“
There is not always a good guy. Nor is there always a bad one. Most people are somewhere in between.
”
”
Patrick Ness (A Monster Calls)
“
I don't even remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.
It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.
”
”
Ray Bradbury (Fahrenheit 451)
“
Depression is about as close as you get to somewhere between dead and alive, and it's the worst.
”
”
Elizabeth Wurtzel (Prozac Nation)
“
No one is just a victim or a victor. Everyone is somewhere in between. People who go around casting themselves as one or the other are not only kidding themselves, but they’re also painfully unoriginal.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
A new experience can be extremely pleasurable, or extremely irritating, or somewhere in between, and you never know until you try it out.
”
”
Lemony Snicket (The Blank Book (A Series of Unfortunate Events))
“
Lost, yesterday, somewhere between sunrise and sunset, two golden hours, each set with sixty diamond minutes. No reward is offered for they are gone forever.
”
”
Horace Mann
“
Somewhere between love and hate lies confusion, misunderstanding and desperate hope.
”
”
Shannon L. Alder
“
Introversion- along with its cousins sensitivity, seriousness, and shyness- is now a second-class personality trait, somewhere between a disappointment and a pathology. Introverts living in the Extrovert Ideal are like women in a man's world, discounted because of a trait that goes to the core of who they are. Extroversion is an enormously appealing personality style, but we've turned it into an oppressive standard to which most of us feel we must conform.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
I think I missed my window."
"What window?"
"My get-a-life window. I think I was supposed to figure all this stuff out somewhere between twenty-two and twenty-six, and now it's too late.
”
”
Rainbow Rowell (Attachments)
“
Deep inside, she knew who she was, and that person was smart and kind and often even funny, but somehow her personality always got lost somewhere between her heart and her mouth, and she found herself saying the wrong thing or, more often, nothing at all.
”
”
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
“
Somewhere between a friend and acquaintance—a frequaintance, as it were.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time: my heart was still.
"Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.
”
”
Charlotte Brontë (Jane Eyre)
“
How much snow are they calling for?” “Somewhere between a lot and holy fuck.
”
”
Jennifer L. Armentrout (Frigid (Frigid, #1))
“
I'd been convinced I was on the outside, but really, I'd always been within arm's reach. All I had to do was ask, and I, too, would be easily brought back, surrounded and immersed, finding myself safe, somewhere in between.
”
”
Sarah Dessen (Just Listen)
“
A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.
”
”
Elizabeth Bowen (The Death of the Heart)
“
For the first time in longer than I can remember, I feel peaceful. Not happy. Not sad. Not anxious. Not horny. Just all the higher parts of my brain closing up shop. The cerebral cortex. The cerebellum. That's where my problem is. I'm now simplifying myself. Somewhere balanced in the perfect middle between happiness and sadness. Because sponges never have a bad day.
”
”
Chuck Palahniuk (Choke)
“
In our world, I rank music somewhere between hair ribbons and rainbows in terms of usefulness.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
It turns out that, at social gatherings, as a source of entertainment, conviviality, and good fun, I rank somewhere between a sprig of parsley and a single ice-skate.
”
”
Dorothy Parker
“
I’d much rather pretend I’m
somewhere else, and any time I open
the pages of a book, that happens.
”
”
Jodi Picoult (Between the Lines (Between the Lines, #1))
“
Happiness is a mysterious thing, to be found somewhere between too little and too much.
”
”
Ruskin Bond (A Book of Simple Living)
“
His eyes are somewhere between gray and blue, and his hair is somewhere between brown and blond, and I am somewhere between hostile and attracted.
”
”
Emery Lord (Open Road Summer)
“
There are always three sides to every memory…yours, theirs, and the truth, which lies somewhere in between the two
”
”
Sherrilyn Kenyon
“
Dios mio, I think my brother lost his balls somewhere between here and Mexico. Or maybe Brittany has them zipped inside that fancy purse (of hers).
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Somewhere between the shower and the Red Bull I fell in love with you, Aves. I’m talking epically. There is no coming back from a fall like mine.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
The size and age of the Cosmos are beyond ordinary human understanding. Lost somewhere between immensity and eternity is our tiny planetary home. In a cosmic perspective, most human concerns seem insignificant, even petty. And yet our species is young and curious and brave and shows much promise. In the last few millennia we have made the most astonishing and unexpected discoveries about the Cosmos and our place within it, explorations that are exhilarating to consider. They remind us that humans have evolved to wonder, that understanding is a joy, that knowledge is prerequisite to survival. I believe our future depends on how well we know this Cosmos in which we float like a mote of dust in the morning sky.
