever since eating that apple. Her goal was to find, if not a cure, then at least a treatment that would give people back their innocence. “The cerebral cortex, the cerebellum”, she said, “that’s where your problem is”. If she could just get down to using only her brain stem, she’d be cured. This would be somewhere beyond happiness and sadness. You don’t see fish agonized by wild mood swings. Sponges never have a bad day.
Chuck Palahniuk (Choke)
Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air.
Edith Hamilton (The Greek Way)
I would rather go mad, gone down the dark road to Mexico, heroin dripping in my veins, eyes and ears full of marijuana, eating the god Peyote on the floor of a mudhut on the border or laying in a hotel room over the body of some suffering man or woman; rather jar my body down the road, crying by a diner in the Western sun; rather crawl on my naked belly over the tincans of Cincinnati; rather drag a rotten railroad tie to a Golgotha in the Rockies; rather, crowned with thorns in Galveston, nailed hand and foot in Los Angeles, raised up to die in Denver, pierced in the side in Chicago, perished and tombed in New Orleans and resurrected in 1958 somewhere on Garret Mountain, come down roaring in a blaze of hot cars and garbage, streetcorner Evangel in front of City I-Tall, surrounded by statues of agonized lions, with a mouthful of shit, and the hair rising on my scalp, screaming and dancing in praise of Eternity annihilating the sidewalk, annihilating reality, screaming and dancing against the orchestra in the destructible ballroom of the world, blood streaming from my belly and shoulders flooding the city with its hideous ecstasy, rolling over the pavements and highways by the bayoux and forests and derricks leaving my flesh and my bones hanging on the trees.
Allen Ginsberg
How does one person with great talents come to exert a force on the world? I think in Farmer’s case the answer lies somewhere in the apparent craziness, the sheer impracticality, of half of everything he does, including the hike to Casse.
Tracy Kidder (Mountains Beyond Mountains: The Quest of Dr. Paul Farmer, a Man Who Would Cure the World)
She thought she’d hate it, this huge, faceless city far from home, but the opposite was true: she felt nothing but relief. The heedless sprawl of Denver, its chaotic snarl of subdivisions and freeways; the openness of the high plains and the indifferent mountains; the way people talked to each other, easily, without pretense, and the fact that nearly everyone was from somewhere else: exiles, like her.
Justin Cronin (The Passage (The Passage, #1))
SPRING Somewhere a black bear has just risen from sleep and is staring down the mountain. All night in the brisk and shallow restlessness of early spring I think of her, her four black fists flicking the gravel, her tongue like a red fire touching the grass, the cold water. There is only one question: how to love this world. I think of her rising like a black and leafy ledge to sharpen her claws against the silence of the trees. Whatever else my life is with its poems and its music and its glass cities, it is also this dazzling darkness coming down the mountain, breathing and tasting; all day I think of her— her white teeth, her wordlessness, her perfect love.
Mary Oliver (House of Light)
Great laughter rang from all sides. I wondered what the spirit of the Mountain was thinking; and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great western slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the eastern Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. And beyond, beyond, over the Sierras the other side if Carson sink was bejeweled bay-encircled nightlike old Frisco of my dreams. We were situated on the roof of America and all we could do was yell, I guess - across the night, eastward over the plains where somewhere a man with white hair was probably walking toward us with the Word and would arrive any minute and make us silent.
Jack Kerouac (On the Road: The Original Scroll)
We stand somewhere between the mountain and the ant.
Onondiga
Somewhere ages and ages hence: Two roads diverged in the woods & I - I took the one less traveled by, And that has made all the difference by
Robert Frost (Mountain Interval)
There were minutes of silence then and in them I thought about the only truth that mattered, the only morality that mattered, the only sin, the only crime. When Lily de Seitas had told me her version of it at the end of our meeting at the museum I had taken it as a retrospective thing, a comment on my past and on my anecdote about the butcher. But I saw now it had been about my future. History has superseded the ten commandments of the Bible; for me they had never had any real meaning, that is, any other than a conformitant influence. But sitting in that bedroom, staring at the glow of the fire on the jamb of the door through to the sitting room, I knew that at last I began to feel the force of this super-commandment, summary of them all; somewhere I knew I had to choose it, and every day afresh, even though I went on failing to keep it. Conchis had talked of points of fulcrum, moments when one met one's future. I also knew it was all bound up with Alison, with choosing Alison, and having to go on choosing her every day. Adulthood was like a mountain, and I stood at the foot of this cliff of ice, this impossible and unclimbable: Thou shalt not inflict unnecessary pain.
John Fowles (The Magus)
We were utterly alone. The hot-springs hotel where we'd had lunch, and the iron bridge, lay hidden in the shadow of the mountains. Every once in a while, as if remembering its duty, the sun showed its face through a break in the clouds. All we could hear were the screeches of crows and the rush of water. Someday, somewhere, I will see this scene, I felt. The opposite of deja-vu - not the feeling that I'd already seen what was around me, but the premonition that I would someday.
Haruki Murakami (South of the Border, West of the Sun)
Here’s what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn’t let the aardvark convince him he had no business designing creatures. He didn’t make a puffer fish and get discouraged. No, the maker made things—and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We’ve taken espresso to our American hearts, but we haven’t quite taken to the “break” in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our “work” to lead somewhere. We forget that diversions do more than merely divert us.
Julia Cameron (Walking in This World (Artist's Way))
Life is a cosmic grab-bag. At this moment, somewhere in the world, someone is losing a child, skiing down a mountain, having an orgasm, getting a haircut, lying on a bed of pain, singing on a stage, drowning, getting married, starving in a gutter. In the end, aren't we all that same person? An aeon is a thousand million years, and an aeon ago every atom in our bodies was a part of a star. Pay attention to me, God. We are all a part of your universe, and if we die, part of your universe dies with us.
Sidney Sheldon (Windmills of the Gods)
I WAS ON A SMALL ISLAND ONCE, IN THE MIDDLE OF a great big lake, mountains all over the place, and as I watched the floating dock the wind kicked up, the waves rose from nowhere, and I imagined myself lying there and the dock suddenly breaking loose, carried away by the storm. I wondered if I could lie still and enjoy the sensation of rocking, after all I wouldn’t be dead yet, I wouldn’t be drowning, just carried off somewhere that wasn’t part of my plan. The very thought of it gave me the shivers. Still, how great to be enjoying the ride, however uncertain the outcome. I’d like that. It’s what we’re all doing anyway, we just don’t know it.
Abigail Thomas (A Three Dog Life)
I sat against one of the house’s clay walls. The kinship I felt suddenly for the old land... it surprised me. I’d been gone long enough to forget and be forgotten. I had a home in a land that might as well be in another galaxy to the people sleeping on the other side of the wall I leaned against. I thought I had forgotten about this land. But I hadn’t. And, under the bony glow of a halfmoon, I sensed Afghanistan humming under my feet. Maybe Afghanistan hadn’t forgotten me either. I looked westward and marveled that, somewhere over those mountains, Kabul still existed. It really existed, not just as an old memory, or as the heading of an AP story on page 15 of the San Francisco Chronicle. Somewhere over those mountains in the west slept the city where my harelipped brother and I had run kites. Somewhere over there, the blindfolded man from my dream had died a needless death. Once, over those mountains, I had made a choice. And now, a quarter of a century later, that choice had landed me right back on this soil.
Khaled Hosseini (The Kite Runner)
Human passions have mysterious ways, in children as well as grown-ups. Those affected by them can't explain them, and those who haven't known them have no understanding of them at all. Some people risk their lives to conquer a mountain peak. No one, not even they themselves, can really explain why. Others ruin themselves trying to win the heart of a certain person who wants nothing to do with them. Still others are destroyed by their devotion to the pleasures of the table. Some are so bent on winning the game of chance that they lose everything they own, and some sacrifice everything for a dream that can never come true. Some think their only hope of happiness lies in being somewhere else, and spend their whole lives traveling from place to place. And some find no rest until they have become powerful. In short, there are as many passions as there are people.
Michael Ende (The Neverending Story)
... this ninety-five-year-old man came hiking twenty-five miles over the mountain. Know why he could do it? Because no one ever told him he couldn't. No one ever told him he oughta be off dying somewhere in an old age home. You live up to your own expectations...
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
Somewhere on the other side of it all is Snufkin,’ Moomintroll said to himself. ‘He’s sitting somewhere in the sun, peeling an orange. If I only knew that he knew that I’m climbing these mountains for his sake, then I could do it. But all alone I’ll never manage it.
Tove Jansson
They forced everything to an issue, these two and wrangled bitter over extremes, whereas it seemed as though somewhere between two intolerable positions, between bombastic humanism and analphabetic barbarism, must lie something which one might personally call the human.
Thomas Mann (The Magic Mountain)
It sounded like … music? It was coming from somewhere in the mountains nearby, probably another part of the palace. The moonlight cast silver shadows on the peaks around them as all the dragons lifted their faces to the sky. It was music. It was the sound of many voices singing together, but it couldn’t be, because the “voices” sang in the dragon language, rumbling well above and below human registers. How can dragons SING? Leaf thought, shaken. How can they have music? Isn’t music a human thing? Don’t you need a — a soul to make music?
Tui T. Sutherland (Dragonslayer (Wings of Fire: Legends))
They forced everything to an issue, these two, and wrangled bitterly over extremes, whereas it seemed as though somewhere between two intolerable positions, between bombastic humanism and analphabetic barbarism, must lie something which one might personally call the human
Thomas Mann (The Magic Mountain)
They forced everything to an issue, these two and wrangled bitter over extremes, whereas it seemed as though somewhere between two intolerable positions, between bombastic humanism and analphabetic barbarism, , must lie something which one might personally call the human.
Thomas Mann (The Magic Mountain)
It was when I was happiest that I longed most. It was on happy days when we were up there on the hills, the three of us, with the wind and the sunshine . . . where you couldn’t see Glome or the palace. Do you remember? The colour and the smell, and looking across at the Grey Mountain in the distance? And because it was so beautiful, it set me longing, always longing. Somewhere else there must be more of it.
C.S. Lewis (Till We Have Faces: A Myth Retold)
I remember reading once how some Stone Age Indians from the Brazilian rain forest with no knowledge or expectation of a world beyond the jungle were taken to Sao Paulo or Rio, and when they saw what it contained-the buildings, the cars, the passing airplanes-and how thoroughly at variance it was with their own simple lives, they wet themselves, lavishly and in unison. I believe I had some idea how they felt. It is such a strange contrast. When you’re on the AT, the forest is your universe, infinite and entire. It is all you experience day after day. Eventually it is about all you can imagine. You are aware, of course, that somewhere over the horizon there are mighty cities, busy factories, crowded freeways, but here in this part of the country, where woods drape the landscape for as far as the eye can see, the forest rules. Even the little towns like Franklin and Hiawassee and even Gatlinburg are just way stations scattered helpfully through the great cosmos of woods. But come off the trail, properly off, and drive somewhere, as we did now, and you realize how magnificently deluded you have been. Here, the mountains and woods were just backdrop-familiar, known, nearby, but no more consequential or noticed than the clouds that scudded across their ridgelines. Here the real business was up close and on top of you: gas stations, Wal-Marts, Kmarts, Dunkin Donuts, Blockbuster Videos, a ceaseless unfolding pageant of commercial hideousness.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
... Broken people just need piecing back together. For so long I'd carried the pieces of me. Every now and then I'd drop one like a breadcrumb. So I could find my way home. Then Ashley came along and gathered the pieces and somewhere between 11,000 fee and sea level, the picture began taking shape. Dim at first, then clearer. Not yet clear. But these things take time. Maybe each of us was once a complete whole. A clear picture. A single piece. Then something happened to crack and shatter us. Leaving us disconnected, torn and splintered. Some of us lie in a hundred pieces. Some ten thousand. Some are edged with sharp contrast. Some dim shades of gray. Some find they are missing pieces. Some find they have too many. In any case, we are left shaking our heads. It can't be done. Then someone comes along who mends a tattered edge, or returns a lost piece. The process is tedious, painful, and there are no shortcuts. Anything that promises to be one is not. But somehow, as we walk from the crash site - away from he wreckage - whole sections start taking shape, something vague we see out of the corner of our eye. For a second, we stop shaking our heads. We wonder. Maybe...just maybe. It's risky for both of us. You must hope in an image you can't see, and I must trust you with me. That's the piecing.
Charles Martin (The Mountain Between Us)
They say I am a brave girl I'm a hailstorm for the rain I'm a volcano for the mountain I'm a diamond for the stone And I wonder if I can be real me. I see the crowd I hear the noise I keep my patience. But inside I want to scream Yes I want to scream like hell. And when she call me on phone, I wonder how she knows it. I wonder how she hears those silent words.. How she sees those forbidden tears... I wonder how she knows I am missing somewhere...
Emma Brynstein
A swishing is often heard in the Carpathians, the sound as of a thousand mill wheels turning in the water. It is the dead men gnawing at the dead man, in the abyss without issue, which no man has ever seen, fearing to pass near it. It happens not seldom in the world that the earth shakes from one end to the other: learned people say it is because somewhere by the sea there is a mountain out of which flames burst and burning rivers flow. But the old men who live in Hungary and the land of Galicia know better and say that the earth shakes because there is a dead man grown great and huge in it who wants to rise.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
The Anorexic Eats a Salad Mountains rise, fall, rise again. Stars complete their slow trek into oblivion. A snail tours the length of China’s Great Wall twice. All those pesky cancers—cured. Somewhere in Lower Manhattan, a barista finally smiles. Roundworms evolve into ovals. Flatworms get chesty. Molasses, a tortoise, and sedimentation run the fifty-yard dash. Results pending. Temps plunge in hell. The devil waxes his skis. She has almost made it through her first bite.
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
The canyon is a ladder to the plain. The valley is pale in the end of July, when the corn and melons come of age and slowly the fields are made ready for the yield, and a faint, false air of autumn—an illusion still in the land—rises somewhere away in the high north country, a vague suspicion of red and yellow on the farthest summits. And the town lies out like a scattering of bones in the heart of the land, low in the valley, where the earth is a kiln and the soil is carried here and there in the wind and all harvests are a poor survival of the seed. It is a remote place, and divided from the rest of the world by a great forked range of mountains on the north and west; by wasteland on the south and east, a region of dunes and thorns and burning columns of air; and more than these by time and silence.
N. Scott Momaday (House Made of Dawn)
Beaver Moon - The Suicide of a Friend When somewhere life breaks like a pane of glass, and from every direction casual voices are bringing you the news, you say: I should have known. You say: I should have been aware. That last Friday he looked so ill, like an old mountain-climber lost on the white trails, listening to the ice breaking upward, under his worn-out shoes. You say: I heard rumors of trouble, but after all we all have that. You say: What could I have done? and you go with the rest, to bury him. That night, you turn in your bed to watch the moon rise, and once more see what a small coin it is against the darkness, and how everything else is a mystery, and you know nothing at all except the moonlight is beautiful- white rivers running together along the bare boughs of the trees- and somewhere, for someone, life is becoming moment by moment unbearable.
Mary Oliver (Twelve Moons)
We live in a perpetual daze. The snow has made everything unrecognisable so that we never know where we are. Is this the escarpment we were told to take? Is that a stream in that valley floor, somewhere six feet below the shimmering cloak of white? What mountain is that? Someone strip away the cloud, for the love of God, so that we can tell. Is this a road we are floundering upon, or a river? Don't worry, we'll know when we reach the source. Don't worry, if we go to the wrong place we might be captured, with any luck. (138-139)
Louis de Bernières (Corelli’s Mandolin)
Then the hand around the gun whitened and the fingers slowly opened and the gun fell to the ground. The hand sank to his side, stiff and awkward. He raised his head and the mouth was a bitter gash in his face. His eyes were fastened on the mountains climbing in the distance. “Shane! Shane! What’s the matter?” He did not hear me. He was back somewhere along the dark trail of the past. He took a deep breath, and I could see the effort run through him as he dragged himself into the present and a realization of a boy staring at him.
Jack Schaefer (Shane)
What's all this, I expect you're thinking, about "the tallest mountain in the world"? Everest, surely, deserves at least an honourable mention in this category? Well, it all depends on your point of view. Certainly, Everest stands a sturdy 29,028 feet above sea level, which is, in its way, impressive. But if you were going to climb Everest, you would probably start, fi you were using a reliable guide, somewhere in the Himalayas. Anywhere in the Himalayas is pretty damn high to start with, and so, to hear some people tell it, it's just a smartish jog to do the last little bit to the actual top of Everest. The way to keep it interesting these days is to do it without oxygen or in your underpants or something.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
He needed somebody to take care of. And she needed to be taken care of.
Susan Fanetti (Somewhere (Sawtooth Mountains, #1))
But if you are a person who needs no one’s approval, you are probably crazy and live alone on an island or the top of a mountain somewhere.
Chris Bohjalian (The Guest Room)
I've been hurt, I imagine we all have, and I think somewhere in that pain we convince ourselves that if we don't open up and love again, we don't have to hurt again.
Charles Martin (The Mountain Between Us)
A person has to have a flaw somewhere.
Khaled Hosseini (And the Mountains Echoed)
Once, just once, I wish one of my assignments took me took me to somewhere like Tahiti or Hawaii.
Heather Lyons (The Forgotten Mountain (The Collectors' Society, #3))
And all this time I’d been worried about what would happen to me if I fucked it up. I’d lose this life. I’d lose Madison. But I hadn’t thought about the kids. If I failed them, where would they go? Somewhere bad, that was for sure. Somewhere worse than this life. Carl was ready to send them there. For all I knew, Jasper and Madison would be ready to send them there if I slipped up just a little bit. I remembered that feeling, driving down to the valley, no longer welcome at Iron Mountain. It had felt like my life was over. And it kind of was. I wouldn’t let that happen to these kids. They were wild, like me. They deserved better, like me. I wouldn’t fuck up. I resolved myself to this future. I would not fuck up. No fucking way
Kevin Wilson (Nothing to See Here)
She traveled too. She had a strict rule. One week vacation a year, relaxation on a beach. The other week of vacation, adventure. Going somewhere she could learn, see, taste, experience.
Kristen Ashley (Kaleidoscope (Colorado Mountain, #6))
Contemplating the lace-like fabric of streams outspread over the mountains, we are reminded that everything is flowing—going somewhere, animals and so-called lifeless rocks as well as water.
John Muir (My First Summer in the Sierra)
this is the moment. This is the moment of Lydia’s crossing. Here at the back of this cave somewhere in the Tumacacori Mountains, Lydia sheds the violent skin of everything that’s happened to her. It rolls down from her tingling scalp off the mantle of her shoulders and down the length of her body. She breathes it out. She spits it into the dirt. Javier. Marta. Everything. Her entire life before this moment. Every person she loved who is gone. Her monumental regret. She will leave it here. She stands at Lorenzo’s feet. She turns away from him. “I forgive you,” she says.
Jeanine Cummins (American Dirt)
Somewhere in the state of Montana there had to be a woman he wanted to date more than once. Hell, he might propose on the second date if things ever got that far. All he had to do was find her.
Melissa McClone (Home For Christmas (Bar V5 Dude Ranch #1; Copper Mountain Christmas #2))
I frowned, staring into the eerie blackness along Route 33 truckers always complained about. It is odd how we rarely encounter true darkness. Somewhere, there is always light; a house, a town, headlights. Not here. Just total and complete darkness. I had been on the night run for months, long enough to get accustomed to total darkness if not entirely comfortable with it. What concerned me was the silence. I'd often had to pull over and take a pee along that godforsaken beltway. There were crickets rubbing their legs together in the cotton and wheat, grasshoppers jumping through the corn stalks, and June bugs flittering above the fields. Occasionally while relieving myself I'd even hear a lone armadillo burrowing. Tonight, however, I heard nothing. Less than nothing. Always there existed a strangeness here the truckers talked about, but tonight something had inexplicably hushed the sounds of night and made it stranger. The silence itself was dead; the kind of silence you get high up in the mountains when it snows, hushing the entire world beneath a white blanket. The blanket along Damnation Road was black, and it felt…unnatural." - NIGHT RUN - Bobby Underwood
Bobby Underwood (Night Run)
These rocks are too heavy, can't carry them any more, don't know why i ever picked them up before, going to have to put them down where they don't belong, 'cause i can't get them back to where they came from. These rocks belong to no one, except history. Somewhere between the desert and the rolling sea, or maybe up in the mountains blue and tall, I picked them but now i'm going to let them fall.
Jay Woodman
Maybe once in hundred years there is a revolution that frees the poor. I read this in one of those all textbook pages people in tea stalls used to wrap greasy samosas with. See, only four men in history have led that successful revolutions to free the slaves and kill their masters, this page said: Alexander the Great. Abraham Lincoln in America. Mao of your country. And a fourth man. It may have been Hitler, I can’t remember. But I don’t think a fifth name is getting added to the list anytime soon. An Indian revolution? No, sir. It won’t happen. People in this country are still waiting for the war of their freedom to come from somewhere else – from the jungles, from the mountains, from China, from Pakistan. That will never happen. Every man must make his own Benaras. – Balram Halwai
Aravind Adiga (The White Tiger)
There is a legend that has often been told Of the boy who searched for the Windows of Gold. The beautiful windows he saw far away When he looked in the valley at sunrise each day. And he yearned to go down to the valley below But lived on a mountain covered with snow, And he knew it would be a difficult trek, But that was a journey he wanted to make. So he planned by day and he dreamed by night Of how he could reach The Great Shining Light. And one golden morning when dawn broke through And the valley sparkled with diamond of dew. He started to climb down the mountainside With the Windows of Gold as his goal and his guide. He traveled all day and, weary and worn, With bleeding feet and clothes that were torn. He entered the peaceful valley town Just as the Golden Sun went down. But he seemed to have lost his "Guiding Light," The windows were dark that had once been bright. And hungry and tired and lonely and cold He cried, "Won't You Show Me The Windows of Gold?" And a kind hand touched him and said, "Behold! High On The Mountain Are The Windows of Gold." For the sun going down in a great golden ball Had burnished the windows of his cabin so small, And the Kingdom of God with its Great Shining light, Like the Golden Windows that shone so bright. Is not a far distant place, somewhere, It's as close to you as a silent prayer, And your search for God will end and begin When you look for Him and find Him within.
Helen Steiner Rice
When the mountains fall. When no longer the Earth is alive. When the Heavens call and my heart neither beat nor thrive. I'm sure you'll still have a place in my soul, somewhere deep in nowhere you'll be breathing with me, I then with you
Ismaaciil C. Ubax
Half of my heart says it would be so simple to share what we've got here with the Charynites in the valley. But the other half of me says I don't want to share it with the enemy, and then I have to work out who the enemy is. I mean, look at what we have," he said, pointing outside at the lushness of their mountain, even in the winter haze. "And look how little they have down there. And why don't I care?" Yata laughed. "Well, from where I'm sitting, it looks as if you do care, Lucian," she said. "Too much in one place, not enough in another, and wouldn't it be simpler if we all shared? Yes, it would be so simple to share. But there's no place for being simple when blood has been shed and the people we love have been torn from us. But forgiveness has to start somewhere. It started with Phaedra. The Monts learned not to hate all Charynites because of her. I learned. Because you may not have seen it, my darling boy, but I hated with a fierceness I can't describe. And do you want to hear something that was breaking my heart, day after day? I forgot the faces of my granddaughters in all that hatred. Hatred smothers all beauty. Beloved Isaboe has little resemblance to her older sisters, but your Phaedra - she made me remember those precious, precious girls, and I wasn't angry anymore. I just missed them, and it's the beauty in here," she said, pointing to her chest, "that made me remember them. Her beauty.
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
What of the part where memory and loss and yearning are stored? Surely, they were still out there somewhere - gone to wherever the forsaken are banished. Wandering the burnt-out Alabama plantations, the fields rancid with enslaved sorrow. Across tracks built by Chinese rail workers, shot en masse come payday to save a dime. Into full-plotted cemeteries behind Indian boarding schools and beneath the shadows of burning crosses, white hoods peaked like snowcapped mountains. Over the grounds of Manzanar and potter's fields glutted with migrant peach pickers. Who gets remembered in the great American experiment? Who is forgotten? What becomes of those whose names are dust? Tell me this country ain't haunted.
GennaRose Nethercott (Thistlefoot)
Intellectually, he knew that he was falling sunward, heading in from the Jovian system toward the Belt. In a week, the sun would be close to twice the size it was now, and it would still be insignificant. In a context of such immensity, of distances and speeds so far above any meaningful human experience, it seemed like nothing should matter. He should be agreeing that he hadn’t been there when God made the mountains, whether it meant the ones on Earth or on Ganymede or somewhere farther out in the darkness. He was in a tiny metal-and-ceramic box that was exchanging matter for energy to throw a half dozen primates across a vacuum larger than millions of oceans. Compared to that, how could anything matter?
James S.A. Corey (Caliban's War (Expanse, #2))
She means," Nate said, turning away from the books, "That David has gone full weird." "He was always that way<' Janelle said in a low voice. "Yeah, but now he's completed his journey. Our little caterpillar has turned into a freaky butterfly." "Tell her about the screaming," Janelle said. "Because I can't." "The screaming? Stevie repeated. "The other morning he started something called 'screaming meditation'," Nate said. "Guess what happens in screaming meditation? Did you guess screaming? For fifteen minutes? Because that's what happens in screaming meditation. Fifteen. Minutes. Outside. At five in the morning. Do you know what happens when someone screams outside for fifteen minutes at five in the morning at a remote location in the mountains, especially after a . . ." The implied dot dot dot was "student dies in a terrible accident or maybe murder and another one goes missing." "When security got to him he claimed it was his new religion and that it is something he needs to do every morning now as a way to talk to the sun." So this is what Edward King had been referring to. "Sometimes," Nate went on, tapping the books into place so that the spines lined up perfectly, "he sleeps on the roof. Or somewhere else. Sometimes the green." "Naked," Janelle added. "He sleeps on the green naked." "Or in classrooms," Nate said. "Someone said they went into differential equations and he was asleep in the corner of the room under a Pokémon comforter." "Your boy has not been well," Janelle said.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
In the cellar that was a window to another world, they sat and watched Nick's mum, mountainous and grey, mossey - eared and flat - faced, sitting in a room that was a window to their world, weaving her music. - A. F Harold, The Song From Somewhere Else
A.F. Harrold
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
this ninety-five-year-old man came hiking twenty-five miles over the mountain. Know why he could do it? Because no one ever told him he couldn’t. No one ever told him he oughta be off dying somewhere in an old age home. You live up to your own expectations, man.