”
”
Carl Sagan (Cosmos)
“
And so, perhaps, the truth winds somewhere between the road to Glastonbury, Isle of the Priests, and the road to Avalon, lost forever in the mists of the Summer Sea.
”
”
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
“
Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
Somewhere between fear and sex passion is.
”
”
Jeanette Winterson (The Passion)
“
I should go," I said thickly. "Let me know when you want to start practice again. And thanks for...talking."
I started to turn; then I heard him say abruptly, "No."
I glanced back. "What?"
He held my gaze, and something warm and wonderful and powerful shot between us.
"No," he repeated. "I told her no."
"I..." I shut my mouth before my jaw hit the floor. "But...why? That was a once-in-a-lifetime thing. You could have had a baby. And she...she was, you know, into you..."
The ghost of a smile flickered on his face. "Yes, she was. Is. And that's why I had to say no. I couldn't return that...couldn't give her what she wanted. Not when..." He took a few steps toward me. "Not when my heart is somewhere else.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
And I wasn’t playing a role – I was trying to be myself.
But the harder I was striving, the more I was realizing that I had probably lost that ‘myself’ somewhere between two perfectly performed roles...
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
I can't believe you married a justice nymph and have yet to learn anything from her. There are always three sides to every memory, Z. Yours, theirs, and the truth, which lies somewhere in between the two. (Acheron)
”
”
Sherrilyn Kenyon (Seize the Night (Dark-Hunter #6))
“
Nobody deserves anything,” Evelyn says. “It's simply a matter of who's willing to go and take it for themselves. And you, Monique, are a person who has proven to be willing to go out there and take what you want. So be honest about that. No one is just a victim or a victor. Everyone is somewhere in between. People who go around casting themselves as one or the other are not only kidding themselves, but they're also painfully unoriginal.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
With all honesty, somewhere between the hello and the dreams I saw you in I fell in love.
”
”
Robert M. Drake
“
If Victor was frightened by Dimitri's threat, he didn't show it. His jade green eyes glanced between the two of us. "You two are a match made in heaven. Or somewhere.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
Spiritual but not religious,” Zachary clarifies. He doesn’t say what he is thinking, which is that his church is held-breath story listening and late-night-concert ear-ringing rapture and perfect-boss fight-button pressing. That his religion is buried in the silence of freshly fallen snow, in a carefully crafted cocktail, in between the pages of a book somewhere after the beginning but before the ending.
”
”
Erin Morgenstern (The Starless Sea)
“
I didn't love you the day I met you, or even a month later. But somewhere between hello and the goodbye I'm unable to bear
”
”
Georgia Cates (Beauty from Pain (Beauty, #1))
“
Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
”
”
J.D. Salinger (Franny and Zooey)
“
Myths do not happen all at once.
They do not spring forth whole into the world. They form slowly, rolled between the hands of time until their edges smooth, until the saying of the story gives enough weight to the words—to the memories—to keep them rolling on their own.
But all stories start somewhere, and that night, as Rhy Maresh walked through the streets of London, a new myth was taking shape.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
I remembered this one time that I never told anybody about. The time we were walking. Just the three of us. I was in the middle. I don't remember where we were walking to or where we were walking from. I just remember the season. I just remember walking between them and feeling for the first time that I belonged somewhere
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Seeing her, well, it did things I hadn’t been ready to delve into before. Hell, I really didn’t even know at what point I had become ready.
Probably happened somewhere between when I thought she was dead and when she wasn’t.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Q: When is the perfect time? A: Who can say, but probably somewhere between haste and delay - and it's usually most wise to start today.
”
”
Rasheed Ogunlaru
“
She was on a high cliff edge somewhere between laughing and crying and screaming.
”
”
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
“
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
I peered up at him. He was leaning against the table, arms crossed, the ghost of a smile playing over his lips.
'Mal, I put a hole in the ceiling.'
'A very dramatic hole.'
I let out a huff somewhere between a laugh and a sob. 'What are we going to do when it rains?'
'What we always do,' he said. 'Keep dry.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Most men either compromise or drop their greatest talents and start running after, what they perceive to be, a more reasonable success, and somewhere in between they end up with a discontented settlement. Safety is indeed stability, but it is not progression.