Christopher McDougall (Born to Run)
And of course most non-Catholics imagine that the Church is immensely rich, and that all Catholic institutions make money hand over fist, and that all the money is stored away somewhere to buy gold and silver dishes for the Pope and cigars for the College of Cardinals.
Thomas Merton (The Seven Storey Mountain)
To say “beyond the mountain,” and to mean it, to mean, simply, beyond everything for which the mountain stands, of which it signifies the being. Somewhere, if only she could see it, there was neither nothing nor anything. And there, just there, that was the last reality.
N. Scott Momaday (House Made of Dawn)
This is the moment of Lydia's crossing. Here at the back of this cave somewhere in the Tumacacori Mountains, Lydia sheds the violent skin of everything that's happened to her. It rolls down from her tingling scalp off the mantle of her shoulders and down the length of her body. She breathes it out. She spits it into the dirt. Javier. Marta. Everything. Her entire life before this moment. Every person she loved who is gone. Her monumental regret. She will leave it here. She stands at Lorenzo's feet. She turns away from him. 'I forgive you,' she says.
Jeanine Cummins (American Dirt)
My first great insight happened when I realised how much humankind had lost. Once, men and women were able to turn themselves into eagles and fly immense distances. They communed with rivers and mountains and received wisdom from them. They felt the turning of stars inside their own minds. My contemporaries did not understand this. They were all enamoured with the idea of progress and believed that whatever was new must be superior to what was old. As if merit was a function of chronology! But it seemed to me that the wisdom of the ancients could not have simply vanished. Nothing simply vanishes. It's not actually possible. I pictured it as a sort of energy flowing out of the world and I thought this energy must be going somewhere. That was when I realised that there must be other places, other worlds. And so I set myself to find them.
Susanna Clarke (Piranesi)
He looked around as if seeing the world for the first time. How beautiful it was, how colorful, how strange and mysterious! Here was blue, here was yellow, here was green; sky and river were flowing; forests and mountains stood fixed: Everything was beautiful, everything mysterious and magical, and in the midst of all this was he, Siddhartha, in the moment of his awakening, on the path to himself. All these things, all this yellow and blue, river and forest, passed through Siddhartha’s eye and entered him for the first time; they were no longer the illusion of Mara, no longer the veil of Maya, no longer the meaningless random multiplicity of the world of appearances, contemptible to any deep thinker among Brahmins, any thinker who scoffed at multiplicity and sought oneness. Blue was blue, river was river, and even if the One, the Divine, lay hidden in the blue and the river within Siddhartha, it was still the nature and intention of the Divine to be yellow here, blue here, sky over there, forest there, and here Siddhartha. Meaning and being did not lie somewhere behind things; they lay within them, within everything.
Hermann Hesse (Siddartha)
It was like that moment when the roller coaster has reached the top of its first mountain, hesitates a moment . . . tilts . . . plunges . . . and you fall with a sudden blast of hot summer air in your face and a pressure against your chest and your stomach floating somewhere behind you. In
Stephen King (The Dark Tower (The Dark Tower, #7))
The trout is still with me, as are my memories. The future is somewhere between these two forces, but it lives in mystery. The river records to trail behind or before me, and covers everything as it flows. This mountain and this river are old, yet as I wade alone, they both appear young and new to me.
Daniel J. Rice (The UnPeopled Season: Journal from a North Country Wilderness)
Dogs and wolves are the same, except for one difference: dogs live at home, food and water are provided and they sleep in their owner’s bed. Wolves, meanwhile, live on mountains, have to find their own food and somewhere to kip . . . I want a team full of hungry and ambitious wolves.’ (Boza Maljkovic)
Guillem Balagué (Brave New World: Inside Pochettino's Spurs)
Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow. Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool. Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski? The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
I have a lot of dreams, Cade Jennings. But none of them compare to the best dream come true of all. Loving you. Being loved by you. It’s the most special and real feeling I’ve ever experienced. I think I’m in a place now where the whole author thing can be done from anywhere—from Sutten—as long as it’s somewhere with you.
Kat Singleton (Rewrite Our Story (Sutten Mountain, #1))
As a child I read hoping to learn everything, so I could be like my father. I hoped to combine my father's grasp of information and reasoning with my mother's will and vitality. But the books were leading me away. They would propel me right out of Pittsburgh altogether, so I could fashion a life among books somewhere else. So the Midwest nourishes us . . . and presents us with the spectacle of a land and a people completed and certain. And so we run to our bedrooms and read in a fever, and love the big hardwood trees outside the windows, and the terrible Midwest summers, and the terrible Midwest winters, and the forested river valleys, with the blue Appalachian Mountains to the east of us and the broad great plains to the west. And so we leave it sorrowfully, having grown strong and restless by opposing with all our will and mind and muscle its simple, loving, single will for us: that we stay, that we stay and find a place among its familiar possibilities.
Annie Dillard (An American Childhood)
You’ve got your own mountain that needs climbing. Yeah?” “Yeah.” My stomach lurches, and I swear if I looked down, my heart would be beating on the ground somewhere. Ripped out and torn apart. Because she’s right, I’ve got a lot of fixing to do. She presses a tender kiss to my lips, so many emotions flooding out between us. Spilling out of me, drowning my system. Her forehead tilts against mine, tips of our noses brushing together. “Meet you at the top, Sinclaire?” My fingers pulse around her ribs, and I know that this is the moment where I let her go. It makes me nauseous. But I choke out the words she needs to hear anyway. “Meet you at the top, Wildflower.
Elsie Silver (A False Start (Gold Rush Ranch, #4))
Without your sheep, you would have no livelihood, you would die. This dependency creates a sort of equality, doesn't it? Not individually, but collectively. As a group, you and your sheep are at opposite sides of a seesaw, and somewhere in between there is a fulcrum. You must maintain the balance. In that sense, we are no better than they.
Yann Martel (The High Mountains of Portugal)
What about this, then?” The metal surface rippled at his touch, stretching and splitting into a million thin wires that made it look like a giant version of one of those pin art toys Sophie used to play with as a kid. He tapped his fingers in a quick rhythm, and the pins shifted and sank, forming highs and lows and smooth, flat stretches. Sophie couldn’t figure out what she was seeing until he tapped a few additional beats and tiny pricks of light flared at the ends of each wire, bathing the scene in vibrant colors and marking everything with glowing labels. “It’s a map,” she murmured, making a slow circle around the table. And not just any map. A 3-D map of the Lost Cities. She’d never seen her world like that before, with everything spread out across the planet in relation to everything else. Eternalia, the elvin capital that had likely inspired the human myths of Shangri-la, was much closer to the Sanctuary than she’d realized, nestled into one of the valleys of the Himalayas—while the special animal preserve was hidden inside the hollowed-out mountains. Atlantis was deep under the Mediterranean Sea, just like the human legends described, and it looked like Mysterium was somewhere in the Bermuda Triangle. The Gateway to Exile was in the middle of the Sahara desert—though the prison itself was buried in the center of the earth. And Lumenaria… “Wait. Is Lumenaria one of the Channel Islands?” she asked, trying to compare what she was seeing against the maps she’d memorized in her human geography classes. “Yes and no. It’s technically part of the same archipelago. But we’ve kept that particular island hidden, so humans have no idea it exists—well, beyond the convoluted stories we’ve occasionally leaked to cause confusion.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
and asked the I Ching: Should I be here doing this, or should I go on somewhere else and keep searching? The reply came: Keeping still, so that restlessness dissolves; then, beyond the tumult, one can perceive the great laws. It went on: As a mountain keeps still within itself, thus a wise man does not permit his will to stray beyond his situation.
Philip Pullman (The Amber Spyglass (His Dark Materials #3))
Our insistence on being different from everything around us is one of the greatest mistakes of mankind. We stubbornly maintain an illusory distinction that sets us apart from rock and ice, water and fire, plant and animal. Both religion and rationality try to explain it through an elaborate vocabulary of separation—soul, atman, spirit, ghosts in the machine or simply the idea of selfhood. We have dreamed up gods so that we can reassure ourselves that somewhere, someday, somehow, after this life is over, something awaits us: a presence that recognizes who we are. But if we approach a mountain instead, accepting that we are nothing more or less than an integral part of its existence, our ego merges with the nature of the mountain. In
Stephen Alter (Becoming a Mountain: Himalayan Journeys in Search of the Sacred and the Sublime)
But the second one was like we was both back in older times and I was on horseback going through the mountains of a night. Going through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
Cormac McCarthy (No Country for Old Men)
But the second one it was like we was both back in older times and I was on horseback goin through the mountains of a night. Goin through this pass in the mountains. It was cold and there was snow on the ground and he rode past me and kept on goin. Never said nothin. He just rode on past and he had this blanket wrapped around him and he had his head down and when he rode past I seen he was carryin fire in a horn the way people used to do and I could see the horn from the light inside of it. About the color of the moon. And in the dream I knew that he was goin on ahead and that he was fixin to make a fire somewhere out there in all that dark and all that cold and I knew that whenever I got there he would be there. And then I woke up.
Cormac McCarthy (No Country for Old Men)
The weather was still cold, but I was not. The blood thrummed near the surface of my skin, and I felt heat rise in my palms. I reached a hand out to the pine that stood by me, drops of water trembling on each needle, its bark black with wet. I breathed its scent and let the water touch my skin, cool as vapor. The rain fell in shushing stillness all around me, dampening my clothes ’til they clung to me softly, like clouds upon the mountain. Jamie had told me once that he must live on a mountain, and I knew now why this was so—though I could in no wise have put the notion into words. All my scattered thoughts receded, as I listened for the voice of rocks and trees—and heard the bell of the mountain strike once, somewhere deep beneath my feet.
Diana Gabaldon (The Fiery Cross (Outlander, #5))
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
For example, the second battle of Fallujah, during the Iraq War, included 13,500 American, Iraqi, and British troops, opposed by somewhere between 2,000 and 4,000 insurgents, for a total of roughly 17,500 combatants. But the battle didn’t take the form of a single large combat action: rather, it was fought over forty-seven days between November 7 and December 23, 2004, across the entire city of Fallujah and its periurban districts, and was made up of hundreds of small and medium-sized firefights distributed over a wide area, each involving a relatively small number of fighters on each side.107 This disaggregating effect of urban environments is a key reason why even state-on-state conflict in the future will exhibit many irregular characteristics
David Kilcullen (Out of the Mountains: The Coming Age of the Urban Guerrilla)
He is transported to his childhood when, taken to a show by a neighbor, he watched in awe and thought (as he thought when he first saw the Rocky Mountains): Why did no one tell me life could be this? As if they had been hiding from him that, instead of Puritan hard work and failed get-rich schemes, promises broken and pointless battles waged, life could be sequins and song. He felt he had been lied to from the Pilgrims on down. The secret had been kept from him like a mad aunt locked in the basement, and now a neighbor had innocently set her loose—and she was wonderful! He understood everyone was wrong about life, and if they were wrong about that, then they could be wrong about him. It seemed possible—only for those two hours—that he as well, somewhere inside, could be sequins and song.
Andrew Sean Greer (Less Is Lost (Arthur Less #2))
It became in his imagination his impossible, lifelong task, his hard trial, like that of a man he had read about somewhere, whose curse it was to push a boulder up a steep hill, only to have the giant who guarded the hill roll the boulder down again—and so on, forever, throughout eternity; he was still out there, that hapless man, somewhere at the other end of the earth, pushing his boulder up the hill.
James Baldwin (Go Tell It on the Mountain)
Oh, Beauty, passing beauty Oh, Beauty, passing beauty! sweetest Sweet! How canst thou let me waste my youth in sighs? I only ask to sit beside thy feet. Thou knowest I dare not look into thine eyes, Might I but kiss thy hand! I dare not fold My arms about thee ­ scarcely dare to speak. And nothing seems to me so wild and bold, As with one kiss to touch thy blessed cheek. Methinks if I should kiss thee, no control Within the thrilling brain could keep afloat The subtle spirit. Even while I spoke, The bare word KISS hath made my inner soul To tremble like a lutestring, ere the note Hath melted in the silence that it broke. But were I loved, as I desire to be, What is there in the great sphere of the earth, And range of evil between death and birth, That I should fear ­ if I were loved by thee? All the inner, all the outer world of pain Clear Love would pierce and cleave, if thou wert mine, As I have heard that, somewhere in the main, Fresh water-springs come up through bitter brine. 'Twere joy, not fear, clasped hand in hand with thee, To wait for death ­ mute ­ careless of all ills, Apart upon a mountain, though the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.
Alfred Tennyson
Ask me, then, if I believe in the spirit of the things as they were used, and I’ll say yes. They’re all here. All the things which had uses. All the mountains which had names. And we’ll never be able to use them without feeling uncomfortable. And somehow the mountains will never sound right to us; we’ll give them new names, but the old names are there, somewhere in time, and the mountains were shaped and seen under those names.