”
”
Criss Jami (Killosophy)
“
She was surprised that her hands had not forgotten, that somewhere in her mind, after a year of darkness and slavery, music was still alive and breathing. That somewhere, between the notes, was Sam. She forgot about time as she drifted between pieces, voicing the unspeakable, opening old wounds, playing and playing as the sound forgave and saved her.
”
”
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
“
Stardust
If you came to me with a face I have not seen, with a voice I have never heard, I would still know you. Even if centuries separated us, I would still feel you. Somewhere between the sand and the stardust, through every collapse and creation, there is a pulse that echoes of you and I.
When we leave this world, we give up all our possessions and our memories. Love is the only thing we take with us. It is all we carry from one life to the next.
”
”
Lang Leav (Memories)
“
If there's a child on the south side of Chicago who can't read, that matters to me, even if it's not my child. If there's a senior citizen somewhere who can't pay for their prescription, who has to choose between medicine and the rent, that makes my life poorer - even if it's not my grandparent. If there's an Arab-American or Mexican-American family being rounded up by John Ashcroft without benefit of an attorney or due process, I know that that threatens my civil liberties. And I don't have to be a woman to be concerned that the Supreme Court is trying to take away a woman's right, because I know that my rights are next. It is that fundamental belief - I am my brother’s keeper, I am my sister’s keeper - that makes this country work.
”
”
Barack Obama
“
The energy you drew on so extravagantly when you were a kid, the energy you thought would never exhaust itself - that slipped away somewhere between eighteen and twenty-four, to be replaced by something much duller, something as bogus as a coke high: purpose, maybe, or goals, or whatever rah-rah Junior Chamber of Commerce word you wanted to use. It was no big deal; it didn't go all at once, with a bang. And maybe, Richie thought, that's the scary part. How you didn't stop being a kid all at once, with a big explosive bang, like one of that clown's trick balloons. The kid in you just leaked out, like the air of a tire.
”
”
Stephen King (It)
“
In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.
”
”
Julian Barnes (The Sense of an Ending)
“
Granny Weatherwax looked out at the multi-layered, silvery world.
“Where am I?”
INSIDE THE MIRROR.
“Am I dead?”
THE ANSWER TO THAT, said Death, IS SOMEWHERE BETWEEN NO AND YES.
Esme turned, and a billion figures turned with her.
“When can I get out?”
WHEN YOU FIND THE ONE THAT’S REAL.
“Is this a trick question?”
NO.
Granny looked down at herself.
“This one,” she said.
”
”
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
“
How is it that one day life is orderly and you are content, a little cynical perhaps but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know know that things will not be the same as at home. Explorers are prepared. But for us, who travel to cities of the interior by chance, there is no preparation. We who are fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back worse.
”
”
Jeanette Winterson (The Passion)
“
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.
He was exasperated because he didn't know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.
So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.
”
”
Arundhati Roy (The God of Small Things)
“
Sana'y hindi umiikot ang mundo at tumatanda ang panahon.
- Jea
”
”
Martha Cecilia (Somewhere Between Lovers and Friends)
“
It is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly.
”
”
Charlotte Brontë (Jane Eyre)
“
I always hear people talk about 'dysfunctional families.' It annoys me, because it makes you think that somewhere there's this magical family where everyone gets along, and no one ever screams things they don't mean, and there's never a time when sharp objects should be hidden. Well, I'm sorry, but that family doesn't exist. And if you find some neighbors that seem to be the grinning model of 'function,' trust me - that's the family that will get arrested for smuggling arms in their SUV between soccer games.
The best you can really hope for is a family where everyone's problems, big and small, work together. Kind of like an orchestra where every instrument is out of tune, in exactly the same way, so you don't really notice.
”
”
Neal Shusterman (Antsy Does Time (Antsy Bonano, #2))
“
My new 9mm didn’t fit my hand as well as my old one, but it was rapidly becoming a familiar weight. At first I’d decided it was okay to wear as long as I shot only at supernatural bad guys who were already shooting at me. Lately, I’d had to broaden that definition to anytime my life was in danger. I was currently leaning toward a slightly more comprehensive rule somewhere between proactive self-defense and the-bastards-had-it-coming, which, if I survived long enough, I intended to blame on my deranged partner rubbing off on me.
”
”
Karen Chance (Embrace the Night (Cassandra Palmer, #3))
“
The worst thing is not that the world is unfree, but that people have unlearned their liberty.