Ray Bradbury (The Martian Chronicles)
ANA. Stop! [The trap stops]. THE DEVIL. You, Señora, cannot come this way. You will have an apotheosis. But you will be at the palace before us. ANA. That is not what I stopped you for. Tell me: where can I find the Superman? THE DEVIL. He is not yet created, Senora. THE STATUE. And never will be, probably. Let us proceed: the red fire will make me sneeze. [They descend]. ANA. Not yet created! Then my work is not yet done. [Crossing herself devoutly] I believe in the Life to Come. [Crying to the universe] A father! a father for the Superman! She vanishes into the void; and again there is nothing: all existence seems suspended infinitely. Then, vaguely, there is a live human voice crying somewhere. One sees, with a shock, a mountain peak shewing faintly against a lighter background. The sky has returned from afar; and we suddenly remember where we were.
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
They say I am a brave girl I'm a hailstorm for the rain I'm a volcano for the mountain I'm a diamond for the stone And I wonder if I can be real me. I see the crowd I hear the noice I keep my patience. But inside I want to scream Yes I want to scream like hell. And when she call me on phone, I wonder how she knows it. I wonder how she hears those silent words.. How she sees those forbidden tears... I wonder how she knows I am missing somewhere...
Emma Brynstein
There is a Hindu legend that tells us that there was once a time when all men were gods, but they abused their divinity. Brahma, the god of creation, concluded that people had lost the right to their divinity and decided to take it away from them. Wanting to hide it somewhere where they wouldn’t be able to find it, he called a council of all the gods to advise him. Some suggested that they bury it deep in the earth, others that they sink it in the ocean, others still suggested it be placed on top of the highest mountain, but Brahma said that mankind was ingenious and would dig down far into the earth, trawl the deepest oceans and climb every mountain in an effort to find it again. ‘The gods were on the point of giving up when Brahma said, “I know where we will hide man’s divinity, we will hide it inside him. He will search the whole world but never look inside and find what is already within.”’ Viola
Kate Atkinson (A God in Ruins)
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship. But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in. Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.' Her lodger frowned and dusted his knees. She thought: He is as near to a sister as I am likely to get, but he does not understand. She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor. She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
Peter Carey (Oscar and Lucinda)
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
They are crossing the shadow line and going deeper where the sun never reaches, and the amiable drunken mayor will not be sending his men in pursuit for the dogs are crossing the river in the dead of night, and forcing a way up the other side to cross the Causse; and as sleep rolls in they are receding from her, black stains in the grey of the dawn, fading as they move into the foothills of the mountains from where they will return to haunt us, somewhere in Europe, in another time.
Ian McEwan (Black Dogs)
AUTHOR’S NOTE Dear reader: This story was inspired by an event that happened when I was eight years old. At the time, I was living in upstate New York. It was winter, and my dad and his best friend, “Uncle Bob,” decided to take my older brother, me, and Uncle Bob’s two boys for a hike in the Adirondacks. When we left that morning, the weather was crisp and clear, but somewhere near the top of the trail, the temperature dropped abruptly, the sky opened, and we found ourselves caught in a torrential, freezing blizzard. My dad and Uncle Bob were worried we wouldn’t make it down. We weren’t dressed for that kind of cold, and we were hours from the base. Using a rock, Uncle Bob broke the window of an abandoned hunting cabin to get us out of the storm. My dad volunteered to run down for help, leaving my brother Jeff and me to wait with Uncle Bob and his boys. My recollection of the hours we spent waiting for help to arrive is somewhat vague except for my visceral memory of the cold: my body shivering uncontrollably and my mind unable to think straight. The four of us kids sat on a wooden bench that stretched the length of the small cabin, and Uncle Bob knelt on the floor in front of us. I remember his boys being scared and crying and Uncle Bob talking a lot, telling them it was going to be okay and that “Uncle Jerry” would be back soon. As he soothed their fear, he moved back and forth between them, removing their gloves and boots and rubbing each of their hands and feet in turn. Jeff and I sat beside them, silent. I took my cue from my brother. He didn’t complain, so neither did I. Perhaps this is why Uncle Bob never thought to rub our fingers and toes. Perhaps he didn’t realize we, too, were suffering. It’s a generous view, one that as an adult with children of my own I have a hard time accepting. Had the situation been reversed, my dad never would have ignored Uncle Bob’s sons. He might even have tended to them more than he did his own kids, knowing how scared they would have been being there without their parents. Near dusk, a rescue jeep arrived, and we were shuttled down the mountain to waiting paramedics. Uncle Bob’s boys were fine—cold and exhausted, hungry and thirsty, but otherwise unharmed. I was diagnosed with frostnip on my fingers, which it turned out was not so bad. It hurt as my hands were warmed back to life, but as soon as the circulation was restored, I was fine. Jeff, on the other hand, had first-degree frostbite. His gloves needed to be cut from his fingers, and the skin beneath was chafed, white, and blistered. It was horrible to see, and I remember thinking how much it must have hurt, the damage so much worse than my own. No one, including my parents, ever asked Jeff or me what happened in the cabin or questioned why we were injured and Uncle Bob’s boys were not, and Uncle Bob and Aunt Karen continued to be my parents’ best friends. This past winter, I went skiing with my two children, and as we rode the chairlift, my memory of that day returned. I was struck by how callous and uncaring Uncle Bob, a man I’d known my whole life and who I believed loved us, had been and also how unashamed he was after. I remember him laughing with the sheriff, like the whole thing was this great big adventure that had fortunately turned out okay. I think he even viewed himself as sort of a hero, boasting about how he’d broken the window and about his smart thinking to lead us to the cabin in the first place. When he got home, he probably told Karen about rubbing their sons’ hands and feet and about how he’d consoled them and never let them get scared. I looked at my own children beside me, and a shudder ran down my spine as I thought about all the times I had entrusted them to other people in the same way my dad had entrusted us to Uncle Bob, counting on the same naive presumption that a tacit agreement existed for my children to be cared for equally to their own.
Suzanne Redfearn (In an Instant)
CHAPTER ONE A Boy at the Window FOR A LONG TIME AFTER THAT SUMMER, the four Penderwick sisters still talked of Arundel. Fate drove us there, Jane would say. No, it was the greedy landlord who sold our vacation house on Cape Cod, someone else would say, probably Skye. Who knew which was right? But it was true that the beach house they usually rented had been sold at the last minute, and the Penderwicks were suddenly without summer plans. Mr. Penderwick called everywhere, but Cape Cod was booked solid, and his daughters were starting to think they would be spending their whole vacation at home in Cameron, Massachusetts. Not that they didn’t love Cameron, but what is summer without a trip to somewhere special? Then, out of the blue, Mr. Penderwick heard through a friend of a friend about a cottage in the Berkshire Mountains. It had plenty of bedrooms and a big fenced-in pen for a dog—perfect for big, black, clumsy, lovable Hound Penderwick—and it was available to be rented for three weeks in August. Mr. Penderwick snatched it up, sight unseen. He didn’t know what he was getting us into, Batty would say. Rosalind always said, It’s too bad Mommy never saw Arundel—she would have loved the gardens. And Jane would say, There are much better gardens in heaven. And Mommy will never have to bump into Mrs. Tifton in heaven, Skye added to make her sisters laugh. And laugh they would, and the talk would move on to other things, until the next time someone remembered Arundel.
Jeanne Birdsall (The Penderwicks Collection: The Penderwicks / The Penderwicks on Gardam Street / The Penderwicks at Point Mouette)
our situation reminded me of a fable I had read somewhere. Chased by a tiger, a man slips and falls over the edge of a mountain. As he falls, he manages to grab a bush growing by the side of the mountain and hangs on to it for dear life. The bush is laden with wild strawberries that hang tantalizingly near his mouth. As the tiger snarls above his head and a gorge stretches beneath his dangling feet, the man takes a bite from a luscious berry. ‘How sweet,’ he exclaims as he relishes its taste. I do not remember the moral attached to the fable. It might have been a commentary on the ephemeral nature of life, on how foolish it is to imagine that there is happiness to be found in the world when death is certain and likely to happen at any time. Or it might have been an exhortation to seize the day and squeeze the most out of every moment, for, in any case, we are all going to die. It might have made a reasonably good ad for strawberries, which were so good that you simply had to eat them, even if it was the last thing you did.
Indu Muralidharan (The Reengineers)
Beautiful was the world, colourful was the world, strange and mysterious was the world! Here was blue, here was yellow, here was green, the sky and the river flowed, the forest and the mountains were rigid, all of it was beautiful, all of it was mysterious and magical, and in its midst was he, Siddhartha, the awakening one, on the path to himself. All of this, all this yellow and blue, river and forest, entered Siddhartha for the first time through the eyes, was no longer a spell of Mara, was no longer the veil of Maya, was no longer a pointless and coincidental diversity of mere appearances, despicable to the deeply thinking Brahman, who scorns diversity, who seeks unity. Blue was blue, river was river, and if also in the blue and the river, in Siddhartha, the singular and divine lived hidden, so it was still that very divinity's way and purpose, to be here yellow, here blue, there sky, there forest, and here Siddhartha. The purpose and the essential properties were not somewhere behind the things, they were in them, in everything.
Hermann Hesse (Siddhartha)
Life, in short, just wants to be. But—and here’s an interesting point—for the most part it doesn’t want to be much. This is perhaps a little odd because life has had plenty of time to develop ambitions. If you imagine the 4.5 billion odd years of Earth’s history compressed into a normal earthly day, then life begins very early, about 4 A.M., with the rise of the first simple, single-celled organisms, but then advances no further for the next sixteen hours. Not until almost 8:30 in the evening, with the day five-sixths over, has Earth anything to show the universe but a restless skin of microbes. Then, finally, the first sea plants appear, followed twenty minutes later by the first jellyfish and the enigmatic Ediacaran fauna first seen by Reginald Sprigg in Australia. At 9:04 P.M. trilobites swim onto the scene, followed more or less immediately by the shapely creatures of the Burgess Shale. Just before 10 P.M. plants begin to pop up on the land. Soon after, with less than two hours left in the day, the first land creatures follow. Thanks to ten minutes or so of balmy weather, by 10:24 the Earth is covered in the great carboniferous forests whose residues give us all our coal, and the first winged insects are evident. Dinosaurs plod onto the scene just before 11 P.M. and hold sway for about three-quarters of an hour. At twenty-one minutes to midnight they vanish and the age of mammals begins. Humans emerge one minute and seventeen seconds before midnight. The whole of our recorded history, on this scale, would be no more than a few seconds, a single human lifetime barely an instant. Throughout this greatly speeded-up day continents slide about and bang together at a clip that seems positively reckless. Mountains rise and melt away, ocean basins come and go, ice sheets advance and withdraw. And throughout the whole, about three times every minute, somewhere on the planet there is a flashbulb pop of light marking the impact of a Manson-sized meteor or one even larger. It’s a wonder that anything at all can survive in such a pummeled and unsettled environment. In fact, not many things do for long. Perhaps an even more effective way of grasping our extreme recentness as a part of this 4.5-billion-year-old picture is to stretch your arms to their fullest extent and imagine that width as the entire history of the Earth. On this scale, according to John McPhee in Basin and Range, the distance from the fingertips of one hand to the wrist of the other is Precambrian. All of complex life is in one hand, “and in a single stroke with a medium-grained nail file you could eradicate human history.” Fortunately, that moment hasn’t happened, but the chances are good that it will. I don’t wish to interject a note of gloom just at this point, but the fact is that there is one other extremely pertinent quality about life on Earth: it goes extinct. Quite regularly. For all the trouble they take to assemble and preserve themselves, species crumple and die remarkably routinely. And the more complex they get, the more quickly they appear to go extinct. Which is perhaps one reason why so much of life isn’t terribly ambitious.
Bill Bryson (A Short History of Nearly Everything)
10- We went walking along the footpaths that snaked through vineyards and barley fields, looking down at our own shadows each preoccupied with our own thoughts. Mostly we wandered. There wasn’t much in the way of a tourist industry on Tinos in those days. It was a farming Island, really people living off their cows and goats and olive trees and wheat.We would end up bored, eating lunch somewhere, quietly, in the shade of a tree or a windmill, looking between bites at the ravines, the fields of thorny bushes, the mountains the sea.
Khaled Hosseini (And the Mountains Echoed)
We do not want to go to the right or left,” he said, “but straight back to our own country!” A few days later, on June 1, a treaty was drawn up. The Navajos agreed to live on a new reservation whose borders were considerably smaller than their traditional lands, with all four of the sacred mountains outside the reservation line. Still, it was a vast domain, nearly twenty-five thousand square miles, an area nearly the size of the state of Ohio. After Barboncito, Manuelito, and the other headmen left their X marks on the treaty, Sherman told the Navajos they were free to go home. June 18 was set as the departure date. The Navajos would have an army escort to feed and protect them. But some of them were so restless to get started that the night before they were to leave, they hiked ten miles in the direction of home, and then circled back to camp—they were so giddy with excitement they couldn’t help themselves. The next morning the trek began. In yet another mass exodus, this one voluntary and joyful, the entire Navajo Nation began marching the nearly four hundred miles toward home. The straggle of exiles spread out over ten miles. Somewhere in the midst of it walked Barboncito, wearing his new moccasins. When they reached the Rio Grande and saw Blue Bead Mountain for the first time, the Navajos fell to their knees and wept. As Manuelito put it, “We wondered if it was our mountain, and we felt like talking to the ground, we loved it so.” They continued marching in the direction the coyote had run, toward the country they had told their young children so much about. And as they marched, they chanted—
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
Geologists, in their all but closed conversation, inhabit scenes that no one ever saw, scenes of global sweep, gone and gone again, including seas, mountains, rivers, forests, and archipelagoes of aching beauty rising in volcanic violence to settle down quietly and then forever disappear- almost disappear. If some fragment has remained in the crust somewhere and something has lifted the fragment to view, the geologist in his tweed cap goes out with his hammer and his sandwich, his magnifying glass and his imagination, and rebuilds the archipelago.
John McPhee (Annals of the Former World (#1-4))
The smartest person to ever walk this Earth in all probability lived and died herding goats on a mountain somewhere, with no way to disseminate their work globally even if they had realised they were super smart and had the means to do something with their abilities. I am not keen on 'who are the smartest' lists and websites because, as Scott Barry Kaufman points out, the concept of genius privileges the few who had the opportunity to see through and promote their life’s work, while excluding others who may have had equal or greater raw potential but lacked the practical and financial support, and the communication platform that famous names clearly had. This is why I am keen to develop, through my research work, a definition of genius from a cognitive neuroscience and psychometric point of view, so that whatever we decide that is and how it should be measured, only focuses on clearly measurable factors within the individual’s mind, regardless of their external achievements, eminence, popularity, wealth, public platform etc. In my view this would be both more equitable and more scientific.
Gwyneth Wesley Rolph
On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
Surrender” might be the most powerful word in the world, but now I’m caught between the life I know and the one I don’t. Can I just take a walk on Killiney Hill with my best friend, who happens to be my wife, and sit on that wooden seat that overlooks the bay and not check the phone to see what’s going on somewhere else in the world? Can I take in the view without having to be in it? Can I not take that call, in favor of this other call, to stillness? Is this what vision over visibility looks like now? I bow to no one in my love and respect for Leonard Cohen, but I can’t see myself following him up that mountain on his Zen retreat. I’m not sure I’m made to climb that hill. But then the drip, drip, drip. I hear the words of another Sufi, the poet Rumi. Out beyond ideas of wrongdoing and rightdoing, there is a field. I’ll meet you there. When the soul lies down in that grass, the world is too full to talk about. Maybe I’m discovering surrender doesn’t always have to follow defeat and may be all the fuller after victory. When you’ve won the argument you now understand you never needed to have. The argument with your life
Bono (Surrender: 40 Songs, One Story)
The great men and women of ancient times were dreams in their own way. Pioneers, explorers and cowboys lived with hopeful tomorrows and starry-eyed imaginings. They were lovers of the wind and tide, the romance of the deserts, mountains, and seas. The thrill of the great unknown. Despite their denials and insistence that there was nothing romantic about the way they lived, their actions spoke just the opposite. Dreams of new land, a new life,ba better tomorrow. Dreams of a girl, somewhere beyond the hills, with a heart full of love she'd give to the wandering man.
LaKaysha Stenersen (Echoes of Mercy)
The innumerable trees she's seen over the course of all her life, the undulating forests that blanket the continents like a heartless sea, envelop her exhausted body and lift her up. Only fragments of cities, small towns and roads are visible, floating on the roof of the forest like islands or bridges, slowly being swept away somewhere, borne on those warm waves. There's no way for In-hye to know what on earth those waves are saying. Or what those trees she'd seen at the end of the narrow mountain path, clustered together like green flames in the early-morning half-light, had been saying. Whatever it was, there had been no warmth in it. Whatever the words were, they hadn't been words of comfort, words that would help her pick herself up. Instead they were merciless, and the trees that had spoken them were a frighteningly chill form of life. Even when she turned about on the spot and searched in all directions, In-hye hadn't been able to find a tree that would take her life from her. Some of the trees had refused to accept her. They'd just stood there, stubborn and solemn yet alive as animals, bearing up the weight of their own massive bodies.
Han Kang, The Vegetarian
You've been quiet, lass. Are you alive back there?' All she could do was grunt with exasperation through the tight gag that was pressing down on her tongue. 'Aye, I know.' He nodded, as if he had understood every word. 'I was thinking about removing it, but something tells me you've been working up a mountain of complaints, so if it's all the same to you, I'll wait till we're somewhere more remote before I release that mouth of yours, so no one will hear your screeching.' 'I won't screech,' she tried to say, but it came out as a muffled grumble. 'What was that? You think I'm very wise? Aye, I think so, too.
Julianne MacLean (Captured by the Highlander (Highlander, #1))
The earth had granted me a lifeline, by letting me siphon off some of the water that was on its way somewhere else. Because of me, there would be less water flowing into the Chattahoochee River: less for the speckled trout, less for the wood ducks, less for the mountain laurel that drop their white petals into the river every fall. There would be more water flowing into my septic tank, laced with laundry detergent, dish soap, and human waste. At that moment of high awareness, I promised the land that I would go easy on the water. I would remember where it came from. I would remain grateful for the sacrifice.
Barbara Brown Taylor (Leaving Church: A Memoir of Faith)
There was never a threat of things going too far when we were fake. But I see now how fast things can change without you even realizing it. It can go from a kiss to hands under my shirt in two seconds, and it’s so feverish, so frenzied. It’s like we’re on a high-speed train that’s going somewhere fast, and I like it, I do, but I also like a slow train where I can look out the window and appreciate the countryside, the buildings, the mountains. It’s like I don’t want to miss the little steps; I want it to last. And then the next second I want to grow up faster, more, now. To be as ready as everyone else is. How is everyone else so ready? I still find it very surprising, having a boy in my personal space. I still get nervous when he puts his arm around my waist or reaches for my hand. I don’t think I know how to date in the 2010s. I’m confused by it. I don’t want what Margot and Josh had, or Peter and Genevieve. I want something different. I guess you could call me a late bloomer, but that implies that we’re all on some predetermined blooming schedule, that there’s a right or a wrong way to be sixteen and in love with a boy. My body is a temple not just any boy gets to worship at. I won’t do any more than I want to do.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Your left! Your left! Your left-right-left! Your left! Your left! Your left-right-left! Yeah, yeah, yeah. I left. I left. I left-left-left that wack school and that even more wack ROTC drill team because it was Friday, which to me, and basically every other person on Earth, meant it was time to party. Okay, maybe not everybody on Earth. I’m sure there was a monk somewhere on a mountain who might’ve been thinking of something else. But I wasn’t no monk. Thank God. So for me and my friends, Friday was just another word for party. Monday, Tuesday, Hump Day (because who can resist the word “hump”?), Thursday, and Party.
Jason Reynolds (All American Boys)
Blonde hair and blue eyes," she repeated. "The lavender fairy." "Now, hang on a minute!" "Just like the lavender fairy has. There's an old story about the beautiful fairy called Lavandula who was born in the wild lavender of the Lure mountain. She grew up and began to wander further from the mountain, looking for somewhere special to make her home. One day she came across the stony, uncultivated landscapes of Haute Provence, and the pitiful sight made her so sad she cried hot tears- hot mauve tears that fell into the ground and stained it. And that is where, ever afterwards, the lavender of her birthplace began to grow.
Deborah Lawrenson (The Sea Garden)
But were I loved, as I desire to be, What is there in the great sphere of the earth, And range of evil between death and birth, That I should fear,--if I were loved by thee? All the inner, all the outer world of pain Clear Love would pierce and cleave, if thou wert mine As I have heard that, somewhere in the main, Fresh-water springs come up through bitter brine. 'T were joy, not fear, claspt hand-in-hand with thee, To wait for death--mute--careless of all ills, Apart upon a mountain, tho' the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.
Alfred Tennyson (Selected Poems)
...when the morning wind caught up with us, and with it some quite unexpected fog - soft and rolling. It would roll down the open channels in great round masses - hesitate for an island, and then roll over it and on. It would fill up all the bays - searching and exploring. It came on board and felt us all over with soft, damp fingers, and we hoisted our sails and fled before it. ...A little farther on, the wind blew harder, but it was steadier...The mountains grew higher and higher, and gossiped together across our heads. And somewhere down at their feet, on that narrow ribbon of water, our boat with the white sails flew swiftly along, completely dwarfed by its surroundings.
M. Wylie Blanchet
Catti-brie didn't blink, barely drew breath. She was thinking how noble this drow had been. So many other men would not have asked questions, would have taken advantage of the situation. And would that have been such a bad thing? the young woman had to ask herself now. Her feelings for Drizzt were deep and real, a bond of friendship and love. Would it have been such a bad thing if he had made love to her in that room? Yes, she decided, for both of them, because, while it was her body that had been offered, it was Khazid'hea that was in control. Things were awkward enough between them now, but if Drizzt had relented to the feelings that Catti-brie knew he held for her, if he had not been so noble in that strange situation and had given in to the offered temptation, likely neither of them would have been able to look the other in the eye afterward. Like they were doing now, on a quiet plateau high in the mountains, with a chill and crisp breeze and the stars glowing even more brightly above them. "Ye're a good man, Drizzt Do'Urden," the grateful woman said with a heartfelt smile. "Hardly a man," Drizzt replied, chuckling, and glad for the relief of the tension. Only a temporary relief, though. The chuckle and the smile died away almost immediately, leaving them in the same place, the same awkward moment, caught somewhere between romance and fear.
R.A. Salvatore (Siege of Darkness (Forgotten Realms: Legacy of the Drow, #3; Legend of Drizzt, #9))
Let me tell you a joke, Rora said. Mujo wakes up one day, after a long night of drinking, and asks himself what the meaning of life is. He goes to work, but realizes that is not what life is or should be. He decides to read some philosophy and for years studies everything from the old Greeks onward, but can't find the meaning of life. Maybe it's the family, he thinks, so he spends time with his wife, Fata, and the kids, but finds no meaning in that and so he leaves them. He thinks, Maybe helping others is the meaning of life, so he goes to medical school, graduates with flying colors, goes to Africa to cure malaria and transplants hearts, but cannot discover the meaning of life. He thinks, maybe it's the wealth, so he becomes a businessman, starts making money hand over fist, millions of dollars, buys everything there is to buy, but that is not what life is about. Then he turns to poverty and humility and such, so he gives everything away and begs on the streets, but still he cannot see what life is. He thinks maybe it is literature: he writes novel upon novel, but the more he writes the more obscure the meaning of life becomes. He turns to God, lives the life of a dervish, reads and contemplates the Holy Book of Islam - still, nothing. He studies Christianity, then Judaism, then Buddhism, then everything else - no meaning of life there. Finally, he hears about a guru living high up in the mountains somewhere in the East. The guru, they say, knows what the meaning of life is. So Mujo goes east, travels for years, walks roads, climbs the mountain, finds the stairs that lead up to the guru. He ascends the stairs, tens of thousands of them, nearly dies getting up there. At the top, there are millions of pilgrims, he has to wait for months to get to the guru. Eventually it is his turn, he goes to a place under a big tree, and there sits the naked guru, his legs crossed, his eyes closed, meditating, perfectly peaceful - he surely knows the meaning of life, Mujo says: I have dedicated my life to discovering the meaning of life and I have failed, so I have come to ask you humbly, O Master, to divulge the secret to me. The guru opens his eyes, looks at Mujo, and calmly says, My friend, life is a river. Mujo stares at him for a long time, cannot believe what he heard. What's life again? Mujo asks. Life is a river, the guru says. Mujo nods and says, You turd of turds, you goddamn stupid piece of shit, you motherfucking cocksucking asshole. I have wasted my life and come all this way for you to tell me that life is a fucking river. A river? Are you kidding me? That is the stupidest, emptiest fucking thing I have ever heard. Is that what you spent your life figuring out? And the guru says, What? It is not a river? Are you saying it is not a river?
Aleksandar Hemon (The Lazarus Project)
You know the feeling, when the morning breeze gushes onto you and makes you literally wonder how on Earth are you so fortunate to walk on this Beautiful planet, the feeling that the Mountains wave in your heart telling you nothing is too big to leave you in pain, while the waves find you the soothing monotony of Calm making you know that the Simplest of Life is the Purest of All. That, precisely that is the feeling I am always running after, and in wandering along the woods I find them, in the Stillness of a long lost wind, in the restless air softly kissing away my eyes, and the galloping meandering murky redolence of Earth, who knows exactly how to find me a missing piece, somewhere stolen and quietly tucked in the time-worn fragments of a solitary Sunshine.
Debatrayee Banerjee
But everywhere dark shapes were already melting into the night, seeking asylum in the undergrowth and the jungle. Those not caught in the first haul headed for the mountains, stealing canoes and boats to make their way upstream; they were unarmed, almost naked, but determined to return to the way of life of their ancestors, somewhere the whites would not be able reach them. As they passed the outlying plantations, they spread the news amongst their own people, and ten, twenty, more men would abandon their work, deserting the fields of indigo and clover, to swell the numbers of the runaways. And in parties of one hundred, two hundred at a time, followed by their wives carrying children, they moved off into the interior, through thickets and crags, in search of a place they could build a palisade. As they fled they scattered mullein seeds in the streams and rivulets, so that fish would be poisoned and infect the water with their miasma as they putrefied. Beyond this torrent, beyond that mountain clothed in waterfalls, Africa would begin again; they would go back to forgotten tongues, to the rites of circumcision, to the worship of the earlier gods, who had preceded the recent gods of Christianity. The undergrowth closed behind men who were retracing the course of history, to regain an age when Creation had been ruled by the fertile Venus, with her huge breasts and her ample belly, who was worshipped in deep caves where a hand was haltingly tracing its first configurations of the activities of the chase, and of ceremonies dedicated to the stars.