The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time.
Not being able to fall asleep and not allowing oneself to move: the marital bed.
If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers.
In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister…
Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable.
The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened.
The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy.
A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty.
You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you.
If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books.
By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill.
Any new possibility that existence acquires, even the least likely, transforms everything about existence.
”
”
Milan Kundera
“
The oceans never stop ... the wind never finishes. Sometimes it disappears, but only to gather momentum from somewhere else, returning to fling itself at the island ... Existence here is on the scale of giants. Time is in the millions of years; rocks which from a distance look like dice cast against the shore are boulders hundreds of feet wide, licked round by millennia ...
”
”
M.L. Stedman (The Light Between Oceans)
“
Granny bit her lip. She was never quite certain about children, thinking of them - when she thought about them at all – as coming somewhere between animals and people. She understood babies. You put milk in one end and kept the other as clean as possible. Adults were even easier, because they did the feeding and cleaning themselves. But in between was a world of experience that she had never really inquired about. As far as she was aware, you just tried to stop them catching anything fatal and hoped that it would all turn out all right.
”
”
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
“
She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mâché horse.
”
”
Anaïs Nin (A Spy in the House of Love (Cities of the Interior, #4))
“
See, forgiveness doesn't happen all at once. It's not an event -- it's a process. Forgiveness happens while you're asleep, while you're dreaming, while you're inline at the coffee shop, while you're showering, eating, farting, jerking off. It happens in the back of your mind, and then one day you realize that you don't hate the person anymore, that your anger has gone away somewhere. And you understand. You've forgiven them. You don't know how or why. It sneaked up on you. It happened in the small spaces between thoughts and in the seconds between ideas and blinks. That's where forgiveness happens. Because anger and hatred, when left unfed, bleed away like air from a punctured tire, over time and days and years. Forgiveness is stealth. At least, that's what I hope.
”
”
Barry Lyga (Boy Toy)
“
I think that history is the story of the past, using all the available facts, and that nostalgia is a fantasy about the past using no facts, and somewhere in between is memory, which is kind of this blend of history and a little bit of emotion…I mean, history is kind of about what you need to know…but nostalgia is what you want to hear.
”
”
Clint Smith (How the Word Is Passed: A Reckoning with the History of Slavery Across America)
“
I wish I was not who I am. I wish I had met you in different circumstances, in a place far away from here, where there was no magic, politics and deception. Somewhere where things could be different between us. I wish I was someone else. But I am what and who I am, and all the wishes in the world will not change that.
”
”
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
“
But where was God now, with heaven full of astronauts, and the Lord overthrown? I miss God. I miss the company of someone utterly loyal. I still don't think of God as my betrayer. The servants of God, yes, but servants by their very nature betray. I miss God who was my friend. I don't even know if God exists, but I do know that if God is your emotional role model, very few human relationships will match up to it. I have an idea that one day it might be possible, I thought once it had become possible, and that glimpse has set me wandering, trying to find the balance between earth and sky. If the servants hadn't rushed in and parted us, I might have been disappointed, might have snatched off the white samite to find a bowl of soup.
As it is, I can't settle, I want someone who is fierce and will love me until death and know that love is as strong as death, and be on my side for ever and ever. I want someone who will destroy and be destroyed by me. There are many forms of love and affection, some people can spend their whole lives together without knowing each other's names. Naming is a difficult and time-consuming process; it concerns essences, and it means power. But on the wild nights who can call you home? Only the one who knows your name. Romantic love has been diluted into paperback form and has sold thousands and millions of copies. Somewhere it is still in the original, written on tablets of stone. I would cross seas and suffer sunstroke and give away all I have, but not for a man, because they want to be the destroyer and never the destroyed.
”
”
Jeanette Winterson (Oranges Are Not the Only Fruit)
“
As adults, we have many inhibitions against crying. We feel it is an expression of weakness, or femininity or of childishness. The person who is afraid to cry is afraid of pleasure. This is because the person who is afraid to cry holds himself together rigidly so that he won't cry; that is, the rigid person is as afraid of pleasure as he is afraid to cry. In a situation of pleasure he will become anxious. As his tensions relax he will begin to tremble and shake, and he will attempt to control this trembling so as not to break down in tears. His anxiety is nothing more than the conflict between his desire to let go and his fear of letting go. This conflict will arise whenever the pleasure is strong enough to threaten his rigidity.
Since rigidity develops as a means to block out painful sensations, the release of rigidity or the restoration of the natural motility of the body will bring these painful sensations to the fore. Somewhere in his unconscious the neurotic individual is aware that pleasure can evoke the repressed ghosts of the past. It could be that such a situation is responsible for the adage "No pleasure without pain.
”
”
Alexander Lowen (The Voice of the Body)
“
He felt greedy for something. He’d wanted to kiss Wylan since he’d first seen him stirring chemicals in that gruesome tannery—ruddy curls damp with the heat, skin so delicate it looked like it would bruise if you breathed on it too hard. He looked like he’d fallen into the wrong story, a prince turned pauper. From then on, Jesper had been stuck somewhere between the desire to taunt the pampered little merchling into another blush and the urge to flirt him into a quiet corner just to see what might happen. But sometime during their hours at the Ice Court, that curiosity had changed. He’d felt the tug of something more, something that came to life in Wylan’s unexpected courage, in his wide-eyed, generous way of looking at the world. It made Jesper feel like a kite on a tether, lifted up and then plummeting down, and he liked it.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.
”
”
Tom Robbins (Jitterbug Perfume)
“
When I am with you, we stay up all night.
When you're not here, I can't go to sleep.
Praise God for these two insomnias!
And the difference between them.
The minute I heard my first love story
I started looking for you, not knowing
how blind that was.
Lovers don't finally meet somewhere.
They're in each other all along.
We are the mirror as well as the face in it.
We are tasting the taste this minute of eternity. We are pain
and what cures pain, both. We are
the sweet cold water and the jar that pours.
I want to hold you close like a lute,
so we can cry out with loving.
You would rather throw stones at a mirror?
I am your mirror, and here are the stones.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
Ryodan doesn’t like Mac. He never has. She got between him and his best boy-bud. I give him a look. “I’ll tell you a secret, Ryodan. You mess with her, Barrons’ll kill you.” I drag a finger across my neck. “Just like that. You aren’t all that. Barrons’ll stomp your ass, hand’s down.”
He smiles faintly. “I’ll be damned. You have a crush on Barrons.”
“I do not have a crush—“
“You do, too. It’s all over your face. Anybody could see it.”
“Sometimes, boss, you’re just wrong.”
“I’m never wrong. You might as well take out a billboard. ‘Dani O’Malley thinks Jericho Barrons is hot.’ My offer to teach you is still open. Save you from future embarrassment. If I can see it on your face, he can, too. ”
“He never figured it out before,” I grumble then realize I just admitted it. Ryodan has a tricky way of wording things that makes you say things you didn’t mean to say. “Maybe I’ll ask Barrons to teach me,” I mutter and turn away from the stairs, heading for his office. I run smack into his chest. “Dude, move. Trying to get somewhere here.”
“No one but me is ever going to teach you, Dani.”
He touches me before I see it coming, has his hand under my chin, turning my face up. My shiver is instant and uncontrollable.
“That’s non-negotiable. You signed a contract with me that grants exclusivity. You won’t like it if you try to break it.
”
”
Karen Marie Moning (Iced (Fever, #6))
“
We all have to get our hope from somewhere, and if getting lost between the pages of a deep book gives me hope, then I'll keep on getting lost, all the while hoping that one day I'll have a real love I can get lost in. Because it will happen, to each of us. One day we'll get so lost in love that we won't be able to find our way back out.
”
”
Emma Hart (The Love Game (The Game, #1))
“
Hanged"
I hung myself today. Hanged? Whatever,
the point is I hanged myself today and I’m still
hanging.
I feel fine. Just bored. I keep hoping that
someone will come home and cut me down
but then I keep remembering that if I knew
someone like that I wouldn’t be up here. Bit
ironic, right? Or is that not ironic? I read
somewhere that, like, anything funny is,
in some way, ironic. But I don’t know if it's
funny or not. I don’t think my brain owns
“funny”, you know?
I feel taller. I like that.
I’ve never been away from my shadow for
this long. It had always clung to my feet,
parting momentarily for a quick dive into
the swimming pool. But never for five
hours. I like it. There’s three feet of space
between my two and the floor.
I wanted something this morning. I may be
stuck. But at least I’m three feet closer to it.
”
”
Bo Burnham (Egghead; or, You Can't Survive on Ideas Alone)
“
Are you anything akin to me, do you think, Jane?"