Alejo Carpentier (El siglo de las luces)
AFTER BEING IN LOVE, THE NEXT RESPONSIBILITY Turn me like a waterwheel turning a millstone. Plenty of water, a Living River. Keep me in one place and scatter the love. Leaf-moves in wind, straw drawn toward amber, all parts of the world are in love, but they do not tell their secrets. Cows grazing on a sacramental table, ants whispering in Solomon's ear. Mountains mumbling an echo. Sky, calm. If the sun were not in love, he would have no brightness, the side of the hill no grass on it. The ocean would come to rest somewhere. Be a lover as they are, that you come to know you Beloved. Be faithful that you may know Faith. The other parts of the universe did not accept the next responsibility of love as you can. They were afraid they might make a mistake with it, the inspired knowing that springs from being in love
Jalal ad-Din Muhammad ar-Rumi
Great laughter rang from all sides. I wondered what the Spirit of the Mountain was thinking, and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess—across the night, eastward over the Plains, where somewhere an old man with white hair was probably walking toward us with the Word, and would arrive any minute and make us silent.
Jack Kerouac (On the Road)
He knew how the audition was going to affect their lives for the next ten weeks as she slowly lost her mind from nerves and the strain of trying to scrounge precious practice time from an already jam-packed life. No matter how much time poor Sam gave her, it would never be quite enough, because what she actually needed was for him and the kids to just temporarily not exist. She needed to slip into another dimension where she was a single, childless person. Just between now and the audition. She needed to go to a mountain chalet (somewhere with good acoustics) and live and breathe nothing but music. Go for walks. Meditate. Eat well. Do all those positive-visualization exercises young musicians did these days. She had an awful suspicion that if she were to do this in reality, she might not even miss Sam and the children that much, or if she did miss them, it would be quite bearable.
Liane Moriarty (Truly Madly Guilty)
It was fun for me also to point out that this brand of young-Earth creationism claims that kangaroos came from a huge ship, the ark, which is supposed to have safely run aground on Mount Ararat in modern-day Turkey. It’s a respectable peak—5,165 meters (almost 17,000 feet)—and it’s snowcapped. It’s not clear to me how all the animals and humans made the arduous descent. The kangaroos, both of them, are supposed to have made it down the mountain, ran or hopped from there to Australia—and no one saw them. Furthermore, if they took a reasonable amount of time to make the trip, you’d expect some kangaroo pups or joeys to have been born and some adults to have died along the way. You’d expect some kangaroo fossils out there somewhere in what is now Laos or Tibet. Also, they are supposed to have run across a land bridge from Eurasia to Australia. But there’s no evidence of such a bridge or any kangaroo fossils in that area, not any.
Bill Nye (Undeniable: Evolution and the Science of Creation)
And on the horizon, along the Cordillera where rock and sky met, there was that strange color, somewhere between violet and purple, which he had seen reproduced on so many Indian skirts and shawls and on the woolen bags the campesinos hung from the ears of their llamas; for him it was the color of the Andes, of this mysterious, violent sierra. Besides, thanks to these hills, Naccos had an aura, a magic power. Danger always attracts us. Doesn’t it represent true life, life that’s worthwhile? But security is boredom, it’s stupidity, it’s death. These mountains are full of ancient tombs.Without those presences there wouldn’t be so many spirits in this part of the Andes. In the old days people had the courage to face great troubles by making sacrifices. That’s how they maintained the balance. Life and death like a scale with two equal weights, like two rams of equal strength that lock horns and neither one can advance or retreat.
Mario Vargas Llosa (Death in the Andes)
Dear God! Without a doubt she was going to hell. If not hell at least somewhere she would be punished for lusting after a passed out, possibly dead, mountain man. How long had it been since the last time she had had sex that she was now mentally licking this poor man while he lay there needing help. She raised a trembling hand to his neck to feel for a pulse. He was alive. Thank you God! This was probably the first time she’d ever given a silent prayer that a first date wasn’t really avoiding her. “Hello?” calling softly to him, she cupped his face in her hands. There was a large gash on the other side of his head and blood matted his hair. She should call 9-1-1 and stop feeling on the guy. Darn it, but she couldn’t help herself. She tried to tap his face, but ended up sliding her fingers over his scruffy jaw. Yep. She was a pervert. Taking advantage of a man down. That ticket to hell was now first-class on the fastest jet known to man.
Milly Taiden (Geek Bearing Gifts (Paranormal Dating Agency, #2))
Looking at the sky, he suddenly saw that it had become black. Then white again, but with great rippling circles. The circles were vultures wheeling around the sun. The vultures disappeared, to be replaced by checkers squares ready to be played on. On the board, the pieces moved around incredibly rapidly, winning dozens of games every minute. They were scarcely lined up before they started rushing at each other again, banging into each other, forming fighting combinations, wiping the other side out in the wink of an eye. Then the squares scattered, giving way to the grille of a crossword puzzle, and here, too, words flashed, drove each other away, clustered, were erased. They were all very long words, like Catalepsy, Thunderbird, Superrequeteriquísímo and Anticonstitutionally. The grille faded away, and suddenly the whole sky was covered with linked words, long sentences full of semicolons and inverted commas. For the space of a few seconds, there was this gigantic sheet of paper on which were written sentences that moved forward jerkily, changing their meaning, modifying their construction, altering completely as they advanced. It was beautiful, so beautiful that nothing like that had ever been read anywhere, and yet it was impossible to decipher the writing. It was all about death, or pity, or the incredible secrets that are hidden somewhere, at one of the farthest points of time. It was about water, too, about vast lakes floating just above the mountains, lakes shimmering under the cold wind. For a split second, Y. M. H., by screwing up his eyes, managed to read the writing, but it vanished with lightning speed and he could not be sure. It seemed to go like this: There's no reason to be afraid. No, there's no reason to be afraid. There's no reason to be afraid. There's no reason to be afraid. No. No, there's no reason to be afraid. No, there's no reason to be afraid.
J.M.G. Le Clézio (The Book of Flights)
In every corridor Parwana would see men’s eyes snapping to attention when Masooma passed by. She saw their efforts to behave matter-of-factly, but their gazes lingered, helpless to tear away. If Masooma glanced in their direction, they looked idiotically privileged. They imagined they had shared a moment with her. She interrupted conversations midsentence, smokers mid-drag. She was the trembler of knees, the spiller of teacups. Some days it was all too much for Masooma, as if she was almost ashamed, and she told Parwana she wanted to stay inside all day, wanted not to be looked at. On those days, Parwana thought it was as though, somewhere deep inside, her sister understood dimly that her beauty was a weapon. A loaded gun, with the barrel pointed at her own head. Most days, however, the attention seemed to please her. Most days, she relished her power to derail a man’s thoughts with a single fleeting but strategic smile, to make tongues falter over words.
Khaled Hosseini (And the Mountains Echoed)
In 1996 the disasters on the mountain had robbed Neil of the chance to go above camp four. Two years on he was here again--only this time the summit was within his reach. He felt strong and waited anxiously for Mick to arrive. They would need to be together to manage the last ridge and the Hillary Step. Something told Neil that things were not going right. As the precious minutes slipped by, as he waited for Mick and the others to reach him, he sensed that the dream that had eluded him once was going to do so again. Somewhere along the way, there had been a misunderstanding between the climbers over who had what rope. It happens at high altitude. It is a simple mistake. But mistakes have consequences. Suddenly, here, at four hundred feet beneath the summit of Mount Everest, it dawned on them all that they had run out of rope. They would have no choice now but to retreat. Continuing was not even an option. Neil stared through his goggles at the summit: so close, yet so very far. All he felt was emptiness. He turned and never looked back.
Bear Grylls (Mud, Sweat and Tears)
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air. ‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’ ‘Yes,’ said Decoud; ‘nobody can find us now.’ A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek. It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho. The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
Joseph Conrad (Nostromo)
Good morning.' Cassian's fingers idly smoothed her hair. 'Good morning to you, too.' He glanced toward the mantel- the small wooden clock in its centre, then lurched up. 'Shit.' Nesta frowned. 'You have somewhere to be?' He was already hopping into his pants, scanning the floor for the rest of his clothes. Nesta silently pointed to the other side of the bed, where his shirt lay atop her dress. 'Snowball fight. I'll be late.' Nesta had to unload every word of his statement. But she could only ask. 'What?' 'Annual tradition, with Rhys and Az. We go up tot he mountain cabin- remind me to take you there one day- and... Well, it's a long story, but we've done it pretty much every year for centuries, and I haven't won in years. If I don't win this year, I will never hear the end of it.' All of this was said while shoving himself into his shirt, leather jacket, and boots. Nesta just laughed. 'You three- the most feared warriors in all the land- have an annual snowball fight?' Cassian reached the door, throwing her a wicked grin. 'Did I mention we take a steam in the birchin attached to the cabin afterward?' From that wicked grin, she knew he meant completely naked.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
They climbed through the fog, trusting their guide, whose sheepdog ran ahead of them, unearthing a hedgehog among the crags. As they got higher, ‘the ground appeared to brighten’. A flash of light illuminated the turf and, all of a sudden, the moon was out. Wordsworth looked down. They were above the mist, which now resembled a sea with the peaks of the surrounding mountains emerging like the backs of whales. In the distance, they saw the mist dipping and swirling into the real sea. And somewhere between the mountains and the sea, they spotted ‘a blue chasm, a fracture in the vapour’, A deep and gloomy breathing-place thro’ which Mounted the roar of waters, torrents, streams Innumerable, roaring with one voice. ‘In that breach’, Wordsworth writes in The Prelude, ‘Through which the homeless voice of waters rose’, Nature had lodged ‘The soul, the imagination of the whole’.37 This idea of the imagination filling a gap, emerging from an abyss of emptiness, and indeed of homelessness, is at the core of Wordsworth’s vocation. His poetry, the work of his imagination, filled the void of the losses – of parents, of home, of political ideals, and later of friends, siblings and children – that afflicted him.
Jonathan Bate (Radical Wordsworth: The Poet Who Changed the World)
It was simply that they were grave, distant, intent upon something that she could not see. Their eyes were held upon some vision out of range, something away in the end of distance, some reality that she did not know, or even suspect. What was it that they saw? Probably they saw nothing after all, nothing at all. But then that was the trick, wasn’t it? To see nothing at all, nothing in the absolute. To see beyond the landscape, beyond every shape and shadow and color, that was to see nothing. That was to be free and finished, complete, spiritual. To see nothing slowly and by degrees, at last; to see first the pure, bright colors of near things, then all pollutions of color, all things blended and vague and dim in the distance, to see finally beyond the clouds and the pale wash of the sky—the none and nothing beyond that. To say “beyond the mountain,” and to mean it, to mean, simply, beyond everything for which the mountain stands, of which it signifies the being. Somewhere, if only she could see it, there was neither nothing nor anything. And there, just there, that was the last reality. Even so, in the same attitude of non-being, Abel had cut the wood. She had not seen into his eyes until it was too late, until they had returned upon everything.
N. Scott Momaday (House Made of Dawn)
Nicholas Rostóv turned away and, as if searching for something, gazed into the distance, at the waters of the Danube, at the sky, and at the sun. How beautiful the sky looked; how blue, how calm, and how deep! How bright and glorious was the setting sun! With what soft glitter the waters of the distant Danube shone. And fairer still were the far away blue mountains beyond the river, the nunnery, the mysterious gorges, and the pine forests veiled in mist to their summits . . . There was peace and happiness . . .”I should wish for nothing else, nothing, if only I were there,” thought Rostóv. “In myself alone and in that sunshine there is so much happiness; but here . . . groans, suffering, fear, and this uncertainty and hurry . . . There—they are shouting again, and again are all running back somewhere, and I shall run with them, and it, death, is here above me and around . . . Another instant and I shall never again see the sun, this water, that gorge! . . .” At that instant the sun began to hide behind the clouds and other stretchers came into view before Rostóv. And the fear of death and of the stretchers, and love of the sun and of life, all merged into one feeling of sickening agitation. “O Lord God! Thou who art in that heaven, save, forgive, and protect me!” Rostóv whispered.
Leo Tolstoy (War and Peace)
I stroll to the platform and up under the awning, hands in pockets, stepping lively on my toes as if I'm expecting -- a loved one, a girlfriend, a best friend from college long out of touch. The two trainmen give me the mackerel eye and begin some exclusive talk they've been putting off. But I don't feel the least excluded, since I enjoy this closeness to trains and the great moment they exude, their implacable hissing noise and purpose. I read somewhere it is psychologically beneficial to stand near things greater and more powerful than you yourself, so as to dwarf yourself (and your piddlyass brothers) by comparison. To do so, the writer said, released the spirit from its everyday moorings, and accounted for why Montanans and Sherpas, who live near daunting mountains, aren't much at complaining or nettlesome introspection. He was writing about better "uses" to be made of skyscrapers, and if you ask me the guy was right on the money. All alone now beside the humming train cars, I actually do feel my moorings slacken, and I will say it again, perhaps for the last time: there is mystery everywhere, even in a vulgar, urine-scented, suburban depot such as this. You have only to let yourself in for it. You can never know what's coming next. Always there is the chance it will be -- miraculous to say -- something you want.