I could risk no sort of answer by this time; my heart was full.
"Because," he said, "I sometimes have a queer feeling with regard to you — especially when you are near to me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and then I've a nervous notion I should take to bleeding inwardly.
”
”
Charlotte Brontë (Jane Eyre)
“
There is a great difference between one idler and another idler. There is someone who is an idler out of laziness and lack of character, owing to the baseness of his nature. If you like, you may take me for one of those. Then there is the other kind of idler, the idler despite himself, who is inwardly consumed by a great longing for action who does nothing because his hands are tied, because he is, so to speak, imprisoned somewhere, because he lacks what he needs to be productive, because disastrous circumstances have brought him forcibly to this end. Such a one does not always know what he can do, but he nevertheless instinctively feels, I am good for something! My existence is not without reason! I know that I could be a quite a different person! How can I be of use, how can I be of service? There is something inside me, but what can it be? He is quite another idler. If you like you may take me for one of those.
”
”
Vincent van Gogh (The Letters of Vincent van Gogh)
“
...I don't understand this gap you see between us, but can't you meet me somewhere in the middle?"
"The middle of what?"
"I don't know, the middle of tomorrow and forever, the middle of life and death, the middle of normal and paranormal. Where we've always been."
I bit my lip, nodding against his forehead. "There's a place for us there, right?"
"Always." He put his lips to mine, sealing our own little spot in the world. Together.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
The books I liked became a Bible from which I drew advice and support; I copied out long passages from them; I memorized new canticles and new litanies, psalms, proverbs, and prophecies, and I sanctified every incident in my life by the recital of these sacred texts. My emotions, my tears, and my hopes were no less sincere on account of that; the words and the cadences, the lines and the verses were not aids to make believe: but they rescued from silent oblivion all those intimate adventures of the spirit that I couldn’t speak to anyone about; they created a kind of communion between myself and those twin souls which existed somewhere out of reach; instead of living out my small private existence, I was participating in a great spiritual epic.
”
”
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
“
Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.
”
”
Jim Butcher (Fool Moon (The Dresden Files, #2))
“
So they gave me love in form of poison and tiny little pills, programming my emotions, teaching me how to feel. To act correct and talk correct and answer without knowing the question, because that, my dear, is how you get love. Yes that, dear youth, is how you'll be loved. I tried to medicate my own fucked up little mind with chemicals and adrenaline, tasting sweeter every night, shaking louder every time. Sitting wide awake in bed until the world disappears, writing poetry to concentrate on something real while waiting for the love to arrive.
I've been looking for it night after night, waiting patiently for it to show up, maybe somewhere in between the state of awake and asleep, alive and not so alive, sober and not so sober.
(I lost track of the difference somewhere in between.)
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
I have never really understood exactly what a ‘liberal’ is, since I have heard ‘liberals’ express every conceivable opinion on every conceivable subject. As far as I can tell, you have the extreme right, who are fascist racist capitalist dogs like Ronald Reagan, who come right out and let you know where they’re coming from. And on the opposite end, you have the left, who are supposed to be committed to justice, equality, and human rights. And somewhere between those two points is the liberal.
As far as I’m concerned, ‘liberal’ is the most meaningless word in the dictionary. History has shown me that as long as some white middle-class people can live high on the hog, take vacations to Europe, send their children to private schools, and reap the benefits of their white skin privilege, then they are ‘liberal’. But when times get hard and money gets tight, they pull off that liberal mask and you think you’re talking to Adolf Hitler. They feel sorry for the so-called underprivileged just as long as they can maintain their own privileges.
”
”
Assata Shakur
“
How can I put this? There's a king of gap between what I think is real and what's really real. I get this feeling like some kind of little something-or-other is there, somewhere inside me... like a burglar is in the house, hiding in a wardrobe... and it comes out every once in a while and messes up whatever order or logic I've established for myself. The way a magnet can make a machine go crazy.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
It's because I haven't courage,' said Samuel. 'I could never quite take the responsibility. When the Lord God did not call my name, I might have called his name - but I did not. There you have the difference between greatness and mediocrity. It's not an uncommon disease. But it's nice for a mediocre man to know that greatness must be the loneliest state in the world.'
'I'd think there are degrees of greatness,' Adam said.
'I don't think so,' said Samuel. 'That would be like saying there is a little bigness. No. I believe when you come to that responsibility the hugeness and you are alone to make your choice. On one side you have warmth and companionship and sweet understanding, and on the other - cold, lonely greatness. There you make your choice. I'm glad I chose mediocrity, but how am I to say what reward might have come with the other? None of my children will be great either, except perhaps Tom. He's suffering over the choosing right now. It's a painful thing to watch. And somewhere in me I want him to say yes. Isn't that strange? A father to want his son condemned to greatness! What selfishness that must be.
”
”
John Steinbeck (East of Eden)
“
For this is the thing the priests do not know, with their One God and One Truth; that there is no such thing as a true tale. Truth has many faces and the truth is like the old road to Avalon; it depends on your own will, and your own thoughts, whither the road will take you, and whether, at the end, you arrive at the Holy Isle of Eternity or among the priests with their bells and their death and their Satan and hell and damnation...but perhaps I am unjust even to them. Even the Lady of the Lake, who hated a priest's robe as she would have hated a poisonous viper, and with good cause too, chid me once for speaking evil of the God.
'For all the Gods are one god,' she said to me then, as she had said many times before, and as I have said to my own novices many times, and as every priestess who comes after me will say again, 'and all the Goddesses are one Goddess, and their is only one Initiator. And to every man his own truth, and the God within.'
And so, perhaps, the truth winds somewhere between the road to Glastonbury, Isle of the Priests, and the road to Avalon, lost forever in the mists of the Summer Sea.
But this is my truth, I who am Morgaine tell you these things, Morgaine who was in later days called Morgan le Fay.
”
”
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
“
And I was your moon because I shined brighter than any other star in your universe and you were my darkness. Without you I could not see the depth of my light and with you I could set the night a glow. So we needed one another—the dark and the light. Your fear. My courage. Connected, but separated. Different, but the same. A synergy that made no sense, but every bit of sense. We were neither a beginning, nor an end. We were somewhere in between our madness at sunset and the reality we awakened to with each sunrise. We were the ghosts of timing and fate. We were neither fantasy, nor reality--- we were a purpose somewhere in between.
”
”
Shannon L. Alder
“
For at least twenty minutes she handed out the story. The youngest kids were soothed by her voice, and everyone else saw visions of the whistler running from the scene. Liesel did not. The book thief saw only the mechanics of the words--their bodies stranded on the paper, beaten down for her to walk on. Somewhere, too, in the gaps between a period and the next capital letter, there was also Max. She remembered reading to him when he was sick. It he in the basement? she wondered. Or is he stealing a glimpse of the sky again?
”
”
Markus Zusak (The Book Thief)
“
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?'
That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?'
I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out.
Jacks laughed, louder this time.
Embarrassment surged through her. 'That's not what I meant to say.'
'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away.
She made a sound somewhere between a squeal and a gasp. 'What that really necessary?'
'No, but everyone should have their clothes ripped off at some point.'
She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest.
Out of the corner of her eye, she thought she saw him smile.
And for a second, nothing hurt.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
”
”
Jeanette Winterson (The Passion)
“
I’ve gotten convinced that there’s something kind of timelessly vital and sacred about good writing. This thing doesn’t have that much to do with talent, even glittering talent... Talent’s just an instrument. It’s like having a pen that works instead of one that doesn’t. I’m not saying I’m able to work consistently out of the premise, but it seems like the big distinction between good art and so-so art lies somewhere in the art’s heart’s purpose, the agenda of the consciousness behind the text. It’s got something to do with love. With having the discipline to talk out of the part of yourself that can love instead of the part that just wants to be loved.
”
”
David Foster Wallace
“
Writing, like life itself, is a voyage of discovery. The adventure is a metaphysical one: it is a way of approaching life indirectly, of acquiring a total rather than a partial view of the universe. The writer lives between the upper and lower worlds: he takes the path in order eventually to become that path himself.
”I began in absolute chaos and darkness, in a bog or swamp of ideas and emotions and experiences. Even now I do not consider myself a writer, in the ordinary sense of the word. I am a man telling the story of his life, a process which appears more and more inexhaustible as I go on. Like the world-evolution, it is endless. It is a turning inside out, a voyaging through X dimensions, with the result that somewhere along the way one discovers that what one has to tell is not nearly so important as the telling itself. It is this quality about all art which gives it a metaphysical hue, which lifts it out of time and space and centers or integrates it to the whole cosmic process. It is this about art which is ‘therapeutic’: significance, purposefulness, infinitude.