Richard Ford (The Sportswriter (Frank Bascombe, #1))
In the early grey of the morning they reached the headquarter of General Genarius and found him working in a mountain of paperwork. Joey and Maya informed the general in detail about Libertine’s report. General Genarius closed his eyes and thought for a long moment until he said, “Wait a minute! Are you telling me that you want to enter the belly of darkness and liberate the mermaids and the unicorns?” “Yes Sir, we are determined to attack the center of demonic powers and believe in the great opportunity to liberate the mermaids and the unicorns from the cruel grip of the Empire!” Maya said. “Dangerous, dangerous…but the more I think about it, the more I can see that it could really work. However…this mission has to be well organized and of course…you must find the secret door to the Underworld… in time or you will be in big trouble. It is very risky but I will support this venture! Let me share with you some of my ideas and how this attempt could work. Take your six unicorns, all the equipment you need and leave the city of Selinka as soon as possible with Captain Goran and my assistant Captain Armstrong. You must cross the Thordis River behind the city, stay close to the Lagoon and move directly east from there. Let me take my map and show you exactly the way and… let me talk to Captain Armstrong. He is indeed a man with a strong arm, a clear mind in battle and he knows the way to Duanes Gate very well because his family lives somewhere in that area.
Gloria Tesch
Situation awareness means possessing an explorer mentality A general never knows anything with certainty, never sees his enemy clearly, and never knows positively where he is. When armies are face to face, the least accident in the ground, the smallest wood, may conceal part of the enemy army. The most experienced eye cannot be sure whether it sees the whole of the enemy’s army or only three-fourths. It is by the mind’s eye, by the integration of all reasoning, by a kind of inspiration that the general sees, knows, and judges. ~Napoleon 5   In order to effectively gather the appropriate information as it’s unfolding we must possess the explorer mentality.  We must be able to recognize patterns of behavior. Then we must recognize that which is outside that normal pattern. Then, you take the initiative so we maintain control. Every call, every incident we respond to possesses novelty. Car stops, domestic violence calls, robberies, suspicious persons etc.  These individual types of incidents show similar patterns in many ways. For example, a car stopped normally pulls over to the side of the road when signaled to do so.  The officer when ready, approaches the operator, a conversation ensues, paperwork exchanges, and the pulled over car drives away. A domestic violence call has its own normal patterns; police arrive, separate involved parties, take statements and arrest aggressor and advise the victim of abuse prevention rights. We could go on like this for all the types of calls we handle as each type of incident on its own merits, does possess very similar patterns. Yet they always, and I mean always possess something different be it the location, the time of day, the person you are dealing with. Even if it’s the same person, location, time and day, the person you’re dealing who may now be in a different emotional state and his/her motives and intent may be very different. This breaks that normal expected pattern.  Hence, there is a need to always be open-minded, alert and aware, exploring for the signs and signals of positive or negative change in conditions. In his Small Wars journal article “Thinking and Acting like an Early Explorer” Brigadier General Huba Wass de Czege (US Army Ret.) describes the explorer mentality:   While tactical and strategic thinking are fundamentally different, both kinds of thinking must take place in the explorer’s brain, but in separate compartments. To appreciate this, think of the metaphor of an early American explorer trying to cross a large expanse of unknown terrain long before the days of the modern conveniences. The explorer knows that somewhere to the west lies an ocean he wants to reach. He has only a sketch-map of a narrow corridor drawn by a previously unsuccessful explorer. He also knows that highly variable weather and frequent geologic activity can block mountain passes, flood rivers, and dry up desert water sources. He also knows that some native tribes are hostile to all strangers, some are friendly and others are fickle, but that warring and peace-making among them makes estimating their whereabouts and attitudes difficult.6
Fred Leland (Adaptive Leadership Handbook - Law Enforcement & Security)
The [Tiananmen] Gate was built during the Ming Dynasty and used by Emperors for making public appearances and proclamations. The Gate, like Tiananmen Square, has always been a major point of focus in the political history of China. If you climb up to the balcony, you can stand on the spot from which, on October 1, 1949, Chairman Mao proclamied the founding of the People's Republic of China. The spot is clearly marked, and there is an exhibition of photographs of the event clustered around it. The view across the immensity of Tiananmen Square here is extraordinary. It is like looking across a plain from the side of a mountain. In political terms the view is more astounding yet, encompassing as it does a nation that comprises almost one-quarter of the population of this planet. All of the history of China is symbolically focused here, at this very point, and it is hard, as you stand there, not to be transfixed by the power of it. It is hard, also, not to be profoundly moved by the vision of the peasant from Shaoshan who seized that power in the name of the people and whom the people still revere, in spite of the atrocities of the Cultural Revolution, as the father of their nation. And while we were standing on this spot, the spot where Mao stood when he proclaimed the founding of the Peoples Republic of China, the music we were having played at us by the public address system was first "Viva España", and then the "Theme from Hawaii Five-O." It was hard to avoid the feeling that somebody, somewhere, was missing the point. I couldn't even be sure it wasn't me.
Douglas Adams (Last Chance to See)
The world is dead, The Samurai, moving among the inert metal of pumps and lines and distillation columns, over the concrete apron in which the plants were constructed, over gravel brought from the Prospect quarries. it is a world of age-old stones - picking up a piece of gravel in which glinted minerals unknown to him - of basalt chiped from mountains long ago, lying around on roads, lying under hills waiting to be plundered. And laughing at humans. These dead rocks were all of them older than the human race which trod them. each fragment had an immortality. Humans rotted away into the soil in an instant of time. What was the power he had that enabled him to lift this fragment of eternity in his hand and decide where to throw it? What had been breathed into his fragile dust that seemed for his instant of life to mock the inertia of the rock? Was his own existence supported by a paper warrant somewhere? He drew back from following these thoughts. There was a power in him, or rather power came to him that made him stronger than he needed to be. A power that blew up certain feelings to an enormous size, a secret power. Was he so different from the men around him? What was the mission that he had been born to perform? He deliberately relaxed. As he looked about him with a new mood the whole world filled with love. Even the dirt underfoot was sympathetic and grateful. he could love these random stones, these heaps of inert, formed metal so far now from where they were mined. He could love the soil itself and everything that was. He needed, at the moment, no written justification of his existence.
David Ireland
VW Valley is one of the final mountains one climbs on Selection--but it’s among the worst. VW stands for Voluntary Withdrawal, and when you see the mountain you can understand why people have often quit here. Steep, windswept, and boggy--and at mile thirty it is the point where many recruits quit and remove themselves from the course--broken by the sheer distance, weight, and speed. But not me. Not now. On my backside, I slid down the first steep reentrant leading into the bowl of the valley. I was using the butt of my weapon to steer me as I glissaded down the snow, and I finally slowed at the bottom, near an iced-over stream. I crossed it and started straight up the face with Trucker behind me. On and on and on--until finally at the crest I collapsed and waited for him. Trux’s feet were both badly swollen. Later on he discovered that he’d broken both of his big toes somewhere around this point. It was purely from the incessant pounding his feet were taking. He was in agony. I heard him muttering under his breath. He was mumbling Bible verses to himself. We had often both quietly prayed together before the big marches. Now we needed that help more than ever. “I am holding you by your right hand…Do not be afraid. I am here to help you.” Isaiah, 41:13. If ever I needed to hear such words it was now. It is easy to be cynical and to think you do not need help when all is going your way; but if Selection taught me anything it is that we all have our limits. To push beyond those limits sometimes requires something beyond just ourselves. That is what my faith has given me--a secret strength and help when I have needed it most.
Bear Grylls (Mud, Sweat and Tears)
Put yourself in the way of grace,' says a friend of ours, who is a monk, and a bishop; and he smiles his floating and shining smile. And truly, can there be a subject of more interest to each of us than whether or not grace exists, and the soul? And, consequent upon the existence of the soul, a whole landscape of incorruptible forces, perhaps even a source, an almost palpably suggested second universe? A world that is incomprehensible through reason? To believe in the soul---to believe in it exactly as much and as hardily as one believes in a mountain, say, or a fingernail, which is ever in view---imagine the consequences! How far-reaching, and thoroughly wonderful! For everything, by such a belief, would be charged, and changed. You wake in the morning, the soul exists, your mouth sings it, your mind accepts it. And the perceived, tactile world is, upon the instant, only half the world! How easily I travel, about halfway, through such a scenario. I believe in the soul---in mine, and yours, and the blue-jay's, and the pilot whale's. I believe each goldfinch flying away over the coarse ragweed has a soul, and the ragweed too, plant by plant, and the tiny stones in the earth below, and the grains of earth as well. Not romantically do I believe this, nor poetically, nor emotionally, nor metaphorically except as all reality is metaphor, but steadily, lumpishly, and absolutely. The wild waste spaces of the sea, and the pale dunes with one hawk hanging in the wind, they are for me the formal spaces that, in a liturgy, are taken up by prayer, song, sermon, silence, homily, scripture, the architecture of the church itself. And as with prayer, which is a dipping of oneself toward the light, there is a consequence of attentiveness to the grass itself, and the sky itself, and to the floating bird. I too leave the fret and enclosure of my own life. I too dip myself toward the immeasurable. Now winter, the winter I am writing about, begins to ease. And what, if anything, has been determined, selected, nailed down? This is the lesson of age---events pass, things change, trauma fades, good fortune rises, fades, rises again but different. Whereas what happens when one is twenty, as I remember it, happens forever. I have not been twenty for a long time! The sun rolls toward the north and I feel, gratefully, its brightness flaming up once more. Somewhere in the world the misery we can do nothing about yet goes on. Somewhere the words I will write down next year, and the next, are drifting into the wind, out of the ornate pods of the weeds of the Provincelands. Once I went into the woods to find an almost unfindable bird, a blue grosbeak. And I found it: a rough, deep blue, almost black, with heavy beak; it was plucking one by one the humped, pale green caterpillars from the leaves of a thick green tree. Then it vanished into the shadows of the leaves and, in the same moment, from the crown of the tree flew a western bluebird---little aqua thrush of the mountains, hundreds of miles from its home. It is a moment hard to top---but, I can. Once I came upon two angels, they were standing quietly, keeping guard beside a car. Light streamed from them, and a splash of flames lay quietly under their feet. What is one to do with such moments, such memories, but cherish them? Who knows what is beyond the known? And if you think that any day the secret of light might come, would you not keep the house of your mind ready? Would you not cleanse your study of all that is cheap, or trivial? Would you not live in continual hope, and pleasure, and excitement?
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
Tamlin's claws punched out. 'Even if I risked it, you're untrained abilities render your presence more of a liability than anything.' It was like being hit with stones- so hard I could feel myself cracking. But I lifted my chin and said, 'I'm coming along whether you want me to or not.' 'No, you aren't.' He strode right through the door, his claws slashing the air at his sides, and was halfway down the steps before I reached the threshold. Where I slammed into an invisible wall. I staggered back, trying to reorder my mind around the impossibility of it. It was identical to the one I'd built that day in the study, and I searched inside the shards of my soul, my heart, for a tether to that shield, wondering if I'd blocked myself, but- there was no power emanating from me. I reached a hand to the open air of the doorway. And met solid resistance. 'Tamlin,' I rasped. But he was already down the front drive, walking towards the looming iron gates. Lucien remained at the foot of the stairs, his face so, so pale. 'Tamlin,' I said again, pushing against the wall. He didn't turn. I slammed my hand into the invisible barrier. No movement- nothing but hardened air. And I had not learned about my own powers enough to try to push through, to shatter it... I had let him convince me not to learn those things for his sake- 'Don't bother trying,' Lucien said softly, as Tamlin cleared the gates and vanished- winnowed. 'He shielded the entire house around you. Others can go in and out, but you can't. Not until he lifts the shield.' He'd locked me in here. I hit the shield again. Again. Nothing. 'Just- be patient, Feyre,' Lucien tried, wincing as he followed after Tamlin. 'Please. I'll see what I can do. I'll try again.' I barely heard him over the roar in my ears. Didn't wait to see him pass the gates and winnow, too. He'd locked me in. He'd sealed me inside the house. I hurtled for the nearest window in the foyer and shoved it open. A cool spring breeze rushed in- and I shoved my hand through it- only for my fingers to bounce off an invisible wall. Smooth, hard air pushed against my skin. Breathing became difficult. I was trapped. I was trapped inside this house. I might as well have been Under the Mountain. I might as well have been inside that cell again- I backed away, my steps too light, too fast, and slammed into the oak table in the centre of the foyer. None of the nearby sentries came to investigate. He'd trapped me in here; he'd locked me up. I stopped seeing the marble floor, or the paintings on the walls, or the sweeping staircase looming behind me. I stopped hearing the chirping of the spring birds, or the sighing of the breeze through the curtains. And then crushing black pounded down and rose up beneath, devouring and roaring and shredding. It was all I could do to keep from screaming, to keep from shattering into ten thousand pieces as I sank onto the marble floor, bowing over my knees, and wrapped my arms around myself. He'd trapped me; he'd trapped me; he'd trapped me- I had to get out, because I'd barely escaped from another prison once before, and this time, this time- Winnowing. I could vanish into nothing but air and appear somewhere else, somewhere open and free. I fumbled for my power, for anything, something that might show me the way to do it, the way out. Nothing. There was nothing and I had become nothing, and I couldn't even get out- Someone was shouting my name from far away. Alis- Alis. But I was ensconced in a cocoon of darkness and fire and ice and wind, a cocoon that melted the ring off my finger until the folden ore dripped away into the void, the emerald tumbling after it. I wrapped that raging force around myself as if it could keep the walls from crushing me entirely, and maybe, maybe buy me the tiniest sip of air- I couldn't get out; I couldn't get out; I couldn't get out-
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
It was said that the Old Folk controlled the power of fire, among other things, but that was in the Long and Long Ago. Before that, the fathers of the Old Folk caught a spark with flint and steel and their own desire to live. It was also said that the world was a great wheel, and everything came round to what it once had been, and so Steven Boughmount knelt in the snow with rocks in his hands, trying to catch a flame. He was having little luck. Just over the low hills, beyond this scrub of forest, the village was warm and sleeping behind its wall. That’s where I should be, Steven thought as he scraped the edge of one rock against the other. Not in bed, not yet, but stretched out in my chair with my feet up, a pipe smoking just right in my hand and Heather curled up beside me. The boys are all asleep, but maybe we’ll stay up for a while. Maybe we’ll move to the bedroom, maybe not. That’s where I should be, not up to my ass in snow trying to light a fire. “C’mon, bastard,” he said, and drug the sharp edge of the rock in his right hand against the flat of the one in his left. A white spark flew, and then died before it could reach the stripped branches and dried moss he had laid out on the frozen ground. Snow crunched somewhere off to the left of him. Steven heard soft, bare footsteps. They were coming, all right. And they were in a hurry, running toward a village protected by two drunks on either side of a leaning gate. That was why Steven sat in the snow. When the Guards slept, the Hunters went to work. And what sounded like a whole clan of goblins was passing him by because he couldn’t get a damn fire lit. Steven drew his sword. It was called Fangodoom, given to him by his mother just before she died. Fangodoom was a dwarf blade, of steel mined and forged deep within the Lyme Mountains centuries ago. Goblins near, the blade all but gleamed though there wasn’t any moon. Again he wondered if this would be the last time, and again he knew that if it was, it was. His hand turned into a fist on the hilt of his weapon, and he prayed. “Lord, make me Your hammer.