”From the very beginning almost I was deeply aware that there is no goal. I never hope to embrace the whole, but merely to give in each separate fragment, each work, the feeling of the whole as I go on, because I am digging deeper and deeper into life, digging deeper and deeper into past and future. With the endless burrowing a certitude develops which is greater than faith or belief. I become more and more indifferent to my fate, as writer, and more and more certain of my destiny as a man.
”
”
Henry Miller (Henry Miller on Writing)
“
When people say the word "convention," they are usually referring to large gatherings of the employees of companies and corporations who attend a mass assembly, usually in a big hotel somewhere, for the purpose of pretending to learn stuff when they are in fact enjoying a free trip somewhere, time off work, and the opportunity to flirt with strangers, drink, and otherwise indulge themselves. The first major difference between a business convention and a fan-dom convention is that fandom doesn’t bother with the pretenses. They’re just there to have a good time. The second difference is the dress code— the ensembles at a fan convention tend to be considerably more novel.
”
”
Jim Butcher (Proven Guilty (The Dresden Files, #8))
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
Rukia, let me ask you something. From your experience where do you think your heart is?" "um well if I had to guess I think somewhere around here isn't that right?" "If you want to be literal about it. But in my opinion it's more a state of mind. I believe its right here, not inside our bodies at all. I think a heart is created between people when they meet for the first time, a bond that's brought to life between individuals. It's an emotional connection, when you think about something or care about someone, that's where your heart is born. If you were the only person that existed in this world, your heart would have no way of forming so it just wouldn't be anywhere. There's nothing to worry about Rukia. If you believe with all of your heart that you belong here, then this is where you'll stay. If your heart is here then that's all the reason in the world you need to be here. You must never doubt that. But listen Rukia, in the fights to come, there's something I must warn you about. Something you must promise me you will never ever do. I mean this. You must never die alone. Our souls are our bodies and when we die our bodies turn to dust and become the reishi that go on to form the soul society, but where do our hearts go? We entrust our hearts to our friends. If you entrust your heart to your friends it will continue to live on inside them. That's the most important thing you'll learn from my training. Don't you dare die alone Rukia.
”
”
Tite Kubo
“
A Brief for the Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.
”
”
Jack Gilbert (Refusing Heaven: Poems)
“
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.”
The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.”
Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
”
”
Catherynne M. Valente (Deathless)
“
Once I thought I saw you
in a crowded hazy bar,
Dancing on the light
from star to star.
Far across the moonbeam
I know that's who you are,
I saw your brown eyes
turning once to fire.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
I am just a dreamer,
but you are just a dream,
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
You are just a dreamer,
and I am just a dream.
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it.
I wrote a lot of songs when I couldn't talk.
”
”
Neil Young
“
we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement."
"You and George didn't go back on your promises."
She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business."
"But people change," he said quietly.
"Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened.
One day the two came upon each other on the corner of a street.
“This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.”
“And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.”
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle.
As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily?
And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?”
“Yes,” she said, “that is exactly what we should do.”
And so they parted, she to the east, and he to the west.
The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully.
One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank.
They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love.
Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty.
One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew:
She is the 100% perfect girl for me.
He is the 100% perfect boy for me.
But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever.
A sad story, don’t you think?
”
”
Haruki Murakami (The Elephant Vanishes)
“
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly.
“Don’t bother, Van,” he demanded, pokerfaced.
“I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it.
Those brown eyes blinked. “You just flipped him off, didn’t you?”
Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be.
“I know everything.” He said it like he really believed it.
I groaned and cast him a long look. “You really want to play this game?”
“I play games for a living, Van.”
I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?”
He stared at me.
“See?”
“March third, Muffin.”
What in the hell?
“See?” he mocked me.
Who was this man and where was the Aiden I knew?
“How old am I?” I kept going hesitantly.
“Twenty-six.”
“How do you know this?” I asked him slowly.
“I pay attention,” The Wall of Winnipeg stated.
I was starting to think he was right.
Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?”
Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.”
“I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.”
A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?”
The expression on his face was like he was torn between being okay with the idea and being completely against it.
Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.”
He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me…
And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?”
Aiden Graves, husband of mine, said it, “Me.”
Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.”
What the hell had I just said? What in the ever-loving hell had I just said?
“If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
”
”
Mariana Zapata (The Wall of Winnipeg and Me)