Michael Kanuckel (Winter's Heart)
Eventually, two Swedish climbers and a Sherpa called Babu Chiri found Mick. By chance--by God’s grace--Babu was carrying a spare canister of oxygen. Neil and Pasang had also now descended, and met up with Mick and the others. Neil then located an emergency cache of oxygen half-buried in the snow nearby. He gave one to Alan and forced both him and Mick to their feet. Slow and tired, his mind wandering in and out of consciousness, Mick remembers little about the next few hours. It was just a haze of delirium, fatigue, and cold. Descending blue sheet ice can be lethal. Much more so than ascending it. Mick staggered on down, the debilitating effects of thin air threatening to overwhelm him. Somewhere beneath the Balcony Mick suddenly felt the ground surge beneath him. There was a rush of acceleration as the loose topping of snow--covering the blue ice--slid away under him. He began to hurtle down the sheer face on his back, and then made the all-too-easy error of trying to dig in his crampons to slow the fall. The force catapulted him into a somersault, hurtling him ever faster down the steep ice and snow face. He resigned himself to the fact that he would die. He bounced and twisted, over and over, and then slid to a halt on a small ledge. Then he heard voices. They were muffled and strange. Mick tried to shout to them but nothing came out. The climbers who were now at the col then surrounded him, clipped him in, and held him. He was shaking uncontrollably. When Mick and Neil reached us at camp two, forty-eight hours later, they were utterly shattered. Different men. Mick just sat and held his head in his hands. That said it all. That evening, as we prepared to sleep, he prodded me. I sat up and saw a smile spread across his face. “Bear, next time, let me choose where we go on holiday--all right?” I began to laugh and cry at the same time. I needed to. So much had been kept inside. The next morning, Mick, Neil, and Geoffrey left for base camp. Their attempt was over. Mick just wanted to be off this forsaken mountain--to be safe. I watched them head out into the glacier and hoped I had made the right decision to stay up at camp two without them all.
Bear Grylls (Mud, Sweat and Tears)
Phaedrus wrote a letter from India about a pilgrimage to holy Mount Kailas, the source of the Ganges and the abode of Shiva, high in the Himalayas, in the company of a holy man and his adherents. He never reached the mountain. After the third day he gave up, exhausted, and the pilgrimage went on without him. He said he had the physical strength but that physical strength wasn’t enough. He had the intellectual motivation but that wasn’t enough either. He didn’t think he had been arrogant but thought that he was undertaking the pilgrimage to broaden his experience, to gain understanding for himself. He was trying to use the mountain for his own purposes and the pilgrimage too. He regarded himself as the fixed entity, not the pilgrimage or the mountain, and thus wasn’t ready for it. He speculated that the other pilgrims, the ones who reached the mountain, probably sensed the holiness of the mountain so intensely that each footstep was an act of devotion, an act of submission to this holiness. The holiness of the mountain infused into their own spirits enabled them to endure far more than anything he, with his greater physical strength, could take. To the untrained eye ego-climbing and selfless climbing may appear identical. Both kinds of climbers place one foot in front of the other. Both breathe in and out at the same rate. Both stop when tired. Both go forward when rested. But what a difference! The ego-climber is like an instrument that’s out of adjustment. He puts his foot down an instant too soon or too late. He’s likely to miss a beautiful passage of sunlight through the trees. He goes on when the sloppiness of his step shows he’s tired. He rests at odd times. He looks up the trail trying to see what’s ahead even when he knows what’s ahead because he just looked a second before. He goes too fast or too slow for the conditions and when he talks his talk is forever about somewhere else, something else. He’s here but he’s not here. He rejects the here, is unhappy with it, wants to be farther up the trail but when he gets there will be just as unhappy because then it will be “here.” What he’s looking for, what he wants, is all around him, but he doesn’t want that because it is all around him. Every step’s an effort, both physically and spiritually, because he imagines his goal to be external and distant.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
I am in no rush. Let Life happen to me just as Life has planned. Because at the end of the day, when the sun sets there is always a horizon somewhere waiting to call forth another sun, in a paradox of Time. Because at the end of each chapter, the story walks towards its culmination. But just like it is not in the setting or rising of the sun but in the sunshine that one basks, just like it is not the finishing line but the voyage through the storyline where one finds the true understanding of the book, Life is about exploring the voyage all the while knowing full well that each chapter shall find its beginning middle and end just how it's meant to be. It is about the truth that Life is but a dream in Time's illusion and the only sharp truth is to love and be loved, and through that assemble moments in Time that smile beyond Time, to make a garden of experiences through lessons and understandings that Life puts at our journey only to walk us closer to our destination. It is not about the destination rather about the journey, and perhaps about who we share the journey with at each crossroad. And no matter how Time walks by, until and unless we cross all the alleys along the way, until and unless we climb up the peak bit by bit, we cannot reach that destination where we belong. But if we tread along the mountain peak or a winding alley soaking in all the freshness of the air enjoying the crispness of our walk, the journey becomes even more enriching not just to our soul but to all of our senses and our very heart. While if we try to run along the way, we might actually topple down a bad turn, taking in a scar that might demand another cup of our soul's portion to heal. Such is Life. A journey that takes smiles and tears, a voyage that bathes in hope and hopelessness, but in all of it, it never stays stagnant, always tiptoeing to exactly where we are meant to be, at any point of our journey. So when something seems to go stagnant or few things make no sense, I tell myself to pause and pat my soul acknowledging each and every decision or detour of mine as part and parcel of Life's plan. I close my eyes and breathe in the freshness of air that flows in every part of my soul to know, to feel alive to all that this journey has shared with me, while believing in the grace and magnanimity of Time who takes Time but eventually shows and leads us to where we belong. And I hear my heart smiling, Let Life happen to me just as Life has planned. I am in no rush.
Debatrayee Banerjee
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off. As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright. I love it. I smiled. We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed. Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance. The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes. Everest was gone.
Bear Grylls (Mud, Sweat and Tears)
And then it sends a signal to turn off the system.” “So the universe with the wallet in the chamber waiting to be sent still exists,” added Allen. “But the universe from which it is actually sent never does.”  “That is just so messed up,” said Blake in exasperation, and Jenna, Walsh, and Soyer nodded their agreement. “Here is my advice to all of you,” said Cargill. “The best thing to do is ignore time travel, and don’t think about the paradoxes too hard. If you do, your head really will explode,” he added with a wry smile. “Just think of it as duplication and teleportation. But always keep in mind that the universe seems to go out of its way to ensure that infinite alternate timelines aren’t allowed. So no matter what, we only ever get this one universe.” He sighed. “So we’d better make sure we don’t screw it up.”     48   Brian Hamilton hated Cheyenne Mountain. Sure, it was one of the most interesting places in the world to visit, but living there only worked if you were a bat. The Palomar facility had also been underground, but nothing like this. It had a much larger security perimeter, so trips to the surface were easier to make happen. Not that it really mattered. Soon enough he would be traveling on another assignment anyway, living in a hotel room somewhere. But what he really wanted was to work side by side with Edgar Knight, toward their common goal. He was tired of being Knight’s designated spy, having to watch Lee Cargill squander Q5’s vast resources and capabilities. Watching him crawl like a wounded baby when he could be soaring. Cargill was an idiot. He could transform the world, but he was too weak to do it. He could wipe out the asshole terrorists who wanted nothing more than to butcher the helpless. If you have the ultimate cure for cancer, you use it to wipe out the disease once and for all. You don’t wield your cure only as a last resort, when the cancer has all but choked the life out of you. Edgar Knight, on the other hand, was a man with vision. He was able to make the tough decisions. If you were captain of a life raft with a maximum capacity of ten people, choosing to take five passengers of a sinking ship on board was an easy decision, not a heroic one. But what about when there were fifty passengers? Was it heroic to take them all, dooming everyone to death? Or was the heroic move using force, if necessary, to limit this number, to ensure some would survive? Sure, from the outside this looked coldhearted, while the converse seemed compassionate. But watching the world circle the drain because you were too much of a pussy to make the hard decisions was the real crime. Survival of the fittest was harsh reality. In the animal kingdom it was eat or be eaten. If you saw a group of fuck-nuts just itching to nuke the world back into the Dark Ages—who believed the Messiah equivalent, the twelfth Imam, would only come out to play when Israel was destroyed, and worldwide Armageddon unleashed—you wiped them out. To a man. Or else they’d do the same to you. It had been three days since Cargill had reported that he was on the verge of acquiring Jenna Morrison and Aaron Blake.
Douglas E. Richards (Split Second (Split Second, #1))
When you teach someone your true name, you place everything you are in their hands.” “I know, but I may never have the chance again. This is the only thing I have to give, and I would give it to you.” “Eragon, what you are proposing…It is the most precious thing one person can give another.” “I know.” A shiver ran through Arya, and then she seemed to withdraw within herself. After a time, she said, “No one has ever offered me such a gift before…I’m honored by your trust, Eragon, and I understand how much this means to you, but no, I must decline. It would be wrong for you to do this and wrong for me to accept just because tomorrow we may be killed or enslaved. Danger is no reason to act foolishly, no matter how great our peril.” Eragon inclined his head. Her reasons were good reasons, and he would respect her choice. “Very well, as you wish,” he said. “Thank you, Eragon.” A moment passed. Then he said, “Have you ever told anyone your true name?” “No.” “Not even your mother?” Her mouth twisted. “No.” “Do you know what it is?” “Of course. Why would you think otherwise?” He half shrugged. “I didn’t. I just wasn’t sure.” Silence came between them. Then, “When…how did you learn your true name?” Arya was quiet for so long, he began to think that she would refuse to answer. Then she took a breath and said, “It was a number of years after I left Du Weldenvarden, when I finally had become accustomed to my role among the Varden and the dwarves. Faolin and my other companions were away, and I had a great deal of time to myself. I spent most of it exploring Tronjheim, wandering in the empty reaches of the city-mountain, where others rarely tread. Tronjheim is bigger than most realize, and there are many strange things within it: rooms, people, creatures, forgotten artifacts…As I wandered, I thought, and I came to know myself better than ever I had before. One day I discovered a room somewhere high in Tronjheim--I doubt I could locate it again, even if I tried. A beam of sunlight seemed to pour into the room, though the ceiling was solid, and in the center of the room was a pedestal, and upon the pedestal was growing a single flower. I do not know what kind of flower it was; I have never seen its like before or since. The petals were purple, but the center of the blossom was like a drop of blood. There were thorns upon the stem, and the flower exuded the most wonderful scent and seemed to hum with a music all its own. It was such an amazing and unlikely thing to find, I stayed in the room, staring at the flower for longer than I can remember, and it was then and there that I was finally able to put words to who I was and who I am.” “I would like to see that flower someday.” “Perhaps you will.” Arya glanced toward the Varden’s camp. “I should go. There is much yet to be done.” He nodded. “We’ll see you tomorrow, then.” “Tomorrow.” Arya began to walk away. After a few steps, she paused and looked back. “I’m glad that Saphira chose you as her Rider, Eragon. And I’m proud to have fought alongside you. You have become more than any of us dared hope. Whatever happens tomorrow, know that.” Then she resumed her stride, and soon she disappeared around the curve of the hill, leaving him alone with Saphira and the Eldunarí.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))